Beadwork - June-July 2014

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contents JUNE/JULY 2014 VOLUME 17 NUMBER 4

Designer of the Year Projects 20 HIMALAYA BRACELET

Glenda Paunonen and Liisa Turunen

Connect pearl, crystal, and seed bead components to form a bracelet with cool, silvery beauty 24 EMPRESS CATHERINE’S COLLAR Leslee Frumin

Tight right-angle-weave stitches are the secret to this crystal-encrusted necklace design 28 CAROUSEL BRACELET Laura Andrews String festive beaded beads on strands of seed beads to create this merry bracelet 32 CLEMATIS NECKLACE Christina Neit Combine fringe and netting with the new two-hole bi-bo beads in this componentdriven design

Projects 36 CROCCETA BRACELET Carole Ohl

38 RISING CURTAINS NECKLACE Maria Rypan

42 SONORAN DESERT BRACELET Sara Oehler

46 NARCIS PENDANT Rachel Sim 50 BOTANIC GARDENS BRACELET Svetlana Chernitsky

54 DANCING CABS NECKLACE Laura Luepke

58 FLORAL SWIRL EARRINGS Cheryl Erickson

60 TRY THE TRIANGLE Svetlana Einy 64 SUMMER GARLAND BRACELET Reem Iversen

68 EVENING STAR NECKLACE Agnieszka Watts

72 GIARDINO DI ELENA Stephanie Marie Goff

74 SEURAT BRACELET Cheryl Erickson

Stitch Index Backstitch bead embroidery 54 Brick stitch 54 Chevron chain 38 Fringe 20, 32, 50, 68 Herringbone stitch 74 Ladder stitch 36, 54, 74 Loomwork 42 Netting 24, 32, 50, 58, 68, 72, 76 Peyote stitch 20, 46, 54, 60, 64 Picot 20, 74 Right-angle weave 14, 24, 28, 36, 38, 46 Square stitch 28, 54, 58, 64 St. Petersburg stitch 60 Stringing 28 Whipstitch 54 Wireworking 58, 74

Empress Catherine’s Collar by Leslee Frumin

contents Departments 6 8 10 12 14 16 76 93 94 96

Passing Through W.O.R.D. (What Our Readers Did) Contributors The Challenge Stitch Pro: Faux CRAW Cool Stuff Simply Seeds Carmella Patzlaff Bead Buzz Techniques Bead Artist: Michael Harrington

KITS AVAILABLE

28

50

76

54

42

64

58

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On the Cover Narcis Pendant by Rachel Sim, page 46

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Project Rating Our three-level project rating system is found on the opening page of each project.



BEGINNER LEVEL Quick and easy

 INTERMEDIATE LEVEL Moderate time commitment



ADVANCED LEVEL Longer time commitment

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passing through Summer Beading What does your bead tray look like this summer? Is it full of quick-and-easy projects or one thing that will keep you busy until the leaves start to fall? For me, it’s a mix of both. At home, I love making fast projects since the long days seldom leave much time for beading. But for vacation time, a long project with only one set of materials to pack is a must. No matter how much time you save for beading this summer, our selection of projects runs the gamut from simple to satisfyingly complex. Laura Luepke’s Dancing Cabs Necklace (page 54) has the best of both worlds: Make just the inventive necklace straps with two-hole bricks and fire-polished rounds, or invest a little more time and create the stunning bead-embroidered pendant as well. With just six rows of basic netting, a project couldn’t get any faster than Cheryl Erickson’s Seurat Bracelet (page 74), featuring a painterly blend of soft matte peanut beads. And, of course, there’s another interesting new bead shape to play around with—bi-bo beads, featured in Christina Neit’s Clematis Necklace (page 32). This summer I’ll also head back to the video studio for our brand-new Beadwork Magazine Project Workshop series. In the debut of this video series, I show you step by step how to make our summery cover project, Narcis Pendant (page 46), designed by contributor Rachel Sim. Visit interweavestore.com to download (for purchase) my demonstration of this cubic right-angle-weave pattern, and check back for new projects added to this exciting series in upcoming issues. Have fun!

Melinda Barta Editor, Beadwork magazine [email protected]

Follow Beadwork on Facebook: facebook.com/BeadingDailyonFB

happenings ❯ Quick and Easy Is Back! Don’t miss our second supersized collection of all-new, easyto-bead, and quick-to-make beadwoven designs: Quick + Easy Beadwork. This special issue will be available on newsstands October 7. ❯ Private Lesson with Marcia DeCoster. Master right-angle weave—including the ever-popular cubic variation—with expert Marcia DeCoster in the newest addition to our Beadwork Designer of the Year DVD Series: Right-Angle Weave Fundamentals. Available as a DVD or digital download at shop.beadingdaily.com/RAWDeCoster. ❯ Get Your Bead Fix at Bead Fest! Visit beadfest.com for more information on our up-

coming can’t-miss fall show, Bead Fest Philadelphia, August 20–24.

EDITORIAL DIRECTOR Danielle Fox EDITOR Melinda Barta SENIOR EDITOR Jean Campbell MANAGING EDITOR Linda Harty PROJECT EDITOR Kate Wilson ASSISTANT EDITOR Megan Lenhausen COPY EDITOR Liz McGehee BEADING DAILY EDITOR Jennifer VanBenschoten SENIOR DESIGNER Connie Poole SENIOR PRODUCTION DESIGNER Mark Dobroth PROJECT PHOTOGRAPHY Joe Coca, Ann Swanson ILLUSTRATION Bonnie Brooks ADVERTISING TEAM LEADER, BEAD & JEWELRY Marilyn C. Koponen [email protected], (877) 613-4613 ADVERTISING REPRESENTATIVE Jan Clemmons [email protected], (800) 272-2193, ext. 123 ADVERTISING SALES ASSISTANT Cari Ullom CLASSIFIED ADVERTISING Stephanie Griess MARKETING MANAGER Ashley Lauwereins

FOUNDER, CREATIVE DIRECTOR Linda Ligon VICE PRESIDENT, GROUP PUBLISHER Shahla Hebets VICE PRESIDENT, CONTENT Helen Gregory VICE PRESIDENT, MEDIA SALES Julie MacDonald BOOKS EDITORIAL DIRECTOR Allison Korleski DESIGN MANAGER Larissa Davis SENIOR PRODUCTION MANAGER Nancy Pollock ECOMMERCE MARKETING DIRECTOR Evelyn Bridge DIRECTOR, MAGAZINE MARKETING & FULFILLMENT Mark Fleetwood ONLINE CIRCULATION SPECIALIST Jodi Smith

F+W MEDIA, INC. CHAIRMAN & CEO David Nussbaum COO & CFO James Ogle PRESIDENT Sara Domville CHIEF DIGITAL OFFICER Chad Phelps SENIOR VICE PRESIDENT, OPERATIONS Phil Graham VICE PRESIDENT, ECOMMERCE Lucas Hilbert VICE PRESIDENT, COMMUNICATIONS Stacie Berger Designs in this issue of Beadwork® are for inspiration and personal use only. Beadwork does not recommend, approve, or endorse any of the advertisers, products, services, or views advertised in Beadwork. Nor does Beadwork evaluate the advertisers’ claims in any way. You should, therefore, use your own judgment in evaluating the advertisers, products, services, and views advertised in Beadwork. Exact reproduction for commercial purposes is contrary to the spirit of good craftsmanship. Beadwork (ISSN 1528-5634) is published bimonthly by Interweave, a division of F+W Media, Inc., 4868 Innovation Dr., Fort Collins, CO 80525-5576. (970) 669-7672. USPS #018-351. Periodicals postage paid at Fort Collins, CO 80525, and additional mailing offices. © 2014 F+W Media, Inc. All rights reserved. Reproduction in whole or in part is prohibited, except by permission of the publisher. Subscription rate is $29.95/one year in the U.S., $34.95/one year (U.S. funds) in Canada and $39.95 (U.S. funds) in other countries (surface delivery). Printed in the U.S.A. POSTMASTER: Please send address changes to Beadwork, PO Box 6338-1838, Harlan, IA 51537. Retailers: If you are interested in carrying this magazine in your store, please call (866) 949-1646 or email [email protected]. For Beadwork subscription questions or concerns, contact us: Email address: [email protected] U.S. Customer Service: (800) 849-8753 Intl. Customer Service: (515) 237-3657 Fax number: (712) 733-1277 U.S. Mail: PO Box 6338, Harlan, IA 51593-1838

VISIT US ON THE WEB: beadingdaily.com • interweave.com • fwmedia.com

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BEADWORK

JUNE/JULY 2014

7

w.o.r.d.

WHAT OUR READERS DID

READER’S TIP

I MADE A FEW ADJUSTMENTS IN ORDER TO INCORPORATE A CIRCULAR BONE PENDANT I HAD BEEN HOLDING ONTO FOR A WHILE.

READER’S TIP

I USED MAGGIE’S LEAVES AND BERRIES, ADDING FIVE LEAVES TO ONE END OF A SPIRALSTITCHED VINE AND THREE BERRIES TO THE OTHER END. I USED CORE BEADS TO KEEP THE BERRIES FROM COLLAPSING.

SANDY KANE of Watertown, Massachusetts, created a version of Maggie Meister’s Bramble Necklace (Beadwork, August/September 2013).

ELIZABETH DOMBROWSKI of Comstock Park, Michigan, shows her take on Aurora Borealis Collar by Sherry Lester (Beadwork, April/May 2013).

PAMYLA WADSWORTH, of Santa Fe, New Mexico, crafted this Rhythm of the Sea Bracelet by Sára Zsadon (Beadwork, December 2012/January 2013).

READER’S TIP

TO TURN THIS BEADED BEAD INTO AN EARRING WITHOUT USING CHAIN, I ADDED A BAIL USING SUPERDUOS, SIZE 11° SEED BEADS, AND A 3MM BICONE.

WE WANT TO HEAR FROM YOU! If you’ve been inspired by projects in our magazine or have tips to share, email us at [email protected]. Check our website, beadworkmagazine.com, for corrections, announcements, and free projects.

ANNETTE NORDELL of Haarlem, the Netherlands, made Flower Basket Earrings by Barbara Falkowitz (Beadwork, June/July 2013).

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PRECIOSA Charlotte

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DISTRIBUTORS OF TRADITIONAL CZECH BEADSTM Har-Man Importing Co. | 1-800-232-3769 | www.harmanbeads.com Fire Mountain Gems and Beads | 800-355-2137 | www.firemountaingems.com Beadsmith / Helby Import | 732-969-5300 | www.beadsmith.com John Bead Corp., Ltd. | 888-755-9055 | www.johnbead.com John F. Allen & Son, Inc. | 800-334-9971 | www.jfallen.com York Novelty Import, Inc. | 800-223-6676 | www.yorkbeads.com Frabels Inc. | 514-842-8561 | www.frabels.com Shipwreck Beads | 800-950-4232 | www.shipwreckbeads.com

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contributors THIS ISSUE’S FEATURED ARTISTS

What is your favorite seed bead color and size?

I love the color turquoise, and my favorite size is 11°. —Svetlana Chernitsky

All purples and all sizes. If I have to choose only one, though, it would be light purple (lilac) metallic size 11°. I usually work with deep jeweltone palettes, and purples work in great. Of course, purple is the color of royalty, so it fits me well in that respect! —Cheryl Erickson

My favorite color and size is Miyuki duracoat galvanized champagne size 11°. It is the best color for combining with other colors. Moreover, it’s suitable for every style of jewelry: elegant, modern, ethnic, sporty, and others. If you haven’t used this bead before, try it! You’ll love the result. —Svetlana Einy

I love all things topaz and am especially partial to transparent topaz with a metallic or color lining. As for size, my hands-down favorite is the everpopular 11° seed bead. This versatile size works beautifully with delicately flexible beaded pieces as well as with more structured ones.

My favorite seed bead color is matte opaque variegated turquoise. I really like the softness of a matte bead and am a sucker for anything the color of turquoise. As for size, I enjoy using a bigger seed bead—size 8°. —Sara Oehler

—Carmella Patzlaff

—Reem Iversen

Gold is the most tantalizing and alluring color for me. Gold is eternal and divine, evoking ancient treasures, adventurous discoveries, and forgotten civilizations. Gold lets me create an opulent look for my jewelry even if my “gold” is made from size 15° glass beads rather than Klondike nuggets. —Agnieszka Watts

I love, love, love metal colors. I enjoy creating the look of fine jewelry and find this is easily accomplished with metal colors. My favorite by far is permanent finish gold. I need my favorite color in all sizes, but my favorite size, because of constant use, is size 11°. —Stephanie Goff

What I enjoy most about seed beads is combining different varieties, so it was difficult to identify my top ten, let alone my all-time favorite. However, I definitely have a soft spot for size 15° hematite-finish seed beads. I love the dark, edgy glow they lend a piece.

My go-to color has to be matte metallic khaki (Miyuki 2035). I love earth tones, and this bead has a subtle mixture of colors from aqua greens to olive browns. This color is most beautiful in 1.8mm cubes! —Carole Ohl

—Laura Luepke

Want to become a Beadwork contributor? SEE OUR SUBMISSIONS GUIDELINES AT BEADWORKMAGAZINE.COM/SUBMISSIONS.

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My favorite bead color is any shade of blue from the ocean. I am always drawn to the beach-glass tones. My favorite size seed bead is 11°. The versatility of this little bead is amazing. It is almost always a part of every project I’m working on.


One of my favorite colors is silver-lined crystal because it adds zing. I discovered this with a commission of beadwoven netted collars for twins graduating from Ukrainian school. Their mother wanted white pearl collars—but with sparkle—so I used silver-lined crystal seed beads at the mesh points. —Maria Rypan

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BEADWORK

JUNE/JULY 2014

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the challenge FOUR DESIGNERS , ONE STASH

What happens when you give an editor and three lucky readers matching sets of materials to play with? We work with products we might not have considered using, and our creative sides get stretched one more notch. THE SOURCE:

The BeadSmith/Helby Import Co., (732) 969-5300, www.beadsmith.com.

NAME THIS NECKLACE! FOR DETAILS, VISIT BEADINGDAILY.COM/ BEADINGCHALLENGE

1

2

2. Jennifer VanBenschoten (BEADING DAILY EDITOR)

1. Kate Benson (READER PARTICIPANT) I have never worked with soutache before, and I don’t normally work with these colors; it was fun experimenting with different designs. My mother-in-law gave me the ammonite piece a couple of years ago, and I’ve never been able to do anything with it. When this kit arrived, I perused the colors and realized the ammonite had finally found its home.

The Lunasoft cabochons really got my attention, and I dived into my own stash of soutache cord for some creamy colors to accent the rich browns of the cords in the kit. I was feeling intimidated by the idea of creating something with soutache, and I nearly chickened out! Since I love working with cabochons, using them in my first soutache project eased things for me. I kept the whole piece simple so soutache shapes would take center stage.

ATTENTION BEAD ARTISTS, RETAILERS, AND WHOLESALERS: IF YOU WOULD LIKE TO CONTRIBUTE MATERIALS AND

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THE RULES: We use our favorites from the materials provided and, where necessary, round out projects with our own supplies.

THE STASH: This coffee-hued kit featured an extra challenge for our participants: soutache ribbon. In addition, the kit included butterscotch-colored cabochons, a nuts-and-spices seed bead mix, warm brass findings, espresso-colored Ultrasuede, and white beading foundation.

READER PARTICIPANTS FOR YOUR CHANCE TO PLAY, SEE BEADWORKMAGAZINE .COM/GO/CHALLENGE

3

4

3. Eileen Erinoff (READER PARTICIPANT)

4. Mary Kearney (READER PARTICIPANT)

I’m new to working with soutache, so this project was a challenge in multiple ways. The colors in the kit complemented a set of Lynne Ann Schwarzenberg’s polymer clay cabochons I’d been hoarding for the right project. I added cream soutache for contrast and jade beads to bring out the greens in the cabochons. The embroidery around the moonglow cabochons was inspired by the seed beads in the bead soup.

When I opened the kit, I thought it needed a pop of color, so I decided to add some turquoise beads, a flat round, and some size 6° and 11° seed beads. This is only my second soutache piece, so I combined it with a technique I’m more comfortable with: bead embroidery. I backed the soutache with a larger piece of beading foundation to give me room to embroider the middle.

SUPPLIES TO THE CHALLENGE, PLEASE CONTACT LINDA HARTY AT [email protected].

BEADWORK

JUNE/JULY 2014

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stitch pro TECHNIQUES YOU CAN'T BEAD WITHOUT

Faux CRAW

Jean Campbell

I love the look of cubic right-angle weave (CRAW). Its boxy shape belies the round beads that form it, and the results are more architectural and graphic than many other beading stitches can muster. That said, I have to admit, I don’t actually like to do the stitch. It feels cumbersome to me and is thread-heavy. While I was chatting with Beadwork’s editor, Melinda Barta, about this recently, she suggested this little trick for “faux CRAW, ” and I just can’t help sharing it with you!

Try This! You can form a subsequent row of faux CRAW by working a 2-row strip off of the last row of faux CRAW, then forming a third row, connecting it to the other side of the original faux CRAW row, much like you did in Row 4. Then, when your row is done, go back in and square up the side units as before.

Fig. 1: Forming the right-angle-weave strip

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MATERIALS & TOOLS

Size 11° seed beads in 2 contrasting colors (A and B) Beading thread Scissors Size 10 beading needle

Rows 1–3: Use 3' of thread to form a strip of

right-angle weave 3 rows wide and to your desired length. Exit from the final top bead of the last unit (Fig. 1). Note: In my sample, I used A (blue size 11° seed beads) for the sides of each right-angle-weave unit and B (gold size 11° seed beads) for the tops and bottoms; this helped me define the CRAW later. It’s not necessary, but when you’re doing this for the first time, it might help. Row 4, Unit 1: Fold the strip so that Rows 1 and 3 touch. String 1A; pass through Row 1’s mirror B from the last B exited in Row 3. String 1A; pass through the original

B exited in Row 3, the first A just added, the next B, the second A just added, and the next A along the edge of Row 3 (Fig. 2, green thread). Row 4, Unit 2: String 1A; pass back through the next B along the edge of Row 1, through the side A of the previous unit in this row, the original B exited, the A just added, and the following B along the edge of Row 1 (Fig. 2, blue thread). Row 4, Units 3 and on: Repeat Row 4, Units 1 and 2, to the end of the row to turn the strip into a tube. Exit from the final A added (Fig. 2, red thread).

Fig. 2: Stitching Row 4 to form a tube

SEE P. 94 FOR HELPFUL TECHNIQUE INFORMATION. SEE PG. 4 FOR PROJECT-LEVEL INFORMATION.

Fig. 3: Squaring up the beadwork

Squaring up: Looking at the tube from its

end, pass through the 4A that form the end unit and pull tight to “square up” the tube. Weave through the next B along the top edge of the tube and into the next A, then pass through those 4 adjacent A and pull tight. Continue to square up the tube in this way, forming the faux CRAW (Fig. 3; bird’s eye and 3-D views). ●

JEAN CAMPBELL is senior editor of Beadwork

magazine and a jewelry-design artist and teacher. She is the author of several beading books and videos, including Jean CampbellÕs Best Beading Workshops: Floral Designs and Global Designs, both available at interweavestore.com.


BEADWORK

JUNE/JULY 2014

15

cool stuff

MEGAN LENHAUSEN AND LINDA HARTY

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1 3

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5

7

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1. The hard work of selecting perfect color combinations is now over with designer seed bead blends from Artbeads.com. Randomly select beads for each stitch and watch cohesive color patterns come to life. Available for $4.99. 2. The latest DVD in the Beadwork Designer of the Year Series is out: Kumihimo with Beads with Jill

Wiseman. By the end of this 86-minute video, you’ll be making beautiful kumihimo jewelry. Interweave, $29.95 3. These O beads from All Beads Cz are perfectly formed to nestle between other beads and make great spacers. Available wholesale in a variety of colors and finishes at www.all-beads-wholesale.com.

4. These large 6x3mm butterfly beads are convenient for largerscale projects or for combining with larger seed beads. Tooth beads have a wild appeal, coming to a narrow point and curving in one direction. Visit www.helby.com for more information. 5. These Czech glass twists from The BeadSmith are beautifully

finished with one transparent side and the other metallic. Visit www.helby.com. 6. FusionBeads.com now carries Superuno Czech seed beads, which are similar to their Superduo counterparts, but the single hole of this diamond-shaped bead is at one tapered end. 10 g packets start at $1.80.

THE STAFF OF BEADWORK INVITES YOU TO SEND YOUR NEW BEADWORKING PRODUCTS FOR CONSIDERATION IN COOL STUFF.

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7. These four-sided Preciosa Czech spike drops have a hole drilled at the top from one corner to the other. Prices start at $2.30 for a 15-piece set at www.shipwreckbeads.com. 8. Liisa Turunen’s Under & Over It Necklace Kit uses cubic right-angle weave and peyote stitch to create this stunning necklace that lays flat and curves with the neck. Buy at www

.liisaturunendesigns.com for $125.00. 9. Miyuki long drops are a longer variation of the traditional drop shape. A new Duracoat Galvanized– finish option (matte silver drop) keeps them from fading, tarnishing, or wearing. Long drops sell in 10 g increments, starting at $1.50, at www.redpandabeads.com.

10. Lampwork artist Tammy Rae Wolter uses handmade borosilicate glass set in copper filigree to make original and versatile pendants. Pendants start at $44 and can be purchased at www.glass bytammyrae.etsy.com or www.tammyrae.com.

11. In Marcia DeCoster Presents: Interviews with 30 Beaders on Inspiration & Technique, artists reveal what inspires them, how they stay connected with other artists, and more. Lark Jewelry & Beading, $26.95

PLEASE SEND ALL SUBMISSIONS TO [email protected] TOGETHER WITH COMPLETE PRODUCT INFORMATION.

BEADWORK

JUNE/JULY 2014

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2014

designer of the year

Himalaya Bracelet

Main Colorway

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GLENDA PAUNONEN AND LIISA TURUNEN

Connect stitched pearl, crystal, and seed bead components to form a sensational-looking bracelet that you’ll want to wear every day. 1) COMPONENTS. Use peyote stitch to

Round 7: Turn the work so the thread exits

TECHNIQUES

form individual seed bead–and-pearl components: Rounds 1 and 2: Use 3' of thread to string 1G and 8A, leaving a 6" tail; pass through the G so the 8A snug the G (Fig. 1, blue thread). String 8A; pass through the G to allow the 8A just added to snug the other side of the G, then pass through the original 8A (Fig. 1, red thread). String 2A, pass through the last 8A added in this round, string 2A, and pass through the first 8A added. Pass through the following 3A (Fig. 2). Rounds 3–5: String 1A, skip 1A of the previous round, and pass through the next 1A; repeat nine times for a total of 10A. Step up through the first A of this round. Repeat this entire step twice. Weave through beads to exit from 1A of Round 2 (Fig. 3, blue thread). Round 6: Stitching off of Round 2, work 10 stitches with 1B in each stitch. Step up through the first B of this round (Fig. 3, red thread).

from the top of the beadwork. Work 1 stitch with 1F and 4 stitches with 1C in each stitch; repeat. Step up through the first F of this round (Fig. 4, blue thread). Round 8: Work 2 stitches with 1C in each stitch and 1 stitch with 1D, then work 2 stitches with 1C in each stitch; repeat. Step up through the first C of this round (Fig. 4, red thread). Round 9: Work 1 stitch with 3A, 2 stitches with 1D in each stitch, 1 stitch with 3A, and 1 stitch with 1C, 1F, and 1C; repeat. Weave through beads to exit from the first D of this round (Fig. 5). Don’t cut the working thread; secure and trim the tail thread. Set aside. Repeat this entire step eight times for a total of 9 components.

circular, tubular, and flat peyote stitches picot fringe PROJECT LEVEL  MATERIALS

6 g metallic silver size 15° seed beads (A) 3 g platinum gray-blue size 11° cylinder beads (B) 5 g metallic steel blue size 11° seed beads (C) 5 g blue-lined clear size 8° seed beads (D) 10 white opal AB2X 3mm crystal bicones (E) 38 light gray 3mm crystal pearl rounds (F) 9 light blue 6mm crystal pearl rounds (G) Light blue size B nylon beading thread TOOLS

Scissors Size 10 or 12 beading needles FINISHED SIZE

7"

artist’s tip This project works best with tight thread tension. If you tend to bead loosely, waxing your thread can help. Fig. 1: Forming the component, Rounds 1 and 2

Fig. 4: Stitching the component’s Rounds 7 and 8

Fig. 2: Filling in the ends of the component, Rounds 1 and 2

Fig. 3: Adding the component’s Rounds 3–6

Fig. 5: Working the component’s Round 9


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Fig. 6: Forming the link, Stitch 1

Fig. 7: Adding the link’s Stitches 2 and 3

Fig. 8: Forming the end link, Stitch 1

2) LINK. Stitch the components together

with seed beads and crystals: Stitch 1: Use the working thread of 1 component to string 1D; pass through the next D of Round 9 in the same component. Then pass up through the third D of Round 9 in another component, back through the last D added, through the next D of the second component, down through the first D exited in the first component, and through the nearest D of Round 8 in the first component (Fig. 6). Stitch 2: String 1A, 1E, and 1A; pass through the mirror D of Round 8 in the second component. String 1A; pass back through the last E added. String 1A; pass through the first D exited in this stitch and the following D of Round 9 of the first component (Fig. 7, blue thread). Stitch 3: String 1A, 1C, and 1A; pass up through the mirror D of Round 9 in the second component, the following D of Round 8, and the next D of Round 9. String 1A, 1C, and 1A; pass down through

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Fig. 9: Adding the end link’s Stitches 2 and 3

the mirror D of Round 9 in the first component (Fig. 7, red thread). Secure the thread and trim. Repeat this entire step seven times to connect all 9 components. 3) END LINKS. Form the end links of the

bracelet: End link, Stitch 1: Use the working thread of

the final component to work 3 rows of flat peyote stitch, 3D wide, off of the open 2D of the component’s Round 9. Weave through beads to exit out through the last D added (Fig. 8). End link, Stitch 2: String 1A, 1E, and 1A; pass up through the nearest D of the component’s Round 8. String 1A; pass back through the last E added. String 1A; pass through the last D of the previous stitch and back through the nearest D (Fig. 9, blue thread). End link, Stitch 3: String 1A, 1C, and 1A; pass up through the nearest D of the component’s Round 9, the following D of Round 8,

and the next D of Round 9. String 1A, 1C, and 1A; pass down through the nearest edge D of the end link’s Stitch 1 and the next edge D (Fig. 9, red thread). Secure the thread and trim. Start 12" of new thread that exits from 1D of the component’s Round 9 at the other end of the bracelet. Repeat this entire step for a second end link. 4) CLASP RING. Use tight tension and tubu-

lar peyote stitch to form the clasp ring: Clasp, Rounds 1 and 2: Use 2' of thread to

string 40A, leaving a 6" tail; pass through all the beads again to form a tight circle, then pass through the first 3A. Clasp, Round 3: String 1A, skip 1A of the previous round, and pass through the next A; repeat nineteen times. Step up for the next and subsequent rounds by passing through the first bead added in the current round. Clasp, Rounds 4 and 5: Work 2 rounds of 20 stitches with 1B in each stitch.


Fig. 11: Adding the clasp bar

Fig. 10: Connecting the clasp ring

Clasp, Round 6: Work 20 stitches with 1C in

each stitch. Clasp, Rounds 7 and 8: Work 2 rounds of

20 stitches with 1B in each stitch. Weave through beads to exit from Round 1. Zip: Fold the beadwork so the clasp’s Rounds 1 and 8 interlock like a zipper. Weave through the beads to form a seamless ring. Weave through beads to exit from 1C of the clasp’s Round 6. Connection point: String 1B and pass through the next C of the clasp’s Round 6; repeat. Pass under the thread between beads and back through the last C exited and the last B added (Fig. 10, blue thread, beadwork flattened for clarity). Link: Pass through the D at one end of the bracelet and back through the first C of the connection point (Fig. 10, red thread). Repeat the thread path to reinforce. Secure the thread and trim.

Fig. 12: Embellishing the clasp bar

5) CLASP BAR. Peyote-stitch a toggle bar and connect it to the bracelet: Strip: Use 4' of thread to peyote-stitch a strip 13B wide and 10 rows long. Tube: Fold the strip so Rows 1 and 10 interlock like a zipper. Weave through the beads to form a seamless tube. Exit from an edge B, toward the work. Edge Row 1: String 1B and pass through the next B of the same row to “stitch in the ditch”; repeat five times. Pass under the thread between edge beads and back through the last 2B exited (Fig. 11, green thread). Edge Row 2: Work 2 peyote stitches with 1C in each stitch, 1 stitch with 1A, and 2 stitches with 1C in each stitch. Pass under the thread between edge beads and weave through beads to exit from the third C of this row, toward the center of the work (Fig. 11, blue thread). Connect: String 3A; pass through the D at the free end of the bracelet. String 3A; pass through the second C of Edge Row 2, away


from the work (Fig. 11, red thread). Repeat the thread path to reinforce, then weave through beads to exit from one end of the tube. Embellish: String 1F and 1A, then pass back through the F just added and the tube; repeat (Fig. 12). Secure the thread and trim. ● GLENDA PAUNONEN and LIISA TURUNEN

are a mother-daughter beading team who specialize in designing and teaching all forms of beadwork. Their home base is Crystal Creations, Beads Gone Wild in Florida, established in 1990. They travel and teach all over the world. Contact Glenda at www.beadsgonewild.com or Liisa at www.liisaturunendesigns.com. RESOURCES Check your favorite bead retailer or contact: Seed beads, Delica cylinder beads, drops, Swarovski crystal bicones and pearls, and One-G nylon beading thread: Beads Gone Wild, (561) 649-9909, www.beadsgonewild.com.

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Empress Catherine’s Collar

LESLEE FRUMIN


Tight right-angle-weave stitches are the secret to this crystal-encrusted, sleek necklace design.

1) STRAP 1. Use right-angle weave to form one side of the necklace base: Row 1, Unit 1: Use 6' of thread to string {1A and 1D} four times, leaving a 6" tail; pass through the beads again and exit from the third D (Fig. 1, green thread). Row 1, Unit 2: String {1A and 1D} three times. String 1A; pass through the last D exited and the first 1A/1D/1A/1D just added (Fig. 1, blue thread). Row 1, Units 3–31: Repeat Row 1, Unit 2, twenty-nine times. Weave through beads to exit from 1D at the top of the final unit (Fig. 1, red thread). Row 2, Unit 1: String {1A and 1D} three times. String 1A; pass through the last D exited in Row 1 and the 1A/1D/1A/1D/1A/1D just added (Fig. 2, green thread). Row 2, Unit 2: String 1A; pass through the next D along the top of Row 1. String {1A and 1D} twice. String 1A; pass down through the nearest side D of the previous unit, through the first A of this unit, the nearest top D of Row 1, and up through the following 1A/1D of this unit (Fig. 2, blue thread).

Row 2, Unit 3: String {1A and 1D} twice.

TECHNIQUES

String 1A; pass through the next D along the top of Row 1. String 1A; pass up through the nearest side D of the previous unit and the first 1A/1D/1A/1D of this unit (Fig. 2, red thread). Row 2, Units 4–31: Repeat Row 2, Units 2 and 3, fourteen times. Weave through beads to exit from the top D of the final unit in this row.

right-angle weave netting

2) STRAP 2. Work right-angle weave off

of Strap 1 to form the second strap of the necklace base: Row 1, Unit 1: String {1A and 1D} three times. String 1A; pass through the last D exited in Strap 1 and the first 1A/1D/1A/1D/1A/1D of this unit (Fig. 3, orange thread). Row 1, Unit 2: String 1A; pass through the next D along the top of Strap 1. String {1A and 1D} twice. String 1A; pass down through the nearest side D of the previous unit. Pass through the next A of this unit, the following D of the previous row, and the nearest A of Strap 1, Row 2, Unit 30. Pass through the nearest A of Strap 1, Row 2, Unit 29 (Fig. 3, green thread).

PROJECT LEVEL  MATERIALS

7 g antiqued copper size 15° seed beads (A) 126 rose gold 3mm crystal bicones (B) 21 rose gold 3mm crystal pearl rounds (C) 302 rose gold 4mm crystal pearl rounds (D) 1 crystal bronze shade 12×20mm crystal cabochette pendant Smoke 6 lb braided beading thread TOOLS

Scissors Size 12 beading needle Beading awl FINISHED SIZE

16½"

artist’s tip Reweave all rightangle-weave units for very uniform beadwork.

Fig. 1: Forming Strap 1, Row 1

Fig. 2: Stitching Strap 1, Row 2, Units 1–3


Fig. 3: Adding Strap 2, Row 1; the V reinforcement; and Strap 2, Row 2

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Fig. 6: Stitching the strip into a tube for the clasp bar

Fig. 4: Forming the bottom and top center embellishments

V reinforcement: String 1A; pass back

through the nearest A of Strap 2, Row 1, Unit 2. Pass through the last 2A exited and the A just added. Pass back through the first 1A/1D/1A added in Row 1, Unit 2 and continue through beads to exit from the top D of this same unit (Fig. 3, blue thread). Row 2, Units 1 and 2: String {1A and 1D} three times. String 1A; pass through the last D exited in the previous row and the first 1A/1D/1A/1D/1A/1D of this unit. String 1A; pass through the next D along the top of the previous row. String {1A and 1D} twice. String 1A; pass down through the side D of the previous unit and the first 1A/1D/1A/ 1D/1A/1D of this unit (Fig. 3, red thread). Row 3, Units 1 and 2: String {1A and 1D} three times. String 1A; pass through the last D exited in the previous row and the first 1A/1D of this unit. String {1A and 1D} twice. String 1A; pass through the next D along the top of the previous row, up through the side D of the previous unit and through the first 1A/1D of the second unit in this row. Rows 4–29: Repeat Strap 2, Rows 2 and 3, thirteen times. Secure the thread and trim. Note: Strap 1 is worked lengthwise, but Strap 2 is worked widthwise. 3) EMBELLISHMENTS. Use netting to add

bicones and seed beads to the necklace base:

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Fig. 5: Working the first 2 side embellishments

Bottom center embellishment, Pass 1:

Orient the necklace base so the straps are to the sides and the point is at the bottom. Start 6' of new thread that exits from the A at the bottom point of the necklace base, leaving an 8" tail. String 2A, 1B, and 2A; pass through the A opposite the last A exited on the base, back through the beads just added, and through the first A exited and the following 1D/1A (Fig. 4, green thread). Bottom center embellishment, Pass 2:

String 6A; pass under the B of Pass 1. Note: 2A will be hidden under the B. Pass up through the A opposite the last A exited on the base to form a horizontal strand, then weave through beads to exit from the bottom A of the base unit directly above the one just embellished (Fig. 4, blue thread). Top center embellishment: Repeat bottom center embellishment, but make the final exit through the top-right D of the unit just embellished (right D under the V reinforcement) (Fig. 4, red thread). Right side embellishments, Row 1: String 2A, 1B, and 2A; pass through the top-right D of the same base unit. String 2A; pass back through the last B added. String 2A; pass through the last D exited in the previous embellishment (which is also the bottomleft D of the current base unit), then weave through beads to exit down through the bottom-left D of the base unit directly below the one just embellished (Fig. 5, green thread). Repeat from the beginning

Fig. 7: Embellishing the clasp bar

of this embellishment (Fig. 5, blue thread), but weave through beads to exit from the top-right D of this unit (Fig. 5, red thread). Note: Further embellishments will be done in this figure-eight fashion. Right side embellishments, Rows 2–31:

Continue stitching in the same manner as in Row 1 to completely embellish the strap. Secure the thread and trim. Left side embellishments: Start 4' of new thread that exits from the mirror D where Row 1 of the right side embellishments began. Repeat the right side embellishments, stitching in the opposite direction. 4) CLASP BAR. Stitch a bar for the

toggle clasp: Strip: Use 4' of thread to repeat Strap 1,

Row 1, Units 1–3 and Row 2, Units 1–3, using C instead of D to form a strip 3 units wide and 2 rows long. Reweave all the units to ensure a tight, strong strip. Tube: Fold the strip so that Rows 1 and 2 touch. Using the C in Rows 1 and 2 as the top and bottom of each new unit, use A and C to right-angle-weave the rows together, forming a tube (Fig. 6). Embellish: Stitch embellishments as in Step 3, right side embellishments, to embellish Rows 1 and 2 of the tube (Fig. 7). Secure the thread and trim. Note: Leave 1 row unembellished to leave an area where you can connect the necklace base.


Fig. 8: Connecting the clasp bar to the strap

Connect: Start 12" of new thread that exits

from 1D at the end of the right-side strap, toward the center. String 3A; pass through the corresponding C on the unembellished row of the tube. String 1A; pass back through the last C exited (Fig. 8, green thread). String 3A; pass through the last D exited and weave through beads to exit from the next D at the end of the strap (Fig. 8, blue thread). String 3A; pass through the corresponding C of the tube. String 1A; pass back through the last C exited. String 3A; pass through the last D exited (Fig. 8, red thread). Repeat this entire thread path twice to reinforce. Secure the thread and trim. 5) CLASP LOOP. Start 8" of new thread that

exits from 1D at the end of the other strap, away from the work. String 30A; pass through the other D at the end of the strap, toward the center. String 3A; pass through the first D exited in this step (Fig. 9). Repeat the thread path twice to reinforce. Secure the thread and trim.

Fig. 9: Forming the clasp loop

6) PENDANT. Start 8" of new thread that

LESLEE FRUMIN loves the colors, textures, and shapes that can be formed with beads. Creating sparkle with simple elegance is her design focus. Leslee enjoys teaching her designs around the country and is a Create Your Style Swarovski Elements Ambassador. Visit Leslee at www .lesleefrumin.com.

exits from the A at the bottom point of the necklace. String 13A and the pendant, allowing the center 3A to slip inside of the pendant; pass through the last A exited in the strap to form a loop (Fig. 10). Repeat the thread path three times to reinforce. Secure the thread and trim. ●

RESOURCES Check your favorite bead retailer or contact: Seed beads; Swarovski crystal Xilion beads, pearls, bicones, and cabochette pendant; and FireLine braided beading thread: Beads Gone Wild, (561) 649-9909, www.beadsgonewildstore.com.


Fig. 10: Adding the pendant

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Carousel Bracelet

LAURA ANDREWS


Use a square-stitch/right-angle weave variation to form a set of sturdy beaded beads, then string them together on strands of seed beads to create this festive bracelet. 1) BEADED BEADS 1 AND 2. Use a square stitch/right-angle weave variation to form a beaded bead with square insets: Round 1, Stitch 1: Use 3' of thread to string {2D and 1A} twice, leaving a 6" tail. Use the tail and working threads to tie a square knot and pass through the first 2D to form a tight rectangle (Fig. 1, green thread). Round 1, Stitch 2: String 2D, 1A, and 2D; pass through the nearest D along the top of the previous stitch (Fig. 1, blue thread). Round 1, Stitch 3: String 1A; pass through the bottom 3D nearest to the end of the work (Fig. 1, red thread). Round 1, Stitches 4–13: Repeat Row 1, Stitches 2 and 3, five times for 14D on the top and bottom and 14A in the middle. Round 1, Stitch 14: String 2D; pass up through the end A of Stitch 1 (Fig. 2, purple thread). Round 1, Stitch 15: String 2D; pass through the nearest D of Stitch 13 (Fig. 2, green thread). Round 1, Stitch 16: String 1A; pass through the nearest bottom D of Stitch 13 and 2D of Stitch 14, up through the nearest A of Stitch 1, and through the nearest D of Stitch 15 (Fig. 2, blue thread).

Round 1, Stitch 17: String 1A; pass through

TECHNIQUES

the next 3D at the bottom of the work, up through the nearest 1A, and through all of the D at the top of this round to reinforce (Fig. 2, red thread). Round 2, Stitch 1: String 1F and 2D; pass down through the second (right) hole of the F just strung and through the last 2D exited and the following 4D at the top of Round 1 (Fig. 3, shown flat for clarity). Round 2, Stitches 2–4: Repeat Round 2, Stitch 1, three times. Weave through beads to exit from the last 2D of this round. Round 3, Stitch 1: String 1A, 2D, and 1A; pass through the last 2D exited (Fig. 4, orange thread, shown flat for clarity). Round 3, Stitch 2: String 2D, 1A, and 2D; pass through the nearest D at the top of the previous stitch (Fig. 4, purple thread). Round 3, Stitch 3: String 1A; pass through the nearest D of Round 2, the following 2D of Round 3, and the next 2D of Round 2 (Fig. 4, green thread). Round 3, Stitch 4: String 1A and 2D; pass through the nearest D at the top of Round 3, Stitch 2 (Fig. 4, blue thread). Round 3, Stitch 5: String 1A; pass through the nearest D at the bottom of Round 3, Stitch 2 and the next 2D of Round 2 (Fig. 4, red thread). Round 3, Stitches 6–13: Repeat Round 3, Stitches 2–5, twice.

square-stitch/right-angle weave variation stringing PROJECT LEVEL  MATERIALS

1 g matte turquoise size 11° seed beads (A) 6 g matte metallic olive iris size 11° seed beads (B) 1 g gold-lined peridot size 11° seed beads (C) 3 g metallic bronze size 8° seed beads (D) 3 g metallic maroon size 8° seed beads (E) 8 matte metallic teal iris 5mm Japanese flat 2-hole squares (F) 8 transparent olivine 6mm Czech flat 2-hole squares (G) 8 peridot AB 3.5mm or 3.9mm crystal rose montées (H) Smoke 6 lb braided beading thread TOOLS

Scissors Size 11 beading needle FINISHED SIZE

7½"

artist’s tips ❯ When securing threads of the beaded beads, pass through rings of D/E to tighten them. ❯ Use an awl or tapestry needle to encourage all A/B to pop out evenly just outside the rings of D/E. ❯ Use fairly tight tension while stitching the beaded beads.

Fig. 1: Fig. 1: Forming Round 1, Stitches 1–3, of Beaded bead 1 Fig. 2: Connecting the beadwork into a round

❯ Reinforce the less firm areas of the beaded beads while you secure the thread. ❯ For a necklace, make longer seed bead strands.

Fig. 3: Adding Round 2, Stitch 1, of Beaded bead 1


Fig. 4: Working Round 3, Stitches 1–5, of Beaded bead 1

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Fig. 5: Forming Round 3, Stitches 14–17, of Beaded bead 1

Fig. 6: Adding Round 2, Stitches 1–4, of Beaded bead 5

Fig. 8: Stitching the clasp bar text here

Fig. 7: Forming Round 3 of Beaded bead 5

Round 3, Stitch 14: String 2D; pass up

3) BEADED BEAD 5. Square-stitch a

through the end A of Round 3, Stitch 1 (Fig. 5, purple thread). Round 3, Stitch 15: String 2D; pass through the nearest D of Round 3, Stitch 12 (Fig. 5, green thread). Round 3, Stitch 16: String 1A; pass through the nearest D of Round 2, the following 2D of Stitch 14 in Round 3, up through the nearest A, and through the nearest D of Stitch 15 (Fig. 5, blue thread). Round 3, Stitch 17: String 1A; pass through the next D at the bottom of Round 3 and the following 2D of Round 2, up through the nearest A, and through all of the D at the top of Round 3 to reinforce (Fig. 5, red thread). Secure the thread and trim. Repeat this entire step for a second beaded bead. Set aside.

beaded bead with crystal insets: Round 1: Repeat Step 1, Round 1. Round 2, Stitch 1: String 1H, 4D, and 1H; pass through the last 4D exited at the top of Round 1 and the following 4D (Fig. 6, green thread, shown flat for clarity). Round 2, Stitches 2 and 3: String 1H and 4D, then pass down through the nearest H of the previous stitch and through the last 4D exited at the top of Round 1 and the following 3D; repeat (Fig. 6, blue thread). Round 2, Stitch 4: Pass up through the second H of this round. String 4A; pass down through the H of Stitch 3. Weave through beads to exit from the side hole of the next H, toward the left (Fig. 6, red thread). Note: It helps to angle your needle to get through the side hole. Round 3: String 2D and pass through the next H of this round; repeat three times. Repeat the thread path to reinforce. Weave through beads to exit from 2D directly over the top of 1H in this round (Fig. 7). Round 4: Repeat Step 1, Round 3.

2) BEADED BEADS 3 AND 4. Repeat Step 1 twice using E for D, B for A, and G for F.

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4) BEADED BEADS 6 AND 7. Repeat Step 3 twice using E for D and B for A. 5) CLASP LOOP. Use 12" of thread to repeat

Step 1, Round 1, forming a ring. Don’t trim the thread; set aside. 6) CLASP BAR. Square-stitch the bar half of

the clasp: Rows 1–4: Use 2' of thread to square-stitch a

strip 12A wide and 4 rows long. Tube: Fold the strip so Rows 1 and 4 touch.

Square-stitch the A of Row 4 to the A of Row 1, forming a tube (Fig. 8, blue thread). Ends: Pass through the tube. String 1A and pass back through the tube, then string 1A and pass through the tube (Fig. 8, red thread); repeat the thread path to reinforce. Secure the thread and trim. Set the clasp bar aside. 7) ASSEMBLY. String seed beads, the beaded beads, and the clasp to form the bracelet:


Pass 1: Start 4' of new thread that exits from

2A at the center of the clasp bar. String 7" of B or enough B to fit comfortably around the wrist. String the beaded beads in this color order: 6, 1, 3, 2, 7, 5, and 4. Pass through 2D on one edge of the clasp loop. Pass 2: String the same number of B as in Pass 1; pass back through the beaded beads and through the last 2A exited on the clasp bar. Pass 3: String the same number of B as in Pass 1; pass through the last D exited on the clasp loop. Repeat the thread path of Passes 1–3 to reinforce. Secure the thread and trim. ●

When LAURA ANDREWS was a child, her mother, a very talented artist, taught her beading while sharing the importance of originality. Training in art, color, theatrical costuming, lampworking, metalworking, wireworking, and communication led Laura to teaching. Travels, teaching, and friends from around the globe provide her inspiration. Laura teaches at many bead societies, shows, and shops throughout the United States, United Kingdom, and Germany. To view LauraÕs designs and upcoming classes, visit www.lauraandrews.com.


RESOURCES Check your favorite bead retailer or contact: Seed beads, Tila 2-hole squares, and FireLine braided beading thread: Out On A Whim, (800) 232-3111, www .whimbeads.com. CzechMate 2-hole squares: Artbeads.com, (866) 715-2323. Swarovski crystal rose montŽes: A Grain of Sand, (704) 660-3125, www.agrainofsand.com.

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Clematis Necklace


CHRISTINA NEIT

WHAT ARE BI-BO BEADS? SIMILAR TO SUPERDUOS AND TWINS IN GENERAL SHAPE AND SIZE, THESE NEW TWO-HOLE SEED BEADS ARE SLIGHTLY PINCHED IN THE CENTER AND DO NOT TAPER NEAR THE HOLES.

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Combine fringe and netting with the new two-hole bi-bo beads to form a component-driven design that lends itself to a lot of possibilities. 1) CHAIN COMPONENTS. Combine fringe and netting to form the necklace chain components: Round 1: Use 3' of thread to string 4G, leaving a 6" tail; use the working and tail threads to tie a knot, forming a tight circle, then pass through the first G strung (Fig. 1, blue thread). Round 2: String 5B, pass through the second B just added, then string 1B, and pass through the next G of Round 1 to form a fringe; repeat three times. Pass through the first 2B of the first fringe in this round (Fig. 1, red thread). Note: Be sure that you are passing through, not passing back through that second B of each thread to form a loop; the orientation of this bead is important for subsequent rounds. Round 3: String 1C; pass through the B at the tip of the fringe, then pass back through the C just added and through the first B exited (Fig. 2, green thread). String 1A, 1B, 1F, 3B, the second hole of the F just added, 1B, and 1A; pass through the second B of the next

fringe in Round 2 (Fig. 2, blue thread). Repeat from the beginning of this round three times. Weave through beads to exit from the nearest G of Round 1 (Fig. 2, red thread). Round 4: String 1A, 1B, 1D, 1B, and 1A, then pass through the last G exited and the next G of Round 1; repeat three times. Weave through beads to exit from the second B of this round (Fig. 3). Round 5: String 1B and 1A; pass through the nearest C. String 1A; pass back through the last C exited (Fig. 4, green thread). String 1A and 1B; pass through the next 1B/1D/1B of Round 4 (Fig. 4, blue thread). Repeat from the beginning of this round three times. Weave through beads to exit from the tip B of the nearest fringe in Round 2 (Fig. 4, red thread). Set aside. Repeat this entire step fifteen times for a total of 16 components to be used for the necklace chain.

TECHNIQUES

fringe netting PROJECT LEVEL  MATERIALS

2 g transparent light amethyst iris size 15° seed beads (A) 20 g silver-lined matte amethyst luster size 11° seed beads (B) 1 g opaque lavender size 11° seed beads (C) 4 g eggplant luster size 8° seed beads (D) 4 g transparent light amethyst iris 3.4mm drops (E) 84 matte eggplant 5×2.5mm 2-hole bi-bo beads (F) 68 mottled light purple 4mm firepolished rounds (G) 1 mottled purple-and-blue 12×11mm faceted ceramic bicone 1 sterling silver 6.5×15mm filigree marquise box clasp with attached 3mm jump rings 3 sterling silver 26-gauge 4mm jump rings Crystal 6 lb braided beading thread TOOLS

Scissors Size 10 and 12 beading needles 2 pairs of chain- or flat-nose pliers

Fig. 1: Forming Rounds 1 and 2 of the chain component

FINISHED SIZE

18½"

Fig. 2: Stitching Round 3 of the chain component

artist’s tips ❯ For an especially sparkly component, substitute 3mm crystal rounds for the D in Round 4. ❯ To form a bracelet, simply form a chain of components with a clasp at each end. ❯ If you’d rather, you can form a seed bead loop instead of using a jump ring to attach the clasp. ❯ Superduos, Twins, or rullas can easily be substituted for bi-bo beads.

Fig. 3: Adding Round 4 of the chain component


Fig. 4: Working Round 5 of the chain component

BEADWORK

JUNE/JULY 2014

33

2014

designer of theyear

Fig. 5: Forming Round 3 of the pendant component

Fig. 6: Linking 2 chain components

2) PENDANT COMPONENT. Stitch the

center component of the necklace: Rounds 1 and 2: Repeat Step 1, Rounds 1

and 2. Round 3: String 1C; pass through the B at the

tip of the fringe, then pass back through the C just added and through the first B exited. String 1A, 1B, 1F, 3B, the second hole of the F just added, 1B, and 1A; pass through the second B of the next fringe in Round 2. Repeat from the beginning of this round twice. String 1C; pass through the B at the tip of the fringe, then pass back through the C just added and through the nearest B exited. String 1A, 1B, 1F, 1B, 1D, the ceramic bicone, 1D, and 3B; pass back through the 1D/bicone/1D just added. String 1B, the second hole of the last F strung, 1B, and 1A; pass through the second B of the next fringe in Round 2 (Fig. 5). Weave through beads to exit from 1G of Round 1. Rounds 4 and 5: Repeat Step 1, Rounds 4 and 5. Secure the thread and trim. Set aside. 3) LINK. Connect the links with seed beads,

drops, and a bi-bo bead: Stitch 1: Use the working thread of 1 chain

component and string 1B, 1F, and 1B; pass through the tip B of a fringe in Round 2 of another chain component. String 1B; pass through the second hole of the last F added. String 1B; pass through the last B exited on the first chain component and the first B added in this stitch (Fig. 6, blue thread).

34


Fig. 7: Connecting the chains to the pendant component

Stitch 2: String 1B, 1E, and 1B; skip 1F and

pass through the second B of Stitch 1, the last B exited in the second chain component, and the third B of Stitch 1. String 1B, 1E, and 1B; skip 1F and pass through the fourth B of Stitch 1 and the first B exited in the first chain component (Fig. 6, red thread). Secure the thread of the first component and trim; do not trim the working thread of the second component. Repeat Stitches 1 and 2 six times to form 1 chain that is 8 components long; repeat for a second chain.

Center: Repeat Stitches 1 and 2 to connect

the end of 1 chain to the top-left corner of the pendant component; repeat to connect the other chain to the top-right corner of the pendant component, taking care that the bicone is at the bottom and that the embellished sides of all of the components are faceup (Fig. 7).


Fig. 8: Attaching the clasp

4) CLASP. Attach 1 jump ring to the box half

RESOURCES Check your favorite bead

of the clasp. Use 1 jump ring to attach the previous jump ring to the tip B of the fringe on one end of the necklace. Use 1 jump ring to attach the hook half of the clasp to the tip B of the fringe on one end of the necklace (Fig. 8). ●

retailer or contact: Seed beads, bi-bo beads, drops, fre-polished rounds, clasp, jump rings, and FireLine braided beading thread: Out On A Whim, (800) 232-3111, www.whimbeads.com. Ceramic bicone: York Beads, (800) 223-6676, www.yorkbeads.com. Clasp: Caravan Beads, (800) 230-8941, www.caravanbeads.net.

Influenced by Native American beadwork, CHRISTINA NEIT started beading and incorporating porcupine quills back in 2004. Since then her work and teaching have evolved and she continues to challenge herself. See Christina’s finished work and tutorials and contact her at www.goodquillhunting.com.

OPTION EXPERIMENT WITH THE ARRANGEMENT OF COMPONENTS AND ALTERNATE MATERIALS FOR A DIFFERENT LOOK. HERE CHRISTINA USES SUPERDUOS IN PLACE OF BI-BO BEADS AND CRYSTAL BICONES IN PLACE OF THE FIRE-POLISHED ROUNDS.

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www.rings-things.com 1 (800) 366-2156 BEADWORK

JUNE/JULY 2014

35

Crocceta Bracelet

CAROLE OHL

This bracelet combines the simple beauty of two-hole bricks and the old-world quality of Picasso-finish fire-polished rounds. Quick and easy, the weave is a combination of right-angle weave and ladder stitch.

Main Colorway

36



TECHNIQUES

right-angle weave variation ladder stitch PROJECT LEVEL  MATERIALS

4 g bronze size 11° seed beads (A) 2 g gold marbled turquoise size 11° seed beads (B) 56 gray-and-green Picasso 3mm fire-polished rounds (C) 48 rose gold topaz luster 6×3mm 2-hole brick beads (D) 1 gold 16×6mm 2-strand slide tube clasp Smoke 6 lb braided beading thread TOOLS


6½"

Fig. 1: Forming Segment 1

1) BASE. Use a variation of right-angle weave and ladder stitch to form the bracelet base: Segment 1, Round 1: Add a stop bead to 6' of thread, leaving an 8" tail. String {5A and 1D} four times; pass through the beads twice to reinforce; then pass through the second hole of the last D (Fig. 1, green thread). Segment 1, Round 2: String 1A and pass through the second hole of the nearest D in Round 1; repeat three times, pulling tightly so the D come together at the center of the circle, then pass through the first A of this round (Fig. 1, blue thread). Segment 1, Center: String 1C; pass through the opposite A of Round 2, back through the C just added, and through the first A exited. Weave through beads to exit from the nearest 5A of Round 1 (Fig. 1, red thread).

Fig. 2: Stitching Segment 2

Segment 2, Round 1: String 5A; pass

through the last 5A exited and the 5A just added (Fig. 2, purple thread). String {1D and 5A} three times. String 1D; pass through the first 5A of this round, the nearest D, and the second hole of the same D (Fig. 2, green thread). Segment 2, Round 2: String 1A and pass through the second hole of the nearest D in Segment 2, Round 1; repeat three times, then pass through the first A of this round (Fig. 2, blue thread). Segment 2, Center: String 1C; pass through the opposite A of Round 2 in this segment, back through the C just added, and through the first A exited. Weave through beads to exit from the end 5A of Segment 2, Round 1, opposite from Segment 1 (Fig. 2, red thread). Segments 3–11: Repeat Segment 2 nine times. Note: To ensure that all of the C lay in the same direction on each base segment, make sure to exit the A of Round 2 that’s closest to the previous component before stitching the center. 2) EDGES. Add seed beads and fire-polished rounds to the edges of the bracelet: Pass 1: String 2C and pass through the next 5A along the edge of the base; repeat twenty-three times, adding 2D sets to the entire perimeter of the base. Exit from the first 2D of this pass (Fig. 3, blue thread). Pass 2: String 5B and pass through the next 2C of Pass 1; repeat twenty-three times, but substitute 5A for 5B at each end of the bracelet. Pass through the first B of this pass, pass under the thread between beads to reverse the thread path, and pass back through the 1A/2C along the bracelet’s edge and the 5A at the nearest end of the bracelet (Fig. 3, red thread). 3) CLASP. Securely sew one half of the clasp

to the 5B at the end of the bracelet (Fig. 4). Add a needle to the tail thread and sew the other clasp half to the 5A at the other end. Secure the threads and trim. ●

Fig. 3: Adding the bracelet edge

artist’s tips ❯ If you need a little more length, ladder-stitch another set of 5B to each end of the bracelet before adding your clasp.

CAROLE OHL has been an avid beader since

2003 and is one of Beadwork’s past Designers of the Year. She is a graphic designer and owns Bead Stash, a retail store in Dayton, Ohio. Contact Carole at [email protected].

❯ A two-strand clasp is perfect for this design, but you can use a single strand. Just make sure to weave down into the bracelet base to secure your clasp. ❯ Use 3mm crystals in the center of the bricks to add a little sparkle.

Fig. 4: Attaching the clasp


RESOURCES Check your favorite bead retailer or contact: Seed beads: Charlene’s Beads, (760) 530-9436, www.cbbeads.com. Fire-polished rounds and brick beads: FusionBeads.com, (888) 781-3559. Clasp: Fire Mountain Gems and Beads, (800) 355-2137, www.fremountaingems.com. BEADWORK

JUNE/JULY 2014

37

Rising Curtains Necklace

MARIA RYPAN

This stunning neckpiece features gently cascading swags suspended between pillars of midsized contrast beads.

38



TECHNIQUES

chevron chain variation right-angle weave PROJECT LEVEL  MATERIALS

12 g opaque black size 11° seed beads (A) 12 g metallic copper size 8° seed beads (B) 2 size 6° seed beads in any contrasting color 1 copper 5×10mm lobster clasp 1 copper 6mm soldered jump ring Smoke 6 lb braided beading thread TOOLS


17½" SWAG START CHART Length of Band Starting Point 15" 3¾" 16" 4¼" 17" 4¾" 18" 5¼" 19" 5¾" 20" 6¼"

Fig. 1: Forming Stitches 1–3 of the band

1) BAND. Use firm tension to work chevron chain, forming the necklace band: Stitch 1: Add a stop bead (1 size 6° seed bead) to 9' of thread, leaving a 10" tail. String 3A and 1B; pass through the first A strung to form a tight circle (Fig. 1, green thread). Stitch 2: String 1A, 1B, and 1A; pass through the third A of Stitch 1 (Fig. 1, blue thread). Stitch 3: String 1B and 2A; pass back through the second A added in the previous stitch (Fig. 1, red thread). Stitch 4: String 1B and 1A; pass back through the first A added in the previous stitch (Fig. 2, blue thread). Stitch 5: String 1B and 2A; pass back through the A added in the previous stitch (Fig. 2, red thread). Repeat Stitches 4 and 5 to form a chain 16¾" long or to the desired length. Use the remaining size 6° seed bead as a stop bead at the working end of the chain. 2) SWAGS. Add beaded swag loops between

right-angle-weave columns to form the center of the necklace: Swag start: Start 6' of new thread that exits from 1B 4½" from the end of the band (the 31st B along one edge of the band). Note: For a longer or shorter band, see chart at left for start placement.

Row 1: String 10A and 1B; skip 3B along the

edge of the band and pass through the fourth B (Fig. 3, green thread). String 2B; pass up through the 1B added after the 10A, the last B exited on the band, and the first B just added to form a right-angleweave unit (Fig. 3, blue thread). Repeat from the beginning of this row eleven times. String 10A; skip 3B along the edge of the band and pass through the fourth B to form the thirteenth swag. Weave through beads to exit from the bottom B of the last right-angle-weave unit added, toward the work (Fig. 3, red thread). Note: Throughout this section, work with loose tension when adding the swag loops, and tight tension when adding the right-angleweave units. Row 2: String 12A and 1B; pass through the bottom B of the next right-angle-weave unit of the previous row. String 2B; pass through the last B added, the last B exited, and the next B to form a right-angle-weave unit. Repeat from the beginning of this row nine times. String 12A; pass through the bottom B of the next right-angle-weave unit of the previous row (Fig. 4, blue thread). Weave through beads to exit from the bottom B of the last right-angle-weave unit added in this row, toward the work (Fig. 4, red thread).

Fig. 2: Adding Stitches 4 and 5 of the band

Fig. 3: Stitching Row 1 of the swags

Fig. 4: Adding Row 2 of the swags


BEADWORK

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Rising Curtains Necklace

Fig. 5: Forming Rows 3–7 of the swags

All samples were beadwoven by Jo-Ann Woolverton, Toronto, Ontario, Canada

artist’s tips ❯ To maintain the chevron chain’s thread tension, it’s best to hold the band between the fingers of your nondominant hand as you work. ❯ Experiment with different seed bead colors to form more elegant or more casual looks.

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Fig. 6: Connecting the clasp

Row 3: Repeat Row 2, this time making the

3) CLASP. Remove the stop bead at one end

swags with 14A and 1B, repeating seven times, and ending with 14A for a total of 9 swags (Fig. 5, purple thread). Note: Rotate the page clockwise 90 degrees while following Fig. 5. Row 4: Repeat Row 2, this time making the swags with 16A and 1B, repeating five times, and ending with 16A for a total of 7 swags (Fig. 5, orange thread). Row 5: Repeat Row 2, this time making the swags with 18A and 1B, repeating three times, and ending with 18A for a total of 5 swags (Fig. 5, green thread). Row 6: Repeat Row 2, this time making the swags with 20A and 1B, repeating twice, and ending with 20A for a total of 3 swags (Fig. 5, blue thread). Row 7: Repeat Row 2, this time making 1 swag with 22A and 1B (Fig. 5, red thread). Secure the thread and trim.

of the band and place a needle on the thread. Weave through beads to exit between the 2A at the end of the band. String 1A and the clasp; pass back through the A just strung, the next A at the end of the band, and weave through beads to exit from the original A exited on the band (Fig. 6). Repeat the thread path several times to reinforce. Secure the thread and trim. Repeat this entire step at the other end of the band, adding the jump ring. ● MARIA RYPAN is a well-known bead artist,

researcher, and recognized expert on “gerdany,” Ukrainian-style beadwork. She loves teaching, creating visually oriented instructions, producing a kit line, and lecturing on beading and global folk arts. Contact Maria at www.rypandesigns.com. RESOURCES Check your favorite bead retailer or contact: Seed beads: Beyond Beadery, (800) 840-5548, www.beyond beadery.com. Lobster clasp: BeadFX, (877) 473-2323, www.beadfx.com.


Sonoran Desert Bracelet

SARA OEHLER

Colored beading wire adds both strength and style to this fantastic openwork design created on a loom.

WHAT IS TEXSOLV CORD? TEXSOLV CORD IS A SPECIALTY FIBER THAT’S PRIMARILY USED FOR LOOM WEAVING. THIS STRONG POLYESTER CORD IS SHAPED LIKE A LADDER WITH EVENLY SPACED HOLES, WHICH CAN BE HOOKED ONTO LOOM PEGS AND ACCOMMODATE CROSSBARS.

42



TECHNIQUE

loomwork PROJECT LEVEL  MATERIALS

7 g matte Ceylon grayish light blue round size 8° seed beads 4 copper 2mm crimp tubes 4 copper 3mm crimp covers 1 copper 22mm toggle clasp Brown size D nylon beading thread 5½' of copper .019 beading wire TOOLS

5" Mini Mirrix Loom with 2 loom pegs 2 stainless steel 1∕8" crossbars, 5½" long 10 metal ¾" S-hooks 64" of Texsolv polyester ladder cord 3 bead stops Size 10 beading needle Wire cutters Chain-nose pliers Note: Mirrix offers a No-Warp Ends kit, which includes 2 metal crossbars, 20 metal S-hooks, and Texsolv cord. Visit www .mirrixlooms.com/store/no-warp-ends-kit for more information. FINISHED SIZE

7¼"

1) SET UP. Prepare the loom: Cords: Set the loom to its smallest setting.

With medium tension, wrap 32" of cord around the loom from top to bottom , overlap the cord ends with 2 cord holes aligned, push 1 loom peg into the aligned holes of both cord ends to form a loop around the loom, then slide the looped cord so the peg is at the top of the loom and out of the way; repeat. Slide the cord loops toward the edges of the loom so there is a cord on the left and one on the right. Crossbars: Evenly slide 1 crossbar through a hole at the top of the right cord, then slide it through a hole in the left cord so the crossbar sits parallel to the top of the loom. Repeat this to add a bar just above the bottom of the loom. Note: For this project, the bottom bar was 15 cord holes down from the top bar to make the working area 7". S-hooks: Slide 5 S-hooks on each crossbar with the opening facing you. 2) FORM THE WARP. Add a bead stop about 2" from the end of the beading wire. Pass the wire through the first S-hook on the top of the loom until the bead stop catches on the hook. Pass the wire through the mirror hook on the bottom of the loom, then through the next hook at the top of the loom.

Continue weaving back and forth between the S-hooks, using medium tension, to form the warp. Add another bead stop to the other end of the cord to hold the wire in place. Use the loom screws to tighten the tension (Fig. 1). 3) WEAVE. Work the bracelet body: Prepare: Use a bead stop to clip the end of 5'

of thread to the loom, near the bottom crossbar. Place a needle on the other end of the thread. Row 1: String 8 beads; pass under the warp wires and pop 1 bead between each wire (Fig. 2, blue thread). Hold the beads in place as you pass back through each bead, this time over the top of the warp wires (Fig. 2, red thread). Slide the beads down so they sit tightly against the bottom S-hooks. To prepare for the next row, wrap around the nearest warp, pass through the first bead added in this row, loop around the next warp, and exit underneath the wires (Fig. 3). Row 2: Repeat Row 1, this time adding 6 beads. Note: You’ll need to pass the needle between wires to the front of the work on this and other short rows to avoid cinched ends and exposed wire.

Fig. 2: Adding Row 1

artist’s tips ❯ To end a thread, weave through the beadwork, knot several times around a warp wire, and trim. Start a new thread by weaving through the beadwork, knotting several times around a warp wire, and weaving through beads to the last place exited.

Fig. 1: Warping the loom

Fig. 3: Preparing for the next row


❯ Use the same color of thread that you use for the warp wires. This helps mask the stitches.

BEADWORK

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Sonoran Desert Bracelet

Fig. 4: Stitching Rows 4 and 5

Fig. 5: Forming Rows 6–8

Row 3: Repeat Row 1, this time adding

4 beads. Row 4: String 2 beads; pass under the warp wires and pop 1 bead between each wire. Hold the beads in place as you pass back through each bead, this time over the top of the warps. Tighten the beads against the previous row. To prepare for the next row, loop around warp 4, exiting on the top of the wire (Fig. 4, orange thread). Row 5: String 1 bead; hold the bead in place between warp 3 and warp 4 and pass back through the bead underneath the warp wires (Fig. 4, purple thread). String 3 beads; hold the beads in place between the warp wires and pass back through all 4 beads added in this row, on top of the warp wires (Fig. 4, blue thread). Tighten the beads against the previous row. To prepare for the next row, loop around warp 3, exiting on top of the wire (Fig. 4, red thread). Row 6: String 1 bead; hold the bead in place between warp 2 and warp 3 and pass back through the bead underneath the warp wires. String 5 beads; hold the beads in place between the warp wires and pass back through all 6 beads added in this row,

44


Fig. 6: Adding the first side of the clasp connection

on top of the warp wires. Tighten the beads against the previous row. To prepare for the next row, loop around warp 2, exiting on top of the wire (Fig. 5, purple thread). Row 7: String 1 bead; hold the bead in place between warp 1 and warp 2 and pass back through the bead underneath the warp wires. String 7 beads; hold the beads in place between the warp wires and pass back through all 8 beads added in this row, on top of the wires. Tighten the beads against the previous row (Fig. 5, blue thread). Row 8: Repeat Row 1 (Fig. 5, red thread). Rows 9–48: Repeat Rows 1–8 five times. Secure the thread and trim. Remove: Release the loom tension and remove the beadwork from the S-hooks. Remove all bead stops, then adjust the beads to fit more evenly over the warp wires. 4) ADD THE CLASP. Pass one 5" piece of

beading wire through the 8 beads at the end of the beadwork and slide the beadwork to the center of the wire. Using both the new wire and the remaining warp wire, string 6 beads and 1 crimp tube. Use one of the

Fig. 7: Completing the clasp connection

wires to string one half of the clasp; pass back through the crimp tube (Fig. 6). Crimp the tube, trim the excess off both wires, and add a crimp cover over the crimp tube. String 6 beads and 1 crimp tube on the other wire end; pass through the same half of the clasp and back through the crimp tube just added. Crimp the tube, trim the excess off both wires, and add a crimp cover over the crimp tube (Fig. 7). Repeat this entire step on the other end of the bracelet. ● SARA OEHLER is a well-known jewelry designer

residing in sunny Phoenix, Arizona. She coauthored the book Show Your Colors (2012) and is the sales and marketing manager for Soft Flex Company. Sara thanks Mirrix Loom owner Claudia Chase for her lessons on designing with no warp thread ends, which inspired this design. RESOURCES Check your favorite bead retailer or contact: Beading thread, seed beads, and clasp: FusionBeads.com, (888) 781-3559. Crimp tubes, crimp covers, and Soft Flex beading wire: Soft Flex Company, (866) 925-3539, www.softfexcompany.com. Loom and loom accessories: Mirrix Looms, (603) 562-8589, www.mirrixlooms.com.


Narcis Pendant

RACHEL SIM

Make this beautiful flower pendant just in time for summer using regular and two-hole seed beads, crystal bicones, and cubic right-angle weave.

ON THE COVER

KITS+

A HOW-TO VIDEO*

ARE NOW AVAILABLE FOR THIS PROJECT AT

shop.beadingdaily.com/ NarcisPendant * SEE P. 6 FOR MORE INFO ON INSTRUCTIONAL VIDEO.

46


Main Colorway


TECHNIQUES

cubic and flat right-angle weave circular peyote stitch PROJECT LEVEL  MATERIALS

8 g matte galvanized pink lilac permanent finish size 11° seed beads (A) 2 g metallic light bronze size 11° seed beads (B) 30 matte gold 5×2.5mm 2-hole seed beads (C) 12 rose water opal AB2X 3mm crystal bicones (D) 1 gold-plated 6mm jump ring Crystal 6 lb braided beading thread TOOLS

Scissors Size 10 and 12 beading needles 2 pairs of chain- or flat-nose pliers FINISHED SIZE

21/8"

Fig. 1: Forming Side 1, Cube 1

1) PETALS. Work cubic right-angle weave to

Connect: Making sure Sides 1 and 2 aren’t

form an open petal shape, then embellish the edges: Side 1, Cube 1, bottom: Use 4' of thread and the size 10 needle to string 4A, leaving a 2" tail; tie the working and tail threads together to form a tight circle and pass through the first 2A (Fig. 1, black thread). Note: Switch to the size 12 needle if you ever have trouble fitting the needle through beads. Side 1, Cube 1, Face 1: String 3A; pass through the last A exited and the first A just added (Fig. 1, purple thread). Side 1, Cube 1, Face 2: String 2A; pass back through the next 1A of the cube bottom, the last 1A exited in Face 1, the 2A just added, and the following 1A of the cube bottom (Fig. 1, orange thread). Side 1, Cube 1, Face 3: String 2A; pass through the last 1A exited in Face 2, the last 1A exited in the cube bottom, and the first 1A just added (Fig. 1, green thread). Side 1, Cube 1, Face 4: String 1A; pass down through the nearest 1A of Face 1, back through the next 1A of the cube bottom, the nearest 1A of Face 3, and the 1A just added (Fig. 1, blue thread). Side 1, Cube 1, top: Pass through the 4A at the top of this cube (Fig. 1, red thread). Side 1, Cubes 2–8: Repeat Side 1, Cube 1, Faces 1–4 and top, seven times. Exit from the 1A added in Face 4. Side 2, Cubes 1–5: Working off of one side of Cube 8, repeat Side 1, Cube 1, Faces 1–4 and top, five times to form an L shape (Fig. 2).

twisted, hold the beadwork so that the top of Side 2, Cube 5 touches the nearest face of Side 1, Cube 1. Repeat Side 1, Cube 1, Faces 2–4, this time using the corresponding A of Side 1, Cube 1 as the top beads of each new face. Weave through beads to exit from an A along the top outside edge of the petal, second from the point cube (Fig. 3). Embellish: *String 1B and pass through the next A along the top outside edge of the petal; repeat twelve times (Fig. 4). Weave through beads to exit from the bottom outside edge of the petal. Repeat from * to form a mirror embellishment on the bottom of the petal. Note: Pull the thread tightly as you embellish the other side of the petal so that the beadwork straightens (it will cup when you stitch the top side). Secure the threads and trim. Set the petal aside. Repeat this entire step five times for a total of 6 petals (Petals 1–6), except on the last petal, use 6' of thread, leave an 8" tail, and don’t trim the threads.

Fig. 2: Side 1, Cubes 1–8 and Side 2, Cubes 1–5

Fig. 3: Connecting the end of Side 2 to the beginning of Side 1

2) ASSEMBLY. Stitch the petals together and

form the flower center: Join petals (center back): Use the working

thread of Petal 6 to string 1C; pass through the mirror A of another petal. String 1A; pass through the original A exited on Petal 6 and the C just added. Weave through beads to exit from the same point originally exited on Petal 6, but on the petal just added (Fig. 5, blue thread). Continue adding petals this way (Fig. 5, red thread) until all 6 petals are connected. Weave through beads to exit from the inner hole of 1C added in this section.

Fig. 4: Embellishing the top outside edge of the petal

artist’s tip When you add the bicones, be very careful not to tear the thread. It helps if you pull the thread straight through the beads rather than at an angle.

Fig. 5: Joining the petals for the flower’s center back


BEADWORK

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Narcis Pendant artist’s tip

Fig. 6: Adding Round 1 of the flower’s center back

To avoid wasting thread, leave only a short tail (1 to 2") at the beginning of the work. Weave it in by first passing your needle (without the thread) through a few beads near the tail; leave the needle in the beads, then thread the needle and pull. Because you’ve made a knot in the beginning of the work, you can now cut the thread.

Fig. 7: Stitching Round 1 of the flower’s center front

Fig. 8: Adding Rounds 2 and 3 of the flower’s center front

Fig. 9: Forming the bail

Center back, Round 1: String 2A and pass

Center front, Round 3: String 1D and pass

RACHEL SIM is a self-taught beader from Israel.

through the inner hole of the next C; repeat five times (Fig. 6). Repeat the thread path to reinforce. Join petals (center front): Weave through beads to exit from the front of the flower and join petals as before to connect the center front of the flower. Center front, Round 1: String 1C and pass through the inner hole of the next join’s C; repeat five times. Weave through beads to exit from the outer hole of the first C added in this round (Fig. 7). Center front, Round 2: String 2C and pass through the outer hole of the next C in Round 1; repeat five times. Weave through beads to exit from the outer hole of the first C added in this round (Fig. 8, blue thread).

through the outer hole of the next C in Round 2; repeat eleven times (Fig. 8, red thread). Repeat the thread path to reinforce; secure the thread and trim. Bail: Weave the tail thread through beads to exit down through an A on the top-right outer edge of a petal, 3 cubes down from the point cube. String 4A; pass up through the mirror A of the adjacent petal and back through the last 2A just strung (Fig. 9, blue thread). String 1A; pass back through the first 2A added in the bail and the original A exited on the first petal (Fig. 9, red thread). Repeat the thread path to reinforce. Secure the thread and trim. Connect the jump ring to the bail. ●

Rachel started making jewelry in 2007, beginning with wirework and stringing. After a while, she discovered beadweaving and fell in love with it, especially cubic right-angle weave. Contact Rachel at [email protected].

48


RESOURCES Check your favorite bead retailer or contact: Toho lilac seed beads: A Grain of Sand, (704) 660-3125, www.agrain ofsand.com. Miyuki bronze seed beads and FireLine braided beading thread: Beads Gone Wild, (561) 649-9909, www.beadsgonewild store.com. Superduo 2-hole seed beads: Red Panda Beads, www.redpandabeads.com. Swarovski crystal bicones and jump ring: Eureka Crystal Beads, (401) 603-0983, www.eurekacrystalbeads.com. Kits: shop.beadingdaily.com/NarcisPendant


Botanic Gardens Bracelet

SVETLANA CHERNITSK Y

Use two different shapes of two-hole beads to quickly and easily stitch up this super stylish bracelet redolent of a garden walkway.

50



1) BASE. Use netting to form the body of the

TECHNIQUES

bracelet:

netting fringe

Row 1, Pass 1: Add a stop bead to 6' of


2 g metallic gold iris size 15° seed beads (A) 5 g turquoise Picasso size 11° seed beads (B) 2 g metallic gold iris size 8° seed beads (C) 7 g turquoise Picasso 5×2.5mm 2-hole seed beads (D) 7 g light blue opaque brown luster 5×2.5mm 2-hole seed beads (E) 3 g matte metallic copper 5×2.5mm 2-hole seed beads (F) 42 umber 6×3mm 2-hole brick beads (G) 1 antiqued brass 16×19mm toggle clasp 3 antiqued brass 6mm jump rings Smoke 6 lb braided beading thread TOOLS

Scissors Size 12 beading needle 2 pairs of chain- or flat-nose pliers FINISHED SIZE

7"

thread, leaving an 8" tail. String 1G, 2B, 1A, 1D, 2A, 1B, 2A; pass through the second hole of the D just added. String 1A, 3B, 1A, 1D, 2A, 1B, 2A; pass through the second hole of the last D added. String 1A, 2B, and 1G; pass through the second hole of the last G added (Fig. 1, blue thread). Row 1, Pass 2: String 1E and 1B; pass down through the nearest A of Pass 1, through the nearest hole of the D, and the next A. String 1A, 1B, and 1A; pass up through the nearest A of Pass 1, through the nearest hole of the D, and the next A. String 1B, 1F, and 1B; pass down through the next 1A/1D/1A of Pass 1. String 1A, 1B, and 1A; pass up through the next 1A/1D/1A of Pass 1. String 1B and 1E; pass through the second hole of the first G of Pass 1 (Fig. 1, red thread). Row 2, Pass 1: String 1E, 1B, 1C, and 1B; pass through the second hole of the E just added. String 1G and pass through the second hole of the last E in the previous row. String 1B, 1A, 1D, 2A, 1B, and 2A; pass through the second hole of the D just

Fig. 1: Stitching Row 1, Passes 1 and 2

added. String 1A and 1B; pass through the second hole of the F in the previous row. String 1B, 1A, 1D, 2A, 1B, and 2A; pass through the second hole of the D just added. String 1A and 1B; pass through the second hole of the next E in the previous row. String 1G; pass through the second hole of the same G (Fig. 2, blue thread). Row 2, Pass 2: String 1E and 1B; pass down through the nearest 1A/1D/1A of the previous pass. String 1A; pass back through the nearest B of the previous row. String 1A; pass up through the nearest 1A/1D/1A of the previous pass. String 1B, 1F, and 1B; pass down through the next 1A/1D/1A of the previous pass. String 1A; pass back through the nearest B of the previous row. String 1A; pass up through the next 1A/1D/1A of the previous pass. String 1B and 1E; pass through the second hole of the first G in this row (Fig. 2, red thread). Rows 3–20: Repeat Row 2, Passes 1 and 2, eighteen times or to the desired length minus 1¼" for Row 21 and the clasp. Row 21, Pass 1: Repeat Row 2, Pass 1, but string 2A before passing through the second hole of the final G (Fig. 3, green thread). Row 21, Pass 2: String 2B; pass down through the nearest 1A/1D/1A of the previous pass. String 1A; pass back through the nearest B of the previous row. String 1A; pass up through the next 1A/1D/1A of the previous pass. String 3B; pass down through the next 1A/1D/1A of the previous pass. String 1A; pass back through the nearest B of the previous row. String 1A; pass up through the next 1A/1D/1A of the previous pass. String 2B; pass through the second hole of the first G in this row (Fig. 3, blue thread). String 2A; pass through the first (bottom) hole of the last G exited. Weave through beads to exit from the bottom hole of the G on the other side of this row (Fig. 3, red thread). Repeat the thread path to reinforce, exiting from the bottom hole of the G. Remove the stop bead.

Fig. 2: Adding Row 2, Passes 1 and 2

Fig. 3: Working Row 21, Passes 1 and 2


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Botanic Gardens Bracelet

2) EDGE EMBELLISHMENT. Add fringe to the bracelet edge: Fringe: Turn the work so that the smooth, long edge of the bracelet points up. String 1E, 1B, 1C, and 1B, then pass through the second hole of the E just added, down through the next G along the edge of the bracelet, and up through the next hole of the same G; repeat nineteen times to embellish this edge of the bracelet to match the other edge (Fig. 4, green thread). End: String 2A; pass down through the previous hole of the last G exited (Fig. 4, blue thread). Weave through beads, reinforcing the B at the end of the bracelet, to exit from the mirror G on the other side of the bracelet. String 2A; pass up through the second hole of the same G (Fig. 4, red thread). Secure the thread and trim. 3) ASSEMBLY. Use 1 jump ring to attach the ring half of the clasp to one end of the bracelet, connecting to the loop of B at the center. Attach 1 jump ring to the other end of the bracelet. Use 1 jump ring to attach the previous jump ring to the bar half of the clasp. ●

Beading is SVETLANA CHERNITSKY ’s favorite hobby, and she devotes almost all of her free time to it. She loves to learn and try new techniques, but her favorite techniques are peyote stitch, netting, bead embroidery, and bead crochet. Reach Svetlana at www.lirigal.com.

52


Fig. 4: Adding the edge embellishments

RESOURCES Check your favorite bead retailer or contact: Miyuki gold iris seed beads: Caravan Beads, (800) 230-8941, www .caravanbeads.net. Toho turquoise seed beads and Superduo copper 2-hole seed beads: Artbeads.com, (866) 715-2323. Superduo turquoise and light blue 2-hole seed beads and CzechMates 2-hole brick beads: Fusion Beads.com, (888) 781-3559. Similar clasp, jump rings, and FireLine braided beading thread: Fire Mountain Gems and Beads, (800) 355-2137, www.fremountaingems.com.


Dancing Cabs Necklace

LAURA LUEPKE

Creatively join and embellish two bead-embroidered bezels with seed beads, fire-polished rounds, and two-hole bricks or rullas, then get your needles dancing as you work a two-needle technique for the intricate, coordinating chain.

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1) BEZELS. Use backstitch and tubular

TECHNIQUES

backstitch tubular peyote stitch brick-stitch edging whipstitch circular square stitch two-needle ladder stitch PROJECT LEVEL  MATERIALS

4 g light green Ceylon pearl size 15° seed beads (A) 1 g color-lined olive rainbow size 11° cylinder beads (B) 1 g silver-lined mint opal size 11° seed beads (C) 3 g silver-lined light black diamond rainbow size 11° seed beads (D) 29 jet Picasso 4mm fire-polished rounds (E) 38 jet Picasso 6×3mm 2-hole brick beads (F) 1 jet Picasso 2.5×6mm rizo drop 1 black cat’s eye 12mm round glass cabochon 1 black cat’s eye 16mm round glass cabochon 1 antiqued pewter 13mm 2-strand toggle clasp Smoke 6 lb braided beading thread Clear craft adhesive 1 × 2" piece of beading foundation 1 × 2" piece of mint green or black Ultrasuede Black permanent marker or fabric dye TOOLS

Scissors 4 size 10 beading needles Thread burner FINISHED SIZE

17¾" (necklace); 1½ × 2¾" (pendant)

peyote stitch to bezel the cabochons: Prepare: Use the fabric dye or permanent marker to color the beading foundation; let dry. Cut the foundation into two 1 × 1" pieces and glue 1 cabochon to the center of each piece, leaving about ¼" space around each cabochon. Let the glue set for at least 20 minutes. Set aside. Round 1: Tie an overhand knot at the end of 6' of thread. Pass through 1 of the foundation/cabochon assemblies from back to front, exiting next to the cabochon. String 2C, slide them to the foundation, and lay them alongside the cabochon. Pass down through the foundation next to the last bead added. Pass up through the foundation before the first bead, then pass through the 2C just added (Fig. 1, blue thread). String 2C, lay them alongside the cabochon, pass down through the foundation next to the last bead added, and pass up through the foundation and the last 3C added; repeat, working backstitch around the cabochon (Fig. 1, red thread). Note: Make sure to end with an even number of beads in the ring. Every other C should feel slightly looser; exit from one of these beads. Round 2: String 1B, skip 1C of the previous round, and pass through the next C; repeat around the ring, then step up through the first B added in this round. Round 3: Work tubular peyote stitch with 1B in each stitch. Round 4: Work tubular peyote stitch with 1A in each stitch. Weave through beads to exit from Round 2.

Round 5: String 1B and pass through the next

B of Round 2; repeat around to “stitch in the ditch” with firm tension. Weave through beads to exit from Round 1, exiting below 1B of Round 3 (Fig. 2, orange thread). Round 6: String 1C, skip 1C of Round 1, and pass through the next C; repeat around to “stitch in the ditch.” Step up through the first C added in this round (Fig. 2, blue thread). Round 7: String 2A and pass through the next C of Round 6; repeat around to form a raised ring of C and A beads around the bezel. Weave through beads to exit from Round 1 (Fig. 2, red thread). Backing: Carefully trim the beading foundation close to the beadwork. Glue the trimmed foundation to the Ultrasuede. Let dry. Trim the Ultrasuede flush with the foundation.

artist’s tips Fig. 1: Forming Round 1 of the large bezel

❯ Instead of knotting the thread to begin bead embroidery, simply use a thread burner to melt the end of the thread. This will create a small nub that holds the thread in place without the mess of thread tails. ❯ If you substitute different sizes and shapes of cabochons, it’s best to start joining the bezels at the base or top of the cab to ensure a symmetrical design.

Fig. 2: Stitching Rounds 5–7 of the large bezel


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Dancing Cabs Necklace

1 2

Fig. 3: Adding the brick-stitch edging

Bezel edge: Stitch through the foundation

and Ultrasuede to exit near the edge. String 2D, stitch through the foundation and Ultrasuede, and pass back through the second D just added (Fig. 3, green thread). String 1D, stitch through the foundation and Ultrasuede, and pass back through the D just added; repeat around to connect the foundation and Ultrasuede with a brickstitch edging, taking care that there are no gaps between beads (Fig. 3, blue thread). Close the ring by ladder-stitching the first and last D together (Fig. 3, red thread). Set aside; don’t trim the thread. Repeat this entire step to complete the second bezel, using the remaining foundation/cabochon assembly. 2) LARGE BEZEL EMBELLISHMENT.

Add bricks that will later serve as bases for embellishment and add the dangle to the large bezel: Note: This step works best with the Ultrasuede side of the bezel facing up. Upper-left base: Working counterclockwise, string 1F; pass down through the open hole of the F just strung, then down through the next edge D, and up through the following D without pulling tight. Loop the thread under the exposed thread between the edge D beneath the F (Fig. 4, blue thread). Whipstitch: String 1A and loop the thread under the exposed thread between the next 2 edge D to form a whipstitch embellishment (Fig. 4, red thread); repeat seven times to add 8A. Note: Count the number of D beads edging the large cabochon. If there are 29 or 30 D, then the 8A just added is correct; if there are more D, add 9A instead of 8A. Pass down through the D beneath the final A added and pass up through the next edge D. Bottom base: String 1F; pass down through the open hole of the F just added, down through the D below it, and up through the next D (Fig. 5, blue thread). String 1F; pass down through the open hole of the F just added and the D below it. Pass up through

56


Fig. 4: Stitching the upper-left base and the first whipstitch

the previous D and the first hole of the F just added (Fig. 5, red thread). Position the bezel so the 2D just added point down. The holes of the 2F and the corresponding edge D are now positions 1–4 (as labeled on Fig. 5). Dangle: String 1E; pass up through position 2 and down through position 3 (Fig. 6, purple thread). String 9B; pass up through position 2, down through position 3, and through the 9B just added (Fig. 6, yellow thread). Use circular square stitch to add a row of 13C to the 9B just added, alternating between adding 1C and 2C to each B. Pass up through position 4, then weave through beads to exit down through position 1 and through the first 6C just added (Fig. 6, blue thread). String 3A, 1F, 2A, the rizo drop, and 2A; pass up through the open hole of the F just added. String 3A; pass up through the final 6C added in the dangle, up through position 4, and down through the next edge D (Fig. 6, red thread). Whipstitch and right-side base: Repeat whipstitch and upper-left base in reverse. Top: Whipstitch 1A over each of the edge D between the upper-right and -left bases. 3) SMALL BEZEL EMBELLISHMENT.

Working clockwise, repeat Step 2, upper-left base. Whipstitch 6A. Repeat Step 2, bottom base. Whipstitch 6A. Repeat Step 2, upperright base. Whipstitch 1A over each of the remaining edge D between the upper-right and -left bases. Weave through beads to exit from the second hole of the first F added in this step. 4) BEZEL JOIN. Position the bezels faceup and edges touching, with the large bezel’s dangle pointing down and the small bezel’s bottom pointing up. Use the working thread of the small bezel to string 1E; pass through the inside hole, then the outside hole of the F on the large bezel’s upper-right base (Fig. 7, purple thread). String 1F, 1E, and 1F; pass through the mirror hole of the last F exited on the small bezel. Weave through beads to exit

3 4

Fig. 5: Adding the bottom base

from the E just added (Fig. 7, orange thread). String 5B; pass through the last E exited and the 5B just added (Fig. 7, yellow thread). Square-stitch 1C to each of the 1B just added (Fig. 7, blue thread). Weave through the 5B added in this step, both holes of the nearest F, the nearest E, both holes of the next F, and through the 5B again (Fig. 7, red thread). Reinforce the thread path if necessary to tighten. Secure the thread and trim. Use the working thread of the large bezel to repeat this step on the other side of the bezels. 5) STRAPS. Work 2-needle ladder stitch to

form the necklace straps: Stitch 1: Place a needle on each end of 6' of

thread. Pass one needle through each of the holes on the upper-left F at the top of the pendant. Adjust the thread so an equal amount exits each hole of the F. Use the left needle to string 1F; pass the right needle back through the same hole, then cross both needles through the open hole of the same F (Fig. 8, purple thread). Stitch 2: Working with slightly loose tension, use the left needle to string 2A and 1D, then use the right needle to string 2A and pass back through the last D added (Fig. 8, orange thread). Stitch 3: Use the left needle to string 3A and 1E, then use the right needle to string 3A and pass back through the last E exited (Fig. 8, pink thread). Stitch 4: Use the left needle to string 3A and 1D, then use the right needle to string 3A and pass back through the last D added (Fig. 8, blue thread). Stitch 5: Use the left needle to string 2A and 1F, then use the right needle to string 2A and pass back through the same hole of the last F added. Cross both needles through the open hole in the F (Fig. 8, red thread). Repeat Stitches 2–5 ten times or to the desired length. Don’t trim the thread. Repeat this entire step, this time starting a new thread on the upper-right F at the top of the pendant.


1 2

3 4

Fig. 6: Forming the dangle

6) CLASP. Connect the toggle clasp, then

add an edging to the straps: Ring: Use the working threads of the left strap to repeat Step 5, Stitches 2–5. String 3A and 1 loop of the ring half of the clasp, then pass back through the 3A just added; repeat with the right needle, attaching to the second loop of the clasp. Repeat the thread path to reinforce (Fig. 9, purple thread). Edge: Use the left needle to string 4A; pass back through the next 2A on the outside edge of the strap. Continuing to work along the edge of the strap, string 1D and pass back through the next 3A; repeat. String 1D; pass back through the next 2A. Embellish the entire left side of the strap in the same manner (Fig. 9, pink thread). After exiting the final 2A, string 5A; pass down through the nearest hole of the nearest base F and the D below (Fig. 9, blue thread). Use the right

needle to embellish the right side of the strap in the same manner (Fig. 9, red thread). Secure the threads of this strap and trim. Bar: Use the left needle of the right strap to string 10A and 1 loop of the bar half of the clasp; pass back through the 10A and the nearest E (Fig. 10, yellow thread). Use the right needle to string 10A; pass through the second loop of the bar half of the clasp and back through the 10A just added (Fig. 10, blue thread). Repeat the thread path to reinforce (Fig. 10, red thread). Repeat the edge embellishment to finish the right strap. ● After studying painting, drawing, and sculpture and then going on to train as a historian, LAURA LUEPKE found in beads the artistic medium that truly spoke to her. She has been an avid beader and jewelry designer since 2009. Find Laura at www.theverdantedge.com or www.theverdantedge.etsy.com. RESOURCES Check your favorite bead retailer or contact: Seed beads and cylinder beads: Stormcloud Trading, (651) 645-0343, www.beadstorm.com. Bricks, rizos, rullas, and fre-polished rounds: Out On A Whim, (800) 232-3111, www.whimbeads.com. Cabochons, E6000 clear craft adhesive, FireLine braided beading thread, and clasp: Fire Mountain Gems and Beads, (800) 355-2137, www .fremountaingems.com. Beading foundation and Ultrasuede: Beyond Beadery, (800) 840-5548, www.beyondbeadery.com. Kits: www.theverdantedge.etsy.com.

Fig. 7: Joining the small and large bezels

Fig. 8: Stitching the strap

Fig. 9: Adding the clasp ring and edging the strap


Fig. 10: Connecting the clasp bar

BEADWORK

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57

Floral Swirl Earrings

CHERYL ERICKSON

Enjoy making these circular square–stitched and netted medallions for a quick pair of earrings, or combine several for an interesting bracelet or necklace.

Main Colorway

58



TECHNIQUES

circular square stitch netting wireworking PROJECT LEVEL  MATERIALS

2 g matte light olive size 11° seed beads (A) 2 g matte fuchsia size 11° seed beads (B) 2 g matte light olive rainbow size 11° seed beads (C) 2 g matte dark forest green size 11° seed beads (D) 1 g matte light olive rainbow size 8° seed beads (E) 2 matte cream 13mm pressed-glass rings 1 pair of copper ¾" ear wires Crystal 6 lb braided beading thread TOOLS

Scissors Size 10 or 11 beading needle 2 pairs of chain-nose pliers

1) MEDALLION. Use circular square stitch and netted fringe to form the earring’s medallion: Round 1: Tie the end of 4' of thread to 1 ring, leaving a 6" tail. String 2E; pass through the ring back to front and through the second E just added, leaving the 2E on the outside of the ring (Fig. 1, green thread). String 1E; pass through the ring back to front and through the E just added. Continue working circular square stitch, 1E at a time, around the ring for a total of 22E or for an even number of E that fit snugly around the ring (Fig. 1, blue thread). Pass through all the E added in this round again to reinforce, exiting from the first E added (Fig. 1, red thread). Round 2: String 7A, skip 1E of Round 1, and pass through the next E; repeat ten times. Pass through the next E of Round 1, toward the back of the work (Fig. 2).

Round 3: String 5B, pass over the beads of

the next loop, skip 1E of Round 1, and pass through the following E toward the back of the work; repeat ten times. Manipulate the new nets so they sit snugly between the nets of Round 2. Step up for the next round by passing through the first 3B added in this round (Fig. 3). Round 4: String 7C and pass through the middle B of the next Round 3 net; repeat ten times. Weave through beads to exit from the middle A of a Round 2 net so that the thread sits in front of a Round 4 net (Fig. 4, blue thread). Round 5: String 5D, pass behind and through the next Round 4 net, and pass through the middle A and in front of the following Round 2 net (Fig. 4, red thread); repeat ten times. Secure the thread and trim. 2) EAR WIRE. Use chain-nose pliers to con-

nect 1 ear wire to 2 nets for extra strength.

FINISHED SIZE

2"

3) Repeat Steps 1 and 2 for a second earring. ● CHERYL ERICKSON is a jewelry designer

specializing in beadweaving and bead embroidery with seed beads and shaped seed beads. Cheryl teaches beading all over the country, owns a bead store, and runs a website. Contact Cheryl at [email protected] and www .artisticbead.com. RESOURCES Check your favorite bead retailer or contact: Seed beads, glass or metal rings, ear wires, FireLine braided beading thread, and kits: Artistic Bead, (515) 334-0020, www.artisticbead.com.

Fig. 1: Stitching Round 1

Fig. 2: Adding Round 2

artist’s tips ❯ Be sure to use contrasting but coordinating colors to make the crisscross pattern show. ❯ Attach medallions in a row for a bracelet or a necklace. ❯ To make a large medallion for a pendant, continue adding crisscrossing nets and increasing bead counts each round. Fig. 3: Forming Round 3


Fig. 4: Completing Round 4 and beginning Round 5

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59

Try the Triangle

SVETLANA EINY

Use two-hole triangle beads with St. Petersburg and peyote stitches to form this richly textured bracelet.

60



TECHNIQUES

St. Petersburg stitch flat peyote stitch

TOOLS

1) ROW 1. Work St. Petersburg stitch to form Row 1 of the bracelet: Prepare: Add a stop bead to 6' of thread, leaving a 12" tail. Stitch 1: String 1C and 2E; pass through the first E again (Fig. 1, green thread). Stitch 2: String 1A; pass back through the last E exited and the last C added (Fig. 1, blue thread). Stitch 3: String 1F so the tip of the triangle points upward; pass back through the last E added (Fig. 1, red thread). Manipulate the F so the holes sit flush against the E on the right. Repeat Stitches 1–3 twenty-five times or to the desired length minus 5∕8" for the clasp. Secure the working thread and trim, but don’t trim the tail thread.

Scissors Size 11 beading needles

2) ROW 2. Repeat Row 1, but flip the stitch-

FINISHED SIZE

ing direction so that the F sit on the left side of the work (Fig. 2).


1 g transparent teal luster size 15° seed beads (A) 0.5 g silver-lined light topaz size 15° seed beads (B) 1 g matte metallic silver permanent finish size 11° seed beads (C) 50 Persian turquoise 3mm fire-polished rounds (D) 2 g silver-lined light topaz 3mm (size 1) Japanese bugle beads (E) 104 green iris 6mm 2-hole triangle beads (F) 1 gold-plated 16×10mm fancy 3-strand box clasp Crystal 8 lb braided beading thread

6½"

3) ROW 3. Add a stop bead to 4' of thread, leaving a 2' tail. String 1F; pass through the free (right) hole of the first F in Row 1. String 2F and pass through the right hole of the next F in Row 1; repeat twenty-four times or for the length of Row 1. String 1F (Fig. 3, blue thread). Set the working thread aside. 4) ROW 4. Remove the stop bead and add a

Fig. 1: Forming Stitches 1–3 of Row 1

Fig. 2: Beginning Row 2

Fig. 3: Adding Rows 3 and 4

needle to the tail thread. Pass through the right hole of the first F in Row 3 and the left hole of the first F in Row 2. Pass through the right holes of the next 2F in Row 3 and the left hole of the following F in Row 2; repeat to connect Row 3 to Row 2. Pass through the right hole of the final F in Row 3 (Fig. 3, red thread). Set the thread aside.

artist’s tip Be sure all the triangle beads point up in the same direction.

5) ROW 5. Attach a stop bead to 4' of thread, leaving a 2' tail. Pass through the left hole of the first F in Row 1. String 1D and pass through the left hole of the next F in Row 1; repeat twenty-four times or for the length of Row 1 (Fig. 4, blue thread). Set the working thread aside. 6) ROW 6. Remove the stop bead and add a needle to the tail thread. Weave through beads to exit from the right hole of the first F in Row 2, toward the work. String 1D and pass through the right hole of the next F in Row 2; repeat for the length of Row 2 (Fig. 4, red thread).

Fig. 4: Working Rows 5 and 6


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Try the Triangle

Fig. 5: Connecting the clasp

7) CLASP. Use light thread tension to con-

nect the clasp to the beadwork: Center: Use the working thread of Row 3 to

string 2B and the middle loop of one half of the clasp, taking care that the top of the clasp and the front of the bracelet both face

up. String 2B; pass back through the right hole of the last F exited. Repeat the thread path to reinforce (Fig. 5, orange thread). Secure the thread and trim. Use the working thread of Row 4 to repeat the thread path in the reverse direction (Fig. 5, purple thread). Secure this thread and trim. Left connection: Use the working thread of Row 5 to string 1E; pass down through the nearest E of Row 1 and up through the E just added. String 3B; pass through the left loop of the clasp. String 3B; pass down through the nearest E of Row 1 (Fig. 5, green thread). Repeat the thread path to reinforce. Secure the thread and trim. Right connection: Use the working thread of Row 6 to repeat the left connection, this time connecting to the right clasp loop (Fig. 5, blue thread). Other end: Remove the stop bead of Row 1 and add a needle to the tail thread. String 3B and the left loop of the other half of the clasp. String 3B; pass through the left hole, then the right hole of the first F in Row 1 and the left hole of the first F in Row 3. String 2B and the center loop of the clasp. String 2B; pass through the right hole of the first F in Row 3 and then through the left

and back through the right hole of the first F in Row 2. String 3B and the right loop of the clasp. String 3B; pass through the nearest C of Row 2 (Fig. 5, red thread). Secure the thread and trim. Remove the stop bead of Row 2, add a needle to the tail thread, and repeat the thread path to reinforce. Secure the thread and trim. ● SVETLANA EINY is a teacher and designer who specializes in beadwork. Svetlana is a part of Starman TrendSetters team. She and her husband have a bead store in Israel, The World of Beads, where she creates her beautiful jewelry and conducts beading classes. Contact Svetlana at her Facebook page by searching for Svetlana Einy. RESOURCES Check your favorite bead retailer or contact: Toho size 15° seed beads and bugle beads: Lima Beads, (734) 929-9208, www.limabeads.com. Toho size 11° seed beads and FireLine braided beading thread: Simply Beads, www.simplybeadsusa.com. Firepolished rounds: Red Panda Beads, www .redpandabeads.com. CzechMates triangle beads and clasp: Beadaholique, (866) 834-4618, www.beadaholique.com.

Make it, wear it, love it! Fall in love with the must-make jewelry designs featured in season 1900 of Beads, Baubles, and Jewels. With 13 informationpacked episodes (over 6 full hours) this DVD set has the skills, expert tips, jewelry making knowhows, and trends delivered directly to you from Jean Campbell, Jen VanBenschoten, Candie Cooper, and more!

Learn when to watch at beadsbaublesandjewels.com or get all 13 episodes on a 4-dic DVD set at: shop.beadingdaily.com/BBJ1900

62



Actual Size

Portico bracelet featuring CzechMates™ Triangles in Metallic Suede Pink by TrendSeter Nichole Starman.

Use these intensely colored metals in to your favorite designs to instantly modernize their depth and texture. Exclusively manufactured by Starman.

CzechMates™ 2-Hole Beading System Tile

79021: Purple

79086: Pink

79031: Blue

Dagger Brick Lentil Triangle

79080: Gold

79051: Lt. Green

79082: Dk. Green

Consistent hole spacing ensures no warping or bunching.

Ask for CzechMates at your local bead store! BEAD STORES�–�Register as a reseller: 1-888-683-BEAD [2323] • www.StarmanInc.com • [email protected]

Summer Garland Bracelet

REEM IVERSEN

Use one continuous length of thread and a twoneedle technique to mix seed beads, two-hole beads, drops, and crystals, forming this sparkly, flowery bracelet.

Main Colorway

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Fig. 1: Stitching Round 1 of Circle 1

1) BASE. Use a circular peyote stitch variation with 2 needles to form linked circular components of the bracelet base: Circle 1, Round 1: Place a needle on each end of 10' of conditioned thread. Use the top needle to string 1C and slide it to the center of the thread. Use the top needle to string 1B, 3C, 1B, 1C, 1B, 3C, and 1B; pass through the first C of this step. Use the bottom needle to pass back through the same hole of all the beads in this round (Fig. 1, top thread shown in green, bottom in blue). Pass the top needle through the second (outer) hole of the first C; use the bottom needle to pass back through the outer hole of the same C (Fig. 1, red thread). Note: The needles will switch top and bottom positions with each stitch. Circle 1, Round 2: Use the top needle to string 3B; pass through the outer hole of the next C. String 1D and pass through the outer hole of the following C; repeat. String 3B and pass through the next C (Fig. 2, green thread). Use the bottom needle to repeat from the beginning of this round to fill in the other side of the circle (Fig. 2, blue thread). Weave each thread through beads to exit from the first C’s outer hole (Fig. 2, red thread). Link: Use the top needle to string 1C, then use the bottom needle to pass back through the same hole (Fig. 3, blue thread); pass each needle through the outer hole of the same C (Fig. 3, red thread).

Fig. 2: Forming Round 2 of Circle 1

Fig. 4: Stitching Rounds 1 and 2 of Circle 2

TECHNIQUES

circular peyote stitch variation square stitch PROJECT LEVEL  MATERIALS

1 g galvanized silver permanent finish size 15º seed beads (A) 2 g galvanized silver permanent finish size 11º seed beads (B) 6 g jet dark purple pearl 5×2.5mm 2-hole seed beads (C) 3 g transparent silver gray 3.4mm Japanese drops (D) 9 jet AB2X 4mm crystal bicones (E) Smoke 6 lb braided beading thread Thread conditioner TOOLS

Scissors 2 size 11 beading needles FINISHED SIZE

6½"

Fig. 3: Adding the first link

Circle 2: Use the top needle to string 1B, 3C,

1B, and 1C (Fig. 4, orange thread). Use the bottom needle to string 1B, 3C, and 1B; pass back through the same hole of the last C strung on the top needle and continue through all the beads to exit from the last C (Fig. 4, green thread). Use the top needle to pass through the outer hole of the last C; use the bottom needle to pass back through the same hole (Fig. 4, blue thread). Repeat Circle 1, Round 2, to complete the circle (Fig. 4, red thread). Circles 3–9: Repeat the link and Circle 2 seven times or to the desired length minus 1" for the clasp. Repeat the link. 2) CLASP LOOP. Use a technique similar to the one in Step 1 to form the ring half of the clasp: Round 1: Use the top needle to string 1B, 2C, 1B, 2C, and 1B; repeat using the bottom needle (Fig. 5, orange thread). Use the top needle to string 1C; use the bottom needle to pass back through the same hole of the same C. Use the top needle to pass through all the beads of this round to reinforce; repeat using the bottom needle. Use the top needle to pass through the outer hole of the last C exited; use the bottom needle to pass back through the same hole (Fig. 5, green thread). Round 2: Use the top needle to string 3B; pass through the outer hole of the nearest C. String 1D and pass through the outer hole of the next C, then string 2B and pass through the outer hole of the following C. String 1D and pass through the outer hole of the next C, then string 3B and pass through the outer hole of the next C. Repeat from the beginning of this round using the bottom needle (Fig. 5, blue thread). Use the top needle to pass through all the beads again and exit from the C of the last link to reinforce; repeat using the bottom needle. Use both needles to weave through beads to exit from the inner hole of the nearest C in Circle 9, toward the center of the circle (Fig. 5, red thread).

Fig. 5: Adding the clasp loop


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Summer Garland Bracelet OPTION MAKE TWO OR THREE OF THESE BRACELETS IN THE SAME OR DIFFERENT COLORS AND WEAR THEM STACKED TOGETHER.

Fig. 6: Embellishing the first circle

3) EMBELLISHMENT. Turn the work over so

the clasp loop is on the left. Use the top needle to string 1A, 1E, and 1A; pass down through the nearest hole of the C in the next link (on the opposite side of Circle 9) (Fig. 6, green thread). Use the bottom needle to string 1A; pass through the last E added. String 1A; pass up through the nearest hole of the C in the next link (on the opposite side of Circle 9) (Fig. 6, blue thread). Use both needles to weave through beads to exit from the inner hole of the nearest C in the next circle (Fig. 6, red thread). Repeat this step eight times to embellish each circle of the base, exiting from the outer hole of the C at the end of the base.

Fig. 7: Adding Rows 1–6 of the clasp bar

4) CLASP BAR. Use square stitch to form the

bar half of the clasp: Rows 1–4: Use each needle to string 4B

(Fig. 7, purple thread). Use the top needle to pass back through the last 2B strung on the bottom needle and through the last 2B strung with the top needle (Fig. 7, orange thread); use the bottom needle to pass back through the last 2B strung with the top needle and through the last 2B strung with the bottom needle (Fig. 7, green thread).

artist’s tips ❯ Keep thread tension tight for a neatly finished look. ❯ Check the two-hole and drop seed beads before stringing them to make sure they are consistent in size. Discard any misshapen beads. ❯ Remember that thread is relatively inexpensive, so when measuring the amount you need for your bracelet, err on the side of having extra thread. Try your best to measure out enough to complete the project with one single length of thread.

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Fig. 8: Finishing the clasp bar

Rows 5 and 6: Use each needle to string 2B

(Fig. 7, blue thread). Use the top needle to pass back through the last 2B strung with the bottom needle and through the last 2B strung with the top needle; use the bottom needle to pass back through the last 2B strung with the top needle and through the last 2B strung with the bottom needle (Fig. 7, red thread). Rows 7–12: Repeat Rows 5 and 6 three times. Bar: Use the top needle to string 1C; pass the bottom needle back through the same hole of the C just added (Fig. 8, orange thread). *Use the top needle to string 1A, 1C, 1A, 1C, and 4A; pass through the second hole of the last C added. String 1A and pass through the second hole of the next C; repeat. Repeat from * using the bottom needle (Fig. 8, green thread). Use both needles to weave through beads to reinforce the clasp bar; exit from the middle

(first) C in the bar (Fig. 8, blue thread). Use each needle to pass back through the corresponding column of Rows 12–1, in that order (Fig. 8, red thread). Secure the thread and trim. ● REEM IVERSEN’s beadwork is permeated by her multicultural aesthetic. Her passion for beading grows out of her longtime enthusiasm for incorporating beads into her knitting and crochet projects. Reem team-teaches beadweaving with Janet Palumbo at the Princeton Adult School in Princeton, New Jersey. Contact her at [email protected]. RESOURCES Check your favorite bead retailer or contact: Miyuki seed beads, Twin 2-hole seed beads, and drops: The Bead Boutique of Naples, (239) 774-3466, www .beadboutiquenaples.com. Swarovski crystal bicones: Aura Crystals, www.auracrystals.com.


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Precious Fruit by Csilla Csirmaz

What Was Old Is New Again by Larissa Miller

Azteks by Ulyana Seryankina

Evening Star Necklace

AGNIESZK A WATTS

Use simple netting techniques to bezel rivolis for this sparkling strand of stars.

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TECHNIQUES

netting fringe

1) LARGE BEZEL. Using firm tension, work


10 g hematite size 15° seed beads (A) 4 g gold luster size 15° seed beads (B) 25 topaz 4mm crystal bicones (C) 3 ruby AB 6mm crystal bicones (D) 5 cyclamen opal 6mm crystal rounds (E) 2 red volcano 16mm crystal rivolis 1 red volcano 18mm crystal rivoli 1 hematite 11×16mm flat pressedglass dagger 1 antiqued silver 9mm round filigree box clasp Black size D nylon beading thread TOOLS

Scissors Size 12 beading needle Thread burner (optional) FINISHED SIZE

17½" (necklace); 3" (pendant)

Fig. 1: Forming Rounds 2–6 of the large bezel

Fig. 2: Adding Rounds 4–6 and the center of the flower

netting to form the center component: Large bezel, Round 1: Use 3' of thread to string 12A; pass through the beads again to form a tight circle, leaving a 4" tail. Use the working and tail threads to form a tight circle; pass through several more A and trim the tail. Large bezel, Round 2: String 3A, skip 1A of Round 1, and pass through the following A; repeat five times. Step up through the first 2A added in this round (Fig. 1, pink thread, shown flat for clarity). Large bezel, Round 3: String 5A and pass through the middle A of the next Round 2 net; repeat five times. Step up through the first 3A added in this round (Fig. 1, orange thread). Large bezel, Round 4: String 9A and pass through the middle A of the next Round 3 net; repeat five times. Step up through the first 5A added in this round (Fig. 1, green thread). Large bezel, Round 5: String 7A and pass through the middle A of the next Round 4 net; repeat five times. Step up through the first 4A added in this round (Fig. 1, blue thread). Large bezel, Round 6: Working with loose tension, string 5A and pass through the middle A of the next Round 5 net; repeat five times (Fig. 1, red thread). Place the 18mm rivoli in the center of the beadwork faceup. Use tight tension to repeat the thread path of this round, holding the rivoli in place. Don’t trim the thread; set the large bezel aside. 2) SMALL BEZELS. Using firm tension, work netting to form the small bezels: Small bezel, Rounds 1–3: Repeat Step 1, Rounds 1–3. Small bezel, Round 4: String 7A and pass through the middle A of the next Round 3 net; repeat five times. Step up through the first 4A added in this round. Small bezel, Round 5: String 9A and pass through the middle A of the next Round 4 net; repeat five times. Step up through the first 5A added in this round. Small bezel, Round 6: Repeat Step 1, Round 6, this time adding a 16mm rivoli. Set the small bezel aside. Repeat this entire step to form a second small bezel.


3) FLOWER COMPONENTS. Using medium tension, work netting to form the flower components: Flower, Rounds 1–3: Repeat Step 1, Rounds 1–3. Flower, Round 4: String 7A and pass through the middle A of the next Round 3 net; repeat five times. Weave through beads to exit from an A of Round 1 that sits between two Round 3 nets (Fig. 2, orange thread). Flower, Round 5: String 3B, skip 1A of Round 1, and pass through the next A; repeat five times. Step up through the first 2B added in this round (Fig. 2, green thread). Flower, Round 6: String 5B and pass through the middle B of the next Round 5 net; repeat five times. Pass through the nearest B of Round 1 (Fig. 2, blue thread). Flower center: String 1E; pass through the mirror 1B on the opposite side of Round 1. Pass back through the E just added and through the original B exited at the end of Round 6 (Fig. 2, red thread). Repeat the thread path to reinforce. Don’t trim the thread; set the flower aside. Repeat this entire step four times for a total of 5 flowers.

artist’s tip Make this necklace shorter or longer by adding or subtracting beads on the necklace strap. You can do that either by adding more seed beads between the bicones or by adding more seed bead/bicone segments.

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Evening Star Necklace

Fig. 3: Stitching the dangle

Fig. 4: Assembling the necklace center

4) NECKLACE CENTER ASSEMBLY.

Connect the components to form the necklace center: Dangle: Weave the working thread of a flower component through beads to exit from the middle A of a Round 3 net. String 4A, 1D, 2A, 1C, 4A, the dagger, and 3A; skip 3A along the strand and pass back through the rest of the beads just strung and through the last A exited on the flower (Fig. 3). Weave through beads to exit from the middle A of the upper-right net of Round 4. Connection: String 2A, 1D, and 2A; pass through the middle A of a Round 4 net on the large bezel, taking care that both components are faceup, then pass back through the beads just added and continue through beads to exit from the middle A of the upper-left net of Round 4 on the flower. String 2A, 1D, and 2A; pass through the middle A of the next Round 4 net on the large bezel, then pass back through the beads just added (Fig. 4, green thread). Repeat this entire thread path to reinforce. Secure the thread and trim. Repeat the

70


Fig. 5: Adding the strap loop

connection to join flowers to the upper left and upper right of the large bezel, using C in place of D (Fig. 4, blue thread). Chain: Repeat the connection, using existing thread and pairs of 2A/1C/2A to form a component chain on the upper left of the large bezel, adding 1 small bezel and 1 flower. Repeat on the upper left of the large bezel (Fig. 4, red thread). 5) STRAP. String beads to form the necklace

strap: Loop: Start 2' of new thread that exits from

the middle A of a Round 4 net on a flower at the end of the necklace. String 10A and pass through the middle A of the next Round 4 net on the same flower to form a loop; repeat the thread path to reinforce and exit from the first 4A added in the loop (Fig. 5). Pass 1: String 9A and 1C. String {17A and 1C} five times. String 17A (Fig. 6, green thread). Clasp: String 8A and one half of the clasp; pass through the 8A just added (Fig. 6, blue thread).

Fig. 6: Stitching the strap and connecting the clasp

Pass 2: String 17A and pass through the next

C added in the previous pass; repeat five times. String 9A; pass through the sixth through tenth A added in the strap loop (Fig. 6, red thread). Repeat the thread paths of Pass 1, clasp, and Pass 2 to reinforce. Secure the thread and trim. Repeat this entire step to add the second strap to the other end of the necklace. ● AGNIESZKA WATTS (formerly Dutka) is an art

designer and a beadwork instructor specializing in her own art and historical creations. Visit her website at www.agnesse.weebly.com. RESOURCES Check your favorite bead retailer or contact: Seed beads, Swarovski crystal rounds and rivolis, dagger, and clasp: Fire Mountain Gems and Beads, (800) 355-2137, www.fremountaingems.com.


Giardino di Elena

STEPHANIE MARIE GOFF

Named after Stephanie’s Italian grandmother and her love of garden trellises, this rope intertwines two-hole and regular seed beads, crystals, and pearls to create a spectacular necklace or bracelet.

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TECHNIQUE

netting variation PROJECT LEVEL  MATERIALS

6 g gold lustered green tea size 15° seed beads (A) 10 g marbled opaque avocado/pink size 11° seed beads (B) 20 g matte ivory Capri 5×2.5mm 2-hole seed beads (C) 54 black diamond AB 4mm crystal rounds (D) 111 light brown 3mm glass pearl rounds (E) 54 light brown 4mm glass pearl rounds (F) 1 gold-plated 6mm round magnetic clasp Crystal 6 lb braided beading thread TOOLS


19½"

Fig. 1: Stitching Rounds 1–4 of the rope

1) ROPE. Use tight tension and a netting vari-

ation to form the body of the necklace: Round 1: Use 6' of thread to string {1A and

1F} three times, leaving a 12" tail; pass through the beads again and tie a square knot with the working and tail threads to form a tight circle. Exit through 1A (Fig. 1, black thread, shown flat for clarity). Round 2: String 2B, 1A, and 2B and pass through the next A of the previous round; repeat twice. Step up through the first 2B/1A added in this round (Fig. 1, green thread). Round 3: Using tight tension, string 1C and pass through the next A of the previous round; repeat twice. Step up through the bottom hole of the first C added (Fig. 1, blue thread). Round 4: String 1A, 1E, and 1A and pass through the bottom hole of the next C of the previous round; repeat twice. Step up through the top hole of the last C exited (Fig. 1, red thread). Note: The thread path will change direction. Round 5: String 1A and pass through the next E of the previous round, then string 1A and pass through the top hole of the next C in Round 3; repeat twice (Fig. 2, blue thread). Round 6: String 1A and pass through the top hole of the next C in Round 3; repeat twice to make the C stand up straight. Step up through the first A added in this round (Fig. 2, red thread). Round 7: String 2B, 1F, and 2B and pass through the next A of the previous round; repeat twice. Step up through the first 2B/1F added in this round (Fig. 3, blue thread).

Fig. 2: Forming Rounds 5 and 6 of the rope

Round 8: String 1A and pass through the

next F of the previous round; repeat twice. Step up through the first A added in this round (Fig. 3, red thread). Round 9 to end: Repeat Rounds 2–8 until the rope reaches 18½", substituting 3D for 3F in every other Round 7 repeat. Note: The thread path will change direction with each Round 4 repeat. 2) CLASP. Repeat Step 1, Rounds 2–5, but weave through beads to exit the bottom hole of the nearest C. String one half of the clasp and secure it to the bottom holes of the last 3C added. Exit through the top hole of the nearest C (Fig. 4). String 1B, 1A, and 1B and pass through the top hole of the next C; repeat twice. Step up through the nearest 1B/1A/1B (Fig. 5, blue thread). String 1B, 1A, and 1B; pass through the next 1B/1A/1B of the previous round; repeat twice, tightening the beadwork around the clasp (Fig. 5, red thread). Secure the working thread and trim. Use the tail thread to repeat this entire step at the other end of the rope, using the other half of the clasp. ● STEPHANIE MARIE GOFF started beading as

a college student after discovering that the art of beading is a great stress reliever. She now owns and operates Beadjoux Bead Store in Braselton, Georgia, with her mom, Monica Goff. You can contact her through the store at www.beadjoux .com or at [email protected]. RESOURCES Check your favorite bead retailer or contact: Twin 2-hole and regular seed beads, Swarovski crystal rounds, glass pearls, fndings, and FireLine braided beading thread: Beadjoux Bead Store, (706) 658-0007, www.beadjoux.com.

Fig. 3: Adding Rounds 7 and 8 of the rope

artist’s tips ❯ Feel free to use either Superduo or Twin 2-hole seed beads for your rope; although they are shaped slightly differently, they both work.

Fig. 4: Sewing on the clasp

❯ The 4mm crystal rounds near the clasp can be substituted with more affordable 4mm pearl rounds since they will be hidden by the neckline.


Fig. 5: Finishing the clasp

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Seurat Bracelet

CHERYL ERICKSON

Work up this super-easy bracelet using netting and beautiful shades of peanut beads to achieve a textured look that recalls an Impressionist work of art.

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TECHNIQUE

1) BODY. Use peanut beads and netting to

form the bracelet’s body:

netting

Row 1: Add a stop bead to 6' of thread, leav-

PROJECT LEVEL 

ing a 6" tail. String {1A, 1B, 1C, 1D, 1C, and 1B} nineteen times. String 1A and one half of the clasp; pass back through the last A added (Fig. 1, blue thread). Note: In this and the following figures, some peanut beads are shown as round side views. Row 2: String {1B, 1C, 1D, 1C, and 1B} and pass back through the next A of Row 1; repeat eighteen times. String the other half of the clasp; pass through the last A exited and through the next 1B/1C/1D of Row 1 (Fig. 1, red thread). Row 3: String {1E, 1F, 1G, 1H, 1G, 1F, and 1E} and pass through the next D of Row 1; repeat seventeen times. Weave through beads to exit through the first 1B/1C/1D of Row 2, taking care to repeat the clasp connection (Fig. 2, blue thread). Row 4: Repeat Row 3, working off of Row 2. Weave through beads to exit from the first 1E/1F/1G/1H of Row 3 (Fig. 2, red thread).

MATERIALS

1 g matte cream 4×2mm peanut beads (A) 2 g matte taupe 4×2mm peanut beads (B) 2 g matte peridot 4×2mm peanut beads (C) 1 g matte teal 4×2mm peanut beads (D) 2 g matte light blue 4×2mm peanut beads (E) 2 g matte medium blue 4×2mm peanut beads (F) 2 g matte medium purple 4×2mm peanut beads (G) 1 g matte light purple 4×2mm peanut beads (H) 2 g matte dark rose 4×2mm peanut beads (I) 2 g matte rose 4×2mm peanut beads (J) 1 g matte black 4×2mm peanut beads (K) 1 silver-plated 7×9mm magnetic clasp Smoke 6 lb braided beading thread TOOLS


8"

Row 5: String {1I, 1J, 1K, 1J, and 1I} and pass

through the next H of Row 3; repeat sixteen times. Weave through beads to exit from the first 1E/1F/1G/1H of Row 4 (Fig. 3, blue thread). Row 6: Repeat Row 5, working off of Row 4 (Fig. 3, red thread). Secure the thread and trim. ● CHERYL ERICKSON is a jewelry designer

Fig. 1: Forming Rows 1 and 2

Fig. 2: Adding Rows 3 and 4

Fig. 3: Stitching Rows 5 and 6

specializing in beadweaving and bead embroidery with seed beads and shaped seed beads. Cheryl teaches beading all over the country, owns a bead store, and runs a website. Contact Cheryl at [email protected] and www .artisticbead.com. RESOURCES Check your favorite bead retailer or contact: Peanut seed beads, clasp, FireLine braided beading thread, and kits: Artistic Bead, (515) 334-0020, www.artisticbead.com.

artist’s tips ❯ Working just Rows 1 and 2 makes a pretty bracelet on its own. If you choose to do this, use a smaller clasp. ❯ Experiment with other peanutbead mixes for a variety of looks.


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simply seeds SPOTLIGHT ON SEED BEADS

Sunny Day Bracelet Carmella Patzlaff

Fig. 1: Ladder-stitching the base row

Fig. 2: Completing the base

Use seed beads and tile beads to create a tubularherringbone bracelet with colorful, between-column accents and a very addictive technique. TECHNIQUES

ladder stitch tubular herringbone stitch picot wireworking PROJECT LEVEL  MATERIALS

20 g matte galvanized green/teal permanent finish size 11° seed beads (A) 5 g blush marbled Dijon size 11° seed beads (B) 3 g red size 11° cylinder beads (C) 2 g silver-lined lichen size 8° seed beads (D) 2 g matte Picasso size 6° seed beads in olive, brown, teal, red, and blue (E) 8 bronze marbled turquoise 6mm Czech flat 2-hole squares (F) 1 bronze 5×9mm round magnetic clasp 2 bronze 4×6mm oval jump rings 1" of bronze 2–3×3–6mm long-and-short chain Smoke 6 lb braided beading thread Thread conditioner TOOLS

Scissors Size 10 beading needle 2 pairs of chain- or flat-nose pliers FINISHED SIZE

7½"

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Fig. 3: Adding Round 1

1) BODY. Work ladder and tubular herring-

bone stitches to form the bracelet’s body: Base: Use 6' of conditioned thread to form a

ladder-stitched strip 4F long, leaving a 12" tail (Fig. 1). Fold the ladder to form a rectangle and stitch the first and fourth F together; exit from one of the rectangle’s corners (Fig. 2). Round 1: String 2A, pass down through the second hole of this F and up through the first hole of the next F; repeat three times. Step up through the first A added in this round (Fig. 3, shown flat for clarity). Round 2: String 2A, pass down through the next A from the previous round, down through the nearest hole from the F below, and up through the nearest hole of the next F and the following A of the previous round; repeat three times. Step up through the first A added in this round (Fig. 4, green thread). Round 3: String 2A; pass down through the next A of the previous round. String 1E; pass up through the following A of the previous round. String 2A; pass down through the next A of the previous round. String 1D; pass up through the following A of the previous round. Repeat from the beginning of this round. Step up through the first A added in this round (Fig. 4, blue thread).

Note: Alternate the colors of E throughout the project as desired. Round 4: String 2A; pass down through the next A, through the nearest E, and up through the following A of the previous round. String 2A; pass down through the next A, through the nearest D, and up through the following A of the previous round. Repeat from the beginning of this round. Step up through the first A added in this round (Fig. 4, red thread). Round 5: Repeat Round 3, adding 2B between herringbone-stitched columns over the E of Round 3 (the wide sides of the rope) and 1B between the columns over the D (the narrow sides) (Fig. 5, purple thread). Round 6: Repeat Round 3, adding 2C between columns on the wide sides and 1C between columns on the narrow sides (Fig. 5, yellow thread). Round 7: Repeat Round 3, adding 2B between columns on the wide sides and 1B between columns on the narrow sides (Fig. 5, green thread). Round 8: Repeat Round 3, adding 1E between columns on the wide sides and 1D between columns on the narrow sides (Fig. 5, blue thread).


Fig. 5: Forming Rounds 5–9

Fig. 4: Stitching Rounds 2–4

artist’s tip ❯ Be sure to begin and end your bracelet with size 6° seed beads between columns on the wide sides. Fig. 7: Connecting the clasp

Fig. 6: Adding the end and picot rounds

Round 9: Repeat Round 4 (Fig. 5, red

thread). Note: To ensure a tight rope, when you’re passing through the previous round’s 1E, join it with the mirror E in the same round using a ladder stitch. There’s no need to do this every round, but doing so every fourth repeat will help flatten the rope, establish the wide and narrow sides, and create a sturdy bracelet. Repeat Rounds 5–9 sixteen times, then repeat Rounds 5–8. Note: To form a longer bracelet, stitch to the desired length, ending with a Round 8 repeat and keeping in mind that the clasp and other end will add 1" to the finished length. Weave through beads to exit up through 1A before 1E. 2) FINISHING. Stitch the end round, then

add picots and a clasp: End round: String 1F, pass down through the

second hole of the F and the next A of the previous round, then pass up through the following A; repeat three times. Pass up through the first hole of the first F added in this round (Fig. 6, blue thread). Picots: String 1B, 1A, and 1B and pass down through the next hole of the F below, up through the first hole of the following F, down through the nearest hole of the

previous F, and up through the first hole of the next F; repeat three times. Weave through beads to exit from the first A added in this round (Fig. 6, red thread). Clasp: String 1A, one half of the clasp, and 1A, then pass through the last A exited to form a loop; repeat the thread path twice to reinforce and exit through the clasp (Fig. 7, blue thread). String 1A and pass through the A on the opposite side of the picot round, then string 1A and pass through the clasp; repeat this thread path twice to reinforce (Fig. 7, red thread). Secure the working thread and trim. Use the tail thread to add picots and the second half of the clasp to the other end of the bracelet. Safety chain: Use 1 jump ring to connect 1 end of the chain to the loop of one half of the clasp. Use 1 jump ring to connect the other end of the chain to the second half of the clasp. ●


CARMELLA PATZLAFF fell in love with

off-loom beadweaving many years ago. She teaches classes at Lucky Stone Beads in Connecticut. Contact Carmella at patzlaff@ sbcglobal.net. RESOURCES Check your favorite bead retailer or contact: Seed beads, fndings, FireLine braided beading thread, and kits: Lucky Stone Beads, (860) 426-0026, www .luckystonebeads.com. CzechMates fat square tile beads: Blue Santa Beads, (610) 892-2740, www.bluesantabeads.net.

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HERRINGBONE

Heaven

Project by Jill Wiseman

Join Beadwork magazine Editor Melinda Barta as she covers all aspects of herringbone stitch in her new book. Learn everything you need to know to master this beautiful stitch and all its varietions— from beginning to advanced techniques. Get this must-have book today to:

Mastering Herringbone Stitch: The Complete Guide By Melinda Barta 168 pages • 8 ½ x 10 ¼ $24.99 ISBN: 978-1-59668-632-8

• Master herringbone stitch and learn all the stitch variations in-depth. • Learn numerous stitch options for starting, joining, embellishing, shaping, and finishing your beadwork. • Discover more than 300 all-new, highly detailed illustrations. • Practice your new skills with 21 projects by Melinda and Beadwork Designers of the Year including Jean Campbell, Lisa Kan, Jean Power and Kelly Wiese! • And much, much more!

Find this comprehensive book perfect for expanding your beadwork at: shop.beadingdaily.com/MasterHerringbone

Enhance your

BEADWORK SKILLS with 115+ projects, and all the must-know beading tips & tricks! Discover the entire 2013 season of Beadwork magazine, exactly as it was printed in this space saving, easily searched CD. • Get all the projects from the 2013 Designers of the Year Jill Wiseman, Maggie Meister, Sabine Lippert, and Smadar Grossman. • Be inspired to use shaped beads in your beadwork with 25+ stylish projects. • Unlock your beading potential with steps for learning the hot bead stitches including peyote stitch, herringbone, square stitch, and more. • And so much more!

Learn more at:

shop.beadingdaily.com/BW2013CD Projects by: Jill Wiseman, Miriam Shimon, Sabine Lippert

perfect peyote Take a master class in peyote stitch with Beadwork Editor Melinda Barta, PLUS seven Beadwork Designers of the Year. With 15 styles in all, this fundamental guide to peyote stitch contains everything you need to know—including every variation, from beginner to advanced.

Projects by Cynthia Rutledge and Jean Power

Mastering Peyote Stitch: 15 Inspiring Projects Melinda Barta • 160 pages, paperback, 8½ × 9 $24.95 • ISBN: 978-1-59668-633-5

Go inside Jean Campbell’s Classroom Learn how to stitch 8 popular projects

from Jean herself!

Jean makes each step easy with detailed thread path diagrams, up close shots, and easy to follow steps in her all-encompassing beading workshop DVDs. Whether you’re new to beadweaving or a seasoned pro, there’s something for everyone!

2- DISC

Stitch four fabulous

DVD SET

Enjoy 181 minutes of beading bliss in this 2-disc set that takes you through the steps you need to create four foral themed beadwork projects.

JE A N CA M P B E L L’ S BE ST BE A D IN G WO RK SH O PS

Floral Designs

with Jean Campbell! Discover the steps needed to stitch four beaded bracelets inspired by Russia’s Catherine the Great, India’s gorgeous madras fabrics, the decadent French Rococo movement, and the Pacifc Ocean. Available now at:

shop.beadingdaily.com/CampbellDVDs

Bella Bracelet by Maria Teresa Moran

Simply Irresistible 39 striking beading projects for everyone Available for the first time, discover Quick + Easy Beadwork a project-packed special issue featuring 39 all new projects. Whether you are a beading novice, or intermediate looking for projects you can make in a few hours, these handpicked projects are perfect for boosting your skills!

Find what inspires you at Reflecting Pool Necklace by Tatiana Mueller

shop.beadingdaily.com/QuickEasy2013

Join skilled bead artist and teacher Kelly Angeley for a must-have beading book that walks you through all the steps and techniques you need to master of-loom and free-form beading patterns. Get your copy today to:

shop.beadingdaily.com/ExplorationsBeadweaving

Explorations in Beadweaving: Techniques for an Improvisational Approach

ADVERTISERS’ INDEX A Grain of Sand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45 Accent Bead Design/Kumihimo To Go . . . . . . 84 AD Adornments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 All Beads CZ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Artbeads.com. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ifc Bead On It Boards. . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 Beadaholique. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45 Beadalon/Wire & Cable Specialties. . . . . . . . . . . .5 BEADFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Beadies Beadwork . . . . . . . . . . . . . . . . . . . . . . . . . . . .11 BeadsRfun.Com/Odyssey Beads . . . . . . . . . . . . 84 Best Bead Show. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Best Craft Organizer/First Choice Products. . .41 Craftoptics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41 Crystal Creations-Beads Gone Wild . . . . . . . . . 84 Cynthia Rutledge . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85 Fire Mountain Gems . . . . . . . . . . . . . . . . . . . . . . . . . .bc Fusion Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Gem & Lapidary Wholesalers Inc. . . . . . . . . . . . .85 Grace Lampwork Beads & Jewelry . . . . . . . . . . .11 Helby Import/Beadsmith. . . . . . . . . . . . . . . . . . . . .15 Innovative Beads Expo, The . . . . . . . . . . . . . . . . . .11 Interweave 7, 18, 19, 35, 53, 62, 67, 71, 78, 79, 80, 81, 82, 83, 85, 91, 92, ibc John Bead Corp. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1

Kandras Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85 Leslee Frumin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85 Lumina Inspirations. . . . . . . . . . . . . . . . . . . . . . . . . . 84 Manek-Manek Beads . . . . . . . . . . . . . . . . . . . . . . . . 84 Merchants Overseas . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Miyuki Co. Ltd. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49 Multi Creations NJ Inc. . . . . . . . . . . . . . . . . . . . . . . . .19 Nina Designs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41 Preciosa Ornela . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Quilt-Pro Systems. . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 Red Panda Beads . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62 Rings & Things . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35 Rio Grande . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11 Royalwood Ltd. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .85 Ruby Tuesday Bead Co. . . . . . . . . . . . . . . . . . . . . . . 84 School Of Beadwork. . . . . . . . . . . . . . . . . . . . . . . . . 84 Shipwreck Beads, Inc.. . . . . . . . . . . . . . . . . . . . . . . . .41 Soft Flex Co.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31 Starman, Inc. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .63 Swarovski North America. . . . . . . . . . . . . . . . . . . . . .2 TierraCast . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .45 TOHO Company Limited . . . . . . . . . . . . . . . . . . . . .45 Universal Synergetics/Beadcats . . . . . . . . . . . . . 84 Venetian Bead Shop . . . . . . . . . . . . . . . . . . . . . . . . . 84

the market {stop to shop}

To be listed in “Stop to Shop” please contact Stephanie Griess at (877) 613-4630 or [email protected]. The cost is $65 per issue with a 6 issue minimum. Beadtopia—El Segundo (S. of LAX)

Arizona The Beaderie—Chandler www.thebeaderie.com KNOWN FOR THE LARGEST SEED-BEAD COLLECTION IN AZ! Great prices, new items every week, huge selection of seed beads, crystals, glass, unique items, Tierra cast silver, and other metals. Our store is customer run—let us know what products you want. Special requests and large orders are no problem. Check out our new location inside the Merchant Square Mall, which is on Arizona Ave. between Ray and Warner Rd. Many other shops in the mall specialize in vintage, high-end and trendy jewels, gifts, and many hard-to-find items. We are open 7 days a week 9–5 and open late Wed until 8 pm 1509 North Arizona Ave.

( 480) 899-7555

Thunderbird Supply Company-Flagstaff www.thunderbirdsupply.com More than just another bead store, an inspiration store! Filled with findings, metal beads, strands, seed beads, stringing and wire wrapping supplies. We carry a complete line of fabricated sheet and wire in silver, nickel, and copper product. Mon-Sat 9am-6pm 2227 E 7th Ave

(928) 526-2439

Creative Destination—Mesa www.2-old-beadies.com See our beautiful showroom on our website. We specialize in Swarovski crystals, Delica beads, seed beads, interesting lampwork, creative classes—and much, much more! Join us for our monthly Beadathon. We’re worth a visit! 1660 S. Alma School Rd., #108

(480) 755-4367

Bead World Inc.—Phoenix and Scottsdale www.beadworldinc.com Best selection of quality gemstones, Tierra Cast, seed beads, chain, metals, SS, GF, Swarovski, pearls, leather, jewelry making kits, and more. Classes daily. 6068 N. 16th St., Phoenix 8764 E. Shea Blvd., Scottsdale

(602) 240-BEAD (480) 948-2323

The Bead Garden of Sedona—Sedona www.Sedonabeadgarden.com Tools and supplies for the bead artist! Northern Arizona’s largest selection of beads, tools, and supplies. We offer classes and private lessons. Mon–Sat 10–5, Closed Sunday. 3150 W. State Rt.. 89A, Ste. 1

319 Richmond St.

www.beadofthemonthclub.com Both stores open daily 10 to 6. Featuring natural Arizona turquoise, Zuni Indian stringing fetishes, Navajo hand-made sterling beads, American designer beads, rare jaspers, Tibetan, Moroccan, Afghan, Czech & Italian beads. Unusual assortment of antique components. See us on Facebook or visit our web store for new offerings every month. Tlaquepaque, Ste. C-101 and Creekside Plaza, Ste. A-4 928-282-6404

Arkansas Beaded Lady—Benton Scrumptious beads! Knowledgeable staff. Large selection of beads, tools, findings, ss wire, and chain. Stop and browse. Classiest parties. We repair, re-string, knot, and restore costume jewelry. Thu– Sat 1–6. [email protected] (501) 794-2647

California Bead Inspirations—Alameda

(310) 322-0077

Bunches of Beads—Lodi www.bunchesofbeads.com Beading experience in the heart of Lodi. Only 5 minutes from Hwy. 99. Vast assortment of beads, stringing supplies, findings, and more. Classes, parties, repairs, and fun! Family owned, offering a bead-friendly atmosphere. 100 W. Pine St.

(209) 367-1207

Creative Castle—Newbury Park www.creativecastle.com

2321 Michael Dr.

(805) 499-1377

South Sun Products—San Diego

8601 Aero Dr.

(858) 309-5045

Bead Dreams—Stockton www.beaddreams.biz You will love our huge Swarovski selection, stones, pearls, pressed glass, and seed beads of all sizes and varieties. We have a wall of Czech hanks, tubes of Japanese seed beads, as well as all Delicas. Private and group instruction available. Check us out at www.beaddreams.biz. On the Miracle Mile, between I–5 and Hwy. 99. 2103 Pacific Ave. at Dorris Pl.

(209) 464-BEAD

Beads on Main—Vacaville www.beadsonmain.com We specialize in unique quality beads and components. Extensive selection of Swarovski, semiprecious, and silver. We also have many gorgeous freshwater pearls and funky glass beads. Come check out our inspiring classes or come and have a beading party. Tue–Thu 10–6, Fri 10–5, and Sat 11–5. 313 Main St.

(707) 446-1014

Colorado Breckenridge Bead Gallery—Breckenridge The best bead selection in the High Country! We carry a wide variety of beads, including Delicas, bone, sterling, wood, semiprecious, and glass. We also carry buttons and fine-art supplies. Open 7 days a week. 224 S. Main St.

(970) 453-1964

South Park Pottery & Back Room Beads —Fairplay www.backroombeads.com Bunches of beads—lampwork, raku, Czech, Delica, gemstones, and more. Seven days 9–5. Don’t miss the Fairplay Bead & Fiber Show. August 10–11, 2013 417 Front St.

(719) 836-2698

Alley Cat Beads—Northglenn

Best selection & prices of Vintaj brass. Gorgeous, quality beads, findings, & unique kits. Focal gems & gem strands. Metal stamping. Picture frame pendants by Nunn Designs & Tierracast. Czech glass, Swarovski crystals & pearls. Ranger Inks. Metalsmithing. Inspiring Classes. Friendly, knowledgeable staff. Shop online too.

www.alleycatbeads.com

(510) 337-1203

San Gabriel Bead Co.—Arcadia www.beadcompany.com Beads, books, gourds, tools, workshops, metals, and friendly advice. Beginning and Advanced workshops. Tue–Wed 11–7; Thur 11–9; Fri 11–6; Sat 10–6; Sun 12–5.

Exciting inventory of gemstones, Czech glass, seed beads, pearls, lampwork, tools, Swarovski crystals, Bali silver, findings, dichroic glass, handmade clay, and one of the largest selections around of different pendants/focal beads. We have wonderful bead-stringing and -weaving supplies at great prices, plus we’re adding new items all the time! Classes and parties available. 11928 N. Washington

(303) 451-1900

Frani’s Beads—Pueblo www.franisbeads.com

Large selection of seed beads, Swarovski Japanese pearls and crystals, books, Vintaj™, Findings and tools, classes Closed Sunday & Monday. Tues., Wed., Fri., Sat. 10 – 5, Thurs. 10-7.

Where people and beads come together. Large selection of beads for stringing, off-loom and loom projects, including high-quality Japanese seed beads, most sizes; fringe beads; triangle beads; bugles; Delicas; crystals; Czech glass beads including leaves, daggers, drops; bicones; Charlottes; semiprecious gemstones; freshwater pearls; plated findings; charms; rosary parts; and sterling silver findings. Classes and parties. Open Tue 10–7, Wed. 10–5, Thur.–Fri. 10–6, Sat. 10–4. Closed Sun. and Mon. Beading groups Tue and Fri.

1054 E. Grand Ave. Ste. A.

1000 W. 6th St., Suite W

325 E. Live Oak Ave.

(626) 447-7753

The Joy of Beading – Arroyo Grande www.joyofbeading.net

(805) 489-6544

Just Bead It!—Concord www.justbeaditconcord.com Beads to thread, wire and just admire. All for beading to your heart’s desire. Family owned since 2003. Open Mon, Wed, Thu, and Fri 11–7, Sat 11–6, Sun 12–5. 2051 Harrison St., Ste C

86


(925) 682-6493

www.thebeadhivect.com Exceptional, ever-changing selection of semiprecious and glass beads, silver, findings, seed beads, Delicas, pendants, charms, pearls. Classes and individualized lessons. Daily 10–6, Sun 12–5. beadhive@thebead hivect.com (Strawberry Hill) 1310 Boston Post Rd.

(719) 583-BEAD (2323)

Beadsong—Salida 10–5 Mon–Sat. Czech glass, gemstones, Bali, seed beads, Delicas, bugles, charms, sterling and gold-filled findings and beads, books, tools, supplies, and much more. Email: [email protected]. 107 F St.

(203) 453-6681

Thistle Beads—Niantic www.thistlebeads.com Family owned and operated bead store right near the shore with jewelry and gifts too. Come in and enjoy the casual atmosphere and make a necklace or bracelet. We also offer classes, private parties, and custom work. We offer a large variety of beads including seed beads, Swarovski’s, fire polish, Czech glass and rare finds. Hours: Mon-Fri 10-6pm, Thursdays 10-8pm, Sundays 11-5pm.

(719) 530-0110

860-739-6552

KanduBeads—Wallingford www.KanduBeads.com We specialize in hard to find gemstones in their natural state. Druzy beads, crystal points, agate beads, gemstone nuggets, geodes, African trade beads, Tibetan & Indian Mala. Classes, open studio, Coupon “BW10” 346 Quinnipiac St., Bldg. 1

www.SouthSunProducts.com Beads, silver, and jewelry superstore! You’ll find the largest selection of beads and jewelry in the United States. Huge selection of semiprecious beads, pearls, Swarovski, sterling silver pendants, findings, chain, rings, earrings, classes and more! Mon–Fri 8:30–7, Sat–Sun 10–5. (Enter at Sandrock Rd.)

www.beadinspirations.com

1544 Park St.

Connecticut The Bead Hive—Guilford

55 Pennsylvania Avenue

Ventura County’s largest selection of beads. Seed, Delica, Czech glass, and vintage glass beads; freshwater pearls; gemstones; Swarovski crystals; charms; findings; sterling; and gold-filled. Over 450 book titles and visiting guest teachers. Please visit our website for complete class listings or call and current newsletter will be mailed.

(928) 282-7334

Cocopah & Cocopah North—Sedona

7103 Samples Rd.

www.bead-topia.com We are a full-service bead store with knowledgeable staff and friendly service. Find all the newest beading and jewelry trends, plus a large selection of glass, semiprecious, pearls, Delicas, seed beads, and findings. See our website for our ever-changing, exciting classes and party details. Mon, Tue, Fri 11–5, Wed, Thu 11–7, Sat 10–4. Closed Sun.

(203) 793-7348

Florida The Beading Boutique —Altamonte Springs 3,100 sq. ft. of fabulous beading magic. Largest collection of Toho and Delica seed beads in Central Florida. Extensive selection of beads, findings, pearls, crystals, etc. A beader’s dream come true. Must see to believe. Instruction offered daily. Parties, Girls’ Night Out, and so much more. Come in and relax at gourmet coffee bar while choosing a new creation to make and take. Spend the morning, afternoon, or entire day. Open 7 days/week. 224 W. Central Parkway, Suite 1018

(407) 574-7164

Beaded Envisions – Cape Coral www.beadedenvisions.com Beads & handcrafted creations that embrace your soul. A unique Bead Store offering not only an array of beads but a place that’s also warm, inviting and nurturing to your creativity. Come spend a day with us and enjoy complimentary coffee & soothing music while you shop. Browse through our selection of Miyuki Seed beads, Swarovski crystals, Czech glass, Semi-Precious Stones, Tagua Beads, Greek Leather, tools, findings as well as unique handcrafted jewelry & gifts from our local artists and much more. We offer daily classes, beading & birthday parties. See our website for a list of classes and upcoming events and join us the second Friday of each month fr our “GNO”~”Girls Night Out” and bead the night away with us! STORE HOURS: Sunday & Monday CLOSED, TuesdayFriday 10am-7pm, Saturday 10am-4pm Seasonal Hours: NovemberMarch, Monday 10am-2pm, Tuesday-Friday 10am-7pm, Saturday 10am-4pm, Sunday CLOSED. 130 Del Prado Blvd. S., Ste.7

(239)-673-6096

Laura’s Beads—Hudson www.laurasbeads.com Laura’s Beads is more than just a bead shop, it is a place to gather, to learn, and to create. With a warm and inviting atmosphere, we’re here to assist you in finding what you need for your latest project. Specializing in bead-weaving, we offer a range of classes for both beginners and experienced beaders. Best of all, we are stocked with a gorgeous selection of beads, findings, and supplies at great prices. 8143 State Rd. 52

(727) 495-0803

Bead & Art—Lighthouse Point (Pompano) www.beadandart.com South Florida’s friendliest bead store. Tons of semiprecious, pearls, Czech, Swarovski, sterling, tools, supplies. Original lampwork beads. Classes and kits. Check out our website for store location and class schedules. 5034 N. Federal Hwy.

(954) 418-3390

Beads Etc.—Maitland www.beadstoreorlando.com Orlando’s finest full service bead store is now offering wholesale prices on selected strands of gemstones. Large selection of seed beads, sterling, G-F, base metal, Swarovski,pearls, Czech, etc. Classes all levels. Customer service #1! 110 N. Orlando Ave. (New location)

(407) 339-2323

The Bead Strand—Ocala www.thebeadstrand.com Come visit Ocala’s hidden treasure! Offering a wide selection of gemstones, Swarovski crystals, seed beads, and now featuring a huge selection of findings, Czech glass, and lampwork beads. Also newly added is our accessory boutique offering unique gifts and jewelry. Visit our website for more information or to see our class schedules. 6140 SW Hwy. 200

(352) 620-2323

Bead Bar Full Service Bead Store— Orlando www.beadbar.com

1319 Edgewater Dr {College Park area}

407 426 8826

G & S Jewelry – Port Charlotte Now offering FREE beading classes for every level of expertise. Walk ins are welcome.We have a huge inventory of beads, seed beads, pearls, Fimo, Swarovski crystals, Czech beads, Chinese crystal, sea glass, findings, supplies, tools, books and much more.We also sell beautiful jewelry. Visit our website for more information. 1931 Tamiami Trail

941-735-1054

Donna’s Beads – Sarasota www.donnasbeads.com Are you a beginner or advance bead weaver, come in for inspiration or classes. Great selection of Swarovski crystals/pearls, japanese seed beads, fire polish, preciosa and finds. Great prices and the friendliest gals in town. come in and bead with us. (941)-444-7457

AA Beads & More—Sebastian Certified PMC studio; large selection of pearls, stones, and glass beads; findings; sterling and gold-filled wire; PMC; tools; jewelry-making supplies; books; and dichroic glass. Classes in PMC, fusing, chain maille, wire wrapping, and beading. Wabasso Plaza. We’re worth the drive! 8802 U.S. Hwy. 1

The area’s best and largest selection of high quality gemstones, German vintage beads, Tibetan, Bali, Thai, and Turkish silver beads and findings, Czech glass, Japanese and Czech seed beads, trade beads and much more. We also specialize in extraordinary pearls, all of which are hand-picked from all over the globe. Classes from beginner to advanced. Monday thru Friday 11:00-5:30 and Saturday 12:00-5:30. Check out our Facebook, Twitter and LinkedIn 440 Park Ave

www.thebeadingladies.com

2717 Beneva Road

pandorasbaublesandbeads.com

(772) 581-0515

208-529-3696

Illinois City Beads—Chicago www.citybeadschicago.com Seed Bead and AIKO Specialists! Nationally renowned teachers, Gary Wilson cabochons, Kathy Hoope lampwork, Czech glass, pearls, and semiprecious stones. DISCOUNT PRICES! Showroom hours by appointment. For class schedules and more information, visit our website or call to be added to our mailing list. 3928 N. Rockwell St.

www.studiobeads.com We carry a great assortment of all sizes of seed beads, freshwater pearls, “BASHA” and other nationally known lampwork beads, semiprecious beads, and finished jewelry from artists across the country. We have a great assortment of vintage purses and jewelry. We offer classes and workshops with nationally recognized teachers. Visit us online for more information. Mon, Tue, Wed, Fri 10–5, Thu 10–8, Sat 10–4. 816 Waukegan Rd.

(847) 607-8702

bodaciousbeadschicago.com

www.eBeads.com KNOWN FOR THE LARGEST SEED BEAD COLLECTION IN THE TAMPA BAY AREA! Over 950 Delica colors, 91 Tila colors, SuperDuos and more! Huge selection of gemstones, freshwater pearls, base metal findings, Swarovski Crystals, and lampwork beads. Amazing classes including Bead Weaving, Copper Etching, Dichroic Glass, Enameling, and more! Visit our website for hours and class schedule. [email protected]

Best selection and lowest prices! 260 colors of Swarovski, Japanese, and Czech seed beads. Pearls and stone. Vintage, tribal, and Bali. Chain, findings, and tools. Books. Mon–Sat 10–6. Tue till 8. Near O’Hare airport.

12807 W. Hillsborough Ave. Ste. H

Largest bead store on the North Shore. Parties, classes, and everything to make jewelry. Bali, sterling, and gold-filled parts, seed beads, Swarovski crystals, pearls, semiprecious beads, fancy glass beads, tools, and stringing supplies. eBay store. Mon–Fri 10–5:30, Sat 11–5, Sun 12–4. Fax: (847) 681-0681. Email: [email protected].

(813) 258-3900

Tampa Bead Café—Tampa www.tampabeadcafe.com Largest selection of Delicas and seed beads in Tampa; wide variety of semiprecious stones and Czech glass; the only shop in Tampa for PMC classes and supplies. Enjoy a cup of java while you bead! 320 W. Fletcher #107

(813) 374-9099

Raintree Craft and Design Corp. —Titusville Complete bead shop. Large selection of beads—glass, porcelain, crystals, turquoise, sterling, novelty, charms, findings, wire, and books. Classes and workshops daily, including crocheting and knitting with wire and beads. Sears Town Mall. 3550 S. Washington Ave., Ste. 15

www.beadjoux.com

Chelsea’s Beads—Highland Park www.chelseasbeads.com

1799 St. Johns Ave.

Pumpkin Glass—Morton www.pumpkinglass.com Dazzling original lampwork, crystals, Bali Silver, seed beads, wire and findings. Lampwork glass rods, tools and supplies for beadmakers. Finished Art Jewelry. Lots of Classes! 2059 S. Main St.

(309) 266-7884

Facets of Isis—Palatine

6750 HWY 53 Suite 103

770-283-4411

A Bead Garden—Clarkesville www.abeadgarden.com “YOUR JEWELRY DESIGN SOURCE” We have hundreds of Miyuki and Toho Beads to choose from as well as Swarovski and Preciosa crystals, supplies for Epoxy Clay, Licorice and Regaliz leather, Czech Glass, Cabochons Gemstones, hundreds of findings, metal beads and more. We offer classes TO FIT YOUR SCHEDULE! Open Tuesdays ;ate, Wednesday thru Saturday 10:00 -5:30 441 706-499-5336

Artzy Beads LLC—Gwinnett www.artzybeads.com The artsy jewelry design center for NE Georgia. Offering basic to advanced classes, specializing on bridal and birthday parties. Large selection of Swarovski crystal, Toho beads, gem stones, hemp, metal findings, java beads, hand crafted jewelry gifts and more! 178 E Crogan Street Ste #250

770-545-8000

Gone With The Bead-Watkinsville (Athens) www.gonewiththebead.com Come and see our unique and exciting shop. We have 2,400 sq. ft. featuring artisan beads and focals, Czech beads and buttons, Kumihimo, vintage beads and stampings, Miyuki, Swarovski, Venetian beads, TierraCast, Wire Lace and Wire Knitz, Hill Tribe Silver, Kazuri, African metal and trade beads, pearls, stone, wood, and horn. See our gallery tour at www.gonewiththebead.com. Hours: Wed-Fri 10 a.m-6 p.m., Sat 10 a.m.- 5 p.m. (706) 769-2012

Kansas www.heartlandbeadmarket.com Come to browse. Stay to bead. Awesome selection. Friendly service. Swarovski, Czech glass, semiprecious, seed beads, Bali silver, hill tribe silver, and more. We love to help you create. Classes—Parties— Repairs—Custom designs. Open beading always. Visit our other location, The Bead Shop in Overland Park 13964 Santa Fe Trail Dr. 9009 Metcalf (Overland Park)

(847) 705-6614

Bead World—Palatine www.beadworldbeads.com Jewelry and gift items from around the world, specializing in ancient and new Indonesian glass beads, (Indonesian glass beads available wholesale) and recycled glass beads. Jewelry repair—books—findings— body jewelry—piercings.

Louisiana A Bead Boutique—Alexandria www.abeadboutique.com A beading paradise! Multiple rooms for classes, parties, and get-togethers. Great selection of beads, tools, books, and supplies. Tue–Fri 11–5; Sat 11–4. Located on the edge of the Garden District, near Hill St. traffic light. 2924 Jackson St.

(318) 442-2575

Maine BEADS ON THE KENNEBEC— AUGUSTA www.beadsonthekennebec.com Our customers say we are the “Best Little Bead Shop in ME”. Friendly, helpful atmosphere. Large selection of sterling, Swarovski, glass, stone, bone, and seed beads. Precious metal and Artistic Wire. Tools and Supplies for all your beading needs. Classes and Repairs. Tue–Fri 10–5, Sat 10–3. 333 Water St.

(207) 622-1666

The Beaded Moose—Bangor www.thebeadedmoose.com Where beads and friends gather. A customer-friendly beading studio/ store with a hand-picked inventory of beautiful beads, Miyukis, Delicas, crystals, semiprecious, Czech, etc. Classes and individualized lessons available. Easy access from I-95. 1460 Outer Hammond St.

www.freetobead.com The only full-service bead store in the Peoria area. We have silver, Bali, semiprecious, crystals, pearls, glass, seed beads, supplies, tools, and classes. Everything you need and more. Come bead with us. (309) 682-2323

Beads N Botanicals—Urbana www.beadsnbotanicals.com Beginner or seasoned pro, you will find inspiration & help from our small but friendly staff. Check out our ever-changing assortment of findings, seed beads, freshwater pearls, Swarovski Crystals ™, Semiprecious beads, and finished jewelry from local artists. Classes from beginner to advanced: wire wrapping, Kumihimo, loomwork & more. Classes—Parties—Repairs—Custom designs—Trunk Shows. Check out our Facebook, Twitter and website online for more information. HOURS: Tue 11-4:30, Wed- Fri 11–6, Sat 10–5, Sun 12-5. 117 N Broadway Ave.

217-365-9355

East Street Beads—Frederick www.eaststreetbeads.com Growing Selection of Miyuki & Metal Seed Beads, Swarovski Crystals & Pearls, Czech Glass & Pearls, Lampwork, Tools, Semi-precious, Findings, Wire, Chain Mail, Books, Kumihimo, Fresh-water Pearls, Tools & More! Classes 7 Days a week! 922 N. East St. (301) 624-2323

www.mdbeadboutique.com FREE classes every week! Chain Maille kits, Jump Rings, Colored Wire. Large variety of unique and quality semi-precious beads, freshwater pearls, seed beads, Swarovski & Czech. Precious metals, PMC, Metalsmithing, Findings, Charms, Tools & eclectic fun stuff at great prices! Free work space. Classes. Parties. Experienced instructors! Share our synergy! 28 Solomons Island Rd. South

410-535-6337

Accents Bead Shop—Rockville (White Flint area) www.accentsbeads.com New 5,000 sq. ft. showroom. Awesome selection of semiprecious, Bali, Swarovski crystals, pearls, seed beads including Delicas, 14k, gold-filled, sterling silver beads—findings—chain, lots of classes. Wholesale to public. 12112 Nebel St.

(877) 262-9245

Marvin Schwab/The Bead Warehouse —Silver Spring www.thebeadwarehouse.com Wholesale and mail order. Huge selection of semiprecious beads, freshwater pearls, tools, and supplies. Findings in sterling silver, gold-filled, 14k, and plated. Showroom by appointment and special open hours. Fax (301) 565-0489; Email [email protected]. 2740 Garfield Ave.

(301) 565-0487

Massachusetts BEAD + FIBER: gallery . classes . materials —Boston www.beadandfiber.net

Indiana Bead Palace—Indianapolis (Greenwood) www.beadpalaceinc.com Largest selection (5,000 sq ft) of Gemstone & Diamond Beads, Swarovski, Sterling Silver beads & findings in the country. Direct manufacturer from India & China means lowest prices. Beadalon distributor. Mon–Sat 10:30–6. sales@beadpalace inc.com 163 S. Madison Ave. (7 m. S. of Indy)

(207) 992-2099

Maryland

(847) 776-BEAD (2323)

Free to Bead—Peoria

3301 N. Prospect Rd.

(913) 888-0231 (913)-642-3131

BEAD BOUTIQUE—Prince Frederick

www.facetsofisis.com

8 S. Brockway

(219)299-2270

Heartland Bead Market—Lenexa

(847) 433-3451

225 N. Northwest Hwy

New bead store northeast of Atlanta! Great products including Swarovski, Czech fire polish, seed beads, a great selection of clasps and featuring a full line of vintage W. German and Japanese glass beads, lucite beads and crystals! Check our website for class schedule, national instructor calendar, directions and hours.

16 N. Main St., Ste. D (Entrance at the back)

(847) 699-7959

Beautiful selection of Sterling Silver Findings, Swarovski Crystals, Czech Fire Polish, German Vintage & natural Gemstone beads. BeadSmith authorized dist. Classes, Artist Demos, Trunk Shows.

Beadjoux—Braselton

1442 Washington St.

1942 River Rd.

(321) 383-1556

Georgia

103 East Morthland Dr, Ste 1

(312) 316-1910

Studio Beads—Deerfield

bodacious beads—Des Plaines

BEADS!—Tampa

www.labeadalocabeads.com Largest seed bead and Swarovski dealer in the area. Classes available. Large selections of books, findings, and stones, from the rare to the unique. Hours: Mon & Wed 10-6, Tues, Thurs, Fri 10-5; Sat 10-6; Sun 10-4.

A new concept. In the lively SOWA neighborhood. Unique bead and fiber artwork, materials, exciting day and evening classes. Revolving gallery features contemporary and traditional work. Unusual beads and supplies from around the world. Repairs. Parties. Free parking at 500 Harrison Ave. 460 Harrison Ave.

(617) 426-2323

317-882-5522 BEADWORK

JUNE/JULY 2014

87


Central Florida’s Favorite Bead Store since 1992. Featuring the area most complete inventory of the latest greatest Seed Beads, Crystals, Gemstones, Pearls, Tools, and Supplies. Rare and unusual beads and baubles and lots more. Retail & wholesale. Friendly Talented Staff of expert Beaders ready to help you.

Imagine Beads—Valparaiso

Idaho Pandora’s Baubles and Beads—Idaho Falls

Bead Addiction—Walpole


The Birds and the Beads—Morganville

Missouri

www.bead-addiction.com

Lady Bug Beads—St. Louis

2000 sq ft of fabulous beads and beading supplies. We carry many name brands, including Czech glass, Kazuri, Lillypilly, Miyuki, Thunderpolish crystal, Swarovski, Fuseworks, TierraCast, Artistic wire. Huge tool selection and tons of wire choices. We also offer classes, Ladies Night Out, birthday parties, or any event you can think of. We are open Tue–Sun, closed on Monday. Check our website for hours and directions or call or email us at [email protected] .

Midwest’s premier bead shop. 3,000+ seed beads including Toho, Aiko, Czech, and Delicas. Full selection of Swarovski and semiprecious stones. Pearls always on special. U.S. distributor for the Craft Kit Company and Toho Treasure Kits. We are a teaching store. Mon, Wed, Fri 10–6, Tue and Thu 10–8, Sat 9–4, Sun 12–4.

2000 Main St.

7616 Big Bend Blvd.

(508)660-7984

www.ladybugbeads.net

Michigan Munro Crafts—Berkley

Bead Jungle—Henderson (Las Vegas area) www.beadjungle.com

Great prices and discounts. Swarovski, Czech, Bali, Polymer Clay, Art Clay, pearls, wood, bone, glass, metal, acrylics, and more. Sterling silver and gold-filled beads and findings. Craft supplies, charms, books, tools, beading supplies, and classes.

Most complete bead shop in the Las Vegas area with the largest variety of beads and findings. Classes, silversmithing, parties, workshops, and volume discounts. Minutes from the Strip. Open 7 days a week 10–6. Extended hours Tue, Wed, and Thu 10–8.

3954 12 Mile Rd.

1590 W. Horizon Ridge Pkwy., Ste.160

(248) 544-1590

(702) 432-2323

Bead Haven—Las Vegas

Raisin River Beads—Dundee

www.beadhavenlasvegas.com

www.raisinriverbeads.com An ever-growing selection of Delicas, charms, Japanese seed beads, buttons, Czech, Bali silver, Swarovski, semiprecious, and findings. Classes and birthday parties. Mon–Sat 11–5, Sun 12–5.

Nevada’s most comprehensive bead store, catering to all bead enthusiasts. Huge selection of findings, pressed glass, seed beads. Full line of Swarovski. Free classes daily. Mon–Sat 10–6. Closed Sun.

141 Riley St.

7664 W. Lake Mead Blvd., #111

(734) 529-3322

(732) 591-8233

Multi Creations (NJ) Inc.—Old Bridge www.MultiCreationsNJ.com

(702) 233-2450

All kinds of silver, gold-filled, and 14/18k gold findings, chains by foot, Bali silver beads, hill tribe silver, gemstone and glass beads, pearls and Swarovski crystals, beading accessories, tools, and much more at wholesale prices. Tue–Sat 10–6, Sun 11–3. Closed Mon. MultiCreationsNJ@ aol.com; mobile (732) 642-2260; fax (732) 607-6416. 1405 Rt. 18 S., Unit #102

(732) 607-6422

Bazaar Star Beadery—Ridgewood www.bazaarstarbeadery.com Take a journey into the colorful wonderland of beads galore. Eclectic collection gathered from around the world awaits you! Come one, come all, sit and stay, we’ll help you create it all. Ladies’ parties/ birthdays/original kits and instructions. 216 E. Ridgewood Ave. (201) 444-5144

New Mexico Thunderbird Supply Company —Albuquerque

Bead Bohemia—Farmington

New Hampshire

www.facebook.com/beadbohemia

Bead It!—Concord

www.thunderbirdsupply.com

www.beadit.biz Worth the trip? You bet! Fabulous shop, chock-full of semiprecious, freshwater pearls, Swarovski crystal, Venetian and lampwork glass, Czech fire-polished, and hanks, sterling, gold-filled, vermeil. Gorgeous clasps. Sun–Mon 12–5, Tue–Wed 10–6, Thu–Fri 10–8, Sat 10–6.

A beader’s candy store! Albuquerque’s largest and must complete bead store! Filled with findings, metal beads, strands, seed beads, stringing and wire wrapping supplies. We carry a complete line of fabricated metal sheet and wire in silver, nickel, and copper product. Mon-Fri 9am-6pm, Sat 10am-5pm MST

146 N. Main St.

2311 Vassar NE

Low prices *friendly service.* Unique selection. A wide variety of beads and components including semi-precious gems and Czech glass to artist pieces, seed beads, designer brass lines, and more. Ask for your free “Bead Addiction” card! 33321 Grand River Ave.

(248) 474-9264

Pam’s Bead Garden—Farmington www.pamsbeadgarden.com We specialize in Japanese seed beads. Full-service bead store featuring Czech glass, pearls, Swarovski crystal, Delicas, silver, and tools. Free classes, visiting artists, and lots more. Open six days, closed Sunday. Call for more information. 22836 Orchard Lake Rd..

(248) 471-2323

Too Cute Beads—Farmington www.toocutebeads.com Our business is based on one principle—giving everyone the opportunity to create beautiful and unique jewelry at a reasonable price. We carry Swarovski crystal, pendants, pearls, gold-filled beads, chain, sterling silver beads, cultured pearls, Murano glass, artist glass, tools and wire, kits, and much more. Visit our website for class schedule and for our sale of the week. 31711 Grandriver

(866) 342-3237

www.beadhaven.com Come shop 5,000 sq. ft. of Michigan’s largest bead store! Filled with the best selection of beads from around the world, no matter what type of beading you’re doing. Free classes, open 7 days, and now shop online! We carry everything! 925 S. Main St., E-1

(989) 652-3566

The Creative Fringe LLC—Grand Haven www.thecreativefringe.com We’re a full-service bead shop offering an extensive collection of beads, findings, wire, tools, books, lampworking, silver, clay, and metalsmithing supplies. Cultivate your creative side with classes and parties. Open workstations available. Come to the Fringe! Your creativity awaits you. Open 7 days a week. 210 Washington

(616) 296-0020

Wicks and Stones - Downtown Wyandotte www.wicksandstones.com/ - Find us on Facebook Everything for your beading needs! Celebrating 10 years in business! Seed beads, Swarovski, Czech glass, semi-prescious, tools, Sterling Silver, artistic wire, kits, PMC Certified. Let us answer all of your questions!! Monthly stitch and wire groups, individual classes, birthday parties, ladies nights, open studio time, free classes. Call for more information or come in to show off your creation! 3138 Biddle Avenue

734 759-0112

Stony Creek Bead & Gallery —Ypsilanti Twp. www.stonycreekbead.blogspot.com Supporting the artist inside of you! Huge collection of Seed & Czech Beads. Bali, pearls, and stones. Lampwork & Polymer Clay by MI artists. Classes, kits, books & so much more! I-94 to exit 183. South 1 mile. Closed Mondays. Tue–Fri 10– 6, Sat 10– 4, Sun 10– 2. www.StonyCreekBead.blogspot.com 2060 Whittaker Rd.

(734) 544-0904

Minnesota Stormcloud Trading Co. (Beadstorm) —St. Paul www.beadstorm.com 20+ years of experience shows in our vast selection of seed beads, pressed glass, Swarovski crystals, Bali silver, sterling, and gold-filled beads. Shop in-store or online. Mon–Fri 10–6, Sat 10–5. No print catalog. 725 Snelling Ave. N. BEADWORKMAGAZINE.COM

(651) 645-0343

(603) 223-0146

Just Beading Around—Epping www.justbeadingaround.com We carry a huge selection of high quality beads, findings and beading supplies. Miyuki and Toho seed beads, Swarovski, Preciosa, Pearls, Kazuri, Czech, Lampwork, Gemstones & more. Classes and Parties. Plenty of parking. Handicap accessible. Awesome staff!! 285 Calef Highway, Rte 125

603.734.4322

Santerre’s Stones ‘N Stuff—Exeter

(505) 884-7770

The Beaded Iris—Albuquerque Specializing in Japanese seed beads, Delicas, rare vintage beads, and handmade beads, just to name a few. A relaxed atmosphere with cheerful gals to help you! 1512 F Wyoming Blvd. NE

(505) 299-1856

Thunderbird Supply Company —Gallup www.thunderbirdsupply.com

Looking for the real thing? We have a huge selection of semi-precious & precious gemstone beads, Miyuki seed beads, Delicas, Swarovski, Kazuri, Czech & more. Custom cutting & drilling. Classes/parties. Easy to locate. Helpful, friendly staff.

Our main showroom store is just off I-40, located just minutes from the Navajo and Zuni Nation, is filled with over 13,000 items; fabricated metal sheet and wire (silver, nickel, and copper), findings, metal beads, metalsmithing tools, beading supplies, natural and man-made strands. Mon-Sat 8:30am-6pm MST

42 Water St.

1907 W Highway 66

www.santerresstones.com

(603) 733-9393

Bead Haven—Frankenmuth

88

411 Rt. 79

(314) 644-6140

Nevada

www.munrocrafts.com

www.thebirdsand thebeads.com Surround yourself in beads! Incredible collection of hand-selected stone, pearl, glass and shell beads. Plus, all the best seed beads, tools, books, findings, and Swarovski crystals. Please call or stop by for further information and our extensive class schedule.

(800) 545-7968

Bella Beads—Meredith

New York

www.bellabeadsnh.com

Let’s Bead!—East Rochester

“The Chic Boutique on the Bay” Bella’s features and takes pride in the finest beads, findings, and tools from around the world. We’ve expanded our seed bead collection. Come by car or by boat, we’d love to meet you! 48 Main St.

(603) 279-0122

Ladybead and Rook—Wilton www.ladybeadandrook.com Beautiful, quality beads to inspire your creativity and accentuate your style. Emphasis on European beads: Czech crystals, pressed glass, seed beads, pearls, and semiprecious. Artisan-created jewelry for fine gift giving. Ample parking. Thu–Sat 9–5:30, Sun 11–4. At the Riverview Mill Artist Shops. 29 Howard St.

(603) 654-2805

New Jersey Beads by Blanche—Bergenfield www.beadsbyblanche.com

www.letsbead.com 3,200 sq. ft. bright full-service bead shop. Ever-growing selection of tools, books, beads, stringing materials, findings, wire, chain mail, kumihimo, Swarovski crystals, classes, and more! Relax, use our tools, and get friendly help at our in-store design station. 349 W. Commercial St. (585) 586-6550

Beads Mosaic—Nanuet www.BeadsMosaic.com Exclusive beads boutique! Huge selection of quality semiprecious, precious and gem stones, sterling silver beads, charms and findings, copper and brass beads/findings, seed beads, pearls, shell pearls, raku, Swarovski, Kazuri, artist lampwork, beading supplies, tools, and more! Open 7 days/week. Exit 14 off I-87/NY Thruway, 40 minutes north of NYC. Beading classes and store hours at www.BeadsMosaic.com. 78 S. Middletown Rd..

(845) 501-8295

Beads World Inc.—New York

(Only miles from NYC.) Visit East Coast’s premier bead shop. 3,000+ colors/styles of Japanese seed beads, glass, crystal, semiprecious, lampwork, and more! Classes by local and nationally known artists. Extensive inventory for unlimited possibilities! 106 N. Washington Ave. (201) 385-6225

From beads to crystals to leather cords and more. Beads World is your one-stop shop. Quality selections in the heart of NYC’s fashion district. Mon-Fri 9-7, Sat-Sun 10-5.

Jubili Beads & Yarns®—Collingswood

1384 Broadway (between 37th & 38th St. on Broadway) (212) 302-1199

www.jubilibeadsandyarns.com Everything you need under one roof! Fabulous full-service source for beads, classic and novelty yarns. Eight-torch lampworking studio, spinning, weaving, knitting, crocheting, PMC, and more! Repairs, custom jewelry, and parties. Contact us via email at info@ jubilibeadsandyarns.com. 713 Haddon Ave (856) 858-7844

Sojourner—Lambertville

www.beadsworldusa.com

Toho Shoji (NY) Inc.—New York www.tohoshoji-ny.com Exclusive selection of findings, chain, and beads. Swarovski, Japanese seed beads (Miyuki, Delica, Matsuno), glass, fire-polished, and more! Mass-production price available. Mon–Fri 9–7, Sat 10–6, Sun 10–5. 990 6th Ave. (212) 868-7465

www.sojourner.biz

I Dream of Beading—Poughkeepsie

Sojourner stocks freshwater pearls, semiprecious stones, Swarovski crystals, Czech glass and seed beads, sterling beads, Chinese enamel beads, castings, charms, ethnic beads, findings—including our own design sterling silver box clasps bezel set with vintage and semiprecious elements. Open daily 11—6. 26 Bridge St. (609) 397-8849

Hudson Valley’s premier source for beads and more. Stop by for the selection and inspiration to fulfill your wildest beading dreams! Classes/ workshops. Kit selection available online. Tue–Fri 10–6, Wed till 8, Sat 10–4. (in Freedom Executive Park).

www.idreamofbeading.com

Rt. 55, Ste. 107

(845) 452-7611

BEAD SHOP at Lady Jane Craft Center —Queens (Ozone Park) www.ladyjanecraftcenter.com

North Carolina Chevron Trading Post & Bead Co. —Asheville www.chevronbeads.com Asheville’s premier full-service bead store of 25+ years. Largest selection of seed beads, Old World Trade Beads and Vintage glass in the SE Region. Huge selection of pearls, gemstones, crystals, Czech, ceramic & natural beads, including all the supplies you need. WireLace® Distributor – Open 7 day a week. Importer/Classes/Parties/Workspace – www. chevronbeads.com 40 N. Lexington Avenue (Downtown)

www.beadlesbeadshop.com

whitefoxbeads.com

Beads to beat the band! Beads take center stage in our showroom and classroom. Whether you are looking for a rock-star centerpiece or some great back-up beads, our selection and service are sure to make you twist and shout.

We have the jewelry-making supplies you need for your next project and those “must haves” for your stash! Visit us in our new Knoxville (Bearden) store or online. Seed Beads! Vintage! Czech Glass! Soutache! Come in today and discover why our awesome classes, expert staff and superb service are well known throughout the region.

114 W. Dallas St.

www.aintmissbeadhaven.com We are a full-service bead store offering classes, handmade jewelry, and beading supplies. Birthday and private parties, Wine & Bead Night, BYOB Socials (bring your own beads), and Girls Night Out. We offer a large variety of Vintage jewelry and components, Seed beads, Swarovski Crystals, Precious and Semi-precious gemstones, Crystals strands, Sterling Silver, Silver filled, Gold filled, and Vermeil findings. Hours: Monday–Saturday 10–6; Email: [email protected] (704) 746-9278

(918) 806-8945

Alouette-a unique bead shoppe —Oklahoma City Metro www.alouettebeadsok.com The area’s largest collection of beads & findings—2,400 sq. ft. of stock, featuring Japanese Seed Beads & a full selection of Czech Hanks. Swarovski, Tierra Cast, Natural Stones, Czech Glass Beads, and Tools. Full service from a Professional Staff in a Creative Environment. 2150 S. Douglas Blvd., Ste H

Oregon

910 Harriman St., #100

Our cheery store carries tools, torches, bench supplies, enamels, metal, stones, beads of all kinds and unusual fibers and ribbon. We offer classes and have an in-store work table where you can sit and finish a project. Located in downtown Raleigh. We will be your favorite bead store! 509 N. West Street

919-834-6260

Ding’s Fashions & Gifts—Winston-Salem Specializing in Swarovski, Miyuki, Beadalon, WigJig, silver, gold, 10,000+ findings, and 1,000s of strands of stones. Designing, manufacturing, repairs, and much more. Our specialty is designing/beading education. Email [email protected]. Tue–Fri 10–6, Sat 10–5, Sun, Mon (closed). 2834 Reynolda Rd.

(336) 723-3465

Ohio Beaded Bliss Designs —Cincinnati (Harrison)

Beads At Dusti Creek—Portland www.beadsatdusticreek.com

Pennsylvania KAT‘S BEAD BOUTIQUE—Allentown www.katsbeadboutique.com Biggest Little Bead Shop in PA. Full selection of crystals, seed beads, findings, books, tools, unusual items, and one-of-a-kind jewelry. Classes by local and nationally known teachers. Once a month stitch-for-free day. 725 N. 19th St.

(610) 432-7545

Buttercup Beads—Audubon www.buttercupbeads.com Let your creativity blossom in our cozy country setting. Classes, Parties, oh-so-pretty sparkly things, and most of all, fun! One-stop shopping in an open workshop environment. Artisan/bead-addict owned and operated.

(513) 202-1706

BEAD PARADISE—Cleveland (Oberlin) www.beadparadise.com Truly amazing selection! New and vintage glass, gemstones, Swarovski, metal beads and findings. African Trade Beads, ancient , antique and collectible beads in store and online. Just off the Ohio turnpike. Open every day.

www.1stopbeadshop.com Columbus’ premier bead store – over 3000 sq feet of beads & Studio tables. 90+ classes per quarter – beadweaving, wire, metals, Kumihimo, Soutache & more. Czech Glass, 2000+ seed beads – Japanese & Czech. Swarovski, Semi-precious & more. Online sales welcome. (614)573-6452

Bloomin’ Beads, Etc.—Columbus (Powell) Bloomin’ Beads Etc is a full service bead store and more! Everything from crystals to tierra cast to yarn and knitting classes. 4040 Presidential Parkway

740-917-9008

Gahanna Bead Shop—Gahanna www.gahannabeadstudio.com Vast selection of glass and semiprecious beads, crystals, and Miyuki seed beads. Sterling, pewter, and gold-filled findings for all your beading needs! Distributor of UnicorneTM and KazuriTM beads. Open studio area with friendly, knowledgeable staff. 1024 N. Hamilton Rd.

(614) 933-8948

Potomac Bead Company—Medina www.potomacbeads.com Visit the largest bead store in Ohio! Our two-story 4,000 sq. ft. urban loft in historic downtown Medina has an extensive selection of Swarovski crystal, Miyuki, gemstones, glass, sterling silver, findings, copper, wire, and tools. We offer classes, parties, and workspace. Open 7 days a week. 109 West Washington Street

www.thebeadgarden.com Friendly, full-service bead store for all of your jewelry-making needs. Classes for all levels of experience, including beginners. Birthday parties and group outings. Knowledgeable staff that is delighted to help. 2122 Darby Rd.

(330) 722-2555

865-980-0237

Texas Lapis Lane Beads—Austin www.lapislanebeads.com Share your passion with our friendly, professional staff. We are Westlake’s premier Bead Boutique, minutes away from downtown Austin. Our showroom is bursting with gemstone and glass beads, tools, supplies, and ideas. Our vast seed bead collection includes new 2-hole shapes. We offer classes, parties, repairs, and finished jewelry from 15+ local artists. All ages and skill levels are welcome. 10-6 Mon-Sat. (512) 458-3141

Beads Unlimited Inc.—Dallas Your one stop bead shop in Dallas: Huge collection of Gemstones, agates, pewter, findings, chain, Chinese crystal, pave beads, rhinestone findings, wood beads, tools, ceramics and sterling silver jewelry studded with semi-precious gemstones. Spend over $300 or more (wholesale) and receive 50% off on selected items. Call us to be included for weekly sales at the shop. Email: [email protected]. Fax: (214) 749-0446 2454 Royal Lane

(214)749-0444

Spring Beads—Houston/Spring www.springbeads.com Best full-service bead store in Texas where we feed your need to bead! Great selection of Swarovski crystals, pearls, gemstones, Czech glass, lampwork, sterling silver, gold-filled, pewter, and copper findings, tools, leather, books, Kazuri and Tagua beads, wire, and so much more! Classes, parties, jewelry design, and repair services offered. Outstanding customer service with friendly faces and bead smart! Old Town Spring. 421 Gentry, #202

(281) 288-9116

Nova Beads and Creations—Houston www.novabeads.net A happy, cozy bead shop tucked in beautiful historic Heights, filled with a wide variety of beads and findings. Check out our website for a schedule of fun classes and shop online for stylish kits. 3518 White Oak Dr.

(713) 868-1310

Vermont Bead Crazy LLC—Williston www.beadcrazyvt.com Northern Vermont’s only full-service bead store. Beads of all types, shapes, and sizes—tubes, strands, singles. Stringing materials, books, tools, containers, charms, watches, findings. Birthday and adult parties. Evening classes. Instruction always available. 21 Tafts Corners Shopping Center

www.bluesantabeads.net A newly located artistic venue. Classes available. Customers always come first and always return. 1165 W. Baltimore Pike

(610) 892-2740

Crystal Bead Bazaar—Pittsburgh www.crystalbeadbazaar.com A world bazaar of beads. Swarovski, Czech, Venetian, lampwork, sterling and gold-filled, freshwater pearls, and semiprecious. Largest selection of seed beads in area. Classes and custom designs. Mon–Sat 10–6, Thu 10–9, Sun 12–5. 4521 Butler St.

(412) 687-1513

South Carolina www.horsefeathers1.com South’s best source for the best selection of Delicas, trim beads, gold and silver findings, Swarovski, semiprecious beads, cabochons, dichroic glass and wire. We offer classes daily or by your schedule. Mon–Fri 11–5, Sat 10–2:00. 18845 Asheville Hwy.

(866) 228-7600 (864) 457-2422

South Dakota Moonshadow BEAD Studio—Rapid City Handmade lampwork beads • semiprecious • sterling silver and goldfilled beads and findings • Swarovski crystals • Delicas • triangle, hex, square, faceted beads • books and patterns • one-on-one CLASSES • finished, exclusive, beaded art to wear • Come sit and bead with us! Contact us via Email at [email protected]. 318 Mt. Rushmore Rd., Ste. B

STUDIO BABOO® “A Big Little™ Bead Store”—Charlottesville www.studiobaboo.com Full service bead store w/a huge selection of Delicas, seed beads, glass, semi-precious, pearls, polymer and more. Friendly, knowledgeable staff. Visit website for class schedule and hours. 1933 Commonwealth Dr.

(605) 348-2510

(434) 244-2905

Gu’s Haus of Beads—Chesapeake www.hausofbeads.com Huge selection of Miyuki Seed Beads, Czech glass, Swarovski crystals and pearls. Classes in bead weaving, ladies night. Our motto is “You can do it”. Swing by and bead happy. 501 Kempsville Road, Suite H.

Your Place to Bead–Horse Feathers— Campobello

(802) 288-9666

Virginia

(610) 449-2699

Blue Santa Beads—Media

440-775-2233

1 Stop Bead Shop—Columbus

6347 Sawmill Rd., Dublin, OH

(484)524-8231

The Bead Garden—Havertown

www.followyourbeadedbliss.com

29 West College Street

(503)235-4800

1123 Pawlings Rd.

The tri-state’s best bead shop: create your own jewelry from our evergrowing selection of Swarovski crystal, semiprecious, glass, metals, pendants, lampwork, clay beads, books, tools, and much more! Project assistance, classes & parties, too. Always follow your bliss! 1151 Stone Dr., Ste. E

(541) 617-8854

Portland’s Premier Bead Shop. High quality Unique & Unusual products, as well as the basics. Friendly, Helpful, Experienced Staff & Outstanding Instructors. Everything you expect a Quality bead store to be! Mon–Fri 10–6; Sat 10–5; Sun 12–4

www.ornamentea.com

5111 Homberg Drive

3654-D Bee Caves Rd.

www.azillionbeads.net “More beads than you can imagine!” NEW LOCATION IN BEND. Over 2,000 sp. Ft. of beads. Call for directions. Email [email protected].

4848 SE Division Ave.

Ornamentea—Raleigh

(405)733-5300

Azillion Beads—Bend

(828)-236-2323

Ain’t Miss Bead Haven—Mooresville

152 N. Main St.

Tennessee White Fox Beads—Knoxville

(757) 549-BEAD (2323)

Beads on Parade—Fredericksburg www.beadparade.com Just getting started or a pro, come be inspired by our huge selection of Czech glass, seed beads, silver, pewter, pearls, semiprecious stone, and Swarovski. Great prices and the friendliest staff in town. Classes ongoing. 10013 Jefferson Davis Hwy., Ste. 105

(540) 710-0705

Off the Beading Path—Historic Occoquan www.offthebeadingpath.biz Located within a mile of I-95 (exit 160) in a historic river town. Browse an eclectic array of beads (Toho, Delica, Shaped, Art, Fair Trade, Kazuri, Vintage, Gemstone, Swarovski, and Pearls), Findings, Chain Maille Supplies, Tools, and Wire. Our full-service shop offers classes, repairs, and parties. Open Tues-Sat. 11am-6pm, Sun 12-5pm. Bring this ad for 10% off regular priced merchandise. 310 Mill Street, Suite E

(703) 492-BEAD (2323)

A Bead Abode—Lynchburg www.abeadabode.com We welcome you to our full service bead shop. You’ll find an ever expanding selection of Japanese and Czech seed beads, Czech pearls, pressed glass and fire polish, Swarovski crystals, semi-precious stones, findings, books, magazines and tools. We have classes suited for everyone. Open Mon-Sat 10am-5pm, Thursdays until 7.Open studio (“Beading Social”) on Thursdays from 12-7. 101 Hexham Drive, just off Enterprise Drive BEADWORK

434-237-1261

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Largest selection outside Manhattan, Classes, Swarovski, Preciosa, Pearls, Fire polish, Hanks, Myuki, TOHO, Glass beads, Leather, Semi-precious Strands, Pendants, Cabachons, Findings, Chains, Metal, Stamps, Tools, Books. Open 7 days. Off Belt Parkway, Exit 17. 137-20 Crossbay Blvd (718) 835-7651

Oklahoma Beadles—Broken Arrow

The Bead Cottage—Virginia Beach


www.thebeadcottage.com ÒA Beading ParadiseÓÑ1,000s of beads, Swarovski crystals, Bali, sterling silver, gold-filled, seed beads, Delica beads, magnetic hematite, semiprecious stones, findings, beading supplies, tools, classes, and moreÑall in a Òparadise-like setting.Ó 5350 Kempsriver Dr., Ste. 106 (757) 495-5400

www.capilanorock.ca Stone beads, pearls, Swarovski, Czech glass, sterling silver/gold-filled findings and chains. Distributors for Grobet, EuroTool, Pepe Tools, Soft Flex, Beadalon, Lortone. Wholesale/retail. We are known for our great prices and friendly staff! Close to downtown Vancouver. 1406 Pemberton Ave.

Washington Beads and Beyond—Bellevue www.quiltworksnw.com Now partnered with QuiltWorks Northwest Full range of seed beads, charms, sterling, vintage, books, Swarovski, tools, trade beads along with unique fabrics and patterns for the quilter and sewer. This is your shop for creative inspiration. Great local and national instructors. Mon, Wed, Fri, Sat 10–6; Tue, Thu 10–9; Sun 12–5. 121A 107th Ave NE

Capilano Rock & Gem —North Vancouver, BC

(425) 453-6005

Wynwoods Gallery & Studio —Port Townsend

(604) 987-5311

Country Beads—Vancouver www.countrybeads.com Semiprecious stones, freshwater pearls, sterling silver and gold findings, and beads. Chain by the foot, Swarovski crystals, Delicas, Czech fire-polished, and more. Books, tools, and classes. Wholesale prices to public. A unique shopping experience! Now you can conveniently shop online at our new updated website www.countrybeads.com. 2015 W. 4th Ave. (604) 730-8056

POCO Creations & Beads—Winnipeg

A beautiful and unique bead shop that has everything the beader could need or want. Also, a line of sterling charms and components designed by the shop’s owner, Lois. Daily 10–7. 940 Water St.

575 Archibald St.

(360) 385-6131

(204) 219-2528

Fusion Beads—Seattle Visit the largest bead store in Seattle! Stop in & take one of over 70 classes taught by local & nationally known instructors. Shop our extensive line of Swarovski Elements Crystals, Japanese seed beads, gemstones, glass beads, handmade beads & findings, & so much more. Our friendly & knowledgeable staff will help get you started! Mon-Sun 10-6, Tues 10-7 3830 Stone Way N., Seattle, WA 98103

206.782.4595

Rings & Things Wholesale—Spokane Visit our Spokane, WA, warehouse for hands-on access to our entire line of cataloged items (everything in our print catalog and online store) plus special cash and carry gemstones, red-tagged sale items, African art, and more! Reseller Permit or $50 minimum purchase required Mon–Fri 10–6 (except first Tue of each month). First Tuesday of each month noon–6, Sat 11–4. 304 E. 2nd Ave.

(509) 252-2900

Wonders of the World Beadshop —Spokane Best little bead shop in Spokane. Incredible gemstones, crystals, charms, seed beads, chain, findings, and books for your creative needs. Friendly staff and great prices. Make us your first stop! In the historic Flour Mill. 621 W. Mallon, Ste. 412

(509) 325-2867

Wisconsin Madison Bead Company—Madison www.madisonbead.com Madison’s favorite bead store! Our friendly staff focuses on providing excellent customer service. Beautiful, bright west-side location with on and off street parking. Great selection of Czech and Japanese seed beads, gemstones, Czech glass, tons of findings, Vintaj brass, and more! A wide array of classes for adults and kids ages 5 and up. Mon-Fri 11-7 Sat 11-5 Sun 11-3 515 S. Midvale Blvd

(608) 274-0104

JSM Bead Coop—Sheboygan www.jsmbeadcoop.com Sheboygan County’s bead store! Offering a wide variety of beads, findings, tools, books, and more. Workspace, tools, and a friendly, knowledgeable staff available—create right in the store! Classes and special events. Tue–Sat 10–7. 931 N. 8th St.

(920) 208-BEAD (2323)

Meant to Bead—Sun Prairie www.Meant-to-Bead.com Full-service bead shop. Featuring classes, large selection of beads, books, tools, etc. Specializing in PMC, semiprecious stone and vintage beads. Mon–Fri 10–8, Sat 10–5, Sun 12–4. 1264 W. Main St.

CLASSIFIED WORD SCHOOLS & EDUCATION WILLIAM HOLLAND LAPIDARY SCHOOL of Arts. PO Box 980, Young Harris, GA 30582. Call for information (706) 379-2126; [email protected]; www.lapidaryschool. org. Week-long classes from April–October.

SHOW ANNOUNCEMENT Ayla’s Wonderful World of Beads Sunday, March 30, 2014, 10am–4pm, Hilton Garden Inn, 1818 Maple Ave, Evanston, IL. $4 ($1 off coupon available at www.aylas originals.com/shows) COLORADO—Denver Largest show in Denver - wide selection of beads, findings and tools for jewelry making. Over 100 vendors and many classes with nationally known instructors. Beading 101 provides an inexpensive way to learn the basics of bead stringing, crimping, fasteners, wire wrap on head pins and other simple techniques for only $5.00. April 26 and 27, 2014. Rocky Mountain Bead Society. Find us at rockybeads.org

BEAD SOCIETIES Michigan Great Lakes Beadworkers Guild PO Box 1639 Royal Oak, MI 48068 Web address: www.greatlakesbeadworkersguild.org Sponsors numerous workshops and programs during year BEAD BONANZA SALE with 80 vendors twice annually. Meets 6:30 on 3rd Tuesdays January–November First Presbyterian Church, 1669 W. Maple, Birmingham, MI.

(608) 837-5900

Canada STUDIO BBG—Montreal, QC www.studiobbg.com Come check out our therapeutic bead pit! We carry a wide range of beads, tools & findings…Swarovski Element Components, Semiprecious, Freshwater Pearls, Seedbeads, Chain by the foot, Sterling Silver findings, Pandora like beads, Beadalon, Bead Smith, Books, and more… We offer Birthday parties, Courses/Workshops for Children & Adults, Fundraisers & Ladies Fun Nights, Jewelry Restoration & Custom Design Creations. Please call to confirm hours and courses available. Store hours for Pointe Claire: Tues-Fri 10-6pm, Sat 10-5pm, Sun 11-5pm. Be sure to follow us on Facebook at BBG Studio & sign up for our monthly newsletter at www.studiobbg.com. 46 Ste-Anne, Pointe-Claire, QC H9S 4P8

New Jersey South Jersey Bead Society P.O. Box 1242 Bellmawr, NJ 08099-5242 Email: [email protected] Web address: www.southjerseybeadsociety.org Meetings are held the 1st Thursday of the month September–June, at Mount Laurel Fire House, 69 Elbo Ln., from 7–9. SJBS also offers workshops taught by local and national teachers.For more info see the web site.

(514) 674-3481

To be listed in the classified section, contact Stephanie Griess at (877) 613-4630

[email protected]. 90


Dallas Bead Society Email: [email protected] Web address: www.dallasbeadsociety.org Yahoo Group: http://groups.yahoo.com/group/dallas beadsociety/ Join DBS for camaraderie, learning and sharing the love of beads. Meetings are the first Saturday of the month, subject to holidays. We gather at 10 and have a short meeting at 10:30 followed by a program. Bring your lunch and stay after the program for open beading until 4 Check out our website or Yahoo group for specifics on meeting dates, location and programs. DBS brings in national teachers twice a year and regional teachers more frequently. We can’t wait to meet you.

www.pocobeads.com Your full-service bead store. Freshwater pearls, gemstones, porcelain, metal, wood, Swarovski, glass, and shell; sold by strand or individually. Findings, wire, tools, books, Jewelry Workshop Kits, magazines, and displays. Workshops, private parties, custom design, repairs, and handmade consignment jewelry.

www.wynwoods.com

Texas

International Toronto Bead Society Ste. 43, 155 Tycos Dr. (mail only) Toronto, ON, Canada M6B 1W6 Email: [email protected] Web address: www.torontobeadsociety.org Meetings 2nd Wednesday 7 p.m., September–June. Ryerson University, 380 Victoria St. (East of Yonge, between College and Dundas), Toronto Bead Society has a fair twice a year, 1st weekend in May and 2nd weekend in November. All info on our website, under Fairs.

BEAD BROWSER www.abosbeads.etsy.com At A Bit of Stone Beads, you will find a wide selection of gemstone beads for your jewelry making projects. New beads are added weekly, so please check back often. We strive to offer competitive prices and fast delivery! www.FusionBeads.com Fusion Beads is where your jewelry begins. We offer over 45,000 beads & supplies, hundreds of step-by-step techniques & over 1700 FREE Inspiration project designs. Unleash your creativity & come bead with us! FREE US SHIPPING! www.jubilibeadsandyarns.com Don’t miss our easy-to-use e-commerce website with everexpanding inventory! Seed beads coming soon! Check out our beautiful focal beads, vintage treasures, finished jewelry, and mixed media kits. Come back often as we’re growing fast! www.thebeadcagebeads.com The Beadcage. Large selection of seed beads, Crystalized Elements recommended store, large classroom with national instructors often, large gemstone strand selection, and most available with designer discounts. Freshwater-pearl importer. Mon–Sat 10–7. www.toocutebeads.com We carry Swarovski crystal, pendants, pearls, gold-filled beads, chain, sterling silver beads, cultured pearls, Murano glass, artist glass, tools and wire, kits, and much more. Visit our website for class schedule and for our sale of the week.

CLASSES New Jersey Jubili Beads & Yarns® 713 Haddon Ave. Collingswood, NJ 08108 Ph. (856) 858-7844 Email: [email protected] Website: www.jubilibeadsandyarns.com

Crafter’s ecstasy! Great classes in all levels of beaded jewelry making, bead weaving. Featuring state-of-the-art, 8–torch flame-work studio. Open studio rental available. Mixed-media specialists offering classes and supplies in knitting, crocheting, loom weaving, PMC, wirework, and more! Vintage attic now open!

Sparkle-licious Kieu Pham Gray

PHILADELPHIA GREATER PHILADELPHIA EXPO CENTER

Workshops: August 20–24 expo: August 22–24

Don’t miss the biggest and best jewelry-making event on the East Coast!

Spider Set Pendant Kim St. Jean

Choose from more than 200 workshops over five days, covering everything from bead stitching to lampworking to metalworking and more. Stock up on supplies and hard-to-find treasures from more than 350 booths and artisan tables, August 22 – 24!

Take your jewelry making to the next level. Create your itinerary at www.BeadFest.com! Sponsored by:

3 Ring Circus Richard Salley

NOW AVAILABLE!

bead buzz

bead all about it

Michelle Mach

Earrings Provide Beacons of Hope for Cancer Patients

PHOTO BY LIZ GAWELEK, LITTLE WONDERS PHOTOGRAPHY

Ears to You began in 2008 when founder Ruth Crane discovered she had cancer. Sitting in a hospital gown without her customary bandana, earrings, or makeup, Ruth realized those adornments helped her feel attractive and normal. On her last day of chemotherapy, she distributed a few earrings at the Cleveland Clinic in Ohio. With the help of twenty-two U.S. hospitals and cancer centers, the organization has now donated more than 10,000 free pairs of new, nickel- and lead-free earrings. Each location decides how nurses, social workers, and volunteers will distribute the earrings, whether at each treatment or at certain milestones. In 2013, the program expanded to include earrings for teens and tweens. Donations of handmade earrings of all styles are welcome. Learn more at www.earstoyou.org.

Signature silver-plated Angel Wing earrings by Ohio jewelry designer Leslie Cohen of Kelsey KinCade. Designs are available for a $15 donation to Ears to You.

The Beading Connection BEADS & FINDINGS A Grain of Sand

To advertise here call Stephanie Griess at (877) 613-4630 or e-mail at [email protected] SHOWS Bead Fest 2013

Fire Mountain Gems

Rings & Things

www.firemountaingems.com (800) 355-2137

www.rings-things.com (800) 366-2156

Fusion Beads

Rio Grande

www.fusionbeads.com (888) 781-3559

www.riogrande.com (800) 545-6566

Artbeads.com

Gaea

www.artbeads.com (866) 715-2323 Bead Paradise www.beadparadise.com [email protected] (440) 775-2233

www.gaea.cc (805) 640-8989

Stormcloud Trading (Beadstorm)

Bead Mercantile Shows

www.beadstorm.com (651) 645-0343

www.beadmercantile.com (423) 639-7919

Toho Shoji (NY) Inc.

SUPPLIES JewelrySupply.Com

www.agrainofsand.com (704) 660-3125 Unique collection of beads & findings

Bead World (IL) www.beadworldbeads.com Shop online! All new Website! (847) 766-2323

Charm Factory www.charmfactory.com (866) 867-5266 Custom charms and jewelry tags

Land of Odds www.landofodds.com Retail/Discounts/Wholesale

Lima Beads www.limabeads.com (734) 929-9208

Merchants Overseas Inc. www.merchantsoverseas.com [email protected] (800)333-4144

Michaels

Designer’s Findings

www.michaels.com

www.designersfindings.net 262-574-1324 Your bead embroidery headquarters for blank cuffs, collars, findings, stampings, vintage items, and more!

Red Panda Beads www.redpandabeads.com Miyuki Japanese Seed Beads & More 10% Disc—use Promo code: BWJUN14

www.tohoshoji-ny.com [email protected] (212) 868-7465

Too Cute Beads www.toocutebeads.com [email protected]

U Bead It

www.beadfest.com Philadelphia August 23–25 Charlotte, NC October 25–26

www.jewelrysupply.com (866) 499-4227

Soft Flex Co. www.softflexcompany.com (866) 925-3539

www.ubeaditsacramento.com (916) 488-2323

KITS & MORE Jubili Beads & Yarns www.jubilibeadsandyarns.com (856) 858-7844

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techniques PASS THROUGH VS PASS BACK THROUGH Pass through means to move the needle in the same direction that the beads have been strung. Pass back through means to move the needle in the opposite direction.

FINISHING AND STARTING NEW THREADS Tie off the old thread when it’s about 4" long by making an overhand knot around previous threads between beads. Weave through a few beads to hide the knot, and trim the thread close to the work. Start the new thread by tying an overhand knot around previous threads between beads. Weave through several beads to hide the knot and to reach the place to resume beading.

BACKSTITCH BEAD EMBROIDERY Tie a knot at the end of the thread. Pass up through the foundation from back to front. *String 4 beads and lay them against the foundation. Pass down through the foundation next to the last bead added. Pass up through the foundation between the second and third beads just added, then pass through the third and fourth beads. Repeat from *.

BRICK STITCH Stitch a foundation row in one- or twoneedle ladder stitch. String 2 beads and pass under the closest exposed loop of the foundation row and back through the second bead. String 1 bead and pass under the next exposed loop and back through the bead just strung; repeat.

FRINGE Exit from the foundation row of beads or fabric. String a length of beads plus 1 bead. Skipping the last bead, pass back through all the beads just strung to form a fringe leg. Pass back into the foundation row or fabric.

HERRINGBONE STITCH Form a foundation row of one- or two-needle even-count ladder stitch and exit up through the final bead. String 2 beads, pass down through next bead in the ladder, and up through the following bead; repeat to the end of the row. Step up for the next row by wrapping the thread around previous threads to exit up through the last bead strung. To form the next row, string 2 beads and pass down through the second-to-last bead of the previous row and up through the following bead. Repeat, stringing 2 beads per stitch, passing down then up through 2 beads of the previous row, and stepping up as before. The 2-bead stitch will cause the beads to angle in each column, like a herringbone fabric.

Begin tubular herringbone stitch with a foundation ring of one- or two-needle even-count ladder stitch. String 2 beads. Pass down through the next bead and up through the following bead. Repeat around the ring. At the end of the round, pass through the first beads of the previous and current rounds to step up to the new round.

LADDER STITCH For one-needle ladder stitch, string 2 beads and pass through them again. Manipulate the beads so their sides touch. String 1 bead. Pass through the last stitched bead and the one just strung. Repeat, adding 1 bead at a time and working in a figure-eight pattern.

PICOT A picot is a decorative net, most often made with 3 beads, used to embellish a beadwork surface.

For two-needle ladder stitch, add a needle to each end of the thread. String 1 bead and slide it to the center of the thread. String 1 bead with one needle and pass the other needle back through the bead just added; repeat to form a strip.

NETTING String a base row of 13 beads. String 5 beads and pass back through the fifth bead from the end of the base row. String another 5 beads, skip 3 beads of the base row, and pass back through the next; repeat to the end of the row. To turn, pass back through the last 3 beads (one leg of the last net). String 5 beads, pass back through the center bead of the next net, and continue.

LOOMWORK Follow the manufacturer’s instructions for warping your bead loom. Note that you will need one more warp thread than you have number of beads in a row. Tie a thread to an outside warp (tie onto the left warp if you are right-handed, the right warp if you are left-handed). Use a needle to string the first row of beads and slide them down to the knot. Bring the beaded weft thread under the warp threads and push the beads up so that there is one bead between each two warp threads. Hold the beads in place and pass back through all the beads, making sure that the needle passes over the warp threads. End the threads by weaving back through the beadwork, tying knots between beads.

PEYOTE STITCH For one-drop even-count flat peyote stitch, string an even number of beads to create the first two rows. Begin the third row by stringing 1 bead and passing back through the second-to-last bead of the previous row. String another bead and pass back through the fourth-to-last bead of the previous row. Continue adding 1 bead at a time, passing over every other bead of the previous row.

Two-drop peyote stitch is worked the same as one-drop peyote stitch, but with 2 beads at a time instead of 1 bead. For circular brick stitch, work increases as needed to keep the work flat; at the end of each round, pass through the first and last beads to stitch them together, then string 2 beads to begin the next round.

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For odd-count flat peyote stitch, string an uneven number of beads to create Rows 1 and 2. String 1 bead, skip the last bead strung, and pass through the next bead. Repeat across the row (this is Row 3). To add the last bead, string 1 bead and knot the tail and working threads, clicking all beads into place. Start the next row (Row 4) by passing back through the last bead added. Continue in peyote stitch, turning as for even-count, shown above, at the end of this and all even-numbered rows. At the end of all odd-numbered rows, add the last bead, string 1 bead, pass under the thread loop at the edge of the previous rows, and pass back through the last bead added.

Begin a midproject peyote-stitch increase by working a stitch with 2 beads in one row. In the next row, work 1 bead in each stitch, splitting the pair of beads in the previous row. For a smooth increase, use very narrow beads for both the two-drop and the onedrop between.

For circular peyote stitch, string 3 beads and knot the tail and working threads to form the first round; pass through the first bead strung. For the second round, string 2 beads and pass through the next bead of the previous round; repeat twice. To step up to the third round, pass through the first bead of the current round. For the third round, string 1 bead and pass through the next bead of the previous round; repeat around, then step up at the end of the round. Continue in this manner, alternating the two previous rounds. It may be necessary to adjust the bead count, depending on the relative size of the beads, to keep the circle flat.

For even-count tubular peyote stitch, string an even number of beads and knot the tail and working threads to form the first 2 rounds; pass through the first 2 beads strung. To work Round 3, string 1 bead, skip 1 bead, and pass through the next; repeat around until you have added half the number of beads in the first round. Step up through the first bead added in this round. For the following rounds, work 1 bead in each stitch and continue to step up at the end of each round.

To make a midproject peyote-stitch decrease, simply pass the thread through 2 beads without adding a bead in the “gap.” In the next row, work a regular one-drop peyote stitch over the decrease. Work with tight tension to avoid holes.

RIGHT-ANGLE WEAVE For one-needle right-angle weave, string 4 beads and pass through the first 3 beads again to form the first unit. For the rest of the row, string 3 beads and pass through the last bead exited in the previous unit and the first 2 just strung; the thread path will resemble a series of figure eights, alternating directions with each unit. To begin the next row, pass through beads to exit the top bead of the last unit. String 3 beads and pass through the last bead exited and the first bead just strung. *String 2 beads, pass back through the next top bead of the previous row, the last bead exited in the previous unit, and the 2 beads just strung. Pass through the next top bead of the previous row, string 2 beads, pass through the last bead of the previous unit, the top bead just exited, and the first bead just strung. Repeat from * to complete the row, then begin a new row as before.

STRINGING Stringing is a technique that uses beading wire, needle and thread, or other material to gather beads into a strand. SQUARE STITCH String a row of beads. For the second row, string 2 beads; pass through the second-tolast bead of the first row and through the second bead just strung. Continue by stringing 1 bead, passing through the thirdto-last bead of the first row, and through the bead just strung. Repeat this looping technique to the end of the row.

Work odd-count tubular peyote stitch the same as even-count tubular peyote stitch, but it isn’t necessary to step up at the end of each round.

MORE STITCHES & TIPS!

For circular square stitch, string the first round of beads and pass through them again to form a circle. Start a new round by stringing 2 beads; pass through the last bead of the first round and through the 2 beads just strung. Repeat around, passing through the next bead of the previous round for each 2 new beads strung. At the end of the round, pass through the whole round again to tighten the beads. Start a new round by stringing 2 beads; pass through the last bead of the previous round and through the 2 beads just strung. String 1 bead and pass through the next bead of the previous round and the bead just strung. Repeat around, stitching 1 or 2 beads to each bead of the previous round, adjusting the count as necessary to keep the work flat.

STOP BEAD A stop bead (or tension bead) holds your work in place. To make one, string a bead larger than those you are working with, then pass through the bead one or more times, making sure not to split the thread.

WIREWORKING To open a jump ring, grasp each side of its opening with a pair of pliers. Don’t pull apart. Instead, twist in opposite directions so that you can open and close it without distorting the ring’s shape.

Watch free videos at beadingdaily.com to learn valuable beading tips and techniques.

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bead artist

BY MEGAN LENHAUSEN

Michael Harrington

Q: How did you get started making beads? A: Twenty years ago, I was fascinated to see kids making paper beads from long triangles of paper. I decided to make them at a commercial level. Paper beads make handsome hair sticks, lapel pins, and earrings, and they can be applied to the fringes of scarves. I also began using them as barrels on pens I designed.

Q: What made you move on to making glass beads? A: It took ten years to make the first 15,000 pens, and by the end of that time, I was no longer buying the centerpiece beads, but making them myself. It saved money and was fun to do. They’re also used to make lightweight and unbreakable earrings. Q: You then started making resin cabochons. What does this process look like? A: I lay down a background of pretty paper, fabric, cord, etc., in any flat-based container. I look for colorful things with texture. Thrift stores are a gold mine for such finds. Next, I place other found or created objects and usually then add a third layer of something diaphanous, such as a bridal veil, which adds depth to the finished project. The day after pouring the resin, I mark out on the slab the profiles I want to cut, rough cut them with a band saw, sand to shape, and recoat.

PHOTO BY LORI SPECTOR

Michael Harrington has been creating and selling his crafts from a young age. After moving to New York and pursuing multiple careers including acting, singing, and engineering, he began his career in the bead world. Today his works have been discovered by Neiman Marcus and can be found in high-end gift stores across the country.

Q: What kind of found and created objects do you use? A: This is the fun part. Nature is the best designer, so I borrow all I can. For example, if you take a stick of cinnamon and cut it into cross sections, you get a great curlicue or mustache shape. Q: What do you find beneficial about using natural materials? A: They are usually better designed than I can easily do myself. “Finding” them keeps me looking at nature and surprising myself. It also feels good to reuse things. When someone offered to supply me with recycled eyeglass lenses, I jumped at the chance to reuse the durable clear resin. ● See more of Michael’s work at www.beads bymichael.com and www.shop.thanksmikie .etsy.com.

PHOTOS BY MICHAEL HARRINGTON

Glass bead earrings

Pen designs

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Pen centerpiece bead


Detail of cabochon slab

Cinnamon-shaving cabochon

CLEARLY KUMIHIMO Learn the ins and outs of this Japanese braiding technique

Join 2013 Beadwork Designer of the Year Jill Wiseman in her DVD dedicated to teaching you not only the kumihimo braiding technique but how to incorporate beads into the process. Complete with expert instruction, helpful tips, and troubleshooting information, this 86-minute video equips you with all the skills necessary to make beautiful kumihimo jewelry. Order your copy of this DVD today to: • Pump up your beadwork with tips for mixing bead colors and shapes to create kumihimo braiding patterns, and add texture with Jill’s additional tips. • Learn three ways to finish your kumihimo jewelry beautifully and efficiently. • Skip the frustration–Jill details common problems you may encounter and the solutions you’ll need to know for troubleshooting. • And much more!

Start creating beautiful kumihimo jewelry at: shop.beadingdaily.com/KumihimoDVD

Beadwork - June-July 2014

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