Mariano Marcos State University COLLEGE OF BUSINESS, ECONOMICS AND ACCOUNTANCY Batac City, Ilocos Norte
PERCEPTIONS OF ILOCANOS ON THEIR TRADITIONAL MUSIC AND DANCES
ELOISA JOY B. BADUA CELESTE DESIREE P. PADAONG BSBA ± Tourism Management I
March 2011
INTRODUCTION
³The attainment of a nation identity can only be possible if the individual tribes forming a nation are able to assert their own distinctive identities. The Ilocano showed first being an Ilocano before he can consider himself a Filipino and in turn, before his country can be accepted in the growing family or nations´ (Pascual, 1987)
The Ilocano or Ilokano people are the third largest Filipino Ethno linguistic group. Ilocanos refer to themselves as Samtoy, Samtoy, form the phrase ³ sao mi ditoy´, ditoy´, meaning µour language here¶. On the other hand, the term ³Ilocano´ came from the word ³ Iloco´ Iloco´ or ³Yloco´. The Ilocano people are dominant to coastal areas of northern Luzon in the Philippines. Their language (Ilocano) has become the lingua franca of the region. Region 1 encompasses through 3 distinct provinces Ilocos Provinces, Cagayan Valley and some part of Central Luzon, as we ll as the Cordillera Administrative Region. They are characterized as being hardworking and frugal, and they engage primarily in farming and fishing. Moreover, the Ilocano culture represents very simple, spending only on necessities and not on so much on ostentatious material possessions. Ilocano also exemplify a great degree of respect and humility in their everyday dealings. Furthermore, Ilocanos boast of a healthy diet heavy in boiled or steamed vegetables and freshwater fish. They flavor their dishes with bagoong (fermented bagoong (fermented fish that is often used instead of salt). Local specialties include the ³bous´, soft white larvae of ants, and ³jumping
salad´
or
tiny
live
(http://en.wikipedia.org/wiki/Ilocano_people http://en.wikipedia.org/wiki/Ilocano_people). ).
shrimp
with
kalamansi
juice
Ilocos Norte has various native dances which mostly depict the customs, beliefs and practices of an Ilocano. Its native songs are expressions of the characteristics, aspirations and occupations of its music-loving and industrious people. The Ilocanos possess a unique way of life, arts and culture. Their activities still reflect their customs and traditions. They possess a variety of folklore and music which is demonstrated in their legends, songs, ballads, musical instruments, and artifacts. Folk dance is a form of art which reflects the Ilocano spirit- his love for merriment, his religiosity, his fatalism, his love for ceremony, his joy of living, and his love for showing off. Traditional music is folk music or what may be called music of the people. It belongs equally to people of all levels of musical ability. As defined by Willi Apel, (n.d), folk music ³develops anonymously usually among the lower classes, together with artless poems dealing with phases of life: work, love, the nursery, drinking, patriotic endeavor, the dance, mourning, and storytelling´. The rhythm is affected by the words, and the melody is conceived without harmony. It is not written down and hence is known as traditional. Our noted Ilocano composer Pajaro has defined the folk music of as the ³unconscious expression in melody of the racial feelings, characters and interests of the people.´ It may be a lullaby, a love song, or a wedding dance. He further stated that a folk song is spontaneous music derives from the culture of its own people and contributing to it. A folk song draws its inspiration and materials from its own environment, which makes it typically an expression of life itself. This study aimed to determine the ³Perceptions of Ilocanos on their Traditional Music and Dances´. Specifically, it aimed to answer the following questions:
1. What are the music and dances particular to the Ilocanos? 2. How do these music and da nces reflect Ilocano Culture? 3. What changes did Ilocano music\dances undergo overtime?
DISCUSSIONS
Man has danced almost since the world began. He has danced for joy, hate, love, anger and fear. Dance has been related to his religious life and to his social life. Almost every occasion has called for dance, and some dances exist for no reason but to use stored energy and emotion. The art of dance has lived through the centuries and probably, as long as man can move, man will dance. Dance has had a long and honorable history in education. The values of dance to total education are numerous and varied. Folk dance is a primitive, tribal, or ethnic form of the dance sometimes the survival of some ancient ceremony of festival. Folk dances are traditionally performed during social events by people with little or no professional training. New dancers often learn informally by observing others and\or receiving help from others. Folk dancing is viewed as more of a social activity rather than competitive, although there are professional and semi-professional folk dance groups, and occasional folk dance competitions. Music has accompanied virtually every kind of human activity at some time or place (Aurelio 2009). There is a song for every occasion in the human life cycle. There are lullabies, puberty ceremony songs, courting and marriage songs, family and funeral songs. There are also work songs, songs for war and peace, and a variety of religious songs. Moreover, music is woven into the Ilocano way of life. Our own folk music is an audible sign of the soundless flow of time about man. Aurelio (2009), claims that our Philippine melodies serve as a living and dynamic force by our singing them in every phase of our daily life and imparting them to our children so that they will continue to
perpetuate them. Folk music is not commonly the music of the socially and economically lower classes and of rural population.
MUSIC PARTICULAR TO THE ILOCANOS Ilocanos love to sing. They can express their feelings through singing traditional songs. Ilocanos have unique music, because they used their native language to come up with songs that portrays different situations. They have songs that are characterized by situations, there is a song for courtship, expressing one¶s love, religious songs and the like. The kutibeng , a native guitar with five strings, was the faithful companion of the love ±struck Ilocano in his nightly serenades (Hufana 2009). A folksong is a song handed down from generation to generation among the people of the country. It begins always with a single composer (generally unidentified). It is passed on from age to age by word of mouth and thus undergoes a process of evolution by vary of content and constant repetition with slight variations gradually achieving a permanently popular version. The folksong is valuable for its honesty, its directness, and often for its melodic invention which is enriched by its evolution. Ilocanos are rich in their musical heritage, the songs are handed down from generation to generation thus, these songs are still evident nowadays and these are being preserved for future generations. Here are some examples of traditional songs of the Ilocanos. ³Dardarepdep´ is a sung marked by a combination of regular rhythmic pulses based on poetic meter, recurring tune and motivistic patterns. ³Dardarepdep´, shows the
creativity of the Ilocanos in expressing their emotions. From the early serenaders to the Ilocanos in contemporary society, they have a special fondness for love songs which reflect their character traits as a people. ³Dardarepdep´, is an example of a tapat .It is a harana in Tagalog, which means serenading a woman through love songs. Usually when there is a young woman visitor in a certain town, the gentlemen serenade her to gain acquaintance. When they visit her again, the host or hosts would invite the serenaders into their homes to socialize with them (Aurelio 2009 ). The next musical genre is the courtship sample of the dallot or the panang-asasawa. It is a poetic joust between two singers about love, courtship and marriage. Believed to have originated in ancient pre-Hispanic times, especially among the rural folk, it is a duel of words carried on between a representative of the groom¶s side and a representative of the bride¶s party (Aurelio 2009). Included in this Iloko music repertoire is the ³Cantameros´ or the Sung Prayer of the Rosary. As recounted by Mr. Marciano Aurelio, a retired school principal, this started in Barangay 7-B, Laoag City. The late Mr. Bernardo Domingo, a musician and French horn player, is said to have been the organizer of this activity. He tried to mimic the Latin songs of the priest. The ³Cantameros´ was sung in Latin during the nine-day novena to pray for the poor souls in purgatory.This practice which started in the middle of the 1920¶s spread to other barangays in the poblacion of Laoag City and to all the towns of Ilocos Norte (Aurelio 2009). Ayat ti Ina (Love of a Mother) expresses how a mother loves and takes care of her child. The narrative song, Napateg a Bin-I (Cherished Seed), utilizes metaphor in comparing a woman to a µbin-I¶ or seed. Pamulinawen (Hardened Heart) is the most
popular Ilocano love song which equates the heart of a girl, who does not heed the pleading of her lover, to a hardened flint. Duayya ni Ayat (Love¶s Lullaby) expresses a man¶s tender loving care for his ladylove to be careful in changing her mind and choosing another man. Siasin ti Agayat Kenka (Who is in love with you?) expresses an insistent love. No Duaduaem Pay (if You Still Doubt) gives the idea that the lover feels that his loved one doubts him, so he asks for understanding and also reiterates his love (http://ilocosnorte.ph/tourism-and-culture/ilocano-culture). The early Filipinos have songs of a great variety expressive of a gamut of human experiences and feelings. The native sang at almost every occasion at work, at worship, and at play. And all occasion, both trivial and eventful, inspired the spontaneous creation of songs. Thus, they had lullabies, street songs and funeral dirges.
ILUKO MUSIC AND DANCES AND ILOCANO CULTURE Ilocanos have a rich culture, they¶re still embracing it and they still practice it even thou these practices/cultures are established long time ago. Ilocanos are affected by their culture in their lives. If you dance there are certain steps, gestures, that you must know. You must possessed the personality a good dancer have Ilocanos are also affected by their dances. Because a dance has a story there is what we call ³Ti Pakasaritaan iti Ili ken dagiti Agnanaed´. Every dance depicts a particular form a culture. By dancing or just watching you can relate the dance to your peace and that reflects your personality. It gives enough knowledge to the people. If you love dancing your folk dances meaning you are proud to be what you are (Ines 2008). Same is through with the Iluko folk music it depicts the culture and trad itions of Ilocanos. They used their language in such music.
EXAMPLES OF ILOCANO DANCES PARTICULAR TO T HE ILOCANOS There are many Ilocano Dances that depicts the life of Ilocanos. Here, they express their feelings in creating a dance that would satisfy their emotions. Uniqueness is present in folk dances that narrate their culture and traditions. There are classifications of Iluko folk dances in Ilocos Norte. Iluko dances are classified into six categories. These are
Occupational
Dances; these dances depict the
actions of certain occupations, industries or human labor. Among these are Agdamdamili an Ilocano term which means pot making. This dance originated from San Nicolas, Ilocos Norte, which is famous for its pottery industry. Next is the Agabel, occupational dance from Paoay, Ilocos Norte, based on the cloth weaving industry for which the inhabitants are noted. The Binatbatan, depicts the beating of cotton pod to separate the seed from the fibers with the use of two sticks called ³batbat´. Then, Dinaklisan, comes from Currimao, Ilocos Norte, where fishing is the chief occupation. Moreover Dinaklisan is an Ilocano term meaning with a net called ³daklis´. And Hardinera, the dance reveals or depicts the hardworking trait of the Ilocano. The Wedding Dance is the second category; these dances are performed by the bride and the groom, friends and relatives, and the in-laws. Under this is La Jota, usually danced with song accompaniment which is characteristic of many Ilocano dances. And Pandanggo Laoaguena, a wedding dance from Laoag City. Furthermore, Pandanggo evolved from the Spanish Fandanggo The third category is the Ballroom Dances, example of which is Chotis Vintarina, this version of chotis is originated from Vintar, Ilocos Norte. The chotis dance was one of the popular ballroom dances in the Philippines during the Spanish regimes.
The fourth is the
Religious
Dances, performed in relation to religious vows,
practices or ceremonies. Examples of this are, Jota de Paoay, traditional dance of Paoay, Ilocos Norte. Fifth category is the Courtship; depict in pantomime the process of courtship. Examples are Esticarro, courtship dance from Santa Rosa, Sarrat, Ilocos Norte. Moreover, the unique part of this dance is the placing of the ring on the girl¶s finger by the male partner. Kundiman, refers to a beautiful girl who is very much admired for her beauty and grace of movement. Lablabaan, means two hawks circling each other in the air. Furthermore, this is a dance of the Itnegs of Banna and Nueva Era, Ilocos Norte. Pandanggo Vintarina, courtship dance from Vintar, Ilocos Norte.
O si- O si,
courtship
dance found in San Lorenzo Village, Laoag City. Sileledaang , means ³in grief´ or ³laden with sorrow´. And the last category is the Festival Dances; these dances are performed in connection with a celebration, a feast, a barrio or town fiesta, good harvest and good fortune. Festival dances are common. Furthermore, people come together in merriment and dance to their hearts delight (Ines 2008).
CHANGES ILOCANO MUSIC/DANCES UNDER WENT OVER TIME This world gave birth to modern technology, and this technology plays a big role in the lives of every people especially the Ilocanos. Technology makes our life easier. Appliances, cell phones, radios, televisions, computers and the like, these are all factors that can influence us in our lives especially in our daily life. It updates us ³what¶s new´, ³what¶s in´ for us to become ³in´ in the society. In relation to folksongs and dances, they can just play these by the radio or by the player.
Despite its advantages, having technology also has some disadvantages. Through technology using computers, radios and others, they learn and love more these foreign music and dances. Of the songs that have come down to us through the centuries, those of the high land tribes like our ancestors, traditional people that lived in mountains and valleys are still sung in the old chanting manner. Those of the lowlands who lived in plains, like the Ilocanos already show influences of western culture, especially in melody. The researchers conducted interviews on elderly persons about the changes on Ilocano music and dances. According to the elders, Iluko music and dances are going through changes. In the olden times, Ilocanos are used to sing and dance their traditional ones. These Iluko music and dances are highlights in activities such as fiestas, pageants, dance parades and the like. But as time pass by, these Iluko music and dances are disregarded by the younger generations, mainly because of the birth of foreign music and dances, such as pop, jazz, rock, ballad, r and b, and contemporary music. These kinds of music are of great influenced to the youth because of its melody, lyrics that portrays different situations such as falling in love, heartbreaks, thanksgiving and a lot more. According to the elders, our traditional music and dances are now replaced by the foreign and local music and dances. The people nowadays do not appreciate our traditional music and dances; moreover they prefer such new music and dances.
This chapter deals with the results gathered by the researchers for the study ³Perceptions of Ilocanos on their Traditional Music and Dances´. The researchers conducted a survey among 50 respondents, 39 of which are students, 8 of them are teachers and 3 are others. Table 1 Most Familiar Dances of Ilocanos Dances of Ilocanos
n
%
Rank
41
21.93
1
Sabunganay
16
8.56
6
Binatbatan
30
16.04
2.5
Ilocana a Nasudi
19
10.16
4.5
Kuratsa Pasuquiña
9
4.81
8
Innalisam
5
2.67
10
Tambora
6
3. 21
9
Dinaklisan
19
10.16
4.5
Surtido Norte
12
6.42
7
Guling-Guling
30
16.04
2.5
Pandanggo
Table 1 present the most familiar Ilocano dances. Based from the table above, it can be determined that the most familiar Ilocano dances, is Pandanggo with 21.93% of votes. Pandanggo is performed in many events like in wedding reception, danced by the bride and the groom ( Pandanggo Laoaguena). Another is a courtship dances originated in Vintar, Ilocos Norte and it is called Pandanggo Vintarina and Pandanggo sa Ilaw, it is showed during entertaining the guests.
Then, both Binatbatan and Guling-Guling having 16.04%. Binatbatan and Guling-Guling are dances are dances in Paoay, Ilocos Norte. Guling-Guling is the name of their festival while Binatbatan is always performed during Guling-Guling festival. Next are Ilocano A Nasudi and Dinaklisan gathering 10.16%. Every year in Dingras, Ilocos Norte, Ilocano A Nasudi is danced by their traditional dances it is known as a dance depicting a chaste and virtuous Ilocano and performed by four pair while Dinaklisan is an occupational dance of fishermen and it is also familiar because it came from the term ³daklis´ meaning a fishing net. While Inalisan is not that familiar which the respondents answered 2.67%. It is only performed sometimes and almost forgotten. It can be concluded that the top 5 most familiar dances of Ilocanos are Pandanggo, Binatbatan, Guling-Guling, Ilocano A Nasudi and Dinaklisan. According to the result of the researchers survey, Pandanggo comes in many ways, like Pandanggo Sa Ilaw, Pandanggo Sa Banko and the like, it became famous because they danced this whenever there is a wedding and for entertaining purposes. Binatbatan is always performed during Guling-Guling festival in Paoay, Ilocos Norte. While, Guling-Guling is the name of Paoay¶s festival. Ilocano A Nasudi is performed during the festival in Dingras, Ilocos Norte depicting a chaste and virtuous Ilocano. Dinaklisan is familiar to Ilocanos because it is an occupational dance for fishermen.
Table 2 Most Familiar Songs of Ilocanos
Songs of Ilocanos
n
%
Rank
Kanaganan
14
7.49
4
Pamulinawen
45
24.06
1
Manang Biday
40
21.39
2
Duayya ni Ayat
11
5.88
6
39
20.86
3
Ayat ti Ina
13
6.95
5
Agdamdamili
9
4.81
7.5
Duaduaem Pay
9
4.81
7.5
Napateg a Bin-i
4
2.14
9
Dinak Kad Dildillawen
3
1.60
2.5
O ,
Naranyag a Bulan
Table 2 gives the most familiar songs of Ilocano. 24.06% of the respondents are familiar with Pamulinawen. Pamulinawen (Hardened Heart) is the most popular Ilocano love song which equates the heart of a girl, who does not heed the pleading of her lover, to a hardened flint. It is the name of the festival in Laoag City, Ilocos Norte. It is the highlight song during the said festival, many people strive to attend such festival to witness the beauty and uniqueness o f the festival. Second is Manang Biday which has 21.39%. Manang Biday is one of the favorite songs of Ilocanos because of its lively melody that portrays a love story about how
Ilocano woman is so conservative and an Ilocano man who is faithful and very patient to wait for his girl. The third is the song, O Naraniag A Bulan gathering 20.86%. Of its soft melody, Ilocanos always want to listen to this song especially if the Ilocanos are heartbroken or the Ilocanos need someone to love. O Naraniag A Bulan depict loneliness of an Ilocano because they are alone and they are finding the right person to love. It has also been integrated into the national mainstream. The fourth one is the Kanaganan (Ilocano traditional birthday song) having 7.49%. It is a traditional song during birthdays. Fifth is ³Ayat Ti Ina´ having 6.95%. ³Ayat Ti Ina´ (Love of a Mother), expresses how a mother loves and takes care of her child. This s a song with educational values. Most of the respondents are not familiar with the song Dinakkad Dildilawen having the lowest percentage having 1.60%. Dinakkad Dildilawen (Do Not Criticize Me), is a patriotic song conveys service to love of country. It can be concluded that most of the Ilocano knows the song Pamulinawen, because it is one of the festivals of their province, and it is the highlight song of their dance parade. They said that you are not Ilocano if you don¶t know how to sing Pamulinawen.
Table 3
Statements Concerning the Perception of Ilocanos on their Traditional Music and Dances
Strongly Agree n %
N
%
n
%
Strongly Disagree N %
37
74
10
20
0
0
0
27
54
18
36
2
4
3. Ilocanos love dances.
24
48
22
44
0
4. Ilocano music and dances also has interacted with other nationals¶ regional culture
16
32
31
62
24
48
20
14
28
7. Majority of the Ilocanos are familiar with the Ilocano music and dances.
12
The availability of recorded Ilocano music and dance videos helps preserve Ilocano culture.
25
Statements
1. Ilocano music and dances depict the culture of the Ilocanos.
2.
Ilocanos love music.
5. Showcasing the Ilocano music and dances can be one of the tourist attractions of Ilocos. 6. Traditional, Ilocano music and dances are being surpassed/replaced by modern ones.
8.
Agree
Disagree
Undecided N
%
0
3
6
0
0
3
6
0
0
0
4
8
1
2
0
0
2
4
40
4
8
0
0
2
4
26
52
9
18
1
2
0
0
24
19
38
15
30
3
6
1
2
50
25
50
0
0
0
0
0
0
9. Ilocano music and dances enthusiasts must continue composing Ilocano music and creating Ilocano dance steps.
23
46
25
50
2
4
0
0
0
0
10. Ilocano music and dances must be taught in Philippine schools.
14
28
25
50
4
8
0
0
7
14
11. The traditional music and dances of Ilocanos must be shown during their festivals.
31
28
15
30
2
4
0
0
2
4
12. The economy of the Ilocos provinces is greatly affected by the traditional music and dances.
11
22
20
40
6
12
4
8
9
18
13. Traditional Ilocano music and dances ate better than modern ones.
10
20
22
44
9
18
2
4
7
14
14. Traditional Ilocano music and dances are useless in modern times.
3
6
10
20
22
44
8
16
7
14
Table 3 gives some statements concerning the perceptions of Ilocanos on their traditional music and dances. Majority of the respondents answered Statement 1 in strongly agree having 74%. The respondents strongly agreed with the statement, because music and dances can portray the story, the emotions, the theme and also the art of Ilocano culture. These Iluko music and dances are categorized by means of situations, they are sang and dance occasionally because these are made to complement such occasion. They can also express their feelings and emotions by singing and dancing their traditional music and dances.
Indeed, Ilocanos really love music (54% strongly agree) whether it is old songs or new song. Ilocanos love to sing. By the Statement 3, Ilocanos love dancing, gathered 48%
in strongly agree. Ilocanos believed that dancing can make their life happy and
Ilocanos can make one¶s self-entertained. The statement, Ilocano music and dances also has interacted with others national regional culture, the respondents agreed with this having 62% Because of the influences of the neighboring provinces through music and dances, gave birth to the mixed steps of Ilocanos. It is evident nowadays, especially to the youths because they are more appreciating other nations culture and musical heritage according to them they are more interesting to sing and dance because of its melody its tempo and to the message of the song. With the aid of the modern technology most especially the internet, people can surf and find what is new today, they can also view and imitate other nations music and dances. Showcasing the Ilocano music and dances can be one of the tourist attractions of Ilocos, the respondents strongly agreed with 48%. The respondents believed that showing music and dances during festivals, can attract tourists to visit such place to display the unique culture of the Ilocanos. Hotels, restaurants and other tourist spots in Ilocos can offer tourists a time to listen to Ilocano renditions while enjoying their stay here in Ilocos. Ilocanos can perform also by singing their traditional songs upon the arrivals of the tourists to show our gratitude for choosing such place to explore. They can also improve their festivals, most especially the dance parades where Ilocanos can showcase their talents in dancing their traditional dances.
However, the respondents agreed that Ilocano music and dances are being surpassed by modern ones with 52% of votes. The researchers concluded that songs and dances are improving, and at the same time it is replaced by the new ones. To the new generations they prefer the new songs and dances, which the teenagers explained that its more unique, livelier, and they are hard to understand the old ones. In this generation, people prefer to listen to the modern ones according to them they can relate to the songs and dances, moreover they considered traditional music and dances as ³corny´ because they used their native tongue in formulating lyrics for the songs. And they considered traditional dances as ³boring´ because of its simple and redundant steps. Nowadays, people, especially the youths will tease others if they do not know the latest song, this will motivate such people to get
into the modern ones and this will lead them to
disregard their own musical culture. With that the respondents are more into the modern ones because they considered them as latest and entertaining. Almost of the respondents agreed with the statement, majority of the ilocanos are familiar with the Ilocano music and dances having 38% of votes. All schools of Ilocos provinces should teach the students some Ilocano music and dances for them to know and appreciate their traditions. Schools offers subject that teaches students their traditional music and dances. Physical education is a subject that caters to teach the students their traditions, they teach Iluko songs, and afterwards they will conduct a practicum. Likewise with the dances, they teach students to dance folkdances. Schools also practice having folkdances as intermission numbers to preserve its beauty, likewise with the opening prayers, they adapt Ilocano songs.
The statement, the availability of recorded Ilocano music and dance videos helps to preserve Ilocano culture gathering both 50% in strongly agree and agree. Music stores offer Iluko music and dances. This can help Ilocanos to preserve their culture by having available tracks. Some people will tend to buy because these are being played in the store. Students can buy cd¶s for their projects and practicum likewise with the teachers and others. The respondents agreed that Ilocanos must continue composing Ilocano music and creating Ilocano dance steps which the respondents answered 50%. So that it will be preserved for the next generation to see the beauty of Ilocano music and dances. The statement, Ilocano music and dances should be taught in Philippine schools having 50%. The researchers concluded that Ilocano culture like music and dances is important and should be recognize by the folks of Ilocos Norte and also the people of the Philippines. It should be taught so that other people can see, can relate and to know the lifestyle of the Ilocanos. On the other hand, traditional music and dances of Ilocanos must be shown during their festivals, were 30% of the respondents agreed with it. As the researchers know, during festivals there are many activities that should see. During festivals, many tourists are visiting Ilocos Norte, they want to witness the festivals here in Ilocos. The Ilocanos must continue to showcase their music and dances so that the tourists can foresee the lifestyle of Ilocanos then and now. Then, the economy of the Ilocos province is greatly affected by the traditional music and dances having 40% in the column of agree. Without traditional music and dances, the Ilocanos can¶t perform in their different festivals. And tourism is one of the
best way to improve the economy of one place. If there is no Ilocano music and dances, Ilocanos will not have their own cu ltures and traditions in terms of musical. The respondents also agreed that traditional Ilocano music and dances are better than the modern ones having
44%
of votes. The researchers determined that Ilocanos is
so in-love with their songs or the researchers simply says that Ilocanos can¶t get away their music into their self. Even thou modern music and dances are rampant into this generation; Ilocanos have their Ilocano blood that amidst of those modern ones they will also sing and promote them to others. Furthermore, they disregard that traditional Ilocano music and dances are useless in modern times having
44%.
The researchers say that Ilocanos really love their music
and dances even if it¶s too old. And the researchers concluded that the Ilocano music and dances are important to these days. Ilocanos should preserve the uniqueness and love their traditional music and dances because these are part of their traditions. They should embrace and promote to others their cultures. Ilocanos must appreciate their music and dances for them to become more famous to the younger ge nerations.
CONCLUSION
Majority of the respondents are female students. The most familiar dance of the Ilocanos is Pandanggo and only few know the dance Innalisan. Most of the respondents considered Pamulinawen as the most familiar song of the Ilocanos, may be because it is one of the festivals of their province and it is the highlight song in the dance parade. Nearly everyone, the perception of the respondents is they are concerned about the preservation of Ilocano music and dances and should be shown in festivals for awareness of the Ilocano music and dances. There are many Ilocano Dances that depicts the life of Ilocanos. Here, they express their feelings in creating a dance that would satisfy their emotions. Uniqueness is present in folk dances that narrate their culture and traditions. Iluko dances are classified into six categories. First, the
Occupational
Dances. Next is the Wedding Dance. Third to
it is the Ballroom Dances. The fourth is the
Religious
Dances. Fifth category is the
Courtship. However, the Ilocano music and dances change through time. By technology, they can just play these by the radio or by the player. However, technology taught us foreign songs and now we prefer new songs than the old. But those high land tribes they are still singing the old chanting music and dance the traditional dances. The researchers used survey method to gather information for the said research topic. The researchers made questionnaires related to the research topic and float them to their respondents. By this method, the researchers defined their respondents as students, teachers, and elders. These people are essential in the success of the said research,
because the researchers believed that they have ample knowledge to answer the questionnaire. With this method, they found out the different perceptions of Ilocanos on their traditional music and dances. Examples of which are, what Ilocano music and dances they considered most famous? Is Iluko music and dances still evident today? What are the changes did Ilocano music and dances underwent over time? Using this method, the researchers got vital information¶s towards the research topic, for them to have an idea and basis for the study. The Ilocanos should appreciate their musical heritage throughout study of music and dances, we can trace the richer heritage of ideas handed down to us from our forefathers then we can understand ourselves better and take pride of being an Ilocano. Preserving the ideals, customs and traditions of the people. The Ilocanos should continue developing our culture, for the next generation to see the beautiful culture that they have. Ilocanos are indeed unique in terms of traditions and culture. Their music and dances are based in their way of living.
REFERENCES
Aurelio, M. F. (2009). Iloco traditional music and the life cycle. Ilocos Norte Provincial Library Ethnic songs and dances. (n.d.) Retrieved January http://ilocosnorte.ph/tourism-and-culture/ilocano-culture
18,
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