ANIMATE FORM Asa Darmatriaji Heidy Amanda Amanda Herman Herman Moeis Nahian Nahian Zobaid Zobaid
Animate Form
Animate Form Animation is not Motion
Animation is evolution of form and its shaping fo rces which characterized by animalism, growth, actuation vitality, basically it i stated in its structure. Motion is movement and action. In Animate Form by Greg Lynn, architecture are escribed as follow: • The traditional traditional notion (sequential operations re resented by colors, alignment, im rint rints s ad addi diti tion on subs substr trac acti tion on of arch archit itec ectu ture re b sed on ermanence ermanence its desire desire for timelessness, formal purity and autonomy; • With the use of model organization organization that are iner won’t threaten the architecture essence, but rather it will advance it or develope toward dynamic organization; • With the advent of software and and technology technology arc itecture on 21st century could be conceived as a force and motion rather than a s neutral vacuum • The invisible invisible forces forces (wind (wind pressure, climate, su diagram, etc) can be formed or considered in architectural design to contextual s pecificity;
Animate Form
Marchel Duchamp ‘ Nude Nude Descending Staircase’, 1912 1912 Animate Form
Wind analysis (Ecotect), Source : http://www.google.com/ Animate Form
In Animate Form by Greg Lynn, architecture are escribed as follow:
• Stasis is described described in in permanence, permanence, usefulness, usefulness, typology, procession, verticality which appears as an obsolete operation, but in 2 st century architecture is mobilized within time and force which offers the r nge of potentials; •The history theories of gravity are extremely nu nced, fascinating, and unresolved, in more complex concept of gravity utual attraction generates motion; • Leibniz examined temporal continuity componen t; •Currently advanced motion tools and new diagr involves mathematical descriptions, for instance, geometries whose underlying mathematics is cal and motion of techniques is not mere a visual ph understand geometry in terms of style;
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ms based on the computer architects has to draw ulus, the involvement of time nomenon but rather to
• The most obvious aesthetic shift shift from volumes efined by Cartesian coordinates to topological surfaces defined by U and V coordi nates which allow to deform and transform in a flexible surfaces as expression of athematics of the topological topological medium; Animate Form
Source : http://www.google.com/
Animate Form
Source : http://www.au-urbanfuture.org/
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• Computer Computer is not not the brain brain nor nature, nature, but it is a et (tool for human intuition to developed) and also a tool to make conceptual nd organizational model and generative medium for design, for instance, the g enetic, rule-based, computational; • First principl principle e of topolo topologica gicall entities entities is they they are are not composed of discrete points but rather they are composed of a continuous str am of relative values, topological surface defined as a flow that hangs f rom fixed points that are weighted, but it is not the same with baroque geo metries retain multiple spatial centers; • ‘ ’ proceeds through integration of forces and fields; • Splines Splines are the constitu constituent ent eleme element nt of topologic topological landscapes, which store force and generated store energy energy in in the form;
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Source: http://www.math.corne http://www.math.cornell.edu ll.edu Topology of Graphs and Surfaces
Animate Form
In Animate Form by Greg Lynn, architecture are escribed as follow: • Possibil Possibility ity of of animate animate field field allow allows s more intricat intricat relationship of form and field, also between force and object which is stores th t force in its form ; • Bergs Bergson on argue argued d that matt matter er could couldn’t n’t be sepa separa ra ed from its historical process of its becoming; • Motion and and time are similarly similarly taken taken away away than dded back to architecture; • The term abstraction abstraction is is not modern modern notion of visual abstraction but rather , , ,
Conclusion • The abstract technical statement yet to become concrete that topologies, animation, and parameter based modeling ar being explored here; • The availability of computer aided design te hniques presents the architecture discipline and both retool and re hink itself; • Due to the proliferation of topological topolog ical shapes and CAD tools these technologies are animate. Animate Form
