22
7
= 75
= 131 =
3
Sop. v er
his
da dark
and brit tle feet. n
He n
Ob. 7
7
7
= 131
3
3
Vn 3
(
)
leggeriss.
3
pizz. Va 5
secco
5
3
3
3
3
pizz.
Vcl. secco 3
Cb.
Moderato
= 105
Sop.
n
n
The
p5
m2
n
Ob. 5
5
5
5
5
sub.
5
M9
MM 630 6
3
m6
M9
m6
m6 Pno
3
m6 8
Moderato
3
= 105
Vn
M9
3
M9
Va
(senza sord.) sord.)
3
Vcl. m6 3
(senza sord.) sord. )
3
Cb.
* n = normal fingering. o = fingering that produces a different
MM 157.5
tone-colour than normal fingering.
MM 315 3
meno
3
roar
ing
a
long
side
he
n
5
5
5
( )
3
takes
3
3
for grant ed,
and that ev
’ry so
*
5
5
6
3
5
( )
5
5
3
3
3
6
3
3
MM 157.5 3
3
3
3
3
3 3
3
3 3
3
3
3
3
3
* suggested fingering 8ve key
2
E key
16
1
2
hole
11 5
7 =
= 75
legato 3
Sop. The
beach
7
7
7
7
Ob. 7 =
7
3
Pno 3
3
= 75
Vn
MM 45
legato 3
3
Va tranquillo
arco Vcl. legato
Cb.
tranquillo
14
hiss
es
like
3
fat.
7
7
On 7
7
3
3
3
3
3
3
3
3
3
3
3
3
3
tranquillo 3 3
3
MM 315
7
3
3
3
meno
Sop. He 5
runs,
he
runs to to
5
the
south,
5
fin i
cal. 5
5
5
Ob. 5
5
6
Pno
Vn
pizz. Va
MM 315
3
3
3
pizz. Vcl. 3
3
3
3
pizz. Cb.
3
m6
40
m6
= 105
m6 3
3
The
world
is
a
mist.
And then
theworld
3
and
is
m6
clear.
3
3
3
The
tide
is
m6 3
3
=m6 3
M2
m6
high er er
=M2 3
or
low er er.
3
3
mi nute
and
vast
m2 m2
m3 3
3
He could n’t tell you which.
26
3
3
3
3
rath er,
the spac es
of
3
3
sand be tween them,
where
(no
()
26 3
3
3
3
(pizz.)
3
( pizz.) 3
3
3
3
(pizz.)
3
arco 3
5 Distance between attacks measured in
5
=
31
28
24
36
5
20
14
16
13
12
11
5
10
9
n
5
5
8
5
7
6
5
5
5
5
5
5
5
5
4 5
3
5
4
5
5
1
5
5
5
MM 315 & 157.5 p5
51
p5
m2 3
3
m2
m2
3 (
m2
3
)
(
m2 3
3
m3
=m2 3
3
)
Sop. (
)
oc
cu
pied,
5
look 5
ing
for
some thing,
some thing, some thing.
5
5
5
Poor
bird,
5
Ob. 5 5
m6
=m6
53
he 5
is
ob
sessed!
5
5
5
5
3
. = 59–60
Sop. Although the voice voice participates in in the ensemble, its its line with the the indicated dynamic shadings must clearly predominate throughout. Instrumental dynamics dynamics should be adjusted, adjusted, wherever necessary, to produce this result. 3
Each
day
A. Fl. 3 5
Ob. 5 3
B Cl. 3
[012478]
B
MM 16.37
Vib.
A
( )
MM 15.65
Pno
[012478] . = 59–60
*
Vn
MM 720 Va
(
)
Vcl.
Cb. * all tremolos as fast as possible
(
5
with so
much
)
cer e mo ny
be
gins.
( )
3
3
( )
3
3
[012478]
3
[012478]
3
[012478]
[012478]
5
( ) ( )
piz z .
arco
( )
5
22
Moderato ( = 70– 70–72) 72)
=
Sop. 5
have have miss missed ed?’ ?’ 3 3
A. Fl. marc. 3
Ob.
[012478]
marc.
3
5
3
B Cl. 3
marc. 3
Vib. 3
Pno
5
5
22 5
=
[012478]
Moderato ( = 70– 70–72) 72) 5
Vn 5
5
9
Va 5
5
Vcl. 5
5
to the fore
Cb.
[012478]
[012478] 3
3
Vib.
5
5
Pno
5 5
5
5
3
7
32
3
51
Vib. Pno 5
3
5
divergence
total convergence
1
5
10
15
20
25
30
35
40
45
50
55
60
65
bar 23
3
41
60
3
3
Vib. Pno 5
5
5
Each day with so much ceremony begins, with birds, with bells, with whistles from a factory; such white-gold skies our eyes first open on, such brilliant walls that for a moment we wonder ‘Where is the music coming from, the energy? The day was meant for what ineffable creature we mu must ha have mi missed?’ Oh pr promptly he he appears and takes his earthly nature instantly, instantly falls victim of long intrigue, assuming memory and mortal mortal fatigue.
divergence
convergence
More More slow slowly ly fall fallin ing g into into sigh sightt and showering into stippled faces darkening, condensing all his light; in spite of all the dreaming squandered upon him with that look, suff suffer erss our our uses uses and and abu abuse ses, s, sink sinkss thr throu ough gh the the dri drift ft of bodi bodies es sinks through the drift of classes to even evenin ing g to the the begg beggar ar in the the park park who, weary without lamp or book prepares stupendous studies: the fiery event of every day in endless endless assent.
divergence
convergence divergence
convergence
Distance between attacks measured in 3 3
3
4
4
6
7
12
12
13
14
26
15
3
3
3
17
19
23
3
25
30
3
3 Distance between attacks measured in
1
3
2
3
4
5
6 (+ 2
)
39 3
(-dered) up on on
3
him
3
3
with
3
that
look,
suf
