q.q.. IIhI,UUSU]''
(tIhl,UUN)
r. B.Mr{HA CflII (MI{HACOB) G.V.MINASYAN(MINASOV)
+nF+nl.r{h eb{}LU{'q ruKOJIAI4IPbr HA AyAlrKE MANUALFORDUDUK
q.q'urlLuu3tn,
(trhLuunq.)
+nF+nl.r{h ebfl'LUf'q (2-p4 rlhpuul2urlltlurbL prugtlurb hpuutupurlpplnr-O)
I. B.MI,IHACfl H (MTIHACOB)
IIIKOIA I,IrPbI HA AyAyKE (2-oe, nepepa6oranHoerr AorroirHeHHoe us4aHue)
G.V.MTNASYAN(MTNASOV)
MANUAL FOR DUDUK (2nd,revisedand expandededition)
(qnUhSUU> .KOMHTAC" .KOMITAS"
b0bq.Ufr EPEBAH YEREVAN
2004
isrl- 785(07) clllr]. 85.315g 7 1r710 h hurl ur0nrrlpnlnp 0pru0g, hptufuururqfrurnrpJnt0u tunPlr0 nqPbtoqOhl hG f 0d Lu.yuqpplr hpuu.nurpurLllr-u0 qnpdnitl Lrfl.rpmrlhrl pnnurOuahnpqf[0 fu dpuqlrp' ( ( rlururn.upurlruu.r,a)hrputputt ilpgruLtu!fr 4LutfrLh\ frp,uqpn$.fi-. Uga n t [y tuft
tr7l0
Q..1.rl-nLrpr\[ dbn0rup[. Q.r0ruqru0(Uf OLuunLl) -bp.: (qnrlhurr-uu >,2004.-236t2 nruruU0rullu0 dbD0lupqhlud2ulurqtu0 rlupng0hplr l, ntuntti6upu0 0bFlr unqn[n{0hph dbn0up\ntr.l qhurhrl(tLrd1,0 L qn0ubFr.lururnp[uJbnrutu0n{0tillr htudurp; fltunrt\0urL1u.r0 h0 hnc}Lnf, qurlL\ur0hp: l, Lhp[LultLrg{urd 0Lp, tnlnrq6h1r purc}iuplrrl {urpdnLplnL0 o0lr0urtltibF0, r.qtr-r p hrlur tiur Llti tiplr qnLuru0uLltu0 hlqhltb nt dDqnql4ruqru0, }ut[uqnL10 lr0lulhu 0rul, l}nru tr rupLrluruhrlllnulrutluCLpqurirur00hnlrulllhq]urqn|0nqrjllt00[iF1: Qhn0r.up[ntriunulh0 u6quf 0htrquJrugtlurd h0 r-tnrrltuLi0bplurnl,butu0 ti2tL]UnUPll Iruqu\tu0 qnhtup0hpp;
LI
4905000000 ^^^, --:---:--: -ltrtr+ 0036(01)-2004
a U 1 8 5 . 3 1g5 7
Brrpaxaro rny6oKylo 6naro4apuocrr ncev, KTO NOMOT MHE B I{3]IAHI,IH
K}II{TII
flocsquaro MoeMy BHyIty f eoprt'rro Pe4axrop 3acnyxeHHblfi aprllcr PA, naypear foc. npeuttlt, npo$eccop P.Anntymtt cryAeHToB roco6ue Yqe6noe a-[.f, yqaxluxc-f, My3brKa-IlbHbIX ulKo,'l l{ yqutl'tu{' HaurJrI{ Mecro l\,tHofoqucreHHble ylpaxHeHus' noco6uu KoHcepBaropnr.r. B yve6uon My3blKn, HapoAllol{ lyvllltre o6pa:ubl llyxoBHoii, 3rroAbl, raMMbr; Ilpe.qcraBleHI't pyccKlrx lI rlpolt3BeAcHrlt rycaHcKHx neceH I,l TaHqeBa.jlbHblx MenoAHl-i, a TaKXc lpcacraucn;t noco6urt B Bncptltc KoMno3trropot. aaHllolll 3arraaHoeBponet-IcKtrx - ]\{yf aMbl. )teMqyx}{Hr,r BocToultoii xyllryplt
I am deeply grateful to everybody who helped me in publishing the book I dedicatethis book to my grandsonGeorgy Editor The HonoredArtist of RA, tlre laureateof StatePrize,professorR.Altunian The text-book for the studcnts of musical schools atld collcges, thc strLdentsof
and also the co posiLionsof Rttssian atld Westcrtl Europeatl authors. It is thc tl i tirr.rctvhcn thc pearls of Eastcrn cullulc - mughams, arc rcllrcsentedin thc givcn text-book.
ISMN M 801600-15-8 rsBN 99930-979-5-0 Lutr/ [.MnuacrtH / G.Minasyan / 2004 O Q.LllrtruLrl O \purq. nttnr.ibqrtuuo/ 14rA."l(orrrt.tac" / Publ "Komitas" / 2004
'%," -,V"*/" hfii.t t/r,/,ry//,/L'/Ll "4'"4 l,',7,",y^altpll"f-'/r/ y"fdE44@, lfu,/T Lt*A1,,',,/,/o' f*%'*rft, "'r/r'/,f,,'{,-L*?/*.7/,f' 9 ,ft/qt/ ftaq, ec'tu Jloa Ettkza naanzcetfi tttzuu4anc,tt4tcttucno'natfrz"anu 0oi6a
c nfzr/cacnui
"uuft ucrqecfi€a, 0 4cunectru'ril*a/, qtlqqna. at"iil k ghl /*V U "rr/-/*/
"-rU 4*k,
1"fu il. l"gr)'--q to ert"nilp t/n ,t-y. ,r-"//
"/t
t"4.
5 UILUQUAU! cL.Ufr0uugru0[r
,np0 frl G2u0utlnrp.yrurlp 4nuptllt \tuuturpn4tu\ur0 qullmghD 4ruuuq[pp t, lnqu t urbu0nLrl hn\pnq hpruurtupr.u\ntplurfp'tlbptutl2tu\tltub t-,
6 Uhqnrhp, punuhrup Urlrurhul t-l-b$p-tl4tutluuru 0p: 20-p4 4uplr [un2npruqnr.;0 nrrludupurqhut i Ulhp uu-r 04p Ohu0lru0p/, PtulLu Utftpn{p lruuupnrl0hpltg tf0 Uru2ur Oqu0bqu2{lrg0 /Lrh[rp1tu0p/, Lt,n0 kuptu]uru0p, Unrllln0 Ub1pr"u01r"u0p, LlLl0 Lfurrln; u 0p L nLpf20bp: l-'hp!Lu hpLuunupu\nrp1ur0 bg nLqu 0bplr 0ilnL20hpf p04qp\nLJp 0qtuLnu! t hhmuul04nL bru0npurg0blunL[npnr10h1f0Lu1rlrup{buurf0, tl2tut1h10pruOg rlhg nLqrurllrndp 0ppnpb0 p0\ru1b1nrl-, df2ur tlh\0LupruGblnrlnGlu[nrp1nr0,unr[nphg0b1hurlpuhruphl dLrtutpupup4nLplnL00hJrg, qtupqtugObltnbfu0[r\u0 l-r[urnurphSuqnpdhl6tuj Otupuruphprfuu nnrgnrlu-r[ur6 0 [nrprnrpu0: Q04 npnr , 0nuruqpnLplru0tlhgngnqnrunrgnr p llr pugr-unnr hu0\updrupu0nqrlur0 ftiluputlfqug[Lu1lt/ p64nr0Lu\mp1uG t-, \Lupnqnrplru0 qrupqr"ugnulp:h t[hpgn. ulu r-urlh0p &r.unru1nr,t 4uphplr p0prugpnr dLrr-u{npLiudhr,ul ltuunupnqur\r.u 0 u{ru0rlnqp0bplr upuhqu0thu 0p: Uj0qhu t umug{h1, np {ugutuuru-t0p,lr0hlnL{ qu-rpqtugur}0{urqLupLu 0ru1lr0rl2Lu\nt1p[ bp[[ip, pnpp dtutltu0t"ull0hpnril utrlhl [ 0ruLrG{ruqutptu0qutnprlunnq hlriuOrug {nrpulhu&hp, npnOplrpb0gq;nrurhpn{ hb ur[tu04 nr0h0 rlpru0g\unnLg {ru}p 0bplr\uutuphl.uqnpddurti LIhp:20pr14rupnLfhn2u\Llhgt.Luprlur0 Fnr0nr uOnrGp,nplr hbmupppprutlurOru2lurunu0p0hpp urtrrppbp 6ru10ru brutltufr O{uqupur00bplr rudpnrlgru\ru(ip0uiLu0frpOhp uurbldhlnr nrrplnrpjrurlp/oplr0ur11. prunhplrpunJlul{' qJt\nLn, unLlnpullLu0,ptup}run0ur;f 0 L \nOurprupuuu.rlf0/ durftu0u\lr0 np tllnu;ti iLuj0 l, hfurgur\ur0 u-rp6uquGp qurur0 hprud2ururqlrurur\ru0nlnpur0hpm , u1f, qnpd0r-u\ruo rlLuqupuuru0nL , \[rpr.unnLp1m0m0hgru0 funphp4tu1fr0 UpLbpfr hplg0hpnrd' Sur2lrluuru0nrd, r}r"u4uurur0nr l, Orq:h\urnu0nt , nll Fm0m qnpdp 2urpm0ur\bg U2nm clhutpnuluGp: .{..Fnr0}r0 hrulLn0f t 0url, frppl, pruu-4mrlnLqhuuh4dnq, npo frp or[uqupurop u0tlu-r0h1t : tu\ur6 \ururu-rpb1u-rqnpdnLrl t frpulru0urgpbl Uur2u Oqu0hqu2rfrflrG' p3Luriu02tu1[0 u-l{h3ug0hprl lnlnnlr4 3upp, npn{ qqLu$npb0 p641u10h1 t OrluqLuput0[t mhp0ftltu\tuO h0urpu{npnLplnL00hpp: U14 ur0m00hpfr0 ltpur{urfp \tuph[t t rutlhSug0bi GurL Qhnpq[r llft0tuultu0f r.u0m0p, ptugruhurlmhln{ 0ptu puqrlurln4durfilr qnpbm0bnrplu0 hu tlf npputp. Ftuglr uJ0, nl 6u Futi llLuLnupn4t, r{.rnpdunnrdu0\rutlrupd, 0tu 0ul,r 0rlLuqupu0}r Lu0fun02hhu.ruclnu.rn4 L, qlnruutptup: l,Llruqupul0 0hp r.qrutnltuurnnrl{rupqhu Uhpqhl Utltu0hun{r l.rbu.ruhpur hu-lJuqnpdtulqgnLpltup 0ptu tluunr:ptub 4m4nr\[ rlhpru\unntgnr g'odurm p'rlhmu-rryturful-1tu00hpfrhudu\tupcp{ pnLl1 mqhg qquilr 2ullrn{ rih}rug0h1 0rluqrupu0[r 6ui10rubu{ur11, 4pu0n{ fu\ p041ur10h1nt{ \urlbn tuL[h[t0, fim10 u\qpnL0pn{ Opru0p umbrldhl hG nupn4ru\ru0 h0u-rpLurlnpmplm00hpp: np pnql t uruflru htupurnurg0bl hp\Lugtu0\p Lr 4m4nr\0hplr pr.unlLu[,gO4hmq fr02hpu.ru-4nL4nL\p, [u:urrupbgn2 rllirul0 hurl rifr20u4u-rp1ur0,u2nr4tulpu0 l, dn4m$4tu!u0 hpurd2nnrpJu0 0ilntz0blh puqrlu,rdrul0 rlrnfururipmrlOhp,ur11 0rul, hu u2fuu,rphr-u1[0rlLuuOruqlrururg{Lubhprud2umplru0 lurt[ruqnq0 qnpdhp: Lrftu 0 r]rnfuru4pnr 0hp [tuphft t qu0bt u]nr-ulruplllnq 4tuuuqpplt u0uullpLurJf 0 ptud0nul: Q.tlli0tuultu 0lr \uulupnrlLu\tu0 l-, rlur0[ur{urpdru\u0 purq ur.ltu
ULfr1,U OU{,Lb.LU1,3U\, Upttbuu wqp wn p1 ut0 p bU0utdnt, @ I'tu 0lt An[]t nu u/zut0tt. 11 ut 0 0 ubplut uqlttuJlz ryn&huqt u rybn ln
NPENI4CJIOBIIE Bropoe
u34arvrc
MacTepcTBa. Eorar r.r co BXycoM [oAo6paH uysrmansnrrfi Marepr{au, cocran.nxronlufi ocuony penepryapa Anr AyAyKa. 3Aecr, ucnonr3oBaHr,r o6patqu KpecrbqHcxoro u ropoAcKoro Me.troAr,ru, necHr.rH TaHrIbr, o6pa3rr6r arxyrcKofi {onrx-rropa: HapoAHbre r,rHcrpyMeHTaJrbHbre My3bIKI{,cpe4uereronofi csercKofi u 4yxonuoft MoHoAHr4.Bcrpevarorcx raK)Ke npo}SBeAeHrrt KaK apMrHcKofr, rax u 3anaAuo-eBponeftcxoft npo$ecc oHzurbHofi My3r,rKrr, u6o aBTop y6exgeH, qro gro pacruup.f,er Kpyro3op, [oBbrrrraer xynrrypuufi ypoBeHb My3brKaHTa, qyBcrBo noMoraer pa3BI,IBarbB HeM c"tuJrl 14yMeHr,re[c[oJlb3oBarb ncro 6oraryro 3ByKoByro nanrrTpy SToro yallBr{Ten6Horo r4HcTpyMeHTa. Oco6yro ueHHocrs yqe6Hury [pr,rAaer, Ha HarrrarfnrA, BKJrroqeHr,{e Bo BTopoe vr3ra1ve o6pa3qoB BocroqHbrx MyraMoB g HorHofi 3anl{cfi caMoro F.MHHacqHa - oAHoro r,r3 npI,I3HaHHbrX CerOAHt 3HaroKoB I,ICKyCCTBa MyraMara s 3aranraere. Ou po4r,ucr n Earcy n 1933 roay. flepnuu ero yrrr,rrereM 6rur poguofi 4rgr, 6par orqa, Aranap MraHacoe llssecrHrlfi B cBoe BpeMqAyAyKI4c-r.@oprr,rnpoeanueJrrrrlHocrlt My3brKaHTanpoucxoAluro IIoA nosgeftcraueu [cnoJrHr,rreJrEcKororicKyccrBa Kpy[Hbrx MacrepoB AyAyKa Kapo gapuornana u Jlesoua Ma.uoqqa. PacnpocrpaneHuuft na Bocroxe MyraMar 6rrrona' a Apueuuu eqe co cpeAHeBeKoB't HCXJIIOqIZTeJI6HO KaK r{I4CTOHHCTpyMeHT:UIbHOe SBJIeHHeV B TeqeH[te BeKOBpa3BI,IBaLnCt napaJIJIenLHo c apMsHcKt4M ropoAcKlrM cBercKI,IM HHcrpyMeHTaJIbHbrM rrcKyccrBoM. flpourlxHoneurle Mylai\{ara a Apri,reHr.rrou ero rur4poKoe pacflpocrpaHenue odycnorreurr, IrpexAe Bcefo, HaJrar{HeMonpeaeJreHHoro poAcrBa u o6rqNx rrepr, nexarrrHx B ocHoBe apMtHcKHXnaAoBLIXcHcTeMH taAoB Myfal{aTa) qTo, 6erycnonno, cBt3aHo c pernonanlHofi 6rugocrlro. B npoqecce cBoero pa3Bnrr,rr, orAeJrr.rBrrrr4cr or o6u{efi socroqHofi Kynbrypbr, MyfaMar n Apveuuu npuo6pe:r o peAeJreHHbreHauuoHanbHbre veprrr, o6yc:roBJreHHbre apMtHcKHMHaUI{oHaIbHLIMMy3bIKaJIbHbIM MbIIITJIeH[eM. 3ro orpasluocb, B r{acTHOcTIt, B uuofr crenesr'r KoHueHTpaIrHr.ruy:rtxanr,uofi MbrcJn4Bo BpeMeHr,r,a ero o6ycrou.IJlo B cBoro oqepeAb oco6euHocru Qoprraoo6pa:onaHnx.flpoHnxHyB Bo sce o6nacru uy:uxanruofi I(ynbTypbl, MyfaMaT 3aHtll 3HaqnTeJrbHOeMeCTOI,r B r,rcnoJIHI4TeJrbcKoM I.ICKyCCTBe, H B o6lacru reoperuvecxoii Mr,IcJrr{,N n npo0eccuoHaJrbHoMKoMno3HTopcKoM.r.BopqecrBe. .(ocrarovuo BcrroMHr,rrb o6pa6orxu A.Cnen4tapaua r{ T.A..
MyraMoB H.TurpaHxna,
Passfinascr B ycJroBurx ropogcrofi Kynbrypbr rax npoSeccuoHaflr,Hoe r.rcKyccrBo ycrHofi rpa4l'rrlHr.r, MyfaMar BbIABr,rHyJr raKr.tx Bbraarouruxc.EapM.nucrux ucnonnurenefiBHpryo3oB,uMeHa KOTOpbTX B CBOerpeur 6ruru txHpoKo H3BecrHbrB MHpe. K zx vuc:ry npuHa.qnexar u3BecrHr,re My3brKaHTr,rXIX uexa, rari,r6ypucru Alercau r,r Apyrnn,
8 Ment'rx-AraNaarqH. Kpynuefiuruut't Cenyx, Tapnm Araual K.sMaHqHcr A.rasypr MyraMarncraMfi XX sera 6r,IrtuCaua Oranegaursuru (Anexcau4p Orarun), Eara Merltxou (Merlm.rH), Jlenon KapaxaH, CorouoH Cefipauau, Jlesou MaAoqH 4 apyrl{e. Bxlroqeurae B Hacrotlqee v3AaH e o6pasqon MyfaMoB npecneayer qenb 3HaKoMI'ITr, B HI,IXyMeHI{eTOHKOOXlyUlaTbcTl.rJI6MyralvlaH yqauluxcr c 3Tr{MHcKyccTBoM,BOCrrfiTr,rBaTb npaBr{nEHo nHTepnperr{poBarb ero, npeoao;leBarb c;loxHocrt'I Qopvoo6paaonauue', pa3Br{Barb rexHHqecKHeHaBbrK}tt4 coBeprIeHcrBoBaTBHcnonHrrrenbcKylo Kynbrypy. flplt erour yMeHI{r IrMnpoHorHoe o6yueulle He ItcKJIIoqaer pa3Burl'Ie B yr{eHHKe cnoco6uocrn Br,t3HpoBaT6.BCe SrO B KoHeqHOMIrTOte cny)KI{T CoxpaHeHIIIO ycTo.f,BlllHxct apMtHcKHx rrcfloJrHHTeJrbcnux rpanzuuii. Tar< yN [oBeJ]ocL,,uro ApveHu.a, crpaHa pa3Bl{Tofi uucrpyri'renraJlbHo!"IKynbrypbl, Bo Bce BpeMeHa BLrABr,rfaJlau 3aMeqarer6H6rx MacrepoB-H3roroBtITeJIetinrtcrpyiueuron, gHaqure:t H},tii BKnaA B ycoBeplrleHcrBoBaHl{eux Koropr,re cBoHMl{ u:o6pereuuair.rn BHocr{Jrr,r xoucrpyxqlrii. B XX nexe [pocJlaBunocbtrul BapAana ByHn, uHrepecnae pa6ora KoToporo 11o co3AaHrrroqenrrx cerueiicrB uHcrpyMeHToBc pa3nurrHbrMIrAIIana3oHauIz (uanplrvep, KBapfer rapoB - nr{KKolro, o6br'{Hr,rfr,6apurononrrfi Ir KouTpa6acoBrtti) naur:ra B cBoe BpeMt He ToJr[,KOrUUpOxnfi 11 BOcTopXeHHrtfiO-rXlux co cTopgHbl HayqHOfr My3blKaJIbHo-TeOperzveCxbft M6ICJIz,HO I,I npaKTl,IqecKoeIIpHMeHeHHeB CTpaHaXCouerCxorO Bocrora - s Taaxuxucrase, Karaxcrane, .{arecraue 1r Vs6exucraHe, rAe ero Aeno npoAonxul Auror B.Eyur.r rr3BecTeH II XaK co3AaTelb 6aC-Ay4yra, xoropr'rfi oH Ha3Bzrn flerpocrH. <6yruQoHorr.t>. pI46aBI'IB K CyqecraenHoe ycoBedureHcrBoBaHr,reBHec Caura Oran*alrlBlllllt, K.rMaHqe qeTBepTylo cTpyHy, qeM 3HaqHTenbHo paclxllpHn TexHHqecKI'Ie BO3MOXHOCTI4 r.rHcrpyMeHTa. K gruv uMeHaM Mox(Ho no-npany npu6aar.rrr Ir [rMr reoprua MuHacxna, pacKpllBac - OUU.IHrti;i eule oAHy rpaHb ero MHorocTopoHHefiAeqreIrHocTI4: KpoMe TOrO, qTO On lrCnOIrHnTeJIb,Onrrrnnrfi IIeAafOf, OH e Ie V flBl1s.eTg, HSyTOMIIM6IM Hccne,UOBaTeIeIl I.r3o6perareneM.flpotr:ne4euuat uM, coBMecrHoc MacrepoNt-['t3roroB[TeJIeNI I4HcrpyMeHTa, Cepreeru AnaHeconlru, peKoHcrpyKrlur AyAyKa, csa6xenve ero cuc-revoil MeraJIJIIlqecKI'tx KIra[aHoB, [o3BonHna cy[]ecTBeHHOyBenI4rII.ITLAI,Iana3OHIIIICTpyNIeHTa,pacuupl{B TeM caMbrMefo scnoJrHrrrelrr,cKHeBo3MoxHocru. Eoree roro, no roNIy xe npIrHIInny I4MHco3aaH Becb KBapTeTAyayKoB, BKJrrOqar6acosbrfi ayayK, qTo no3BoJrqeTpaclllvpr'rTb pelepTyap I4 11c11orHrTbHe TotbKo IlepenoxeHl,It o6pa3IIoB apMtHcKoii cpegnenexoaoii, auyrcKofi u U, HO Lt lry'Iruue IIpoIt3BeAeHlIt Ii'ttlpOnoii I,I3JIOxeHH HapOAHOfiMy3brKH B MHOTOTOnOCHOM npoQeccuoHanluofr My3bIKI4.floAo6Hue nepenoxeHllc MoXHo HaiiTI'l n ancau6nenou pa3aeneflpeanaf aeMoro yqe6HfiKa. <
AJII4HA fIAXJIEBAHflH ucxy ccmeoeedenun, npo(teccop Kandudam Epeeancxofizocydapcnueuuort Ko cepsdmoputturtettuKotnunnca
PREFACE The secondedition of the "school-book of the duduk', by G.Minasyanis remade and enrichedand lets the performer-beginner as well as the performerhaving someskills of playing learn deeply this wonderful folk instrument,its features,rich performingpossibilities,help to overcometechnicaldifficulties.The deeplythoughtover idea of the book which entersthe student into the world of music, leads him from simple to the complicated,from exercisesto the performanceof highly artistic pattemsof folk and authenticmusic, makesit indispensableand valuableguideto the achievement of the professionalism. The music material is rich and selectedwith a good taste and makesthe basis of the repertoireof duduk. There are the pattems of country and city folk-lore usedhere such as folk instrumentalmelodies,songsand dances,pattemsof gussanmusic,medievalsecularand spirinral monody. You can also meet the pieces of Armenian as well as westem-European professional music as the authorbelievesthat it enlargesmusician'shorizons,raiseshis culturallevel, helps to developa senseofstyle andthe skill ofusing all the rich soundpaletteof this wonderfulinstrument. The particularvalueto this book, to our mind, brings the insertionof the eastemmughams in the note-writingof G.Minasyanhimself, who is one of the acknowledged expertsof the art of mughamatin the Transcaucasus today,into the secondeditionof thebook. He was born in Baku in 1933.His first teacherwas his uncle,his father'sbrother,Agalar Minasov, a well-known duduk player of that time. The formation of the individuality of the musicianwasgoing on underthe influenceof the performingart of suchgreatmasters of duduk as Karo CharchoglyanandLevonMadoyan. Spreadin the East, mughamatexisted in Armenia yet from Middle Ages simultaneously with the Armeniancity secularinstrumentalart. The penetrationof the mughamat to Armenia and its rvide spreadingare mainly conditionedby the existenceof the certain similarity and common featureslying on the basis of Armenian mode systemsand the models of mughamatand it is obviouslyconnected with theregionalcloseness. During the processof its development mughamat in Annenia having separatedfrom common Eastem culture gained certain national feahlres conditioned by Amenian nationalmusicalthinking.It was reflected,in particular, in otherdegree of concentration ofthe musicalideain the time and this fact in its tum conditioned thepeculiarities of the fonnation. Having insertedinto all the spheresof the musical culture mughamattook a considerable placeboth in the perfonningaft and in the field of theoryandalsoin the professional colnposrngart. It is enoughto rememberthe adaptationsof mughamsof N.Tigranian,..yerevanian etudes"by A.Spendiarian, etc. Developingin the conditionsof city culture as a professionalart of oral tradition mughamat advancedsuchremarkableArmenianperformer-virtuososwhosenames were well-knownall over the world' Among themaresuchfamousmusiciansof the XIX-th cenfury astamburplayersAlexan
t0 The and Harr-rtin,khamanchaplayer Achazurk sepukh, tar player Agar-nalMelik-Agamalian. greatestmughamatplayersof the XIX-th century were Sashaoganezashvili(Alexandel oganian), others. Bala Melikov (Melikian),Levon Karakhan,SogornonSeytanian,Levon Madoyanand is to The purpose of the including of the pattems of nughams into the given edition mughamand introducethe studentsto this art, to bring r.rpthem to be able to feel deeplythe style of technicalskills to interpretit correctly,to overcomethe difficulties of the fon-nation,to developthe exclude the and to perfect the perfonning culture. At the same timc teaching the notes doesn't to keep the developmentof the student'sabilities and skills to ilnprovise.All this in the end serves stable Armenianperfomringtraditions. at all Suchis the customthat Annenia being a country of the developedinstrlmentalcr.rlture valuablecontribution tinresalso advancedwonderfulmasterswho rnadethe instrulnentsand made a famons to irnprovementof their construction.In XX-th century the nat.neof vatdan Buni became r'viththe different a'd hi! interestingwork at the creationof the er]tile farnilies of the inshuments rvasreflectednot ranges(for.example,a quartetof tars-piccolo,traditional,baritoneand contrabass) idea but also only by a well-spreadand enthusiasticresponsefrorn the scientificmusical-theoretical - in Tadjikistan, Kazakhstan,Dagestanand practical use in the countries of the Soviet East for being a creator of Uzbekistan wher-ehis work was continued by Ashot Petrosian. Buni is famous bas-duduk which is called "buniphone".
string
the fourth Remarkable improvement was made by Sasha oganezashvili r.vho had added the instru[rent'We to khamanchaby weansof which he enlargedthe technicalpossibilitiesof
rlore side of his can rightfully add Georgy Minasyan to these names and thus we shall open one teacher,as well as a versatileactivities:besidesbeing a perfectperformer,he is also an experienced Avanesovhe rnade tirelessinvestigatorof the instrument,an inventor.Togetherrvith masterSergey made it possibleto the reconstructionof duduk applying it with the system of metal levers.That possibilities'More enlarge essentiallythe range of the instnrment,thus enlarging its perfonning fact allor'vsto expand the over, the whole quartet of duduks is created on the same principle. This gussanand folk repertoireand to perform the adaptationsof the patterns of Annenian tnedieval, sic St-tch g'ork of the rvorld professionalt.t.tu tlusic in polyphonic sounding as well as tlre best canbe found in the Ensemblesectionofthe given book' aclaptations ..School-bookofdudrrk,'isar.esultofmanyycats,pcrforrningandteachingcxperienceo rnind doesnot stop and inqr'risitive the autltor in whose"artistic laboratory"the beatingof searcliing cven for a mintlte.
ALINA PAHLEVANYAN Doctor of Arts, Profcssorof Yerevan KomitasSlate ConscrvatorY
I] {,UUUI}0S
Sb'Lbqnl'fd3nl'\,
+nF+nl'rrt!
LIUUhf,
rlnupL\p (uprurlur3fr0 km{\ruu}r, r}u.rqumru0frL npn2 ftgft0tuufrulqru(idn4n{ntp40hpft tih2 mupLult{tu} r{u,u1ur.;ur {n4u-r1}r0fiL{uqurpur0L: 1n4m!g lluqd{ub t hhml,jrul rftuuhpfrg' rfrulrn.;u +nq, hqhq0urufhq[2, lupquLlnpf2 L qrnqru[: Ur{u04tu\ru0 4nqmll0bpp rfn4lt bpllupntplru p nt0hghl h0 ururug ru0gp, npn0glrg nLpp' rlnuprl4]r t +nqp (350-a50rli hplu:pmp;utlp), quutlulun{nt aflftu1lr0,hplmup' hrullunu\ lnrlrlnui: cL04Ludbt rfrqlr qfuutlutunt huqg{ntd t hqhq0uru{hulh21: hlrrl0ru\u:0mrl dlrpu0b(im qnuJmhg: .lLnlbohu rllrgfr0 ruunL hurqg{nr t !upqu{np[1p, n$ urb4ru2rupdriru0 rl[pngnrl $n$n]u{nLil t rLnqmllfr (rudrufu hpqul}rO 0{uqrupu0lr lup{Lu@p: hO2hpr,u0qp oqmurqnpd{m k nputrhu t: $u{mr\ 0{u:qul4gn4qnpbfrph dq{urb h05m00hpfr oq0mplrurlpdrul0urllgmrlhfllOtu!u0 rlb4h4nr0(4uul): drurlut0tu\ru\]rg lluuurphpuqnpd{rub 4nupr!0 m0}runuu02npuru0gp,npnOg}tgntpg' 4fultu;1t0, rlhgp'hru\u:nu[ !n4 m : Utlru04rulru0 qnulnrqf 6uj0rubrut{ru10 104pu10rlb1t um10 dhn0rup!}r hh4lt0u:\fr L hpLr.rd2mmp1u.r0 {rupLqhrn U.Urlur[hun{]r \n4ilfrg' \ruqlnqn0hnlr (qtruu4u0) tutlblugriuO nr $nr[r (450-460 rltl) ri[gngnLl: Opqbu ruprynrOp'rur{h1tugr{h1 hpltrruprugriru0 b0 hbnLlul 0ntnu0bjp'{mpp o!nu{u1[ rifr,$ru, Sru 4f bq, un6 unl4fbq l, II o\nur{u1f nb, nh 4fbq tr il}r: qu+nqn0hnb u{hlurgmdp hfirupur{npnrplnr0t p0dhnmdpnlnp qru ru0bppLlururuphlnr: Q.U[r0urun{gL U.U{ru0bun{g n2 d[ru.;0 pruphpu{h1h0rurlru04utlruO4m4m![, ru1[r hrufruurhrl uuh4dhl rlfr pru0ir Onp O{uqupur0' puru, r.nh0npL prup[un0 rptrpr[0bp: U;4 0rluqupu00bplr oquruqnplnr p h0nrpruLlnp t 4Lup60md 3 o\nu{u3}r uruhrlu:00hpnr l1utnuph1 umh4duqnplnrplnr00bp:'I-,rluqupu00bpp \Lupn4 b0 !fpun{h1 [rluptnbrnGhpm, [02qhu 0urL dnrln{p4url;ur0tu0uru pl0bpm nr 0{uqufurlphpmf: rlnuprlObpfr g0uru0frpp Ohprunmrl t uurpphp r]nupr\0Lp]r turlrlrubph 6rluqupu00hp: ppLltu@0t'in C, in B, in A, in G, in Es,in D, in F.
ubrdn+uqu\, SnFSnI.uLbrt Ul4u0ru\ u2ru\bpufi hbu ru0gllrug{nq qurpurqrJnr0p[ Iuhun qruururufuru0ruunr 2p9u.r0t, pu0f np lrurnrupnqur\ru0uu.1lnunnb ullq:Ou\ru0 4nqubpbs t lrufurlu,rbru2ullhpmfr hhr.muqurrudp' npqbu hpurdfr2m-\tuurtupn4f : tunphnLp4t rnpt[nr.rl4nr4m!n{ qrupruqhl u\ub1 12-14uruph\ru0[rg:U2ur!h1rn0hp]r0p0uphfru ru0hpr.udb2urt nr2ru4pnrplnr0 4ulpd0h1 0pru0g Slrql\ul1ru0 ur{u10hpfr0, 1un4nrp1ru0C,nhpilfr p0\ur$u0p L bptud2Lnur l.1t-u 0 hft2nrlnrp3u0p:U2iu\hpurlrmum 0u:nnrpjru0runulgpOpurglritd rluruulip Orul, Or{uqupul0f Lnb[u0fr\uqu0 rlbdtu\frg, nruurfr mumgfrl0 u\qr0u!ru0 2pgul0nr.rl t lurfurlurb ulurpnuqnl t hburl,bl tr \upqu{npb1 0r{urqupuGp: U2rulhpn}r nrumgnr p qhurp t p0pu0ru utumfdu-t0tul4ur 0, hru uqurpLfr.u! u[q:nL0pn{' lu-runupn4rullur0 LnL}u0fr\rulfr rnfrpruqhullLu0, bplud2mul1ul0 rlur.ulnr'1nrp.1r.u0 l, qhqu-rp{buuru:\ru0 6ru2rul1[r4ruuurfru.rpur\mp1u0hturftu2u-rr{r qLupqLugfru0 mqrlntp.lurip: Orunrg2[ oq0nrp;rurlprlLupdnLplm00hl]r, trn1m4Ohp[rl;rurl qfrhu0hpfr fuu tu2iuuuhtlu ur2rulhpm0 u.ruurfrdu0ulpup qhmp t lmpurg0fr upurulhrulu2ru\ru0 h \rurnrupr.rrlul1.u0 nbfu0lrlLujfr pnpp urtuppbpp:L rlu-r qrupr-u0f tfurLu0rlruqblnru\q10ruLitu04pqureph6]r2rnp0ltupnllrg t l1u-t[urlLud tu2Lu\bpurfhhr.nruqur.untu2p0pr-ugp: fhunLglr2pqu:punu{np t ntumrl0ruulrphldhn0urplnrri unugu4pL[rub pnpp bpn4Ohpp'201unnrp1u0,trlLu0h,qtuh, 6hnphlrfr,rftuLn0hp]r d]r2u 4prlru@lr hbm ru;4 gnLgmri0hpl:U1uhru0qruriu0pgululrmurlnlbg0nr t luq{urd L hhLntrbt,nn u2ruqhpug 3nLpurg0[r nrunrg2fr0'murlu0 hb09 u\qr0u[u0 Xr?tu0FS oqfih1 ur2ullhpn[r0 6]rr_.n!uqriru\bpulhpL lrp 0ru1]r0 qrupu.nqrinr0p tr m0u.r1fr0 0bpp: 4uurupru
il
'\ {
I2 1
l
I
'I
trbS{UU.PC +nFrInFq lqUqItLhU '!m4nL\n{ ulurlurqhhu iu2ur\bpLnp qhrnp t qruhqruOft ftptuOft u0\Lu2\u04, p0u\ttt0 0uururb:ltluqhfru [1Lu0g ulhup t, qruhbl nt4fr1, \ruphfr t \ru0q0ru0 \u \hgrlu0pp: rhupr.uuqhp rlm4m\0 ruquru t|}rdr,u\nrrl: frJtu0lr 0l4ruuliru rlp qhurp t 400- 450r.u0\1nr0\uqri}r: Uqurur202unnLpjnLG hu.Iiruprup nLo[0hppulhurp t phpl,rullirprupdpqLuhb6qprful'ntq[r1, dbgpp2\npLug0b1: u-rqruhn{b1nr kru0q0u:0 {rdu\nui 0r{urqhfruu? ntnpl 4pr{ntf t phPLuqh unurg, ltu\ 0uurud r[rdur\ntU 2[ lluphft ulutrn6runn{: hOtuptu{np}utufutnriur0 nr.nppnnpir0 40b1'202runnr,p1LuG
1 i
: :
1
'6h2\n Ubg{ubp flpaen,rrHaxnocraHoBKa Rightposition
dfr2tn qbgqudp flpaeu:rrHaa nocraHoBKa Right position
UlurutUbgqulp Henpaau.nrHarnocraHoBKa Incorrectposition
I Uuluquulnrnu I AnnnuKarypa I Fingering
II UqflrquunLpu II AnnnfiKarypa II Fingering
C\r?UIlnFfd3nI'1' Orum 0unmp;ur0 hh0g rumugfr0 opL{tu0frgurOhprudb2nt u2Lu[hpufr b2 qurpqug0bl 0 nt0u!mp.;nr0: tlurnrupn4u\ru0 202runnr.p1u-r qhurp t \ruururphlu-rpuqt, [unF!, frull uputu202hp' 4tu04un, hru{uuurpu2u{r: CnL02p nr0frbphpninqf 202tuuntp.;nrO. Qn1mp1nrO u) kpbpu-r.1ft0 [tu \nqnulPtu1ft0, 0, p) flpm{ru10tu1fr0 !urrl uutndu0u-t1f q) tuunp \u.r l1p0punpn{u10Lu1lt0: U2ur\hpur[rrlntnu0hpudh2rn t f2u-r\blfuLunp20punnlplnr'0: h rulu dt,p pnr11turr-u$utlbpg0hio4|t tlbb rqtu2t'u[ h ur].:ppbpnr,p.1nr0 .1utu0bpfr,202u'rnnrplru0 funpp h02nnnLp1r.u0: t ur.u! r hrurr0bpruquul 0qurqbl-r1ur-luqDr.10 hhurLuFrul h0r.upr,u{npnrp.1nr0
I3 2O2rILu0drurlr.u0Lu\1u10ruOnr t lp@tur{ru04tu\n, hutt uun}ru0ft0 f20ntil k gtu}: {,tu0q[uut druriru0u-rQ urpurur202rftuO lp@rurlru04ru\fr qnrlbn1l-,uutnltuOft0uuhnL0 {hpu4run0ntrl b0 u[qI0u\ur0 l4fr0: C02riru0 funpnLplm0p qhup t hurtlurqumruufuru0fr ur{ru1 hptud2mtu\ut0 htum{ru}ft rllrdLu bnqunnrpJru0p:h:nphnrp4 2fr urpt{m hudru}utu!}r 2nr01 rlhpg0h6 pruO[ np 4ru {bpgOtullurOuqhu qhphnq0rudmp;ru0h rluu t ru04pur4un0mrlurnn4gntp1u0r.[ru: hru0qbg0nuit 202unu[u0 rll-1ur00hp[ hL?rtIbU
LI\,3r{U3f'bL
LnU.aItl,
+Uubfre
Uh0t ullqr0ru\ur0 {u:pdmpjnr00hp}r0 ru0g0bp tuOhprudh2u I 0ulptuulumpruumhl O{uqupur0p, urlu}r0p0 rifr pru0[ llLup[1 2nLp \tuphg0h1 b4hqOf ilbg, npn2 durdufitu[ hbnn ur10 4ruLnruplh;r.lttu\b1u1m!u1nqL 15-20pnqh hhurnul1uh10rluqp: l-,Luluurqbuur2ur[hputft0qbmp t gnqg rnul hqbq0urqftqlr2lrtnhqn 2ntpphplrtlpru, [02qhu 0rul, dru.;0frurprnurphpur0 202 ruOtr rupmru202ruO dtrhpp: U0hprudh2urt 2nrlpbpml pn0h1 h4Lq0uqfqf2p, phptrtulllr nrnhg0hl u1nhpO ru10qbu, n1r 2nrppbp[r0bppf0 qrunhpp prudu0rlh0 104hplrgtr rumuf 0Lpfg, uLnb4dbln{o4ur1f0 urupru}nrp.;nr0: {tu4puhrupblnrl dru;0fr 6ft2tn ruJrurupbltltu0 4d{urpnrp1nr00b[[, quphltt t urp4hOru0g0h1 u\qr0ru\ul0 {rupdmp1nr00hpf0: {rup\ t 02h; np qnqnrq0 nr0fr hpllnL uqflr\urmmpur: Unuglr0 rurqfirlluurnrpur0 pbpLu-rg{u-rbt, nrlurnh4 lh oqrnuqnn0qnLri drufu dhnpf d\m1p umg: U10 qnpdurd{nL t 0ru}uOurtluGnrunrgrhu0 p0ptugpmrl: bn\nnp+ uqfirluLnnrpu-r0 purp4rugrlrub t L qnnbudqm t u\uru] 2-p4 4u:uu,rpu0irg, pruq[u02u.t0qud ru0bp[rl, q[huObp]r urn\tu1mp1ru0qrumdunn{, npurb4qrur4rlurdh0 dhnphpf pnlnp rltuur0hpl: U2u-rlhpurfr qb4urq[uru\ru0 6ru2u[p qugqtug0blm t, qurpurqrlm0p0hplr hu:O4hui hhurruppppmplnr0umugug0hlnt Gqunuln{ gurotlrufirt hrudtufutul4]rpuprlugohl 0pur hptlurgur0llp Onl b[tud2LnuUu:O0lmphpn{: Orunrtl0ur\rl0 unu2lr0 Lnup{u: p0prugpm tu2ru[hpurp qburp t lmprugG[ rpr4nr\ 0r[uqhlnLh0rupp0h11L dhnp phpfr\tuurupnqu\uG 0tu]u0ru[u0 m0ur[nrp3m0Ohp:
LnSUqOnI.fd3nFl,e
qprunhlnt huliup qnplulmrl b0 hlr0q hnpfrqn0ur\ru0qbhp, npn0p 402.1nt0ftpurpdpnrp.ym0p rllnuu[0 r.lhpg{urbl;n2{nr h0 h6quq[b: th0q qdhfl]rg 0hppl,]rfiphrurlup{mrl t runrugfr0,rlhpL}r0p' hfOqhpnp4:lnurur0bpp qp{mrl h0 qdhpfr rlpu.rL uJnu0grilrgL, }rO2qbu 0tut, runur2fr0q}b nurq L hfi0qhpnp qbfg r{bp:
€uOf np h0quqdfr fuu rmuppbp prupdpnLplur0h02.ym00bplurphflr t qpunbl ]ufruLn pruOtu\nrplurlp, muurlr qnpbu.r}nLrJ uu:hrlu.r0ur{ru.rl1 h0 0utr odru04ru! qbhp: Odru04ru[ qbhpp q1n{nul h0 h0quqbfg 0hppl,L {hpL: tttnppoQnu(u
f i
u?',ui" .,1'
unuplt0 oQnutlut
r1n nti
lr llrtu un1 ;.yu ulr
httQpnF4oQutu(u
rln
nb
,flt
{0gnr0lr pLugrupdru! pLlldpntplnr0p qprunhpr hrurlup qnpdru}nrrl h0 hrunnr! 02ur0, npn r]nt4nr\lr hurrlu.rp h0qruqdfrul4qpmrl4p{mri t unflr \url 2mpulfr pu0ru[r'{ : !n2{nui t purOurfir: bprud2LnulLu0 hutltulrupqmrl u: b0 rifr unu.r0dlr0 h05nr0 hru&4frqnL t fr pu0f u0qrurl urulphp 6ru.;0ruuruhru00hpm (nhqfrunp): U10 hurur{ubg, npuhq 0bpqpu{rlurd h0 h0gnr0u2u:pfr hful0u-r\u-r 0 7 ruurn[rdru0Obpp, ln2rlnLrlt o\rnullur: (fuiOru\ru0 h021m0u2unh0 urlhSug0hln{ hurgnp4
t4 oqmuqluJb runlu?h0 h01nL0p, l+uqrlLlmrit 4llunn0[\ p04qp[{rub t tlbpp 02Llrudollmurlu.r0bpfruruhrlr.u00hpm:
qur rltu: .lnLqrLtllr hfr;nL0u1lr0 otutlLup
Sb.lOrUlFfd3nI'L hur rup [pptr hfrilpp0$Ltitlu]] t ilhtl 02ru0tu\b1nr {01nL00hp! hupruphpu\ru0url,.n4nrp.lnL0p mt nryrtpjru0prudu0nr p uubFh Llumulqnl t ullpn{g urhr4nrplur00nmru0(o): urlpnng 0nuru1[.r t bp\nL rululr0po.rlh! Lu pn49 0nurullr rnLlqnLpjnr0pprudtu0LlnL[ u\q:nL0pnL{, hplnLuf prudru0hlnr. bpl-1trL rnl,nrlnrplnr.0p hp\nr purnnp4h, punnn4 0nrnu1l.r url''nr1nrp.;nr'0p' !hu[r, \hu 0r.ruru.r.;[r 0lr l-Ltu110: nLphpnp4ru\tu u 1q]uqph g. purdu-r 0mrlphpl,m t hbutl-.1 obplrr.u.l4qlrufr Sl-,nr1nqr1nt0
o I
' J
| ..' tt..
,"
J
)
)'
,,,-
\.
) . h
)
! N b N t - 1 - r - 1
a
'
a
'
a
'
a
'
.
4
)
)
.
i\l\iii\;ilri\i\ii r r r r r r . . - - -
t t a t a t a t a ' l t a t al t aa a a a t
t 1
e 4 . . .
1 . . . . . . . .
f
OtumquGhp: bprud2tnmplLu0h02n4nLp1tu0durlu.r0u\u-nlnp p0qhutnmrlp ln2{nLil t qurntqru !,102mdh0 urluqbu. nL0h00nr30ul,nr1mp1nt0p, (bpr.ud2urur\ru0 fr02np 0ntnur0hpp 4ru4urp):alLumqu:0bp6
'unurLu0hp!qrup4rulnLhu tup tiprud2urnrpruoqpu-rnntrip prudru0{nrrlt Su:\ur, ururlgrlr 2ullrhp: qbhpn{: I;pud2utt-ultu0 hurlruuruJrhuur{rubohpf' rnuruulhfF:1,'pru0pptudruorlnt h0 lrnLulhg urr-uLlLnlr ?rurirp ( 214,314'4/4) qp{nLLlt hbnn 021{nLt 2u-rr.lrp: ulqgmri' pru0rufirfrg unhqdu,rqnphmplLuo gnLlg t rnulfru, Ph nurqm[ pruGlr rlurufr t pruduOtlud' [ul'1 llnmnpul\lr 6Lnri, nprnb4 hrurlLupfr2p hru1u.[uprupg'rurib0 rlfrriruufrurl,nrlmplnr0p: ULSbOUShUSh \,cu\,\'bn {01nL0obpp!huurn0nripup6ptug0blnrlrurl|rghgObprlrrurlurpqnllrr.p.;nr0nL0h0rulurhpurg|u1|t Lpr-u[p G2Lu00hp:SLu\ur[r rthg hu04frulnq ulSnhpurg]lu.;lr02u00hpp \n2{nL h0 u1u-rnr-uhuL1u0: h0 hpb0g 02u0u\ntp1nL0p rlfurl0 mtlru1 ultullurlr rlb2: bptud2rnu\ru0 qruhqur0nr 4[rbqg\u-r pbrlnp \n2{nrr-it plu0u] rh 02r'u0I-'qnpdntrlt urlpnrlg umh4druqnplmplu-r0ulq:nr 4pL{u-rd urnhrlbruqnpdnrpluOP0PurgPnL: luli h05nL0lrpur|dpugnL p \hu mn0n{: u) rltrhqp( I ) g"r:S t utrulruulLful tuumlr6ur0[r ruuurlrdu0[ lull h01nL0lr[2hgnulp\hu un0n{: p) Fhilnp ( b) SnUgt tntuflruurr'L;rul q) eh\upp ( | ) thqrlpug0nLrIt rillhq| \ull pb nlr 02ru0ru\ntp.1nr0p: rlb\ urtpnrlg urn0nr{(!p\0tu\[ \lruu4) bpphil0 h0lnL00hpppurpdpufinL \u-rrl [90nnl h0 ( }3 ): q urn0hlnq): {05nr0lr uj4ullrulrtrtr\orulhpu|dpugnL p 02ur0ur\{rnrlL ryrrplrlft 02u0nq tIntr0urhhhghqnrn 0rru0uU{nr t rFtpt pbdnt0,7uond( bz):
I5
Y t
, I I I I I
o ) o ]L
o
I
t c,l -l
_l
I
I I
t 6!l - , t
t
crl .+, 1 - l , t
t
(9
z
E. lrJ
o z
lt lJ-
o
UI
o F
ET trt
5
o. F
$ s |-
:'
:s q ul F = f)
c t-
fi,
=-
cc v)
lf
L J F
= EJ J.
e !
e
I I , I
t t I t
l , t ,
I
lrJ'
I t
I I
I
I t I
I
r) , , t
t l t
o
o
t6
+nF+nl.qh SbUUqlbOe CEMEITCTBOAYAYKOB FAMILY OF DUDUKS
Fu'tur1m4nt\ Bac AyAyK Bassduduk
Furpfrtnn0rlnt4ntl-l EaplrroH 4yayx Bariton duduk
I?
ShOnp4nr4nLt1
Tenop 4y4yr Tenor duduk
Ulu 4nqnr[ Allr 4ygyx AIt duduk turffr2 - Uqhq0uqhqhf. 1)qul4url 2) {up4ur-\u:pqurqnph2 Tpocrr - MyHlrrrryt( I ) xolnavox, 2) perynarop Cane- reed l) cap 2) regulator
rlnr4nrLl
Ayayx Duduk
I8 KPATKI{E CBEAEIIUq O AYAYKE y uapogor;3axalxa':uqayxoBoii Hltc'tPyMCllr' Ayayx pacllpocrpal{eHunfi perynrToprr KojrTrarroK. cTBox,NryHArxTyK) cocrasHlre qacTr{ayayKacneayrou\rre: V r p l a r t u H o r r r r b t xA y n y K o B n o A J I I I r r rc' r n o r a I I M e t o T c qA e c q T b n : l - l b l l c a b l xo r n e p c ' t : t i i tte rst,r.sHoii cropolle. Boceiub !r3 rioropbrx paclronoxeHbl Ha rnqeBol"I, Il rBa C r a o , r ( a , r r r r r o i i 3 5 0 - 4 5 0 t r r v r )n : l o r i t n . r r r B l r e r c q B o c t t o B H o l l l l t l t 6 p u r o c o a o L o J c p c B i r . B r.o;roony crBona ixapoBr1auori (ropir.ru Bcrilll,ruercx rpocruurconttir rlyl{.q rryK (Ka\1bIUI). oSpa3yq ABol."tFlyloTpocTb IUIocKOli rfoprlu Ha nepxrruii KoHeq r(Oroporo SIIJIIOUILIBaeTcI, ero
cepeAl.tHy HaAeBaercq xouyr
r13N{er{qeTgqcrpori
(napla),
r,rrlcrpyuertra. Teu6p
T, e. pefylltrop' AyAyKa ttal'xui-r,
nepe/IBrtxeHI'IeM Koroporo ncero ott nenyutri'. rlaqe
rrcnorb3yercq B ay3Tc IiaK aKKolvlnaHupyloulttit nlt4epltauHbIMI4 3By(zr\{lr (AaM)' Y yconepureucTBoBaHHofo ayayria no AnuHc cTBoJIa pacno;lor(eHbl 14 nalluenr,tx .rlr,trsoi;i cropolle. oruepcrrtil, 8 lts xoropux Ha nlrqeBoi;i, a 6 Ila noco6ltq tt ,[uana:oH Tpa,4ltIrHoHHoro AynyKa 6lt.n palculltpell aBTopo\1 .4aHIIoro \{y3brKttJIbH!,IMMacrcporl C.AsaHecoutri\{ uyret,r aodaB,rettttq KjlattattoB lI y.4JMHelII'ltcrBo-la Llrlr.iJu altc:, coJIL, coill' (450-460 rrlu). B pe3y-rrlrare 6r,nu 4o6ae;renr,r cirellloluuc- Horbr: i\111. 4nes lra:roii oKTaBLl Il pe, pe Aue3 Ml'r BTOpOHOt(TaBbI. ,IIo6aereHue KJIaIIaHoBaaer Bo3MoxHocr6 HcnorHqrb Bce raNII{bI Tparllullol{Ht'lii 4y4yx, Ho l't r.r C.Asauecoe He ro.rlbKo ynyqullnll f.MnHacoe - ay.qyKll' cosMecrHo co3aaru HeoI(oJIbKoHoBblx llrtcrpyMeHToB: 6ac, reuop u 6apllrou Ht"t S 3THX I,IHCTpyMeHToBAeIaeT BO3I'IOXItL'INII{CnOJr}leHItenpoI',r3Be,4eH HcnoIr,3osaufie npeaenax Tpex oKTaB. 3ru uncrpyueHT6r Mofyr 6rrrr, rrcno:rrsoBar rbl B KBapTOTaX.a Illli)Ke Lrapoarlr,IXaltcaM6rqx H opKecrpax. c e n a e i i c r t o I y n y K o B c o c T o l . l Tr z : p a t r r o c r p o i r H l , r x 1 4 H c t p y M e t t t o u .c r p o l i a l l ) r .
irl
C. in B, in A, in G, in Es,in D, in F.
METOAHqECKI,IE YKA3AFIT{fl oqeHb orBercrsettttbiil nepttoA. flosrolry or 3angrrlq c HarrrrgaroulrM yqeHnKoM HaqanbgOti fiocTaHOBKI{LIrpOBOfo annapaTa yqel{uKa 3aBHcuT ero 6y.UyUee KaK My3EIKaI{Ta!ICIIOJIHHTEJIfl.
Bo3pacTa Ha.{r.rFrarb 3aHrlMaTbct Ha AyAyKe peKor'IeHAyeTcg c I 2- 14-lersero (yxa:aHuuil Bo3pacT, yrlr{TbIBar o6rqee dln:HuecKoe pa3Br{Tr.reyt{cllIlKa, MOXeT OTKnOHtTCtB ry nnlr uHyto cropoHY). llpl,r o16ope yqeHfiKOB neo6xoarrvo
o6petTrlTb BHl4\,Iiulue Ha ux
(pH3UrIeCKOe
naNIqTb' cocTorHue. Yqenux Aon)KeHIIIueTb XOpoUlli.i ctlyx. uynCrno pI'ITN'ti]I{ My3LIKanbHyIo rla Vcncxn yqeHr.tKoBs 6o.nsrueii creleHu 3aBr.rcqror rexHlrtlccKoro cocrorllll.s I{HcrpyMeHTa' . 6t3aH cnerllrl K o r o p o N r o r r r . r r f p a r o r . f l e a a r o r , p a 6 o r a l o u l r ' r r 'ci r { a q r 4 r l a t o u l l r N ryr lt t e r I I t K a M l t o nOpt.qKe' 3a TeM, qTo6r)l tit{cTpyi\'leHTbIyqeHI,IKOBLIaxOAI{nlICb B noJIFIO\'1TeXHII{ecKOtr'l OBJIIIACFIIIt T. e. nO JIltHt'Ill O.4llOBpeMeHlIOfO IO.IXHO UATII KOMnr'Iel(CIIO. Pagurrtlle yqeltt111z1 u .1cxtptrOii t{C;1Oj I ltel Irl.g nO BCeNI pir3Acnalvl, pa3BI'lTltq N{y3},1liiIJIbHOfOivlbll IeHlIq O BKyca. BC:rC4C'retleSTOrO IleAltfOr O6l:aH npn pa6OTe FIaA t:tOclg.lTlrrHt XyAO)t(ecTIteHrIOf TeXtIIIKI'l .rcN.ttIJIrr tItl,tNI ynpux(l tcHI leNf, ?TIOAOI\ttt,rtt ttsecoit CJICAIITb3a BCCI'M3JIoN{e}lTaN{lt - r o r - o . I { n c K o J t t ) t ( ol t p l l L l l l J l b l { (6) y , l c r y c n o c t t a l r c l r o r r r e H l s r r J 3 L rp i l y r l e J r I ) H o c r uy q e l r r r l l . O ' r
t9 yqeHHKoN{nocraHoBKa urpbl Ha LrHcrpyMeHTeHa HaqnbHofi craAI,Iu o6yr{eHl'It, 3aBHcl{Tero pa3Bnrue B AanbHefiueM. fleAaror o6alan rrqarerr,uo pa:o6parbc.n Bo Bcex yKa3aHlrtx, J.aBaer{brxB HacToslr1eMnoco6nu no BonpocaM rrocTaHoBKIr4brxanur, arta6yultoplt, Kopnyca, fo-'roBbr, pyK, naflblreB H HacrofiquBo ao6[Barbct ycBoeHl{t x yrIeHnKoM. OAnuNr lrs saxHefiurux 3JreMeHToBycneurHoii pa6orrt yr{eHI4KoB tBJlterct I'Ix yMeHHe pa6orarr calrocrotreJl6Ho. 3ro
o6cro.flTerr,crBo o6r3l,rBaer neaarora c caMoro Ha'ra:ra o6yueul.rr
NOMOIIb YqEHI{KY NPABI,INbHO OPTAHI43OBATb KAK KJIACCHbIC,TAK I,I AOMAI]IHUC 3AH,{TI{'{.
IIOJIOXEHI{E NPI{ I{TPE HA AYAKE Bo npevx zausrui,t Ha ayAyKe, yqeHuKy Heo6xoanuo coxpaHtrb ecrecrBeHHoe noroxeHrze Kopnyca r{ He[prrHyxAeHHocrr. 3asuvarrc.s MoxHo crot trJrr cr4rr.. flpu urpe Kopnyc AolxeH 6r,rrr npnruu rl cso6oaHrrM. .{y4yx no BpeMt Irrpbl AoJIxeH HaxoAuTbccrro,q yfnoM no orHorrreHHroK Kopnycy a npe4ene 40-45' (cv. crp. t2). Jloxru .qo.nxnr,r6urr, cnelra npufloaHsrrr, vro6rr 4r,rxanue 6ruro cso6oaHrrM. fonony cneAyer aepxarr nprMo, crruHa He AonxHa crra6arrcq. flpu unpe crot npaBat Hora BbrABr{faerct crefKa B[epsA. flpn Hrpe cI{At HeJIb3t KJIacrE Hory Ha Hory. 3ro lreruaer pa6ore 6prcumoro npecca n 4rla$parurr, a BMecrec reM BpeAHoorpaxaercq Ha AbIxaHI{Ir. .IIbIXAHIIE o Heo6xoaurvro c caMoro Har{ara npuBrlrb yqeHVKy HaBbrKI{ I4cnonHI{TeJIbcKof 6urr 6ucrpr,ru u rny6or
IIPOBEAEHI4EIIEPBLIX YPOKOB flpex4e qeM npHcrynfiTb K nepBoHaqalbHr,rMynpaxHeHurM, cneAyer noAroroBurb nHcTpyMeHT K Urpe, a r{MeHHo: npofiycTr.tTb HecKoJIbKo Kanenb BoAbI B KaMb[x, 3aTeM, onopoxHlrB ero, 3aKpL,rrLKoJrnaqKoMr4 qepe3 15-20 ruun. npucrynlrrr, x ltrpe. flepe4 HaqaJroMr,rrp6rcneryer yKa3arb yqeHliKy Mecro rpocrlr-KaMHrra ua ry6ax, noKa3arb npLIeM [3BlreqeHufl 3ByKa, 3areM o6rqcHurr, cnoco6r,r BAoxa u BbrAoxa npu urpe. .ftx eroro seo6xoar.r:uo oxBarr'rrb rpocrr ry6auru, c:rerxa Haayrb lqeKr4rar, vro6;r BHyrpeHHLIecreHKLI ry6 or4e.nnrucb or aeceHu sy6on, co3AaBarBo3ayrxHoenpocrpaHc'r'Bo.
20 .{o6rzourucr,[paBr4nbHorou3BreqeHu.s3ByKa,I\,roxHonpLrcryrlurr'K rlepBoHaqanbHbtM ynpax(HeHr4qM. CneAyerorMeruTb, qro .[yayK ]IMeer ABearrnnI,IKarypr'I. llepea.a annnuKarypa o6rerqeHHaq (rae ne npl4Meutercq Mrt3l.IHeIlreuoil pyxu). flepna.r annnr.rKarypaflprrMeHrercre Ha.{anrHstiinepLroAo6yueuur. raN,rM 14nbec, B cB.B3fic Ha.[uqHeMMHoro3HaqH!,Ix Bropar anflnr4KarypaycnoxHeHHa.q, fAe yqacrByloT BcerranbubrpyK. y yqeHr.rKa xyAoxecrBeHHoto Bryca u npoSyx4enuq uHTepecaK C qelr,ro pa3Bwrr4s, 3aurrrrrrM, xeJrareJrbHoqacro MeHrrr, ,ray:uralrHr'tri Marepr{an efo penepryapa. B reqeulre nepBoro roaa o6yveuua yqeHI4KAonxeH ycBolrrr nplteMl'I Hrpbl Ha ayayKe I{ nstpa6orarr' }{aBL'IKH. HaqaIbHLIe I{CIIOJIHIIT9JIbCKI{e
3ANI,{Cb3BYKOB My:uranrHue 3ByKnuMelor 7 ocHosurtx HagsaHllli:ao, pe, MI{, Qa, conr, rq, cu. 3rfi 3ByKU,nepr,roAr{ecKfinoBToprrcr. o6pa:yror ocHoBHbrecryneHr,rMy3r'IKanbHofo3ByKopsaa. !;r.R.tu.tclveuuoro o6o:naqeHll.n3ByKoBcnyxr.rr HorHoc nllcbr{o. Horst, nueloulrle cfopr"ry oBaJIbHbtxroqeK uJII{ ycrtlx oBarloB, fiLruiyrcc ua nqrrrrrlFleiiHoil HorHoii cl{creMe, HorHbrMcraHoM. Horlr noveurarorcq Ha;runeirxax 14Me)KAy HoroHocueMr4Jrr,r Ha3brBaeMoii gnuu. Cqer Jrr,rHeeK BeAerc.ucHI43yBBepx. (l ' - . - - : . - - . - - . . : . :. - - - - - --. - -: - . .) --
Hornr, ue yMelqarculuectHa HorHoM craue, nuluyrc.x na 4o6aeouublx lllrHefrKaxnoa HUM r{ HA.trHHM. 3uar, onpe4elqrcrqfifi Ha3BaHueu ror{Hylo BL,ICory3ByKoB, Ha3blBaerct x;rrcuo:u. ,[,] n AyayKa B Haqare HoroHocqa craBr,rrcr cxpunlruurrii x,rrov (rrrrov-co.trr) (. Ha 3Toii nHIIeiiKe nuureTcs HoTa cojlb nepBofi oKTaBLI. V.racrox, B :ryxonofi
oxBarsrBarorqnii ocHosHrre 7 cryneHefr 3ByKoprAa, Ha3blBaerc.gortagoii.
o6:seu yconepuleHcrBoBaHHoro AyAyKa BXoatr cneaylourue oKTaBbI:
neprlat oKTalH
itn.rya, oKTalla
a
un
e
Oa
f'
coJrh
.
tJ-topa'
oK'lalJa
; JI']
OII
./(O
po
(l)a cojrh Jrn
Pc
l
I
Aj.II{TEJIbHOCTb EAr4HnueiicyteracJIyxr{TqerBeprHar Hora (.r ). Orra ucno;ru.serctHa oartn c.rer. 3nyr, npoAo;lxr.rrenbHocrbroBABoe6onbrle r{erBeprHofi Horbl, o6o3HaqaercqnoroBIIHHoii troro i"'t (, ) u r{cno:rn.fl ercs,Ha 2 cvera.3eyr, BABoe6oJrbue no:rosrrltuoli HorL,I,3anttcblBaercsqe,'Ioil Hora - ( .J\; agnoe KopoqeqerBeprHofi Horbl, uoroir (o) r.rBr,raepxuBaepcr4 cuera. Bocr,N'ra.f, rrrecrHirArrarar- ( )) nAnoeKopoqeBocbMoi'rur. n.
2I
o |
d
--!..
.;-
r
)
,/
l
a
T
a
l\
a
a'
l
a
a
iT- a
a
i
J
,'\
. N . H . N . n 4f f a i
-a - .
jiji.irjJrjj=---=
t
i
a
a
,r
.
a
.J
r
a
) J )
a
ffiffi
flay:rr.
flepepbrB B 3ByqaHur,r Ha3lrBaercq nay3oii. flay:u arurelbHocrqMu, rITo r,rHorbr, r,(o6o3Haqarcrcs tax:
lr:ueparorcr
reMr{ xe
Tarr' pa:veprr raKToB. !:rx y4o6crna qreHun Hor My3brxanbHat 3ar[c6 Aen1rrcc Ha paBHbIeoTpe3KI4- TaKT6I.Ouu pa:4e,rarorct MexAy co6ofi TaKT9B6IMI{qepraM[. B na.rare rvry3r,rKajlbHofonpor{3BeaeH[r nocre KJrroqa BbrcraBnqerct pa3Mep. on o60sHaqaerct .qByM, qz@paun oaHa HaA Apyrofi. Bepxuxx quspa yra:unaer qr,rcJro _ aoflei B TaKTe. Hr.rx(H.r.q ,q:rHTeJrbHocrE rax,{oft nonu. Heroroprre wr4rr Hau6olee ynorpe6nren'Hbrx pa3MepoB : 414wm c, 314,214,3ls, 61g...
3HAKKI AJIbTEPAUI4I{ lnr o6o:HaveH't ''oBbrrueH'fl. ur* [oHrrxeHrzt 3ByKoBHa nonyroH ynorpe6rxror 3I{aKr{anbrepaur.rra[Anes(1),6evonr(l),6exap(q)J.Kaxaufi4ues(g)unra6erraonr(6), nocrasreHulrii B HaqaJIeuy:uranr,Hofi nbecbl y KJrroqa,Ha3r,IBaercr KJrror{eBbrM 3HaKoM g 4eiicrnyer Ha nporrxeHr,ru nceii nr,ecrr. 3naxu anbrepaquu BHyrpr4 TaKToB Ha3r,IBarorc, c:ryvaiiHlll',fl.r. orru coxpanrrcr cnoe 4efrcraHe rojrbKo B TeqeHl,reroro raKTa, B KOTOpOM BCTpeqaroTcr. a) !r're: ( 1) noxa:ueaer noBhrrrreHfieaaunoi-r c] yfieHr,rrrn^ 3ByKaHa [oJrroHa. 6) Eeruo,rr( 6) noxa:rrnaer noHHxeHr.re4auuoii cryne'n, r,rJ]r{ 3ByKaHa flonroHa. n) Eerap ( q) oruenaer aeficrsue Eue3au 6eN.ro,rc. r) tr4nor4a 3ByKr,IfioBbrrxarorcr. r4tu noHnxa]orc, ua qe,rr,rftrou (gna nolyrona). Taroe Aeoi-{HoeIroBbrrrreH}re :nyxoe o6o:Haqaercq 3HaKoMAy6nb-Aue3 ( - ). [eofinoe nouuNeHr,re o6osHaqaercc3HaxoMAy6nr-6enronr ( g ).
I
22 SHORT INFORMATION ABOUT DUDUK Dudukisawide-spreadinstrunentamoigthepeoplesofTrans-Caucasus,Dzrgestan and Middle Asia. and a cap The main parts of Duduk aIe the followings:a body, a reed'a regttlator on the flont of Traditional duduks have nine fingerholes,eight of which are situated the cylinder,and one on the opposite-side. tree' The leed The body of duduk (lengthis 350-450mm) is mainly tr1adeof an apricot folmit.tga double is put into the round hole of the bo
METHODICAL INSTRUCTIONS the future of the pupil The studieswith a beginnerare a very responsibleperiod, since to beginplaying recornmended as a playermusiciandependson the correctprimary base.It is dudukattheageofl2-14(thorrghtheageisnotstrictlyfixed.Itmayvarytooneortheother of the child)' side,dependingon the generalphysicaldeveloprnent Whileselectingthestudentsitisveryimpoltanttopayattentiontotheifphysical the feelingof lhythm and tl-tusical condition.The studentshould have a good ear for music,
memory.Thesuccessofthestuderrtmuchdependsalsoontheconditionoftlreinstrument beginners,mnst keep an eyeon the usedby the student.The instmctor, who works with the of the studentshould follow a ceftaln technicalconditionof their instruments.The educatior-r
proglan.Thestudentissupposedtomastertechnicalper|ormancetodeveloptrrttsic Thereforethe instructorntust watch all the elements thinking and artistictastesimultaneously. of the studentwhile, working on an exerclseor of technicalperformanceand expressiveuess any pieceof nusic.
lt 1
2:l
it
Further development of the stuoent greatly dependson the correct organization of the beginning(first) level of study. The instructor must make out in details all the instructions given in this book and concemingthe questionsof aspiration,embouchure,position of body, head, hands, fingers and then to achievesteadily their masteringby the students.one of the most important elementsof successfulwork of the studentsis their ability to work alone, which obliges the instructor to help the students organizeboth home and class-work,just from the beginning of the studies. POSITION WHILE PLAYING DUDUK while playing duduk, the studentshould keep a natural, free and easyposture.It is possibleto study and play both sitting and standing.The body shouldbe straightand relaxed. The instrument should be held at 40-500 to the body. The elbowsshould be raised a little for the breathing to be free. The head must be kept straight, the back shouldn't bend forward while playing. One must not cross the legs while playing sitting as it disturbs the work of the abdominalpressand diaphragm and hinders breathing. While playing standing the right foot is put forward a little. BREATHING It is necessaryto develop breathing skills from the very beginning. The in-breath should be quick and deep,the out-breath slow and equal.There are three types of breathing. a) chestor rib b) abdominalor diaphragmal c) mixed or chest abdominal The studentshould practicerhe mixed type of breathing.This type profitably differs from the others as it allows one to breathe in more air and therefore gives the possibility to achievebettersound and free play. During the deepin-breaththe chestwidensin all directions and the diaphragm goes down. on calm out-breath the ribs of the chest and thp diaphragm smoothlyreturn into their original position.The depthofthe breathshouldcorrespondto the valueofthe musicalphrase.Frequentchangein breathrhythm is not recommendedas it tires breathinemuscles.
HOW TO CONDUCT THE FIRST LESSONS Before starting the primary exercises,it is necessaryto get the instrument ready for playing,i.e.:to apply somewater drops insidethe reedand then empty it, to closethe cap and l5-20rnin.later to beginplaying.
1 -
Beforeplayingthestudentmustbeshownwheretoplacethereedonthelips;howto produceasoundarrdhowtobreatheinandoutlvhileplaying.Forthisitisnecessarytohold the inner sidesof the lips shoulci the reed with the lips, to swell the cheeksa little so that separatefr-omthe gumsand teethforming a space'
Achievingagoodsoundyoushouldbegintheprinraryexelcises.Itmustber-lrentione that the duduk has2 fingerings. The first fingeringis simpler(without using the lelt small finger)' Tlre secondfingeringis It is rrsedat the beginner,slevel during the whole first forrn. more complicated. the presenceof n-rulticiPhered It is put into usagefrom the secondform becauseof Frngers' scalesand piecesof rnirsicdemandingthe work of all a frequentchangeof mttsicai To developartistictasteand maintain interestin studies' year of study the student should attain the repertoire is desirableideally. Within the fir'st methodsof playingand developprimary playingskills' MUSIC NOTATION
(D)' mi (E)' fa (F)' so1(G)' la (A) and si Musical soundshave7 basicnarnes:do (C)' re (B).Thesesout.rdsbetngrepeatedperiodicallyfor.rnthebasicstepsofthemrrsicalgamut.The are callednotes' are specialsignsfor writing the musicdown' They a fiveline note system,which is Notes, which are ellipseshaped,are written down on lines' calleda stave.Notesaresituatedon and betweenthe
Thelrrresarecountedfromdownupwards'Notes,whichdon'tfindroomontheStave are written on extralines,underand abovett'
Thesign,whichde|tnesthenameand(accurate)valueofthesounds,iscalledaclef. at the beginningof the stave and wraps the For the duduk it is the trebleclef ( . It occurs this line so this clef is sometimescalledG clef' secondline with its finglet.sol (G) is written on etc' La (A) is written betweenthe 2nd and 3d lines
Thesection,whichrncludesthebasicsevenstepso|thegarnut,iscalledanoctave.
basicgarnutwithanaddedfirstnoteofthefollowingoctaveiScalledadiatonicgamuto following octaves: scale.Soundrangeof the duduk includesthe The small OclsYe
-.. la
sol
3 lil
TIte Jirst Octave
Tlrc second Octuve
25 RHYTHMIC VALUE The unit ofcounting is a quarternote. It is playedas one beat.A soundtwiceaslong as a quarter note is malked as a half-noteand is playedfor two beats.A soundtwiceas long as a half note is a wholenote (o) and is kept 4 times.An eighthnote is half the lengthof a quarter note,and a sixteenthnote is half the lengthof an eighthnote etc.
o |
' J
J
)
, , . . \ at r t ' t a ':.
n .
I
n
l
..n'
,
a
a
i
: - \
r.t *ffi
, , ii l 1 l' r
a
,i r r' rl
a
a
,r :
I
: : : ..
t.
a li
..
..
,
i - a" i
a
a
J
2
i '
i
-ai i : l
)
a I
a a a.
a - a
a tl .
, t
,i i i ji il
a
a ;l i
/
jr :
t t I i-7-7-Z-7-7-Za
Intermissions. A pausein musicis calledan intermission.Intermissions aremeasuredby the samevaluesas the notesand arewritten down in the following way:
Bars. The meterof the bar. For convenientreading,musicalwriting down is divided intc' equal parts calledbars. They are separatedby bar lines. At the beginningof a pieceof lrrttsicafter the trebleclef the meter is put. It is denotedby 2 numbers,one abovethe other. fhe upper one showsthe number of beat per bar; the lower one showsthe value of eachof rhesebeats.Sorretypesof meterare 414or C,314,214,318,618 ... SIGNS OF ALTERATION To denotea changein sound by a semitoneup (higher) or down (lower) there exist signsof alteraliot-t. The signsof alterationwithin the bars are calledaccidentals. They keep their effectonly within the bar in which they occur. Every sharp or flat put at the beginningof a pieceof musicis calledthe key signatureand is functioningduring the wholepiece. a) Shatp(#), put in front of a note,makesit a sernitonehigher: b) trlat (b), put in front of a note,rnakesit a semitonelower: c) Natural negatesthe effectof a sharpor flat. d) Sometitnesthe soundsbecomehigher or lower for a whole tone (two Sernitones). Such doublechangeof the tone is marked by a doublesharp,if the soundbecomeshigherand by a doubleflat if it becomeslower.
26 ULIh qII'LLJb3 { L-TLI1'I, Cbp6tult\6 urnu1{b1uprL;nr0urlhur oqurruqnpdbp.tr0qurnrul-1nr{Jnrltupur [i!r]rll ptudtilr hurltup up{h1h0 funphnqr40hp: ]trr l;1nrti0hpll I purd0nrd unu2urpllt[rub {rupdnrplnL00bgp. ttn1r.[4[hpp I-, n2 hd rrtttbtldurcltrp 0hl.tp: qpuqhn L1urlnlur1 0tluru-r l.r hrutitu)tutir \utnulpbl \oqGh0 u\u0ru! hptudir2u0hplr0unqn|hl [ihpD. t, oLrnP lI pr,ud0nrdrurifruul04qnnl h0 I ptudlrtrpJnrpug0h ru dt tu{np{tu} \u-rpnr1]rplnL0 h0 pLpL[nrri rinqn{lr1u\ru0, rlnruu0ur!ur0 LrIqhnlr- tLllulhllurtitu\0hplt ttr )rnqLnI hpu d2ulrlrplttr[i qpruqhur LpuurtupruOhdLr.rnrp.;nL00hpg: tibltll \t'uurtr.tllU{b$ pup4 ur"nbtl}uqnp}nqt1rtr0 Ill purd6nrf fibplulurgL[Lub b0 u-r0uurr\pi0hp: (urh'r-r l-2 I6-I7): rllrtuttlLuqr.r0nLl Lug tltu0 riru0ltruriurpllnphnqtrl t urpLlnr orlururqnpdt'11u10 4nLIlttr! IV prudtinLLl0hpunr[urd r-lnulur 0hpp. LLrnu06 0uthuturnt\ h0 0ptuiirttl L, np 4ptu0p rqLtrlp l. qpbl t rprrqnrLllr0hru|Llup lur]qnrplru p rltipuf uturlnhl npn2urillrlru0ntiLihpnrl:lIIl rlur 0hpp ltblhtiu\p pl finr uttIp: Lnrr0Lu.; 0 nruntgur0h[ru rufih|utdh2u.t L lltZttrr]llnLPJllIll Oruutintl0bplr0 nrqrurl0hplr 6lr2ut LltuurruPnr. r3Lu0\ruflr t nLrlur p {bppLdhl runLu0gtlbfltq titiplr: rlupd tibl riruubp[ huuru! hbppru[u0nrp3tutip: (bqlr0ur\p l.rnLl u nL0lr, np u.rp{urb fLmphnrlrr1[ih|p \oq0h0 rltuuurppnrd2rupurlp{ru} [ilntpbpI : urL{hflrfunpp nrunr 0u-tul.tpbprL0
OT ABTOPA pcrio\lcll/faull I I !,r.r 6olee pauuoHajrbFloro HcnoJIh3ouallllJI IIoco6ltq. aBToporl npr r.1:rfaroTcg K Ka)fiAoMy pa3Aeny. YnpaxHeHur, 3Tlo,qbr It ue6olsuttte npoll3BeaeHuq, aaHHble r I pa:,le;re, cnoco6crBYlor O6yqeHur9 Haqtlllarcrt1yx
lty3blKaHTOB pOBtloMy l{CnOIIleHlllO II rpaIlOTI{Oii
rlllTKe HOT.
B npoueccepa6orbt Haa I pa:lge:rolr,lr Bo II pa:ae,re3aKpenrqrorcqyMerlrq, npr'ro6pereHHbre
npHBUBaIOTcc
HaBbIKH
fpaMOTHOTO
IlcnOxllellltq
rlapOAHblX,
fycaHCKllX
lleceH,
TaLlUeDalJbl{l,lX
ue.nogufi , .uyxoBHoii My3bIKr'I. R I I I n r e . r e n e n n c n . T x B J r e H b la s c : r y 5 n t t . , n , r r r r c n o , r r t e r t r r q6 o , ' I e c c , ] l o ; + i l l L I Xn p o l l s B e - ] e l l t l i i . (c\1. c .4aHHbrxB III pa:.qene, peKoMeHAyerc.q ucnonb3oBar{rre AyAyKa c pacnl{pe}lltbl\l .qllana3oHoi\'1
r6-17).
lv pa:ge,r BKJrroqaeT N.lyraNtbt, oco6eHHocTb KoTopbtx - Bocnpotr3BeleH lle Ha cnyx llo onpeaeneHHLlM KaHOHaM, Aerop Hanucan MyraMbr B ToHaJlbrtocrll. yao6lloil Anc aynyKa. llpr.r o6yuennu yqatur.txcr npaBrr,,rr,HoNlyucro,[lreHrrK) r{yra\roB Heo6xoJ.llrlo o6paxlarb BHuMaHLIeHa co6nloAeHHe qerKoii nocneao Bzlrerbllocrlt rtacreil PerolteHlyerc.r uc[lo,:lL'3oBarb \'1erII3N1}'locJle Xe,rare,tltto pa36uparb MyraM 6e3 N{ejrr.r3},roB. .{ocKoHaJrbHofo II3yqeHHt Myf aMa. uageerc.fi, r{To azlHHbre peKorvreHAaur'u{ no}roryr Anrop O B yqe6HlIKe. MaTepltana, H3JIo)I(eHHOf
6o,ree
uy6ot
l'l3yqeHrt}o
FROM THE AUTHOR to cver) sectloll To usemorerationallythe givenbook tl.rezruthoroffcrsrecommendzrtions the beginncrsthe to teach aimed given I are pieces in Section slrall etudesand The exercises, equalperfor:ningand correctreadingo[ the notes. II the skillsgaineain the processof rvork rt SectionI are fixed. Besidestlle skillsof In Sectio-n songs,dnllcemelodies.spiritualuusic are established pelformingof folk. gr-rssan competent ^ To per'formrrore cotnplicatedpiecesgiren in SecLion In SectionIII-Elsemblestre reprcscntecl. range(seep l6-17)' to usedudtrkrviththeenlargecl III. theauthorrecommends is playing by ear btrt lollorvirg the peculiarity rvhicir of tlre rnughams. ipcludes Sectiol lV duduk' for key couveniettt mtlgllilnls in the certaincanous.The author rr'rote to p:l)'rltelltion it is uecessary pcrforD.ring of nrughams While teachingthe stuclentstite correct \\'illtollt out nugh:Irrs make to to follolvir.rgof the Jertain seqtlenceof palLs. It rvould be bettel leatnit.lgof the mughanl tatiousafterthe lhorougl.r ornar.nen -the given recommendations will help deeperand more thoroughly The althor hopes tltat learningof the rnaterialgivenin the book.
U.ILTI.9IT\'
IIEPBbIfr
Gllf Irt' PABNEJI
SECTION
27
I
]'LItuLUqUL' q-U0trnl.t}3 n I.l,LbF 214n 4142wtltbp:Ur_lpnr1g Lr\hu nln4mplnro0hp: UrIh0h01nL0ph02bg0b1nr9 unurp r{bpg0blrupuq t-rfunpg2nr02,[ru\ rupLnLu202hp L uurn}rdru0ru[u0: lurnuphl hru{ruur.up
HAqAJIbHbIE YIIPAETHEI.Itr{fl Pasttcp 2/4 t 4f 4; ytnrt'tt Hocrl{ - uc..lan r{ lo.ror}r{Huafl Horlr. flcpc;l rr3B.'lcqcHlrcrl Kaai;1oloarvria llc.'ra.ri,6r,rclprrii rr r.. r'6orrrii i:1.-' .: ;;;,i;io-i ac.r;+:cu6urt, paBHorlcpHLlIl ll llocTclcHHbtlt.
,
4
a
6
ELEMENTARY EXERCISES Mctcr 2/4 and 4/4, thc valuc - a wholc and a half. Bcloncrvinding a sound rnakc a quick and dccpin-brcath.Thc out-brcath should bc cvcn and gradual.
q-L1FdnFfd3OI.l,LbF€UItnF+LnSULbOn.f
2e
€unnp4 GnLnu(J ): Uh\ u.rilpn420nururlfrrlhg [urO lnpu purnnJq finuruOhp:UrIh0 punnp4 0nrnur0 0{uqb1 hu2rl}r ribLlpufu mrinr{: }TIPA?ITI'IEIII,{fl B qETB EPTHI,IX HOTAX rlc'r'tcprrra;lHola(. ). B r1r..roiitrorc cct,r, -1 .rclrcpruuc xo'ln. I{aai,qvro \c'l.lJcprHyx) Ho'l'\f |.rfpaTb Ha oaflH c(rcT.
Andanter
lt
Andante
t2
Andante
l3
+ Sh'utg 217: Cl. c.220. Scr:p.220.
EXERCISES IN QUARTER NOTES I
A quarlcr notc (J ). Thcrc arc 4 qual lcls in a wholc notc. Eacb quar-tcr notc should bc plapd a[ onc timc.
30 l4
Moderato
Andante
HOY. NAR
{ru; \ur\ufi dn4nrlp4tu\ur{ihpq i\;tlrlrrctlrt
lrfl po;ltt.lrr rlcclltl
Armcniln lblk sons
l7
Moderato
l8
I9
{ru;[. dn4. hpq Ap . rrap. trccrrrr fu'm. folk song
Moderato
20
ts3nF+ sTrO[
ETUDE
Andante
2l
*
&hu.U{lqut- qp!0nLp1u.r0 02ru0: Ptrr;ttltl - 3rlari ooBTot)a. Rc;x'izc - rcpctitionsign.
** U10 trn1n40b1g, np.n6g hbqi0u\1 C2rlub tt, qrqub h0 e.Ulr0urujur0]r (um10 6hn6rupllr ht4lrGurq[) tfD$bS: Jtro'p't' lltrrr4t lilrlollt,l\ rra')riiltrrl|r I ri | | | r|(' i rrI r,r f.llrrrrrtr.rrrrorr( nrr'r'oporr larrrror.otroco6rr,r l. ' r r r r n c c l l r Q c s\ r ' l l h o t l l h c d r r k r ri t t l h c l t ' x l - h o o k u r e s l i l k ' n b t G . M i n o s y a n( a u t h o r . o fl h i s t c x l - l r o o k l .
aro
q_uFdnl-f}3nr-L.l,bo Lbquso qusu.otruup Lbqururn 02ru0ru\mrl t hOgnt00hplt!ulr4ul\g{uld, uu:hnt0 \urnu-rpnt : . Lfrqru0 lnprugfrd rur1b4t ( :--, ,^ ), npp gntlg t ulrufru Ltqr.uulnI'luruunnlf !i
YIIPA}ITIIETII{fl B IIITPtrIXE JIE|ATO
EXBRCISES IN LDGATO
Jlclaro oBHa.lac'i'ctluttoc ncrro"'rrtcHllcSllynot'. Jlrrla - a'r'o!)'roo6pa3llar .'rrrrrrut(.'---,,,^ ),
Lcgato indicatcs lhc cohct'cut pcllbnrancc of []rc sotrtrtls. -) Liga is an at'chctl inc (rwhich shorvs plaving in l-cgato.
rioTop:rfl
llolia3blBacT
l 'l)Y .rcla'fo.
,9
'P-af >-P
p
>P
p-f
p
p f > p
>p
,PP
>P
P-f
p-
Pp
P--f
7p
>P
P'-f
>P
23
24 'pP
P
>P
* S h ut g 2 1 7 : C r r .c . 2 2 0 . S c cp . 2 2 0 . ** Sb'utt 215: Cu.c.215. S c cp . 2 1 5 .
P<.f
pp
>p
p<.f>P
p
>F
p<.f>
p<.f
> p
F
p-f
>F
p-f
>P
>
Lento
f>p
f >p
f>p
f >p
Andante
\r2urog gnrlg t rnrufiru202unarp1ru0rfrn{mhrDrun: 3rrlri o:trrl.rac,r. clrclrJ' .\r,lxalrrra. Sign nrcans changc of bnc0lh.
f>p<
f>p
34
qbu LflSU qbsnq- (J.) Ilptrk 0nutullr u.r2[nrllfrg 4ptltud\huIE hnuulurgontd t rnr.lut 0ntnuJbtnl,nrtntplnr00bF !|tun{ 2urf :
I
TIOJIOBI,IHIIAfl HOTA C TOIIHOi{ (, )
Thc tlot prt ncxl to thc nolc Prolorrgslhc valuc of thc notc with the half of its nlcaning.
To.rria pl]Iotr c noroii lilrllrrlcr ll.rlITC'lhltocTb IIoTIi IIA. ce flo.loBIIIty.
l - - al
a ql{orU t rIrrxrc'r'cn W.itlcn
qullnurlqmf
t
IItjtIo.-l||'|mctl l'ltrJcd
2S
Moderato
30
3l
FIALF NOTE WITH A DOT O
:15
+fl rrudnFquutru
Qu-nllu !n2r{nrrlt 1u4lr h0gnL00hpfrhugnp4ru\ru0 4ruuu.Irlnpmplnr0pgurn prupdpnlplut0' mn0flltugftg urn0frlu: Qrurll.u 0 \upnq t $0hlrlhpg0prug L L{rupg0pug:tlulllru0bpg [r0nr h0 rludnp L ff0np:
TAMMA,IIO MA}ITOP lloc.'rcaoBarc"rr,locl'r' 3B)'tioB faulroii naauracftn ||O IJhr|"OlC0T ToHt|ri ;lO torrUir, :roaic'l 6H1-t BOCXOJlrqCr"rlr lrrcxoaflucii. l-al rn 6nraror a?IiopHbrllu lr }ruHoprrbrl\ur.
THE SCALEOF C DUR Thc scalc is a scqucncc of sound b1' pitclt ft-orn tonic tn [onic, mav bc asccndingor- disccnrling. Thc scalcs nay also najol and minor'.
r.ItqbQn ^PIIEA?Iit{O ARPECCIO bTLU
Andante
32
c0
x $tllfu]|nu qnlqnrd /}qud t t hotlnroh(Uur ulunrquJlr) \r 02ru0[,nF! 4lrqnrut cnmlujhgqbnLquruoLnpLt 02urOrDUnt't qur ulqn| tFqrlfurgnr ' quluLlubuurhqbtuqnFbnrpJru0 l, dru2uUhg: F0nUpbg,qruuruFnll gruGqnrpjnrohg .l)r'l,1r roii
(n \7 Frx ln.rl i s s i g n o I l i c c c \ l c n s i o n o l l h c v r r l L r co l t h c n o t c . T h i s s i g n i s l ) r t /:\ nlc:uslhnlthcnotc(o||,l|U5c)nlUst|Jchck||i[[lc
bovc ot undcr thc [otc:rnd
LS3nF+ gTK)II Moderato
35
ETUDE
LS3nF+ 3TION
ETUDE
ts3nI-+ ETIOtr Andantino
ETUDE
38
iLUf dnI.f}3nI.LLbF
nI'fdItOnFAUqUL1,bOn.L
Orpbpnp4ur\u0 frnrnur()1: Ifh[ ullpn42 Gnuru.;[ rlh2 \ru nrp ntphpnp4ru\urti 0nrnur: {ur2r[[r rih\ prufunr nrl 0rlulhl hplnr httt{ururupnrphpnp4tu\tu00hp:
EXERCISES IN EIGTITH NOTES
YIIPA?{THEHI,Ifl B I}OCbMbIX HOTAX Bocsrrax nora (.l). OAsa qc.ranlora v1a;r coAcp;Ku'r'Bocci\rbrlocbrrbr\. I-Ia o11r,rH pal r lr|pilroT arlc rbrc r;ocbrlblc.
Iiight notc ( .1'). Olc rvholc notc inclurlcs c i g h t c i g h L - n o t c s . ' f u ' oc t 1 u t tcl i g h [ - r t o t c s atlc olavcd :r[ onc bcat.
Moderato
38
39
LS3NF+
sTrOA Allegro moderato
40
ETUDE
39
LJlfrhlr IIEPETIEJIIIA
QUAIL
Andantino
4l
qUOLUf 'U3 I.l, (htuurtlurb) BECEI{Hflfl (orpueox) SPRINGTIME (extract) Allegro con spirito
fu.Ur[hu[ru;ru0 \.Atcrrrcnrr Kh:Avclisian
t
40
4U&nF+l,nSU.l' qbsn{ €u.rnqr46nrnu0 Uhrnnrl(J) tFgrtrn4ntplulip hur{uurup t hptp nrpbpnp4rullurGhl'= L^J
IIETBEPTHAfl
QUARTER NOTE WITI'I A DOT
HOTA C TOI{TIOfi
Quartcr noLc wil.h a dot (J ) is cqtral to Llrrcccight-notcsat dulation ) = W
tlcucprHax no'ra c routioii (J.) paBua rro J+lurc.-tbHostllrl)cM uocbnlbrMJ- = UJ
qr{
rl t
Thrnercrl
r$ruurn{trr{ t Phtcd
Moderato
43
cntlntluuuLtlfd t
UOPOPA CAJIAT..
x
SHORORA SALAT
\nr.iIunuu Konrrlac Kornit:u
44
*
Ilcuctto,tt
t lrt)ltBeacllLl tt coi-(cpi+iilllllll tiltlltll'
'l'hir translliions are in tlre conl('trlsof lllo l)ook'
1I
OFIlFflSU3t'l, LULLABY
ITOJILIEEJIbHA-fl
tI.Uprih6;ru0 I.Aplrcrrarr G,ArmcnS'an
Moderato
15
dnq. hpq
Apn, rrap. rrccrrn Alm. folk song
U2ur[.'fd.Uurnrti;ur0lr O6p. T.drrryrarra Adapl. T.Altunian
46
U'1,+U.|,Sf'1,n AIItrAI]TI4IIO Andantino
47
r S b ' ut g 2 1 5 : C u . c , 2 1 5 . S c cp . 2 1 5 .
ANDANTINO
U.fuurlurrnp;ru0 A,Xaua'r51rrrr A.Khachltt'irrn
a tempo
ts3nF+ ETIOI
ETUDE
UIFUUSSI'q CBETJIflqOK
GLOW-WORM
{ru;\. dn4. hpq Ap
Moderato
* S h ' u t 22 1 8 : C u . c . 2 2 1 . S c cp . 2 2 1 . * * S h u t g E 4 , 2 1 6 : C r r .c . 8 4 , 2 1 6 . S c cp . 8 4 ' 2 1 6 .
. lrap. rrccrlrl Alm. folk song
43
suul,q-b3bt'nF+uqul, Lnsu]'bF IIIECTHAAUATbIE HOTbI SIXTEENTH NOTES Andante
qU€U.LI^q IIYPOIIATOIITTA
52
PARTRIDGE
41 Moderato
ts3nI-+ ETIOtr 54
ETUDE
bFbq-UlF qI'CbF],bOe EPEBAHCITI,IE HOTII,I
YEREVANIANNIGHTS
45 U.anlnrluru0;ur0 A.,[,o.u5naunr A.Dolukhanian
Moderatocantabile 'D
$f.f,QUL OIIHtr?IIAH FINJAN
{ug[. dn4. hpq Apnr. rrflp. rlccrra Alm. folk song
56
Pntrhq QflI.F UI. EPU BOBI,IK 'II}I{}TP MI,T 3PA
{ru;[. dn4. hpq Aplr. uap. rrccrra Arm. folk song
Moderato ol
I sh,utP 215: C n r .c . 2 I 5 .
BOBIK JUR MI ERA
Scc p.215.
46
LS3flI.+ ETUDE ETIOA Moderato
ts3nI.+ ETIO]I
ETUDE
Tempo di marcia
rrbLUS bFQ (urltr.dnrr.hnq Apu. uap. 'cct,' SACTOJIbHA-fl DRINKING SONG Alm. folk song
U2ur\.'fd.Upnrfr;ru0[t O6p. T.Arr1'rurra . Adapl. T.Altuniu
+utrch ubq ucb OIJIflI{I,ICb
LOOK ROUND
47 Qnruru0 Chlrunl Iyeanr lllcpam Gussan Shcram
Moderato
bFbUQUL {ru.;\. dn4. hpq EPEM tr}I(AH Aprr. trap. nccrnr YEREMJAN Atm. folk song
U2ur[.'O.Upnr0;ru0lr 06p. T.A.nr5arana Adapt. T.Allunian
62
r S h ' ut g 2 1 5 : C u . c . 2 1 5 . S c cp . 2 1 5 ,
48
qf'bU IIbECA
PIECE
Scherzandocon allegretto
63
SULq-nFf'qh IISFf.d TAJIBOPI,IITI4TTTPI4II Tempodi marcia
64
TALVORIKIKTRICH
{ru;\. dn4. hpq Aplr. rrap. ttccttlt Arm. folk song
uI. ebunl uudnfl quuru TAMMA CI,I BEMOJIb MA?I(OP
uf4rbQn
APnEAiIiUO ARI'EGGIO bIlU(L?3nl.l, TPD3B}\IIIE TRIAD
THE SCALEOF B DUR
49
IrS3nF+ ETIOA
ETUDE
Moderato
67 t--------------
/
a____-_______._/
''--_---../
'-'---------."
'-
t--____-----.-/
UflI.Fe,UnFFtr CBflT, CBflT
Andantecantabile
SAINT, SAINT
U.b\ritugur fi ilLErilriurarr i\I.Yckmnlian
5I
hu
APMEIII,Tfl
MY ARMENIA tLnruu0 {ul[ruulr I'ycnrr Aua
69
'l_tl0uFurlh €u3l-bFq TTAPAEAXCT{IIIT MAPIII
KARABAGH MARCH tL.IIu0uruJur0 f.lllarracflr G. l\tanasyan
70
ts3nts+ ETUDE
ETrcA
-{.-r
t_t_')-/
-
7_::)t'/
---__
-f
1::-_r,/
----_____:J
unl ubLnFquuru
TAMMA COJIb MIIHOP
Uh1n4[t1
hurpd. ruplr.
halm.
raplr. har.m.
,Iht lrc.'r. mcl.
uo4lbQn APrrt]Trirro AITPI]GGIO
bnu
.TI'II3BTqI,ID TRIAI)
THE SCALEOF G MOLL
5:)
;)+
hIC lIT. tuL+Ff.O }IE IIPOCI4 MEFIfl Andantino
DON'T ASK }IE
Il.Uur.;Iptu0 A.Marr.,rarr A.Maillan
{ ;))
dn4. hpq
XI{I{TAJIJIA HINGALLA
Aprr. [ap. rrcclla Arm. folk song
tl2utq.'fd.Uulnr0.Jru0h O6p. T,Arr'ryrrrrrr.r Adapl. T.Allrrnian
Andantepastorale
74
ts3nF+ 3Trctr
ETUDE
Iu.Udhulru;ur0 X.Auc'r'rrcHu Kh.Avclisian
56
bU Uf'ObAI. {ur;\. dn\. hpq Aplr. rra1l,rrccrrrr ECCr,{PEUr,r YBS SIRETSI
Arm. folk song
II2ru\.' O.UUInr0.tur6l, rrarrrl 06p. T. r\.'r'r'.y Adapl. T.i\llunian
Andantino
76
Ulrbfan CTIEPUO
i Shu t? 2t5: Crr. c.215. Sce P.2I5.
SCERZO
;)/
58
ts3nI-+ ETIOA
ETUDI]
78
--==.---
'--------/
--:-.--/
-;
1=!--/
----__lI_.
.{nqULf'9 BOItAJII4S
\IOCAI-IZE II.Ilurqrlu0.1ur0 l\{.Marrrarrarr M.Mazmanian
7!) '....__-)
'--:--:--/ ntP
-
---..-_:_..'z
unl- trudflI. quuru TAMMA COJIb MA}TTOP
ulr4lbQn APTIEl'IiIIO .TRPECCtO
brlu<\'?3nFl, TPD3B}T{IIE TNIAD
THE SCALEOF G DUR
59
60
Moderato
8l
ts3nI-+ eTro[ Andante
ETUDE
6t
LS3NF+ ETIOI
ETUDE
Allegretto
-j
--______--.-
.------../
"--_------/
QU'I-3I. enl-nf
\UI,UQ
"'--:--'
{urJq.dnnhrq
BCE SEJIEHO BOI{PyT MEJIbHIIIIbI Ap.rr.rrap.rrecua EYERYTHING IS GREEN AROUND THE MILL Arrn.rotksons U2urq.'f&.Uglnr0Ju0h Allegro non troppo
O6p. T.A"rrryllarn Adapl. T.Allrrnian
62
ts3nI-+ STIOA
ETUDE
Moderato
ts3nFa 3TIOtr Allegretto
ETUDE
rruFquqbsr'nFu HA JIYIY
63
ON TI{E MEADOW U.Furp]unr4up;ru0 C.Bapxy;:rpxrr S.Barkhudnr5'an
87
qbtQququL qruo cEJrbcnr4ftTAHEU Allegro moderato
88
' S h u t g 2 l 5 : C r r .c . 2 1 . 5 .S c ep . 2 1 5 .
COUNTRYDANCE
.l-.U.Ungurprn B.A.Moqapr V.A.Mozart
64
ts3nI-+ STK)A
ETUDE
Allegretto
89 -
L::_s
{____,-
65
sohnL prudur0hlmg: Splmp qn1Lu0nLil t npl,t rn[]r4nrp;ru0' bphp hrurlu,ruuprlu,rubp]r
TRIPLET
TPI{OJIb Tprrorl o6paayerr:r B pe:)'J,,Tare pa34eJellra lra rpll pallrble nanoii-rrr6o ;!'ltrerllroclr qacru.
Triplet is formedby the division, ofany durationinto threeequalparts.
L-
t-J-------J
Sp[n10hgg$(lmf b0 \bu 0nuu0bpn{ prunnp40bpn{ Tprro.rrr6rrnarm
TIq]ORITIIIIbT]IIT
q cTBcPTrrr,rltrt
J ----J
nLpbpnp4urlu 00hpn{
uIuuorlhgLFnp4urlru 0ohpnr{
BOCh\nnlrr
ruccTrranuaTbrlrrr
Therearethefollowing t)?esof triplets
half
Moderato
90
Moderato
0t
eighth sixt€enth
66
Moderato
67
UUSI<3nI.UbUUSt.|, CEBEPI{Afl 3BE3trA
NORTHERN STAR
Andante maestoso
94 \_:j
LFFTIqUqU.t, JII,IPI4qECItAfl LYRIC SONG
{ug\. dn4. hpq Aplr. rrap. rrccrra AIm. folk song
U2ru[.'fd.tlpnr0;ru0[ O6p. T.A,.ruyrrxrra AdaDt.T.Allunian
Andante
95 r-J-t
r-J--
r-
J --t
r-
J--l
68
618?uo MEASURE 6/8 PAsMEP 6/8
ts3nI-+ ETUDE
ETIOI
-=.-.=:
-,,,_.__------.-
--
-__-_____-:-..-
--'-J
-----..-:_'.-'
69
'IIUfl TAHEU
DANCE t|.Ulr0ruu;rufi
Allegro non troppo
f.Mnrracarr G.Minasyan
70
b.t gblr. ftuur[urd) 3[I3E,TI,{ ( o'rpnrnori)
ENZELY (exlracl) U.Uqh04[ttup;tufi r\.Crrclluaporr rt.Spcndiarian
Moderato
99
oulhpru;fg) AMEAPIIyM fftJIA (ua onepr,I "A*tytu") AMBARTSUM YAYLA (from "Anush" opera) Allegretto J
r00
J
I
, Il.S[rqpur0;ut0 A.Tnlparurr A.Tigr'&nian
7I
gnrgruhru04hulrg>
l0t
ILIInrunpqu!lr M.Mycoprcnrii M,Musorgsky
72
ftb Uf'lnn QUUUU TAMMA PE MI{HOP
TIIE SC;\I,E OF D MOLL
hrupfnGlr\ lapuorur.rccsrrii harmonic
ilh1n4flq
uIr4lbQn APIIE[]ItI{O ANPEGGIO
lnI.FIItr-LnFtrUF HyBAP-HyBAP NUBAR-NUBAR Andante con moto
102
{rur\.dnnhnq Apnt.rr*r).'cc.t erm. folksons
lI2ur\.' fd.Uulnt-0;ur0h O6p.T.A;r'ryuxrra Adapt. T.Allunian
73
{I'QUU INtr?ITAC HIJAS U.Uqh04lrurp;ru0 Scherzandocon allegretto
+ Sbutg 84,2rG: Cm.c. 84, 210. Sccp. 84, 21G.
A.Crrcrr4rrapou A.Spcndialian
74
UUfiUl-hrr MAPAJII{N
MARALIK {ur;[. dn4. qurp ApM. uap. Tauctl Alm. folk dance
r04
ts3nI.+ STIO,II Moderato
',.-____;-/
-__;--
ETUDE
/;)
Ul^l,qn4IU Cb2nf gnfuur4pntfguu\ufr mdb4 riuu]rg4bq[ pnr.;lrluruQn2rlmrl t ulr0\nqur: U[0l1nqu0 $0nrUt bphpuhurul;' l) 0hpuru:\urur1]r0, 2) rJfrgrnru\rnu:jfr0, 3) bppunqruurlur0 2h2n[ {n[uu:pb0 4prlnrrlt qrumqur:
CI,II{KOtIA flcpclror: anrlcrna c crr.'rhrror"r Ao,rrrrafiTa tta cra6\'ro rta3blBaercactlttttouol"t. Crrnriona6rreaclrpcx BrqloB: I ) nrryrprnanronal, 2 )rrcananronu-a,3)riorya nrrccro o rrr;1acrroro alirtcllTa
c'IaBltTt:fl
kuruup{urf t IIcno.'ruserca PlaJ'ed
r06
Moderato
107
Moderato
t08
na\tsa.
SYNCOPE SyncoPc is lhc transrnissionof the acccrrt from thc strong bcat to the wcak onc. Sy'rcopcsnray bc of lhc following tlpcs: I )in bur. 2)inlcr bar. 3) whcn pausc is Dut instead of thc ncccnt.
76
Lb.rKn Lts,Lb JIEIIIO
JIE, JIE
LEPHO LE, LE U2ur[.' €.\rupur-Unrpqru; [t O6p. K.Kapa-Nlypst t Adapl. Il.Kara-Mruza
ll0
SHEPHERD
Qhluru\rufitlnn hnq 9curcnar nap. lrccnr Czech folk song
ltl
' S h u t ? 2 1 5 : C r r .c . 2 1 5 . S c cp . 2 1 5 .
.[ULU (<€0urd qh4hgllnrhlr>> puqhrn[rg) BAJIbC (na 6a.ne'ra"Cnaulaa rcpacanrqa") WALTZ (extract from "Sleeping Beauty" ballet)
al.Qu;!ndu![r II . 9airriorcriuii P.Tchaikovsky
Tempo di valse
U4ITTPUI,C€TI,FTIS ts
ATIAPAH- ITAMEHI4CTbIfrKPAft STONYAPARAN
{ur;[. dn4. hpq Ap . [ap. [cclrrl A-rm. folk sons
rl3
.78
UT^ trbUnLrutrnF qUU|ru TAMMA MII EEMOJIb MA}ITOP
THE SCALE OF ES DUR
rloqbQn APnE[?fit,IO ARPEGCIO
bfru
SrlUm[f+qUf,a
4IUf e (< orqbpur;[g)
TAHEII MyH(qI,IH (r'reonepr,r "A.unracr") MEN'S DANCE (lrom "Almast" opcra) Moderato
ll4
U.Uqh04[rurJr.;ru0 A.Crrcrr14rapou il.Spctrdialirn
79
ts30I.+ ETIOtr
ETUDE
80
an uF.t,noquuru I'AMMA.[O MI4HOP
THE SCALE OF C }IOLL
hurprln0lr\ rapnoruruccxrrir halmonic
ilh1n4[\
u4rqcQn
APTIEA}ITUO ARPDGGIO
brlu<\,Q3nI.r, TPE3BYTII,ID TRIAI)
bnq TIECHfl
SONG tL.Qpgur0 f. rlr.rr I l G. Chtchyan
Moderatocantabile
-_-2 poco r
{ur[- dn+ qq
BbD(Omy SAMylK Apn. uap. rrc.crn I .fuU GETTING MA,RRIED Arll. fotk sotrs
U2u[-'F-trpnfi;u6lr @-T-"frr1lralra Adtpl- T-Altrrniar
lt7
.'-----------.
---...-:
'r-.-:___--:
---___-__------?
'-____-/'J
bTIIL IIECIIfl Modereto
tt8
SOtr{G
ILUqhfi4[up;rnfi ,A.Grerr+r:rfren A-Spcndlrian
82
Utl.FbFF
SARERI HOVIN MERNEM (.Fru4urguG,rl2ur\.'fd.tlpnr0;ut0[ O.B4{a.rntr, o6p. T.A"rrrYutta H.Badalya, adapt. T.Allunian
Andante espressivo
83
ts3nI-+ ETIOA
ETUDE
Vivace
120 \..-.-:
..---
'---------t
---------/
\!____--/
t=----,
--..----------\.-/
t{----) \-|/
\.t;r
{-;
{l;, --::___--,/
l------/
-\--/-t-.--------
->
-t-:-:---'
t-----------.''
T--------
84
Irbr-hgulbo Uurop rnl,nqnrp;ulip h0gm06hpnrl rlhrlh4fro qurF4urFhu uror[ur0r[mrl t |!\!ql IItb pur6ur\nrp.lurlp rlLfirqrf0@tr9 pr10 \frprunnplm0 h0 urnurghl Sq'Zruqn
ilry1F0r4'
uFhg:
r-IEI.ISMAS
NTENI[3MbI
Melismas arr: sounds of approxinratcly short duralion ornamcnting lhc scparalc sound- trIorc oftcn arc ot'curcd thc GrascNotc, thc Monlcnt, lhe Shakc.
,rrerriofr *Ie.ugr'm - seyxl orncrrrelsuo ('IxCrblrHc JfiltTq-rt'u(ETrl' lripall.|arc||uc sr5'ril- Hal6ancc qacro Bcrllc.mtorctr Qopmnar, MopAeFr, rperb.
(DOPIII.JIAI.
$ff'DLUq.
GR,{S8.tr'{OTE.
qryrtqAu+
Short Grase-l\ole-
Kopo, r.rdi
el!ts{t IIn|rF-trt \vrilLfl
r@lt llt|rcrrrrcftr Pl.}td
bp{uahrru+ fomrm
Qopnuar- Loud Grase-Note-
IIIII!'IbII'S+
}TOPTIEHT.
MORDEN"T.
rrp{liur![ sqrrrFfi'n: Aroirnii vop:err. Doubl nrordcnl.
enrftdrlqqtE|[Ilcperearw-rrrft !|op;err. C-flsrd mordenl.
SEbL.
'S-b-ut2 216: Cv- c-21$- SeeD'!16'
TPEII'.
SIIAIiE.
r+bErurtrb qO{uAt@tt6tlIlefxsqrrurf'rroi Iloubt erwtd
ptiitntii. mordcnl.
FLr,ltnltb+UF+U3UqUr, ilPOCHT{Cb Ot TIAPCTBEHHOT1OCHA WI.KE IJP FROM THE REGAL DREAM Frnq4ruuurp ar{rF, il2urlt.'lL.Uilmr-0Ju0h BrrArcop trnnp, o6p. P.Aorrluma B{€hdrssr Dpir, adapl. R.flrtmian
Adagio
l2l -----.7
4
-
=r
'.--i--J-;
86
ILbrrudnPquulru I.\MMA PE MA}I{OP
un.qbQn
.\I'IrEITtiIIO .\RPECCIO
TFIE SCALE OF D DL-II
b{ru{.|,?3nh], TI'E3B}'I IIIE TIIIAD
ts3nI-+
3TIOtr
ETUDE
u.?hp0[t fl. tlcptttt K.Chcrni
Allegro comodo
122
Ltltush
JIAXTI{
{,ur;\. dnq. hpq LAKI{TI Aprr,'ap. 'cc'a
,{r'm. folk sortg
II2ur[.' fd.Upnr0; ut6[ O6p. T.A'trYrrarra ,\dapt. T.Alluni.rn
123
'87
\r_
_\uv
1_l i
\r
-!t
tJ
\-i
-r_J
88
L3UUI.f'OO t}IIIruU rAIIMA JIfl MIIHOP
hupfn6L[\
'Ihnrtr[
Etlu{'r,o3nFI, uP4ltsQO "{PIIEIUnrIO TPE}BYqIIE TRLAII ..TRPEGGIO
TIIE SA\LE OF A. }IOLL
SWEETHEART
r2{
\
-
-
l
oqhpur;lrg) LbqnFOf^ (qrup < JIEHITPI4 (raHerl r{B orrepbt "[aucu" ) LEKURI (dance from "Daisi" opera )
t25
(u;11. dnr1.hpq Ap . rrap. rrccrrr Arm, folk song
Allegro scherzando
_
89
9I
L3U trbUnL UU.dnFqUUtrU |AMMA JI.fl EEN{OJ]b MA?TTOP
UIrqbQn APIrElilit{o ARPECCIO
bILU
THE SCALE OF AS DUR
92
Surpphpur\0hp Buprrarrru
V{rlianls
>----:-.'
FUUBUqU
U.fuurlurnp;ut0 A.Xruaryparr A.Khachslrian
Moderato
ts3nI-+
3TIOtr ETUDE Allegro moderato
128
)--i---------/-
--r-...-_--J
), -_-
{j
.---1-
93
trs3nl-a
3TIO.[
ETUDE
Allegro moderato
,,_________-_-. - --____i---
''----
'-,____:_--.-'
-._____ -_.--
94
t--_____
._--
-
-'...------.---.....-
------
tS3nF+ 9TIO[
(6ur;0ru\upqmrl)
1u .rra4c"Ccllx")
ETUDE
(modc "Scgyah")
95
( dur;{iurllupqnul) tS3nF+ eTIO.q (n .rra4c ETUDE (modc',Chargrah" "rlaprax") )
96 tS3nI'+STIO[-1n
(
rasc "Eaarr'r Illrrpas" )
ETUDE-1moac
* turJnrnnqndrudt qruuruphturqn1&dru0 4nuprlllr hutdurp: erroil ttatrtrcatt ;!ltl ycoBcprxclrcrnoBallltol'o Etrrde is \r't'iltcn fot. ilnptovcd dudrtk.
iU;lyn{r'
"Bavalv Shiraz")
E Orr I n O '[. GIL6 ITt' BTOPOft PABtrEJI SBCTION
97
TI
q-uF+uLbunFnttre CKOPEb MATBPI4 BAPTAHA
VARTAN'S MOTHER'S GRIDF {ur;[. dnr1.hpq ApM, rrap, fleulfl Arm. folk song
Andante
\\:
3nFduu OP}ITAM
HORZHAM
U2ruU.' U.bUrIurUur0h O6p. M. Er:lra.rrnrra Atlapl. M.Yckmalian
I
q-uu.|,rrbon3OFqnl.fdbUl, BACH MEPOIT ilPH}'TEAH
VASNMEROYPRKUTSEAN U0urG[ruClrpur\urglr(YII rp)
Moderato .t--::j
Anarnra llllrpariaq r (VII r.) Anania Shitakatsi (VII c. )
98
Ul,CI^f"'P L.Lf'l3UL€ ANDZINK NVIRYALK AHtr3I4HI( HBI{PflJIK IrnrllrmruuU4ghgh(vlt +) Itorrrrrac Axueqn (VII a.) Komitas Aghtsetsi (VII c. )
Moderato
4
9NFU eUSqlUSqbFb€nI'U SOPC bICT TIATKEPI{ KYM
ZORS YST PATKERI KUM (XI 4.) Qnhqnn Uruq[rurnJrnu Iplrrop Mnrrrr:rpoc (XI n.) Gligo|. l\{agistros(XI c. )
Moderato
tlttU.L0S LlnI'Un3 APABOT JIYCOIT
ARAVOT LUSOY Lhpuhu Cfinphurflr(xII ry)
Moderato
0
Hepr:ecIIInopnrII (XII n' ) Nerses Shnorali (XII c.)
99
AB}'H, AB}'I{
Qpftqnpl'uph[uSh (x 4.) Iprrrop Hapexaqtl (X n. ) Grigor Narekatsi (X r:' )
5
ubq-unl.fd uu.rtbo CEB MYT AMTIEP
SEV MUT AMPER {uq\. dn4. bpq Aprr, nap. necux Arm. folk song
Andante
3
8
lnnquL MAIIKAil
MACHKAL
(ug\. dn4. hpq ApM. Hap. flecr|fl
Arm, folk song
I
t00
tUu. f'If dUUObU AX, I4M TIAMTIEC
AKH, IM TCIIAMPES (ur;\. dn4. hpq Apu. rrap.ner:rra Arm. folk song
Andante
t0
osLLFUtru3h dUUObPhq.fu OTAP AMAI{ IIAMTTEITI4BPA OTAR AMAI TCHAMPEKI VRA
{ur,;\. dn4. hpq Apiu. rrap. uecrrx Arm. folk song
Moderato
tt
uhob3h,3tlFU SUFUL CI4PEUI,I,flPC TAPAH
SIRETSI. YARS TARAN (ru.;\. dn4. hpq Aprr. rral). [ecH'I Arm. folk song
Andante
l2 l_r
'
QnLhQb30ur,
qOJIII trflTEf,TPAH
IO.I
CHOLI JEYRAN {ullurulr ABac|| Havassi
Allegro
3U3LUq_nr 3u.ou flIUJIABOP flPC Moderato
YAII,AVOR YARS
102
gbo3n'Fll, eurrbq-sur SEIrK)P, BAPEB TAP
ZEPYUR,BAREV TAR {u{uult ADaon Havassi
Andantino J
3
3
QU.I-Utubgh UI'F0F]" U{-QFIr tr?IUBAXEIIII
CIIPYH AXIII,TK
JAVAKHETSI SIRUN AKHCHIK ,
Moderato
{ulluuh Anacu Havassi
103
llitu, [If. ULILUULL SI.QbhF AX, MtrI AI{IAM 3JI 3II[?ITEI4P
AKH, MI ANGAM EL ZIJEIR {ullurulr ABacrr Havassi
Allegro vivo
t7
cus bubFqblIIIAT EM EPTEJI Allegro vivo l8
SHAT EM YERGEL
104
rrl,Qb-1,ull HASE-HA3
NAZE-NAZ
Allegretto
-gb9 LL QI.If-l'U KIIEZ EL CHI MNA ITES3JI III4 MI{A Moderato
20
IunUh'ft, hUUU,Qe XOCI4P. I,IM CA3
KHOSIR. IM SAZ
QUFLUL OUrLI'q bU IAPIIAH IIAXIIK
,,
{u{uu}r Arar:rr Havassi
Allegretto
Moderato
105
EC
GARNAN TSAGHIK ES
106
bL n'I'UbOqbU 3JI YM EPTEM?
EL UM YERGEM?
Moderato
23
quPnsbLbubu IIAPOTEJI EM EC Allegretto
24
KAROTEL EM YES
btLf'qf. EIIIIIHI,I TIEC II}?
qbu 0nl.ft LII'UCb
MI{ AIIIE
t07
YEGHNIKI PES TSUR MI ASI{E (un[uu[ r\nacrr llavassi
^ rr^--^ Allegro
95
Ll,.Pn ubfiL L,3t10 3H nO CEPII 3, .flP Moderato
26
BN KO SERN E, YAR
108
qSNSULU fuftNq-bL E TESAJICXPOBEJI S
GYOZALS KIIROVEL E
Dolce
27
ULSU qLUAf. AHIIA THAUII
ANTSA GNATSI
Moderato
28
\.-
v
-r./
_:_--
_ - -
L[lFtrBU.|, AULuII el$+t HAI4PflH AAJIAP BAPtrI{
NAIRYAN DALAR BARDI
29
UUULU 6NI{t CACHAUYP b
30 \i;
Curhh0 IIIareu Shahen
Allegro con espressione
Allegroconspirito
109
SASNATSUR
It0
Cnq-nFutr uLIru.USe AJIMACT IIIOTXTME
ALMAST SHOGHUM E
Allegro non troppo
3l
Qb
x -- -
32
ZDPYURI NMAN
Ul,qf.l' 3tlFU AHTI,IH flPC
ANGIN YARS
A!9gro con vivo 33
q3nAULU, UI.LQ b'OF tuItnq- In UU TE3AJIC, MI,IHq EPE XPOB MHAC? GYOZALS, MINCH YERB KHROV MNAS? Allegretto
IlI Curht0 IIIaren Shahen
112
Onq-UUSthrrU UOBACTXI{HC
TSOVASTGI{IKS
35
Moderato
LlnFU]"t COtndL JIYCH}I ilOTOB Allegro con spirito
36
LUSNI SHOGHOV
I13
(LUFNFLL TAP}T{ E
GARUN E
II2nrn AIIror Ashol
Andantino cantabile
Allegretto
U3NI-I,3U3 UTIFbF CIOHflII CAPEP Allegretto cantabile
38
SYUNYATS SARER
..
111
UNFFtrIru3FbfI C}?E MAffPEP
SOURB MAYRER
ubFUq-u1'€nFusuf}b{F CEPC BAHKYM TATEBI{ Moderato
.10
SERS VANI{UNI TATEVI
UUFq-0FI'b0qe CAPBOPI/I EPT
SARVORI YERG
Allegro non troppo at
aa
4l
n'I.F L YP E? Andante
{2
._____.zl -lJ
UR E?
tI6
tL urlftbPe 3H CAPEP
EN SARER
Allegretto
43
f
\.--,
otrlltAXyM Allegro moderato
44
OJAIilIUM
{U3nl.rr AITPUH
II7
HAYRIK ll2nm Arrror' Ash0t
Andante
€n ur.on
}TO CIIPO AMAP Andante
KHO SIRO I{AMAR
118
uuu,bL?o'F +nI. LOFIL bU ACA, I4Hrry Ay JryP EC?
ASA, INCHU DU LUR ES?
Allegro
47
Allegretto
3t1tr,utuL3-ebg flP, APAHII I(E3 Andantino
48
YAR, ARANTS KIrDZ
I{OV SARER, MOV SARER
1t9
U2nrn Arrror Ashot
120
rIIUtufiU IIAXPA Moderato
50
PAKHRA
121
utrbl, uftuq-os AMEHAPABOT
AMENARAVOT Chpurrl IIIepaiu Sheraru
Moderato
+NFL hUUNFUULbU
[yrr rrM II{YCAH EC
DUN IM MUSAN ES
Andante
52
;;---
rr)
-
122
cnonou IIOPOPA
SHORORA
Moderato
Cbpull IIIepalr Sherau
53
9nq- qf'Cbn 3OB TI4IIIEP Moderato
ZOV GISHBR
Chpuli lllepau Shelan
OLrNFUNLNF OJIOP MOJIOP
123
OLOR MOLOR Chpuri lllepairr Sheralr
Moderato ;)i)
qULFUbU+nFIt+ IAJII4C EM A}?A Moderato
GALIS EM DURD Chpuri IIIeparr Sherarr
124
LLF TUOOUT'FSUqNFLU SJII{ SCOP CIIPTC KYJIA
ELI ESOR SIRTS KUI-A
Chpuril lllepalr Sherau
Moderato
Ol,QLhq-In'QLI'q rrHtrEtJII{K-MH[?nJrI4It PNJLIK-MNJLII(
Moderato
58
UO+bL Unl'fdl' el'qblU APtrEII MYTII bII{ITEJIA
ARDEN MUTN YNKELA
Chpurf IIIepalr Shetant
Moderato
59
UbO hU, UI.F0FI' bU CEP trIM, CI4PYTIEC
SER IM, SIRUN ES
60
uur.bnqurlu?bu CAPEP IIAXATIEM
SARER KAGHACHEM
Moderatoassai
ubohaEnq_u6 CEPI4U SPBAU Moderato
62
SERITS ERVATS
126
f}tltll-ul', fdtul|-u], TAPJIAH, TAPJIAII
TARLAN. TARLAN
Andantino
Chpull lllepan Sheran
63
UFOnI.LLbF CIIP}'HHBP Allegronon troppo 64
SIRUNNER
Chpurrl IIIeparr Shern,u
127
qlUrsf.9ni-U q-U0+btr trU3q-UO IIAPTIISYM BAPAEP EAUBAU PARTIZUM VARDER BAZVATS
Chpull IIIepun Shcrarr
Moderato t ,-
t
65
ULQf'qgUO 3UIr AHtr}IiI4TflP flP
ANDJIGYAR YAR Chpuril IIIepau Shelalr
Moderato 66 \\--z
128
€bQU],f.A truU ?OFL['U I$3AHI4II
MAC IIYTIIIM
I{HEZANITS MAS CHUNIM
Chpull IIIepau Shetalr A
67
LUOOUrU9L bU q'LU3bL SCOP APASH EC THAUEJI
ESOR ARAZN ES GNATSEL Chpull lllepau
Moderato
Shelanr
129
TTALAL ERA Chpuril
Andante G9
lllepalr Sheralr t
130
LLf. bFqI.LPL UtIqIbL L EJIII EPKI4HITH AMIIEJI 3
ELI YERKINKN AMPEL E
70
LTI.Q UrLPf.Ir HA3 AXIIIIK Moderato
NAZ AKHCHIK
q-UF+ aULbSfi BAPI IIAHEIII{
VARD TSANETSI
I:J I
Chpurd IIIeparr Sheralr
Moderato
uu'IlbFl" bl-ur, AMTIEPH EJIAH
AMPERN YELAN Chpurf IIIeparr
Andante cantabile
Shelau
132
U.LUFU3FF+UCS ABAPAITPU AAIIIT
AVARAYRI DASHT Q[{uti[t [anunanu Jivani
Tempo di marcia
74
n.L Uf'FnI.L, UbFnI.L OB CI{P}'H, CI4P}'FI Moderato
OV SIRUN, SIRUN
Q[{uolt !,;rilnaurr Jivani
I3:)
+bIL qf'Cbft E IEP II4IIIEP 3 DER GISHERE
Q[{u0lt flaiunaulr Jivani
r-.-:-'-.'
'-.-:----..-/
eLqbo TOBAPIIUI
FRIEND Qf{uoft
Andante
,II,xrrcaHrr Jivani
r34
Iru3FI.rr MAITPI,IK
MAYRII(
Q[dufift [rrlrnann Jivani
Moderato
uqFsuq uu,QbF CTII4TAKMA3EP
SPITAK MAZER Q[{u0}t [;srrrr:uur
Allegro moderato
79
Jiyani
I:t5
I{OVIK .Qll[urnlr
Moderato
,\;rirruarru J ivuni
80
UUUNF],UUTTF CAC}TI{ACAP
SASUNASAR Qhrlurlih
Allegro moderato
,[xirrnaHu Jivani
r36
qbtbSqnl-
GEGHETSKUTTUN Q[{u0[t fiaillnaun Jivani
lVloderato
HAMBERE,HOGIS Q[{utfi[t [;rirrrittrlr Jivani
137
UIL, LUQI;LI'U AP, HASEJTI4C
AR, NAZELIS
Q[{ufilt f{;r'irltrnrrrr Jivani
Moderato
84
cutunF+oFbF ASAXOPI OPEP Andante
DZAKHORD ORER
Ah{u0h ,[a.irrnarrrr Jivani
138
eLenFLI.
BLBULI HID Uur3urp-l,nrlur Casr-Hona Sayat-Nova
Moderato
tlItuLS€b9 h'L? qnLr.u APAHU KEB I,IHq I{OHI{M
ARANTS KEz INCH KONIM Uur;urp-l,nr[ur Caar-Hona Sa1'at-Nova
Moderato
--:
tl rr-..-__-j
--l---tE
-
I:J9
uetuuF
AIIIXAPYIVTCAX IIUM I{AIIIII ASI{KHARUMS AKH CHIM KASHT
Uur.;urp-I, nrlur Ca.sr-Iloua Sal-:rl-Nova
Andante
88
{
3 f.U qULQ0I.U f'U LULUI,bL YIS KANCHUM IM LALANIN
UC KAHTIYM I,TMJIAJIAHI4H Uur.;urp-l nrlur
Largo 89
Carr-I{ona Sa1':rl-Nova
140
0FUSI.qnFqUU tUFf'e FLFIII.L YCTI,I IWTAC XAPI4E EJIBYJI USTY KUGAS GHARIB BLBUL
Uur.|rup-I,nr[ur Canr-Hoaa Sayat-Nova
Moderato
90 \--
-..-:_-../
_.-=
tr--'
,a\
rrbour,QuPut uctutlF
9l
Can'r-Hosa Sal at-Nova
trOn3f' EPOITI4
141
BROYIE Uur;rup-'1,nr[ur
Moderato
g2
Caqr-Hoaa Sa)'at-Nova
142
UFI'I.LC Ul,tLUd qUL API4 IIHtr3 AHTATI ITAT
ARI INDZ ANGACH KAL Uru.;rupl"nr[ru Canr-Hona Sayat-Nova
Allegretto
+nF1,Ll,
94
DUN ENH URIN IS
Uur;rup-'t'nr[ut Ca-sr-Hona Sa;'at-Nova
3f.U €nbtbffbfdL ?f.Uqf'Sh [II4M UC KY XUMETH IIITI{
t 1:)
IS KU GHIMETN CI{IM GITI Uur;urp'1,nr[ur Caxr-I{oua Sal'al-No.'a
Moderato
95
3bU lfb rLUfrf.F FIJFI-LI'qbu I4C ME XAPI,IB BJIEYJIII IIEC IS ME GHARIB BLBULI PES Moderato
x
Uru;urp-l,nr[ur Cagr-Hona Sayat-Nova
QhU UUNFU
TINC AC}'I{
CHIS ASUM
Uur;urp-1,nrlu.r Caa'r-Hosa Sayal-Nova
Moderato
115
.IlUSIrf'O€+ tULUUn q- €UCUO IIATKI,IPKT XAJIAMOB ITAIIIAU PATKIRKT GHALAMOV QASI{ATS Uu.;urp-Ln{ur Caar-llonit Sayal-Nova
98
€UIruLQU HAMAHIIA
Uur.Jrup-l,nr[ur Cast-Hoaa Sayat-Novn
Moderato 99
.'G/rsr
!
KAMANCIIA
Lttfl 4lLlP HA3 IIAP NAZ PAR
147
U.Ulhpuur[4p;ur0 Moderato grazioso
A.Alexcarr,qpxrr A.Alexandlian
100
espfess,vo
r48
LUQbl-f. HASEJII4 NAZELI
U.U1hpuur04p3ur0 A.A rt'ricarrgpan A.Alexandrian
r49
cuLLltun SHALAKHO
IIIAJIAXO
Aptrr. Hap. Talreq Atm. folk dance
Andantesostenuto _\r/
{ur;\. dnr1.qup
\+,
,_,...../
t.....--..--.
\__--
-=i
--.------..-
-__i
e\::
!_j
150
cnPno
{uq\. dnq. qurp
IIIOPOP
SHOROR
Apv. rrap. rarreq
Arm. folk dance
Andante sostenuto
103
U2u\.'f}.Upnrti;u0lr O6p. T.Amylrrrra Adapt. T.Altunian
152
SUl,qbgnl-oh qU'uU3t'4IttO
3AHIE3}?I4 IITEHCKI{ff TAHEU
ZANGEZURI WOMEN'S DANCE
U.lllbpuur[4p3rufi Elegante
x
104
A.Arericartqparr A.Alexsandrian
153
trutusuq-uf.h
rl-urprupurrfr\ur 0rugI qurp
EAXTABAP14
BAKHTAVARI
rarre4 Iterpa6axcnuiracellcriul"r
Itarabakh women's dance
Allegro moderato
105
chPuqh cnl.pQ rrlu.o III,TPAITCKUITKPYIOBOIT TAHEII SHIRAK ROUND DANCE Andantino
{ur;\. dn4. ulurp Apnr. Hap, Tnrreu Arm. folk dance
I ';)
+I'Lf'QUl' trI4JIII?ITAH
DILIJAN
{ur;\. dn4. qrup A1xr, na1l. riuterl Arm. folk dnnce
Allegretto
x
107
-
a'
-
< Da capo al Fine
156
9nI'ftLI' 3}?HII
TPHII{
SOLqh ZURNI TRNGI
{u3\. dn4. qup Apu. rrap. ratreq Arm. folk dance
r08
€n?uoh ullf'snFl,nF I{OIIAPI4 MAPTYHI,TFICI{I4ll
KOTCHARI ]UARTUNIAN*
{ur;\. dn4.qup Allegro marcato
Aplr. rr:rp. tarleq Arm. folk dance
157
qUSUrr 'IIT.I.tl IIYTOqHbIIT
TAHEU
FACETIOUS DANCE {ur;\. dnr1.qup
Scherzando
lt0
Apu. rrap. rarrcq Arm. lolk dance
158
{bo-q_bFh BEP-BEPI,T VER-VERI
{ur;\. dn4. qrup ApM. Hap. Tatreq Arm. folk danr:e
Andante amoroso lll
3
Allegretto con moto
poco tccelerando
159
1,NFl,NF$UF HYHY(DAP NUNUFAR
Apu, lrRp. raueq Arm. folk dance
Andantinograzioso
ObIrI' IIEPII PERI Allegretto giocoso
rl3 a t!.--__/
{ur;\. dnr1.ulurp
{ur;\. dn4. qurp Aplr. uap. raueq Arrn. folk dance
r60
ur,u
ANAHIT U.llhpur0qnrgurli
Moderato
F
A.Mepanry.ran A.Melangulian
-
,:1'-----
':-___-_____---
-
LIII'O3UL U'l-QqUqUO TAHETIHAr4Pr4rtrCHOft AEBy[rnr4
t6I
NAIRI GIRLS'DANCE
U.U1hpuur04p.1u0
Allegretto ll5
A.Arexcan,qpnrr A.Alexandlian
162
0uq_EbonI.LQ UAXHEilYHTI
TSAGHKEPUNTCH
tu.U{hur[u;ur0 X,Anerncan Kh.Avetisian
Andante con moto
cnFcuLr'qh ilIYIIIAHIIITII Moderato II7
SHUSHANIKI
{ru;\. dn4. qrup Apu. nap, raueq Arm. folk dance
163
RDAPING
{urJ\. dn{. qup Ap . Hap. rarlcq Arm. folk dance
r64
uosucusb APTAIIIATI4
ARTASHATI
{ur.;\. dn4. qup Apn. nap. TaHeU Arm. folk dance
Allegro con moto
ubq_uLh CEBAHU
SEVANI
U.U1hpuur04p.;ur0 A.AreHcaHApHrr A.Alexandt'ian
Moderato
120 -
f,UI'Fh HA}IPII Allegro scherzando
t2l
NAIRI ,
tlUlhpuu04p;ur0 A.A.nencaugpan A.Alexandrian
r66
CnI.Oh trUr|-+U+nFFI' ruYPII BAIIAfYPI,I
SHURI BAGHDADURI
{u;\. dn4. qurp Aplr. nap. taueq Arm. folk dance
Vivo
nI.2nI..I,+UOU Y3}IHIAPA
UZUNDARA
{ur;\. dnry.qurp ApM. Hap. Talreq Arm. folk dance
Moderato
x
t23
I t
L
Grszioso
t F slt F 1[. GIL6h\, TPETIII:il PABIDJI SECTION III On€Ff.q qI'bU MAJIEHT,ITA'I fIbECA
LITTLE PIDCE
167
tL.Ulr0uru.; ur0 I.MrrHacarr G.Minasyan
Allegro moderato
--..--.---.--l.
168
Li[lI.Ul,3Uq qf'CbF hu;\. dnr1.hpq
J]YCHflIT TIIIIIEP
LUSNYAK GISHER
apM. uap. flecrm
arm. folk song
h+^
r
U2ur\. td.Upnt0;utfilt O6p. T.Arqrraxa Adapl. T.Altunian
169
bu LUbSr'uFu.|"nFccu3], EC JICEIII4 MI4 AH}'I[ [3AfrH YES LSETSI MI ANUSHDZAYN {u;11. dnr1.hpq Aplr. rrap,ner:trx Arm. folk song
Andante
qnML ultu ITY?ITHAPA Naturale
KUZHN ARA
170
uLuq3u'e AJIATflS '
ALAGYAZ
Moderato
fdNt FLENFLQbFqb TOX EJIBYJIITEPIE TOGH BLBUL CHERGE rrnrlfrrnruu Andante maestoso
p
-
\--_
Itornrrac Komitas
171
lF-
.'--.-----...'..--
J
'
-
)_-. -
-_:__)
r
-__
tun0
HHORHURD KHORIN
fu rulurnnrp Surpo0hg[r (XII-XIII rp) {I2url1.'Qnrllruruulr XtruarXp Tapoueqrr(XII-XIII n.) O6p. Ilolrrrraca KhachaturTaronetsi(XII-XIII c.) Adapt. Komitas
inD
inD
inA
172
173
€Ul'f. q_OFOQUl, I.U IIAHII B)TPtr?ITAHIIM KHANI VUR JAN IM
Uru;urp-tnr[ru,rl2ru\.'IL.Upnr0;ur0lr Caar-Hona, o6pa6, P.A.rr5ruxua Sayot-Nova, adapt. R.Altunyan
.)
\.-j
\.----'
.-J
-\lt
-
.----:,
+ # t'
.J
A
a)
I
p
r-.
-.-!
174
AJ
\---:/'
\.._._-.-/'
.)
a)
a)
))
\----:-/
..-_____-..,
D
P
p
175
a tempo
176
UNFFE.UNI.OF CYPE, C}?E SOURB, SOURB U.b\riur6ut0 M.Ex,uu.rstI M.Yekmrtlian
Andante cantabile
Ilass duduk
< >
',.---/
a
+
p
'D
f t
a - ?
t - J
J
t
e
p
p
p
f
-
>-
1U
-
l
+
-
J
+
[
n"
]
>-
4
PP
-:=- PP
177
a)
e
nf A
o e
mf
e
e
3
t
€
A
mf
Iru3F UOU€UbUObFnq_ CJIESbI APAITCA TEARS OF THE ARAKS A.USp[surO II.A{rpnnan P.Atlikian
178
Lento
d
a
a)
e
+ o
o
z.-
Andante
179
a)
f
o
e
I
t) |
d
e
n
'
-
4
--_:__:_-'
A
4
4
180
p
np
o
')
+/
€
>------"
-
t'..--J'
re}
I8I
trU qf'CbP, LnFUL3Urr qbObP 3C frrlrrEP, JrycI-IflK TI4IITEP ES GISHER.LUSNYAKGISI{ER knrlfmuru Itolrrrac Komitas
Nobile inD aJ
inA d
---
inA o
inA
e
e
4
I
e
e
i-..'.......-...-
r82
U
--
----/
--
d
4
.
1
---.-_i
183
UIrl,U tr[}nF'LIr AHHA ITPYI{K AKNA KRUNK U.fdnulurd;ru0 U2ut\.' tIp.Uurfr4ru1gur0[r
Andante inD
inA
inA
inA
M.T;nralainn O6p. fp.Carrga-rr5aiarrir M.Turna<:hian Adapt. Gr,Sandaljian
184
gu.Ftruuul-r.t bl,c 3APMAHAJI}I E IIHtr3
ZARMANALI EII UNDZ tunupnrllrqnrlurn(VIII q-) U2u\. A.Uur04ur1gu0[r ( VIII a. ) Xocponrr4lmr O6p. f .Carr1.t-'rt;rixua (VIII c.) Khosnovidukhl Adapt. G.Sandaljian
185
€
'P'=------/
186
___EI-
" i - s . o
o
f
.
?
G ---_-------------l
f
o+ f
I
167
Q{r e fl {h f,r+- Gur^dF-F\v JT P.I$.BtrB
IIETPIEE PTlilifi
IV
SECTION ILUUS PACT
RAST
Ad libitum F urltgnt2rp:Dapduutnt.. Bardosltt '
IIurlh muurp: lllrtri.c Ttttcttt. X[u e rnsl-
'-:_:-'/ II
|--------"' 6
188
fl r2rug:11tr.az.Ushug.
(trutq filt: tri'<,itrttr. ) I ooscyrtir,.
Allegretto
Ad libitum 4 f1ut1tuplu But a n mt.llil tty ttly.
a'_---/
-::-=/
-{--/
1
- - a -
a a - 2
-
A\ry1wurTult. lttuptt: IIIru;ncnrtu lxtpc. ShiI;rtsluyie .fttrs.
=::-_=-'
-,-----i
<--:_____----'<--
Uruprupfiquu ll[y6tt1tprtztt..ll[trborrighn.
enI.f' Ad libitum
t9:l
,
Antplr 2u t\utq: IlIy ltrt-t tttt "trru:t. Sltrtri sht nttz.
A
Ptulurplt htuoutl: Banttru zadwop. Beyat:ll ltejor, 3 r . t
.
Allegro moderato
t97
ubq3u{ CETflX
SEGHAI{
Ad libitum
p-J1 1-31 ' p-.? 'a+ .at 1
, fi-_i_-_1--s
>-------"
+'-/ poco accelerantdo
a tempo
t98
\-.--, Aftplruurputlt $ruput Illur;ncmqu Qtapc.Sltil:ustayicJars. . s A
Iflnryruppfiq1 ut, Mto6op1trrzn. Ilh tbanti gl t tt.
Allesro moderato
: . + . .
a+
a+
.*
200
?uoq3u<
qAPTflX
SHARGHAH
Ad libitum
a
A
.'--.---'-'-3
-;_1;3r
r-'--z
-=_:_::=
lItulh 1uq41tult lllctc'tttpzn.t:. llIu1Jc clttuglt ult.
t-'-2
,--_:)
aJl!).4
r_,2
)
accelcrutdo
FlutuEh Afi 7ut1.*E n eura-nu zap. Bya ste-nigl n.r.
20:i
ltuuwlt \acap. IIassar.,
Ifnlutullg. Il[y.ta t u Qt. tr[t rI;h o IiJ. 7
Allegretto
ENFESUF IIIYIIITAP Ad libitum
Itwpplrp:Tapm6.Tarl:ib.
I0
SHUSHTAR
205
3
mf
3
PU3Uf}T'ebfU9 EAflTbI IIIIIPAS Ad libitum
BAYATY SHIRAZ
207
Frulwpf ftu$urhutfi: Dunntr,t uctlxttttn. Dalluly is.fithrn' 7
7
purfru0lur, pu0n0l' ru110): hrurltup_(purn. * urlhft rrur0 dru30urourrlruln{0r[u.rqrupruo0hplr Il Iilrlolr (rap, tirtrratlra' c 6o.ree lrtltporill:\t ;llttlnlrilolloll clc')' k{rlon (lrlr, klnliur<:ltit' ho" thc insilt,mcnls $ilh NidcI'r'lnge g,io-rtrrctpyatattton
'll)''l'
I 209
a tempo
fuurlhpu(c \uee1nu.I{huuextn
\1 ntqqul:
Xrosaa t. I lyu zzal.
.
210
2II
XYMAFOH Ad libitum
r-i-t
-.1 t- J TJ
----.1rf- J
Jr
Xrblth
212
Ad libitum I I Iy u t tt t t t p, Sl rrt sh t ar. e n t2r1tut1 "'
d ruqqutp Xrcaaan.Hyuzzal. 7
Andante
:.1I5
bOUdCSUqU\, nf'nC {UUr{U3OI-fd3nI.Ll,bf! HEKOTOPbIE M}t}bIKAJIbIIbIE IOIUITI,I'I SOME MUSICAL E)GLANATIONS Crescendo
ruunlr6ru0tu\ru 0 prupdpulgnulp 02tu0ur\{nr[ t crescendo {02nr1nLp3u0nrdq0nr.p..;ur0 pLunn{ (t4h2h0ryr,\pdLuLncresc.)!LurI ul.ltul02ur0n{: flocteresnoe yBelnqeH[ecl.ulbr3ByqaHuq o6o3Ha.raercs cJosov cresccndo(corpaqeHuo IlpoHSHoueHHe cresc.; KpeUeHAo) rufi srl.rM3HaKoM. Cresheudois a signof gradualstrengthening of the sound.
Diminuendo
{02nqrrrp1ur0 uuurlrdru0u.rlltu0 0qurqmllp 02ru0url1{mri I decrescendo(4b\ph2h04n. !ldruur' deruatc.) qlud Din.rinuendo(4[rf[0nLhc4n. lpduur' diz.) punhpm{ [ull ulr]_;u102u0n{: flocrenesuoe yMeHbueHr{e cuJrbr 3BytraHlr o6o3Haqaerca qJroBaMr dirninuendo (corpaureHuo dim.; tpouzuoueHr{e - A}rMHHy3HAo)n decrescendo (coxpauleHHo decresc.; npoH3HoueHtle- qexpeu:euaci), a raKxe ]TlM 3HaKoM. Diminuendo is a sign ofgradual weakeningofthe sound.
.l]oLSU' \p\0nLp}u0 02tu0 t. npO oqrnu.rqnpbr{mrl uurhrlt, bpp hpLud2mr.u\r.u0 Oruqnpdnrp.;nr0g \rurl 4pLu b hrrruqubg l4r\Or{nult rnrunFhnLlhp2u{npnrplnL00hpm{:
Volta
BOJIbTA 3HaKnoBropeHrlfl,xoroptrfi ynorpe6,rflercr, KorAa My3btKarbHoenpor{3Be,qeHue r IH ero orpbrBoK noBTopqercfl c pa3nbrMl-{oKoHgaH[qMn. Orpuroox, roroputfi gonxeH noBTopurbcr, n nepnsrri pa3 oKaHqHBaercr nepeofi no,rsroii, a npu noBTope oepBiu Bonbra rponycKaercq u oKaHqaBaercrnropofi roltrori. VOLTA - is a designation in the note-wdting above the last bars ofany pafi the musical piece. It is used in the casesofrepeating ofthis part but with different ending. The first volta designates the final for the first performing, the second one is for repetition.
CbCSQ npl:t dLuJ0hULuUu.r\np4[rrunu-r0d 0ugnulg, qurnnrrlp,g04qbmrl0t: L2ru0p 41{m t dLu10!\url u\np4b qbnLmf qrt:f 0hppl,mf:
Accent
AI{.pIil BbrAeJrenxe, noAqepKuBaHneorAe;rbHoro3ByKanJrr.taKKopla. B sorsou nucllre aKueHrbl npocraBrcrorcg Har r.r.lrH noa ror? uoroi Hru aKKopaoM,K Koropor,ry oxlr orHoctrcr. ACCENT is an apportionment, marking of a separate sound or chord. In note-writing the accent is put above or under the note or chord to which it concems.
)
Tenuto
J
SbLnI.Sn (r4urhqr.u0L{ur}, qurhqur0bl 0ntnru0hlfrurLnqmUlduur' ter.) - 62r.nnpb0 pgm00hpp:L2ru0p4prlnrrlt 0nuru0bpfrrltpLrnLri 0bpphLrl: \urrl TEryTO (asqepxaHHo, coKpaueHHo /ea. ) - rovuo Bbuepxarb3ByKuno ,&rr{reIrbHocrr.r. 9eprovra npocraBrqercsxa'quln noAuorofi, x roropoti oHaorHocr.rrcq. TENUTO (finnly) - you shouldmaintain the soundsexactly at duration. The srnalldashis put abovc or underthe note to which it concems.
Staccato
J Glissando fr-
r
r I
l-r
USII\USI 02u0ru\mri t drul0hpp 0r{ruqb1ru02r.urnh1n{,\rnprnhp{: khrng 4p{mrl t 0nmLulf L{bpLrnI11u: 0bppLn l' CTAKKATO - o603HaqeHue npHeMar{rpbrorpbrBl,rcrbrM :nyrov. Tovra nposraBJrrercr Ha[ rururog xorofi, x xoroporioHaorHocltrcs. STACCATO is a designationof the way of playing with an abrupt sound.The dot is put abovcor undcrrhenoteto which it concems.
ALhUU'Lr+n ([p6ruu' g/r3s.)- 0Llurqhlm hu]rnnrU6h, rlfrh05nr0fr94bqf rllnru h01nr0p tupu-rquuhnq, 2p04rif2r{nr1 hO1nrOulqlrb: Lnuruqpnrplru0 rib2 02{nrrlt h02;mOurqblr runuplr0 L Libp2|r0dru1Op,fru[ rlfrgur0\.yru1 du-r10bpp +nluunhOrlnr h0 qblr\m{ \urr] urfrprudLqbn{: IJMCCAIIIO (corpauesuogr:ss.)- oco6bli npgeMHrpbr,:ar,rn,rarculuirca B 6brsrpoM cKo,rb)KeHurror oAl{ofo 3ByKaK ApyroMy, npuqeM B HorHoi 3anficu o6srvxo uornpyrcrcr llrurs uaqa,rsssrri t,t roueqsufi 3ByKu naccDKa, npoMexyroqHble 3ByKr{ 3aMeHrrcTcl veproii tlu sonHr-{cTOri,'luH uei. GLISSANDO is a special way ofperfon.ning consisting in fast gliding from one sound to another. And only the initial and thc final soundsofthe passageare noted in note - writing. Thc intcurediate soundsare changedby a line or navy line.
2t6 SnnCLUqC Uh{hryr nptrt hfui0tullut0 hGlnr0fr0 0urtunpqnrlodu04tu\ h0!m00 t: Lfr0nul t 2 r,nhuurll'llupd L bp\rup: \tu1td $np2prqp Uuurunqnrf t 2ruur \rup6 t-.qfrurLhg qbLlLuO hu2r[r0, 0pLullbuft 2rur]r: t: Qt\rupg' hful0urllu:0 h0gnL0ft mLrnrlnrplu;O OOPIUIAI - yxpaurarouui ecnor4orate'IsHHr,ri nepeaocHoBHbrM, :ryx u,rr rplrna 3ByKoB yKpauaeMbw:ayrou. O6o:uavaercq Me-rKllMrlHoraMlrH He nplrHr4lraercflB pacqer npr4 pHTMTqHOCTH fpyn[poBKe HCrrB TaKTe.PaUararor roporxrri r.rao,rrsfi Qopru,rar.Koponcm nfiurgrcqo6rt,lgo B BHAeBocbMoic nepeqepKH)'rbrM BKocblrJrr{JreM. ,{on'ri Qopmlrarnuruercr I.rficnoJrHsercfl ocHoBHoro 3ByKa. verroi scnofic HenepeqepKH)'n rMrurt{JleM 3acqer BpeMeHI.t GRACE NOTB is a kind of melismas(melodic omamentations)to omament the auxiliary sound,or a group of soundsbeforethe main omamentedsound.It is designatedby small notes and is not taken into considerationin the rhythmic grouping of thc notesin the bar. There are short and long GraceNotes. The shorl one is usually writtcn as an eight-notewith thc crossed out obliquely stick. The long GraceNote is written as a small uote but with the none-crossed out stick and is oerformedat the expenseofthe main sound'stirne.
Uqr4h0ur
4p .++,,
4* Mopaenr +,? 4/? .1..,v
4t+ Mordent +? * ++t 4?
IJIlI4bluS t u0r{ru0r{nuJrlhrlh4nrnpl-.t hfitlOtultu0 h01nt0f . 4pu tlbpl,}t lLutl Obpptlt 0nnhg 0nrj0 hlr 0u\u0 hOgmOf uluq urulu odu04u\ h01nL0|r L hugnp4ru[ru0nrp.;nr0p: tlnp4h0urp qlh t u:n0{nLf np{ut} 02u0nLl, npp $0nL t 0u-tt. llpLul[g qd{Lu0: Un{ngu\ur0 dnp4hOtn u0r{ru0nrrl h0 hpbp h0!nt00hnhg' hltti0tullu-tO h01nt0}t, 4pu0lrg \bu \rurJ rlf urnO0hppl,f odru64ru\ h0gnL0f L tuul.u 0nplrg 0nr10lrfLi0ulu.t0 h0lnLOfrulpuq hugnp4ru!ruOnrplnrOp: !!ttltu} np4b0tnp qrur.nurpbtlu hfui0ur\Lu0 h0r1nL0lrghbrnn rltpg0uL h0 0bppl,lt odruG4ulIh0gnr0p: kn!0utltb dnp4h6utg gnr-19 t r.nrufru h[tl0ur\ur0 h02-;nL0[tL hurtluru.ltumuulutu0 odu:041u!h01m0f \p\Onr\fr hLu2np4ru\uOmp.;nr0: h02qbu rlnp4b0urp,t11l\0ru!f ilnp4bOug 0nL10u1hu $OnL t qb{u} tr 2q}t[utt: MOPIIEIIT - MenoauqecKoeyKpaueHl.te,3aKfiorraouleect s 6rtcrpov qepeAoBaHt'II4 no BblcoTeBePxgIrM l-t,nn HuxHltMBcnoMo,faTqnbHblM. 3ByKaco cMexHbtMc Hl,rM ocHoBHoro 3ByKa,orcrosu{ero Ilpocroi uopnear cosrour l: Tpex3ByKoB:ocHoBHoroMeroAriqecKofo BcrroMoraTenbHot'o r loBTopqnuefocqocHoBHofo. oT HeroHaToHt,nu norlToH BePXHefo reprstir l.tnocreauni x3 Koroptlx Ilepevepuyrrrfi vopnenr rapKe cocronr H3Tpex3ByKoB, qBrttorcqocHoBHblMt{, HoMexqyHuMLI ne>
SObL (!ndurn' tr:) ur0rlru0{nLrit hqh4nt nplrt hlttJ0u:\ur0 h0lnt0ft l' 4pLu0}tgtih\ ururnfrdur0r{bpl,qur0rln4 odtu04tull h01nL0lt tupLuql, htu tu2urf !p\0mp.1m0p: yKpaueHxe,cocroquee n: qayx 6stcrpo sepegyTPEIIb (coxpaureHnotr) - MenoAHqecKoe rOHa Ha paCCTOCHtIH A BepXHerOBCnOMOrarenbHOrO, Ha,\OACUeI.OCC loulrxcs 3ByKoB,ocHoBHOnO 'Tpe.'llt paBHa!rr,IrerbHocru ocHoBHoro r,rJtl.no,tyroHa or ocHoBHoro :nyxa. flpoqonxurerbHocrb 3ByKa. SIIAKE is a rnelodic omamentation consisting of two fast interchanging sounds, the main and the upper auxiliary one, which are in the distancc at a tone or semitonc from the main sound. Tl1e duration of the shake is cqr.ralto thc duration of the nain sound.
217
bnUdC SUI{U!
quu nl.dqlnl.fd3uu
thluubqu3h hwutlhph? ubptrt0Abp piano-pianissirno pianissimo piano merzo-piano mezzo-forte forte fortissimo forte-fodissimo
SbnuT'f'f,bll
Qpdutu 02{aul t
hal4ug[aul
lcul,Lbo t
pgp pp p
qlrur0n-qfrur0frulnln qlru0[ufuln q[ru0n
np nf f E ffi
rlbgn-qltu:On rlbgn-$nprnh $npub $nprnfufliln Qnpurb-Qnlurlrululn
l4w0w|nt
t
lurdruqur0g ilb4tl 2ruu ilhr1iltlhqti lhu tlhqd lhu ntdq[0 ntdqh0 2urn ntdqfO lu.ulruqu0g ntdq[0
+fr0urlfr\Lu1fr02ur00hnhhhrn hurdru]uqnJr]tu]tlnul h0 pii (u1nr.'ru{hft) l, meno( h0n' qu\uu) purnhpp:
SbIFtle bq. UnU \rCnFIIe blurd2rnu\tu0
uurE40urqnplmplur0
ltruruluprluO
rupurqnrp;m0g ru0tlu0nt
h0
rnh u4:
purnhpnLl:L[r0ntrl h0 4ru0qruq, lu+ru{hp t u.rpruqurhrlqhp: Sbrlql 02mrlt0 rlh& rltuururlpJruru:1hph0
+uu+u1 sblrtlbrr 4p{atuft'
kutp4wgntault
l4uAutSntt
Largo Largetto Lento Adagio
lunqn lurlqhum th0mn ul4rulhn
2urm4ul04ur4tu.u0 Largo-lrgilh qrnpnurnuq 4u04uq, dqrlur0 4tu04u:r1
Grave
qntx{h
btu0p
ououq.nnsbunrbn 4p{mtt
Qutptlutgtault
l4tudwlpilt
Andante Andantino Moderato Sostenuto Allegretto
ruO4urOmh ur04ru0ur[0n n4hnuun unuub0mrnn rulhqphtnn
hu:04urprn Andante-fgrlh rhnpnu:nuq lur+ulrlnl qntuul pullu\urO ru2|um1d
2t8
ueuq sblFtbo 4plntt Allegro Vivace Vivo Presto Prestissimo
Stuppagtnf t urlhqpn rlhtlurh ${n qptuurn qlhuurfru[ n
l4u0ulnuI
I
upruq, ur2funtld tu2funLld ru2|un11d zul'n tuluq 2rutlurqu0g tupuq
SbtItIIn LCIIITUqUIr1, U3L SbfiIlhl,Lbf' 4p{ntt
Qtup4utg{nul t
I'2utfiuQauI t
Accelerando (acc.)
rulb tLFu 0rln pfLnup4ru04n pILnh0mrnn ru mbUuln 0n0 upnqqn qnLln u qnln
Lnh q}r ruuufr6tu0ruprupr-upu_rqu_rgnul nbf qf uuLnfr6u0upup 4ru04LuqhgnrrI Lnh[qI ruurnfrdu-rOuprup 4ru04tu4hgnrrI OtufuQf0rnhrlq n2 u:30pru0 {rnpp urn rfrnpp,uurnfrdu,r0rupu:p
Ritardando (ritard.) Ritenuto (rit.) a tempo non troppo poco a poco
brtUdCSUqU\r Usbrloqqneonl.fdStn' eLqtnrnFn 8nF33 Sq.nfLl,cnFtnrbrr 4p{aul t Animato Appassionato Brillante Cantabile Dolce Energico Eroico Espressivo Feroce Grazioso Leggiero Maestoso Mesto Morendo Patetico Pesante Scherzando
Qup4ug{ntt ruOfulu:urn u:qruuIn0runn Fnh1tu0uh \ru0Lnruplrlh 4nuh t0b19[t1n
tnnh\n turryrhuu[{n qpurg[nqn lbg2hpn rluhur.nnqn buurn npt04n qLunhnflln urbqru0rnh u!hp9ur04n
Alnl.Afde
b2tu0utlnuf f ru2pm3d,nqLnp{u0 \ppnn, furu04urlrun rJnu11m0 bnqhshLl p0pm2,rih4rl hnur0rpr0 hhpnuur\Lu0 urprnulhru.; nlr2, ruq4m funn{ruhnr1q,rlnlhqfr0 0uqhg, 0ppuqb4 pbpl, tlhh, hru04frurutlnp ulluml 0rlur4h1n{ |unp hntq nt0pn{ btu0p, bruOpull12fn dlrp, L1ru1mu:n, lrumu\ru1fr0
2t9
u3L Sbnuhl'rrbn
.
ttryt4ug{nuI
4p{n[ t Ad libinrm Agitato Allargando A1 segno Amabile Amoroso Assai Brio, con brio Calando Cantilena Capriccioso Coda Con anima Comodo Elegante Espansivo Espirando Fine Giocoso Gioviale Lacrimoso Libero Lieto Marcato Marcia Marciale Mobile Molto Mosso Moto, con moto Naturale Nobile Pastorale Poco Pocoa poco Rubato Segno Sforzando
t u4 frpfrmnLr-l r.ulhulumn upupqru04n u-r1ub01n u urp[1h ru npnqn u.ruuurjf pplrn, \n0 ppfrn l1ur1u04n
Simile Smorzando Sottovoce Spirituoso,con spirito Tutti Valse Vibrando,vibrato
ufnlf1h urlnpgru04n unr.nmnrlnlh uulhnlunrnqn, llnO uqlrpfrLnn mnrnurlr r{urlu rlfrpnuOrp,Llfrppururn
T4ut0tulpttl t puurgru0\nrpp:O hmq{ru} 4ruO4ru4hgObprl riir02Lr 02u-r0g u|nrutrl uFFrl
\nrin4n tlhqruOmh tuqru0ufr{n tuqfpur04n
2ulul Qprulnur,nqLnpnLpSurlp 0,1-qhg0h1n{rupruqmplnrop hpqul]r0 rlL4h4fr prluhrud, qru rultnnntpJuliF Qn4ru,rlhlprurlnpntplnr0 nqt,npnrplullp hru0qfrutn Onpruqbq uprnruqh4,upurupmfu 0{urqblml
q,hoh
{hng
2n[nqn pnL[lu1b plpfulnqn
ru2fumdnph0, ntpurfurufir ru2]unt1d, mpru]u rupuruu{rufr, lugu\mrlur} ruqum nrpru]u,qrlu:pp
\urOmlr1h0ru lruu4rfr22nqn lln4* \n0 ru0firlu
thphnn firhun rlupl-1urun rlLuJr2[lu rirup2frulh rlnpfilh nlnn dnuun rlnrnn,!n0 rlnmn 0rurnnrprulh 0nFhtb ulruuutnpulh ulnlln qnln ru qn\n nnrFrurnn uh0;n u$npgru0qn
2h2rn{rub pulJthnq nuq ur2nt02 2ru1dm0,phpL 2rurn,2uln ru{bfir ur2]umdugrub,2rupdnL0 2updmrl, 2u:pdmrintl p0tu\ru0 u:q0{ruprupn,{bh hnrl{hpqrulur0 phl hhurqhhurh u:qu_lnr-nhrlq 02ru0 unrufidfr0h05nr0fr\u_ll u\np4fr hru011ru1dru!fmdhqugmrl 0m;0 dt n{ 0quqbg0L1nq,rirupbln{ \]rurudrul0 nqLnpnrplrurlp pnlnppdlruulr0 {u_rtu pnpmug0blnr{
220
MY3bIKAJIbHbIE TEPMI,IHbI MUSICAL TERMS IIIIHAMTIECKI4E OTTEHKI4 DYNAMICNUANCES llrarnmcroe rqlr,mr Italian terrns piano-pianissimo pianissimo piano mezzo-piano mezzo-forte forte fortissimo forte-fortissirno
Corqlaqemo ppp pp p mp mf f E ffi
3sacemre
Meaning
vpeaasrvaftHo rnxo oqeHbrrlxo rHxo HeoqeHb HeoqeHb rpouro oqeHbrpoMKo vpe:suruafiuorpovro
very silently veryquietly quietly middlesoftly middle loudly strongly very strongly extremelystrongly
- lteHee). croaa piur (nsro- 6o,,ree) rr meno(ruleuo Hnoraax alrnaunqecKuM orreHKaM npficoejluHrrorcr With dynamicnuancesoftenareusedthewordspiur (more) u meno(less).
TEMNOBbIE OBO3HAqEHI4JI TEMPO DESIGNATIONS CKopoclb HcnorHeHr,rqMy3brKilJIbHofonpon3BeaeH[r Ha3brBaercqreMno[a. B oct{ogHov reMnbr o6o3Haqa}orcq yMepeHHbte H 6blc"rpble. cJrogavn. Tevnn 6slearctr Me,qneHHbte, HTaJTITHcKHMH
The speedof themusicalwork'sperformanceis calledtempo.Generallythe temposaredenotedwith Italian words.The temposmaybe slow,moderateand quickly. MEiUIEHIIbIE TEMIIbI SLOW TEMPO 3sacefirc
Meaning
Largetto
trnpoKo ot{eHbMeArteHHo, 6urcrpee ver'.rLargo
very slow quicker thaa Largo
Lento
npqrDKHo Me[JteHHo,
slow, lingering
Adagio
MeMeHHo
slowly
Teptmt
Tetms
Largo
hard
Grave
YMEPEIIHbIE TEMIIbI MIDDLE TEMPO Tepvssu Tetms
Snacewe
Meaaing
Andante Andantino Moderato Sostenuto Allegrefto
o6uKHoeeHHsrM uaroN{ 6rrcrpee,qeu Andante yMepeHHo c[epxaHHo oxllnrleHHo aoBoJIhHo
by normalstep quickerthanAndante rnoderate with restraint ratherbrightly
22t
EbICTPbIE TEMIIbI QI,NCKLY TEMPO Tepuos*r Tetms
Szaccme
Meaaiag
Allegro Vivace Vivo Presto Prestissimo
cKopo
vividly quickly
XI{BO OXI{BJIEHHO
o.renr 6urctpo 6stcrpo vpesouvaftuo
brightly very quickly extremely quickly
FTNT,C OEObHATIEHI'IgTEMIIA OTIIER IEMPO DESIGNATION Szacewe
Mcaaiag
Accelerando(acc.)
ycKopf,t
Ritardando(rr'&rd.) Ritenuto (nZ)
3aMeArtt
a tempo non troppo pocoa poco
B npexHeM TeMne
accelerating retarding with restraint in a formertempo not very gradually
Tepwt
Tetms
c[ep)KaHHo He oqeHb nocreneHHo
OBOT}HAIIEHI,I,'XAPAKTEPA I{CIOJIHEHH' MX}bIKAJIbHOTO IPOIfiIBEIIEHI{'I DESIGNATION OF CHARACTEROF MUSIC WORKS'PERFORMANCE Tqw
Taas
Animato Appassionato Brillante Cantabile Dolce Energico Eroico Espressivo Feroce Grazioso Leggiero Maestoso Mesto Morendo Patetico Pesante Scherzando
Sncwe Bog.Q/rrreBneHHO crpacrHo 6lesrsue neB) re HEXHO
sHepfHrrHo rePouqecKu Bblpa3lrTerbHo
cBnpeno ar,rKo, rpaqr{o3Ho JIETKO
Mearing enthusiastically with passion brilliantly melodiously tenderly energetically heroically eexpressively wild, savage gracefully easily
ropxecrBeHHo,BerrnqaBo majestically neqaJbHo,rpycTHo 3aMnpafl cTpacrHo TH)KEIIO EYTJIHBO
sadly dying away passionately hard wittily
222
iIPYTI'IE TEPMI{HbI
OTIIER TERMS Meaaiag at your wish with agitation slowingdown till the sign pleasantly amorously very much excitedly
Teptrnpry Tetms Ad libitum
3saccwe no xenaHuto
Agitato
B3BoJrHoBaHHo
Allargando Al segno Amabile Amoroso
3aue4rss Ao3HaKa npuqrHo rrc6oBHo
Assai
oqeHb
Brio, conbrio Calando Cantilena Capriccioso Coda Con anima Comodo Elegante Espansivo Espirando Fine Giocoso Gioviale Lacrimoso Libero Lieto Marcato Marcia Marciale Mobile Molto Mosso Moto, con moto Naturale Nobile Pastorale Poco Pocoa poco Rubato Segno Sforzando
ao:61nx.[eHHo JmeHbuarccruIyH cKopocrb decreasingstrength and speed
Simile Smorzando Sottovoce Spirituoso, con spirito Tutti Valse Vibrando,vibrato
neByqasMenoEue Kanpr.r3Ho 3aKfltot{HTerbHa9 qacrb c ryurofi, c t{}tsc'ItsoM cBo6oaHo,Hecneua H3CUIHO, n3bICKaHHO
6ypuo 3aMI{paq KOHEII rxyrJrHBo,I.IfpHBo
6ogpo,seceno c]Ie3nnBo cso6oaHo Bece[o
melodioush.rne capriciously final part soul,heartily freely,not hurrying delicately elegantly, stormily dying away end wittily, playtully cheertully,joytully
tearfully freely merrily markingout Bbl[entt noatrepKxEaq, march MapIx marchingly vaprueo6pa:xo mobile no[BIt)KHO much,very much MHO|O, OqeHh lively OXHBJICHHO movement aBr.rxeHI,Ie, c ABI.DKeHlleM naturally ECTECTBEHHO nably 6rar0poaHo asa shepherd nacTy[recKLI little MAJIO gradually nocreneHHo freetempo cso6oaHolftrenn srgn 3H K yc[neHHe 3ByKa suddenincreasingof the soundor chord BHe3anHOe r.rjlHaKKopla noxoxHI 3aMnpaq BnoJlforoca BOOlyrxeBneHHo, c Boo,qytIIeBJIeHI{eM BCE BMECTE
BZut bc nH6pnpya
resembling,alike dying down in an undertone enthusiastically with inspiration all together waltz vibrating
enqUL+UI{nI.ra3nI.L ul}u9ueu! < U U U f } OS Sb n b q n F 6 3 n b l L b n + n h + n F t r h t f U U h L . . . . . . . . . . . . . lfttfdn+UqU\, 3nF3n hU-tbn qb3q-uo€Q+nt.tnt q LquqbLnt dutruLuq cricuftnFo3nF.'u hL?r\bu ulsqu3LbL uGuQhL rluubnc { . r J ? 3 n t ' u ] J b nLhn s u c l F n F r d 3 n F . ' u. .e. . . . . . . . . . . . . . . . . . .
uLsbnushu3hLcul,t bn .......
22:t 5 ll ll ll
12 l3 t4 14 16 26
36 36
35. tS3nl.'l 36.ts3nt .t
3 7 b. s 3 n r . + . . . . . . . . TUUSIItsF3nFlr'bC(l}rabeff.Lutrllrrlbcnq. .................. rJrrrnrr ?t ?O
4 0 t. s 3 n b . r . . . . . . . . 41.Lnnhl{ I}.IIh[rp;ruG ......... 42.qUnLUlU3hL (hururlurd) frr.Urlhrnlruluro €tUMlF+ \,nStn' qbsnrl ..
.ttupd.43 ........ ... . /|4.CnnnFU UULUO rmrlluauru
lmrltltauru...........
5 4 .b s 3 n F . r. . . . . . . . 55.bnlrquLh qhobnLbf'C llrlqulurucjurc 56.$h'uQU! {uJlt.drq.hFq...... 57.enehq Qnl.OLrh hnU {,uJU.ds4.hlrq 5 8 .b S 3 n t ' + . . . . . . . . 60.qbrruS bnq 4ruJ\.d!q.hnq (Dutr.'G.WnAJutAl............ 61.+UnCh Llbrr UCb clmuur0Chgurrl 62.bnttu QU! {urJl1.dn4.bpq U2.utt.'IAU rDrilutqi 63.'rlhbu U.euduqqruruur0 64.SUL{nFhqh qsFhd {rutlr.dn{. bnq
uh AbtmLuudnr quuuu. tl.urFd 66
6 7 .b S 3 n r - + . . . 68.Unl'nF. Unl.nA
ll.bqUluuuro
38 3t 3t 39 39 40 40 40 4l 4l 4L 42 43 43 43 44 44 45 45 45 46 46 46 47 47 48 48 49 49 50 50 50
224
69.ht-r {U3UUSUL qnluru0
5l 5l 52 53 54 54
unl- LntunrqutJtru..............
. l - u n d7.2. . . . . . . . . . . . . 73.hr,C Uh tu!+nh0 U.UuJIUuro .(ugU.dn4.hpq IDurlt.'O.UIpaAt.uAh . . 74.{hIrqULLU 75.tS3nl.+ Iu.UqbuhuJur0....... 76.bU Uhnbgh {ru1[.dn4.hpq U2ul1.'ft.Apafi1u0l 77.UqbnSn lu.Uqhurhujurli 7E.tS3nr.+ 79..{nqulhe U.Uuqlu6;ru6
. .......
unl rrudnll quuull .............. Ltruld.80........... q u r t d .8 1 . . . E 2 .t S 3 n h + 8 3 .t S 3 n h + . . . . . . . . E4.QU't3h enlnl. quluC
{ut1\. dn{. hpq
U2utQ.'@.UynfiFtt0lt.. .......
E5.bS3nr.+ 8 6 .b S 3 n F + .................... 87.UUnqUqbS'LnFu Ucurnlurqu{Uur6 EE.qbnQqUqUL 'rlUI' .I-U.Ungurpu 8 9 .b S 3 n F + . . . . . . . .
s n h n L. . . . . . . . . . . . . . . .turpd.90.9l .. .Lu-rpd.92.93 94.{3nl'Uhuu3hl, 95. Lhnhququl,
UUS'I. U.q}Glrur II2uQ.'b.UpmAptAI.. ..... .... {utt\. dnq.blq
6 / tc u o . . . . . . . . . . . . . .
. L L r p9d6. . . . . . . . . . . - . 97 bs3nl.+........ 98..[Un q.Uhourujuro 99.tf,Qbl.h (hrumr{urd) MrqbG4lturlryrud 100.{UtJFunCnbU3U3LU ((U0n2DoqhltuJhg) U.ShqtruroJurc - l0l. {hl, UUFOSQ ( ^/ 2) IJ.unlunnquUh
rlb lrhl,nequuuu..............
102.'unFAun-r,nl.Aun {urJq.dD4.hnq U2uU.'G.WWAJUdb...... U.UurhG4lurf1ur0 103.thQuu 104.truI' uLhq 1,14. . . . . . . . . . . . ... .j . . . . 1 1 5b. s 3 n h l
+n utluonquuuu.............
q.?prju6 . ........... 116.bl'q . {rui1.dn{.b1q IQutll.'b.UwnAyah-.- ----.-.--.. 1t?.{UFU bLI qlnl'U 118.bnq U.Uqh64ltutPlur0 - -- -- . 4-tru.r4urguro tI2tul1.'@.Upa61w0F 119.uul'bPh
Ilb ulrdnP surnru ..
1 2 2t.s 3 n f ' I q . Q b c h . . . . . . . . . . . . . . .... . da4.hp U2u\,'ft.UUtat0Ju0l1 123.Luhrsh {ru1l1. L3U Uf'r,nlr +Ulnru' ..... ......... 124.{nq3uqu 4u1q.dnq.h1q 125.Lbknl'nh (utun(+urhuhDouthltu.thg./Q.rlqhuzqbh (luufll , L3U Fbrml- Irudne .Lu1d.126 127.Fulreuq U{u.tl]€ (rqup
)l
55 56 56
5t 58 59 59 60 60 6l 6l 62 62 63 63 64 65 65 66 67 6'1 68
6t 6t 59 70 70 7L 72 73 74 74 '15 75 't6 76
't7
71 7E 78 79 80 t0 t1 8l T'
83 84 85 86 86 86 88 89 89 ot
9r 92 92 93 94 95 96
I 225 b nr{ IrOF+ FUdbf, 1.rlUI'+UtJh Ltne O1FC {urJ\. daa.hllq 97 2.3nndUU l,Gghghtng {urur{ur0rquruu1ttuqlgIQutU'UbQut.tugtu0............... 97 Clrlur\urgh ffUil.......... 3..IUU'L UbFn3 onqnr-rdbul, {,urnnpJuro U0ru6[rur 97 2urturquo 'Uqhnbulp4. ULCh'L€ Curnuquc &b+uh'lur69 lrnuuhlf rm{tutuu lkphg[ (Vtr a.) ..... . 98 5.9nnu CUS .\USqbCh Pn I.U- CurFurl+uoefiqqr Uurqlunntru CJC4)......... 98 6. UJIU.InS LOFUO3 L'hguEuCoryfiur r CJ(tr4.) dtr4. rnuFFbnurq 9E 7.{UlnFL. {UFnFL Su{ qfilqqr \'unhUrugh Gil................... 99 8. Ub.L un l.fd U[I'tlbP {urJ\. dnq.hpq 99 9. (rudqu|99 {ur;11.dn4.fuq 10.Utu, hu'duuobu {,u:lr.doq.bnq..... 100 11.OSun uuLt3h duuott€h {rru 100 {uj1. dq.$q...... 12.UhnbSh,3UnU SUFU'U {urJ!. dn4.hpq 100 1 3 . C n L hQ b 3 n U ! < u r q u r u h . . . . . . . . . . . . . : . . . . . . . . . . . . . . . . . . . . . . . . . l014.3U3LU.tnn 3UnU {uqruuh 10. l5.gbo3nan, euebll SUO
226 6 8 .L U O C U n U e L b U q L U S b L 69. {ULUL bnu Chlrurf
7 0 .b L h b n q h l € L U L r q b Lt
C h n u r f. . . . . . . . . . . .
C q r u r u. . . . . . . . . . . . . . .
71.'l,UQ Urlthq Chprurl.... 7 2 .q u r q S U L t t S h C h n r u f. . . . . . . . . . . . . . . 7 3 .U u q b m r b L U ' U C h n u r u. . . . . . . . . . . . . . .
131 l3l 132 t32
74.uquou3nh +UcS Qluluob 75.nq Ubonl.U,UhPnbL Ahquroh 76.+bn qhobn t Qhquob........
IJJ
7E.tru3nh'r Ahqurob.............. 79.U.\hSUq truQbn Qflur6[r 8 0 .r , o q b q A h q u r G h . . . . . . . . . . . . . . 82.qbtbSqn F{n I'L ab{uroh 83.?.ULrFbnb', {nShU Ah{urolr.... 84.U(}, \,uObLhU Ab{uroh 85.eUtunn.l Onbn Qhqut0tt . 86.FLAnI'Lh
110.trusuq rqun
156 156 t5'1 158 159 159 160 161 162 1,62 163 164 164 165
trudbL
133 134 134 t35 135 136 136 t3'l 137 l3E 138 139 139 140 140 l4l 142 142 143 t43 144 145 146 147 148 149 ,150 152 153 153
r55
dn4.qu1 I 11..l.bc - qbnh 4u111. I12.LnFLnF$Un {u{q. dD4.ulultrl I13.obnh (u3\. dq. qrulr.... l14.Ul,U{,hS U.Ubpuoqnrgut6 115.!Ur'O3Ur, Ur[QqU .qul1 (LllqhpuurtugrJluo 116.ount{bOnFlQ tu.U{hlnhuluro I17.CnFCUl,hqh {ur:!. dnq.qun.... l1E.{nb'UC
bnFnfl+
128
r29 r30 130
loo
165
ut uuupLT,b" 168 t69 169 t70 t70 t7l 176 177 178 181
a
227 UtrluqtlnFLrr QultruluLh
tlfdnrlur6;ur6 Ib.alf.'4.Au]64tttl2Jur0lr. hrnqlnqlt4nluu (VItr +) IQutQ.'4.UuAry421uAp h hrro
? nolln F + Audhl,
U fflU
183 184
AIr bl' lE7 193
tn
2@ 205 zVI 2tl bnUdCS UIrUtr nnnC {.Uut{U3nl.fd3nl"l,!b0 .......... bnUdCSUl{Ut SbF[.rh],],b0 Fnqul,+uqnFrd3nbu ................
215 217 223
COIEPXAH}IE IIPEtrI,ICJIOBI,IE K P A T K T ACEB E l E H r 4 rO [ v [ } K E . . . . . . . . . METO,trHTIECKI,IE YKA3AHI,I' .. . .. ... . NOJIOXEHI4ENPI,I I4IPE ITA IIyII},IG [bIXAHI4E IPOBEtrEHI4ENEPBbIXYPOKOB.... ......... 3AIMCb 3B}'KOB trJII4TEIIbHOCTb 3 H A K I 4N I b T E P A I I V f.l.i. . . . . . . . . . . . . . . . . . TAEII'IIIA AIIIIJII4KATYPbIIJyIIyI(A ............. CEMEffCTBOJn lyKOB .. ..... ... [EPBbIft
7 . : . . . . . . . . . . . . . . . . . . . . . .1 t 1t l9 l9 l9 20 20 2l l5 16 26 PA3[Efl
EATIAJIHEIE YIIPAffiEtr',.. N Y u p .l { . . . . . . . . . . . . . n Y n p . 7 - 1. 0. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2. t. YIIPAEIEIII,!' B TIETBEPTIIED( IIOTAX....,......... 29 Ynp. 11-13 29 Y n p .1 4 . 1 6 . . . . . . . . . . 30 u. ofi HAP Aprrcar E poFar qc@r..... 30 Y n p l.t , 1 9 .:....................... 31 m.Oh wM HA3AHI4 flP (ort, MOt HEKIIAT BOA|IIoEqEHIL4,) (orprrror) Aprr.ury. EccEr .... 3l 2t.3TrO[.......... 3t YTIPAXHEH'I'I B MTPIDIE JIETATO.............. 32 Y n p . 2 2 - C. .A. . . . . . . . 32 Ynp.25-28 33 rIOJIOBI,'HIIA' HOTA C TOIIKOfi 34 Ynp.29-31 Y rAMMA IIO MA:KOP.............. 35 Ynp.32,33 35 Ynp.34 .............. 36 3s.3TrOIl 16
36.3Trotr 37.sTrO[..........
37 37
yTrPAXHEHr4g B BOCbMED( HOTAX............... 38 Y n p3. 8 , 3 9. . . . . . . . . . 38 40. 3Troil 4I.IIEPEIIEIIKA P.I\.leIKs............ . . . . . . . . . . . . . . . . . . . . . . . . . .3 9 42.BECEHHT-fi(orprrrox) X-Arsrecsr.......... .. . ... . .. .. .. . .. .. . . .. . . .j 39 ITETBEPTIIA.g HO{A C TOTIKOfi .......................... 40 Vnp.43.............. .......:.................. 40 44.IIJOPOPA,CNlA"l (CAJIAT(uuz 40 MSIIM, Ilnflnn) Korcrac..... ... ...... leDyarKn), 45. KOJIbmEIIbHAfi r.Apxcau 41 46. Off, HA3AH ApM.Eap.necr O6p Tra.nJ/-.Ft.... 41 4 7 .A H t r A H T I , I H O A X s s s r r T q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4. l 48.3TrO[ 42
228 49. CBETntr{OK
Apx. aap.recre .....
L7
rmcTr{AflIATbrEr{oTbr................
43 43 43 44 44 45 45 45 46 46 46 47 47 48 48 49 49 50 50 50 5l
Ytrp. 50, 5l 52. KyPOIT.A-TOTIKA Ko nac . . . . . . . . . . . . . . Y n p .5 3 . . . .. . . .. . .. . . .
54.3Tlotr 55.EPEBAHCKI4EHOr{[ AJloqyrans... 56. OI4HIIXAH ApM.EEp.trecEc.. . . 57. EOEI4K !)(yP MI,I 3PA (HE nOnABAfr EOCUKOM)
5t.3Trotr ........... 59.3TrO[...........
ApM.E8p.trees ....
60. 3ACTOJIbHA' Apn. xap. rccEr .. ... O6p. fAnywa 61. OfJI.fiHI,ICb flcar Itrepau 62. EPEM IXAH Aprr. aap.ueor Odp.T-AnJ,NEa..... 63. nbECA C.Eap;rf2aps........ 64. TAJIBOPHKI.I KTPIt{ UIA EII Il3 TA'TBOPI4KA) ApM.Esp.trecn ..... IAMMA CI{ EEMOJIb MAXOP Vnp. Oe. . . . . . . . . . . . . . . 6 7 .l T r O [ . . . . . . . . . . . 68. CyP6, CyPE (CBflT, CBST) M.EIo'{arrI 69. MO-f, APMEHLIT fycsE Aracr 70. KAPABAXCKIAft MAPIII TJ\{AXACE..... 7l.3TrOJl | A M M A C O J r bM I , I H O P . . . . . . . . . . . . . .
tl
52 . . . . . . . . . . . . . . . . . . . . . . . . . 1. . . . .
54 54 )) )) 56
73. HE flPOCI,{ MEHS AlvlasjEl 74. XI{H|AJIJIA ..-.. Apx. Bap.lecEr OOp.1:JamJrytEs 75.3TIOtr X.{aqzcnr............ 76. EC CI4PEUII (q fiOnnEEE) ApM.Eap.trecEr @.f*nywa.... 77. CKEPUO X-ABerucrf,.. ... . .. ..
JO
........... 7E.3Trotr
79. BOKAIIh3 MMr${aEE . .. . ... . rAMMA COJIb MA:KOP..............
8 2 3. T t O [. . . . . . . . . . . 8 3 g. T r o t.r. . . . . . . . . . 84. BCE 3EnEHO BOKPyT MEnbHHUbI
Apr'r.rap. necur Odp-fAtn wa. ...
E5.3Trotr t6. 3TtOtr 87. HA JIITY C.Eapxgapm 88. CLIIbCKI,III TAHEU BJA..MOqAgI ,, 89. lTtoit T P I { O I I b. . . .. . .. . .. . . Ynp9 . 0 ,9 1 . . . .. . .. . . Ynp.92,93........... 94. CEBEPHAT 3BE3.UA M,fi@(a .. .. ... . . O6p. I'J4nJ'uEa .. .. . 95. JII4PHr{ECKAJI Apr. rap. uecrr PA3MEP 6/8 Y n p .9 6 . . . . . . . . . . . . . . .
97.3Trotr ... . ...... . 98.TAHEU t lt/fnacs . ... ..... .. 99.9H3En[ (orpueor) A.Cueqapor . ....... 100.AMEAPIMVI tfrn{ (nECHt HA BO3HECEHHE)(ua oneprr"Anyr") N 2) M.MycoprEd 101.CTAPbIR3AMOK (
)J
A.Tnpanm ............
58 5t 59 59 60 60 6l 6t 62 oz 63 63 64 o) 65 65 67 67 68 68 68 69 't0 70 ',I
72 72 '14 74 '15 t)
76 76 77 77 78 18 79
221) rAMMA [O 116.nECHt
80 80 8l 8l 82 83 84
I17.Bbrxoxy I 18.nECH.fl I I9. CAPEPI4
Ito qrr
n
MEIII{3I\{bI ......... 121.flPOCHI4CbOT IIAPCTBEHHO|O CHA Ea$acapEEp rAMMA PE MAXOP............. 1 2 2 3. T I O [ K r I e p E . . . 123.JIAXTI'I Apu. rap. uecar Odp. TJan wEa-.. rAMMA Jr.'l MI{HOP .. .. . ....... . . I24.D{XEHbKA Apu. aap.uecar 125.nEKyPU (rareu n: onepu "[arcu") 3.Ilaruamru rAMMA JI' EEMOJIbMAXOP.,........... Ynp.126..........-.-. l2?. CEOPXJIOnKA (ranequr 6arera"fa.he") AXararypm.
Odp.P-a.n Ma,.., ............. ...
l2t.3Tro.q._........
85 E6 86 E6 88 89 89 9I 9l 92
92
1 2 93. T I O I .I . . . . . . . . . l30.3TIOI (a t44e "Cerzx")... l3l.3TIOtr (e narc "Vapnr') .
93 94 95
BTOPOfr PAStrEJI 1. CKOPEb MATEPI4 BAPTAI]A 2. OPXAM (KOrnA BoWEInb HA CBtT-ort tu7TAPb) Orpruox re nrqprm O6p.M-8wsma......... 3. BACH MEPOfi NPKYTEAH (BO IIMU IIA]IIETO CIIACEHUT) mapaxar u& Bocrcpe.eEe Anw mtpanw (Vtr r.) ......... 4. AHII3I,IHK HBI4P'JIK (It1nfi, UOCB.4TEBIUHE CEE$ ) frapwaa pstrcmrncsf AeBaxKowncAacry (Ynt\........ 5.3OPC bICT NATKEP}I KYM Qbr, KO1'OPbIE CO3IAII nO fiOIOEnfO CBOEMy) ItrspsxsE fFEop MalrcTpoc (Kr.)... 6. APABOT JWCO (CBETO3APHOE YTPO) (tlecrta aa3ayrpenro) HepcecItrxopae (Xtr B) Hapollbri Bapuanr..... 7. AB)'H, AB)'I{ (mAXA, lTlA}A ) Tar fbFop Hapcf,ary (X r.) ..... ...... ....... 8. CEB MyT AMIIEP (I{EPH6IE, MPA|{I{6IE TyttIt Apv. E p. Df,;,t:N. 9. MAr{KAJI @AXAPD ApM. Eap.uecst 10.AX, I,IM tIAMmC 6X, MOg nOPOfA) ApM.EaIr.recgf,..... 1I. OTAP AMAI,I qAMNEKII BPA GTAEB ONH6IX.qoPorAx qw(EuHbI ) ApM.Eap.uecEf,...... 12. CI4PEUI.I,tPC T APAH (nOlInEI{n, HO JIIOBEITIt IO WEnq Apr,r.rap. neee .. ... 13.qofl.nuIIXE'TPAH (CTE1HO IIX4I') Aqor .................. 37. fAP)'Il 3 (BECHA) l\E,or ... 38. CIOHTU CAPEP (CIOHHKCKHErOPbI) Aruor....... 39.C)?E MAHPEP (CBflT6IEMATEPH) AEdr....... 40. CEPCBAHK)'I\4'IA'IEBV (AIOSIIOEOB, B TATEBCKOMMOHACT'IqE) AEqr... ......... ...
97 97 97 9t 9t
9t 99 99 99 100 100 100 101 l0l to2 to2 103 t03 104 104 105 105 106 106 10't 101 108 108 109 109 I l0 110 111 111 112 112 llJ
I l3 l14 ll4
230 41.CAPBOPIIEPf (IIECHSKPECT6SHUILA B .OPAX) Amm............ 42.W)? [nE ?) Amot..... 4 3 .f H C A P E P ( T E f O P b I ) A E s r . . . . . . . . . . . . . . . . . 44. OIXAXyM (B OTqEM4OME) AEsr ................. 45. Al4PllK t EAToIIIKA) AuoI ................. 46. KO CI4POAMAP eAnII TBOEEEIOEBH) AECn .. . .. .. . . .. .. . . 4T.ACA,HHr{Y.Uy[Y?EC? (CKDKH, IIO|{EMy TbI MOJ| rlUrrrb?) An.sr 48. tP, APAHUKE3 (EE3TEE ,J' OEI4MA,4) AEqr.................. 49. OB CAPEP,MOB CAPEP (4AIOAUE nPOXJU.qy roPbt AEqr..... ....... 5 0 .n A X P A l K O C y I t ) A E o r . . . . . . . . . . . . . . . . 51. AMEH APABOT (IGX4OE WPO) Itrcpax . . . . . . . . . . . . . . . 52.[vH I4M MyCAH EC (TbI MO.SMJ3A) mepau................ 53. IIIOPOPA (EWb BEru'I.fABA) mepa}| . . .. . . .. .. .. . . . 54. 3OB flllIIEP QPOX,ILAIHA' HOtIb) frepau ... . .... 55.OJIOPMOJIOP (II3BII ICTO) mepaM................ 56. |AJIHC EM .qvP! (nOIXOxv K TBoEMv nOPOrv) mepaM . . . . 57. 3.[fi SCOP CUPrC KynA, (ontrb CETOIHfi CEPQAE fi. A rtET) ItrepaM.. . .. .. . 58. nH[XJII4K - MHIXJIHK ltrepaM.. ... . .. 59. APtrEH MyTH bIHKEJI.A Ory
l0l. HA3EIlu (HErGAr) ASteKcassptr 102.IIIAJIAXO ApM.sap.raEeq..... 103.tllOPOP ApM.Eap.TaEcq 6p. T.4nJMEa ... . Xeacrd raaeq A-AreKcaqptr 104. 3AHlE3)?l{ 105.EAXTABAPI4 Kapa6srcd xeEcld rirseq................ 106.I]HPAKCKI,Ifi KP]TOBOft TAHEU Apu. aap.raaeq .... ApM.EaP.ra.Eeq. 107.trunl4xAH 108.3)?HI4 TPH|H Apu. rap. raueq ApM.Bap.raaeq . . . . . . . . . .. 109.KOIIAPI4 Maprywqd 110.uIyTotIHblR TAHEU ApM.Eap.Ta8eq... ....... I l l. BFP-BEPI4 Aprq.rap. raqeq ll2. Ilyll) OAP ApM,Eap.Ta.se[
t 15 115 I l6 1t6 117 t17 118 118 119 120 l2l t2l
r22 122 123 123 t24 1,24 t24 125 t25 't25
126 t26 ta1
12',1 128 128 129 130 130 l3l 131 t32 t32 'IJJ
133 134 134 ll)
135 136 136 t37 t37 138 138 139 139 140 140 141 142 t42 143 143 t44 145 146 t47 148 149 150 152 153 153 l))
156 t56 157 t58 159
rt
2:ll t59 160 l6t 162 t62 163 t64 t64 165 loo
r66 TPETHfi PA3trEJI
AECAMEJIII
167 MAJIEI{bKAJI IIbECA fME8cffi 168 JTyCH'K fHIxEP (.tMlHAt HOt{b) ApM.Eap.le€Es O6p. fAnTzwa.... 169 ApM.rap.uecne......... EC nCEUl4 MH AHyIII [3AfiH (MHE fiOAT6IIIIA"ICS CJIAnKEfr fonoq 169 KDKH APA (B3.q,tIA KyBIIIIIH Korsrac . . .. .. .. . . . . .. l7O AJIAIf,3 Korqrac l'70 TOX MByJI r{EPfE (nycTb HE IIOET COfiOBEE) Kor,srac.............. 171 XOP)?tr xOPl4H Xaqarr? T8poEerF (JCI-)fltr rr.) O6p.Kor,maa........ I'13 KAHII ByPIIXAH uM (IOKOEE t XI'IB) CaaI.HoBs 6p.P,an1zw.... 176 C)?8, C)?E (CBST-,CBqT:) M.Erq'rsmE.......... . . . . . . . . . . . . . . . . . . . . . .. . . . . 1 7 7 C J I E 3 bAI P A K C A r l 4 Q p 8 s . . . . . . . . . . ...........................178 OTPbIBOK lI3 JIIITyP|ZU M-EIc{arE 181 3C fl[IIEP, JIyCH'K fI4IxEP (B 91-y HOt{b, ]IyT#InO HO.IB) Kowzzc ... 183 AKIIA KP]'HK M.lyMarE Odp. Ilcaw)wqa (VItr a.) @p. fCaqpwa 184 3APMAHAJII4 3I4Htr3 (MHE CTPAHHO) Xocporryrr
T I E T B E P T b I f f P A 3 t rE J I
MYTAMhI 187 193 197 200 205 207 2tl
PACT llD?... .. cEf.'Ix . ..... qAPT'X , U.\'IUTAP EA'TbT IIII4PA3 KYN4AIOH
2t5 220 227
CONTENTS PREFACE SHORTINFORMATIONABOUT DUDUK ,., ,.,.,.,.,, METHODICALNSTRUCTIONS POSITIONWHILE PLAYING DUDUK BREATHTNG HOW TO CONDUCT THE FIRST LESSONS MUSICNOTATION R H Y T H M I CV A L U E , , . . ,, . . , . . . S I G N SO F A L T E R A T I O N. . . . , . . . , , . . , . TABLE OF FINCERING OF DUDUK FAMILY OF DIJDUKS FROM THE AUTOR
9 )7
)) 23 24 25 25 15 16 26
S E C T I O NI ELEMENTARY E)GRCISES
EXERCISES IN QUARTER NOTES E x .I l - 1 3 E x 1 4 - 1 6 .. .... 17. HOY. NAR Armenianfolk song.
'r1
28 29 ,a
30 30
232 E x .l E .1 9 . . . . . . . . . . . . 20.HOY, IM NAZANIy AR (HOY,My TENDERLOVE) (extract) ArE. folk sorg .............-. ..... 2I. ETIJDE D G R C I S E SI N L E C A T O. . . . . . . . . . . . . . . . . . . . . . E x .2 2 - 2 4. . . . . . . . . .-. . E x -2 5 - 2 8. . . . . . . . . . . . . IIALF NOTE WTIH A DOT . . .. . .. . ... ... . E x .2 9 - 3 1. . . . . . . . . . . . . TIIE SCALE OF C DI,'R Ex.12,33............ E x .3 4 . . . . . . . . . . . . . . . . . 35. ETUDE 36. ETI,DE 3?. ETUDE EXERCISES IN EIGIITII NOTES E x .3 E ,3 9 . . . . . .. . . . . . 40. ETUDE 41.QUAIL RMclikian 42. SPRINGTIME(extract) KhAvetisiaa-........ QUARTERNOTE WTIII A DOT ................ E x .4 3 . . . .. . . . .. .. . . . . . ,t4.SHORORASALA'l (DANCE,SALAT(agirl'sname),DANCE) KoDitss.............. 45. LULLABY GArmeuyan......... ,+6.HOY, NAZAN Aro- folk song AdqtfJuntnisa .... 47. ANDANTINO AXhachatrian 48. ETUDE 49.GLOW-WORM Arm. folk song...... SD(TEENTH NOTES E x .5 0 , 5 l . . . . . . - . . . . . 52.PARTRIDGE Komit8s. ... .. . ... .... E x .5 3 . . .. . . .. . .. . . .. . . . . .. .. .. .. .. . . . . .. . . .. . . . 54. ETUDE 55. YEREVANIAN NIGHTS ADolnkhanian . ... .. 56. FINJAN Arm, folk rog .. .. . . 57.BOBIK ruRMI ERA (DON'T GO FOR WATERBAREFOOTED)ArE-fotkwnS...................... 5t. ETUDE 59. ETUDE 60. DRINKING SONG Arm. folk song AdaptT-Altutiat .... 61. LOOKROUND GussarSheran . .. .. . 62. YEREM JAN Arm. folk soag AdsptT-Altwiaa 63.PIECE S.Barkhudarian...... 64. TALVORIKI KTP.ICH (DARING FELLOI4. FROM TALVORIK) ArE. folk song THE SCALE OF B DUR E x .6 5 . . . . . . . . . . . . . . . . E x .6 6 . . . . . . . . . . . . . . . . . 67. ETUDE 6E.SOURB,SOURB (SAINT,SAINT) M.Yckneliaa......... 69. MY AtuVENlA GussanHBYassi 70. KARABAGH MARCH GMausyan . . . .. ... . 71. ETUDE THE SCALE OF G MOLL E x - 7 2. . . . . -. . . . . . . . -. . 73.DON'T ASK ME A.Mailyan............ 74. HINGALLA Arm. folk song AdqtTAhniaa ... . ?5. ETUDE KhAvetisian......... Arm. folk song AdaplTJ4lt@iaa. .. . 76. YES SIRETSI (I FELL IN LOW) 77.SCERZO KhAvetisian........ 78. ETUDE '19.vOC ALIZE MMaznsaisu THE SCALE OF G DIJR E x .8 0 . . . . . . . . . . . . . . . . E x .8 l . . . . . . . . . . . . . . . . . 82. ETUDE 83,ETUDE t4. EVERYTHING IS GREENAROUND THE MILL ArB. folk sotrg AdaptTAJdmian ... 85.ETUDE 8 6 .E T U D E . . . . . . . . . . . . .. .. . 87. ON THE MEADOW S.Barklrudarian 88.COUNTRYDANCE V.A.Mozart.......... 89. ETUDE . . .. . . . . . . . . . . . : . . . . TRIPLET............ E x .9 0 ,9 1 . . . . . .
3l 3l 3l
34 34 35 J)
36 36 3t 3t 3E 39 39 40 40 40 4l 4l 4l 43 43 43 44 44 45 45 45 ,46 46 46 4'1 47 48 48 49 49 50 50 50 5l 51 52 53 54 54 55 )) 56 56 5t 5E 59 59 60 60 6l 6l 62 62 63 63 64 65 65
Ex.92.93. 94. NORTHERN STAR M.GliDks ... 95. LYRIC SONG Arm. folk song AdaptT.Altuaian... M E A S I J R E6 / 8 . . . .. . . .. . . . . .. . .. . 97. ETUDE 9t. DANCE G.Mirasyan .. 99.ENZELY (extract) A.Speodiarian.. 100. HAMBARTSUM YAYLA (SONG FOR THE ASCENSION) (from "Anush" opera) 101.OLD CASTLE ("Picturesfrom Exhibition" N2) M.Musorgsky T H ES C A L EO F D M O L L . . . . . , , , , , , , 102.NUBAR-NUBAR Arm. folk sotrg AdaptTAJtmiu ... ....... 103.HIJAS A.Spcndiadan 104.MARALIK Arm. folk daft€
6'I
ATig"ai8D
IO5.ETUDE Ex.106.107,l0t E x .1 0 9. . . . , . . . - , . . . . . 110.LEPHO LE, LE Arm. folk song Adsptl
68 68 68 69 70 70 7l 72 72 73 74 74 75 75 76 76 76 17 78 '18 79 80 80 81 8l 82 E3 84 85 86 86 86 88 89
E9
9r
9l 92 92 93 94 95 96
SECTION tr 1. GRIEFOF VARTAN'S MOTHER Arra folk soug... .. . 9't 2. HORZHAM (W{EN YOU ASCEND TO THE HOLY ALTAR) Exts8ctfron Litur5| Adqt M.ycbafiaa..... 97 3. VASN MEROY PRKUTSEAN (IN TtlE NAME OF OUR SALUATION) Sharakan for ResurregtionAtstia Shinks$i (Vtrc.)...... 97 4. ANDZINK NVIRYALK (SOULS WIIO DEVOTED THEMSELVES) Sharakanto Ripsimev€tgirs Komitas ASbtsetsi (Vtr c.) 98 5. ZORS YST PATKERI KUM (THOU wHO CREATEDBy YOURLIKENESS)Sbarr&n Grigor Msgiskos (XI c) . . . . . . . . . . . . . . . . . . . . . . 98 6. ARAVOT LUSO (BRIGHT MORffIVdJ NcrsesSbnorali e
234 19.NAZE-NAZ (COQUETTD Havassi. . . . . . . . . . . . . . . IM 20. KHEZ EL CHI MNA (YOU WON'T HAVE EITHER) Havassi.... 104 21. KHOSIRIM SAZ (SING,MYSAZ) Havassi. . . . . . . . . . . . . . . r05 22. GARNAN TSACHIKES (yOU ARE A SPRINGFLOWER) Havassi.. . r05 23. ELUM YERGEM (WHOM ELSE SHALL ISINGFOR) Hevsssi..... t06 24. KAROTEL EM YES (IHAVE MTSSED YOU) }Iaya5F,i 106 25. YEGHNIKI PESTSURMI ASHE (DON'T LOOK AT ME SULLENLY LIKE A DEER) }Jvassi ... l0? 26. EN KO SERNE, YAP. (THIS IS YOURLOVE, MY DARLNG) Hwa-+sr to'7 2'1.GYOZALS KHROVEL E (MY DARLING HAS BEEN HURT) Shahsn. . . . . . . . . . . . . . . . 108 2 8 .A N T S A G N A T S I S h a h d . . . . . . . . . . . 108 29. NAIRYAN DALAR BARDI (NAIRI YOLTNGPOPLAR) Shahen 109 30.SASNA TSUR Shshcn..... 109 31. ALMAST SHOGHUME (DIAMOND IS SHINING) Shahco....... 110 3 2 .Z E P Y U R IN M A N ( L I K EB R E E Z E ) S h a h e.n. . . . . . . . . . . . . . . .................................. 0 33.ANGIN Y ARS (MY PRECIOUS) Shahea................ ln 34. GYOZALS,MINCH YERB KHROV MNAS? (M Y BEAUTY HO W LONC WILL YOU BE HURT?) Shahen.............. 1u 35. TSOVASTGHIKS (YOUAREMYSEA STARJ Asliot t12 36.LUSNI SHOCHOV (BY MOONLIGHT) Ashot....... tt2 3 7 .C A R U N E ( S P R I N G ) A s h o t . . . . . . . . . 113 38. SYLNYATS SAP.ER (SYUNTCMOL/N7'A.NS) Ashot .. .. .. .. . . .. . . . .. . 113 39.SOURBMAYRER (SAINTMOTHERS) Ashot ................. 114 40. SERS VANKUM T ATEVI (MY LOVE IS IN TATEV CONVENT) Ashot. .. ll4 41. SARVORI YERG (HIGHLANDER FARMER,SSONG) Asbot,,.,.... 115 42.UR E ? (VTHERE IS SHE ?) Ashot ..... ......... . .. ll5 43. EN SARER (THOSEMOWTAINS) Ashot ... . 44.OJAKHUM (AT HEARTHAND HOME) Ashot. ,...... 116 4 5 .H A Y R I K / F A T H E R ) A s h o t. . . . . . . . . . . . . . . . . tt7 46. KHO SIROHAMAR (FOR THE SAKE OF YOUR LOVE) Asho/1t7 47. ASA, INCHU DU LUR ES? (WHYARE YOU SILENT'?) Ashot .. ........ l lt 4t. YAR, ARANTS KHEZ (MTHOUT YOU Mv LOVE) Ashot....... It8 49. HOV SARER,MOV SARER (COOL, COOL MOWTAINS) Ashot . .. ... .. .... .... 119 50.PAKHRA (ROE) Ashot..... 120 51. AMEN ARAVOT (EVERY MORNING) Sheram . . . . . . . . . . . . . . . t2l 52. DUN IMMUSANES (YOA ARE MY MUSE) ShersE. . . . . . . . . -. . . . . . tzl 5 3 .S H O R O R A S h e r a s. .. . . .. . .. . . .. . 122 54. ZOV GISHER (COOL NIGHT) Sheran . . . . . . . . . . . . . . . 122 55.OLORMOLOR (HESIIATING) Sheram............... 123 111 56. GALIS EM DURD (I AM GOh|G UP TO YOUR DOORS) Sheram. .. 5 7 .E L I E S O RS I R T SK U L A . ( t u l Y H E A R T I SC R Y I G A O A I N T O D A Y ) S h e r a m . . . . . . . . . . . . . . . . . . . . t24 t24 58.PNJLIK-MNJLIK Sheram....... 59.ARDENMUTN YNKELA (DUSKHAS FALLEN) Sheram...... .... 124 125 60. SERIM, SIRUN ES (DARLING, YOUARE WONDERFUL) Sheram . 61. SARER.KAGHACHEM (IBEG YOU, MOWTAINS) Sheram t25 125 62. SERITSERVATS (BURNTBYLOVE) ShEram.... 63.TARLAN,TARLAN (BELOVED) ShersE............... 126 126 64.SIRUNNER BEAUTIES) Sh€raB...... t2'l 65. PARTIZUMVARDER BAZVATS (THE ROSESHAS BLOOMED IN THE GARDEN) ShetEfi ...... 127 Sheram. . . . . . . . . . . . . . . 66. ANDJIGYAR YAP. (HEARTLESS) 128 67.KEZANITSMAS CHLTNIM ShcrsD............... 6t. ESORARAZNESGNATSEL (YOU WENT TOARAKS RIUER TODAY) Sheram.................. l 2 E 129 6 9 .H A L A L E R A S h e r a m . . . . . . . . . . . . . . . 130 70. ELI YERKINKN AMPEL E (THE SKYHAS BEEN COUEREDBY THE CLOUDS)Sbqsn .......... 130 71.NAZ AKHCHIK (COQUETTD Sheram............... 131 72.VARD TSANETSI (I'VE PLANTEDA ROSE) Shsram............... 131 73. AMPERN YELAN (CLOUDSAPPEARED) Shsr8m. . . . . . . . . . . . . . . . 132 ?4. AVARAYRI DASHT (AVARAYR FIELD) Jivad . . . . . . . . . . . . . . . . . . 132 ?5. OV SIRUN,SIRUN (OH, MYBEAUTY) Jivani . . .. . . . ... . . . . . . . . 133 T6.DERCISHERE (IT IS STILL NIGHT) \vaoi r33 7 7 .F R I E N D J i v a n. i. . . . . . . . . . . . . . . . . 134 78.MAYRIK TMOTHER) Jivani........ 134 7 9 .S P I T A KM A Z E R ( G R A YH A I R ) J i v a n .i . . . . . . . . .. . . . . . 135 70. HOVIK (BREEZE) Jivatri. . . . . . . . . . . . . . . . 135 81. SASLNASAR (MOUNTAIN SASLIN) JiYani. . . . . . . . . . . . . . . . . 136 Jivani . . . . . .. . . .. . . . .. 82. GEGHETSKUHUN (TO THE BEAWY) 136 83.HAMBERE,HOGIS (HAVEPATIENCE,MY SWEET) -Jivad. ............... r3't Jivaui t4.AR,NAZELIS (TOYOU,DARLING) r37 85. DZAKHORD ORER (HARD TIMES) Jivani . . . . . . . . . . . . . . . . . 138 86.BLBULI HID (WITH NIGHnNGAZE) S8yat-Nova.. 138 87. ARANTS KEZ INCH KONTM Sayat-Nova. /N/ Sayat-Nova... . 139 88. ASIIKI'IARUMSAKH CHIM KASHI ('LL NEVER COIVPL.4
235
:ii:
#' ni$
89. YIS KANCI.IUM IM LALANIN O AM CALLING MY SWEETHEART)Sayat-Nova. . . 90. USTIKUGAS GHARIB BLBUL Sayat-Nove .. (WHERE HAVE YOU COME FROM. STRANGE NIGHTINGAID 91. ASHKHARSME PANJARA E (THE WHOLE WORLDIS A WIMDOW) Sayat-Nova 92. BROYIE Ssyst-Nova 93. ARI INDZ ANGACH KAL (LISTEN TOME) Sayat-Nova......... . 9 4 .D L N E N H U R I NI S ( Y O U A R E A F A I R r , S a y a h N o v a. . . . . . . . . . . 95. YIS KU GHIMETN CHIM GITr (I DON'T KNOW YOy, Sayat'Nova ... 96.YIS MEGHARID BLBULIPES (l AMAS A STRANFENIGHT-INGAZE)Sayat-Nova.... ........... 97.CHISASUN4 (YOL|DON'T SAY) Sayat-Nova .. SAYAT-NOVA. RITTEN,BY A TEACHER) 98, PATKIRKT GIIALAN,IOV KASIIATS (I.OLIRPORTRAITIS 99.KAMANCH.A. Sayat-Nova 100.NAZ PAR (COQUETTEDANCE) A.Alexsndriatr.-...... 101.NAZELI OENDER) A.Alexsndrisn ...... 102.SHALAKHO Arm. folk da.oce 103. SHOROR Arm. folk dance Adapt- T-4ltuti8t .. 104.ZANGEZURI Womeo'sdatrce A:Alexaldrisn....... 105.BAKHTAVARI Karabakhwomcu's dance. . . .. . .. .. . .. . . 106.SHIRAK ROLTNDDANCE Arm. folk dance..... 107.DILIJAN Arm. folk daoce.. . Arm. folk dance 108.ZURM TRNGI 109.KOTCHARI Martunian Arm. folkdaDce..... l l 0 . F A C ET O U S D A N C E A r m .f o l k & ! c e . . . . . . . . 111.VER-\'ERI Aro. folk da.nce I12. Nl-fNUFAR Arm. folk darce 113.I'ERI (FAIRY) Arm. folk daoce A.Mcraogulian. . . ... ll4. A\AHIT I15. GIRLS'DA-NCE A.Alexaqdriar I 16.TSAGIIKEPTTNTCH (B UNCH OF FLO IL/ERS) Kh.Avetisi6.s...... 117.SHUSHANIKI Arm. fo& dance..... I lE. REAPING AAlexandrian l19. ARTASHATI Arm. folk dauce I20.SEVANI Arm.folkdancc l2l. NAIRI AAI€xEdriED.. . .. . 122.SHIJRIBAGHDADURI ArE. folk daacc.................. 123.UZUNDARA Arm. folk dance
SECTION
III
ry
140 141 142 142 143
r43 144 145 146 147 148 t49 150 1,52 153 t53 155 156 156 t5'7 158 159 159 160 !61
r62 162
r63 l& 1g 165 r66 166
BNSEMBLES
L I T T L EP I E C E G . M i o a s y a n . . . . . . . . . LUSNYAK GISHER (MOONLIGHT NIGHT) ArE.. folkforlg Adspt TJ|lfrDiu . . . . . . . . . . . . YES LSETSI MI ANUSH DZAYN a1 HEARD A SWEET VOICE) Arm. folk song . . . . . , , KUZHN ARA (ITOOKA JAR) Komitas........ ALAGYAZ Komitas..... TOGH BLBUL CHERGE (LET THE NIGHflNGALE NOT SING) Komitas....... KHORIIURD KHORIN Khacbatur Tarotretsi CJflI-Xm c.) Adapt Komitas... KANI VUR IA\ lM (IVHILE I AM ALIVE) Sayst-Nova Adspt RAltnDW.. SOURB, SOURB (SAINT, SAINT) M.Yekmalian TEARS OF THE ARAKS P.Afrikiatr EXTRACT FROM LITURGY M.Yeloralis! ES GISHER LUSNYAK GISHEP. (THAT MOONLIGHT NIGHD Komitls . AKNA KRUNK M.Tumachian Adapt. G.Saadatdli'an ZARMANALI EH INDZ (IT IS ASTONISHING TO ME) I
SECTION
139 I4O
t61 168 169 169 170 1'70 t'7 | 176 t1'l t'78 181 183 184
MUGHAMS 187 193 197 200 205 20'7 2t1
SOMEMUSICAL EXPLANATIONS MUSICALTERMS
F
215 220
:.{ -{
+.{Itt{,IlUgIIl,
+nFrtnFqfi
tudpurqfuOhp'
!
Abltl'Uf\r
L[unhr'
II.UgenQu0 II. buulu A U.Udbtf1tuO, UUJt0uunt
fdu:pq tu0mplm0p Ilmubph0' U0q1h1h0'
U.UJz0uunlw U.4l'npqlut0, U U(21tu0
hlruuru:pu:142ntp1m0 +[u. furlpuqf4' A. butulu A
_t
I I
(IrItr,UUnq)
Squpur0.rullp'300 UcSUcUqh qOLr'qIrU$ qneOUoU! oAe
r.B.MI{HAC'H(MnIACOB) IIIKOJIA IITPbI IIA trE}'KE Pegarroprr XyAoxru,Ix flepenogu: Ha pyccrufi Ha anmuficxnfi
P.Anmynnn C-Adcrcensu, P.Ecanu M.Munacoe C.Munacoea C.feeopxnn, M.Aedaran
llgaarenrsrro "KOMI4TAC" fn. peAaKT op P.EcatH Tupax 300 3AO AIIJTAPAKCKUft NONflTPA@I,II{ECKI4IU 3ABO,II
G.V.MINASYAN(MTNASOV)
MANUAL FOR DUDUK Editors Artist Translations: Russian English
R.Altunyan S.Atshemyan,R. Yesayan M-Minasov S-Minasova S.Gevorkyan,M.Aujyan
"KOMITAS" PublishingHouse Editor-in-chief R.Yesayan
Circulation300 WORKSOFASHTARAKCJSC POLIGRAPH E-mail: komitas-publ @ yahoo. com quartet-dudukner @ rambler. ru
