Rethink the way you think! This book presents dozens of field-tested, immediately usable tools for generating ideas and stimulating creativity, and you will gain an understanding of over 100 cre...Full description
Rethink the way you think! This book presents dozens of field-tested, immediately usable tools for generating ideas and stimulating creativity, and you will gain an understanding of over …Full description
Descripción de los Meridianos Energéticos.Descripción completa
guía práctica para hacer acupuntura emocionalDescripción completa
Full description
guía práctica para hacer acupuntura emocional
Descripción de los Meridianos Energéticos.
Pengantar tapping boxFull description
Tapping para adolecentes
tappingDescripción completa
Apuntes en forma de mapa mental de un curso completo de tapping.
CREATIVE TAPPING TEC As recorded by Derryl Gabel Transcribed by Derryl Gabel
Mus Performance Notes
Creative Creative Tapping T apping Techniques EX 1 is an 8 note grouping using a T2, T3, T2 combination. EX 2 is a 7 note grouping using a T2, T3 combination. EX 3 is is a 7 note grouping using a T3, T2 combination. EX 4 is is a 6 note grouping using a T3, T2 combination. EX 5 is is a 7 note grouping using a T3, T2 combination. EX 6 is an 8 note grouping using a T2, T3, T2 combination. EX 7 is a C major scale using the T2, T3 ascending and T3, T 2 descending. It's a 5 note n ote sequence in groups of 8. EX 8 is a descending 7 note sequence in groups of 7. EX 9 takes a D Dorian mode and demonstrates how to manuver back and forth on adj acent strings while while ascending. This is a 30 note sequence in groups of 9. EX 10 is an F Lydian scale starting on the 7th which is E. E. This demonstrates a 10 note n ote sequence in grou groups ps of 7. EX 11 is another 10 note ascending sequence in groups of 7. EX 12 is a 10 note ascending sequence seque nce in octaves. EX 13 is a 6 note desending sequence in in groups of 6. EX 14 is the same 6 note sequence using a diminished scale. EX 15 is a descending C Mixolydian, 8 note sequence in groups of 8. EX 16 is an acending 8 note sequence in groups of 8. EX 17 is an acending 7 note sequence in groups of 7. EX 18 is an acending 8 note sequence in groups of 8. EX 19 is a descending A minor pentatonic, 6 note sequence in groups of 6. EX 20 is an ascending A minor pentatonic, 12 note sequence in groups of 6. EX 21 is a C diminished 7th arpeggio, 10 note sequence in groups of 10. EX 22 is an 8 note sequence using the Ab melodic minor scale in groups of 8. EX 23 is a 2 octave C mixolydian mixolydian scale using a 3 + 2 technique technique on the low E and D string and a 4 + 2 on the B string. EX 24 is a 3 octave C mixolydian mixolydian scale using a 3 + 2 technique technique for the low E and D string and a 4 + 2 for the G and high E string. Ex 25 is a 4 note sequence of an EM7sus2#11 arpeggio arpeggio in groups of 10. EX 26 is a 4 note sequence of o f an EM7#11 in groups of 8. EX 27 is a 4 note sequence of o f a CM7 arpeggio in groups of 8 over an Am9. EX 28 is a 4 note sequence of o f a CM9 arpeggio in groups of 8 over an Am11. EX 29 is an descending 4 note sequence using a melodic pattern in C Mixolydian in groups of 6. Gabelvision ASCAP 2009 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
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CREATIVE TAPPING TECHNIQUES - Derryl Gabel
Csus2
2
I 2 4
Example 2
^ V 8
10
H
Csus2
^ V
12
V
V
V
V
V
13
15
12
10
T
T
V
V
V
V
15
13
12
10
T
T
V
V
V
V
7
13
15
T
T
V
V
H
12
10
8
P
10
H
12
H
V
V
V
V
V
V
V
7
8
P
Example 3
I T A B
V
V
V
V
7
T A B
3
Page 3 of 22
10
H
12
H
7
15
13
T
T
12
10
8
10
P
12
H
P
Csus2 Example 4
^ V
4
I T A B
8
Csus2
^ V
10
12
H
V
V
V
V 12
H
V
V
13
15
12
T
T
6
13
15
T
T
12
8
10
H
12
H
V
V
V
V
V
V
V
V
7
8
V
Example 5
I T A B
V
6
H
5
V
V
V
V
15
13
T
T
V
V
V
V
12
8
10
7
12
8
P
10
H
8
12
H
15
13
T
T
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P
H
CREATIVE TAPPING TECHNIQUES - Derryl Gabel
Csus2
Example 6
^ V
6
Csus2
I 4 4 VV T A B
V
V
V
V
V
12
13
12
8
10
12
10
8
T
T
T
I T A B
P
T A B
T
T
H
H
17 15 13 12 10
T
Csus2
I
H
8 10 12 14 15 T
T
P
P
9 10 12 14 15
T
^ VVVVVVVVV 12 10
H
H
P
P
VVVV V V V V V V VVVV V V V V V V V V VVVVVVV V
8 10 12 13 15 H
9
V
Example 7
^
8
V
I T A B
7
Page 4 of 22
H
H
T
T
H
H
T
VVVVVVV
16 14 12 10 9 T
T
10 12 13 15 17 15 13 10 12 13 15 17 9 10 12 14 16
P
P
T
P
H
H
T
T
H
H
T
VVVVVVVVV
15 14 12 10 9 T
T
15 14 12 10 8
P
T
T
P
P
T
T
P
VVV
k
15 13 12 10 8 T
T
P
P
Example 8
^ VVVVVVVVVVVVV VVVVVVVVVVVVV VV 7
7
13 15 17 15 13 12 10
T
T
T
P
P
7
13 15 17 15 13 12 10
H T
T
T
P
P
7
12 14 16 14 12 10 9 H T
T
T
P
P
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12 14 15 14 12 10 9 T
T
T
P
CREATIVE TAPPING TECHNIQUES - Derryl Gabel
Page 5 of 22
^ 7
10
I T A B
7
j
V V V V V V V V V V V V V V V
12 14 H
15 14
T
T
12 10
T
P
8 P
12 13 H
15 13
T
T
12 10
T
P
8 P
Dm11 Example 9
^
9
9
11
I
VVV V V V V V V V V V V V VVVVVV VVVVVVVVV VVVVVVV 9
9
T A B
10 10 12 1415 17 10 12 1415 17 15 1412 10 10 12 1415 17 10 12 1315 17 H H T T T P P 1315 17 15 1312 10 12 1315 17 H H T T H T T H H
H
T
T
HT
T
T
P
P
H
H
T
T
^ 12
I
VVVV V V V V V V VVVVVVVVVVVVVVVVVV VVVVVVVV 9
9
9
9
12 1315 17 1917 15
T 12 1315 17 18 12 14 16 17 16 14 12 10 10 12 14 16 17 A 1415 17 15 1412 10 12 1415 17 B H
T
T
T
P
P
HT
T
T
P
P
H
H
T
T
H
H
T
T
H
H
T
T
H
H
^ V V V V V V V V V V V V V V V V V V V 13
I
9
9
M
1/2
T A B
13 12
P
15 17 18 17 15 13 12 13 15 17 18
H T
T
T
P
P
H
H
T
12 13 15 17 19 (19)
T
H
H
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T
T
T
T
j
T
P
CREATIVE TAPPING TECHNIQUES - Derryl Gabel
Fmaj7+11
Page 6 of 22
Example 10
^
VVVVV V V V V V V V V V V V VVVVVVVVVVVV 7
14
I
7
T A B
12 13 15 17 19 H
H
T
T
12 H
13 15 17 19 H
T
12 14 15 17 19 H
T
7
7
H
T
T
12
14 15 17 19
H
H
T
12 14 15 17 19
T
H
H
T
12
T
14 15
H
H
^ 15
I T A B
VVV V V V V V V V V V V V VVVVVVVVVVVVVV 7
17 19 T
12 14 16 17 19
T
H
T
13
T
14 16 17 19
H
H
7
7
7
T
13 15 17 18 20
T
H
H
T
13
T
15 17 18 20
H
H
T
13 15 17 19 20
T
H
H
T
T
Fmaj7+11 Example 11
^
VVVVVVVVV V V V V V V V V V V V VVVVVVVV 7
16
I T A B
12 14 H
15 17 19 H
T
12 14 15 17 19 H
T
H
T
T
7
7
7
12 14 H
15 17 19 H
T
T
12 14 15 17 19 H
H
T
12 14
T
H
15 17 19 H
T
12 14 16
T
H
^
V V V V V V V V V V V V V V V V V V V V V V
17
I T A B
17 19 T
T
13 15
H
7
7
7
16 17 19 H
T
T
13 15 17 18 20
H
H
T
T
13 15
17 18 20
H
H
T
T
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13 15 17 20
H
H
T
T
H
CREATIVE TAPPING TECHNIQUES - Derryl Gabel
Page 7 of 22
Fmaj7+11 Example 12
^
18
eVf V V V V V V V V VVV
I T A B
12 13 15 17 19 H
H
T
VV V V V V V V eVf V VVVVVVV
14 15 17 19 21 12 14 15 17 18 H
T
H
T
T
H
H
T
17 18 20 22 24 14 16 17 19 20
T
H
H
T
T
H
H
T
T
VVV
17 19 20 22 24
H
H
T
T
Fmaj7+11 Example 13
19
I T A B
^ V V V V V V V V V V V V V V V V V V V V V V V V 6
6
13 15 12 8 10
T
T
P
H
6
12 13 15 12 8 10
H
T
T
P
6
10 12 14 10 7 9
H
H
T
T
P
10 12 14 10 7 9
H
H
T
T
P
H
10 H
^ 6
20
I T A B
12
14
T
T
D7+9
21
I T A B
j
6
V V V V V V V V V V V V V
10
7 P
8 H
10
12
13
H
T
T
10
7 P
8 H
Example 14
^ gV gV gV V eV V V V V V V gV V V V gV gV eV f V V eV V V V 6
6
14 16 13 10 11
T
T
P
H
6
13 15 16 13 10 12
H
T
T
P
H
6
13 14 16 13 10 11 H
T
T
P
13 14 16 13 10 12
H
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H
T
T
P
H
14 H
CREATIVE TAPPING TECHNIQUES - Derryl Gabel
Page 8 of 22
^ 6
22
V V V gV V gV f V V V eV V V V
I T A B
15
17
T
T
C7sus4
23
6
14
11 P
12 H
14
15
17
H
T
T
14
11 P
j
10 sl.
Example 15
^ V V V V V V V V V V V eV V V V VVVVVVVVVVVV eV V V V V I T A B
