-.
Abracadabra '-
BOOK1 -.
SECONO
Fully revised
EOITION
and expanded
-
Peter Davey with Christopher Hussey A & e Block. London
Second
edition
Photocopying prohibiteél AlI rights reserved. No part of this publication may be reproduced in any
2002
Reprinted 2003 and 2005 A&C Black Publishers Ltd 38 Soho Square, London W1D 3HB (t) 2002, 1985 A&C Black Publishers Ltd Book ISBN 10: O 7136 63081 Book ISBN 13: 978 O 7136 63082 BooklCD ISBN 10: O 7136 6309 X BooklCD ISBN 13: 978 O 7136 6309 9 Technical diagrams by Kanako Damerum and Yuzuru Takasaki IlIustrations by Paul Parks Cover iIIustration by Dee Shulman Design by jacelyn Lucas Music setting by Christopher Hussey and jeanne Fisher Edited by Christopher Hussey and jane Sebba
form or by any means
-
photographic,
electronic or mechanical, including photocopying, r~cording, taping or information storage and retrieval systems without the prior permission in writing of the publishers.
~
'
-:)
~J ",)
-
",.)
A&C Black uses paper produced with elemental chlorine-free pulp, harvested from managed sustainable forests.
'C:)
Printed by Caligraving Ltd, Thetford, Norfolk
<.)
4 ~ x:J ~j ~)
CONTENTS
'-()
step 1 .J
1
1
Pizz on D
pizz. 2 3
1"1
Pizz A pizza! Bobby Shafto
step 2
- Ji arca
4
~ ~ 5
6 V 7 8 + 9
~ ~ ~
10 :~ 11 12 13 14
2
~
When the saints go marching in Supercalifragilisticexpialidodous A tisket, a tasket Little playmates Mobile phone Fiddle fanfare
step 3
....
O.e. al Fine
ostinato
:~
~ ~
0.5.
o
,
s.b.
2
A friend in DEED One f.jnger dance Eee-abba-dabba-dee! Spinning wheel A stitch in time
)
n
28 Secret agents 29
-
Hot cross buns
19 Merrily we roll along
-'"" t;1;ii
~ ~j
step 7
-~ -~
Brown bread Big Ben Tum the glasses over (a round) Off to France in the morning D major scale
37 38 39 40 41
~~
~C -~ ~(c
-(
8
~(
Racing driver (a round) Long, long ago Ode to joy The way you look tonight (Meet the) Flintstones
l carne from Alabama Morningtown ride Troika Daydreamer
'-'e
-'e '-'
.
.
-"-..
.
\"
- (~( ~(-
/ ~ .
.,.
~
42 43 44 45
20 Pease pudding hot 21 Clown dance 22 Road monsters
~; "
30 Summer shine 31 Halfway down the stairs 32 Old MacDonald G major scale
step 9
step 5
-e)
Little bird
step
step 4 18
Au clair de la lune Twinkle, twinkl~ little bow Miss Mary Mac The song that never stops Whistle while you work
step 6
33 34 35 36
11..
15 Frere Jacques ~ 16 Welsh lullaby (Suo-ganJ 17 Windmill song
11"
23 24 25 26 27
.._---
-./
\
I
step 10
73
~
47
lavender's
Call of the carousel
blue
-----------
J
.J
)
step
slow fast
P
f
We all stand together Edelweiss On top of Old Smokey london's burning (a round) 53 The hippopotamus song
step .J.
11
49 50 q 51 52
f.b.
54 london Bridge 55 Tea for two 56 Stand by me
-=-
57 Skye boat song 58 Jupiter -= 59
Feed the birds
step 14 .J r
; r m:p
60 Kalinka
cresc.
'"!f
7
U
=
r-r ).J)
g
61 The old bazaar in Cairo 62 Muck! (a round) 63
WaltL
64 Puff the magic dragon 65 Dumplins
step
15
66
Row, row, row your boat (a round)
67
Pop! goes the weasel
68
Dance of the cuckoos
69
The shepherdess
(a round)
O majar arpeggio
G major 70
()
2
-~--
..
arpeggio
We're off tosee
17
75 Short'nin' bread 76 What shall we do with the drunken sailor?
n
77 Winterwonderland 78 EastEnders
step
18
r.\ 79 Happy birthday Heigh-ho The Addams family The mocking bird Chim chim cher-ee
step 19
step 13 ~
step
80 81 82 83
12
is icumen in
(a raund) 74 Part of your world
J f 46 Roses from the South 48
Summer
the Wizard
step 16 71 Egyptian snake dance 72 Shalom (a round)
84 Ragamuffin's rag A major scale A major arpeggia 85 Who will buy? G majar seale (two octaves) G major arpeggia (two octaves) 86 Beauty and the Beast
step
20
87 Barcarolle 88 Millennium 89 Watch out kookaburra! (a round) rall. 90 Nocturne
Acknowledgements Index Glossary
-") '"1 -, ;':/ "
...
. ~..
A
E
u
-uG
D
'\ '--<:J)
'1
~)
'" "i.:~
'-("
Pluek your violín strings to play the tunes in step 1.This teehnique is ealled pizzicato, or pizz.
~,
1 Pizz
(
~o
~11D
CH/V5P
u
{ ~;
-(
D
Play your part twice.
'-'(O
You
~zz j ~Piz zi
ma
to
squashed
to,
ea
j
~.J
~j
~vl.
~l
to.
'-'(. -..
e
~( J
.J ~,
zi
-
ea
to
string.
o
lis
-
ten
to
the
sound
ring.
". ~(
5
~
~,~ Count
- ing
two
in,
ev
'ry
bar,
keep
a
stea
dy
beato
(
2
CH/1S Play your part twice.
-
A
You ~zz.
fJ
.J
Moz
za
.J
rel
fJ
.J
la,
pizz
.J
~piz
A
za!
Your teacher
Chee
-
sy
piz
-
za,
Mar
-
ghe
- ri - ta,
my
That's
fav -' rite
tea - time
treat.
traditionaJ
You
~zz.
~.J fJ
.J by
80b
~
les
I~
to
.J oh,
sea
.J
fJ
.J
buck
ver
gone
to's
I~
.J
Sil
Shaf
.
5
.J
.J
on
his
oh.
knee
Your teacher
Bob - by
Shaf - to's
gone
to
sea.-
Sil - ver
J He'U
come
back
and
mar
-
ry
me.-
Bon
-
ny
buck - les
on
his
knee.-
F Bob
-
by
Shaf
to.
Pizzicato is an Italian word, meaning 'plucked'.
~\
....
v~
From now on, play 011the tunes arco
n marks ~
- with
your bow
-
'-€
unless pizzicato is indicated.
~(
a down-bow.
,--,e /C
tells you to lift your bow in a circular motíon to prepare for the next down-bow.
4
W~en t~e saints 5~ \'nar(~in5 in
~
(pupil's part)
-
-oG
lift ~
~ -
~ -
~
--(~ traditiona/spiritua/ --./c
lift
lift
lift
(2
--
e
-
(
-'(
-
I
=~ ~(
6
lift ~ -
~
lift ~ -
lift ~ -
- !
-
.
Richard M Sherman
andRobert
B Sherman
lift
S uperea
Even though the...
I i...
.
9
.
If you say iL Supereali...
.
-~~
Su
-
-
per
- li - fra - gi - lis - tic - ex - pi - a - Ii - do - cious!
ea
E - ven though
the
6
sound
~:~/
of
it
-
al ways sound
is
pre
some
-
eo
- thing
quite.
a
-
tro.
-
cious,
If
you
soy
it
loud
e
- nough.
you'lI
Su - per - ea - li - fra - gi - lis - tic - ex - pi - a - Ii - do - cious!
- cious.
..
.
4
When the saints go marching in (teacher's part) arco
V 7
~
Oh, when
¡
the
go
go
saints
¡
J saints
mareh
-
ing
¡ mareh
~.
in,
want
- ing
to
in,
Oh, when
with
be
7
~. ~
J
num
-
ber-
When
the
saints
go
mareh -
ing
in.
-
in
that
the
6 -A-tts"et, a-tas"et
~t~o~t~
-
~
6
~tJ
words CH, music traditional
i1 ~,
-
t.:;
L
~~i1
~i1
i1
~i1
-
~~j===E=il
C) 't)
V
~
¡
.
f'j ()
4
Tj
lA
tis
- ket, o - tos -
tos - ket,
ket. There's some - thing ket, A choc - 'lote
o - tis -
in my or - ange
bas
bis
-
-
ket,
It
cuit,
1'11
-rJ T") J
11> T)
smells eot
so it
sweet: ¡t's good now be fore
-
to you
eot, I'd con, 'Cos
bet you'd
like
to toste
it. 2. A
I
don't wont to waste
t) 7J '7)
¡tI
7J '() fj
V marks an up-bow.
The bowing i1 V i1 tells you to . playa down-bow, an
féJ
".
'~ if)
up-bow and a down-bow, without lifting your bow off the string in between.
??) ¿:) c~;
1
l,ttl e
V
~iJ
j
plaj'tnates ~J
i1
I~
F X Chwatal
-
~J
)
-
I=;]
')
) ,
5 V
~J
i1
~i1
~-
V
)
i1
~-
~rJ 11.
.
i1
V
~i1
r' ) ,
112.
I
j
c\\'
rrvr
i\ fTictld 'h DEED
1()
CH/1S
Play and sing this song with a friendo It is likea conversation, in which you and your friend play question and answer phrases. You O
~~!j D
1
O
J
S
J
E
E
D,
Your friend 5 O
O
~~d Al 80th 9 O
.. ~So
.
ways
1
~d
we're
a
You're
O
to
help
when
1
O
O
to
in
deed.
O
1
~-
~j j
there
friends
friend
O
J
~d
~-
~j
S .O
O
O
O
I~ ge
I'm
in
need.
O
1
~-
.J .J -
ther,
yes
in
deed.
l~f'.
l:r" () jl r)
r" r" ,J (~
P f) t)
f') t~
J
Swung
>..
~
','
-_.~--"--~.¡
'.
"""
'"
; "
~
,...
-
In the second part of One finger dance the open strings D and A are played together stopping.
this is called double
11
iI
~
PO
You ~f¡ r
r1
~- I
.
I
"',. 4J
. .
-
Your friend r1 f}
'1
I
I
..
I u
~'-"
V
~I
I
I
r1
I
I
I
. .
~c..
..
I
V
..
.
c..
12
CH
~~AB
~V -~
I~ E
9
~
. D
E
E,
Fred and
'
B
A,
me,
D
Eee
A
ab
- ba -
B
dab
B
- ba -
A,
dee!
. '--" .'
1,:-") \:<}
e) v) r-)
PO
1.
~i~~J tread
Push
-
V
le,
spm - die,
drive
Round
goes
~J
the
:~
spm - ning wheel.
.. '0
,.
14-
CH pIZZ. 1
~ i~ Stitch
in, stitch
in,
stitch
In
time,
A
stitch
in
time saves nine.
t~ l"
s
.
( 1S ) t'rere
Jat1t/es
traditional
French
e
1\;~nato 1 arco o
-
1
2
~ t~ Fre
v
~.
.
-
re
Jac
-
ques,
Fre
-
Son
- nez
re
Jac
-
ques,
Dor
-
mez
vous?
Dor
-
mez
vous?
s
~
Son
- nez
les
ma
- ti -
nes!
les ma
Ostinato ~012
- ti -
Ding, dang,
nes!
Ostinato
2
tj~ Fre - re
dong!
Jac
- ques
~
Ding, dang,
dong!
3
: Fre - re
Jac- ques
1é
,
(Suo-gon)
traditional Welsh '"
You
'c"
2
~~I
w. " no ~@),
1 I
~,, -
...-1 1
"
Your friend
tJ
I
1
" 40
"
11.
-
11
11
U
'
I
I
'1
I
..... "
I
I
I
I
...-1 U
U
\) \,') -"
'C) \) 1:J -r)
t)
11
words CH, music PO
r:)
You ",
2
"
@)
" Sails
I
~I
I
..
LL
nTI
11
go round, the
corn
is ground for
" flour
Your friend )
11
in
-
side
the
U
U
wind
- milI.
"
-
o r) 'f') T) f:)
2
2
I
, '41)
',J") t::.~.~)
.
I
"
"
."
"
11
11
U
( ---
--< l. i
f') {, c--
'"--'.
í .~
I
-
~
(
-'-
The next two pieces begin on FU,played with the 2nd finger. Make sure the F~is in tune before you start the piece. Climb up to it by .
playing D (open), then E(1st finger). then F~(2nd finger).
traditional
You ,ti
o
2
v
1"}
~, r
"
,. u. 11
4J
TI
O
Hot Your friend
cross
U
cross
hot
buns.
buns.
i1
1"}
, .-
IT
.,
,)
-
.
s
I
.,I
.,
fT
~~i1
,
.'
.,
.,
One
a
40
.,
.,
-
I
~I I
-
--=
-
two
a
pen - ny.
-
-
U
T .
~i1 r,
,, V
"40
pen - ny. I I
TI
hot
-
cross
buns.
~. I
.,
-
11
Look at the last bar in no. 19. Do you remember the name of this technique? (Look at no. 11.) traditional
arco
~
o
J
~
..
i1
~J J S
Swung
s'
.
..
..
., ..
.
s
¡¿ ., \:~) y¡
':) C) tJ e) (') r) e)
la
traditional
r) (;) t-)
pud
Pease 5
- ding
T)
-
pud
pea se
hot,
- ding
r) 1"')
cold.
e) 'f:J
.
~
~j pud - ding
.
Pease
.
~.JJ in
the
S
pot
~-
J ing
grow
:1
..."..,, f) 71)
mould!
1~) 'r) p)
..
..
..'
, '
'
,
>:
,-,-" ,
,",
,
,., #,
'
")
l1
traditional French
Ask your friend to play the ostinato accompaniment
on page 17. V
~
..'\ /
-") --¡:) '"-'
V
j
II
~ad
~t
-
h\~l1sters
Big
~
big
red
bus.
bus,
red
A
big
9
red
bus.
11.
tJ
and
troin
rood
.
v
~o~t~
v
big
red
A
trae
bus,
-
'
tor,
trae
a
v.
G.
H.
on
and o
tor,
-
.0
I
112.
~~jj
big
a
words CH/SR, music traditiona/ /srae/i
~big
A
bus.
red
j :~
j
j
red
bus.
v . big
A
5
11.
~ r~
bus.
red
red
bus,
on or - ti - eu - la - ted lor - ry ond o. .
big
A
A
bus.
red
~
tor,
trae
V
r tor,
trae
a
on
or-
I
11.
-
- ti -
21
big
a
bus,
112."
big
9
red
cu
-
Ostinato
la
-
ted
lor
-
ry
ond
accompaniment
a
big
red
bus.
A
big
r
r
red
bus:
E=U
for Clown dance 11.
~-~
112.
I
" , "
traditianal French
"'., This piece begins on G, played with the 3rd finger. Make sure the G is in tune before you start the piece. Climb up to it by playing D (open), then E (1st finger), then F~(2nd fjnger), then G (3rd finger).
Fine
.'(.'
\:) t)
-
r) t,)
D.e. al Fine
~
\"1 t)
-
C) ~~) lO) f'')
~ To Codal ¡'
°
/
rOl
112
n
=r2~
~
DÜI"
f~
"--'
"
::::
24 (pupil's part)
~t~ Twin
- kle, twin - kle
Draw .your bow
J
,
\
a
lit
- cress
- tle
bow,
the string,
-play
care
this
- fui
r r)
:1
c) r) 1") T)
words 15, music traditianal
Fine
fj f.c.) ..
fast
then
play
it slow. 0'J
D.e. al Fine , -... I~
not
te
let
it
ping!
l'
"¡
--> .-
MiSS Mary Ma~ r1
.
~
~
~~ Miss Ma
s
- ry
black,
black, Her
Mac,
hair
was
long,
long,
112.
..
~~r1
.
.
~-
Ma - ry
back.
.
..
.
.
her
r
I
+
...
-
11
.. 112.
. ...
. . .
,.
pizz.
.
I
~
.
.
>-
.
-.
Twinkle, twinkle little bow (teacher's
~~
.
down
pIZZ.
11.
=fJ-.
6
in
""',""'"..
7
24
all dressed
long, all
r1
~~j
back. Miss
back,
back,
.
Mac,
Mac,
..
black,
-
r1
traditional
.
part)
~' .
/
~~ 112.
I
26
T~e
t~at l1ever ~t~p~
S~115
CH
Play this song over and aver withaut pausing in between. Find a way ta end the piece. Then play it again, starting slowly and gradually getting faster each time.
i1
v
song can start and
This
nev - er stop, You'lI
keep on
play - ing
you drop!
'til
i1
V
~SJ ~) ¡:j 1[5) t;;) ~)
W~j~tle w~jle i'~t{ W~T"
words Larry Morey, music Frank Churchill
f::?J 'ri)
ti
V
ti
I
i1
I
..
V
I
I
V
I
I
40
whist
, ~V
- le
i1
11
work,
while you
Just
whis - tle
V,
.
..
,
I
.
11
4)
F:) fe)
TI
Just
I
11
l)
while you
work.
Come
11
r)
V
.
1
5
-
... " 11
V
112.
.
I I
ej P) ~ 14 p) F)
on
get smart, Tune
up
and
start
to
whis
- tle
while you
work.
Just V
work.
/t'1 ($1
«¡
s .. .. .
!-~
...
. -...
-~
words 15. music traditional
arco
a - wa re
Be
and
take
good
careo Watch
out
for
sec
to
track
and
-
ret
a
- gents.
pIZZ.
.
5
v
Codes
to
cars
crack and
to
chase.
Trails
foes
to
face.
"
9
n
Be
dis
- creet
all
you . do,
'Cos
a - gents might be
watch - ing
you!
s.b. is short for 'slow bow'. Use the whole of your bow to play any note marked s.b.
e) c)
en) tells you to playa down-bow on the repeat.
c~
little bird
traditiana/ German
C) r)
n
-
J 9
r~
~J
.J
.J~
n r) r)
~""U'"
t() fe)
0.5. al Fine
v
~
F)
Fine
s.b.
M h ?,:>¡
( )
6
D.e. al Fine without repeat
Finel
c) "
P) (','\ f"1
f')
wards CH, music PO
P1
Ho
-
Ii
- days
are
on
the way,
Clouds are
gone,
days
are
long. ,:- '\
r
5
s.b.
'-/ I
""U'"
Sum - mer shine
is
here
to
sta y,
Lark
will
sing
his
songo s.b. i
words A A Milne, music H Fraser Simson
Introduction
~
~-
~J
s
v
~
~.§
Holf
- way
9
down
-
~J~J~ is
n't
not
a
at
17
stairs
the
-
a
stair
where
-
sit:
~.J~
J o
-
ther
stair
that's
quite
like.
~? bot - tom and
I'm
at
not
the
top:
the
~J stair
where
al
ways
stop.
Introduction
~ J
.16.
r.. .
11
~~~
I'm V
J~~is
this
5,~
.
it.
.
fj
There V
ny
the
is
~ .
So
. You
words adapted
11.
Your friend
3
I.--}
)
With a
oh!
oh!
ee - i - ee - i
a horse,
had
nald
~;) G here and
a
G.
G there.
Old
Here
a
G. there
a
G.
ev - 'ry- where
a
G.
tJ
j -
Mac
Do -. nald
J
a
had
I~
l-:J
j
J
ee
horse,
~0 tj)
oh!
ee
tU
'.
.'
. ~
:>
11.
.
-
.
pizz.
.
~
. o
"~ .oo.!
___00-::--
oo.
_. '.
-:> :>
>-
.. .:>
~
>-"::::-
K)
#>-
. :>
.
10
>-
f::)
~ZL
d~
f:) l:t)
.»:>"
>-
(,)
I
..
arco.'
12. . pizz.
.
arco
.
>-.::;>"
.>++v
~~
G.
\;¡)
C)
j
5
<;::)
\:C-
~th
.
~_J
You
:~
Old Mac-Do-
.
112.
b
~S~
G.
by SR, music traditional
>-
>-
E})
"1 0'j
f::~:':J --() '-.." , ; "
G majar sea le
r
2
~
.i~~ J.
3
o
,
2
3
V
2'
o
3
2
1
o
,( i,-:-
.' . ~
"U'"
~'
s ..
..
-,
,
.~
'..
bTead ~~~T~Wn
CH.
-~ O,,
Cheerfully
2
3
2
2
n
.~
3
Fine
--é ~--
n
V
5
232
n
V
D.e. al Fine
traditiona/
Like cIockwork '" ~~4) D
Big
Ben
,,
,,
.,
,.
D
011 doy
(J ding,
dong,
'Oing,
long goes
D
clocks
Smoll
dong'.
, ~":
s.b.
/'¡~
(J
D
U
~u
u
'u
leJ
6
) I
I
~~I
'"
I
I
I
I
\:
1"
t1 ) ~
40 on
'4)
soy
woll
the
D
'Tic k, tock,
tick,
tock,
tick,
Bu - sy
lit
~~pIZZ. 3
2
tock'.
- tle
() ~~~
,,
U
D
D
D
tick,
tock,
I
1
t.) ",)
10
3 ~~~I
I
{J
I
I
() -:-
40
wotch - es
whis - per
'Tick - a -:-tock - a, tick
~110-.40
- a,
2
3
~~I
- o-tock
I
T
"
tic k- o-tock - a, tick'.
I
traditionaJ
TttTh t~e 5'asses ~veT (a round) Allegro
~r.~.~ "ve
been
to
Hor.-
lem,
I've
4
world
J
~J
011
o
Do - ver,
to
¡'ve
tro - velled
~J J .E8 ver,
O
ver,
o
three
r
r
times
o
~~j Orink
* entry point
whot
you
when ployed as a round
hove
wide
this
J===1 ver,
.J to
l" J
r
* ver.
been
drink
ond
turn
the
gloss
-
es
o
ver.
11
'-. ; (
wards
-.
.,
~
Off
to
just
France,
Get - ting up
for
a
day,
Glad
at the crack of the dawn, When
that
ev
it's not
- 'ry - one
far
toa
is
CH, music PO
- way.
a
yawn - ing.
9
~ ~~
Off on the train and I
hope it won't rain, We'lI
a - long,
sing out a song as we roll
13
let's
can't wait,
ce
- le -brate,
'Cos
we're
v
.
V
off to France.. in the
j'~I-
.
morn
V V
- ing. ..
j'#_. -"--",,
~"
."VV '-.-'
--
.
o majar
scale o
.-
~~~~
1
~.,-~
~
2
3
.0
.
1
2
~~
'--'
VV"V.V ..-.-
.
3
11
s "j ~)
~.
~ rJ You can .use either the open string or your 4th finger to play the note A. The choice you make will depend on the notes before and after the note A.
t)
rJ
In the following pieces the fingering is marked.
:;;;..R~.tit¡!i
driver
(a round)
l..)
words CH, music traditional
French
Do you recognise this tune? (Look at no. 15)
.
r) 4
~ Ra
- cing
dri
- .ver,
ra
- cing
dri
- Ver,
In
your
car,
in
'rJ fe.) your
car,
FiII it
Fe!}
ts';¡
*
*
L)
.-,..,/ . I
up with pet -, rol,
entry point when played as a round
fill it
up with pet
-
rol,
You'lI
90
far,
you'lI 90
faro
e
r .~
..
....
..
r,
I
'-. Thornas H Bayly
1\
'"
Andante
oI
.!.lo
4
.
I
--
., Te
""
-
.. me the tales that to
11
me were so dear,
s.b.
-
()
o
.,
4J
I
I
r--'íí
~I
o
4
s.b .
1
., -
'-J
Sing me the songs ~s.b.
,4 )
long, long a - go.
.,
")
"
- go,
s.b.
I
u
5
Long, long a
I de- light - ed to hear,
Long, long a - go, long a - go. s.b. I 1
1
1"""""-1
.,
u
Ludwig van Beethoven
.;
1\ JJ,
Allegro
4
4
I
I
., ,,,
-
40 ~3
1
-
1
I
3
GI
2
I
..
..
"'-.4
-
-
I
I
6 ~")
v
-
..
..
4U
~2 2
") JJ,
3
I
3
V
I
,4)
l
4
')
~I
2 I
1"1
I
.,
.-1
-
1"1
2
I I
I
3 -1"1
'
V
S(J
4
.,
. 4U
-
I
'
4
"1 JJ,
~1"1
-.-1
-...¡
., I
-
u I
I
.
I
'\
40
jerome
Cantabile
~
¡- ,
4
v
~
J
5
Il.
~
.
Kern
112.
-
pizz.
I
:~
I
r', -r/' I I .
.
arco
.
.' pl~Z.
arco
J~
arco
.
.
V
pIZZ.
.
arco
arco
.
plZZ.
V
.
V
11.
(1
.
r }
arco
112. arco
n
f)
:n_:
r,
: ;:/
'.
'
.
.'
"
( ¡
41
joseph Barbera, Wil/iam Hanna and Hoyt Curtin
i " ~ t:'; t--._',
(pupil's part)
l' "¡
Aim to play this tune quickly, but practise slowly at first. Notice that there is a rest on the first beat of some bars.
o
1. Flint - stones, 2. From the
meet town
~ ~
the of
~ the a
they're they're
........ .-
mod - ern stone age place right out of ,"
112.
Eu fa - mi his - to
- stones, - rock,
Flint Sed
Il.
4
4
:~
u
- ry.
Iy.
Let's
ride
with
the
13
~
o fam -'Iy down the
street,
through
the
cour - te - sy
of Fred's two
feet.
---
When
with
you're
the
Flint
- stones,
J~ ~V a
ya
doo
ba
time,
you'lI
have
a
ya
ba da
doo
ba
pIZZ.
o
have a
o r~
good
old
I
I
time.
-
41
.
.
(Meet the) Flintstones (teacher's part)
~ 11
J.§
n
n
.
7
''-.7 CODA
.
time,
~
~
A slur joins two notes of different pitch and isplayed in one bow, which enables you to play smoothly. The Ita/ian term for playing smooth/y is legato.
42
traditional
-
v
r1
J
~
V
V
r1
5
~ .
V
J
'
. 1
~
J~ ~
J
Melody
.
pIZZ.
r1
V
1
'"
112
~
pizz. I
V
4
r1
-
j~ ~ Il.
12.
.
V
W
r1
. ..
J
.
V
r1
~
~
0
V
J r1 V
V
t9
.
r1 .J ~.
J
~ 9
V
¡+ ~
.
~
r1 -
:~
. p~z.
I
o~
V
r1
.J~~
0.
.3 3
.
r-) '0 t') rJ 7) 11 /) 4 i) "F")
rf"'
.} ~') ') ...¡ ') r) "1
Malvina Reyrrolds
o
5
arr. CH
V
~
J
V
North American,
:1
Tr~j~c\
Serge Prokofieff
Light and lively
~
..
~
S
4
v
O
~IS.b
.
.0
r:...r:..r..r-
Your teacher
Dc\}'dre~h\er
~
CH 2
how
day- dreams
soothe,
3
all
the
~
J Think
n
when
ed
v J=i.
O
V -
ges
blur.
V
n
To
s.b.
~o
.
make
..
the
mu
.
-
sic
43
.
then
join
notes
with
a
slur.
-
~
~
.","..
~ 9
smooth,
."'
'...
----Morningtown
12.
~
ride
(teacher's
part continued) .
I
-"
) '(c
T l")
johonn
Strauss 1/ 'f::'}
r')
With a HIt
Il.
~~o
.~.
.
~.
4
j
~
~.
~.
y'¡ l:')
pizz.
112.
~.
'()
'
T I
~
:~
Your friend
r,:
I l.
pizz.'
('
-t '-',
( -,.
41
traditional
Dolce
~
i
4
blue,
di!
- Iy,
La
-
ven
- der's
green;
'-"I
'}
"-'----
5
4
am
king.
dil - Iy,
shall
You
queen.
be
..
~.
..
(all ~f t~e. tar~t{sel
~.
CH "
s.b.
~.
~.
~.~.
--------
4
~.
.6~~II-
'~~r~L~'~'~
s.b.
~.
-------.~.,
\ 1
s
In this step you will practise a slow-fast bowing pattern in g
1
slow
fast
J
j
r) t'1
Dynamics tell you how quietly
o,
or loudly to play.
p
r) ,.;
tells you to play quietly. It stands for piano meaning 'quiet';
f
Ti T)
te 115yo u to play loudly. It stands for forte meaning 'Ioud'.
T) 1"', ,""
Paul McCartney
o
o
f
p
or
Win
lose,
v
o
Sink
or
o
~é" ~r'
One thing is
swim,
"
v
C'
p 8 ~~~I
4
o
I
Tl
-~
'....
.
4J cer - tain we'lI )
n
I
P
nev - er
I
r
'-41
14 /
"¡
-,-
I
I
I
p
,
.
..
-
f
We
hond,
I
.
-"1
,. \J
,,41 )
~I
I
I :.;;¡
'~
1
f
to -
stond
011
I
I
o.
~~..... ..7u. -ge-ther
We
ge - ther
I
I
I
-
.
(
I
I
I
I
112
,
J.I,
in
Hond
side,
J.I,
41)
)
T
-.r
I
.
J.I,
--
by
Side
in.
give
I
I
..
-' '-;:'\--
words Osear Hammerstein
r;;eSSiVO
~.
~ -,
P E~ -
del
-
E
weiss,
del
-
7
o
~-...
f1. greet
-~ Small
me.
morn
- ing
you
-
~.
~
I~.
J~
'ry-
Ev
weiss,
1/, musie Riehard Rodgers
el ea n
white,
and
13
and
bright, -
o
tJ
~
~. You
hap - py
look
to
meet
19
r~
~
bloom
Blos - som
me.
snow, may you
of
4
~~~m.
~. and
Bloom
grow,
and
grow
for
P~E - del-
er.
ev
~. -weiss,
J~
~.
~.
~. E
del
- weiss,
Bless
my
for
home -Iand
ev
er.
11.
-/
11 ., '
,,-.)
51
traditional North American
o
o
v
e) ~)
rJ ~) lZJ)
top
Old
of
COy
Al!
key,
Smo
- ered with
~g
~
s.b.
6 ")
.
JJ.
O,
p snow,
.
.,
.~
I
lost
-
lov
true
I
l
., ., ., p
~u
fj]\.;,.
11
s.b
~f¡J,j. ~r "
,J
'\ " "40
my
V
~'\:V
~r
I
I
l
4J ..~ JJ.
4
4
v
I
I
~ ~ ~) l@
-~ J;o,f/ .~
r:;T' ~er,
From
.-
U
I
court - in' too I
I
~e;
~ '--E
slow.
~(
I
'-'(2 " '-01
I
~C
I
~<1 traditional
Con fuoco
~
*
Lon - don's
burn - ing,
*
-
Lon don's
burn
-
ing,
,
J Fetch
the
en
-
~.<
gines, fetch
the
~ fire!
Fire,
fire!
Pour on
--( '-' {
*
~J en - gines, Fire,
/""I¿
j
j
.ti '--'{
( .-;5.
wa
- ter,
pour on
'\.".:
wa - ter.
,
'\;.:..,.
(I
entry point when played as a round
c:
-
(
..
words Michael Randers,
music Donald Swann
Waltz 4
~.
rry~
~.
I~.
Mud,
mud,
glo
~ -
ri
-
mud!
OUS
No
- thing
quite
like
it
for
~
7
I
Accompaniment
~
Melody .
.
~
.§
p cool
- ing
the
blood.
(~o
fol - low me,
follow.-
down
to
f
the
hollow,) And
13
.
~~~ there
.
.
o
wal
- low
in
glo
ri
- ous
mudo
Melody arco
..
o
o
o
o
o
p
o
f
fol-Iow,-
.., /
us
.
1~~~_.
.--
let
(So
""-'"
down to the hol-Iow,) f .
.
.
...
.'
.'.
fol- low me,
'.
1
These two rhythms look different, but sound the same:
2
1 ---
+
~) \:,)
3
;c')
r u r
~}
don Bridge
Lon
()
r'
~r
f.b. is short for 'fast bow'.
don Bridge
Lon
~J 1f)
traditional
o ~~I
" 4U
~.
4
I
4
I
I
---../
'---""
f
r)
'--""
fall - ing down,
fall - ing down,
Lon - don Bridge is
r) r)
r:¡
foil - ing down.
¡---:,
') .u. .4)
p
.
'--"
,-, '
5
~.
~.
Tea Leggiero
~o p Tea
don Bridge
.
is
o
_. ing
fall
~.
f~T tw~
for
~. you - you - you
My
down,
(pupil's part)
and
two
two
for
f:)
f.b.
T) f()
fair
words lrving
- two - two
C) l"}
4
Lon
~"--....I
la
T'j¡
dy.
s.b.
Caesar, music Vincent Youmans, arr. CH
tea,
~.
Me
for
you
py
we
( .
and
~.
for
me,
f
Cao'l
you
see
how
, na
-
'ha
-
hap
-
wili
-)
55
Tea tor two (pupil's part continued)
7
11.
~
112.
i1
1-
i1
f
P
be.
I
J
~
+
~
~
pizz.
Ben E King, jerry Leiber ond Mike Stoller, orr. CH
Rhythmically
~.
~. 4
f-J.
~.
~.
.~
7
11.2.
~.
~
~
.~
I ~ ~.
~}.
When
the
night
has
on -Iy-
_. light
we'U
Just as -fraid,
long
18
and
come-
o
.. ..~
!he
land
dar!<.
And
- fraid,
No I
the
moon
is
me,
Oh.-
stand
see.-
by
the
~.
I
as you
is
No
stand,-
I
be
won't
stand by
a
So
me.
won't
dar - ling, dar - ling
me,
Tea tor two (teacher's part)
Oh,
stand,-
stand
by-
me,
stand
by-
be
a-
by
.
55
I
+
me.
Learn this zig-zag technique, which uses the whole bo\N. ./
1 ~"}'f
b~at
Dolce n
shows a r1 V r1 pattern shows a V i1 V pattern
s~n5
traditional Scottish
..........
f.b.
rJ FJ r) C)
7
n
Fine
r) (') t:?;
p
P) t) T) t'')
(p) 13
f.b.
I¡
11.
112.
v
V
n
o.e. al Fine (with repeat) -<: C) r) T) '...,¿ /1) F} ¡;'~
JtlpitfT
(p~pil'spart)
Gustav Holst
Inthis piece, use your 4th finger to play the note D on the G string when marked. ~/ ¡
Maestoso
,
~
..
f
,
Accompaniment
p
11
4.
,,0
,
0.5. al Fine
Melady ..
.. '---'
"j-
".)
I~
~
is a crescendo. It tells you to get gradually louder.
feed t~e birds
~g
Richard M Sherman and Robert B Sherman
fb.~
[ntrodu~ion
I~
J~.
.
~.
p
f.b.
~
~.
~.
fb.
~
..
f.b.
f.b.~
~
4
I~.
f
P
7
.
.
f
58
. 6
*
.
11
~J ..
J
-~:,.:;;:;,;.~::;~-
";."J.,"";
,','.;.
-~-'
.
Jupiter (teacher's part)
: ~.Cj..:..,-;:-:.' ~"Z/,~'~_.o..:;:u.:. -i",Z:",O,i"...;c1';"'':!''';':;...:J.,;~i:''''l''''';~.:1-~-.;..-:,'.''-
.,'I.~.:.~:'i :-:':"-=-->~'.~.-:... -=':"-':-~'-':'-''.
.
Rn~
D.S. al Fine (Accomp.)
~
j
1
A staccato dot tells you to make a note short and detached.
r
\.1 ~)
cresc. indicates a long crescendo. It tells you to get graduallylouder
¡ , --"'''\
until you reach the next dynamic mark.
,-,,' l.;
6()
traditional Russian
Con spirito
~ 5
~
.
f'J
4
.
~
t;) t)
p crese.
cW¡
O
4
/1.
4
]/2.
f
I
~
~
p
f
;~
}
{
r:~ F'')
r) .
p cresc.
5
11.
112.
I
r() (~¡ tI
I
r)
T~e ~'d bazaar
61
~
r1
~;
.
traditional
)
5
.
.
arco
f)
,ti
-
,
.
cre;c.
.
f
p crese.
.
.
--:;
l
-
.
-
.
.-
I
f .
..
..
.
.
--
.
. "
f
..
,- ---,-
--
mp
(mezzo piano) tells you to play moderately quietly.
'"!f
(mezzo forte) tells you to play moderately loudly.
j
-
~
A tenuto line tells you to hold the note for its fulllength.
r
. 62
(a round)
traditional
Waltz.
.
.
mp ~ Oh you can't
put your muck
in
.our
.
- bin.
dust
-
.
our
dust
.
.
- bin,
our
~
dust
- bin,
you
j put
can't
~ ~
your muck
in
our
dust
chips and
dust
vin
Pizz. + +
.
~
- e - gar,
fui!.
bin's
v
v
m.fFish --/'n'
our
bin.
V
~
¡
pep - per
pep
- per
pep
-per
At - choo!
pot.
V
Fish
.
'n'
chips
and
One
cup
of
cup
of
tea,
vin
tea,
-
e
twa
~
- gar,
cup
V
pep
of
tea,
- per
three
pep
cup
- per
of
tea,
cup
af
pep
- per
faur
pat.
cup
of
21
~ five *
entry point when played ds a round
six
cup
of
tea,
sev'n
tea,
eight.
tea,
i1
i1
Y~-..v
j-~ j r r
These are non-Iegato tieso They tell you to play both notes in the same bow, but to make them slightly detached by stopping the bow for a moment in mid-stroke.
lJ V)
This technique is sometimes called hooked bowing.
ri is a diminuendo.
=-
It tells you to get gradually quieter.
,
c:')
6~
Wa'tz
Franz Lehar
f:) }::) tj
~j~
~JE J~.
~. S.~ ---=--
mf
mp 9
r) r;1 T) T)
'
mp
4
~j~
~.
~.
~j~
~mf
~
~.~ =-
'F) 'iJ 7)
mp
~) (-c:~)
~.
T;J
=-- mp
7';) 1')
pIZZ.
..
s.
""') l;)
~.~ ~
...) At~ / ~) ~ F.~~ "~ /" ..) .r..".-. ~)
9
.
..~)
'
é"J
11if
mp
17
~
'-" '
mp 11if
~
,
f
n
'-'
"
64-
Peter Yarrow and Leonard Upton
Moderato 1"1
6
v
V v
1"1
v V 11.
o
v
f.b.
4
4
"
traditiona/ Caribbean
\
11.
~J.
'-"
mf
.
'Ja - ney,
.8u
~.
'-"
you see no-bo-dy
pass
4
1TI!J1'NO
here?'
me
112.
:~. friend.'
friend.'
6
pizz.
~. ~ one
-~-
of
me dump-lins
avco
!
}.
11if
h
~
'Well
~
gane.' 'Don't tell-
me
so!'
f
.. 'One af
me dump-lins
pizz.ll.
V V
gane!'
.
+ lIzo
o.:.
.
.
o".
o
mp
o
o
.
'0.
'0
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r mf
.
f
1
\.1
n r')
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66 ~w)
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mj'
T~W) T~W i'~t{T b~at
J Row,
~.
t:¡¡
traditional
gen
r')
~. -
r')
r)
V
~
your boat
row
row.
(around) *
stream.
the
tly down
r")
-
~
('
r1
*
[)
~.
Mer
-
ri
-
Iy, mer
- ri -
Iy,
mer
- ri -
Iy. mer
- ri -
Iy,
life
is but
lO')
e)
"")
entry point when ployed os o round
61
~
traditional
nV f
~
Half
.
-
a pound
of
tup
5 V
- pen - ny
rice,
~--------
the way
Ostinato accompaniment
~
.11if
the
mon
~Half
~~7 -
a
pIZZ.
4
V
~r1
That's
~
~nv
-
,
~
dream.
a
)
ey goes.
(play four times)
Pop!
7
------pound
arco ~r1
j
goes
of
.
trea
'
'-'¿~~.;.:
j. )
de,
-ffi. the wea - se!.
)
-
-~
~
------
-
,---
- ---
1
Marvin Hatley
Cheekily arco
,;
~~r1
t.J
v
l
v
r1
l
u.'
'
nif ~~jJ, pizz.
.'
1)
~.
f s
..
-.
~.
v
.'
~.
v
r1
s,b. r1
V .
mp
f
.
mf
traditianiJI
French
* ~
P
6
~r~'
~
v
v ~
*
. -------
f
Sheepishly!
~.
~.
r1
}¡
mf
V
:~
n
ar ~
.
f
entry point when played as a round
G majar arpeggia
D majar arpeggia 3
~.
3
~.
I1
.
lO WeJre ~ff t~ see t~e W,zard
words E Y Harburg,
music Harold Arlen
Con spirito
-
11if
We're
off
.
tosee
the
Wiz-ard,
the
5
he
whiz
a
is
a
of
Wiz
of
~. ev
if
- er
a
Wiz
there
ev - er
a
there was,
Wiz
~~
the
n
fJr
- cause,
be - cause,
be-cause,
e) T) If
is
of Oz
e) r) r) T)
be-
be -cause,
one
s.b.
14 f
be - cause,
Be
17
If~ ti)
V
~~--
~ be -cause,
r')
mp
, was.
I:J)
Wiz-ard
13
We
n
V
ev - er, oh
Oz.
n
V
~
WJF hear
won-der - fui Wiz - ard
n
"\
.
/
e, fr'j
-
V
~
~.
¡ -cause
of
the won-der - fui things
21
~
~~ 11if We're
he does.
n
V
.'1-
to see
the
Wiz- ard,
the
7:1
of
won - der - fui Wiz - ard
Oz.
('
.¡
,
,,
---
V
"
mp
'I~
13
~~f
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(.::.-
7
19
r)
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~. off
n
. '"!:t
.
-
\ J
.1,1')
n
V
(
V
V
' ' -
)
1
F is halfway between E and F# - a semitone higher than E and a semitone lower than F#.
11
traditional
Misterioso
2
2
~
~ia~ mp v V
..
4
~
-----
2
Il.
4
~~.
2
112.
I
.----.--
,- .
(
r) (~
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l') 1) ()
~~a'~\'n
(a round)
Wcvm1y uu .~i~.
Sha
o
. -
,-".
mp
*
-
Cm:...
traditíonallsraeli
-
10m, cha
f~
-
.
- ve - rim,
=
sha
-
10m, cha
- ve - rim,
f.b. J=i
*
*
-
sha
m".¡.a ':/ 10m,
sha
- 10m.
Le -
fobo
~. - hi *
oto
tra
le
hi
-
ot,
tra
sha
-
lóm.
sha
.
:.
'tom~
r"'-..j
entry point when played as a round
")
)
") .
Brightly
~
~~
n
12
:: *
~. J~
'
i~ =-
o
_. n
~-
'¡
*n
V
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~-
traditional
mf
entry point when played as a round
~~'
mp V
.
~.
14
words Howard Ashman, music AJan Menken
Cantabile
4
o
n
mp 4
mp
s
o
4
o
9 v
V
n
n
-= v
4
mf 13 v
...
n
V n
v
v
4
pizz.
v
4
,
.
mp
7
11..
n
112..
~#..
..
mf
12
:'y,._,_.~
.
mp
,, '
T
Look carefully at the key signature before you start each piece, so that you can decide where to place your second finger.
1
f',
r'
Lookat the accompaniments for Short'nin' bread and What shall we do with the drunken sailor~ Check their key signatures. What do you notice? Where will you place your second finger?
f)~~rt' nin' bread
jacques
V
V
V
n
Wo/fe and C/ement Wood
n
'"!f
V
'"!f
16
traditiona/
Con spirito
4
_J
-
-
~) )
~-4f
'"!f What shall ""e do with the drunk
- en
sail
-
oro What shall we do
V
"¡
with the drunk
sail
-
oro
V
n
,4)
- en
~~~.~
mf 5
~,
-
4 What shall we do
with the
drunk
-
en
sail
-
or,
Ear
-
,.
"
Iy
in
the
f
morn
-
ing? -<:::;'
n 4
f
-..:-'
,-
11
words Richard Smith, music Felix Bernard
V
~.
r1
V
~ Sleigh
be lis
you
are
ring,
list
-
o
4 r1
V
J
~.
'nin'!
V
r1
the
In
v
~r
J
r
p glist
-
A
'nin',
beau
-
ti
sight,
- fui
V
r1
.
Walk
- in'
§. in
a
win
-
ter
der
won
-
I
112.
r1
V
J.
:J~.
Sleigh
land!
bells
11.
-
V
J3J o
~
r1
hap - py to - night,-
7
~.
is
snow
~.
We're
-
~
lane
o 4
V
r1
I
-Iand!
112.
pizz.
.
I
~j.~ LesJie Osborne and Simon May
r1
~
. ~ ~:
-
4
-
~.
~
V '--'
71if
11.
mf 11
";
V
O
.
4
112.
J ~: 112.
O J
~:
pizz. +
~
J
II
Al! the tunes in this step use a mixture of both positions of the 2nd finger.
s
..4
.~
(
Patty S HiIl and Mildred
HiIl
~)
ct\
') IFJ ("")
hop - py
you,
to
birth - doy
you.
to
birth - doy
Hop - py
T') ~r.")
f'~-~ .;'
mf 5
v
G\
¡,t
."
I
f
birth
-
-
Mis
deor
doy
hop
sak, G\
-.f
V
-
i1
I
py
V
birth
-
doy
to
you.
....
-d
i1 u
""
""
v I
mf
I'J~ ,41)
i1
,)
mf
f
"")
') ')
words Larry Morey, music Frank Churchill
'"1 Lively V.
~
~
f
f'Heigh
-
ho',
V
i1
i
~ To
'Heigh - ho',
")
V
i
moke your trou - bles
go,
~
Just
~" ""1 ~o
".¡
~--
keep
on
sing
-
I
V i
i
. 6
_.~
011
doy
long 'Heigh
-
ho',
'Heigh
- ho',
'Heigh
- ho',
'Heigh
-
ho',
~ 'Heigh
)
ing
I
~
- ho'. ~.-"'0
,
"
. -.'
f'. 11.
112-
r
_L
-~ _1
The next three tunes use both positions of the 2nd finger on the O string: F~and F.
T~e -AddatnS fatnily
VicMizzy
Spookily
V
n
V
n
V
nif 5
n
n
V
V
f
=
11.
n
112.
V
mp
mf
traditional
f.b.
~.
~.
p
~b.
Caribbean
V
:~
J~o
mp I El
--,
,,'
~
mf
Richard M Sherman
1..
Waltz
4
~I I
6.-.1
-
mp
........
I
I
I
I
and Robert 8 Sherman
I
I
r '0)
r
r V
t ¡.¡.
....
-
-
.
p
r')
,
F")
Il.
-
112.
f.b.
6
f.b.
V
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n
-
V
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e
V
n
V
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.
I ~m if
I
.
11
....
~T
=-
Accompaniment n
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V
I
I
.
/
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Ij..
mp
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f
n
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.
mp
8
Melody arco
112."
~iimf
V
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.,
-:::
.
. '.'
11
mp
.
\
I~
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CH
Rhythmically
4
1
v
O
112.
O
1
O
1
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r
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11.
v
i1
A
~:~¡ f
==-
f /1.
~
4
V
mf
A
.:~
mp 112.
.
f
ToCado
=--
f D.e. al Coda
112.
7
-= mf
mp
11.
~~j~n. wif-
V
i1
V
~t
D.e. al Fine (with repeat)
112.
===--
CODA
~~U~ mp
mp
mp
f
A majar scale The finger pattern is the same as that of D major (pa.ge 27), starting on the A string. .
-~
~
arpeggio
~.
3
2
~". 3
1
O
3
2
1
O
~
pizz. +
.
."
r,;.;j
.. . ..~ ..,;
,
~ ~ ~ tf~
Lione/ 8art
~~)
~ 7';\..;i
Who
Such
this won-der - fui morn - ing?
will buy
you
a sky
nev- er did see!-
1?)
p) P9 ?Si) Who
.
will tie
up with
it
a
rib
-
bon,
And
put
it
a
box
for
me?
~ ~ ~
~;)
.
~
s
.
'.
.:~~
. mf
V
..
..
tt
.
------
p
~ ~ ~
~ I't) ~) ~
f~;¡
"
3
v
210_321
~
arpeggio (two octaves)
;1 -," .
.
020313231302
o
.
:)
~) AS) 4'1 ~) ""f¡ -'r~;'1 -.
01230123012301
7IJt-
V-
-r)
G majar scale (two octaves)
.
in
... c:f.
.'
1$eatity Andante
-
n
,
t~e ~east
c:\l1d
words Howard Ashman, music AJan Menken
-
p'---'"
,4
'---'"
true
time,
as
Tale as old
":-"
-
n
as
it
can
.
v'
.'
p 5 ,;
"*~ Bare - Iy
e - ven
=
friends,
~-eP
~"-"'
mp
=:
then some.- bo- dy
"*-d
1"1
v
~n ,)
be.
"'-J
'---"
bends
un - ex - pec-ted -
"l:Y
Iy.
J
,,)" 9
,)
"*
p
n
"\
.
..
'''''
-¡
-
1"1
---./
"*-d
"*'
1"1
v
1"1
~r--..
-~
. Just a
, 13
Small, to soy the
change.
lit - tle
Both a
I
u"
v
~n
v
1"1.
v
'---"
mf scared,
nei - ther one pre
,,'
'
-
pared.
...'
==
Beau- ty
...
y.
-ep
' '"--"" and the
Beast.
~. ...'
...~,
=
.-
~'-"
p v
6
lit - tle
1"1
11
"
least.
v
n
11
Barcarolle and Millennium both contain three-note slurs. Play each slurred group of notes in one bow.
tz1
~ar(aT~"e
jacques Offenbach
Tempo di valse i1
V
i1
V
i1
i1
r) V] r) r")
P i1
V
i1
V
i1
i1
5
112.
mp
p
p
m:p
p
p
~~Millenl1itt\'n arco i1
Robert Williams, Guy Chambers, john Barry and Leslie Bricusse
V
i1
V
mf pizz. f¡ I
.) \
f ;"':'..'
5
112. (.'\
-. Melody
We've got
4
stors di - rec -
ting our
fote,
ond we're proy
-
ing it's-
not too
.
.
4jll
.. ....
~
.
lote,
'cos
we know-
we're foil
ing from
.groce.
Mil- len- ni - um"----
. We've
got
Watch out kookaburra! and Nocturne contain four-note slurs. Play all four notes in one bow.
(a round) 4
_V-
on the
v
f
Fly
koo
te - le - phone
- ka - bur -
fiy
ra,
wire~
Watch out koo-ka-bur-ra's
~
O
~r ~ *
~
.
'"!f Koo- ka- bur- ra sits
1-
*
V
::
.
traditional Australian
fea-thers
fireL
on
u
mf
koo - ka - bur - ra,
Flap
your
wings.
high.
fly
entry point when played as a round
Aleksander Borbdin
Andante
~r 7
~
mp
V
V
4
11.
~
~L
'--'" .
112.
.
"
.
~'"!f=
~
------
~. -~
~
H
~o
------
0
11,.
~- o.. .
11
~r p
11.
12
roll.
J~
-" /.-
mp j¡~. ~
Melody
v v
n
"
~-'-
..:
Accompaniment °V V
---.
V
.
M
mf Melody
V
-----V
V
. """--'-
'-'"
- o .-
,
..
Accompaniment
#
-
-
.
..
-'-'"
rall.
~
~
mp
,,~~'ío-~~~~~~~:~~lt>r~~t-f¿!.1\"i~,f"¡',,*~~~~~.:,~miF~'4!i%~~~-~~¡ijt~~~~~}~ft~~>~'$t~~~~.w~WJ:~~",',1.-,1I~~~~~M~I¡.~.J,.~~~~&.-~,J-F:",tl..'fJ!'o\\;~~,~.;~
. r..
.
~mf
-
~ p
.
The author and publisher would like to thank the following for their help in the preparation of this book: jeremy Birchall, Patricia Birchall, jennífer Boston, Adrian Bradbury, Emily Brayshaw, Chris Bryant, Helen Crayford, janet Crew, Louise Dearsley, Tanya Demidova, Philip Dukes, Heather Fleck. David W Giles, Emily'Haward, jocelyn Lucus, Andrew Lynwaod, Grace Lynwood, Barry Newland, Maleolm Pollant, Maja Passchier, Aoife PatarotHinds, Roland Roberts, Sheena Roberts, Valéríe Saint-Pierre, Elaine Scott, Michelle Simpson, Hally Stirling, Daminic Viall, Matthew Watson and Allison Whitehead. Very special thanks ga to Caria Moss. We are grateful to the following copyright owners who have kindly granted permissio;, for the reprinting of these items: Beauty and the beast (from Beauty And The Beast) Words by Howard Ashman, music by Alan Menken «:J1991 Walt Disney Music Co and Wonderland Music Co Inc, USA Warner/Chappell Artemis Music Ltd, London W6 SBS. Reproduced by permission af Faber Music Ltd. AII Rights Reserved; Chim chim c"er-ee (from Mary Poppins) Wards ,and music by Richard M Sherman and Rabert B Sherman «:J1963 Wonderland Music Company Inc. USA. Warner/Chappell Artemis Music Ltd, London W6 8BS. Reproduced by permission of Faber Music Ltd. AII Rights Reserved ; Dance of the cuckoos (Ku-ku) By T Marvin Hatley
Copyright Secured; Edelweiss from the Sound of Music. Words by Oscar Hammerstein 11,music by Richard Rodgers
permissian ,of Faber Music Ltd. AIIRightsReserved ; Halfway down the stairs Text by A A Milne and music by H Fraser Simson. Copyright under the Berne Convention; Happy birthday to you Wards and music by Patty S HiII and Mildred HiII
by Hanna-Barbera
Production
Inc;
Millennium Words and Music by Robert Williams, Guy Chambers, John Barry and Leslie Bricusse 10 1998 EMI Virgin Music Ltd. BMG Music Publishing Ltd and EMI United Partnership Ltd, USA (33.33%) EMI Virgin Music Ltd, London WC2H OQY (33.34%). Worldwide print rights controlled by Alfred Publishing/IMP Ltd. Reproduced by permission of Faber Music Ltd and International Music Publications Ltd. AII Rights Reserved. [rhis song cantains a sample from "You Only Live Twice" by Barry & Bricusse 10 EMI United Partnership Ltd]; Morningtown ride 10 1959 by Amadeo Brio Music Inc. Administered MCS Music Ltd, 32 Lexington Street, Londan W1F OLQ;
by
Short'nin' bread lb>Copyright 1928 (renewed) by Harold Flammer Music (AS CAP), a divisian of 5hawnee Press Inc. International Copyright Secured. AII Rights Reserved. Reproduced by permission of Chester Music Limited; Stand by me'Words and music by Ben E King, jerry Leiber and Mike Stoller 10 1961 (renewed) jerry Leiber Music, Mike Stoller Music and Trio Music Company INC. This arrangement tC 2002 jerry Leiber Music, Mi'ke Stoller Music and Trio Music Campany INC. AII Rights Reserved; Supercalifragilisticexpialidocious (from Mary Poppins) Words and music by Richard M Sherman and Robert B Sherman, USA, Warner/Chappell Artemis Music Ltd, London W6 8B5. Reproduced by permission of Faber Music Ltd. AII Rights Reserved; Tea For two Words by Irving Caesar, music by Vincent Youmans 10 1920 Harms Inc, USA Warner/Chappell Music Ltd, Londan W6 8BS. Repraduced by permission of Faber Music Ltd. AII Rights Reserved; The Addams family Words and music by Vic Mizzy 10 1964 Unison Music, USA. EMI Music Publishing Ltd, London, WC2H OQY. Reproduced by permission of International Music Publications Ltd. AII Rights Reserved. Europe only; The hippopotamus song Words by Michael Flanders, music by Donald Swann
AIIRights Reserved ; 1921 Goodwin
& Tabb
Transferred
to
J Curwen
& Sons
Limited, 8/9 Frith Street, London W1D 3JB. AII Rights Reserved. Reproduced by permission;
~ f) r~)
G)
f.() fI'J,
Waltz from The merry widow Original words by Leo Stein and Viktor Leon. English translation by Adrian Ross. Music by Franz Lehar.
?')
Watch out koakaburra (Kookaburra sits in the old gum tree by Marian Sinclair)
rC')
We all stand together Words and music by Paul McCartney Communications Ltd;
10 1984 MPL
J":) ~
1''')
We're off to see the wizard Words by E Y Harburg, music by Harold Arlen lO 1939 EMI Catalogue Partnership, EMI Feist Catalog Inc and EMI United Partnership Ltd, USA. Worldwide print rights controlled by Alfred Publishing/IMP Ltd. Reproduced by permission of Faber Music Ltd. AII Rights Reserved; '
Whistle while you work Words by Larry Morey. Music by Frank' Churchill. 10 copyright 1937 by Bourne Co. AII Rights Reserved. International Copyright Secured. Printed with permission from Bourne Music Ltd; Who will buyl
ABRACADABRA VIOLIN Boob 1 CD
Part of your world (from The Little Mermaid) Music by Alan Menken, words by Tim Rice
Violín Roland Roberts Piano - Helen Crayford
oi
(iD
I?)
Op 32 Music by Gustav Holst
Limited.
Off ta France in the morning, One finger dance, Spinning wheel. Summer shine and Windmill song
Puff the magic dragon Words and Music by Peter Yarrow and Leonard Lipton 10 1963 Pepamar Music Corp and Honalee Melodies, USA, (70%) WarneriChappeii Music Ltd, London Wb 865. Reproduced by permission Faber Music Ltd. AII Rights Reserved;
L:)
,
Theme from Jupiter from The Planets lO copyright
e)
-
Engineered by Andrew Lynwoodat Winterbrook Recording Studio, London AIIrights reserved. Copying,publicperformance and broadcastinq - in whole or in Dart - of the recordinq are prohibited by law.'
A::)
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,)
,
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--
.
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page
page A friend
in DEED,
10
10
A A A A
arpeggio sea le in time, 14 a tasket, 6
59 59 12 8
page
32
I
Jupiter, 58
42
¡i
Kalinka,60
44
1carne from Alabama,
42
iI
!
major major stitch tisket,
I
I ¡I
I
18
Au clair de la lune, 23
I I !
62 61 26
Barcarolle, 87 Beauty and the Beast, 86 Big Ben, 34
Bobby Shafto, 3 Brown bread, 33
5 25
Call of the carousel, 48 Chim chim cher-ee, 83 Clown dance, 21
35 58 16
I
I
iI iI I
¡ I I
I !
Dance of the cuckoos, 68 Daydreamer, 45 D major arpeggio D major scale Dumplins, 65
49
iI I
33 íI 49 ¡I 27 I 47 I
I
EastEnders, 78
55
Ede1weiss, 50 Eee-abba-dabba-dee!
37 11
12
Egyptian snake dance, 71
51
Feec:t the birds, 59 Fiddle fanfare, 9 Frere Jacques, 15
43 9 13
I
I
II i I !
i I
I¡ ¡
Lavender's blue, 47 Little bird, 29 Little playmates, 7 London Bridge, 54
34
London's burning (a round), 52 Long, long ago, 38
38 29
(Meet the) Flintstones, 41 Merrily we roll along, 19 Millennium, 88
30
Miss Mary Mac, 25
19 I 9 i 32 I
Mobile phone, 8 Morningtown ride, 43
Muck! (a round), 62
22
I
8 40
I
I i¡
I I I ¡
i
Waltz, 63
46
I I
Offto France in the moming, 36
27
Old MacDonald, 32 One finger dance, 11
24
II
11
i
Part of your world, 74 Pease pudding hot, 20
II iI
38 53 16
I
5
Pizz onO, 1 Pop! goes the weasel, 67
4 48
I
Puff the magic dragon, 64
47
60
I I I
Happy birthday, 79
23 56
I
Heigh-ho, 80
Racing driver (a round), 37 Ragamuffin's rag, 84 Road monsters, 22 Roses from the South, 46
56
i 28 59 , 17 I 34 II
Row, row, row your boat (a round), 66
48
49 íI I
G major arpeggio G major scale G major scale and arpeggio (two octaves)
24
Halfway down the stairs, 31
.
Hot cross buns, 18
15
I I
I
II
Tea for two, 55
I
I I
On top of Old Smokey, 51
7
57 44 49 20 30 33 26 18
I
29
to joy, 39
expialidocious, 5
The mocking bird, 82 The old bazaar in Cairo, 61 The shepherdess (a round), 69 The song that liever stops, 26 The way you look tonight, 40 Troika, 44 Tum the glasses over{a round), 35 Twinkle, twinkle little bow, 24
,
45 I
Ode
Stand by me, 56 Summer is .icumen in (a round), 73 Summer shine, 30 Suo-géin, 16 Supercalifragilistic-
.40 57 39
62
63
Spinning wheel, 13
21 52 54 42 12 41 52 22 14
The Addams family, 81 The hippopotamus song, 53
15
Nocturne, 90
Pizz A pizza! 2 I
II
Secret agents, 28 Shalom (a round), 72 Short'nin' bread, 75 Skye boat song, 57
¡ !
Watch out kookaburra! (a round), 89 We all stand together, Welshlullaby, 16
49
We're off to see the Wizard, 70
63 36 14
50
What shall we do with the drunken sailor? 76 When the saints go marching in, 4 Whistle while you work, 27 Windmill song, 17 Winter wonderland, 77
Who willbuy?85
54 6 20 14 55 60
i I
--
,.,
down-bow
up-bow lift bow in circular motion ~ + left hand pizzicato repeat from the beginning (Da Capo) up to Rne (the end) D.e. al Fine repeat from %; (the sign) up to Fine (the end) D.5. al Fine slow bow s.b. fast bow f.b. z:...r'1Vi1 zig-zag bowing pattern V,., V zig-zag bowing pattern --=s::crescendo - get gradually louder diminuendo -.get gradually quieter ===pause arco with bow ostincto a repeated musical phrase pizzicato-(pizz. ) plucked rallentando (rall.) get gradually slower short and detached staccato tenuto with a light accent, lasting fulllength
V
."
"
p f 11rJ' "!f
(piano) quiet (forte) loud (mezzo piano) moderately quiet (mezzo forte) moder.ately l,!lud
allegro andante cantabile con fuoco con spirito dolce espressivo legato leggiero maestoso misterioso moderato tempo di valse
fast and lively at a leisurely pace in a singing style with fire with spirit sweetly expressively smoothly lightly majestically mysteriously at a moderate speed like a wa;tz