TRUMAN STA STATE UNIVERSITY MUSIC DEPARTMENT ANALYTIC TECHNIQUES OF 19 TH AND 20 TH CENTURIE’S MUSIC
ANALYSIS OF THE FIRST MOVEMENT OF THE SONATA OP.25 NO.4 BY PAUL HINDEMITH
By: By: !"# $%&!' F(#)!*" F(#)!*" P+(,!))(+: D+. V-*(+ M"+/!' B"++-()
M"y 11 2013
Introduction
P" H-#!&- 61795819; $!+&"# *(&<()!+ =-(-) =-(-#-) !"*!+ "# *(#*(+ >+(! " -) =-(" &)-* ,(+ -) (># )! +-#? -) y!"+) ") " )((-). H-) !"+y >(+@) "+! -# " "! +(&"#-* --(& "# ! "!+ <+(*! !<+!))-(#-) >(+@) !,(+! !=!(<-#? " !"#!+ *(#+"<#"y *(&<! )y! -# ! 1920). H! !)*+-!) -) )y! -# -) ((@ The Craft of Musical Composition 6=(. 1 H-#!&- 193;. T-) #!> )y! -) (#" #(#8-"(#-* - -) *!#!+! "+(# " (#-* "# &("!) ,+(& (#! (#" *!#!+ ( "#(!+ -@! &() (#" &)-* )!) " 12 #(!) ,+!!y +"!+ "# +!y-#? (# " )*"! <-*@! ") " ))! (, !)! #(!). A# !"&<! *"# ! !"+ -# ! )!+-!) (, >(+@) ! >+(! *"! Kammermusik 6C"&!+ M)-*; ,+(& 1922 ( 1923. 6O+(# 2007; T! S(#"" O< 25 N( 4 ,(+ =-(" "# <-"#( *(&<()! -# 1922 -) !*#-*"y )- "# !"+y’ >(+@ y! !=!+y "+ " !") (, ! +) >( &(=!&!#) -) H-#!&-. U#-@! ! F &"(+ S(#""’) =-+" *(#-#& (, !=!(<&!# ,+(& (#! &(=!&!# ( ! #! !+!,(+! ! #!> )(#""’) &(=!&!#) "+! -?y *(#+")! "# !#!: -) -) "# "(?!!+ "!+ *(#)+*-(# -# ! !"#!+ +y&-*"y -?y -+!*! --(& " " +"<-y !=(=! -# ! -#!+=!#-#? y!"+). T! <-"#( <"y) "# #)"y <+(&-#!# +(! (- "# !!#! )(( (, -) (># !,(+! ! =-(" (-#) - ,(+ " +-=!# A!?+( >- " ?!#!+ "+y &* &(+! &(=!&!# " @-# (,
-&<"))-(#! &(#((?! ,(+ ! =-(" "?"-#) (-#? <-"#( *(+): )(&!-&!) !8 -@! )(&!-&!) -@! " *(+"!. T! #"! +)) -# >- +)/!y - !!#! +!,!+!#*!) ( E")!+# E+(- ! +--"# *"&!+ >(+@) (, (y "# B"+%@ " !&<(+"+-y +! (J (# -&. P!+"<) ! +!"-'! -) ,(+ ! &(=!&!# -) =-+"y #-/! -# -) (< - &"y ! >y ! "(>! -)G-# !=!+y (!+ +!)
Analysis of the 1st movement
General aspects:
Tempo indication: S!+ !",. M"+@-!+ # @+",=( 6V!+y -=!y. M"+@! "#
<(>!+,; Metric: #( -#-*"! ! )-=-)-(# (, ! &!")+!) -) -# K4 Key: #( -#-*"! ! !?-##-#? )??!)) " *!#+" (#" C Form of the piece: I#+(8ABAB Common distribution of phrases: 4 &!")+!).
Specifc analysis:
&.1 ( &.7: Theme A -# >( )!*-(#) "8 >!+! " ") " C - " &(-=! (, +!! !)*!#"# #(!) " -) +!- ! )! (, " ?+(< (, 4.
&.9 ( &.1: +!- -J!+!# (#" *!#!+ "# &(=-#? " >(! (#! < >!# -) +!
&. 13 ( &. 20: +-?! >- )! (, +!! !)*!#"# #(!) "# " #!> &(-=! *(&<()! (, "!+#"-(# (, 4) "# +) 6 P1;.
&.21 ( 24: Theme A
&.25 ( 27: T!&! " >-( ! +) &!")+! +!- ! "-#? $
&.29 ( &.5: &- !>!!# theme A "# P1 "# -# ! !, "# ! &(-=! (, +!! !)*!#"# #(!) *"#?! ( ! " ?+(< (, =! -# ! >(! &!")+! -) #!> &(-=! 6P2; -) +!! "=! " ?+(< (, 4 "# !# &!")+!).
&. ( &.45: ! <-"#( *(#-#!) >- ! &(-=! P2 "# ! =-(" )"+) >- " =!+y )-&-"+ !&! ( ! theme A )??!)-#? " @-# (, A’ (> -) +!"y) I >- *" - theme B. I# -) theme B -# &.9 ! *(&<()!+ <) ,(+ ! +) -&! -) ?+(< (, 4 !-? #(!) >! >- *" -) &(-=! M1 +(? ! <-!*! >! >- "=! ! )! "# &(+! !=!(<-#? (, -) &(-=!.
&.4 ( &.5: ! <-"#( "@!) ! !&! B >- " ")) -# ,(+) "# ! =-(" ") "**(&<"#-&!# ") " &!(y *+!"! >-
&.54 ( &.53: +-?! ( &.57. I# ! =-(" >! "=! " <"!+# *(&<()! (, " ,(+ "# ! <-"#( #-) >- P1
&.57 ( &.3: =-(" >- theme B "# " !=!(<-#? )-#? M1 "-#? "# !!#)-(# (, >( &!")+!) " >(+@) ") " +-?! (# ! (!+ "# ! <-"#( >- theme A -# ! +-? "# "# P2 -# ! !, "#
&.7 ( &.35: ! <-"#( )??!) " D >- )<- + "# "! 3 -# ! +) 4 &!")+!) "# )-#? " *(&&(# (#! (, D ! #! 4 &!")+!) "+! -# B >-
)<- + !*#-/! @#(># ") )-&"#!() *+()) +!"-(#. O# ! (!+ "# ! =-(" <"y) " #!> theme C -# E D(+-"# &(!. T!+!,(+! ! *(&<()!+ )!) <(y(#"-y !*#-/!.
&.3 ( &.39: ! =-(" &(=!) ! theme C ( B D(+-"# &(! 6" , < ,+(& &. 7; "# ! <-"#( )!) ! +y& (, theme A -# " *(&-#"-(# (, &(=-#? +-") ( "#) -#-#? -J!+!# +-"): &.35 R.H. -# $ "# L.H. -# B &.3 R.H. -# C "# L.H. -# A &.33 R.H. -# D ( "# L.H. -# B& *(#-#-#? ") " &-++(+8-@! -# ! #! &!")+!). C(#-#-#? -# -) >"y ! <(y(#"-y )!*-(#.
&.70 ( &.75: ! <-"#( )!) " )-&-"+ &(-(# ( P2 *(&<()! >-
&.7 ( &.9: ! <-"#( "@!) ! theme C "# *(&-#!) - >- ! &(-(# (, ,(+) ! !, "# )!!&) " >"@-#? ")! >- " *(&-#"-(# (, ,(+ "# -# ! &.91 >- ! (! ", #(!) <"y) " >(! (#! )*"! 6T80;
&.94 ( &.99: ! =-(" )!) ! theme C #( *(&<!! ) ! +) >( &!")+!) (, ! !&!. T! <-"#( !&<(y) " (+-'(#" &(=!&!# (,
&.100 ( &.10: ! =-(" )!) " )-&-"+ &(-, (, (+-'(#" ,(+) "# ! <-"#( <"y) ! !" (, theme C >- "# ()-#"( L.H.
&.103 ( &. 110:
" !=!(<-#? (, M1 >(+@-#? ") " +-?! ( ! #!
)!*-(#.
&.111 ( &.127: ! =-(" <"y) ! theme A >- ! *"# )!! ,+(& &.1 ( &.17. T! <-"#( <"y) " ="+-"-(# (, ! theme A -# " +!?"+ +y& "# -# ! !,
"# <"y) " - , " >! *"# *(&<"+! !)! +!! #(!) >- ! (+-'(#" &(=!&!# (, ! !, "# -# &.70.
&.129: ,#*-(#) ") " +-?! >- ! )! (, ! +y&-* &"!+-" (, ! &!")+!) !,(+! "# )-,-#? (#"-y )-#? " !)*!#"# *+(&"-* )*"! -# ! L.H.
&.10 ( &.19: T! =-(" <"y) theme B -# -# " ", )!< !(>. B!>!!# ! <-"#( <"+ "# ! =-(" >! *"# )!! <(y(#"-y "?"-#. T! -#-=-" <"+ (, ! <-"#( *+!"! )(&! -))(#"#*! -# ! +) !" -# !") 2 4 "# -) ">"y) " =!+-*"
&.140 ( &.14: ! =-(" <"y) " !)*!#-#? *+(&"-* )*"!) )-#? ! )"&! &(-=! ") +!)<(#) ( ! ")*!#-#? (#! (, ! <-"#( -# ! <+!=-!>) &!")+!) "# ! <-"#( <"y) -# ! +-? "# ! !&! B -# $ "# -# ! !, "# ! )"&! ")) " <"y! -# &.4 #(> -# (*"=!).
&.144 ( &.149: ! =-(" "++-=!) ( ! *-&" >- ! ") )"!&!# (, ! theme A *(&-#! >- theme B "# " )&" !=!(<&!# (, M1 ! <-"#(
-# " &(+! "y "# !#,(+*-#? &(+! ! <"))"?! >- )! (, +-(#!) )-#? " -) )!*-(# ")( ") " +-?! ( <"y ! theme C (#! ") -&!.
&.150 ( &. 153: >! "=! "?"-# ! <(y(#"-y )!*-(# ") theme C >-! ! =-(" *(#-#!) -# E D(+-"# &(! ! <-"#( *"#?!): +) ! *(&<()!+ &(=!) ! (># !" (, ! <-"#( ( ! + !" *+!"-#? " -)<"*! (># !" !>!!# ( -#)+&!#) ! "+&(#y #- &.152 -) " D >- )<- +
"# "! 3 !# ,+(& &.15 ( &. 153 " =!+y -))(#"#*! *(+ )-#? ! "?&!#! 7 ,+(& B ( B "# !# " &"(+ 3 ,+(& E ( D.
&.157 ( &.12: )"&! &!(y (, theme C -# B D(+-"# &(! -# ! =-(" ! <-"#( )"+ " )!*-(# (, <(y&!!+. T! =-(" *(#-#!) -# ?+(<) (, /"+! #(!) "# ! <-"#( -# ?+(<) (, 4 /"+! #(!).
&.1 ( &.171: " -J!+!# "??+<"-(# -# ! <-"#( ") "#(!+ <(y&!!+ #(> ! <-"#( -) -# ()-#"( *(#+"+y &(-(# "# -# ?+(<) (, 3 /"+!+ #(!) 6>- ! )"&! )! (, ,(+) "# -+);. H"+&(#-*"y ! <-"#( -) (-#-#? +-") -# ! R.H: B ( B "# -# ! L.H: $ ( A >- " *+(&"-* ")*!#"# &(=!&!#. I# &.17 ! =-(" )"+) "# !!#)-(# (, ! theme C ( *+!"! ! Coda. T! <-"#( -# &.130 *"#?!) ! "??+<"-(# "?"-# ( 4 /"+! #(!) *"#?-#? "?"-# -# &.133 >!+! ! ?+(<) "+! (, 5 /"+! #(!). T! ") 5 &!")+!) >!+! ,(+ ! ") *(+) -# ! <-"#( ! #(! " *"#?!) -) ! !)*!#-#? +!! #(!) -# ! L.H: B B A " >! "=! )-#*! ! !?-##-#? (, ! <-!*!. A)( ! <-"#( #-)!) -# D& "# ! =-(" -# " <-''-*"( *(+ (, D &"(+ >- ! )"&! )! (, D >- )<- + (+ )-&"#!() *+()) +!"-(#.
Bibliography MacDonald, M. (2009). Viola Sonata, Op 25 No 4. Retrieved May 09, 201, !ro" #$p%&&'''.#yperion record.co.*+&d'.apdc-124/921
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