OOD CARVING ILA REDDY JA GUBBALA WJANYA MITTAPALLY AND EKHYA CHITTURI SC. FT SEMESTER 6)
FACULTY:Mrs. BINKY
INTRODUCTION (cra!) "# One
of the oldest types of art, ood!ar"#n$ #s an art-for% !o%%on to all !<&res, fro% the 'tone A$e onards, not least (e!a&se of #ts #despread a"a#la(#l#ty, plast#!#ty and lo !ost.
Be#n$
ater a(sor(ent and "&lnera(le to #nse!ts and a#r(orne f&n$#, ood !an de$rade )&#te rap#dly.
*ood
!ar"#n$ #s a for% of or#n$ ood (y %eans of a !&tt#n$ and !ar"#n$.
STONE AGE CARVI
ISTORY OF THE CRAFT "# The
H$%!&r' & && car*$+, has fro% the re%otest a$es the de!orat#on of ood as a fore%ost art.
It
#s not alays real#ed at the present day to hat etent !olor has e"en fro% the %ost an!#ent t#%es (een &sed to enhan!e the e/e!t of ood-!ar"#n$ and s!&lpt&re.
Man
has alays &sed ood. Ada% as pro(a(ly the 0rst ood!ar"er. 1e %&st ha"e &sed ood as one of h#s 0rst tools.
ADAM THROPE
ONE AGE CARVING TOOLS
HISTORY OF THE UNIT "# The
&n#t as started 23 years a$o. The fo&nders are 4aree and M&stafa. F#rst the &n#t as started for the ood %aret#n$ and ood p&r!has#n$ &n#t.
After a!h#e"#n$ thesa%e oners de"eloped oodeper#en!e, !ar"#n$ #n the &n#t. No, they are also do#n$ ood ors for #nter#or des#$n s#tes.
PROCEDURE "# The
&n#t does any des#$n on the ood. Fro% the stra#$ht l#ne to the sharp !&r"es. The pro!ess t#%e taes a!!ord#n$ to the des#$ The 0rst pro!ess #s dra#n$ DRAWING PASTING ON THE WOOD
CARVING ACCORDING TO THE DESIGN POLISHING FITTING
ES AND CHARACTERISTICS OF WO
Methods and styles of ood !ar"#n$ #n!l&de !h#p !ar"#n$, rel#ef !ar"#n$, and '!and#na"#an 5at-plane. Both softoods and hardoods are &sed, pr#n!#pally oa, %aho$any, aln&t, el%, l#%e ood, !hestn&t, e(ony, (oood, !edar, !ypress, ol#"e, tea, Ind#an tea, Afr#!an tea ,B&r%a tea and p#ne.
*ood has (oth ad"anta$es and dra(a!s as a s!&lpt&re %ed#&%.
Be!a&se of #ts 0(ro&s stren$th, #t !an (e !ar"ed %ore th#nly and pre!#sely than stone or an#%al (one.
1ardoods are %ore d#6!< to s!&lpt (&t possess $reater l&stre and end&ran!e, h#le softoods are eas#er to shape, (&t less d&ra(le.
C1I4 CA78IN9
'CAN;INA8IAN FLAT-4LAN
7LIF CA78IN9
PES OF WOOD "#
OAK *OO;
*ALNUT *OO;
MA1O9ANY *OO;
LM *OO;
C1'TNUT
BONY *OO;
BO<*OO;
C;A7*OO;
OLI8 *OO;
IN;IAN TAK
CY47'' *OO;
AF7ICAN TAK
TOOLS "# There are %ore than 23= tools h#!h are &sed for ood !ar"#
TERMINOLOGY Ter% ;e0n#t#on G&-, "# Car"#n$ tool #th a !&r"ed !&tt#n$ ed$e. The %ost &sed !ate$ory of !ar"#n$ tools. S/ "# The !&r"at&re of the !&tt#n$ ed$e of a !ar"#n$ $o&$e. A loer n&%(er >l#e ?@ #nd#!ates a shallo, 5at seep h#le a h#$h n&%(er >l#e ? #s &sed for a deeply !&r"ed $o&$e. V$+r "# A s%all deep $o&$e #th a U-shaped !&tt#n$ ed$e. Us&ally ?22 seep. F0-!r "# A lar$er ?22 seep $o&$e #th a U-shaped !&tt#n$ ed$e. S0&' 1+$ "# A h#ttl#n$ n#fe ha"#n$ a stron$, (lade sl#$htly shorter than the handle >aro&nd 3 #n!hes, s&#ta(le for %ar#n$ or !ar"#n$. C2$%0 "## A !ar"#n$ tool #th a stra#$ht !&tt#n$ ed$e >&s&ally ter%ed ?2 seep at r#$ht an$les >or s)&are to the s#des of the (lade. S1 c2$%0"# A !h#sel #th the ed$e at a se or an$le relat#"e the s#des of the (lade. Often ter%ed ?D seep #n the 'he6eld l#st or ?2s #n !ont#nental l#sts. V#!&&0 "# A !ar"#n$ tool #th a 8-shaped !&tt#n$ ed$e.ED Used for o&tl#n#n and de!orat#"e !&ts. 7eferred to as Gthe !ar"ers en!#lG (
S2&r! 3+!"# A $o&$e, !h#sel or 8 tool here the (lade #s stra#$ht #th a !&r"e at the end, l#e a spoon. Use for or #n deep or #na!!ess#(le areas. 'poon $o&$es ere often referred to as Gtra!ery toolsG h#!h #nd#!ates the#r &se #n the type of de!orat#"e !ar"#n$ fo&nd #n !h&r!hes 'poon F$%2!a$0"# A $o&$e or !h#sel #th a stra#$ht, narro shan that 5ares o&t at the end to for% a 0shta#l shaped tool. The narro shaft of the tool allos for !learan!e #n t#$ht areas. Bac1 3+!"# A spoon $o&$e #th a re"erse (ent end. Used for &nder!&ts and reed#n$ or. 4al% tools 'hort >3, st&((y tools &sed #th one hand h#le the or #s held #n the other. 9reat for deta#l and s%all !ar"#n$. F&ll-s#e tools 2= to 22 tools &sed #th to hands or a %allet. Ta+,"# The tapered part of the (lade that #s dr#"en #nto the handle. B&0%!r "#A 5ared se!t#on of the (lade near the tan$ that eeps the (lade fro% (e#n$ dr#"en f&rther #nto the handle. Frr-0"# A %etal !ollar on the handle that eeps the ood fro% spl#tt#n$ hen the tool #s &sed #th a %allet. 'o%e tools ha"e an eternal, "#s#(le ferr&le h#le others ha"e an #nternal ferr&le. 'o%e old, s%all deta#l tools ha"e ne#ther (olster nor ferr&le as the#r l#$ht &se %aes the% &nne!essary.
BY PRODUCT "# The
ad"anta$e of ood !ar"#n$ #s that the aste %ater#al h#!h #s o&t h#le !ar"#n$ #s also not asted.
Its
#s &sed for %a#n$ de!ola% sheets or ply ood sheets
PLY WOOD
DECOLAM SHEET
RTISANS "# 'a%e
as the orers, the re)&#re%ent of art#sans are also depended on the or and the des#$n. The 0ed n&%(er of art#sans re)&#red for a s#%ple door are :;ra#n$ >2 Car"#n$ for a s#%ple door >D Carpenters >D 4ol#sh#n$ >D
ARTISANS
COLORS"# The
!olors h#!h are &sed, are !alled pol#sh#n$ !olors and sta#ners.
The %ost pop&larly &sed !olors are : Nat&ral ood !olor 7ose ood !olor *aln&t !olor *en$e !olor
Na!-ra0 && c&0&r
R&% && c&0&r
Wa0+-! c&0&r
W+, c&0&r
PAYMENT "# The
orers are pa#d, on da#ly (as#s. The pay%ent a%o&nt depends on the des#$n and t#%e d&rat#on $#"en (y the !&sto%er. ;ra#n$
person D==JCar"#n$ D==JCarpenter 3==J4ol#sh#n$ 3==J-
PRESENT MARKET "# The
present de%and #n the %aret #s opt#%&%. There #s no !o%pet#t#on for the ood !ar"#n$. As, #t has #ts on &se h#!h #s #rrepla!ea(le.
GOVERNMENT AIDS
In order to preser"e these ele%ents, the M#n#stry of C<&re #%ple%ents a n&%(er of s!he%es and pro$ra%%es a#%ed at pro"#d#n$ 0nan!#al s&pport to #nd#"#d&als, $ro&ps and !<&ral or$an#at#ons en$a$ed #n perfor%#n$, "#s&al and l#terary arts et!.
Th#s se!t#on o/ers !o%prehens#"e #nfor%at#on related to !<&ral her#ta$e, an!#ent %on&%ents, l#terary arts, "#s&al arts, s!he%es, pro$ra%%es, perfor%#n$ arts, fa#rs and fest#"als and hand#!raft of
