J sus Is live o contact u : Email feedback@ raisecharts.co or call (800) 695-6293
ords & music by Ron Kenoly
rranged by Dan G lbraith Based on the popular recording from the Hillsong album “Shout o The Lord 2 00”
orshi p Band eries is a uni ue and growi g series of arrangements by some of today’s top new arrangers. The raiseCharts orship These arrangemen s are geared towards a contemporary “R B horns” prai e band sound, but at the sa e time are s alable up to a medium-sized orchestra. The co e parts (rhythm, vocals, and brass) may b enhanced wi h the other p rts in any co bination. Rhythm section: Th Rhythm part is f or the section pla er (pianist, guitar ist, or dr mmer) with all t e specific rhythms and chords necessary for the arrangement. The Lea Sheet is is a combi ation rhythm an vocal chart mea t for the v calists, worship l eader, or rhythm player needing m re vocal cues. Th e Pian , Voca Vocall part includes a full piano p rt in “songbook f rmat” for those ot comf rtable with playi g from a chord c art. When playin g with a complet band the pianist would be advised to si plify this part in o rder to "stay out f the ay".
ead Sheet and SATB ocal/Piano score. Vocals: We include b th an SAT Lead and a SATB Whe the Whe may to-le
using the SAT part (soprano/alto/ enor), the barito e/basses should ing elody (soprano) own an octave – any exceptions ar listed on the score. the part is writt n in unison, the en should sing it down one octave or it e done as a solo. This method provides a contemporary sound in an e syrn fashion.
Alt rnate keys: Th re is at least one alternate key incl ded to acc mmodate either a keyboard-based band or a guitar- ased band, to give the orchestra a more playable key, or t make the vocal range more acc ssible if necessar . Other notes: Rehe rsal numbers are given in the form of “1”, “2”, and “3”, providing the eas y use of finger sig nals by the worshiip leader who ma want to make impro ptu changes duri g worship. Nor ally, “1” is the verse of the song, “2” is the chorus, an “3” is a bridge or other section, but there are exceptions. When a section i repeated in its entirety later in th arrangement, it is lab led “1a” or “2a”, etc. All endings a d repeats are clearly notated to facilitate these impro mptu changes. Finally, each inst umental part incl udes Lyric Cues to aid the player in keeping their place.
Par s include in the Pr iseChart W Worsh orship ip
and Ser Seri i s
L ad Sheet Sheet (SAT) – for worship leader and vocal team Piano/Voc l (SATB) – includes written-out piano part and SATB vocals R yth ythm m – a more detailed chart f or keyboard, guitars, and drum . Ac. Guita Guitar r modified Rhythm part in appr priate capo ke s C re Worship Band instrume tal parts (wri ten as a secti on):
Tr ump umpet et 1-2 1- 2 Alto Sax Tr ombo ombone ne 1-2
Tru pe pett 3 (doubles Alto Sax) Ten Te nor Sax 1-2 (doubles Trombone )
A not on brass styli gs: For most titl es, the brass part should be interp eted with jazz articulations and infl ections in mind. hey have been otated very caref ully to aid the pla er in this interpr tation.
Additional Orchestral parts (these enhance the arr ngement, bu the Worship Band parts m y also stand lone): Written with core brass Written as a secti n Written as a secti n
ass Trombo Tr ombone ne Tuba Perc ssio ssion n 1,2 (Timpani, Bells, Sus. ym., etc) ari Sax (doubles Bass Trombone) orn 1-2 (French Horn) lute/Oboe 1-3 larinet (doubl s 3rd Flute) Cello-Bas lo-Bas s (note, all mult i-note parts are divisi) Individual strin parts - Violin, iola, Cel tring tri ng Reductio Reductio – string parts ondensed for keyboard synth
ww .praisecharts.com
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Lead Sheet (SAT)
Key: E
Jesus Jesus Is Alive Aliv e (based (based on the the recording from the the Hillsong album "S hout To The Lord 2000")
a-Lively!
4 b b b & 4 ’ f & bbb .. ˙˙ œœ A
1 Chorus
5
Gm7( D
9
-
G m7 F m7
-
-
-
ia!
Je
œœj œœ
b b & b b œœ œœ œœ
ha s lost
œœj
its
vi c
E F
C7
b b & b —Jœ œ .– – Ó— — œœ œœ
Fm
12
G m7
ma7
& bbb œœ Œ œœ œœ ˙˙ A
16
a
-
live!
j b œ œ & b b œ œ œœ Œ ‰ œœ œœ œœ B D
20
ga ,
j b &
7 ma
B
t he
-
su s
is
a
-
A B
œ œ œ œ ’ Hal - l e -
Ó
li liv e,
C 7sus
œœ b œœ Œ ‰ œj œ œ œ œ œ œj œ œj j ˙ œ œ œ œœ œœ œœ œœ œœ œœ œœ Œ œœ œ ˙ œJ œ œœ œœ œœ œœ œœ œœ Œ œœ œœ œœ œœ œœ œœJ œœ œœJ j j j j j œ œœ œœ œ œœ ˙˙ Œ ‰ œœ b œœ œœ œœ œœ œœ œœ -
Je - su s liv es
He 's
A
’ ÛJ Û JÛ ’ ’ ’ ’ ’ ’ ’ Û Û ’ j j œ œ œœ œ œœ ˙˙ Ó œœ œœ œœ œœ œ œœ ˙˙
5)
de ath
G m7
B D
E
lu
Ron Kenoly Arr. by Dan Galbraith
q = 165
7 ma
t'ry
an d the gr ave
ha s be en
A
F m7 Gm7
for
-
ev
B
-
er ,
He 's
a
-
G 7sus
is
He .
ma7
2 (cont.)
E
He's He's
the the
Al - ph a an d
The
C7
de - ni ed .
G m7 Fm7
live,
A B
G m7( D
Fir st an d La st
b
O
-
me me -
5)
cu rse
of of sin
is
/G
br o -
j
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Lead Sheet (SAT)
Jesus Is Alive Alive - page page 2 of 2
E F
Fm
La mb
of
Key: E
F m7
G m7
He 's
a
& bbb œœ œœ œœ œœ œœ œœ œœ œœ œœ Œ œœ œœ
1 - Repeat as desired A ma7
Go d
ha s
G m7
ri
-
7 ma
se n,
-
live!
2 - Last time ma7
G m7 Fm7
A
A B
& bbb œœ Œ œœ œœ ˙˙ œœ œœ œœ œœ œœ Œ œœ œœ . ˙˙ œœJ œœ j b ˙ œ œ œ œ œ œ & b b œ Œ œ œ ˙ œJ œ œ œœ Œ œœ œœ ˙˙ œœ A
B
F m7
œœ œœ œœj J
˙˙
27
G m7
œœj
30
He 's
a
G
-
live!
A
m7
Hal Hal - le -
7 ma
G m7 Fm7
- live!
G m7
A
ma7
34
He 's
Cm B B Rit.
a
-
live!
A B
B
is
a
Ha l - l e
A E
b œ b b & œ œœ œœ œœ
ww
38
Je
-
su s
-
live!
ww
-
lu
Uww E
-
ia!
Œ
b
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Piano-Vocal (SATB)
Key: E
Jesus Jesus Is Alive Aliv e
(based on the the recording from the Hills ong album "Sh out To The Lord 2000")
4 b b b & 4
a-Lively!
q = 165
1 Chorus
& bb b . ˙ ˙ ? bb b . b ˙ . b b & ˙ ? bb b . œ . lu
E
5
-
∑
Ron Kenoly Arr. by Dan Galbraith Galbraith
∑
Ó
œ œ
œ œ
Hal - l e
? bbb 44
4 b b b & 4 ? bbb 44
∑
A ma7
˙˙ f œ
∑ œœ œœ J œ œj œ
œœœœ œœœœ -
∑
∑ jœ œ . j œœ œ œœ .. œj œœ œ œ. œ œ j jœ œ œ œ œ œ œ . œ œ œ œ
œœ œœ œ œ
Ó œœ œœ œœ œœ œ œ œ œ œ œ œ œ
œj œ œJ œ
œj œJ
˙ ˙
œœ œœ œœj œœ œj œ .
œœj œj
G m7 F m7
-
ia!
œœ œœ œœ œœ jœ œ . œj
˙ ˙
G m7
Ó
Ó j œ œ œœ œœ œ œ œœ .. .œ œj œ . œj
œ œ
A ma7
œœ œœ
Je - sus i s
B D
œœ œ.
b
B
a - live ,
-
A B
Ó
Ó j œ œ œœ œœ œ œ œœ .. œ . œj œ . œj
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Piano-Vocal (SATB)
Jesus Is Alive Alive - page page 2 of 4
& bb b œ œ b œ œ ? bb b b b & b b œœ .. ? bb b bœ. & bbb œj œ . ? bbb Jœ œ . death
ha has lost
G m7( 5) D
9
C7
& bbb œœ ? bb b œ. & bb b œ œ ? bb b
12
j œœœ œ Jœ œ œœj œœj œœ jœ œ . Ó
its
jœ œJ œœj jœ
vi c
œ œ
œ b œ Œ ‰ œj œ œ œœŒ ‰œœ œ J jœ b œœ œj œj œ .. œ œ œ bœ j j bœ. œ œ. œ œ œ œ œœ œ œœ œ œœ Œ œ œ œ œ œœ œ œœ œ œœ Œ œ j œœ œœ œœ œœ œœj œœj œœ .. œœ œj œ . œj œ . œj œ œ œ œœ œœ œ Œ œ œ œ œ œœ œœ œ œ œ Œ -
t'r y
Je - sus l ive s
Ó
/E
/G
œ œ œ œ œ œ œ n œœ n œj œ œ Œ œ œ œ œ Œ He's
a
-
E F
œœ œ. ˙ ˙
live!
Key: E
and th e grave
fo r
-
ev
-
er ,
He's
œ œ œ œj œ œj œ œ œ Jœ œ Jœ j j œœœ .. œœœ œœœ œœ n œœj j j œ. œ œ. œ œ ˙ Jœ œ Jœ œ ˙ Jœ œ Jœ œœ ˙˙ œœ œœ œœj J j j œ . œ œ œ œ œj œ œ œ Jœ œœ Jœ œ œ œ Jœ œœ Jœ has been
C 7sus
a
-
F m7 G m7
Fm
de - nied.
live,
A ma7
G m7 F m7
2 (cont.)
He's He's
the
Al - pha and
O
-
me -
b
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Piano-Vocal (SATB)
Jesus Is Alive Alive - page page 3 of 4
b œ b b & œ œ œ ? bb b & bbb œœ œœ ? bb b œ . b b & b œ ? bb b b œ
ga,
20
cur se
G m7( 5) D
œ Œ ‰ œj œ œ œ Œ ‰ Jœ œ œ œœ œœj œœ .. œœ œœ jœ œ . œj œ . j j j œ œ œ œ œ œœ bœ œ œ Jœ œ Jœ Jœ œ th e
B D
of
b b & b b œœ .. ? bb b bœ. & bb b œ œ ˙ ? bb b œ œ ˙
23
First
si n
is
br o
œœj œœj œœ œj œ .
œœj œj j ‰œ œ ‰J
The
œj œJ
Key: E
œj œJ
Œ ‰ œjœ œ Œ ‰J j j j œ œ œ œœ œœ œ œœ œœ œœ œ œ œœ .. œj œ . œj œ . œj œ . œj jœ œ œ œ œ œ œj œ œj œJ œ œ œ œ œ Jœ œ Jœ jœ b œœ œj œj œ .. œœœ .. œœjœ œœjœ œœ œj n œ œ œ œ bœ j j j j . œ œ œ œ œj bœ. œ œ. œ œ œœ œœ œ œ œœŒ œ œ œ œœ œœ œ œ œœŒ œ œ and
-
œ œ
Last
ken,
and we
œ œ
is
˙ ˙
He.
have
The
per
-
fe f e ct
li lib
-
er
-
ty .
G 7sus
Lamb
of
God
has
ri
-
sen,
He's
a
-
b
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Rhythm
Key: E
Jesu Jesuss Is Is Alive Al ive
(based on the recording from the Hillsong album album "S hout To The Lord 2000" 2000" )
a-Lively!
4 b b b & 4 ’ ’ JÛ Û JÛ ’ ’ ’ ’ ’ ’ ’ Û Û ’ ’ ’ ’ f & bbb .. ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ b b & b’ ’ ’ ’ ’ ’ ’ ’ ’ ÛÛ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ b b & b ’ ’ JÛ Û JÛ ’ ’ ’ ’ ’ ’ ’ Û Û ’ ’ ’ ’ b b & b’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ b b & b’ ’ ’ ’ ’ ’ ’ ’ ’ ÛÛ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ 1 Chorus
5
Ron Kenoly Arr. by Dan Galbraith Galbraith
q = 165
A ma7
G m7 F m7
G m7
A ma7
A B
B
G m7( 5) D
B D
E
"Hallelujah! . . ."
C 7sus
C7
/E
/G
E F
F m7 G m7
Fm
10
A ma7
G m7 F m7
G m7
A ma7
A B
B
15
2 (cont.)
19
"He's the Alpha..."
G 7sus
24
G m7( 5) D
B D
E
C7
/E
/G
E F
Fm
b
F m7 G m7
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Trumpet 1-2
Key: E
Jesu Jesuss Is Is Alive Al ive
(based on the recording from the Hillsong album album "S hout To The Lord 2000" 2000" )
1 Chorus
5
& b .. & b b˙
q = 165
"Hallelujah! . . ."
10
&b Ó
14
2 (cont.)
&b
19
"He's the Alpha..."
˙ b &b
24
Ron Kenoly Arr. by Dan Galbraith Galbraith
œJ œ^ œ ˙ œ^ œ^ Œ œ œ œ œ œ œ ˙ ñ ˙˙ J > ^ œ œ œ . . œ ∑ Œ ‰ Jœ Jœ Ó Ó œ œ œ bœ w Í f ^ ^ œ ^ œ œ œ ˙ œ œ œ œ œ œ ñ Œ ‰ Jœ œ # œ œ Ó ^œ œ^ ˙ Jœ œœ^ œ œ Œ œ^ œ^ ˙ œ œœ œœ œœ ww J Í ∑ Œ ‰ Jœ œ œ œ ∑ Œ œ œ œ œ œ b œ w f Í > ^ ^ ˙ œ œ œ œ œ ñ ∑ ‰ Jœ œ # œ œ Ó
˙ 4 b & 4 f
a-Lively!
1 - Repeat as desired
b
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String Reduction
Key: E
Jesu Jesuss Is Is Alive Al ive
(based on the recording from the Hillsong album album "S hout To The Lord 2000" 2000" )
˙ 4 b b & b4 f ? bbb 44 ˙ w b & bb. ? bbb . ˙ . w b b & b ? bbb bw œ œ œ b & bb
a-Lively!
1 Chorus
œJ œ. jœ œ. œ
œ œ œ ˙
˙ œ œ ˙. œ bœ œ œ œ w
œ ˙. .œ Œ
"Hallelujah! . . ."
5
9
œJ ˙ >œ >œ jœ ˙ >œ >œ . œ œ œ œ œ œ
˙.
q = 165
b˙ œJ œ.
Ron Kenoly Arr. by Dan Galbraith Galbraith
œ œ œ œ œ œ œœ ˙ œ œ œ ˙ œ œ . œ œ w œ œœœ œ
œ bœ w œ. > . > ˙ œ œ œ œ œJ ˙ J
b
. n œ. œ n œj œ œJ ˙
œ.
œ œ. œ. œ
>œ >œ
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String Reduction
Jesus Is Alive Alive - page page 2 of of 2
œ œ w œ b œ & bb ? bbb ˙ œ œ b ˙. œ . œ œ œ ˙ œ œ j n œ œ b & b b ‰ œ œ ? bbb n œj œ œ. œ œ œ ˙ œ. œ œ œ œ œ œ œ œ œ b œ ‰J & bb ? bbb ˙ œ œ ˙. . > > ˙ œ œ œ œ ˙ œ & bbb J J
22
26
30
2 - Last time
Key: E
b
Ÿ~~~~~~~~ w œ bœ œ œ b˙ b˙ ˙. œ œ œ œ œ. >œ >œ ‰ Jœ œ œ ˙ j ˙ œ œ ˙ œ œ œj œ œ œ œ ˙ œ œ œœœœ. 1 - Repeat as desired
j . œœ œ œœ œ . ˙ Jœ œ. Jœ ˙ >œ >œ
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Lead Sheet (SAT)
Key: D
Jesus Jesus Is Alive Aliv e (based (based on the the recording from the the Hillsong album "S hout To The Lord 2000")
a-Lively!
# 4 # # & 4 ’ f # & # . ˙˙ œœ
q = 165
Gma7
1 Chorus
5
D
lu
F
-
-
F
7 m
Em7
-
-
ia!
Je
# j # # œ œ œ œ & n œ œ œ œ œœ ha s l ost
# & # # —Jœ œ .– – Ó— # & # # œœ Œ œœ
œœj
vic
Em
— œœ œœ
12
He 's
its
D E
B7
16
7 m
G ma7
A
Ha l - le le
m7
Gma7
œœ ˙˙ a
live!
su s
is is
a
-
l iv e,
œœ n œœ Œ ‰ œj œ œ œ œ œ œj œ j ˙ œ œœ œœ œœ œœ œœ œœ œœ Œ œœ œœ ˙ œ œœ j œœ œœ œœ œœ œœ Œ œœ œœ œœ œœ œœ œœ œœ -
t'ry
for
an d the gr av e
-
A
ev
-
er ,
G A
He 's 's
ha s be en
Em 7 F
m7
He 's
a
-
jœ ˙ Ó œ ˙
B 7sus
Je - su s l iv es
F
-
G A
Û Û ’ ’ œœ œœ
A C
7( 5) m
de at h
F
’ ÛJ Û JÛ ’ ’ ’ ’ ’ ’ ’ j œ Ó œœ œ œœ ˙˙ œœ œœ œœ œœ œœ
C
9
Ron Kenoly Arr. by Dan Galbraith
Gma7
-
2 (cont.)
D
t he he
Al -
jœ
de - ni ed .
F
7 m
live,
ph ph a an d
O
-
jœ œ jœ œ
Em7
me me
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Conductor's Score
Key: E
Jesus Is Alive (based on the recording recording from the Hillsong album "Shout To Th e Lord 2000")
& bbb 44
a-Lively!
SA
SATB TB
Piano
? bbb 44 & bbb 44 ? bbb 44
Trumpet 1-2
Alt o Sax (Trumpet 3)
∑
∑
Ron Kenoly Arr. by Dan Galbraith Galbraith
∑
Ó
œ œ
Hal
∑ A
ma7
˙˙ f œ œ
∑ G m7
œœ œœ J œj œ
œœj œj JÛ
F m7
œœ . œœ ’
& bbb 44 ’ ’ ÛJ Û f ^ ˙ œ 4 b & 4 J œ Jœ ˙ f œJ ^œ Jœ ˙ & 44 ˙ f ˙ ?b4 Jœ ^œ œ ˙ A
Rhythm
q = 165
ma7
G m7
F m7
œj œœ œ œ ’ ’ 2
^œ ^œ ^œ
Ó œœ .. œœ œœ œœ œœ œœ œ. œœ œœœœ œ ’ ’ ’ ÛÛ ’ ’ ’ 3 4 ˙ œ ˙ ñ œ œ œ ˙ Œ œœ ñ˙ Œ œœœœœœ ˙ ˙ œ ˙ ñ œ œ œ ˙ œœ
G m7
œœ œ
A
ma7
G m7
A
ma7
’ ^œ ^œ ^œ
∑ œj œœ œj œ
b
B
A B
B
A B
-
œ œ
le
œœ œ ’
-
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Conductor's Score
Jesus Is Alive Alive - page page 2 of of 10
1 Chorus
SA
SATB TB
& bbb . ˙ ? bbb . ˙
lu
& b bb . ˙˙ ? bbb . œ . E
Piano
E
Rhythm
Tpt. 1-2
Alto Sax (Tpt. 3)
& bbb . ’ &b . & .
-
-
-
œ œ
œ œ
-
œ œ
-
œ œ
ia!
˙ ˙
Ó
œ œ
Je
Ó œœ œœ œœ œœ œœ œœ œœ œœj œœ .. œœ œj œ . œj œ . œj œ . œj œ . ’ ’ ’ ’ ’ ’ ’ ’ 5 6 > œ . . œ œ ∑ Œ ‰ Jœ J f. ∑ Œ ‰ œj œj >œ . œf. œ >œ . œB D
B D
-
Key: E
œ œ
su s
œ œ
is is
œj œ œJ œ
a
-
œj Jœ
li live,
˙ ˙
Ó
Ó œœ œœ œœj œœ œœj œœ œœ œœ œœj œœ .. œj œ . œj œ . œj œ . œj ’ ’ ’ ’ ’ ’ ’ 8 -œ ^œ 7 Ó œ œ œ bœ Ó Í -œ ^œ Ó Ó œ œ œ bœ Í -œ ^œ œ œ bœ
b
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Conductor's Score
SA
SATB TB
& bbb ? bbb
œ bœ
death
G m7( 5) D
Piano
Tpt. 1-2
Alto Sax (Tpt. 3)
œ œ
œ œ
has lost
œj œ Jœ œ
its
œœj œœj œœ œj œ .
& b bb b œœ .. ? bbb bœ. & bbb ’ ’ ’ ’ G m7( 5) D
Rhythm
Jesus Is Alive Alive - page page 3 of of 10
&b w & w w
9
œj Jœ
vi c
œœj œj
Key: E
œ b œ Œ ‰ œj œ œ œ œ œ œj œ œj œ œŒ ‰ œœ œ œ œ œ œœ œ J J J œœœ .. œœœj œœœj œœ n œœj œœj b œœ œœj œœj b œœ .. b œ . œj œ . œj œ . œj œ . œj -
t'ry
an d the grave
’ ’ ’ ’ b˙ ˙ b˙
10
ñ˙ ñ˙ ñ˙
has been
de
-
ni nied.
œj œ . Jœ œ .
Ó Ó
C 7sus
C7
/E
/G
C 7sus
C7
/E
/G
’ œœœœ-
’ ’ ’ -œ œ11 œ ^œ Œ -œ œ œ œ^ Œ œ-œ œœ œœ œ^œ
œœ œ œœ œœ œ n œœ œ . n œj œ œ ’ ÛÛ’ ’ 12 ^ œ œ # œ œ œ œ ‰J ‰ œj œ # œ œ œ ^œ œ œ n œ œ œ ^œ
b
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Conductor's Score
SA
SATB TB
& bbb œ œ œ œ œ ? bbb œ œ œ œ œ Je
E F
Piano
Tpt. 1-2
Alto Sax (Tpt. 3)
-
su s
lives
for
œœj œ. ’
œ œ -
& b bb œœ œœ œœ œœ ? b bb œ . œj & bbb ’ ’ ’ - -œ ^œ 13 œ Ó &b œ- -œ ^œ Ó & œœ- -œ ^œ E F
Rhythm
Jesus Is Alive Alive - page page 4 of of 10
Fm
Fm
œ œ
ev
œœj œj
œ œ
-
œŒ œ œ œŒ œ œ
er ,
He's
a
F m7
G m7
œœj œœ .. œœ œ . œj œ ’ ’ ’
F m7
14
Ó Ó
^œ ^œ ^œ
œœ œ
G m7
’ ^œ ^œ ^œ
-
Key: E
˙ ˙
œJ Jœ
live,
A ma7
˙˙
œœ J œ . œj œj ’ ’ ÛJ
A ma7
˙ ˙ ˙
15
œJ Jœ œJ
œ œ
œJ œJ
G m7
F m7
œœ
œœj œj
œ Œ œ œ œ Œ œ œ He's
a
G m7
œœ œ œœ œœ œœ œ . œj œ œ
œ Û JÛ ’ ’ ’ ’ 16 ^œ œ œ Œ ^œ ^œ J ^œ Jœ œ Œ ^œ ^œ ^œ œ œ ^œ ^œ
G m7
F m7
G m7
-
b
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Conductor's Score
SA
SATB TB
& bbb ˙ ? bbb ˙
live!
A ma7
Rhythm
Tpt. 1-2
Alto Sax (Tpt. 3)
œ œ
œ œ
œ œ
œ œ
œ Œ œ œ œ Œ œœ œ œœ œœ œ . œj œ
He's
j b ˙ œ b & b ˙ œ ? bbb œ . œj & bbb ’ ’ ’ Û Û ’ ’ ’ 17 18 œ œ œ w ˙ œ œœœ w b & Í ˙ œ œ œ œ w & ˙ œ œÍ A ma7
Piano
Jesus Is Alive Alive - page page 5 of of 10
œœj œœ œj œ .
B
B
A B
A B
œ œ
2 (cont.)
œ œ
the
Al
œœ
E
œ ’
-
Key: E
œ œ Jœ œ Jœ œ œ œ œ Jœ œ Jœ œ œ
ph p ha an d
O
˙˙
-
me
-
ga,
œ Œ ‰ œ Œ ‰ œœ œœj œœ .. œj œ .
œj œJ
the
œœ œœ œœ œœ œ . œj œ . œj ’ ’ ’ ’
œ. œj ’ ’ ’ ’
19
20
E
∑ ∑
œœ œœ
Œ ‰ Jœ œ œ œ f Œ ‰ Jœ œ œ œ fJœ œ œ
b
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Conductor's Score
SA
SATB TB
Piano
& bbb ? bbb & bbb ? bbb
œ œ
First
œ œ
œ œ
an d Last
œj œ œJ œ
is
œœ œœ œœ œœj œœ œ . œj œ .
B D
B D
Rhythm
Jesus Is Alive Alive - page page 6 of of 10
& bbb ’ ’ ’
œj œJ
Œ ‰ œœj œ œ b œ Œ ‰J œœj œœ œœ œœ œœj œœ .. b œœ .. œj œ . œj œ . œj b œ . ’ ’ ’ ’ ’ ’ He.
˙ ˙
The
cu rse
G m7( 5) D
G m7( 5) D
Key: E
œœ œ œ œ
of
si n
œj œ œJ œ
œj œJ
is
bro
œœj œœj œœ œj œ .
œœj œj
’ ’ ’
œj b œ œj œ œ œJ œ œ œ œ J œœj b œ œœj œœj b œœ .. b œ . œj œ . œj ’ ’ ’ ’ -
ken,
an d
we
have
b