Formation of the opening repertoire. New debu t.
Many players at some stage in his career come to a conclusion about the need to expand or change debut repertoire. This may be due to a change of style and the general concept of games, fashion, the desire to get away from the hackneyed position, the influence of other players, etc. etc. You can try to remember Kramnik to go to the camp staroindiytse! or something like Yusupo! began to play open "panish party after reading comments on the Karpo!#"a!on. $!en %& years ago, the main 'uestion that sol!ed chess # how to find information on debut. Now it is necessary to sol!e the in!erse problem( how no t to drown in a stream of parties and analysis offering )hess *ase and "aho!ski +nformator. The recipe for success has remained unchanged to this day( it is necessary to study the party of strong grandmasters playing consistently and successfully selected or the systems debut. +t is not necessary that your leader was -// # is simply a strong grandmaster, whose game you respect and understanding that you trust. The second issue relates to the fact that immediately explore all options selected system if it is 'uite !oluminous, it is simply impossible. +t is !ery difficult, for example, to start in the Kings +ndian or black 0runfeld # openings in which 1hite has a wide selection of different de!elopment schemes, from complications of the endgame in the two results. 2ow to be in this case3 4lay solid side options is possible, but up to a point( then 5ust begin to catch and beat # options on the cur!es and cur!es are called. Moreo!er, in this case, you can not approach the game in principle, the high system, s ystem, and then it is unclear why it was generally g enerally start learning a new debut. 6ecommendations can be gi!en as follows. First, try to use all your pre!ious experience and find options positions with a similar structure and design of the game. +t is e!en possible that you can from the new debut switch to old, the debut of the familiar. familiar. "econd # try to combine the use of fashion, policy options with the waste into the side o f the system. 7lso, try to choose the position of both acute and 'uiet associated with early transition to the endgame # do not forget that the debut debut, and you need to seek uni!ersality 8remember how Kasparo! paid dearly, forgot how to play the endgame9. Talking Talking about the need for his theory, theory, as he called her butler, too. )learly, if you consider yourself a creati!e thinking chess player and a person, then you ha!e on each issue to be my opinion.
Now + try to illustrate all of the the abo!e by example. +ll talk about how to start to learn and apply the French defense. 4laying 1hite lifetime %.e:, many times + ha!e fought against the French defense, and, of course, something that it has studied. +t is clear that this experience helps a lot # a hand you are informed, you know, in some systems, the white crush and public practice shows e'uality. e'ua lity. 2owe!er, what it seemed futile white or risky, is is not always a pleasure to play and black( for example, the position of a whisker, where black should patiently to e'uali;e the game, and white try to no spill a plus. +f + ha!e ha! e a sharp and risky style, such a game is not suitable for any one
color. 2owe!er, this experience is !ery useful. 7nother concomitant is that in my black repertoire was the transition from the "icilian defense of the French, for example in the %.e: c& -.s< e= %.e: c& or -.Nf< e= <.d<. 2ere, + ha!e had enough experience, both practical and theoretical. Next, +ll show you some of the options that apply, + hope that this will not only demonstrate my approach to the opening, but also gi!e some useful information on the theory of the French defense. *ut first, a list of references, which + en5oyed 8and use9. %. New +n )hess Yearbooks. )ompilations of theoretical papers gi!e a lot of rele!ant information. +t was also a good article >lybina out theory in the room -&. Though it was long ago, but there are a lot of interesting things. -. The )omplete French 8?e! 4sakhis9. *ook 4sakhis of *ritish theoretical series # one of the best books on the French. Not by chance my friend 0M 4eter Kiriako! carries it with him all the tournaments. <. )/&#/= 8*aree!9. Monograph *aree!a system <.Nd- written as cool. :. "aho!ski +nformator. 1ell, thats understandable. 7lthough + no longer buy whistleblowers, it is useful to read and old !olumes. @o + ha!e informants and in electronic form. &. $)A ). $ncyclopedia + ha!e, or rather only the -nd edition in %BC%. 1e must somehow buy a new :th. =. The contours of endgame 8"lutsk, "hereshe!skii9. *ible young chess players of my generation # without it anywhere.
?et us turn to the options. 7gainst the French 1hite has : main de!elopment system, not counting the coin changer option( <.Nc<, <.Nd-, <.e& and -.d<. 7gainst the first two, +m the same # < ... Nf=. 1ho is this course 8in both systems9 fits my !iews. %.e: e= -.d: d& <.Nc< Nf= :.e& Nfd &.f: c& =.Nf< Nc= .*e<. "tart position option :.e&. 1hite could play &.Nf<, but certainly the main course &.f:. ... cd C.Nd: *c& B.Dd- Nd: %/.*d:. 2ere + ha!e a choice # the endgame after %/ ... *d:, or a complex mutual game after %/ ... /#/. + can play and so and so, but most are elected by the ending # + ha!e already spoken about the need to ha!e a practice in typical endgames. %/ ... *d: %%.Dd: Db= %-.Db=. 7ccording to the logic # the strongest continuation( d: left the field free for the horse and black horse dri!en into a bad position. 7lthough %-./#/#/ also 'uite normal. 2eres how to continue my blit; games with Eohn Nunn, one of the best connoisseurs of this option for 1hite( %% ... Nb= %-.Nb& 8led knight on d:9 Ke %<.Nd: *d %:./#/#/ 6acC %&.b< 8limit # not allowing black play Nb=#a:#c&9 g= %&.*d< h& 8+ build fences9 %=.g< *c= %.h< Nd %C.g: g& 8>nexpected, although fairly typical
counterblow9 %B.f& Ne& -/.6hd% Nd< -%.6d< *d --.6de< hg -<.fe fe -:.hg 6c= The sacrifice 'uality for the sake of the initiati!e. *lack is now the center of a strong and !ery acti!e figure. Then + will not show, because things were too fantastic, to say that + managed to win a rook endgame without. The party in the sense of re!ealing the methods of protection for *lack( horse field controls e&, and at the time of tra!el g: should counterattack g=#g&.
%.e: e= -.d: d& <.Nc< Nf= :.*g& *e The unloading system is an interesting option : . .. de &.Ne: Nbd =.Nf< h= 3 $lephant forced to decide. 7fter .Nf= Nf= C.*h: c& B.dc Dd% %/.6d% *c& %%.*b& Ke appears positional threat g# g&, and on C.*e< goes hunting for elephant C ... Nd&. +n short, a non#standard !ersion, but the general direction of the system is not distracting. &.e& Ne: 3 Former course Tartakower which is not as bad as it seems at first glance. =.*e Nothing special gi!es 1hite =.Ne: *g& .*g& Dg& C.Nf< De. *lack c#c& hold and begin to put pressure on d:, possibly b=, *a=. 1hite has a penny more en5oyable. = ... De 7t one time were popular complications = ... Nc< .Dg: 3 De C.Dg Db: B.DhC Kd %/.*d< Db- and so on, until "passky not beat *yrne in the endgame after .*dC Nd% C.*c Nb- B.6b% Nc: %/.*c:. To tell the truth, the ending is not so hopelessly bad for *lack, but still unpleasant to play. .Ne: de C.DeThats how he played in his time )apa( C.c< /#/ B.Dg: f& %/.ef Df= %%./#/#/ Dh= %-.Kb% e& %<.Dg< ed %:.*c: *e=, and *lack all right 8Kapablanka# Tartakower, *udapest, %B-B9. 7s can be seen, the e:#pawn is !ery unpleasant, thorn, so it is better to do. C ... b= B./#/#/ *b %/.g< Fun mutual fianketto. *lack had to hurry up with counterplay. %/ ... c& %%.*g- Nc= 4oor %% ... cd3 %-.*e: Nc= %<.f: /#/ %:.Nf< # white managed to skip the pawn on f:, and slowly eat on d:. %-.dc Dg& %<.Kb% De& %:.*e: Dc& %&.Nf<.
The critical position. 4esek e'ually, but black is necessary to complete the de!elopment. +t is clear that a reshuffle is not passed # %& ... /#/3 %=.6d. 6eferences Tseshko!sky, in my opinion, %& ... Ke, but then *lack does not ha!e time( %=.Dd- 6adC %.Df: 8Translation of a beautiful 'ueen9 Nb: %C.Ne& f= %B.Dg: g= -/.*b fe -%.*e: 8-%.Dg& Kf --.6dC 6dC -<.DdC Dc-:.Ka% Dc: G9. +t is best to keep the black %& ... 6cC, directly targeting the )- and releasing hole for the elephant 85ust in case9. My piece of iron is trying geminate %=.6d-, but after % = ... /#/ %.6hd% Da& *lack appears fa!orable bounce horse, for example %C.6d Nb: +n general, the black 'ueen on fifth rank !ery good, + belie!e in *lacks position.
%.e: e= -.d: d& <.Nd- Nf= :.e& Nfd &.*d< c& =.c< Nc= .Ne- cd C.cd f= B.ef 7cute option B.Nf: Nd: %/.Dh& Ke %%.ef Nf= %-.Ng= sometimes found e!en at a high le!el, although after a cold B ... De 7ll 1hites attack comes to a standstill. +t is, in short, is not a secret, e!en in a book written in *aree!a, but many, oddly enough, do not know. B ... Nf= %/.Nf< *d= %%./#/ /#/ %-.*f: *f: %<.Nf: Ne: %:.Ne- 6f< 3 7n interesting exchange sacrifice, which is acti!ely de! eloped in the early B/s. Then somehow it all died down, play the game until the endgame with une'ual material and decided that black only chance for a draw. Then + draw the kind found, but recently re#emerged problems. %&.gf Ng& %=.Kh% e& %.de 2ere, the main option # % ... Nf< %C.*h KhC %B.Ng% Ncd: -/.Nf< *g: -%.Nd: *d% --.6ad% Kh, and then the latest trends # -<.6g%. 4rotect ferrous easy. *ut it turns out, it is possible to collapse much sooner( % ... Ne& 3 %C.Ng% Df=, such %B.*e*d *eat on d& too afraid, or else put the black bishop on c= and begin to spud white kingside. The 'uality here is not felt, + felt a couple of times, playing white. 7gain, this is not new # there were parties, and article >lybina in New +n )hess is also written about the course of % . .. Ne&. 7s you can see, the theory is indeed reminiscent of the weak#sighted lady was said in the last century.
%.e: e= -.d: d& <.e& c& :.c< *d. $ntry to the original !ersion, which aims at the exchange of light#s'uared bishops. +t rarely occurs, but the results are !ery good in black. &.Nf< a= =.*d< cd You can not rhinestones = ... *b&3 .*b& ab C.dc *c& B.b: , and *lack loses a pawn b&.
.cd 2ardly logical .Nd: # after ... Nc= ha!e to retreat back to the horse f< 8C.f: *c&, B ... Db=9. *b& C.*b& +f you 5ust C./#/, then white is not practical chance to attack # without the light#s'uared bishop put the mat hard. C ... ab Now, in the case of B.Dd< or B.Nc< *lack must answer B ... b:, but on B./#/ # B ... Ne, trying to 'uickly complete the de!elopment kingside. @ual pawn b are compensated pressure line a, the de!elopment of *lack free, no bad figures.
%.e: e= -.d< d& <.Nd- Nf= :.Ngf< *c& 3 7 rare mo!e order, pro!oking white pawn on promoting the center. &.e& Funny punishable by careless mo!es &.g< and &.c<( after & ... de =.de 8=.Ne: de .de Dd% C.Kd% *f-9 Ng: point f- under attack. +f 1hite wants to maintain this structure, they should play &.*e-, and after & ... Nc= =./#/ e& there 4hilidor defense position with a change of color. & ... Nfd =.d: *b= 3 *y = ... *e *lack could bring the party to the usual options of <.Nd- Nf=, but they want to gi!e the game an original character. $lephant with b= will exert strong pressure on d: points and f-. + first encountered this idea in the white game ag ainst >krainian irresistible 8and now 0erman9 grossmeystershi Aksana barn, and experienced many a nxious moments. .*d< f= +mmediately undermining center. C.ef Df= B./#/ /#/ The idea of black simple( after Nc= e=#e& spend and get a big ad!antage. 1hite also need to somehow attach horse d-. +n an %/.Nb< e& %%.*g& Dd= %-.de Ne& %<.Ne& De& under attack themsel!es bishop and pawn b-, then %:.Dc% looks 'uite shabby and %:.Dd- too risky # yet pawns on the road do not roll.
