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INSTRUMENTATION Onqmally performed with three woodwmds
(players doubling f1utesand saxophones) and three electnc organs. Any cornbmation of mstrurnentswhose range suits the rnatenal is acceptable. PERFORMANCE INSTRUCTIONS
Each figure should be repeated an mdefinlte number of times. The leader of the ensemble should, at hls or her discretion, nod once, mdicatinqthat the ensemble should repeat the figure twrce more before proceeding. Based upon the composer's own practice In performance, there IS a suggested duration for the work of anywhere between 17 and 25 rmnutes,
The pièce should be played at a constant dynarruc:forte.
MUSIC
In Fifths: was first recorded June 1973 at Butterfly Productions,
NYC with Philip Glass, electnc organ and Jon Gibson, Dickre Landry, soprano saxophones. Kurt Munkacsr, engineer, electtornes.
INSTRUMENT ATION
Ongmally performed with three woodwmds (players doubling f1utesand saxophones) and three electnc organs. Any cornbmation of mstrurnentswhose range suits the matenal is acceptable. PERFORMANCE INSTRUCTIONS
Each figure should be repeated an mdefinlte number of times. The leader of the ensemble should, at hls or her discretion, nod once, Indicatingthat the ensemble should repeat the figure twice more before proceeding. Based upon the composer's own practice In performance, there IS a suggested duration for the work of anywhere between 17 and 25 rnmutes.
The pièce should be played at a constant dynarmc:forte.
MusJe In Fifths: was first recorded June 1973 at Butterfly Productions,
NYC with Philip Glass, electnc organ and Jon Gibson, Dickie Landry, soprano saxophones. Kurt Munkacsi, engineer, electrorucs.
Fifths
MUSIC In
Philip Glass
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