abracadabra violin.pdf

-.

Abracadabra '-

BOOK1 -.

SECONO

Fully revised

EOITION

and expanded

-

Peter Davey with Christopher Hussey A & e Block. London

Second

edition

Photocopying prohibiteél AlI rights reserved. No part of this publication may be reproduced in any

2002

Reprinted 2003 and 2005 A&C Black Publishers Ltd 38 Soho Square, London W1D 3HB (t) 2002, 1985 A&C Black Publishers Ltd Book ISBN 10: O 7136 63081 Book ISBN 13: 978 O 7136 63082 BooklCD ISBN 10: O 7136 6309 X BooklCD ISBN 13: 978 O 7136 6309 9 Technical diagrams by Kanako Damerum and Yuzuru Takasaki IlIustrations by Paul Parks Cover iIIustration by Dee Shulman Design by jacelyn Lucas Music setting by Christopher Hussey and jeanne Fisher Edited by Christopher Hussey and jane Sebba

form or by any means

-

photographic,

electronic or mechanical, including photocopying, r~cording, taping or information storage and retrieval systems without the prior permission in writing of the publishers.

~

'

-:)

~J ",)

-

",.)

A&C Black uses paper produced with elemental chlorine-free pulp, harvested from managed sustainable forests.

'C:)

Printed by Caligraving Ltd, Thetford, Norfolk

<.)

4 ~ x:J ~j ~)

CONTENTS

'-()

step 1 .J

1

1

Pizz on D

pizz. 2 3

1"1

Pizz A pizza! Bobby Shafto

step 2

- Ji arca

4

~ ~ 5

6 V 7 8 + 9

~ ~ ~

10 :~ 11 12 13 14

2

~

When the saints go marching in Supercalifragilisticexpialidodous A tisket, a tasket Little playmates Mobile phone Fiddle fanfare

step 3

....

O.e. al Fine

ostinato

:~

~ ~

0.5.

o

,

s.b.

2

A friend in DEED One f.jnger dance Eee-abba-dabba-dee! Spinning wheel A stitch in time

)

n

28 Secret agents 29

-

Hot cross buns

19 Merrily we roll along

-'"" t;1;ii

~ ~j

step 7

-~ -~

Brown bread Big Ben Tum the glasses over (a round) Off to France in the morning D major scale

37 38 39 40 41

~~

~C -~ ~(c

-(

8

~(

Racing driver (a round) Long, long ago Ode to joy The way you look tonight (Meet the) Flintstones

l carne from Alabama Morningtown ride Troika Daydreamer

'-'e

-'e '-'

.

.

-"-..

.

\"

- (~( ~(-

/ ~ .

.,.

~

42 43 44 45

20 Pease pudding hot 21 Clown dance 22 Road monsters

~; "

30 Summer shine 31 Halfway down the stairs 32 Old MacDonald G major scale

step 9

step 5

-e)

Little bird

step

step 4 18

Au clair de la lune Twinkle, twinkl~ little bow Miss Mary Mac The song that never stops Whistle while you work

step 6

33 34 35 36

11..

15 Frere Jacques ~ 16 Welsh lullaby (Suo-ganJ 17 Windmill song

11"

23 24 25 26 27

.._---

-./

\

I

step 10

73

~

47

lavender's

Call of the carousel

blue

-----------

J

.J

)

step

slow fast

P

f

We all stand together Edelweiss On top of Old Smokey london's burning (a round) 53 The hippopotamus song

step .J.

11

49 50 q 51 52

f.b.

54 london Bridge 55 Tea for two 56 Stand by me

-=-

57 Skye boat song 58 Jupiter -= 59

Feed the birds

step 14 .J r

; r m:p

60 Kalinka

cresc.

'"!f

7

U

=

r-r ).J)

g

61 The old bazaar in Cairo 62 Muck! (a round) 63

WaltL

64 Puff the magic dragon 65 Dumplins

step

15

66

Row, row, row your boat (a round)

67

Pop! goes the weasel

68

Dance of the cuckoos

69

The shepherdess

(a round)

O majar arpeggio

G major 70

()

2

-~--

..

arpeggio

We're off tosee

17

75 Short'nin' bread 76 What shall we do with the drunken sailor?

n

77 Winterwonderland 78 EastEnders

step

18

r.\ 79 Happy birthday Heigh-ho The Addams family The mocking bird Chim chim cher-ee

step 19

step 13 ~

step

80 81 82 83

12

is icumen in

(a raund) 74 Part of your world

J f 46 Roses from the South 48

Summer

the Wizard

step 16 71 Egyptian snake dance 72 Shalom (a round)

84 Ragamuffin's rag A major scale A major arpeggia 85 Who will buy? G majar seale (two octaves) G major arpeggia (two octaves) 86 Beauty and the Beast

step

20

87 Barcarolle 88 Millennium 89 Watch out kookaburra! (a round) rall. 90 Nocturne

Acknowledgements Index Glossary

-") '"1 -, ;':/ "

...

. ~..

A

E

u

-uG

D

'\ '--<:J)

'1

~)

'" "i.:~

'-("

Pluek your violín strings to play the tunes in step 1.This teehnique is ealled pizzicato, or pizz.

~,

1 Pizz

(

~o

~11D

CH/V5P

u

{ ~;

-(

D

Play your part twice.

'-'(O

You

~zz j ~Piz zi

ma

to

squashed

to,

ea

j

~.J

~j

~vl.

~l

to.

'-'(. -..

e

~( J

.J ~,

zi

-

ea

to

string.

o

lis

-

ten

to

the

sound

ring.

". ~(

5

~

~,~ Count

- ing

two

in,

ev

'ry

bar,

keep

a

stea

dy

beato

(

2

CH/1S Play your part twice.

-

A

You ~zz.

fJ

.J

Moz

za

.J

rel

fJ

.J

la,

pizz

.J

~piz

A

za!

Your teacher

Chee

-

sy

piz

-

za,

Mar

-

ghe

- ri - ta,

my

That's

fav -' rite

tea - time

treat.

traditionaJ

You

~zz.

~.J fJ

.J by

80b

~

les

I~

to

.J oh,

sea

.J

fJ

.J

buck

ver

gone

to's

I~

.J

Sil

Shaf

.

5

.J

.J

on

his

oh.

knee

Your teacher

Bob - by

Shaf - to's

gone

to

sea.-

Sil - ver

J He'U

come

back

and

mar

-

ry

me.-

Bon

-

ny

buck - les

on

his

knee.-

F Bob

-

by

Shaf

to.

Pizzicato is an Italian word, meaning 'plucked'.

~\

....

v~

From now on, play 011the tunes arco

n marks ~

- with

your bow

-

'-€

unless pizzicato is indicated.

~(

a down-bow.

,--,e /C

tells you to lift your bow in a circular motíon to prepare for the next down-bow.

4

W~en t~e saints 5~ \'nar(~in5 in

~

(pupil's part)

-

-oG

lift ~

~ -

~ -

~

--(~ traditiona/spiritua/ --./c

lift

lift

lift

(2

--

e

-

(

-'(

-

I

=~ ~(

6

lift ~ -

~

lift ~ -

lift ~ -

- !

-

.

Richard M Sherman

andRobert

B Sherman

lift

S uperea

Even though the...

I i...

.

9

.

If you say iL Supereali...

.

-~~

Su

-

-

per

- li - fra - gi - lis - tic - ex - pi - a - Ii - do - cious!

ea

E - ven though

the

6

sound

~:~/

of

it

-

al ways sound

is

pre

some

-

eo

- thing

quite.

a

-

tro.

-

cious,

If

you

soy

it

loud

e

- nough.

you'lI

Su - per - ea - li - fra - gi - lis - tic - ex - pi - a - Ii - do - cious!

- cious.

..

.

4

When the saints go marching in (teacher's part) arco

V 7

~

Oh, when

¡

the

go

go

saints

¡

J saints

mareh

-

ing

¡ mareh

~.

in,

want

- ing

to

in,

Oh, when

with

be

7

~. ~

J

num

-

ber-

When

the

saints

go

mareh -

ing

in.

-

in

that

the

6 -A-tts"et, a-tas"et

~t~o~t~

-

~

6

~tJ

words CH, music traditional

i1 ~,

-

t.:;

L

~~i1

~i1

i1

~i1

-

~~j===E=il

C) 't)

V

~

¡

.

f'j ()

4

Tj

lA

tis

- ket, o - tos -

tos - ket,

ket. There's some - thing ket, A choc - 'lote

o - tis -

in my or - ange

bas

bis

-

-

ket,

It

cuit,

1'11

-rJ T") J

11> T)

smells eot

so it

sweet: ¡t's good now be fore

-

to you

eot, I'd con, 'Cos

bet you'd

like

to toste

it. 2. A

I

don't wont to waste

t) 7J '7)

¡tI

7J '() fj

V marks an up-bow.

The bowing i1 V i1 tells you to . playa down-bow, an

féJ

".

'~ if)

up-bow and a down-bow, without lifting your bow off the string in between.

??) ¿:) c~;

1

l,ttl e

V

~iJ

j

plaj'tnates ~J

i1

I~

F X Chwatal

-

~J

)

-

I=;]

')

) ,

5 V

~J

i1

~i1

~-

V

)

i1

~-

~rJ 11.

.

i1

V

~i1

r' ) ,

112.

I

j

c\\'

rrvr

i\ fTictld 'h DEED

1()

CH/1S

Play and sing this song with a friendo It is likea conversation, in which you and your friend play question and answer phrases. You O

~~!j D

1

O

J

S

J

E

E

D,

Your friend 5 O

O

~~d Al 80th 9 O

.. ~So

.

ways

1

~d

we're

a

You're

O

to

help

when

1

O

O

to

in

deed.

O

1

~-

~j j

there

friends

friend

O

J

~d

~-

~j

S .O

O

O

O

I~ ge

I'm

in

need.

O

1

~-

.J .J -

ther,

yes

in

deed.

l~f'.

l:r" () jl r)

r" r" ,J (~

P f) t)

f') t~

J

Swung

>..

~

','

-_.~--"--~.¡

'.

"""

'"

; "

~

,...

-

In the second part of One finger dance the open strings D and A are played together stopping.

this is called double

11

iI

~

PO

You ~f¡ r

r1

~- I

.

I

"',. 4J

. .

-

Your friend r1 f}

'1

I

I

..

I u

~'-"

V

~I

I

I

r1

I

I

I

. .

~c..

..

I

V

..

.

c..

12

CH

~~AB

~V -~

I~ E

9

~

. D

E

E,

Fred and

'

B

A,

me,

D

Eee

A

ab

- ba -

B

dab

B

- ba -

A,

dee!

. '--" .'

1,:-") \:<}

e) v) r-)

PO

1.

~i~~J tread

Push

-

V

le,

spm - die,

drive

Round

goes

~J

the

:~

spm - ning wheel.

.. '0

,.

14-

CH pIZZ. 1

~ i~ Stitch

in, stitch

in,

stitch

In

time,

A

stitch

in

time saves nine.

t~ l"

s

.

( 1S ) t'rere

Jat1t/es

traditional

French

e

1\;~nato 1 arco o

-

1

2

~ t~ Fre

v

~.

.

-

re

Jac

-

ques,

Fre

-

Son

- nez

re

Jac

-

ques,

Dor

-

mez

vous?

Dor

-

mez

vous?

s

~

Son

- nez

les

ma

- ti -

nes!

les ma

Ostinato ~012

- ti -

Ding, dang,

nes!

Ostinato

2

tj~ Fre - re

dong!

Jac

- ques

~

Ding, dang,

dong!

3

: Fre - re

Jac- ques

1é

,

(Suo-gon)

traditional Welsh '"

You

'c"

2

~~I

w. " no ~@),

1 I

~,, -

...-1 1

"

Your friend

tJ

I

1

" 40

"

11.

-

11

11

U

'

I

I

'1

I

..... "

I

I

I

I

...-1 U

U

\) \,') -"

'C) \) 1:J -r)

t)

11

words CH, music PO

r:)

You ",

2

"

@)

" Sails

I

~I

I

..

LL

nTI

11

go round, the

corn

is ground for

" flour

Your friend )

11

in

-

side

the

U

U

wind

- milI.

"

-

o r) 'f') T) f:)

2

2

I

, '41)

',J") t::.~.~)

.

I

"

"

."

"

11

11

U

( ---

--< l. i

f') {, c--

'"--'.

í .~

I

-

~

(

-'-

The next two pieces begin on FU,played with the 2nd finger. Make sure the F~is in tune before you start the piece. Climb up to it by .

playing D (open), then E(1st finger). then F~(2nd finger).

traditional

You ,ti

o

2

v

1"}

~, r

"

,. u. 11

4J

TI

O

Hot Your friend

cross

U

cross

hot

buns.

buns.

i1

1"}

, .-

IT

.,

,)

-

.

s

I

.,I

.,

fT

~~i1

,

.'

.,

.,

One

a

40

.,

.,

-

I

~I I

-

--=

-

two

a

pen - ny.

-

-

U

T .

~i1 r,

,, V

"40

pen - ny. I I

TI

hot

-

cross

buns.

~. I

.,

-

11

Look at the last bar in no. 19. Do you remember the name of this technique? (Look at no. 11.) traditional

arco

~

o

J

~

..

i1

~J J S

Swung

s'

.

..

..

., ..

.

s

¡¿ ., \:~) y¡

':) C) tJ e) (') r) e)

la

traditional

r) (;) t-)

pud

Pease 5

- ding

T)

-

pud

pea se

hot,

- ding

r) 1"')

cold.

e) 'f:J

.

~

~j pud - ding

.

Pease

.

~.JJ in

the

S

pot

~-

J ing

grow

:1

..."..,, f) 71)

mould!

1~) 'r) p)

..

..

..'

, '

'

,

>:

,-,-" ,

,",

,

,., #,

'

")

l1

traditional French

Ask your friend to play the ostinato accompaniment

on page 17. V

~

..'\ /

-") --¡:) '"-'

V

j

II

~ad

~t

-

h\~l1sters

Big

~

big

red

bus.

bus,

red

A

big

9

red

bus.

11.

tJ

and

troin

rood

.

v

~o~t~

v

big

red

A

trae

bus,

-

'

tor,

trae

a

v.

G.

H.

on

and o

tor,

-

.0

I

112.

~~jj

big

a

words CH/SR, music traditiona/ /srae/i

~big

A

bus.

red

j :~

j

j

red

bus.

v . big

A

5

11.

~ r~

bus.

red

red

bus,

on or - ti - eu - la - ted lor - ry ond o. .

big

A

A

bus.

red

~

tor,

trae

V

r tor,

trae

a

on

or-

I

11.

-

- ti -

21

big

a

bus,

112."

big

9

red

cu

-

Ostinato

la

-

ted

lor

-

ry

ond

accompaniment

a

big

red

bus.

A

big

r

r

red

bus:

E=U

for Clown dance 11.

~-~

112.

I

" , "

traditianal French

"'., This piece begins on G, played with the 3rd finger. Make sure the G is in tune before you start the piece. Climb up to it by playing D (open), then E (1st finger), then F~(2nd fjnger), then G (3rd finger).

Fine

.'(.'

\:) t)

-

r) t,)

D.e. al Fine

~

\"1 t)

-

C) ~~) lO) f'')

~ To Codal ¡'

°

/

rOl

112

n

=r2~

~

DÜI"

f~

"--'

"

::::

24 (pupil's part)

~t~ Twin

- kle, twin - kle

Draw .your bow

J

,

\

a

lit

- cress

- tle

bow,

the string,

-play

care

this

- fui

r r)

:1

c) r) 1") T)

words 15, music traditianal

Fine

fj f.c.) ..

fast

then

play

it slow. 0'J

D.e. al Fine , -... I~

not

te

let

it

ping!

l'

"¡

--> .-

MiSS Mary Ma~ r1

.

~

~

~~ Miss Ma

s

- ry

black,

black, Her

Mac,

hair

was

long,

long,

112.

..

~~r1

.

.

~-

Ma - ry

back.

.

..

.

.

her

r

I

+

...

-

11

.. 112.

. ...

. . .

,.

pizz.

.

I

~

.

.

>-

.

-.

Twinkle, twinkle little bow (teacher's

~~

.

down

pIZZ.

11.

=fJ-.

6

in

""',""'"..

7

24

all dressed

long, all

r1

~~j

back. Miss

back,

back,

.

Mac,

Mac,

..

black,

-

r1

traditional

.

part)

~' .

/

~~ 112.

I

26

T~e

t~at l1ever ~t~p~

S~115

CH

Play this song over and aver withaut pausing in between. Find a way ta end the piece. Then play it again, starting slowly and gradually getting faster each time.

i1

v

song can start and

This

nev - er stop, You'lI

keep on

play - ing

you drop!

'til

i1

V

~SJ ~) ¡:j 1[5) t;;) ~)

W~j~tle w~jle i'~t{ W~T"

words Larry Morey, music Frank Churchill

f::?J 'ri)

ti

V

ti

I

i1

I

..

V

I

I

V

I

I

40

whist

, ~V

- le

i1

11

work,

while you

Just

whis - tle

V,

.

..

,

I

.

11

4)

F:) fe)

TI

Just

I

11

l)

while you

work.

Come

11

r)

V

.

1

5

-

... " 11

V

112.

.

I I

ej P) ~ 14 p) F)

on

get smart, Tune

up

and

start

to

whis

- tle

while you

work.

Just V

work.

/t'1 ($1

«¡

s .. .. .

!-~

...

. -...

-~

words 15. music traditional

arco

a - wa re

Be

and

take

good

careo Watch

out

for

sec

to

track

and

-

ret

a

- gents.

pIZZ.

.

5

v

Codes

to

cars

crack and

to

chase.

Trails

foes

to

face.

"

9

n

Be

dis

- creet

all

you . do,

'Cos

a - gents might be

watch - ing

you!

s.b. is short for 'slow bow'. Use the whole of your bow to play any note marked s.b.

e) c)

en) tells you to playa down-bow on the repeat.

c~

little bird

traditiana/ German

C) r)

n

-

J 9

r~

~J

.J

.J~

n r) r)

~""U'"

t() fe)

0.5. al Fine

v

~

F)

Fine

s.b.

M h ?,:>¡

( )

6

D.e. al Fine without repeat

Finel

c) "

P) (','\ f"1

f')

wards CH, music PO

P1

Ho

-

Ii

- days

are

on

the way,

Clouds are

gone,

days

are

long. ,:- '\

r

5

s.b.

'-/ I

""U'"

Sum - mer shine

is

here

to

sta y,

Lark

will

sing

his

songo s.b. i

words A A Milne, music H Fraser Simson

Introduction

~

~-

~J

s

v

~

~.§

Holf

- way

9

down

-

~J~J~ is

n't

not

a

at

17

stairs

the

-

a

stair

where

-

sit:

~.J~

J o

-

ther

stair

that's

quite

like.

~? bot - tom and

I'm

at

not

the

top:

the

~J stair

where

al

ways

stop.

Introduction

~ J

.16.

r.. .

11

~~~

I'm V

J~~is

this

5,~

.

it.

.

fj

There V

ny

the

is

~ .

So

. You

words adapted

11.

Your friend

3

I.--}

)

With a

oh!

oh!

ee - i - ee - i

a horse,

had

nald

~;) G here and

a

G.

G there.

Old

Here

a

G. there

a

G.

ev - 'ry- where

a

G.

tJ

j -

Mac

Do -. nald

J

a

had

I~

l-:J

j

J

ee

horse,

~0 tj)

oh!

ee

tU

'.

.'

. ~

:>

11.

.

-

.

pizz.

.

~

. o

"~ .oo.!

___00-::--

oo.

_. '.

-:> :>

>-

.. .:>

~

>-"::::-

K)

#>-

. :>

.

10

>-

f::)

~ZL

d~

f:) l:t)

.»:>"

>-

(,)

I

..

arco.'

12. . pizz.

.

arco

.

>-.::;>"

.>++v

~~

G.

\;¡)

C)

j

5

<;::)

\:C-

~th

.

~_J

You

:~

Old Mac-Do-

.

112.

b

~S~

G.

by SR, music traditional

>-

>-

E})

"1 0'j

f::~:':J --() '-.." , ; "

G majar sea le

r

2

~

.i~~ J.

3

o

,

2

3

V

2'

o

3

2

1

o

,( i,-:-

.' . ~

"U'"

~'

s ..

..

-,

,

.~

'..

bTead ~~~T~Wn

CH.

-~ O,,

Cheerfully

2

3

2

2

n

.~

3

Fine

--é ~--

n

V

5

232

n

V

D.e. al Fine

traditiona/

Like cIockwork '" ~~4) D

Big

Ben

,,

,,

.,

,.

D

011 doy

(J ding,

dong,

'Oing,

long goes

D

clocks

Smoll

dong'.

, ~":

s.b.

/'¡~

(J

D

U

~u

u

'u

leJ

6

) I

I

~~I

'"

I

I

I

I

\:

1"

t1 ) ~

40 on

'4)

soy

woll

the

D

'Tic k, tock,

tick,

tock,

tick,

Bu - sy

lit

~~pIZZ. 3

2

tock'.

- tle

() ~~~

,,

U

D

D

D

tick,

tock,

I

1

t.) ",)

10

3 ~~~I

I

{J

I

I

() -:-

40

wotch - es

whis - per

'Tick - a -:-tock - a, tick

~110-.40

- a,

2

3

~~I

- o-tock

I

T

"

tic k- o-tock - a, tick'.

I

traditionaJ

TttTh t~e 5'asses ~veT (a round) Allegro

~r.~.~ "ve

been

to

Hor.-

lem,

I've

4

world

J

~J

011

o

Do - ver,

to

¡'ve

tro - velled

~J J .E8 ver,

O

ver,

o

three

r

r

times

o

~~j Orink

* entry point

whot

you

when ployed as a round

hove

wide

this

J===1 ver,

.J to

l" J

r

* ver.

been

drink

ond

turn

the

gloss

-

es

o

ver.

11

'-. ; (

wards

-.

.,

~

Off

to

just

France,

Get - ting up

for

a

day,

Glad

at the crack of the dawn, When

that

ev

it's not

- 'ry - one

far

toa

is

CH, music PO

- way.

a

yawn - ing.

9

~ ~~

Off on the train and I

hope it won't rain, We'lI

a - long,

sing out a song as we roll

13

let's

can't wait,

ce

- le -brate,

'Cos

we're

v

.

V

off to France.. in the

j'~I-

.

morn

V V

- ing. ..

j'#_. -"--",,

~"

."VV '-.-'

--

.

o majar

scale o

.-

~~~~

1

~.,-~

~

2

3

.0

.

1

2

~~

'--'

VV"V.V ..-.-

.

3

11

s "j ~)

~.

~ rJ You can .use either the open string or your 4th finger to play the note A. The choice you make will depend on the notes before and after the note A.

t)

rJ

In the following pieces the fingering is marked.

:;;;..R~.tit¡!i

driver

(a round)

l..)

words CH, music traditional

French

Do you recognise this tune? (Look at no. 15)

.

r) 4

~ Ra

- cing

dri

- .ver,

ra

- cing

dri

- Ver,

In

your

car,

in

'rJ fe.) your

car,

FiII it

Fe!}

ts';¡

*

*

L)

.-,..,/ . I

up with pet -, rol,

entry point when played as a round

fill it

up with pet

-

rol,

You'lI

90

far,

you'lI 90

faro

e

r .~

..

....

..

r,

I

'-. Thornas H Bayly

1\

'"

Andante

oI

.!.lo

4

.

I

--

., Te

""

-

.. me the tales that to

11

me were so dear,

s.b.

-

()

o

.,

4J

I

I

r--'íí

~I

o

4

s.b .

1

., -

'-J

Sing me the songs ~s.b.

,4 )

long, long a - go.

.,

")

"

- go,

s.b.

I

u

5

Long, long a

I de- light - ed to hear,

Long, long a - go, long a - go. s.b. I 1

1

1"""""-1

.,

u

Ludwig van Beethoven

.;

1\ JJ,

Allegro

4

4

I

I

., ,,,

-

40 ~3

1

-

1

I

3

GI

2

I

..

..

"'-.4

-

-

I

I

6 ~")

v

-

..

..

4U

~2 2

") JJ,

3

I

3

V

I

,4)

l

4

')

~I

2 I

1"1

I

.,

.-1

-

1"1

2

I I

I

3 -1"1

'

V

S(J

4

.,

. 4U

-

I

'

4

"1 JJ,

~1"1

-.-1

-...¡

., I

-

u I

I

.

I

'\

40

jerome

Cantabile

~

¡- ,

4

v

~

J

5

Il.

~

.

Kern

112.

-

pizz.

I

:~

I

r', -r/' I I .

.

arco

.

.' pl~Z.

arco

J~

arco

.

.

V

pIZZ.

.

arco

arco

.

plZZ.

V

.

V

11.

(1

.

r }

arco

112. arco

n

f)

:n_:

r,

: ;:/

'.

'

.

.'

"

( ¡

41

joseph Barbera, Wil/iam Hanna and Hoyt Curtin

i " ~ t:'; t--._',

(pupil's part)

l' "¡

Aim to play this tune quickly, but practise slowly at first. Notice that there is a rest on the first beat of some bars.

o

1. Flint - stones, 2. From the

meet town

~ ~

the of

~ the a

they're they're

........ .-

mod - ern stone age place right out of ,"

112.

Eu fa - mi his - to

- stones, - rock,

Flint Sed

Il.

4

4

:~

u

- ry.

Iy.

Let's

ride

with

the

13

~

o fam -'Iy down the

street,

through

the

cour - te - sy

of Fred's two

feet.

---

When

with

you're

the

Flint

- stones,

J~ ~V a

ya

doo

ba

time,

you'lI

have

a

ya

ba da

doo

ba

pIZZ.

o

have a

o r~

good

old

I

I

time.

-

41

.

.

(Meet the) Flintstones (teacher's part)

~ 11

J.§

n

n

.

7

''-.7 CODA

.

time,

~

~

A slur joins two notes of different pitch and isplayed in one bow, which enables you to play smoothly. The Ita/ian term for playing smooth/y is legato.

42

traditional

-

v

r1

J

~

V

V

r1

5

~ .

V

J

'

. 1

~

J~ ~

J

Melody

.

pIZZ.

r1

V

1

'"

112

~

pizz. I

V

4

r1

-

j~ ~ Il.

12.

.

V

W

r1

. ..

J

.

V

r1

~

~

0

V

J r1 V

V

t9

.

r1 .J ~.

J

~ 9

V

¡+ ~

.

~

r1 -

:~

. p~z.

I

o~

V

r1

.J~~

0.

.3 3

.

r-) '0 t') rJ 7) 11 /) 4 i) "F")

rf"'

.} ~') ') ...¡ ') r) "1

Malvina Reyrrolds

o

5

arr. CH

V

~

J

V

North American,

:1

Tr~j~c\

Serge Prokofieff

Light and lively

~

..

~

S

4

v

O

~IS.b

.

.0

r:...r:..r..r-

Your teacher

Dc\}'dre~h\er

~

CH 2

how

day- dreams

soothe,

3

all

the

~

J Think

n

when

ed

v J=i.

O

V -

ges

blur.

V

n

To

s.b.

~o

.

make

..

the

mu

.

-

sic

43

.

then

join

notes

with

a

slur.

-

~

~

.","..

~ 9

smooth,

."'

'...

----Morningtown

12.

~

ride

(teacher's

part continued) .

I

-"

) '(c

T l")

johonn

Strauss 1/ 'f::'}

r')

With a HIt

Il.

~~o

.~.

.

~.

4

j

~

~.

~.

y'¡ l:')

pizz.

112.

~.

'()

'

T I

~

:~

Your friend

r,:

I l.

pizz.'

('

-t '-',

( -,.

41

traditional

Dolce

~

i

4

blue,

di!

- Iy,

La

-

ven

- der's

green;

'-"I

'}

"-'----

5

4

am

king.

dil - Iy,

shall

You

queen.

be

..

~.

..

(all ~f t~e. tar~t{sel

~.

CH "

s.b.

~.

~.

~.~.

--------

4

~.

.6~~II-

'~~r~L~'~'~

s.b.

~.

-------.~.,

\ 1

s

In this step you will practise a slow-fast bowing pattern in g

1

slow

fast

J

j

r) t'1

Dynamics tell you how quietly

o,

or loudly to play.

p

r) ,.;

tells you to play quietly. It stands for piano meaning 'quiet';

f

Ti T)

te 115yo u to play loudly. It stands for forte meaning 'Ioud'.

T) 1"', ,""

Paul McCartney

o

o

f

p

or

Win

lose,

v

o

Sink

or

o

~é" ~r'

One thing is

swim,

"

v

C'

p 8 ~~~I

4

o

I

Tl

-~

'....

.

4J cer - tain we'lI )

n

I

P

nev - er

I

r

'-41

14 /

"¡

-,-

I

I

I

p

,

.

..

-

f

We

hond,

I

.

-"1

,. \J

,,41 )

~I

I

I :.;;¡

'~

1

f

to -

stond

011

I

I

o.

~~..... ..7u. -ge-ther

We

ge - ther

I

I

I

-

.

(

I

I

I

I

112

,

J.I,

in

Hond

side,

J.I,

41)

)

T

-.r

I

.

J.I,

--

by

Side

in.

give

I

I

..

-' '-;:'\--

words Osear Hammerstein

r;;eSSiVO

~.

~ -,

P E~ -

del

-

E

weiss,

del

-

7

o

~-...

f1. greet

-~ Small

me.

morn

- ing

you

-

~.

~

I~.

J~

'ry-

Ev

weiss,

1/, musie Riehard Rodgers

el ea n

white,

and

13

and

bright, -

o

tJ

~

~. You

hap - py

look

to

meet

19

r~

~

bloom

Blos - som

me.

snow, may you

of

4

~~~m.

~. and

Bloom

grow,

and

grow

for

P~E - del-

er.

ev

~. -weiss,

J~

~.

~.

~. E

del

- weiss,

Bless

my

for

home -Iand

ev

er.

11.

-/

11 ., '

,,-.)

51

traditional North American

o

o

v

e) ~)

rJ ~) lZJ)

top

Old

of

COy

Al!

key,

Smo

- ered with

~g

~

s.b.

6 ")

.

JJ.

O,

p snow,

.

.,

.~

I

lost

-

lov

true

I

l

., ., ., p

~u

fj]\.;,.

11

s.b

~f¡J,j. ~r "

,J

'\ " "40

my

V

~'\:V

~r

I

I

l

4J ..~ JJ.

4

4

v

I

I

~ ~ ~) l@

-~ J;o,f/ .~

r:;T' ~er,

From

.-

U

I

court - in' too I

I

~e;

~ '--E

slow.

~(

I

'-'(2 " '-01

I

~C

I

~<1 traditional

Con fuoco

~

*

Lon - don's

burn - ing,

*

-

Lon don's

burn

-

ing,

,

J Fetch

the

en

-

~.<

gines, fetch

the

~ fire!

Fire,

fire!

Pour on

--( '-' {

*

~J en - gines, Fire,

/""I¿

j

j

.ti '--'{

( .-;5.

wa

- ter,

pour on

'\.".:

wa - ter.

,

'\;.:..,.

(I


c:

-

(

..

words Michael Randers,

music Donald Swann

Waltz 4

~.

rry~

~.

I~.

Mud,

mud,

glo

~ -

ri

-

mud!

OUS

No

- thing

quite

like

it

for

~

7

I

Accompaniment

~

Melody .

.

~

.§

p cool

- ing

the

blood.

(~o

fol - low me,

follow.-

down

to

f

the

hollow,) And

13

.

~~~ there

.

.

o

wal

- low

in

glo

ri

- ous

mudo

Melody arco

..

o

o

o

o

o

p

o

f

fol-Iow,-

.., /

us

.

1~~~_.

.--

let

(So

""-'"

down to the hol-Iow,) f .

.

.

...

.'

.'.

follow me,

'.

1

These two rhythms look different, but sound the same:

2

1 ---

+

~) \:,)

3

;c')

r u r

~}

don Bridge

Lon

()

r'

~r

f.b. is short for 'fast bow'.

don Bridge

Lon

~J 1f)

traditional

o ~~I

" 4U

~.

4

I

4

I

I

---../

'---""

f

r)

'--""

fall - ing down,

fall - ing down,

Lon - don Bridge is

r) r)

r:¡

foil - ing down.

¡---:,

') .u. .4)

p

.

'--"

,-, '

5

~.

~.

Tea Leggiero

~o p Tea

don Bridge

.

is

o

_. ing

fall

~.

f~T tw~

for

~. you - you - you

My

down,

(pupil's part)

and

two

two

for

f:)

f.b.

T) f()

fair

words lrving

- two - two

C) l"}

4

Lon

~"--....I

la

T'j¡

dy.

s.b.

Caesar, music Vincent Youmans, arr. CH

tea,

~.

Me

for

you

py

we

( .

and

~.

for

me,

f

Cao'l

you

see

how

, na

-

'ha

-

hap

-

wili

-)

55

Tea tor two (pupil's part continued)

7

11.

~

112.

i1

1-

i1

f

P

be.

I

J

~

+

~

~

pizz.

Ben E King, jerry Leiber ond Mike Stoller, orr. CH

Rhythmically

~.

~. 4

f-J.

~.

~.

.~

7

11.2.

~.

~

~

.~

I ~ ~.

~}.

When

the

night

has

on -Iy-

_. light

we'U

Just as -fraid,

long

18

and

come-

o

.. ..~

!he

land

dar!<.

And

- fraid,

No I

the

moon

is

me,

Oh.-

stand

see.-

by

the

~.

I

as you

is

No

stand,-

I

be

won't

stand by

a

So

me.

won't

dar - ling, dar - ling

me,

Tea tor two (teacher's part)

Oh,

stand,-

stand

by-

me,

stand

by-

be

a-

by

.

55

I

+

me.

Learn this zig-zag technique, which uses the whole bo\N. ./

1 ~"}'f

b~at

Dolce n

shows a r1 V r1 pattern shows a V i1 V pattern

s~n5

traditional Scottish

..........

f.b.

rJ FJ r) C)

7

n

Fine

r) (') t:?;

p

P) t) T) t'')

(p) 13

f.b.

I¡

11.

112.

v

V

n

o.e. al Fine (with repeat) -<: C) r) T) '...,¿ /1) F} ¡;'~

JtlpitfT

(p~pil'spart)

Gustav Holst

Inthis piece, use your 4th finger to play the note D on the G string when marked. ~/ ¡

Maestoso

,

~

..

f

,

Accompaniment

p

11

4.

,,0

,

0.5. al Fine

Melady ..

.. '---'

"j-

".)

I~

~

is a crescendo. It tells you to get gradually louder.

feed t~e birds

~g

Richard M Sherman and Robert B Sherman

fb.~

[ntrodu~ion

I~

J~.

.

~.

p

f.b.

~

~.

~.

fb.

~

..

f.b.

f.b.~

~

4

I~.

f

P

7

.

.

f

58

. 6

*

.

11

~J ..

J

-~:,.:;;:;,;.~::;~-

";."J.,"";

,','.;.

-~-'

.

Jupiter (teacher's part)

: ~.Cj..:..,-;:-:.' ~"Z/,~'~_.o..:;:u.:. -i",Z:",O,i"...;c1';"'':!''';':;...:J.,;~i:''''l''''';~.:1-~-.;..-:,'.''-

.,'I.~.:.~:'i :-:':"-=-->~'.~.-:... -=':"-':-~'-':'-''.

.

Rn~

D.S. al Fine (Accomp.)

~

j

1

A staccato dot tells you to make a note short and detached.

r

\.1 ~)

cresc. indicates a long crescendo. It tells you to get graduallylouder

¡ , --"'''\

until you reach the next dynamic mark.

,-,,' l.;

6()

traditional Russian

Con spirito

~ 5

~

.

f'J

4

.

~

t;) t)

p crese.

cW¡

O

4

/1.

4

]/2.

f

I

~

~

p

f

;~

}

{

r:~ F'')

r) .

p cresc.

5

11.

112.

I

r() (~¡ tI

I

r)

T~e ~'d bazaar

61

~

r1

~;

.

traditional

)

5

.

.

arco

f)

,ti

-

,

.

cre;c.

.

f

p crese.

.

.

--:;

l

-

.

-

.

.-

I

f .

..

..

.

.

--

.

. "

f

..

,- ---,-

--

mp

(mezzo piano) tells you to play moderately quietly.

'"!f

(mezzo forte) tells you to play moderately loudly.

j

-

~

A tenuto line tells you to hold the note for its fulllength.

r

. 62

(a round)

traditional

Waltz.

.

.

mp ~ Oh you can't

put your muck

in

.our

.

- bin.

dust

-

.

our

dust

.

.

- bin,

our

~

dust

- bin,

you

j put

can't

~ ~

your muck

in

our

dust

chips and

dust

vin

Pizz. + +

.

~

- e - gar,

fui!.

bin's

v

v

m.fFish --/'n'

our

bin.

V

~

¡

pep - per

pep

- per

pep

-per

At - choo!

pot.

V

Fish

.

'n'

chips

and

One

cup

of

cup

of

tea,

vin

tea,

-

e

twa

~

- gar,

cup

V

pep

of

tea,

- per

three

pep

cup

- per

of

tea,

cup

af

pep

- per

faur

pat.

cup

of

21

~ five *

entry point when played ds a round

six

cup

of

tea,

sev'n

tea,

eight.

tea,

i1

i1

Y~-..v

j-~ j r r

These are non-Iegato tieso They tell you to play both notes in the same bow, but to make them slightly detached by stopping the bow for a moment in mid-stroke.

lJ V)

This technique is sometimes called hooked bowing.

ri is a diminuendo.

=-

It tells you to get gradually quieter.

,

c:')

6~

Wa'tz

Franz Lehar

f:) }::) tj

~j~

~JE J~.

~. S.~ ---=--

mf

mp 9

r) r;1 T) T)

'

mp

4

~j~

~.

~.

~j~

~mf

~

~.~ =-

'F) 'iJ 7)

mp

~) (-c:~)

~.

T;J

=-- mp

7';) 1')

pIZZ.

..

s.

""') l;)

~.~ ~

...) At~ / ~) ~ F.~~ "~ /" ..) .r..".-. ~)

9

.

..~)

'

é"J

11if

mp

17

~

'-" '

mp 11if

~

,

f

n

'-'

"

64-

Peter Yarrow and Leonard Upton

Moderato 1"1

6

v

V v

1"1

v V 11.

o

v

f.b.

4

4

"

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\

11.

~J.

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.

'Ja - ney,

.8u

~.

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you see no-bo-dy

pass

4

1TI!J1'NO

here?'

me

112.

:~. friend.'

friend.'

6

pizz.

~. ~ one

-~-

of

me dump-lins

avco

!

}.

11if

h

~

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me

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f

.. 'One af

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traditional

gen

r')

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r')

r)

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~

your boat

row

row.

(around) *

stream.

the

tly down

r")

-

~

('

r1

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[)

~.

Mer

-

ri

-

Iy, mer

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Iy,

mer

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Iy. mer

- ri -

Iy,

life

is but

lO')

e)

"")

entry point when ployed os o round

61

~

traditional

nV f

~

Half

.

-

a pound

of

tup

5 V

- pen - ny

rice,

~--------

the way

Ostinato accompaniment

~

.11if

the

mon

~Half

~~7 -

a

pIZZ.

4

V

~r1

That's

~

~nv

-

,

~

dream.

a

)

ey goes.

(play four times)

Pop!

7

------pound

arco ~r1

j

goes

of

.

trea

'

'-'¿~~.;.:

j. )

de,

-ffi. the wea - se!.

)

-

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------

-

,---

- ---

1

Marvin Hatley

Cheekily arco

,;

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v

l

v

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u.'

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nif ~~jJ, pizz.

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1)

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mp

f

.

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traditianiJI

French

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6

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v

v ~

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mf

V

:~

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ar ~

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f


G majar arpeggia

D majar arpeggia 3

~.

3

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I1

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lO WeJre ~ff t~ see t~e W,zard

words E Y Harburg,

music Harold Arlen

Con spirito

-

11if

We're

off

.

tosee

the

Wiz-ard,

the

5

he

whiz

a

is

a

of

Wiz

of

~. ev

if

- er

a

Wiz

there

ev - er

a

there was,

Wiz

~~

the

n

fJr

- cause,

be - cause,

be-cause,

e) T) If

is

of Oz

e) r) r) T)

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be -cause,

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14 f

be - cause,

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17

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mp

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Wiz-ard

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n

V

ev - er, oh

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n

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won-der - fui Wiz - ard

n

"\

.

/

e, fr'j

-

V

~

~.

¡ -cause

of

the won-der - fui things

21

~

~~ 11if We're

he does.

n

V

.'1-

to see

the

Wiz- ard,

the

7:1

of

won - der - fui Wiz - ard

Oz.

('

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,

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n

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(

V

V

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F is halfway between E and F# - a semitone higher than E and a semitone lower than F#.

11

traditional

Misterioso

2

2

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~ia~ mp v V

..

4

~

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2

Il.

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112.

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traditíonallsraeli

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sha

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tra

le

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ot,

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lóm.

sha

.

:.

'tom~

r"'-..j


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)

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Brightly

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o

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mf


~~'

mp V

.

~.

14

words Howard Ashman, music AJan Menken

Cantabile

4

o

n

mp 4

mp

s

o

4

o

9 v

V

n

n

-= v

4

mf 13 v

...

n

V n

v

v

4

pizz.

v

4

,

.

mp

7

11..

n

112..

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12

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mp

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T

Look carefully at the key signature before you start each piece, so that you can decide where to place your second finger.

1

f',

r'

Lookat the accompaniments for Short'nin' bread and What shall we do with the drunken sailor~ Check their key signatures. What do you notice? Where will you place your second finger?

f)~~rt' nin' bread

jacques

V

V

V

n

Wo/fe and C/ement Wood

n

'"!f

V

'"!f

16

traditiona/

Con spirito

4

_J

-

-

~) )

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'"!f What shall ""e do with the drunk

- en

sail

-

oro What shall we do

V

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with the drunk

sail

-

oro

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n

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~~~.~

mf 5

~,

-

4 What shall we do

with the

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-

en

sail

-

or,

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-

,.

"

Iy

in

the

f

morn

-

ing? -<:::;'

n 4

f

-..:-'

,-

11

words Richard Smith, music Felix Bernard

V

~.

r1

V

~ Sleigh

be lis

you

are

ring,

list

-

o

4 r1

V

J

~.

'nin'!

V

r1

the

In

v

~r

J

r

p glist

-

A

'nin',

beau

-

ti

sight,

- fui

V

r1

.

Walk

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§. in

a

win

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ter

der

won

-

I

112.

r1

V

J.

:J~.

Sleigh

land!

bells

11.

-

V

J3J o

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r1

hap - py to - night,-

7

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is

snow

~.

We're

-

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lane

o 4

V

r1

I

-Iand!

112.

pizz.

.

I

~j.~ LesJie Osborne and Simon May

r1

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11.

mf 11

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V

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.

4

112.

J ~: 112.

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~:

pizz. +

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Al! the tunes in this step use a mixture of both positions of the 2nd finger.

s

..4

.~

(

Patty S HiIl and Mildred

HiIl

~)

ct\

') IFJ ("")

hop - py

you,

to

birth - doy

you.

to

birth - doy

Hop - py

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f'~-~ .;'

mf 5

v

G\

¡,t

."

I

f

birth

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-

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deor

doy

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i1

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py

V

birth

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doy

to

you.

....

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v I

mf

I'J~ ,41)

i1

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mf

f

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words Larry Morey, music Frank Churchill

'"1 Lively V.

~

~

f

f'Heigh

-

ho',

V

i1

i

~ To

'Heigh - ho',

")

V

i

moke your trou - bles

go,

~

Just

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keep

on

sing

-

I

V i

i

. 6

_.~

011

doy

long 'Heigh

-

ho',

'Heigh

- ho',

'Heigh

- ho',

'Heigh

-

ho',

~ 'Heigh

)

ing

I

~

- ho'. ~.-"'0

,

"

. -.'

f'. 11.

112-

r

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The next three tunes use both positions of the 2nd finger on the O string: F~and F.

T~e -AddatnS fatnily

VicMizzy

Spookily

V

n

V

n

V

nif 5

n

n

V

V

f

=

11.

n

112.

V

mp

mf

traditional

f.b.

~.

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p

~b.

Caribbean

V

:~

J~o

mp I El

--,

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Richard M Sherman

1..

Waltz

4

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6.-.1

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mp

........

I

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and Robert 8 Sherman

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Melody arco

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==-

f /1.

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.

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i1

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D.e. al Fine (with repeat)

112.

===--

CODA

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mp

mp

f

A majar scale The finger pattern is the same as that of D major (pa.ge 27), starting on the A string. .

-~

~

arpeggio

~.

3

2

~". 3

1

O

3

2

1

O

~

pizz. +

.

."

r,;.;j

.. . ..~ ..,;

,

~ ~ ~ tf~

Lione/ 8art

~~)

~ 7';\..;i

Who

Such

this won-der - fui morn - ing?

will buy

you

a sky

never did see!-

1?)

p) P9 ?Si) Who

.

will tie

up with

it

a

rib

-

bon,

And

put

it

a

box

for

me?

~ ~ ~

~;)

.

~

s

.

'.

.:~~

. mf

V

..

..

tt

.

------

p

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arpeggio (two octaves)

;1 -," .

.

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01230123012301

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.

in

... c:f.

.'

1$eatity Andante

-

n

,

t~e ~east

c:\l1d

words Howard Ashman, music AJan Menken

-

p'---'"

,4

'---'"

true

time,

as

Tale as old

":-"

-

n

as

it

can

.

v'

.'

p 5 ,;

"*~ Bare - Iy

e - ven

=

friends,

~-eP

~"-"'

mp

=:

then some.- bo- dy

"*-d

1"1

v

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be.

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bends

un - ex - pec-ted -

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Iy.

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p

n

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.

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-

1"1

---./

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. Just a

, 13

Small, to soy the

change.

lit - tle

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I

u"

v

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v

1"1.

v

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mf scared,

nei - ther one pre

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Beast.

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=

.-

~'-"

p v

6

lit - tle

1"1

11

"

least.

v

n

11

Barcarolle and Millennium both contain three-note slurs. Play each slurred group of notes in one bow.

tz1

~ar(aT~"e

jacques Offenbach

Tempo di valse i1

V

i1

V

i1

i1

r) V] r) r")

P i1

V

i1

V

i1

i1

5

112.

mp

p

p

m:p

p

p

~~Millenl1itt\'n arco i1

Robert Williams, Guy Chambers, john Barry and Leslie Bricusse

V

i1

V

mf pizz. f¡ I

.) \

f ;"':'..'

5

112. (.'\

-. Melody

We've got

4

stors di - rec -

ting our

fote,

ond we're proy

-

ing it's-

not too

.

.

4jll

.. ....

~

.

lote,

'cos

we know-

we're foil

ing from

.groce.

Mil- len- ni - um"----

. We've

got

Watch out kookaburra! and Nocturne contain four-note slurs. Play all four notes in one bow.

(a round) 4

_V-

on the

v

f

Fly

koo

te - le - phone

- ka - bur -

fiy

ra,

wire~

Watch out koo-ka-bur-ra's

~

O

~r ~ *

~

.

'"!f Koo- ka- bur- ra sits

1-

*

V

::

.

traditional Australian

fea-thers

fireL

on

u

mf

koo - ka - bur - ra,

Flap

your

wings.

high.

fly


Aleksander Borbdin

Andante

~r 7

~

mp

V

V

4

11.

~

~L

'--'" .

112.

.

"

.

~'"!f=

~

------

~. -~

~

H

~o

------

0

11,.

~- o.. .

11

~r p

11.

12

roll.

J~

-" /.-

mp j¡~. ~

Melody

v v

n

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.

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,,~~'ío-~~~~~~~:~~lt>r~~t-f¿!.1\"i~,f"¡',,*~~~~~.:,~miF~'4!i%~~~-~~¡ijt~~~~~}~ft~~>~'$t~~~~.w~WJ:~~",',1.-,1I~~~~~M~I¡.~.J,.~~~~&.-~,J-F:",tl..'fJ!'o\\;~~,~.;~

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.

The author and publisher would like to thank the following for their help in the preparation of this book: jeremy Birchall, Patricia Birchall, jennífer Boston, Adrian Bradbury, Emily Brayshaw, Chris Bryant, Helen Crayford, janet Crew, Louise Dearsley, Tanya Demidova, Philip Dukes, Heather Fleck. David W Giles, Emily'Haward, jocelyn Lucus, Andrew Lynwaod, Grace Lynwood, Barry Newland, Maleolm Pollant, Maja Passchier, Aoife PatarotHinds, Roland Roberts, Sheena Roberts, Valéríe Saint-Pierre, Elaine Scott, Michelle Simpson, Hally Stirling, Daminic Viall, Matthew Watson and Allison Whitehead. Very special thanks ga to Caria Moss. We are grateful to the following copyright owners who have kindly granted permissio;, for the reprinting of these items: Beauty and the beast (from Beauty And The Beast) Words by Howard Ashman, music by Alan Menken «:J1991 Walt Disney Music Co and Wonderland Music Co Inc, USA Warner/Chappell Artemis Music Ltd, London W6 SBS. Reproduced by permission af Faber Music Ltd. AII Rights Reserved; Chim chim c"er-ee (from Mary Poppins) Wards ,and music by Richard M Sherman and Rabert B Sherman «:J1963 Wonderland Music Company Inc. USA. Warner/Chappell Artemis Music Ltd, London W6 8BS. Reproduced by permission of Faber Music Ltd. AII Rights Reserved ; Dance of the cuckoos (Ku-ku) By T Marvin Hatley
Copyright Secured; Edelweiss from the Sound of Music. Words by Oscar Hammerstein 11,music by Richard Rodgers
permissian ,of Faber Music Ltd. AIIRightsReserved ; Halfway down the stairs Text by A A Milne and music by H Fraser Simson. Copyright under the Berne Convention; Happy birthday to you Wards and music by Patty S HiII and Mildred HiII
by Hanna-Barbera

Production

Inc;

Millennium Words and Music by Robert Williams, Guy Chambers, John Barry and Leslie Bricusse 10 1998 EMI Virgin Music Ltd. BMG Music Publishing Ltd and EMI United Partnership Ltd, USA (33.33%) EMI Virgin Music Ltd, London WC2H OQY (33.34%). Worldwide print rights controlled by Alfred Publishing/IMP Ltd. Reproduced by permission of Faber Music Ltd and International Music Publications Ltd. AII Rights Reserved. [rhis song cantains a sample from "You Only Live Twice" by Barry & Bricusse 10 EMI United Partnership Ltd]; Morningtown ride 10 1959 by Amadeo Brio Music Inc. Administered MCS Music Ltd, 32 Lexington Street, Londan W1F OLQ;

by

Short'nin' bread lb>Copyright 1928 (renewed) by Harold Flammer Music (AS CAP), a divisian of 5hawnee Press Inc. International Copyright Secured. AII Rights Reserved. Reproduced by permission of Chester Music Limited; Stand by me'Words and music by Ben E King, jerry Leiber and Mike Stoller 10 1961 (renewed) jerry Leiber Music, Mike Stoller Music and Trio Music Company INC. This arrangement tC 2002 jerry Leiber Music, Mi'ke Stoller Music and Trio Music Campany INC. AII Rights Reserved; Supercalifragilisticexpialidocious (from Mary Poppins) Words and music by Richard M Sherman and Robert B Sherman, USA, Warner/Chappell Artemis Music Ltd, London W6 8B5. Reproduced by permission of Faber Music Ltd. AII Rights Reserved; Tea For two Words by Irving Caesar, music by Vincent Youmans 10 1920 Harms Inc, USA Warner/Chappell Music Ltd, Londan W6 8BS. Repraduced by permission of Faber Music Ltd. AII Rights Reserved; The Addams family Words and music by Vic Mizzy 10 1964 Unison Music, USA. EMI Music Publishing Ltd, London, WC2H OQY. Reproduced by permission of International Music Publications Ltd. AII Rights Reserved. Europe only; The hippopotamus song Words by Michael Flanders, music by Donald Swann
AIIRights Reserved ; 1921 Goodwin

& Tabb

Transferred

to

J Curwen

& Sons

Limited, 8/9 Frith Street, London W1D 3JB. AII Rights Reserved. Reproduced by permission;

~ f) r~)

G)

f.() fI'J,

Waltz from The merry widow Original words by Leo Stein and Viktor Leon. English translation by Adrian Ross. Music by Franz Lehar.
?')

Watch out koakaburra (Kookaburra sits in the old gum tree by Marian Sinclair)
rC')

We all stand together Words and music by Paul McCartney Communications Ltd;

10 1984 MPL

J":) ~

1''')

We're off to see the wizard Words by E Y Harburg, music by Harold Arlen lO 1939 EMI Catalogue Partnership, EMI Feist Catalog Inc and EMI United Partnership Ltd, USA. Worldwide print rights controlled by Alfred Publishing/IMP Ltd. Reproduced by permission of Faber Music Ltd. AII Rights Reserved; '

Whistle while you work Words by Larry Morey. Music by Frank' Churchill. 10 copyright 1937 by Bourne Co. AII Rights Reserved. International Copyright Secured. Printed with permission from Bourne Music Ltd; Who will buyl
ABRACADABRA VIOLIN Boob 1 CD

Part of your world (from The Little Mermaid) Music by Alan Menken, words by Tim Rice
Violín Roland Roberts Piano - Helen Crayford

oi

(iD

I?)

Op 32 Music by Gustav Holst

Limited.

Off ta France in the morning, One finger dance, Spinning wheel. Summer shine and Windmill song
Puff the magic dragon Words and Music by Peter Yarrow and Leonard Lipton 10 1963 Pepamar Music Corp and Honalee Melodies, USA, (70%) WarneriChappeii Music Ltd, London Wb 865. Reproduced by permission Faber Music Ltd. AII Rights Reserved;

L:)

,

Theme from Jupiter from The Planets lO copyright

e)

-

Engineered by Andrew Lynwoodat Winterbrook Recording Studio, London AIIrights reserved. Copying,publicperformance and broadcastinq - in whole or in Dart - of the recordinq are prohibited by law.'

A::)

~ €) --./

r-') Io;'~

>'

,)

,

)

~ )

--

.

.~

page

page A friend

in DEED,

10

10

A A A A

arpeggio sea le in time, 14 a tasket, 6

59 59 12 8

page

32

I

Jupiter, 58

42

¡i

Kalinka,60

44

1carne from Alabama,

42

iI

!

major major stitch tisket,

I

I ¡I

I

18

Au clair de la lune, 23

I I !

62 61 26

Barcarolle, 87 Beauty and the Beast, 86 Big Ben, 34

Bobby Shafto, 3 Brown bread, 33

5 25

Call of the carousel, 48 Chim chim cher-ee, 83 Clown dance, 21

35 58 16

I

I

iI iI I

¡ I I

I !

Dance of the cuckoos, 68 Daydreamer, 45 D major arpeggio D major scale Dumplins, 65

49

iI I

33 íI 49 ¡I 27 I 47 I

I

EastEnders, 78

55

Ede1weiss, 50 Eee-abba-dabba-dee!

37 11

12

Egyptian snake dance, 71

51

Feec:t the birds, 59 Fiddle fanfare, 9 Frere Jacques, 15

43 9 13

I

I

II i I !

i I

I¡ ¡

Lavender's blue, 47 Little bird, 29 Little playmates, 7 London Bridge, 54

34

London's burning (a round), 52 Long, long ago, 38

38 29

(Meet the) Flintstones, 41 Merrily we roll along, 19 Millennium, 88

30

Miss Mary Mac, 25

19 I 9 i 32 I

Mobile phone, 8 Morningtown ride, 43

Muck! (a round), 62

22

I

8 40

I

I i¡

I I I ¡

i

Waltz, 63

46

I I

Offto France in the moming, 36

27

Old MacDonald, 32 One finger dance, 11

24

II

11

i

Part of your world, 74 Pease pudding hot, 20

II iI

38 53 16

I

5

Pizz onO, 1 Pop! goes the weasel, 67

4 48

I

Puff the magic dragon, 64

47

60

I I I

Happy birthday, 79

23 56

I

Heigh-ho, 80

Racing driver (a round), 37 Ragamuffin's rag, 84 Road monsters, 22 Roses from the South, 46

56

i 28 59 , 17 I 34 II

Row, row, row your boat (a round), 66

48

49 íI I

G major arpeggio G major scale G major scale and arpeggio (two octaves)

24

Halfway down the stairs, 31

.

Hot cross buns, 18

15

I I

I

II

Tea for two, 55

I

I I

On top of Old Smokey, 51

7

57 44 49 20 30 33 26 18

I

29

to joy, 39

expialidocious, 5

The mocking bird, 82 The old bazaar in Cairo, 61 The shepherdess (a round), 69 The song that liever stops, 26 The way you look tonight, 40 Troika, 44 Tum the glasses over{a round), 35 Twinkle, twinkle little bow, 24

,

45 I

Ode

Stand by me, 56 Summer is .icumen in (a round), 73 Summer shine, 30 Suo-géin, 16 Supercalifragilistic-

.40 57 39

62

63

Spinning wheel, 13

21 52 54 42 12 41 52 22 14

The Addams family, 81 The hippopotamus song, 53

15

Nocturne, 90

Pizz A pizza! 2 I

II

Secret agents, 28 Shalom (a round), 72 Short'nin' bread, 75 Skye boat song, 57

¡ !

Watch out kookaburra! (a round), 89 We all stand together, Welshlullaby, 16

49

We're off to see the Wizard, 70

63 36 14

50

What shall we do with the drunken sailor? 76 When the saints go marching in, 4 Whistle while you work, 27 Windmill song, 17 Winter wonderland, 77

Who willbuy?85

54 6 20 14 55 60

i I

--

,.,

down-bow

up-bow lift bow in circular motion ~ + left hand pizzicato repeat from the beginning (Da Capo) up to Rne (the end) D.e. al Fine repeat from %; (the sign) up to Fine (the end) D.5. al Fine slow bow s.b. fast bow f.b. z:...r'1Vi1 zig-zag bowing pattern V,., V zig-zag bowing pattern --=s::crescendo - get gradually louder diminuendo -.get gradually quieter ===pause arco with bow ostincto a repeated musical phrase pizzicato-(pizz. ) plucked rallentando (rall.) get gradually slower short and detached staccato tenuto with a light accent, lasting fulllength

V

."

"

p f 11rJ' "!f

(piano) quiet (forte) loud (mezzo piano) moderately quiet (mezzo forte) moder.ately l,!lud

allegro andante cantabile con fuoco con spirito dolce espressivo legato leggiero maestoso misterioso moderato tempo di valse

fast and lively at a leisurely pace in a singing style with fire with spirit sweetly expressively smoothly lightly majestically mysteriously at a moderate speed like a wa;tz

abracadabra violin.pdf

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