American Indian & Ethnographic Art | Skinner Auction 2596B

SKINNER American Indian & Ethnographic Art Sale 2596B

May 12, 2012

Boston

American Indian & Ethnographic Art specialist in charge

Douglas Deihl 508.970.3254

General Inquiries: [email protected]

auction 2596B Saturday, May 12, 2012 at 10 a.m. 63 Park Plaza Boston, Massachusetts preview Thursday, May 10, 2012

12 to 5 p.m.

Friday, May 11, 2012

12 to 7 p.m.

Saturday, May 12, 2012

8 to 9 a.m.

absentee bidding Tel: 617.874.4318 Fax: 617.350.5429 Online: www.skinnerinc.com

general inquiries 617.350.5400 View all lots online at www.skinnerinc.com

cover : 239 ; frontispiece : 37 ; inside back cover : 143

( detail );

back cover : 272

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table of contents

1

Auction & Specialist Information

2

Web Site & Online Bidding

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Lots 1-533

160

Conditions of Sale

161

Absentee Bid Form

162

Company Directors & Specialty Departments

163

Administrative Staff & Client Services

164

Map & Driving Directions

165

Parking & Accommodations

166 Dining 167

Catalogue Subscription Form

Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 160 of this catalogue for the full terms and conditions governing your purchase.

Copyright © Skinner, Inc. 2012 All rights reserved MA/Lic. #2304

Proudly printed by DS Graphics, Inc. 120 Stedman Street, Lowell, MA 01851 800-536-8283 • dsgraphics.com

Provenance

Walter C. Waters Walter Waters went to Alaska in 1998 during the gold rush and settled in Wrangell. Shortly after arriving in Alaska he began collecting Indian art and artifacts. He traveled extensively up and down the coast of southeast Alaska delivering mail by boat, leading National Geological survey teams and buying furs. During his travels he established numerous contacts with Indian artists from whom he purchased material for his personal collection and later his store. Early in the 1900s he opened the first Bear Totem Store. In the 1920s he purchased Healey’s Trading Post, further expanding his store and collection. After his death, his widow, Mabel Waters, sold much of his collection to the Burke Museum in Seattle and the Denver Art Museum.

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1. Nayarit Painted Female Pottery Figure, c. 100 B.C.-250 A.D., the seated form holding a bowl and with white pigment designs, (repairs), ht. 11 in. $600-800

2. Three Chupicuaro Pottery Figures, Mexico, c. 500-400 B.C., standing figures with coffee bean eyes and modeled details, ht. to 4 in. $300-400

3. Colima Painted Pottery Figure, c. 100 B.C.-200 A.D., the seated figure with hands to the knees and wearing multiple arm bracelets, ht. 8 3/4 in. $250-350

4. Vera Cruz Carved Stone Hacha, c. 400-800 A.D., gray granite, the stylized human head with crested head covering, ht. 6 1/2 in. $2,500-3,500

online bidding at www.skinnerinc.com

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5. Proto Nazca Textile Panel, Peru, c. 200-600 A.D., with loosely woven blue panel bordered on two sides with multicolored knit “munecas” figures, 42 1/2 x 30 in.

6. Proto Nazca Textile Panel, c. 200-600 A.D., a fine red gauze panel with knit “munecas” on one side and trophy heads along the other, 55 x 21 in.

Provenance: Collected in the 1920s by Ernest Mitchell.

Provenance: Collected in the 1920s by Ernest Mitchell.

$800-1,200

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additional information and photos at www.skinnerinc.com

$800-1,200

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7. Proto Nazca Textile Panel, Peru, c. 200-600 A.D., a blue cloth panel bordered on one side with multicolored “munecas” figures, mounted on cloth-covered frame, 21 x 18 1/2 in. $300-500 8. Three Pre-Columbian Textile Fragments, Peru, two with multicolored effigy panels, and one with repeat avian design, cloth backing, lg. to 29 in. $300-400 9. Two Pre-Columbian Textile Fragments, Peru, both with multicolored avian designs, cloth backing, largest 12 1/2 x 8 3/4 in. $300-400

10. Two Moche Painted Stirrup-spout Pottery Vessels, c. 200-500 A.D., both with red-brown geometric designs, (minor damage), ht. to 7 in. $500-700 11. Two Moche Molded Pottery Figures, c. 200-500 A.D., both standing and with hands to the chest, custom stands, ht. to 4 1/4 in. $250-350 12. Two Moche Stirrup-spout Vessels, c. 200-500 A.D., one in the form of a seated monkey with red-brown detail, and one depicting a decapitator with serpent belt, (some repair to the second), ht. to 8 in. $500-700


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13. Two Chancay Painted Pottery Vessels, Peru, both anthropomorphic, one with round bottom and wearing ear spools with frog centers and holding a Kero with human face, (the larger with some surface loss), ht. to 7 1/2 in. $300-500

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14. Three Carchi Pre-Columbian Painted Pottery Bowls, pedestal forms decorated on the inside with avian, human, and geometric designs, (some surface loss), largest dia. 7 7/8 in. $400-600

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15. East African Carved Wood Cane, the finial a figure wearing a colonial hat, with glass bead eyes and necklace, (wood loss, repair to one arm), lg. 38 in. $250-350

18. African Carved Wood Staff, Pende (?), the top in the form of a standing female with hands to the abdomen, incised detail, (broken and repaired at the calves), lg. 45 1/2 in. $600-800

16. Luba-Songye Carved Wood Hunter’s Fetish, the half figure with oily surface, fiber-wrapped waist, and row of brass tacks at brow line, ht. 13 in.

19. Two African Carved Wood Figures, a Dogon figure with encrusted patina, and a Gurunsi female figure with scarification patterns on face and chest and single crest coiffure, ht. to 19 1/2 in. $400-600

Provenance: Jean and Noble Endicott Collection.

$300-400

17. Three African Wood Carvings, a Yoruba Ibeji doll, a Yoruba bowl with stylized animal support, and a Kuba cup, (the doll’s arms restored), ht. to 11 in. $400-600

20. Two East African Carved Wood Figures, a female form with articulated head, and a seated female form with spiked coiffure, ht. to 28 in. $400-600


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21. Three African Carved Wood Figures, all standing females, two with glass bead eyes, ht. to 14 in. $400-600

22. Yoruba Carved Wood Egungun Mask, in the form of a stylized monkey face, perforated at the edge for attachments, dark patina, custom stand, ht. 8 1/2 in. Provenance: Jean and Noble Endicott Collection.

$600-800

23. Ligbi Carved Wood Mask, an early form with long nose, pierced eyes, and remnant horns at the top of head, (wood loss), ht. 13 1/2 in. Provenance: Christie’s East, May 11, 1983, No. 252.

$500-700

24. Ibibio Carved Wood Mask, with pierced eyes and delicate features, dark brown patina, custom stand, ht. 7 1/2 in. $400-600

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25. Yoruba Carved Wood Gelede Mask, the stylized human head with pierced eyes and nostrils, scarification marks, and wearing a crown-like headdress, custom stand, ht. 11 in. Provenance: Jean and Noble Endicott Collection; Jacques Kercharche Collection, Paris. $3,000-5,000 26. African Carved Wood Mask, Yoruba Gelede, helmet form, with protruding face and wearing an elaborate headdress with a sash that has four sheathed knives, ht. 12 1/2, dia. 17 in. $400-600 27. Dogon Carved Wood Mask, the stylized form with pierced triangular eyes, pointed ears, and unusual scoop-shaped projection from the top of the head, (weathered patina), ht. 22 in. Provenance: A small New England museum.

$800-1,200

28. Dogon Carved Wood Figure, the fragmentary male form with weathered surface, aluminum stand, ht. 21 3/4 in. $400-600

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29. Lulua Carved Wood Mask, with stylized concave face, perforated eyes and mouth, and perforated at the edge for suspensions, custom stand, ht. 12 in. $300-400

30. Toma Carved Wood Side-blown Trumpet, Sierra Leone, in the form of a bird with articulated feet, cloth strip around neck, custom stand, lg. 24 1/2 in. Provenance: Jean and Noble Endicott Collection.

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$800-1,200

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31. Senufo Carved Wood Heddle Pulley, a stylized antelope head with incised detail, (wood loss), ht. 7 in. $300-400

34. Mongo Region Polychrome Carved Wood Shield, made from a single piece of wood, the front painted with incised detail, (wood loss, repair with metal staples), ht. 27 1/4, wd. 11 1/4 in. Provenance: A small New England Museum.

32. Ndebele Beaded Hide Married Woman’s Apron, South Africa, c. mid-20th century, partially beaded with geometric and symbolic designs, with bead-wrapped fringe from the bottom, 20 x 17 1/2 in. $400-600

33. Mongo Region Polychrome Carved Wood Shield, made from a single piece of wood, with handle in back and painted on the front with a bold triangular design, ht. 52, wd. 13 in. Provenance: A small New England Museum.

$800-1,200

$600-800

35. Mongo Region Wood, Cane, and Wicker Basketry Shield, with carved wood attached handle, and double cane rods along the mid-rib for additional strength, (dark patina), ht. 49, wd. 15 1/2 in. Provenance: A small New England Museum.

$800-1,200

36. Austral Island Carved Wood Ceremonial Adze, c. 19th century, with open tiers, tapered and faceted upper half and extremely fine geometric chip-carving overall, with original sennet binding, (adze blade missing), ht. 22 1/2 in. $2,000-2,500


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37. Austral Islands Carved Wood Paddle, c. first half 19th century, chipcarved overall and with elaborate concentric circle designs on one side of blade, rectangular grip with a frieze of stylized tiki heads, lg. 36 1/2, wd. 10 in. $3,000-5,000 38. Austral Islands Carved Wood Paddle, c. first half 19th century, chipcarved overall, the handle terminating in a frieze of stylized tiki heads, (wood loss), lg. 35, wd. 8 in. $1,000-1,500

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39. Polynesian Carved Wood Kava Bowl, c. mid-20th century, the sixlegged form with sennet cord attachment, (cracks), dia. 22, ht. 7 1/2 in. $400-600 40. Fourteen Polynesian Tapa Cloth Fragments, some with painted designs, various sizes. Provenance: Property of a New England Museum.

$300-400

41. Large South Seas Painted Tapa Cloth, 19th century, with large tripartite circular devices surrounded by four-petal foliate devices, (stains, loss), 92 x 142 in. Provenance: Property of a New England Museum.

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42. Hawaiian Painted Tapa Cloth, c. first half 19th century, painted in a grid pattern with abstract geometric designs, done in red-brown and dark brown pigments, (damage), 61 x 73 in. Provenance: Property of a New England Museum.

$400-600

43. Six South Pacific Painted Tapa Cloths, various ages and designs, most fragmentary. Provenance: Property of a New England Museum.

$200-250

44. Large Pictorial Tonga Tapa Cloth, c. early 20th century (?), decorated with panels of birds, animals, trees, and heraldic designs, (minor damage), 155 x 78 in. Provenance: Property of a New England Museum.

$250-350

45. Six South Pacific Painted Tapa Cloths, various sizes, all with geometric and abstract designs, (damage), largest approx. 60 x 28 in. Provenance: Property of a New England Museum.

$200-250

46. Three South Pacific Painted Tapa Cloths, one with a grid pattern, one with overall dot and dash design, and a small cloth bordered with a foliate design, largest 72 x 42 in. Provenance: Property of a New England Museum.

$200-250

48. Two South Pacific Painted Tapa Cloths, both with a grid pattern, one with large flowers, the other with abstract geometric design, (damage), largest 98 x 62 in. Provenance: Property of a New England Museum.

Provenance: Property of a New England Museum.

$250-350

$200-250

47. Tonga Painted Tapa Cloth, 1936, a banded pattern with flower vases, script, abstract foliate designs, and serpent-like devices at one end, 74 x 115 in. Provenance: Property of a New England Museum.

49. Two Hawaiian Tapa Cloths, 19th century, a large undecorated cloth and one with a grid foliate design done in brown pigments, decorated cloth 79 x 50 1/2 in.

$250-350

50. Four Tapa Cloths from the Wilkes Expedition, 1838-42, one stained red on one side and three undecorated, (damage), lg. to 249 in. Provenance: Property of a New England Museum.

$250-350

51. Yap Carved Wood Figure, Tobi Island, the squatting ancestor figure with abalone inlaid eyes, dark patina, (wood loss), ht. 7 1/4 in. $250-350 52. Melanesian Carved Wood Club, c. 19th century, with lobed head and butt end carved in a four-petal design, dark patina, (wood loss), lg. 42 in. $250-350


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53. Dayak Wood Basketry Baby Carrier, with symbolic multicolored beaded panel, decorated with shell discs, Chinese coins, strands of trade beads, and a row of boar tusks, ht. 12 1/4 in. $600-800

57. Lakota Beaded Hide Moccasins, c. last quarter 19th century, with parfleche soles (the painting on the inside), bottle green “buffalo tracks,” and red lightning design on the white borders, red cloth edge cuffs, lg. 10 in. $600-800

54. Ute Beaded Hide Moccasins, c. last quarter 19th century, with thick rolled buffalo hide soles, the tops with multicolored designs on a white background, (minor bead loss), lg. 10 in. $600-800

58. Lakota Beaded Hide Moccasins, c. late 19th century, the uppers beaded with multicolored geometric designs on a white background, the bifurcated tongues with red horsehair and tin cone danglers, lg. 10 in. $800-1,200

55. Lakota Beaded Hide Moccasins, c. late 19th century, with hard soles and beaded with multicolored geometric designs, the beaded bifurcated tongues with two cones and dyed horsehair, lg. 10 in. $600-800

59. Ute Beaded Hide Moccasins, c. last quarter 19th century, with thick buffalo hide soles and beaded with multicolored geometric designs and light blue “buffalo tracks,” yellow pigment, remnant of an old tag on one tongue, lg. 9 1/4 in. $600-800

56. Cheyenne Man’s Beaded Hide Moccasins, c. 1880s, with a thunderbird on the vamp and typical multicolored geometric designs on a white ground, (minor damage), lg. 10 1/2 in. $1,000-1,500

60. Two Pairs of Beaded Hide Child’s Moccasins, c. last quarter 19th century, both with hard soles, the first a pair of yellow-stained Arapaho moccasins, the second probably Apache, lg. 6 1/2 in. $500-700

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61. Lakota Beaded Hide Moccasins, c. last quarter 19th century, with hard soles and beaded with geometric designs in white, bottle green, and dark blue seed beads, lg. 10 in. $600-800

63. Arapaho Beaded Hide Moccasins, c. last quarter 19th century, smoked hide, with rawhide soles and beaded in a multicolored striped pattern, lg. 9 1/2 in. $500-700

62. Pair of Cheyenne Beaded Hide Moccasins, c. early 20th century, partially beaded and with fringe off the heel and vamp, (traces of yellow pigment), lg. 10 in. $400-600

64. Cheyenne Beaded Hide Moccasins, c. last quarter 19th century, with multicolored geometric rectangular panel on the vamp and single border lane, (some stiffness to hide), lg. 9 in. $500-700


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65. Cheyenne Beaded Hide Moccasins, c. late 19th century, the hard sole forms with yellow pigment and partially beaded in a multicolored checkered design, lg. 9 1/2 in. $500-700

68. Pair of Cheyenne Youth’s Beaded Buffalo Hide Moccasins, c. last quarter 19th century, the hard sole forms with traces of yellow pigment and beaded with classic Cheyenne designs, lg. 8 in. $500-700

66. Cheyenne Beaded Hide Youth’s Moccasins, c. last quarter 19th century, stained with red and yellow ochre and partially beaded with geometric designs, lg. 9 in. $500-700

69. Mescalero Apache Beaded Hide Moccasins, c. 1880s, with yellow and red pigments and partially beaded with geometric designs, thick rawhide soles, lg. 9 3/4 in. $600-800

67. Pair of Plains Cree Beaded Hide Moccasins, c. last quarter 19th century, soft soles, beaded with multicolored geometric designs on a blue background, lg. 9 in. $600-800

70. Central Plains Beaded Hide Man’s Moccasins, Lakota, c. last quarter 19th century, the hard sole forms with cloth cuffs, with multicolored glass and metallic beaded geometric designs on a blue ground, (minor bead loss), lg. 10 1/4 in. $1,200-1,600

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71. Pair of Cheyenne Beaded Hide Moccasins with Sitting Bull Attribution, c. 1870s, partially beaded with geometric designs and with parfleche soles, lg. 9 3/4 in. Note: Includes a framed card that reads, “Big Horn City-Montana, Dec. 21st, 1881, from the red man to his white brother-Christmas greetings, I send you by mail today my old moccasins to please white brotheraccept as a Christmas present and place among your antiquities. Sitting Bull.” $1,500-2,000

72. Cheyenne High-top Moccasins, c. 1900, with multicolored geometric designs on a white ground, lg. of foot 9 1/2, ht. 18 1/2 in. Provenance: Glenbow Museum Collection.

$800-1,200

73. Southern Plains Beaded Hide Girl’s High-top Moccasins, c. late 19th century, possibly Caddo, with traces of yellow pigment, partially beaded with multicolored geometric designs, ht. 15, foot lg. 8 in. $800-1,200


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74. Kickapoo Beaded Hide Moccasins, c. 1940s, with silk ribbon-work appliqué on flaps, with soft soles and puckered vamp, lg. 9 1/2 in. $400-600

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75. Two Pairs of Plains Beaded Hide Moccasins, c. second quarter 20th century, a fully beaded pair with hard soles and a partially beaded soft sole pair, lg. to 9 1/4 in. $200-250

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76. Three Items, a pair of Dakota floral beaded hide moccasins, and two Great Lakes loom-beaded garters (damage), moccasin lg. 8 1/2 in. $250-350 77. Plains Beaded and Quilled Hide Possible Bag, c. last quarter 19th century, the front with quilled stripe design and red wool tuft detail, the ends with beaded “box and border” design and red horsehair and tin cone danglers, 13 1/2 x 21 in. $1,500-2,000 78. Lakota Beaded Hide Possible Bag, c. late 19th century, beaded on the front only with multicolored geometric designs on a white background, (bead loss), 22 x 14 in. $1,000-1,500

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79. Lakota Beaded and Quilled Hide Pipe Bag, c. last quarter 19th century, the beaded panel with multicolored geometric designs on a medium blue background, quill-wrapped rawhide slats and fringe from the bottom, (quill loss), lg. 37 in. $2,000-2,500 80. Lakota Beaded Hide Pipebag, c. last quarter 19th century, with yellow-stained hide, beaded with multicolored geometric and cross designs on a white background, the beaded and fringed tabs with quillwrapped fringe and tin cone danglers, lg. 30, wd. 6 1/2 in. $2,000-2,500 81. Lakota Beaded and Quilled Hide Pipebag, c. late 19th century, the beaded panels with multicolored hourglass design on a medium blue background, quilled rawhide slats and fringe from the bottom, lg. 35 in. Provenance: William B. Robinson.

$2,000-2,500


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82. Lakota Beaded Buffalo Hide Tobacco Bag, c. 1860s, with traces of red pigment, multicolored geometric designs, including “box and border” panel, and quill-wrapped rawhide slats and fringe below the beaded panel, with tin cone and horsehair danglers, (some quill loss), lg. including fringe 38 in. $3,000-4,000

83. Lakota Pictorial Beaded and Quilled Hide Pipebag, c. last quarter 19th century, the beaded panels with geometric and cross devices on a white ground, one side with three beaded pipes, the reverse with two “wound” designs, with multicolored quill-wrapped rawhide slats and fringe from the bottom, lg. with fringe 33 in. Provenance: Dr. Frank T. Siebert Collection.

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$2,000-2,500

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84. Lakota Beaded Hide Pipebag and Pipe, c. 1870s, the bag with traces of red and green pigment, the beaded panel with geometric devices on a medium blue background, with quill-wrapped rawhide slats and fringe below, the pipe with wood stem and European carved briarwood bowl, (some damage to bag), lg. of bag 37 in. $2,000-2,500 85. Ute Beaded Hide Tobacco Bag, c. last quarter 19th century, with fringe from the flap and bottom and beaded on the front with multicolored stepped triangles on a white ground, lg. 22 in. $2,000-2,500

86. Ute Beaded Hide Tab Bag, c. last quarter 19th century, with brass shoe button, beaded on the front with multicolored geometric designs, lg. 8 in. $400-600

87. Ute Beaded Hide Paint Bag, c. last quarter 19th century, with a red line above the beaded panel and traces of yellow pigment on the inside, (some of the fringe appears to be restored), lg. including fringe 13 in. $400-600


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88. Ute Beaded Hide Pipe Bag, c. last quarter 19th century, the tab-style bag beaded on the front and most of the back with bold multicolored geometric designs, remnant metal chain from the flap and tab, lg. 15 in. Provenance: Family descent from William Manderfield, co-owner of the Santa Fe New Mexican, who became a well-known civic and political figure in New Mexico, (the Manderfield Room is now part of The Palace of the Governors in Santa Fe). $1,500-2,000

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89. Early Cree/Metis Beaded Cloth Tobacco Bag, c. mid-19th century, the top of alternating blue and red trade cloth edged with silk ribbon and white seed beads, the loom-beaded panel with large faceted trade bead fringe terminating in red wool tufts, (some tufts detached, minor insect damage), lg. 14 1/2, wd. 5 3/4 in. $5,000-7,000

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90. Blackfoot Beaded Hide Hunting Bag, c. 1870s, the commercial hide strap and bag front with multicolored geometric, cross, and lightninglike designs on a blue background, fringed at the bottom, bag size including fringe 18 x 7 1/2 in. $8,000-12,000

91. Cheyenne Beaded Commercial Leather Dispatch Bag, c. last quarter 19th century, beaded on the front with geometric and cross devices on a white background, fringe from the bottom and two rows of tin cone danglers, (minor bead and leather loss), ht. 16, wd. 8 in. $1,500-2,000


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92. Cheyenne Beaded Dispatch Bag, c. 1870s, the commercial leather pouch with hide fringe and beaded on the front, back, and flap with multicolored geometric designs on a white background, brass button, lg. with fringe 15 in. $3,000-4,000 93. Crow Painted Parfleche Case, c. late 19th century, with long fringe from the sides and painted on the front with classic Crow designs, red trade cloth, stitched flap edge, lg. with fringe 42, wd. 9 1/2 in. $2,500-3,500

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94. Apache Beaded Wood Quirt, c. late 19th century, with yellow dyed horsehair tufts, commercial leather lash and beaded with a multicolored checkered and zigzag design, lg. without lash 19 in. $400-600 95. Cheyenne Bandolier-style Pouch, c. last quarter 19th century, the U-shaped pouch with fringed edge and beaded with multicolored geometric designs, the strap with brass beads and roll-beaded with stripe pattern, lg. excluding fringe 27 1/2 in. $1,000-1,500

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96. Cheyenne Beaded Commercial Leather Strike-a-light Pouch, c. 1870s, beaded with multicolored geometric designs on a white ground, tin cone danglers, (bead loss), lg. 5 1/4 in. $800-1,200

97. Mescalero Apache Beaded Hide Strike-a-light Pouch, c. last quarter 19th century, the front with multicolored geometric designs on a blue background, brass button on flap, tin cones from the bottom, lg. 5 1/2 in. $800-1,200

98. Central Plains Quilled Hide Pouch, Arapaho, c. 1870s, with beaded cloth strap, probably made from recycled quill-wrapped rawhide slats, with dew claw danglers, 7 1/2 x 8 in. $800-1,200

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99. Cheyenne Beaded Commercial Leather Strike-a-light Bag, c. 1870s, beaded on the front and partially beaded flap and back, with classic Cheyenne designs in multicolored seed beads, the twisted fringe drops strung with shells, brass beads, chain, etc., (remnant tin cones from the flap and bottom), lg. of pouch with tin cones 5 1/2 in. $2,000-2,500 100. Three Northwest Items, two beaded cloth cushions with abstract floral designs, and a small polychrome cornhusk bag, largest 7 1/2 x 7 in. Provenance: Estate of Susan Parrish.

$200-250

101. Central Plains Pictorial Beaded Pouch, c. last quarter 19th century, on one side a warrior on horseback wearing a full trailer war bonnet, on the reverse a Crow Indian, (tear to hide), ht. 7 1/2 in. $600-800


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102. Beaded Nez-Perce Pictorial Beaded Panel, c. early 20th century, the cloth-back commercial leather beaded on one side with two multicolored horses on a crystal background, custom stand, 7 1/2 x 7 in. Provenance: Estate of Susan Parrish.

$300-500

102A. Plateau Pictorial Beaded Hide Bag, c. early 20th century, beaded on one side with a warrior on horseback wearing traditional clothing and feather headdress, (minor bead loss), 14 1/2 x 13 3/4 in. $500-700 103. Plateau Beaded Cloth Bag, c. 1900, with red cloth back, the front beaded with two flags, a morning star, and a pinto horse on a medium blue background, 12 1/2 x 11 in. Provenance: Colleen James Collection.

$800-1,200

104. Plains Beaded Hide Umbilical Fetish, c. last quarter 19th century, a lizard form with horse hair and tin cone feet, beaded with cobalt blue, yellow, and white seed beads, lg. 7 in. $400-600

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105. Apache Beaded Hide Watch Fob, c. late 19th century, two morning stars with German silver centers, with diagonal beaded design, (minor bead loss), lg. 9 1/4 in. $300-400 106. Plains Beaded Buffalo Hide Umbilical Fetish, c. last quarter 19th century, in the form of a lizard, beaded with multicolored geometric designs, tin cone danglers from the feet, lg. of body 7 in. $400-600 107. Lakota Beaded Hide Male Doll, c. last quarter 19th century, with partially beaded shirt, leggings, and moccasins, ht. 13 1/4 in. $1,000-1,500 108. Ute Beaded Hide Female Doll, c. last quarter 19th century, the face with sculpted nose and beaded eyes and mouth, the dress partially beaded and with traces of yellow pigment, the commercial leather belt with German silver conchas, ht. 15 in. $1,500-2,000 109. Three Apache Beaded Hide Items, c. last quarter 19th century, a female doll wearing a traditional puberty dress with red, brown, and yellow pigments, beaded detail, and single row of tin cones; a round bag beaded on one side; and a pair of miniature beaded moccasins with rawhide soles, ht. of doll 11 1/4 in. $2,500-3,500

104

105

106

102A

108

107

109

111

112

113

117

118

110. Plains Beaded Hide Doll, c. early 20th century, the male form with partially beaded shirt, leggings, and moccasins, remnant breastplate, ht. 12 1/2 in. $600-800 111. Lakota Beaded Hide Baby Bonnet, c. late 19th century, with multicolored designs done with glass and metallic seed beads on a blue background, custom stand, ht. 6 1/2 in. $1,000-1,500 112. Rare Omaha Carved and Painted Wood Cradle, c. 1900, with brass tack outlined five-point star enclosing a crescent moon, blue, yellow, and white pigments, the beaded cloth and wool were probably added during the mid-20th century, ht. 33 1/4, wd. 9 3/4 in. Provenance: Property of a Western Museum.

$1,500-2,000

113. Apache Beaded Cloth, Hide, and Wood Model Doll Cradle, c. late 19th century, stained with yellow pigment and partially beaded with multicolored geometric and symbolic designs, (includes plain cloth doll), ht. 16 1/2, wd. 7 1/2 in. $1,500-2,000

114. Shoshone Beaded Hide Gauntlets, c. early 20th century, with a polychrome horse and floral designs done in a spot-stitch technique, fringed on one side, lg. 14 in. $200-250 115. Pair of Plateau Beaded Hide Gauntlets, c. early 20th century, partially beaded with abstract floral and butterfly devices, lg. 13 1/2 in. $250-350 116. Plateau Beaded Hide Gauntlets, c. late 19th century, partially beaded with multicolored floral designs, (some hide loss), lg. 13 1/2 in. $250-350 117. Eastern Sioux Beaded Hide Half Leggings, c. 1890, partially beaded with five-point star and diamond devices, one lane border, with boot straps on the bottom, attached tag reads, “From the collection of Richard A. Pohrt,” lg. 20 in. $1,200-1,600 118. Pair of Blackfoot Beaded and Painted Hide Man’s Leggings, c. 1870s, with tab bottoms and ermine tails down the sides, painted yellow with black stripes, the beaded strips with bold stripe designs done in light and dark blue seed beads, lg. 32 in. $3,000-4,000


31

119 120

121

119. Lakota Fully Beaded Hide Youth’s Vest, c. last quarter 19th century, with multicolored geometric and cross devices, an image of a single pipe with feathers on the back, lg. 4 3/4 in. $2,500-3,500

32


122

120. Lakota Beaded Hide Child’s Vest, c. first quarter 20th century, with cloth edging and beaded front and back with multicolored geometric and flag devices on a medium green background, 13 3/4 x 8 3/4 in. $500-700

123

126 124

127

125

121. Plateau Beaded Cloth and Hide Vest, c. late 19th century, with cloth back, the hide front contour-beaded with multicolored floral design on a blue background, lg. 21 in. $1,000-1,500 122. Lakota Beaded Hide Vest, c. late 19th century, beaded front and back with multicolored geometric designs on a white ground, with bugle bead and brass hawk bells along bottom edge, lg. 20 in. $2,500-3,500

123. Lakota Beaded Buffalo Hide Child’s Shirt, c. 1870s, a pullover with short sleeves and cloth trim, beaded on both sides with stepped diagonal, cross, and hourglass designs done in multicolored seed beads, 17 1/2 x 13 1/4 in. $10,000-15,000 124. Plains Bone Hairpipe Bandolier, c. late 19th century, the long hairpipe panels strung on commercial leather strips, with brass hawk bells on one end, lg. 26 in. $600-800


33

128

130

129

125. Woman’s Bone Hairpipe Breastplate, c. early 20th century, with commercial leather spacers and fringed with large multicolored trade beads, brass beads, and pennies, lg. 36, wd. 13 1/2 in. $1,000-1,500

128. Ute Beaded Man’s Choker, last quarter 19th century, cylindrical white glass tubes strung on fiber and with brass tacked commercial leather spacers, lg. without ties 14 1/2 in. $400-600

126. Blackfoot Beaded Loop Necklace, c. last quarter 19th century, nine cloth strands roll-beaded with seed beads and with large brass beads, with two large shell discs at the top and strands of “Russian” trade beads from the bottom, mounted to a metal frame for hanging, lg. 24 in. $1,500-2,000

129. Crow Medicine Necklace, c. 1870s, strung with large blue trade beads, ten elk teeth, two flat stones, and two red-stained medicine pouches, lg. 15 in. $500-700

127. Northern Plains Loop Necklace, c. last quarter 19th century, with eleven strands of shell beads strung between strips of commercial leather accented by large dark blue glass beads, brass shoe buttons, and a large shell disc, lg. 19 in. Provenance: Sotheby’s, December 2, 1998, Lot 388.

34

$1,500-2,000


130. Lakota Ear Ornaments, c. late 19th/early 20th century, hide fringe strung with brass beads and bone hairpipes, with three Indian Head pennies, the latest dated 1902, the old tag reads “Gottschall Collection, Sioux, Near White River S. Dak.” lg. 11 1/2 in. $500-700

131

131. Rare Ute Beaded Breastplate, c. last third 19th century, with multiple rows of white and blue glass beads strung between commercial leather spacers decorated with brass tacks, traces of red pigment, 11 1/2 x 10 1/2 in.

132

Provenance: Howell Plummer Myton (18571945), former deputy sheriff at Dodge City Kansas under “Bat” Masterson, from 18981904 a U.S. Indian Agent at the Uintah Ute Reservation in White Rocks, Utah. $1,500-2,000

132. Plateau Beaded Hide Elk Tooth Dress, c. early 20th century, partially beaded on both sides with geometric designs and with rows of bone imitation elk teeth, with bugle beads on fringe below the yoke, lined with muslin, lg. 52 in. Provenance: The Glenbow Museum (Canada). $2,500-3,500

35

133

133. Plateau Beaded Hide Dress, c. 1900, the yoke beaded with bold multicolored geometric designs, with strands of trade beads, brass beads, and brass hawk bells, with fringed edges, cloth-lined yoke, lg. 49, wd. 35 in. $8,000-12,000

135. Otoe Beaded Cloth Blanket Strip, c. last quarter 19th century, black cloth with cotton print backing, beaded with a multicolored abstract foliate repeat pattern, with silk and white bead edging, lg. 50 1/2, wd. 5 1/2 in. $1,500-2,000

134. Lakota Beaded Hide Woman’s Dress, c. early 20th century, the fully beaded yoke with multicolored geometric designs on a medium blue background, fringed at the yoke ends and bottom, lg. 52 in. $4,000-6,000

136. Central Plains Beaded Buffalo Hide Blanket Strip, c. last quarter 19th century, with multicolored four-point star and geometric designs on a white background, lg. 64, wd. 3 in. $1,000-1,500

36


134

135

136


37

137

137. Plains Man’s Buffalo Robe, c. mid-19th century, decorated with a large feather bonnet or sunburst design using red, black, and white (sizing) pigments, approx. 95 x 75 in. Provenance: From the Ouse Family Farm Museum, Minnesota. $8,000-12,000 138. Animal Vertebrae with Arrowhead, c. 19th century, pierced by a Plains commercial metal trade point, (the tip of point is broken off and slightly bent), lg. 8 in. $250-350 139. Plains Elk Antler Hide Scraper, 19th century, profusely engraved with geometric and symbolic designs, lg. 13 1/4 in. $2,000-3,000 139

140. Plains Incised Buffalo Hide Rattle, c. third quarter 19th century, wood handle wrapped with hide and with hair extension, with large brass bell tied on the head, with incised thunderbird with lightning coming from its beak on one side, and symbolic four-point design on the reverse, traces of red ochre overall, total lg. with hair 20 in. $2,500-3,500 141. Sioux Wood Hide and Cloth Game Wheel, c. second half 19th century, with red pigment on the buffalo hide webbing, dia. 9 1/2 in. Collected on the Fort Peck Reservation, Montana. $600-800 142. Blackfoot Rawhide and Wood Rattle, c. last quarter 19th century, with cloth-wrapped handle, braided hide suspension and red ochre overall, custom stand, lg. 10 3/4 in. $600-800

141

140

142

143

143. Rare Pictograph Drawing on Muslin by Chief Henry One Bull (Sitting Bull’s Nephew), Lakota, titled “Symbolic pictograph of Custer’s Battle, drawn-painted, 1892, Chief One Bull,” depicting a complete overview including One Bull attacking Reno’s Troops carrying Sitting Bull’s green shield and skull cracker, One Bull carrying wounded “friend,” Good Bear, the camp circles with tribal locations, and “Refugees of children, old people and cripples,” drawn and colored with various pigments, 59 x 35 in.

40


Note: This is the earliest of three or four versions of this battle done by Chief Henry One Bull. There is one in the Spurlock Museum at the University of Illinois done on sheepskin depicting the battle of the “Greasy Grass” done between 1934 and 1937. A second is in the Minneapolis Institute of Arts and is illustrated in Visions of the People: A Pictorial History of Plains Indian Life, 59 x 35 in. $30,000-40,000


41

146

144

147 145

148

144. Chippewa Lead-inlaid Black Stone Pipe Bowl, c. third quarter 19th century, a “locomotive”-style bowl with geometric and single Maltese cross designs, (some loss), lg. 4 1/2, ht. 2 7/8 in. $600-800

147. Two Inlaid Pipe Bowls, an early Plains-style catlinite bowl with geometric and arrow inlays, (old repair), and a Great Lakes steatite bowl with lead and catlinite inlays, (repaired), lg. to 5 3/4 in. $400-600

145. Eastern Sioux Catlinite Pipe Bowl, c. last quarter 19th century, in the form of a bird’s claw grasping the bowl, lg. 3 1/4 in. $250-350

148. Early Miniature Woodlands Indian Pipe Tomahawk, c. early 19th century, with pewter head and pewter-inlaid wood handle, stand, lg. 3 5/8 in.

146. Blackfoot or Plains Cree Black Steatite Pipe Bowl, c. mid-19th century, with hammer claw ends, and bulbous bowl, with incised and lead inlay detail, custom stand, lg. 3 3/4, ht. 3 in. $600-800

Provenance: Ex Trevor Barton Collection, England.

149. Plains Quill-wrapped Pipe, c. 1900, the ash stem partially quilled with fine multicolored plaiting, the red pipe stone T-bowl with faceted prow, lg. 24 1/2 in. Provenance: Hugh M. Jones III.

42


$1,000-1,500

$1,000-1,500

149 150

151

155 154

153

150. Plains Pipe, c. last quarter 19th century, the red pipestone T-bowl with carved rings, the ash stem with flared ends and decorated with brass tacks, lg. 28 1/4 in. $800-1,200

153. Plains Pipe, c. last quarter 19th century, the catlinite bowl with squared shank and flared bowl (repaired), the stem with wrapped quillwork and brass tack decoration, lg. 27 in. $800-1,200

151. Plains Turtle Effigy Pipe, c. last quarter 19th century, the bowl of red pipestone with incised lines, the ash stem stained red and decorated on the top with turtles carved from buffalo and cow horn, (one missing), lg. 24 in. $800-1,200

154. Plains Pipe, c. last quarter 19th century, the catlinite bowl with lead inlay and hoof-like prow, the ash stem with wrapped quillwork in multicolored geometric designs, lg. 30 1/2 in. $800-1,200

152. Two Plains Items, a pipe with half twisted stem and lead-inlaid T-bowl (chipped tip), and a small elbow-shaped red stone pipe bowl, lg. of first 29 1/2 in. $600-800

155. Plains Pipe, c. last quarter 19th century, the oversize catlinite T-bowl with incised decoration, the ash stem with remnant wrapped quillwork, (the bowl and stem are glued together), lg. 28 1/4 in. $800-1,200


43

156

156. Rare Eastern Sioux Carved Wood Board, c. second quarter 19th century, the stylized board with two circular projections, each with a brass tack center, at one end, and leg-like forms at the other end, decorated on one side with elaborate incised geometric designs and red and blue pigments, on the reverse are two labels, the later label reading: “Baby board procured by J.S.P. Ham of the Sioux Indians in Minnesota in 1858,” while the two other published boards are described as feather box lids, this board appears to have been used as a tobacco cutting board, lg. 26, wd. 6 3/4 in. Literature: For two similar examples see: Art of the American Indian, The Chandler-Pohrt Collection, no. 182; and American Indian Art, 1965, by Norm Feder, no. 208. $8,000-12,000

157

157. Plains Pipe Tomahawk, c. 1870s, the ash handle faceted toward the hand-forged head, decorated with brass tacks and two drops of large trade beads, brass thimbles, and ribbon strung on hide, lg. 24 3/4 in. Provenance: Collected by Indian Agent John H. Waugh while at Fort Totten, North Dakota, during his employment from 1882-1903. Remained in the Waugh family until 1961 when it was placed in the Whitte Museum, San Antonio, Texas, and in 1972 to the Houston Museum of Natural History. $10,000-15,000


45

158

159

160

158. Plains Pipe Tomahawk, c. second half 19th century, the ash haft decorated with rows of large brass tacks, (missing gasket), lg. 18 3/4 in. $7,000-9,000

160. Plains Tomahawk, c. mid-19th century, the large forged head with faceted rim on bowl and old lead repair, the ash haft with file brand decoration, (dark rich patina), lg. of blade 10, lg. of haft 23 in. $4,000-6,000

159. Northern Plains Pipe Tomahawk, c. 1870s, large hand-forged head with filed detail, the ash haft with dark patina and decorated with brass tacks, with cloth-wrapped grip and beaded and fringed hide drop, smoking tip covered in copper cartridge casing, lg. 21 in. $10,000-15,000


47

162

161

161. Eastern Plains Gunstock Club, c. third quarter 19th century, with trade blade stamped “Crawford (?),” one side with traces of red and blue decoration, the opposite with yellow pigment, blue-green triangle, and various size brass tack decoration, lg. 26 3/4, blade lg. 6 1/2 in. Provenance: The Masco Collection.

$25,000-35,000

162. Eastern Plains Ball Headed Club, c. third quarter 19th century, the ash handle with two triangular cutouts painted blue, the ball head pyro-blackened and with long metal spike, pierced in two spots for attachments, patina of use, (cracks), lg. 26 1/4 in. Provenance: The Masco Collection.

$15,000-20,000


49

163

164

163. Plains Pipe Tomahawk, c. third quarter 19th century, the head with faceted bowl and notched blade, the ash handle decorated with wrapped seed beads, brass tacks and hide strips, traces of red pigments, custom stand, lg. 21 3/4 in. Provenance: Ex Colin Gross Collection, England.

50

$8,000-12,000


164. Plains Pipe Tomahawk, c. third quarter 19th century, the hand-forged head with rocker engraving on blade, the ash haft with brass tack decoration, pierced for attachment, lg. 21 in. $7,000-9,000

165

166

167

168

165. Plains Pipe Tomahawk, c. last quarter 19th century, the ash handle with file brand decoration and brass thimble mouthpiece, cast nickelcovered brass head, horsehair drop with metal concha, lg. 21 1/2 in. Provenance: Hugh M. Jones III.

166. Plains Skull Cracker Club, c. last quarter 19th century, with stone head, the wood handle wrapped in red dyed rawhide, with beadwrapped hide and horsehair suspension, lg. 33 in. $400-600

$2,500-3,500


51

173

170 169

167. Nez-Perce Elk Antler Quirt, c. last quarter 19th century, the commercial leather lashes wrapped at the top with red trade cloth and seed beads, the otter (?) hide wrist strap with three abalone discs, an old tag reads: “Charley Redhorn, Nez Perce pony whip and war club, purchased from Susan Michael, Worley Idaho,” lg. 20 1/4 in. $600-800 168. Rare Comanche Carved Wood Quirt, c. second half 19th century, the notched form carved from Osage Orange (?), with buffalo hide lash and wrist strap, lg. of wood 14 1/2 in. $2,500-3,500 169. Plains Beaded Hide Knife Sheath, c. 1870s, buffalo rawhide, covered with hide and beaded on one side with multicolored geometric designs on a light blue background, includes old butcher knife, lg. 10 1/4 in. $4,000-6,000 170. Blackfoot Tacked Commercial Leather Knife Sheath, c. 1870s, with triangular slot for the belt, profusely decorated with square-shank brass tacks, includes period trade knife, lg. 12 in. $4,000-6,000

52


171

172

171. Plains Rawhide Knife Sheath, c. last quarter 19th century, with copper rivets, the commercial leather panel at top with steel-shank brass tack decoration, lg. 11 in. $300-400 172. Northern Plains Commercial Leather Knife Sheath, c. third quarter 19th century, made from an old saddle with incised foliate designs, with two rows of brass tacks down the side, and an early trade knife, includes custom stand, lg. 12 in. $1,500-2,000 173. Lakota Beaded Hide Knife Sheath, c. last quarter 19th century, with rawhide back and beaded on the front with typical geometric designs, the wood-handled knife made from an old file, stand included, lg. 10 in. $1,500-2,000 174. Crow Beaded Hide Knife Sheath, c. third quarter 19th century, the red-painted rawhide form with cutout for belt and beaded down the side, the buffalo hide panel at top edged in white pony beads and beaded with classic early Crow designs on a pink background, the period knife with stag horn handle and clip blade, lg. 12 in. $10,000-15,000

175. Rare Plains Pony Beaded Knife Sheath, c. second quarter 19th century, the buffalo (?) rawhide form beaded on both sides with red and yellow squares on a white background, (remnant fringe with dew claw attachments down the side), lg. 9 1/2 in. Provenance: Alex Acevedo, Masco Collection. Literature: Akicita: Early Plains and Woodlands Art from the Collection of Alex Acevedo. $15,000-20,000 174

175

176

177

176. Apache Painted Hide Bowcase and Quiver, c. late 19th century, with yellow pigment on the fringe and flaps, includes a small wood bow, lg. including fringe 50 in. $1,500-2,000

54


177. Apache Painted Hide Bowcase and Quiver, c. last quarter 19th century, the quiver with cutout designs backed with red trade cloth and painted with geometric and symbolic designs, cloth strap, the wood bow painted red and green, eight arrows, four with metal points, (patina of use), lg. of quiver 28 1/2, lg. of bowcase 46 1/2 in. $1,500-2,000

178. Crow Beaded Buffalo Hide Rifle Scabbard, c. 1870s, fringed at the mouth and with long twisted fringe from the barrel, the beaded panels with classic multicolored hourglass designs and red trade cloth insets, (minor damage), lg. 43, fringe lg. 40 1/2 in. $15,000-20,000

178


55

179. Rare Plains Mountain Lion Skin Bowcase and Quiver, c. third quarter 19th century, the cloth-lined strap with paws attached, exposed hide on paws and fringe with blue pigment, beaded at the mouth of quiver and with long fur backed red trade cloth tab with multicolored abstract feather (?) devices and remnant silk appliqué edging, includes five metal-tipped arrows and later wood bow, (some hair loss), lg. to 50, tab lg. 31 in. $25,000-35,000 179

181

180

182

180. Two Great Lakes Carved Wood Effigy Spoons, c. last quarter 19th century, both with stylized avian head finials, lg. to 9 in. $500-700

181. Plains Carved Horn Ladle, c. last quarter 19th century, the graceful form with multicolored quill-wrapped rawhide suspensions, (quill loss), lg. 14 3/4 in. $400-600


57

182A

183A

184

183

58


185

186

182. Great Lakes Carved Burl Bowl, 19th century, the oval maple form with two slightly hooked handles at each end, (patina of use), ht. 5, wd. 14, lg. 16 3/4 in. $2,000-3,000

183A. Three Potowatomi Beaded Cloth Drum Tabs, c. last quarter 19th century, the U-shaped forms beaded with abstract floral designs and edged with large trade bead and thimble fringes, ht. to 5 3/4 in. $600-800

182A. Chippewa Finger-woven Yarn Bag, c. late 19th century, with a multicolored geometric banded design, (minor damage), 9 1/2 x 9 3/4 in. $400-600

184. Winnebago Beaded Cloth Bandolier Bag, c. late 19th century, on blue cloth with silk edging, the tabs with two-color wool tassels, loom-beaded with an overall green and red leaf design on a white background, lg. 35, wd. 19 in. $2,000-3,000

183. Winnebago Beaded Cloth Bandolier Bag, c. late 19th century, beaded with an abstract maple leaf pattern, the tabs from the strap and bottom with a multicolored zigzag design and wool tassels, (minor bead loss), lg. 36, wd. of pouch 13 in. $1,000-1,500

185. Chippewa Loom Beaded Cloth Bandolier Bag, c. 1870s, beaded with floral design above the pouch, the pouch and strap with multicolored abstract geometric designs on a crystal background, beaded tabs and red wool tassels from the bottom, lg. 39, wd. 9 1/4 in. $2,000-3,000


59

187

186. Great Lakes Beaded Cloth Bandolier Bag, c. late 19th century, with an unusual multicolored floral and geometric design done in both loomed and overlay stitch on a white background, (bead loss), lg. 38, wd. 12 1/2 in. $2,500-3,500 187. Framed Chippewa Beaded Cloth Bandolier Bag, c. 1900, with a multicolored bisymmetrical abstract floral design on a milky white background, wool tassels from the bottom, (some bead loss), lg. 34 1/2 in. $1,500-2,000

60


188. Penobscot Beaded Cloth and Hide Moccasins, c. third quarter 19th century, the wool cuffs and vamps decorated with wool and ribbon inlays and outlined with white seed beads, (bead loss), lg. 8 1/2 in. Literature: Pleasing the Spirits by Douglas Ewing, 1982, p. 263, no. 263. $2,500-3,500 189. Two Pairs of Northeast Beaded Hide Moccasins, c. mid-19th century, a child’s pair and a miniature pair, both beaded on the vamps and with silk cuffs, lg. to 5 in. $600-800

188

189

191

192

193

190. Northeast Beaded Leather and Cloth Moccasins, c. last quarter 19th century, with multicolored abstract floral designs, (damage), lg. 9 3/4 in. $250-350 191. Huron Moose Hair Decorated Birch Bark and Silk Container, c. third quarter 19th century, the lid decorated with birds, a pipe-smoking human, and floral designs, (some loss to moose hair), lg. 8 1/2, wd. 4 in. $500-700

192. Northeast Miniature Woman’s Peaked Cap, c. mid-19th century, red trade cloth with silk edging and beaded with a double C-scroll design, ht. 3 in. $600-800 193. Two Prairie German Silver Brooches, c. last quarter 19th century, one with sawtooth edge, both with pierced and some stampwork, dia. 3 1/2 in. $300-400


61

194. Northeast Carved Wood Ball-headed Club, Haudenosaunee (?), (Iroquois), c. second half 19th century, the maple form with rounded hand grip, the ball head carved in the form of a human head supported by a hand, with incised hair, pierced at butt end for suspension, lg. 17 in. Provenance: Dr. Frank T. Siebert Collection.

$1,500-2,000

195. Northeast Painted Wood Splint Basket, c. last quarter 19th century, the rectangular lidded form with paper lining and designs done in red pigment, (some wood loss), lg. 14, ht. 8 1/2, wd. 10 1/2 in. $400-600 196. Penobscot Splint Basket, c. 1900, the lidded form woven in a delicate openweave pattern, with wrapped handle, ht. 5, dia. 8 in. 194

Provenance: Colleen James Collection.

$300-400

197. Penobscot Pictorial Birch Bark Wastebasket, c. early 20th century, with flared sides and decorated with a squirrel, beaver, moose, moon, and trees, (small split, rim stitching is missing), ht. 11 1/2, dia. 10 3/4 in. $800-1,200 198. Passamaquoddy Birch Bark Container, c. second half 19th century, the tapered form with fiber-wrapped rim, hide carrying strap, and decorated with geometric designs, (dark patina), ht. 5 1/2, lg. 6 1/2 in. $400-600 199. Pictorial Birch Bark Container, c. early 20th century, the tapered form with oval lid and decorated with a flower on one side, and two moose on the other, (split on one corner), ht. 8, lg. 10, wd. 5 1/2 in. $250-350 200. Passamaquoddy Lidded Birch Bark Container, Mocuck, c. 1900, with hide carrying strap and decorated with abstract geometric and foliate designs, ht. 7, lg. 8, wd. 7 1/2 in. $250-350 201. Penobscot Birch Bark Lidded Box, c. second half 19th century, decorated with C-scroll designs, old shellac (?) finish, ht. 7 1/4, dia. 9 1/2 in. $250-350 202. Northwest Birch Bark Tray, c. late 19th century, the square form with spruce root stitching, 14 x 14, ht. 2 1/2 in. $250-350

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195

196

197

200

199

201

198

203 204

205

206

203. Passamaquoddy Birch Bark Container, Mocuck, c. mid-19th century, the tapered lidded form decorated with a pattern of C-scrolls, (minor damage, dark patina), ht. 8 1/2, lg. 8, wd. 7 1/4 in. Literature: Illustrated in History on Birchbark, the Art of Tomah Joseph, Passamaquoddy, Joan A. Lester, the Haffenreffer Museum of Anthropology, 1993, No. 9. $2,500-3,500

64


204. Penobscot Birch Bark Box, c. second half 19th century, the rectangular lidded form with C-scroll designs, (damage), ht. 4 1/2, lg. 5 1/2 in. $400-600

209

205. Rare California (?) Abalone Shell Necklace, c. 19th century, the five trapezoidal plaques with etched geometric designs strung on a braided fiber cord, pendant lg. 3 in.

210

208. Athabascan Beaded Necklace, c. last quarter 19th century, with incised bone pendant and beaded fringe, (part of strap missing), pendant lg. 5 1/4 in. $250-350

Note: Includes a copy of a photograph taken before 1876 of a Nisenan girl wearing a similar necklace. $600-800 206. Chumash Carved Black Stone Bear Effigy, c. 19th century, standing on all fours, with shell-inlaid eyes, (loss), lg. 4 1/4, ht. 2 1/2 in. $600-800 207. Cree/Athabascan Beaded Hide Coat and Matching Gauntlets, c. second quarter 20th century, smoked hide and partially beaded with multicolored floral designs, the fringe at the chest laced with ribbon, coat lg. 31, wd. 22 in. $800-1,200

209. Athabascan Double Volute Forged Dagger, c. second half 19th century, with hide-wrapped handle and hanging thong with single faceted trade bead, the unique cloth and hide sheath decorated with pony beads strung hole facing out, lg. of dagger 12 in. $2,000-2,500

210. Athabascan Double Volute Dagger, with beaded cloth and hide sheath, the dagger with cloth-wrapped handle, lg. of dagger 13 in. $1,500-2,000


65

211

212

211. Northwest Trade Gun and Athabascan Gun Case, c. last quarter 19th century, the factory percussion trade gun marked “Barnett, London, 1884,” with brass serpent side plate, large trigger guard, and brass butt plate; the smoked moose hide gun case decorated with floral beadwork on cloth and fringe, lg. of trade gun 52, gun case 50 in. $5,000-7,000 212. Inuit Soapstone Carving, of green serpentine and depicting an odd scene with two people dressed in parkas, and a seal, signed, ht. 14 3/4 in. $800-1,200 213. Two Inuit Soapstone Carvings, a signed walrus and an unsigned hunter wrestling a bear, lg. to 10 1/2 in. $200-250 214. Inuit Soapstone Carving, depicting a seal on its back, signed, lg. 6 in. $100-150 215. Two Eskimo Soapstone Carvings, a hunter pulling in a walrus, and a seal fishing, the latter signed, ht. to 7 1/2 in. $400-600 216. Denise Wallace Gold, Silver, and Fossil Ivory Pendant/Brooch “Woman of Power Mask,” Limited Edition, no. 5 of 5, 12/20/95, ht. 3 1/4 in. Literature: Arctic Transformations, the Jewelry of Denise and Samuel Wallace, Lois Sherr Dubin, 2005. $3,000-5,000

66


215

213

214

217

216

217. Greenland Eskimo Carved Wood Male Doll, c. second quarter 20th century, dressed in traditional clothing with inlaid hide mukluks and elaborate beaded collar, with stand, ht. 14 in. $300-400


67

218

218. Eskimo Carved Ivory Airplane, a paperweight with scrimshaw detail, lg. 4 7/8 in.

220. Group of Eskimo Miniature Carved Ivory Tools, includes saws, rifles, knives, a hammer, and an incised throwing board, lg. to 3 3/8 in.

Provenance: The Bear Totem Store.


$300-400

219. Seven Eskimo Carved Ivory Containers, four with lids, with various etched or carved decoration, ht. to 4 in. Provenance: The Bear Totem Store.

68

$500-700


$300-400

221. Eskimo Carved Ivory Chain Necklace and Two Watch Chains, all with concentric circle decoration rubbed with red and black pigment, lg. to 17 in. Provenance: The Bear Totem Store.

$300-400

219

221

220


69

222

222. Eskimo Carved Ivory Headdress, composed of various size plaques with red and black concentric circle decoration and chain links, (loss, damage). Provenance: The Bear Totem Store.

Provenance: A.E. Ball Collection.

70

$400-600

$400-600

223. Two Eskimo Etched Animal Jaw Bones, both etched on both sides with animals, fish, umiaks, and humans, lg. to 17 1/2 in. Provenance: The Bear Totem Store.

224. Eskimo Ivory Cribbage Board, c. 1900, decorated with scrimshaw eagle and two relief carved walruses, (minor loss), lg. 13 in.

$800-1,200


225. Eskimo Ivory Cribbage Board, with scrimshaw on both sides depicting seals, a fish, a plant, and a walrus on ice, the top with separately carved walrus, whale, and seal, lg. 21 1/2 in. $800-1,200

223

224

225

226

226. Eskimo Ivory Cribbage Board, c. first quarter 20th century, with single applied walrus, (broken and repaired, missing two supports), lg. 20 3/4 in. $300-400

227. Eskimo Carved Ivory Cribbage Board, with a myriad species of wildlife on both sides, signed “We-aho-na,” lg. 17 3/4 in. Provenance: The Bear Totem Store.

$600-800


71

228

227

229

228. Eskimo Ivory Snow Knife, with hand grip, etched with a settlement and American flag on one side and bear hunting scene on the reverse, lg. 19 in.

229. Three Eskimo Etched Ivory Tusks, all with delicate work depicting hunting scenes, utensils, clothing, birds, animals, ceremonies, etc., two with different colored pigments, lg. to 14 1/2 in.



72

$600-800


$800-1,200

230

231

230. Three Eskimo Etched Ivory Tusks, all covered with hunting, fishing, and domestic scenes, one with human and animal portraits, lg. to 20 in. Provenance: The Bear Totem Store.

$800-1,200

231. Two Eskimo Etched Tusks, both delicately etched with whaling and camp scenes, wrestlers, hunters, etc., one with relief carved boats pulling a whale with floats, lg. to 13 1/4 in. Provenance: The Bear Totem Store.

$500-700


73

232

234

233

232. Eskimo Carved Ivory Tusk, Nunivak Island, with a row of flounder at the base and carved overall with fish and animal life, incised detail with red and black pigment, lg. 17 3/4 in. Provenance: The Bear Totem Store.

$4,000-6,000

233. Eskimo Relief Carved Ivory Tusk, Nunivak Island, carved overall in an elaborate composition of walruses, seals, bears, etc., the etched detail with red and black pigments, lg. 19 1/2 in. Provenance: The Bear Totem Store.

$4,000-6,000

234. Eskimo Carved Ivory Tusk, Nunivak Island, carved overall with a bird, fish, and other animal composition, incised detail with red and black pigment, lg. 17 1/4 in. Provenance: The Bear Totem Store.

74

235. Eskimo Scrimshaw Ivory Item, c. early 20th century, with stylized bird heads on both ends, lg. 6 1/2 in. $300-400

$1,500-2,000


236. Eskimo Carved and Engraved Marine Ivory Bowhead Whale, c. last quarter 19th century, engraved with whale hunting scenes, baleen eyes, possibly a whale hunting charm, lg. 4 3/4 in. $1,500-2,000

237. Eskimo Carved and Etched Ivory Pipe, c. second half 19th century, the curved form with elaborate decoration, a railing along the bottom, etched hunting scenes overall, and carved sea otter, crawling hunter, and seal along the top, lg. 10 1/2 in. Provenance: The Bear Totem Store.

$3,000-5,000

235

236

237

238

239

238. Eskimo Carved and Etched Ivory Pipe, c. late 19th century, with hunting, fishing, and camp scenes on both sides, lg. 9 in. Provenance: The Bear Totem Store.

$800-1,200

239. Eskimo Bone Snow Beater, c. last quarter 19th century, with scrimshaw depictions of an elaborate range of activities including dances, hunting scenes, camp scenes, steam ships, Europeans, and a teeter-totter; one end carved in the form of a small animal head, lg. 28 in. See details on front cover Provenance: Purchased from the estate of Senator Joseph Clay Stiles Blackburn (1838-1918) of Kentucky. Blackburn had an association with Alaskan explorer Lt. Henry Tureman Allen. $3,000-5,000

76


241

240

242

240. Eskimo Ivory Needle Case, c. late 19th century, in the form of a male figure (most of the head missing), with utility attachments strung on hide, figure ht. 3 3/4 in.

241. Group of Eskimo Carved Ivory Buttons, some in the form of whales with dot and circle decoration, tag reads “Old Eskimo Buttons, Very Old,” lg. to 1 1/2 in.



$400-600


$250-350

77

243

246

244

242. Four Prehistoric Ivory Charms, Eskimo, two polar bear head toggles, a human figure, and a stylized face pendant, ht. to 1 3/4 in. Provenance: The Bear Totem Store.

78

$300-400


243. Prehistoric Eskimo Carved Ivory Human Figure, Bering Strait, the standing female (?) figure with facial features and fossilized patina, with stand, ht. 2 1/2 in. $400-600

245

247

244. Eleven Ivory and Fossilized Ivory Charms, Eskimo, includes seals, whales, birds, and animals, lg. to 2 in. Provenance: The Bear Totem Store.

$300-400

245. Four Eskimo Wood and Ivory Items, a wood masquette, a wood and ivory seal, a prehistoric fossilized ivory bear, and a comb with etched caribou, lg. to 3 5/8 in. Provenance: The Bear Totem Store.

$300-400

246. Two Eskimo Fossilized Ivory Charms, 19th century, an abstract human form and a bird form terminating in a human foot, with blue trade bead eyes, (hole at center), old tag “Eskimo Doctor Charms from Arctic,” lg. to 5 1/2 in. Provenance: The Bear Totem Store.

$300-400

247. Eskimo Model Kayak, includes thirteen spears, two with ivory points in the form of seals; a spear thrower, wood float board, and bladder with painted detail; paddles; and small ivory animal attachments, old tag “Eskimo Kayak, 13 different spears used by Eskimos, and showing all gears used in seal hunting,” lg. 27 1/2 in. Provenance: The Bear Totem Store.

$1,000-1,500


79

248

248. Eskimo Bowcase and Quiver, c. last quarter 19th century, includes double curved sinew-backed bow, (cracked), with three arrows and a forged steel fighting knife with bone grip, (the seal (?) skin hide very stiff), knife lg. 18 1/4 in. 249


$2,500-3,500

249. Eskimo Carved Wood and Ivory Retrieval Hook, c. 19th century, the handle terminating in a carved human head with early trade bead labret, with lashed on ivory hook, dark patina, lg. 10 in. $1,000-1,500

250. Chief Shakes Snuff (?) Box, c. 19th century, made from a spotted shell and with brass hinged lid, papers read: “Old Chief Shakes Snooze Box,” and “from the Chief Shakes Collection, purchased in 1933 from Mary Shakes by W.C. Water (?),” lg. 3 5/8 in. Provenance: The Bear Totem Store.

$300-400

250

251

251. Seven Strands of Trade Beads, from the Chief Shakes Collection, three strands of faceted cobalt beads and four with dentilium and various glass trade beads. Provenance: The Bear Totem Store.

$400-600

252. Two Strands of Trade Beads, Northwest Coast, various sizes and colors, old tag “Yakatat Chief’s Wife’s beads over 100 years old.” Provenance: The Bear Totem Store.

$250-350

253. Tlingit Beaded Cloth Octopus Bag, c. last quarter 19th century, blue trade cloth beaded on one side with multicolored abstract floral designs, lg. 17, wd. 9 1/2 in. $3,000-4,000

252

254. Northwest Coast Child’s Chilkat Blanket, c. 1900, finger-woven wool and cedar bark, with a central eagle, the outstretched wings each with a stylized eye, black, green-blue, and yellow pigments, 24 1/4 x 21 in. including fringe. $3,000-5,000

253

255. Three Northwest Coast Argillite Carvings, two small totem poles depicting various stylized animals, human and avian figures, and an ashtray (?), with two human faces, (all three repaired), ht. to 6 1/2 in. Provenance: The Bear Totem Store.

$600-800

256. Haida (?) Carved Steatite Pipe, an unusual tubular form with Janushead bowl and seal-like head protruding from the forehead on one side, (a piece has broken off and is attached to the stand), lg. 5 1/2 in. $800-1,200 257. Carved Argillite Pipe, with a human below two bird heads and stylized mask-like face at bottom, lg. 5 in. $2,500-3,500 258. Haida Argillite Pipe, c. mid-19th century, based on a 19th century clay pipe, the bowl in the form of a Euro-American seaman’s head, the figure on top with carved bone head holding a ship’s tiller, lg. 7 3/4 in. $2,500-3,500

254

255

257 256

258

259

259. Haida Argillite Plate, 19th century, the heavy form with relief carved fluted center and foliate decoration, (missing inlay at rim), ht. 1 7/8, dia. 11 3/4 in. $3,000-5,000

260. Northwest Coast Carved Wood Halibut Hook, c. late 19th century, in the form of a bird, ht. 8 1/2 in. Provenance: A.E. Ball Collection.

$300-400

261

260 262

84


261. Diminutive Northwest Coast Copper, c. 19th century, with etched stylized animal face and chevrons, (pierced for attachment), ht. 5 3/4, wd. 4 1/2 in. $2,500-3,500 262. Northwest Coast Carved Wood and Metal Pipe, c. late 19th century, a stylized bird with copper bowl and red pigment in detail, lg. 3 1/2 in. Provenance: A.E. Ball Collection.

263

$300-400

263. Two Carved Wood Halibut Clubs, an early form with dark patina from the Tlingit, and a later carved and painted form with human face and stylized animals, lg. to 15 1/2 in. Provenance: The Bear Totem Store.

$500-700

264. Two Northwest Coast Carved and Painted Wood Items, a stylized wolf and a rattle, lg. to 12 1/2 in. Provenance: The Bear Totem Store. The wolf is pictured in an interior photograph of the store. $300-400 265. Northwest Coast Hide and Wood Drum and Beater, the skin with raven design and wrapped with a sealskin strip, lg. 15 1/2 in. $800-1,200

265

264


85

266

269

268

267

266. Northwest Coast Wood Ladle, c. late 19th century, the handle with stylized totem figures, old tag “Sitka Alaska, a family spoon dipped in a bowl of berries and oil and passed from one to another. A.E. Ball,” lg. 15 1/2 in. Provenance: A.E. Ball Collection.

$500-700

267. Northwest Coast Carved Horn Spoon, c. last quarter 19th century, the two-piece form with totemic carved handle and inlaid abalone eyes, lg. 8 1/4 in. $600-800

86

268. Two Northwest Coast Carved Horn Spoons, c. last quarter 19th century, both with carved stylized animal and/or human figures on the handle, (larger with old repair), lg. to 8 in. $600-800


269. Northwest Coast Carved Wood Spoon, c. late 19th century, lg. 12 5/8 in. Provenance: Ex Francis Reif Collection, Vancouver.

$800-1,200

271

270

270. Northwest Coast Carved Sheep Horn Ladle, c. second half 19th century, the two-piece form with copper rivets, the handle carved with stylized human and animal figures, custom stand, lg. 14 1/2 in. $1,500-2,000

271. Northwest Coast Carved Sheep Horn Spoon, the inside of handle carved with totemic design, lg. 15 in. Provenance: The Bear Totem Store.

$500-700


87

272

272. Northwest Coast Carved Sheep Horn Ladle, 19th century, the back carved with abstract designs terminating in a large bear (?) face with inlaid abalone eyes, more abalone inlay on each side of handle terminal, (minor insect damage), lg. 13 1/2 in. $5,000-7,000

273. Northwest Coast Carved Wood Bowl, c. late 19th century, in the form of a stylized animal on its back and with applied dark surface, lg. 17 in. $800-1,200

274. Northwest Coast Carved Wood Bowl, c. late 19th century, in the form of a seal with blue painted eyes and spots on flippers, bone inlays at rim, old tag mentions Sitka, Alaska, lg. 13 1/4 in. Provenance: A.E. Ball Collection.

$600-800

275. Northwest Coast Bentwood Box, c. last quarter 19th century, the rim with a slight arch on two sides, painted on all four sides with abstract avian and animal head profiles in red and black pigment, 14 x 12 x 11 in. Provenance: The Bear Totem Store. $3,000-5,000

276. Northwest Coast Carved and Painted Wood Canoe Model, painted with two-color stylized human and animal figures, (wood loss, damage), lg. 28 1/4 in. $600-800

88


275

273

274

276

277

277. Northwest Coast Carved and Painted Wood Canoe Model, c. 19th century, painted on both sides with a complex form-line design, a model of a large war canoe or “head” canoe, (cracks), lg. 37 in. 278

Note: The large version was no longer made as of the early 19th century. $10,000-15,000 278. Northwest Coast Carved and Painted Wood Totem Pole, c. 1900, carved in the round with a stylized bird atop a human (?) head, painted black, blue-green, and red, (cracks), ht. 20 3/4 in. $2,500-3,500 279. Two Northwest Coast Carved Wood Items, c. early 20th century, a small paddle with abstract bird designs carved on one side, and totemlike wall plaque with painted detail, ht. of paddle 32, ht. of totem 22 1/2 in. $400-600 280. Northwest Coast Carved and Painted Wood Totem Pole, with concave back, the front with various bird and animal figures, with blue, red, green, and black pigments, ht. 50 1/2 in. Provenance: “Maurice Haley’s Curio.,” The Bear Totem Store. $3,000-4,000 281. Large Northwest Coast Carved Wood Totem Pole, c. early 20th century, with various animal and avian totemic devices, including a raven, eagle, human faces, and a frog at the base, traces of pigment, metal plaque on back reads: “Nugget Shop, Juneau, Alaska, 1926,” ht. 180, wd. 12 in. Provenance: Paul and Joan Gluck Collection, Ex collection Paul Rabut. Exhibitions: Historical Museum of Southern Florida, 2008. $8,000-12,000

280

281

282

283

283 reverse

282. Carved and Painted Wood Model Longhouse, Northwest Coast, c. first quarter 20th century, with polychrome totem pole in front, and two whales on the roof, ht. of totem pole 19, base 22 x 16 in. Provenance: The Bear Totem Store. Pictured in an early photograph of the store interior. $800-1,200

283. Northwest Coast Carved and Painted Wood Dance Paddle, c. last quarter 19th century, with the same form-line design painted on one side and carved on the reverse, lg. 36 in. $1,000-1,500

284 285

284. Two Northwest Coast Carved Wood Dance Paddles, with abstract animal and fish design on both sides, lg. 33 1/2 in. Provenance: The Bear Totem Store. Pictured on the wall in an early interior photograph of the store. $600-800

285. Two Polychrome Carved Wood Totem Poles, c. first quarter 20th century, both with slightly concave backs, and ravens atop a human figure, carved by C.J. Tagcook, ht. to 15 1/4 in. Provenance: The Bear Totem Store.

$800-1,200


93

286. Northwest Coast Carved and Painted Wood Shaman Figure, the seated figure with long hair partially tied in a topknot, with eyes looking upwards and partially concealed, the left hand to the shoulder, the right hand probably held a rattle at one time, red and black pigments, ht. 13 in. $8,000-12,000

286

287

287. Tlingit Carved and Painted Wood Rattle, c. second half 19th century, with prostrate human and kingfisher on top, the bottom with stylized composite face, red and black pigment, (wood loss), lg. 12 1/2 in. $8,000-12,000

288

289

288. Southwest Polychrome Carved Wood Retablo, 19th century, with a separate nailed frame around Our Lady of Guadalupe, 19 1/2 x 12 1/2 in. $800-1,200

289. Small Southwest Polychrome Wood Retablo, c. 19th century, the diminutive hand-adzed form depicting Saint Gertrude, 4 1/2 x 3 1/8 in. $200-250

290. New Mexican Polychrome Carved Wood Scene, San Ysidro Labrador, and a diminutive angel with plow and oxen, (paint loss), ht. 14 1/2 in. Provenance: William Manderfield.

291. New Mexican Polychrome Carved Wood Bulto, attached to a separate wood base, ht. 13 1/2 in. Provenance: William Manderfield.

291 290

$800-1,200

$500-700

292. Southwest Carved Wood Crucifixion Bulto, c. first half 19th century, the arms and head carved separately, depicting a Penitente-type crucifix, (paint and surface loss), ht. of cross 36 in. $2,500-3,500

293. Early Gaucho Dress Saddle, c. 1900, with foliate stampwork, the pommel and cantle of silver with gold overlay in a floral design with birds and the initials S.P., the metal stirrups and strap covers with silver and gold decoration, stamped “LA Media Luna De Monico Garcia Minas,” includes original pigskin saddle blanket and a set of bolas, also a later hat, knife, and spurs, lg. 25 in. $1,500-2,000

292

294. Early Buerman-style Cowboy Spurs, c. late 19th century, with stamp decoration, large rowels, and jinglebobs, lg. 7 in. $250-350

293


97

295. Navajo Commercial Leather Bandolier Pouch, c. second quarter 20th century, decorated with both Liberty and Mercury Head dimes, fluted silver buttons and oval concha with single turquoise setting, lg. 31 1/2 in. $800-1,200

295

296. Zuni Silver and Stone Inlay Compact Case, with inlaid knifewing man and stamp decoration, 3 3/8 x 2 3/4 in. $300-400

297. Zuni Ketoh, a large butterfly of inlaid stone and shell on a silver base mounted on a commercial leather wristband, 4 x 3 1/4 in. $500-700

298. Navajo Silver Buckle, oval shape with fluted projections, with stamped and repoussé work, 3 1/2 x 3 in. $300-400

299. Three Southwest Silver and Turquoise Bracelets, all with multiple stone settings, wd. to 2 3/4 in. $600-800 296

300. Hohokam Carved Shell Bracelet, with remnant turquoise mosaic overlay, dia. 3 1/2 in. Provenance: Colleen James Collection.

297

$250-350

301. Southwest Silver and Turquoise Bracelet, with single turquoise setting and channel-work serpent design, ht. 1 in. $250-350

302. Zuni Turquoise and Silver Bracelet, with stampwork and four rows of rectangular stones with silver bead separators, inside dia. approx. 5 3/4 in. $250-350

299

298

307 (2)

306 (8)

303. Group of Southwest Jewelry, a Zuni watchband with crushed stone inlay, a Navajo necklace with five stone pendants, three rings, and a contemporary Zuni bolo tie (without the leather). $250-350 304. Eleven Navajo Jewelry Items, a squash blossom necklace with turquoise settings, five bracelets with turquoise settings, and four silver bracelets. $500-700 305. Fourteen Southwest Silver and Turquoise Items, includes a link belt, two bracelets, three pins, one cross, and seven spoons, six of them matching and with single stone setting, lg. of large spoon 5 1/2 in. Provenance: Estate of Susan Parrish.

306. Eight Navajo Silver Items, all with stamped decoration, four small forks, and two fork and spoon serving sets, lg. to 10 1/2 in. Provenance: Estate of Susan Parrish.

$400-600

307. Two Navajo Silver Spoons, both with stampwork and stylized lizard finials, lg. to 7 1/2 in. $250-350

308. Three American Indian Necklaces, a Plains dentilium shell choker and two Southwest shell and turquoise necklaces, wd. of choker 1 1/4 in. $250-350

$400-600


99

309

310

311 (partial)

309. Southwest Silver and Turquoise Squash Blossom Necklace, Navajo, c. first half 20th century, ten blossoms and six turquoise settings on the naja, lg. 17 1/2 in. Provenance: Colleen James Collection.

$500-700

310. Southwest Silver Cross Necklace, with globular silver beads, seven different small crosses, and one large cross pendant, lg. 14 1/2 in. $800-1,200

100

311. Three Southwest Silver Items, a squash blossom necklace with sandcast naja, and two link belts with stamp decoration, lg. of belts 28 1/2 in. $300-400


312. Contemporary Southwest Necklace, the Quandelacy family, two strands of red coral with various fetishes carved by various members of the family, list included, lg. 16 in. Provenance: Colleen James Collection.

$400-600

312 313

313. Pueblo Turquoise and Shell Heishi Necklace, with various pendant beads and shell-tipped jaclas, lg. 19 in. $300-400

314

315. Four Southwest Pottery Items, three “Koosa” clown figures, ht. to 5 1/2; and a 19th century pictorial cup, ht. 3 in. $200-250

314. Pueblo Multi-strand Coral, Turquoise, and Silver Cross Necklace, with small silver beads and turquoise nuggets interspersed, lg. hanging 15 in. Provenance: Colleen James Collection.

$300-400


101

316

316. Two Mojave Painted Pottery Dolls, c. late 19th century, both wearing cloth skirts and with beaded necklace and ear ornaments, one doll with hair and cloth headband, custom stands, (both have one arm repaired), ht. to 7 in. $1,000-1,500 317. Hopi Painted Carved Wood Kachina, c. 1910, a rainbow Kachina, (missing the tablita, wood loss), ht. 8 3/4 in. Provenance: Lee Marvin Collection.

318. Hopi Polychrome Carved Wood Kachina, Tasaf, with case mask, beak and painted detail, (wood loss), ht. 6 1/4 in. $800-1,200 319. Two Southwest Polychrome Gourd Rattles, Hopi, by Wilson Tawaguaptewa, one with its original wood handle, both painted with symbolic designs, lg. to 9, dia. to 5 3/4 in. Provenance: Purchased from Martha Hopkins Struever.

$400-600

317

318

319

$300-400

320

320. Hopi Polychrome Carved Wood Kachina, Tasaf, “The Navajo Kachina,” c. 1900, wearing a case mask with round snout and single cone-shaped ear, (wood loss, repairs), ht. 15 1/4 in. $3,000-5,000

322

323

324

325

321. Pueblo Doll in Traditional Dress, Pablita Velarde (1918-2006), Santa Clara Pueblo, signed and dated “Pablita Velarde, 1993” on left leg, ht. 13 1/2 in. $200-250

323. Orlando S. Goff Albumen Print of a Crow Man Dressed in Hot Dance Regalia, with buffalo tail belt and holding a sawtooth quirt, taken at Fort Custer, Montana, c. 1885, mounted on board, 9 x 7 in. $700-900

322. William G. Chamberline Albumen Print of Chief Ouray-Ute, 1868, “leader of the Southern Utes 1860-1880 period. A distinguished warrior and delegate to Washington D.C. on two occasions,” mounted on board, image 8 x 5 1/2 in. $400-500

324. Orlando S. Goff Albumen Print of a “Crow Warrior in Full Dress,” wearing a split horn bonnet and hair fringed shirt, taken at Fort Custer, Montana, 1885, mounted on board, 9 1/2 x 7 1/4 in. $700-900

104


325. Orlando S. Goff Albumen Print of a Crow Girl, titled Squaw in Elk Tooth Dress, taken at Fort Custer, Montana, c. 1885, 9 x 7 1/4 in. $700-900

326. David F. Barry Imperial Size Print of “Rain-in-the-Face,” Sioux, with photographers blind stamp “Copyright by D.F. Barry,” 14 x 10 3/4 in. $1,000-1,500

327. C.C. Stoltz Cabinet Card of Two Ponca Indians, El Reno, Oklahoma, Territory Studio imprint, 6 1/2 x 4 1/4 in. $500-700

328. C.C. Stoltz Cabinet Card of an Arapaho Couple, El Reno, Oklahoma, Territory Studio imprint, 6 1/2 x 4 1/4 in. $500-700

326

327

328


105

329

330

329. C.C. Stoltz Cabinet Card, depicting an Arapaho woman wearing a hide dress with an eagle or thunderbird across the chest in porcupine quills, photographer’s blind stamp “C.C. Stoltz, El Reno, Oklahoma Territory.” $500-700 330. John K. Hillers Albumen Print of “Binan-sit” (?), Cheyenne, taken at Okmulgee, Indian Territory, May 1875, mounted on board with gilt border, 9 1/2 x 7 1/2 in. $600-800 331. Irwin and Mankins Cabinet Card, depicting a sleeping Kiowa child inside a cradleboard, with photographer’s Chickasha and Duncan Indian Territory studio imprint, 6 1/2 x 4 1/4 in. $400-500 332. Will Soule Albumen Print “Caddo Indian Encampment,” c. 1868, titled verso, taken near Anadarko, Oklahoma, mounted on board, (damage to mount), 6 1/2 x 8 3/4 in. $400-500

331

106


332

333. Adam Clark Vroman Print of a Navajo Weaver, c. 1900, published in Indian Blankets and their Makers, George Warton James, 1937, unmounted, 6 1/4 x 8 1/4 in. $300-500

334. 1909 Cabinet Photo by Hoyt Cox of Chamberlain, South Dakota, depicting Brule Sioux Paul Coucillor who joined the agency police force, dressed in traditional attire and holding a pipe tomahawk, on back: “Sept. 1909, my uncle Paul Coucillor and me Lillian Iron Nest, Lower Brule Agency,” image 5 1/2 x 3 7/8 in. $300-400

333

334


107

336 335

337

338

335. Payne Cabinet Card, depicting “Moqui Indian, Winslow And P.R.R,” a (Hopi) boy with body paint and necklaces, 7 1/4 x 4 1/2 in. $400-500 336. Camillus S. Fly Boudoir Photo of a “Papago Camp,” photographer’s Tombstone, Arizona, studio imprint stamped in purple ink verso, 5 1/4 x 8 1/2 in. $600-800

108


339

337. H.R. Locke and Co. Cabinet Card of “Chief Brave Heart-Sioux,” titled verso, with photographer’s Deadwood, South Dakota, studio imprint, 6 1/2 x 4 1/4 in. $400-500 338. David F. Barry Cabinet Card of “Chief Gall,” with photographer’s West Superior, Wisconsin, studio imprint, 6 1/2 x 4 1/4 in. $700-900

340

341

339. David F. Barry Cabinet Card of “Sitting Bull,” with photographer’s Bismarck, Dakota, studio imprint, 6 1/2 x 4 1/4 in. $700-900 340. Frank J. Haynes Cabinet Card, depicting Big Medicine, Old Coyote, and their wives, hand-coloring on faces and hands, 6 1/2 x 4 1/4 in. $400-500

342

343

341. William Henry Jackson Carte-de-visite, of an Otoe Warrior holding an eagle feather fan, photographer’s Jackson Brothers, Omaha, studio imprint verso, 4 x 2 1/2 in. $500-700 342. Frank Rinehart Silver Gelatin Print of “Chief Bill Rock, Crow,” “taken on the Crow reservation, Montana, circa 1900,” 9 x 7 in. $400-500


109

344

345

343. Frank Rinehart Silver Gelatin Print of “Chief Wets it, Assiniboines,” taken at the Trans Mississippi and International Expo, Omaha, Nebraska, 1898, 9 x 7 in. $400-500 344. Frank Rinehart Silver Gelatin Print of “Iron Hawk, Sioux,” Trans Mississippi Expo, 1898, 9 1/4 x 7 1/4 in. $400-500 345. Frank Rinehart Silver Gelatin Print “Kill Bear, Sioux,” Trans Mississippi Expo, 1898, 9 x 7 in. $400-500 346. Frank Rinehart Silver Gelatin Print of “Spies on the Enemy,” Crow Indian, Trans Mississippi Expo, 1898, 8 3/4 x 7 in. $400-500 347. Frank Rinehart Silver Gelatin Print of “Dirty Kettle, Sioux,” taken at the Trans Mississippi and International Expo, Omaha, Nebraska, 1898, 7 x 9 in. $400-500 348. Edward S. Curtis Framed Photogravure “Watching The Dancers,” plate 405, c. 1906, (not examined out of frame), image size 15 1/4 x 11 1/4 in. 346

110

Provenance: Estate of Susan Parrish.


$300-400

347

349

349. Curtis, Edward S. (1868-1952), The North American Indian. Being a Series of Volumes Picturing and Describing The Indians of the United States, The Dominion of Canada, and Alaska, Norwood, Massachusetts: The Plimpton Press, 1926, first edition, original gilt-lettered and lined three-quarter crushed brown morocco by H. Blackwell, volume XV in both 4to and folio, number 97 of 500 on Van Gelder paper, the first with seventy-five sepia toned photogravures, one in color; folio with thirty-six large scale photographs, loose as issued in original folio, (both bindings slightly worn, no stamps to 4to plates, but some minor library markings and a perforation to one text page, folio with all plates stamped just along the edge of the lower left corner, some touching image). Note: These two volumes chronicle the Southern California Shoshoneans, Dieguenos, Plateau Shoshoneans, and the Washo. $7,000-9,000


111

350. Curtis, Edward S. (1868-1952), The North American Indian. Being a Series of Volumes Picturing and Describing The Indians of the United States, The Dominion of Canada, and Alaska, Norwood, Massachusetts: The Plimpton Press, 1924, first edition, original gilt-lettered and lined three-quarter crushed brown morocco by H. Blackwell, volume XIV in both 4to and folio, number 97 of 500 on Van Gelder paper, the first with seventy-five sepia toned photogravures, one in color; folio with thirty-six large scale photographs, loose as issued in original folio, (both bindings slightly worn, no stamps to 4to plates, but some minor library markings and a perforation to one text page, folio with all plates stamped just along the edge of the lower left corner, some touching image, minor dampstaining to lower left corner of most of same). Note: These two volumes chronicle the following tribes: Kato, Wailaki, Yuki, Pomo, Wintun, Maidu, Miwoks, and Yokuts. $7,000-9,000

350

351. Curtis, Edward S. (1868-1952), The North American Indian. Being a Series of Volumes Picturing and Describing The Indians of the United States, The Dominion of Canada, and Alaska, Norwood, Massachusetts: The Plimpton Press, 1924, first edition, original gilt-lettered and lined three-quarter crushed brown morocco by H. Blackwell, volume XIII in both 4to and folio, number 97 of 500 on Van Gelder paper, the first with seventyfive sepia toned photogravures, one in color; folio with thirty-six large scale photographs, loose as issued in original folio, (both bindings slightly worn, no stamps to 4to plates, but some minor library markings and a perforation to one text page, folio with all plates stamped just along the edge of the lower left corner, some touching image). Note: These two volumes chronicle the Hupa, Yurok, Karok, Wiyot, Tolowa and Tutuni, Shasta, Achomawi, and Klamath. $7,000-9,000

351

112


352. Curtis, Edward S. (1868-1952), The North American Indian. Being a Series of Volumes Picturing and Describing The Indians of the United States, The Dominion of Canada, and Alaska, Norwood, Massachusetts: The Plimpton Press, 1930, first edition, original gilt-lettered and lined three-quarter crushed brown morocco by H. Blackwell, volume XX in both 4to and folio, number 97 of 500 on Van Gelder paper, the first with seventy-five sepia toned photogravures, four in color; folio with thirty-six large scale photographs, loose as issued in original folio, (cover off 4to volume, both bindings slightly worn, no stamps to 4to plates, but some minor library markings and a perforation to one text page, folio with all plates stamped just along the edge of the lower left corner, some touching image). Note: These two volumes chronicle the Alaskan Eskimo and the Nunivak in the various regions of King Island, Little Diomede Island, Cape Prince Wales, and Kotzebue. $7,000-9,000

352

353. J. Herum Photograph of Five Sioux Indians, dressed in dance regalia, taken at Devil’s lake, North Dakota, c. 1900, 7 3/4 x 7 1/2 in. $400-500

353


113

354

354. Romando Vigil, Tse Ye Mu, San Ildefonso, (1902-1978), large framed gouache depicting Pueblo dancers beneath a sunrise and serpent design, (not examined out of frame), 27 1/2 x 21 1/2 in. $600-800

355

114


355. Framed Painting, Pablita Velarde, Tse Tsan-Golden Dawn, 19182006, earth minerals on board, depicting two mythical figures, image 19 1/4 x 15 1/4 in. $800-1,200

357 356

356. J.D. Roybal Painting, 1922-1978, San Ildefonso Pueblo, framed watercolor depicting a Koshare dancer, (not examined out of frame), image size 8 1/2 x 11 in. Provenance: Colleen James Collection.

358. Tonita Pena, Quah Ah (1893-1949), two framed paintings depicting Southwest dancers, a Buffalo dancer signed Quah Ah, Tonita Pena, and eagle dancers signed Quah Ah, (not examined out of frame), largest 15 x 10 3/4 in. $800-1,200

$600-800

357. Framed Watercolor Signed “Lemecio Zuni,” 1922, depicting three Kachina dancers, written in pencil “and here is three,” (not examined out of frame), 18 x 14 3/4 in. Provenance: Colleen James Collection.

$800-1,200

358


115

359 (partial)

359. Five Framed Southwest Paintings of Dancers, two signed “Mootzka,” one by Ray Salas, one by Howard D. Leekela, the last a Plains dancer signed “P. Goodbear,” largest 9 1/2 x 7 3/4 in. $600-800

360. Three Framed Southwest Paintings, all signed “Quannie” and depicting Kachina dancers, gouache on paper, largest 16 x 11 1/2 in. $600-800 361. Framed Southwest Painting, Tesuque Pueblo, signed “Pan Yo Pin,” (Thomas Vigil), depicting five Indian dancers in traditional dress, (not examined out of frame), image 14 x 10 in. $400-600

360

116


365

366

362. Navajo Weaving, c. early 20th century, loosely woven in an overall serrate diamond design using natural and homespun wool, (stains), 82 1/2 x 51 in. $400-600 363. Navajo Weaving, c. first quarter 20th century, with a stepped stacked diamond design using natural and synthetic dyed homespun wool, (stains, minor dye run), 78 x 51 in. $500-700 364. Navajo Regional Weaving, c. 1930s, with stacked diamond and stepped diamond designs on a variegated background, 58 x 34 in. $400-600

365. Navajo Regional Rug, with elaborate geometric designs on a variegated brown background, 78 1/2 x 52 in. $500-700 366. Navajo Rug, with central double cross, multiple stepped crosses, and stacked triangle design on a variegated background, 91 x 42 1/2 in. $300-400 367. Navajo Regional Weaving, c. 1920s-30s, with stacked diamond and fret design on a variegated background, 59 x 41 in. $400-600


117

368

368. Southwest Regional Weaving, Navajo, c. first quarter 20th century, tightly woven in a four-part sampler pattern, 101 x 60 in. $800-1,200

369. Navajo Textile, c. late 19th century, woven with natural and synthetic dyed homespun wool in a striped pattern, (wool loss), 78 x 54 in. Provenance: William Manderfield. $800-1,200

370. Two Navajo Weavings, c. 1930s, both with geometric designs done in natural and synthetic dyed homespun wool, (wool loss), size to 62 x 40 in. $600-800

371. Navajo Rug, c. second quarter 20th century, woven in natural and synthetic dyed homespun wool with a concentric stepped diamond design, 87 x 59 in. $600-800

371

118


372

372. Navajo Teec Nos Pos Weaving, c. second quarter 20th century, with complex borders, stepped zigzag designs, sawtooth central panel, and feather devices on a variegated gray ground, 79 1/2 x 52 in. $2,000-2,500

373. Navajo Two Grey Hills Textile, with central cross and square design on a variegated background, (wool loss), 36 x 26 1/2 in. $250-350

375

374. Navajo Textile, natural and synthetic dyed homespun yarn, with serrate diamond center and whirling log devices, 81 x 37 in. Provenance: Estate of Susan Parrish.

$300-500

375. Navajo Double Saddle Blanket, natural and synthetic homespun wool, one end with red geometric border, the other with black fret design, 53 x 37 in. $600-800


119

376. Navajo Third Phase Chief’s Pattern Textile, c. late 19th century, woven with natural and synthetic dyed homespun yarn, (dye run), 62 x 54 1/2 in. $1,000-1,500

377. Navajo Chief’s Pattern Textile, c. first quarter 20th century, woven with natural and synthetic dyed homespun wool, (stains, repair, wool loss), 56 1/2 x 40 in. $1,000-1,500

378. Navajo Chief’s Pattern Textile, c. first quarter 20th century, woven with natural and synthetic dyed homespun wool, (stains), 67 x 46 in. $1,500-2,000

379. Navajo Weaving with Third Phase Chief’s Pattern, c. first quarter 20th century, woven with natural and synthetic dyed homespun wool, 54 1/2 x 45 in. $800-1,200

376

377

120


378

379

380. Navajo Textile, woven with natural and synthetic dyed homespun wool, diagonal design with red and brown border, 94 1/2 x 48 in. Provenance: Estate of Susan Parrish.

$400-600

382. Three Navajo Textiles, all woven with natural and synthetic dyed homespun wool, one done in shades of gray and black, one with a cornstalk design, cornstalk textile 61 x 41 in. Provenance: Estate of Susan Parrish.

$400-600

381. Two Navajo Textiles, both woven with natural and synthetic dyed homespun yarn, one with rows of stacked triangles in a banded pattern, largest 62 x 42 in.

383. Two Navajo Textiles, both woven with homespun wool, both with geometric designs on a variegated background, largest 62 x 38 in.



$400-600

$500-700


121

389 386

384. Two Navajo Textiles, both woven with natural and synthetic dyed homespun wool, sizes 58 1/2 x 35 1/2 and 48 x 46 in. Provenance: Estate of Susan Parrish.

$400-600

385. Three Southwest Textiles, a small Germantown mat, a Chimayo blanket, and a Navajo rug made from handspun wool, Navajo rug 62 x 51 in. $400-600 386. Navajo Two Grey Hills Textile, homespun wool with a stacked stepped diamond center surrounded by elaborate geometric and feather design, (stain, minor wool loss), 5 ft. 3 in. x 9 ft. 4 in. $2,000-2,500

122


387. Three Navajo Textiles, all woven with natural and synthetic dyed homespun wool, one in a banded pattern, lg. to 56 in. $500-700 388. Two Navajo Textiles, both woven with natural and synthetic dyed homespun wool, (slight dye run to one), largest 55 x 35 1/2 in. $400-600 389. Navajo Striped Pattern Blanket, c. last quarter 19th century, loosely woven with handspun dark brown and indigo (?) stripes on a creamwhite background, 72 x 52 1/2 in. $400-600 390. Navajo Weaving, c. 1920s, woven with natural and synthetic dyed homespun yarn, the central panel with serrate X-pattern and with sawtooth and cross border, 79 x 49 in. $800-1,200

390 391

391. Large Navajo Regional Weaving, with elaborate central diamond and border design on a two-tone gray background, 9 ft. 4 in. x 5 ft. 9 in. $2,000-2,500 392. Navajo Textile, woven with natural and synthetic dyed homespun yarn, with zigzag hourglass design and five-point star at center, 94 x 41 in. Provenance: Estate of Susan Parrish.

$400-600

393. Navajo Textile, Nazlini-Chinle, c. first quarter 20th century, woven with natural synthetic dyed homespun wool, with elaborate geometric designs on a variegated background, (stains), 5 ft. x 8 ft. 6 in. $800-1,200 394. Navajo Weaving, c. second quarter 20th century, natural and synthetic dyed homespun wool, with a multicolored stacked diamond pattern, 63 x 35 1/2 in. $500-700


123

395

396

395. Navajo Storm Pattern Weaving, c. first quarter 20th century, with two-color sawtooth border and woven with natural and synthetic dyed homespun wool, (minor dye run), 63 x 40 1/2 in. $600-800

397. Navajo Yeibichai Weaving, c. 1930s, woven with natural and synthetic dyed homespun wool, depicts eight Yeibichai dancers on a variegated gray ground, 81 1/2 x 40 in. $2,500-3,000

396. Navajo Weaving, c. 1900s, natural and synthetic dyed homespun wool, a striped pattern with stepped diamond overlay, 60 1/2 x 40 in. $500-700

398. Navajo Yei Rug, c. second quarter 20th century, homespun wool, with seven figures on a variegated brown background, 53 x 33 in. $300-400

124


398

399

399. Navajo Yei Rug, c. second quarter 20th century, depicting nine dancers on a variegated gray/brown background, (stain at one edge), 80 1/2 x 47 in. $800-1,200

400. Navajo Textile, c. first quarter 20th century, with bold crosses, stepped geometric designs, and with central steer head and bow on a variegated brown background, (damage, repairs), 69 x 44 in. $600-800


125

401

401. Navajo Textile, natural and synthetic dyed homespun wool, the name “Bettie” bordered by feather devices and meandering design on the outside border, 55 3/4 x 35 in. Provenance: Estate of Susan Parrish. $500-700

402. Navajo Pictorial Weaving, c. 1920s, woven with natural and synthetic dyed homespun yarn, with central stacked diamond design flanked by rows of stylized birds on variegated gray ground, (wool loss), 66 x 42 1/2 in. $400-600

403. Navajo Pictorial Textile, loosely woven with natural and synthetic dyed homespun yarn, with a human figure standing on an abstract train at center, two circles, one with a human torso, and geometric devices enclosed by a multicolored serrate border, (old repairs at one end, slight dye run), 82 x 54 in. Provenance: Given to the present owner’s grandfather, Major General Orlando Ward, by his great uncle Brigadier General Hamilton Howes IV. $3,000-4,000

402

126


403


127

404 405

404. Navajo Germantown Textile, c. late 19th century, woven in a multicolored serrate edged X-design, (stain), 55 x 35 1/2 in. $1,000-1,500 405. Navajo Germantown Textile, c. late 19th century, with central meandering and multicolored geometric designs on a green background, 38 x 21 1/2 in. $600-800

128


406. Navajo Germantown Textile, c. late 19th century, tightly woven in a serape design with multicolored stepped diamond and crosses, separated by a sawtooth zigzag design on a red ground, (minor stain), 89 x 58 in. $4,000-6,000

406


129

407

407. Navajo Child’s Blanket, c. 1880s, a late classic serape-style, woven with natural and synthetic dyed homespun yarn, multicolored geometric designs on a variegated red ground, 49 x 31 in. $3,000-5,000

130


408

408. Navajo Late Classic Serape, c. 1880s, woven with natural and synthetic dyed homespun wool, with a serrate diamond pattern done in natural cream, indigo (?) blue, and red, 78 x 54 1/2 in. $10,000-15,000


131

409

132


411

410

412

413

409. Navajo Late Classic Serape, c. 1870s, tightly woven with vertical zigzag and two-color bar design on a red background, natural and synthetic dyes, (some fading on one side), 70 1/2 x 50 in. $15,000-20,000 410. Two San Ildefonso Black-on-Black Pottery Bowls, the first with tapered neck and feather pattern by Marie and Santana, and a round bowl with feather design by Santana and Adam, (minor scratches), the first ht. 4, dia. 5 1/2 in. Provenance: Colleen James Collection.

$600-800

411. San Ildefonso Black-on-Black Pottery Jar, signed “Maria, Popovi 265,” with classic feather design above the shoulder, ht. 7 3/4, dia. 8 3/4 in. Note: Includes the original receipt from the Popovi-Da studio, dated July 12, 1966, and a postcard of Maria and Popovi-Da signed by Popovi-Da, also the book Maria: The Potter of San Ildefonso, by Alice Marriott. $5,000-7,000 412. San Ildefonso Black-on-Black Pottery Plate, c. second quarter 20th century, with a classic serpent design, unsigned, dia. 12 7/8 in. $800-1,200


133

414

415

413. Large San Ildefonso Polished Black Bowl, signed “Marie and Julian,” c. 1930s, (minor flaws), ht. 3 3/4, dia. 11 3/4 in. Provenance: Property of a Western Museum.

134

$1,000-1,500


414. Cochiti Painted Pottery Drummer by Helen Cordero, the seated singer with drum on the lap and holding a miniature drumstick, (the feet were broken off and restored by Andy Goldsmidt), ht. 8 1/2 in. $2,500-3,500

417

416

418

419

420

415. Two Southwest Pottery Items, Cochiti, an avian-form pitcher with black decoration (handle repaired), and a Hopi handled jar with stylized foxes (?) on each side, ht. to 5 3/4 in. $400-600 416. Two Polychrome Southwest Pottery Bowls, c. second quarter 20th century, an Acoma jar with framed parrots and a Zuni jar with heartline deer and abstract foliate designs, largest ht. 7 1/2, dia. 9 1/2 in. Provenance: Colleen James Collection.

$600-800

417. Zia Painted Pottery Bowl, c. 1930s, the bulbous form with abstract foliate design on a red body, ht. 7 3/4, dia. 8 1/2 in. $300-400

421

418. Zuni Polychrome Pottery Jar, with stepped hatched design below the shoulder and checkered design at the neck, ht. 6 1/2, dia. 8 in. $400-600 419. San Ildefonso Polychrome Pottery Jar, c. early 20th century, the round form with flared rim and painted with geometric and foliate designs, ht. 9 1/4, dia. 10 in. $800-1,200 420. San Ildefonso Pottery Polychrome Wedding Jar, c. early 20th century, with abstract geometric and foliate design, written on the bottom “Santa Fe N.M. Indian, 1906,” (surface loss), ht. 9 1/2, dia. 7 in. $1,000-1,500 421. San Ildefonso Polychrome Pottery Jar, c. early 20th century, with rounded shoulder, flared rim, and decorated with abstract floral designs, ht. 9, dia. 10 in. $600-800


135

422

423 424

422. Large Pima Pottery Storage Jar, c. 19th century, the oval form with flared rim and early pitch-filled repair, (cracks, repairs, custom metal stand), ht. 20 in. $800-1,200 423. Large Southwest Painted Pottery Dough Bowl, c. 1900, with repeat six-point star design above a red band, (surface loss, hole drilled at bottom), ht. 9 1/4, dia. 16 3/4 in. Provenance: Estate of Susan Parrish.

136

$800-1,200


424. Large Santo Domingo Dough Bowl, c. 1900, with simple flower design on a cream background, with lower red band, (some surface loss), ht. 10, dia. 18 in. Provenance: Estate of Susan Parrish.

$1,500-2,500

425. Acoma Polychrome Pottery Olla, c. 1900, with abstract foliate design done in a grid pattern, (chips, cracks, surface loss), ht. 10, dia. 11 1/2 in. Provenance: Estate of Susan Parrish.

$800-1,200

425

426

427

429 428

426. Anasazi Black-on-Gray Pottery Bowl, the overall hooked design with sawtooth and hatched elements, 8 x 11 in. Provenance: Colleen James Collection.

428. Zia Polychrome Pottery Jar, c. first quarter 20th century, with a double arched band framing typical Zia-style birds, ht. 9 1/4, dia. 10 1/2 in. $1,500-2,000

$800-1,200

427. Acoma Polychrome Pottery Olla, c. late 19th century, with a “box and border” and abstract foliate design, (some surface loss), ht. 13, dia. 13 1/2 in. $2,000-2,500

429. Zuni Polychrome Pottery Olla, c. last quarter 19th century, with classic scroll and curvilinear geometric decorations, (ladle wear at rim), ht. 10, dia. 12 in. $4,000-6,000


137

430

431

432

433 434

430. Zuni Polychrome Painted Pottery Bowl, c. late 19th century, painted on the outside and inside with classic curvilinear designs, (hairline cracks, chips at rim), ht. 6, dia. 12 3/4 in. $2,000-2,500

432. San Ildefonso Polychrome Canteen, with lug handles and decorated with geometric band and curvilinear feather and foliate design, custom stand, dia. 6 in. $800-1,200

431. Zuni Painted Pottery Bowl, c. last quarter 19th century, painted on the inside and outside with abstract curvilinear designs, (cracks, chips), ht. 4, dia. 9 3/4 in. $600-800

433. Hopi Pottery Bowl, Nampeyo (?), with single lug and painted on the inside with two stylized avian devices, ht. 2 1/8, dia. 7 1/8 in. $600-800

138


435

434. Hopi Polychrome Pottery Canteen, c. late 19th century, with eightpoint star on the belly, ear-like lugs, and abstract Kachina face on the flat side. $800-1,200

435. Hopi Polychrome Pottery Jar by Nampeyo, Hano, First Mesa, Arizona, c. early 20th century, the graceful form decorated with a continuous band of abstract feather (?) designs at the shoulder, ht. 8, dia. 13 in. Provenance: “This jar was given to Rudolph H. Beeder (1905-1979), the chief engineer of the Atcheson, Topeka and Santa Fe Railway Co., by a friend in the 1950s. Upon his death, the jar descended to his son, John Beeder.” Includes letter of authentication from Martha H. Struever. $10,000-15,000


139

437

436

438

439

440

436. Hopi Polychrome Pottery Jar, c. first quarter 20th century, with high shoulder and decorated with abstract avian and Kachina (?) mask design, and two panels with geometric designs, ht. 7 1/2, dia. 11 in. Provenance: Colleen James Collection.

$800-1,200

437. Hopi Painted Pottery Bowl, c. second quarter 20th century, shallow form decorated on the shoulder and interior with abstract geometric and feather design, ht. 2 3/4, dia. 10 1/4 in. Provenance: Colleen James Collection.

438. Two Zuni Painted Pottery Seed Jars, the smaller with abstract designs on an orange ground, the larger (possibly by Nampeyo), with unusual abstract corn (?) design on a cream-colored background, (both with a small chip at rim), ht. to 5 1/2, dia. to 9 1/4 in. $800-1,200

$250-350

439. Hopi Pottery Jar by Dextra Nampeyo, the seed jar form signed “Dextra,” decorated with fine abstract feather and geometric designs, ht. 6 1/2, dia. 10 in. $1,500-2,000 440. Two Contemporary Hopi Polychrome Pottery Bowls, a small jar with abstract bear paw design by Fannie Nampeyo, and a seed jar with Kachina design signed “J. Sahme Nampeyo,” seed jar ht. 2, dia. 4 1/4 in. Provenance: Colleen James Collection.

140


$500-700

441

441. Hopi Polychrome Pottery Jar, attributed to Nampeyo, c. early 20th century, decorated with a single band of stylized feather devices on a cream-colored slip, ht. 5 3/4, dia. 13 1/2 in. $10,000-15,000

443. Southeast Polychrome Twined Basketry Bowl, Louisiana, Chitimacha, c. early 20th century, with two-color chevron design, ht. 2 1/2, wd. 4 1/4 in. Provenance: Colleen James Collection.

442. Cherokee Polychrome Storage Basket by Rowena Bradley, the lidded river cane basket dyed with butternut and blood root, includes the original certificate from the Indian Arts and Craft Board, ht. 12 in. $800-1,200

$300-400

444. Nez-Perce Polychrome Cornhusk Bag, c. early 20th century, with multicolored geometric yarn designs on both sides, (minor damage), 11 x 9 1/2 in. Provenance: Estate of Susan Parrish.

$300-500


141

442

443

445

444

447 448

142

451 452

454

455

453

445. Plateau Polychrome Cornhusk Bag, c. first quarter 20th century, each side with different multicolored geometric designs, 18 x 13 in. Provenance: Colleen James Collection.

$600-800

446. Two Plateau Polychrome Cornhusk Bags, both with geometric designs on each side, one bag with commercial yarn, (minor loss), larger 17 x 11 1/2, smaller 9 1/4 x 8 in. Provenance: Colleen James Collection.

$500-700

447. Northwest Polychrome Cornhusk Bag, c. early 20th century, with geometric designs done in multicolored yarns on both sides, 12 1/4 x 11 in. Provenance: Estate of Susan Parrish.

$400-600

448. Plateau Yarn Decorated Cornhusk Bag, c. first quarter 20th century, with multicolored serrate diamond design on one side and striped design on the reverse, hide strap, 10 1/2 x 9 3/4 in. Provenance: Colleen James Collection.

$600-800

449.-450. No lots. 451. Attu Polychrome Rattle-top Basket, tightly woven with delicate bands and eight-point stars, ht. 4 3/4, dia. 4 in. Provenance: The Bear Totem Store.

$800-1,200

452. Attu Polychrome Lidded Basket, tightly twined and decorated with floral and geometric designs, pinwheel design on lid knob, ht. 3 1/2, dia. 3 3/4 in. $600-800


143

456

457

459

460

458

453. Attu Twined Basket, with braided rim and decorated with simple geometric designs using commercial colored threads, ht. 5 1/2 in.

454. Eskimo Baleen Lidded Basket, the walrus ivory knob in the form of a walrus head, with baleen inlaid dots, ht. 4, dia. 3 in.



144

$400-600


$400-600

461

455. Attu Twined Basket, with double braided rope at the rim, decorated with delicate geometric designs using commercial colored thread, ht. 5 1/2 in. Provenance: The Bear Totem Store.

459. Aleut Twined Wallet, extremely tight weave, with bands of openwork and polychrome geometric designs, ht. 5 1/4, wd. 3 in. Provenance: The Bear Totem Store.

$800-1,200

$300-400

456. Aleut Twined Lidded Basket, c. early 20th century, decorated with framed diamond devices using commercial yarn, (split at bottom, yarn loss), ht. 6, dia. 5 1/2 in. $400-600

457. Two Attu Twined Lidded Baskets, one with bands of openwork, the other tightly woven with polychrome floral and geometric designs, ht. to 3 in. Provenance: The Bear Totem Store.

462

460. Aleut Twined Basketry Wallet, the telescoping form tightly woven with multicolored geometric designs, 5 1/2 x 2 5/8 in. $800-1,200

461. Northwest Coast Painted Twined Basketry Hat, c. late 19th century, with stylized avian design in red, blue, green, and black pigments, (damage), ht. 10, dia. 14 in. Provenance: Colleen James Collection.

$600-800

$600-800

458. Aleut Twined Basketry Wallet, c. early 20th century, tightly woven and decorated with rows of multicolored dwellings (?), (minor wear), 5 7/8 x 3 in. $500-700

462. Makah Twined Basketry Hat, 20th century, with a knob top, depicting two whaling scenes and an eagle perched on an arrow, ht. 9 1/2, dia. 10 in. Provenance: Colleen James Collection.

$250-350


145

463 464 465

463. Large Tlingit Polychrome Twined Basket, c. 1900, tightly woven with a central band of concentric stepped crosses framed with diagonal bands, ht. 8 1/4, dia. 8 1/4 in. Provenance: The Bear Totem Store.

465. Tlingit Twined Pictorial Basket, with flared sides and tightly woven with dark brown abstract animal heads, small original tag reads: “Yakitat, 1878, spruce root, $100,” ht. 6, dia. 8 1/4 in.

$600-800

469. Tlingit Polychrome Twined Basket, c. 1900, in the form of a threelegged kettle with two lug handles, geometric and cross designs, (split), ht. 4 1/2, dia. 5 in. $600-800

470. Two Tlingit Polychrome Twined Baskets, both with bands of geometric decoration, (one is slightly faded and stained), ht. to 5 1/4 in. $600-800

$1,500-2,000

466. Tlingit Polychrome Twined Lidded Basket, tightly woven with a geometric banded design, ht. 4, wd. 7 in. Provenance: The Bear Totem Store.


$1,500-2,000

464. Tlingit Polychrome Twined Rattle-top Basket, in the form of a ginger jar, with bands of geometric design, ht. 8 in. $1,500-2,000


468. Tlingit Rattle-top Twined Basket, with two rows of arrow and cross design, ht. 3 1/2, dia. 4 1/2 in.

$600-800

471. Two Tlingit Twined Baskets, both with two bands of geometric design, one with orange-red crosses, ht. to 4 3/4 in. Provenance: The Bear Totem Store.

$600-800

467. Tlingit Polychrome Twined “Shaman’s” Basket, the telescoping form with bright synthetic dyed geometric design, lg. 4 1/4 in.

472. Two Tlingit Twined Baskets, both with bands of fret design, ht. to 4 3/4 in.



146

$300-400


$600-800

466

469 468

467

470

472

471

474

476 477

475 473

473. Tlingit Twined Basket, with three bands of black geometric design, ht. 5 1/8, dia. 6 1/2 in.

474. Tlingit Polychrome Twined Basket, woven with a zigzag pattern and with two bands of geometric decoration, ht. 5 1/4, dia. 6 1/2 in.



$400-600

$400-600


147

479

478

480

483 482

481

475. Tlingit Polychrome Twined Basket, with two rows of chevron and diamond designs, ht. 6, dia. 6 in.

477. Tlingit Twined Basket, with two bands of a dark brown meandering design, ht. 5 7/8, dia. 6 in.



$400-600

$400-600

476. Tlingit Polychrome Twined Basket, woven with a zigzag pattern and with two bands of fret design, ht. 5 1/8, dia. 5 3/4 in.

478. Tlingit Twined Basketry Bottle, with rows of triangles, (faded color), ht. 13 in.



148

$300-400


$400-600

484 485

479. Tlingit Twined Basketry Bottle, with bands of geometric design, (faded colors), ht. 14 1/2 in. Provenance: The Bear Totem Store.

$400-600

480. Three Makah Twined Baskets, all with avian and/or whale decoration, largest ht. 7, dia. 6 3/4 in. Provenance: The Bear Totem Store.

$400-600

481. Northern California Polychrome Twined Basketry Bowl, c. early 20th century, with a design composed of two-color triangular elements, ht. 4 1/4, dia. 6 1/4 in. $400-600 482. Maidu Coiled Pedestal Basket, with a square pedestal and six-point petal design on the tray, ht. 4, dia. 10 in. $600-800 483. Chemehuevi Coiled Basket, with flared rim and decorated with stepped zigzag design, ht. 5 1/2, dia. 6 in. $600-800

484. Northern California Twined Basketry Bowl, c. first quarter 20th century, with diamond center, overall stepped cross design, (repaired splits), ht. 8 1/2, dia. 12 1/2 in. Provenance: Colleen James Collection.

$500-700

485. Northern California Polychrome Twined Basketry Bowl, tapered at the opening and with an overall diagonal stacked triangle design, ht. 8, dia. 10 1/2 in. Provenance: Colleen James Collection.

$600-800

486. Northern California Polychrome Lidded Basket, with stepped diagonal design, (large split in lid), ht. 8, dia. 10 1/2 in. $400-600

487. Two Northern California Twined Baskets, the first with diagonal track design, the second with geometric designs, (the second with stains), ht. to 5 1/4 in. $400-600


149

488

488. Large Pomo Twined Storage Basket, c. early 20th century, with bands of geometric design on a medium ground, (damage at rim), ht. 13, dia. 19 1/2 in. Provenance: Colleen James Collection.

$800-1,200

489. Pomo Coiled Basketry Bowl, c. 1900, the straight-sided form with stacked triangle design, one remaining shell bead at rim, (minor stitch loss), ht. 4 1/4, dia. 8 in. $800-1,200 490. Two Pomo Coiled Basketry Bowls, an oval form and a tightly woven compressed round form, both with geometric designs, (minor damage), largest lg. 8, wd. 5, ht. 2 1/4 in. $600-800 491. Historic “Tootsie Dick Sam” Coiled Basketry Bowl, Washoe, degikup, c. 1915-20, the small form with polychrome designs, includes attribution letter from Marvin Cohodas, dated February 1996, ht. 2 1/4, dia. 4 3/8 in. Provenance: Colleen James Collection.

150

$1,500-2,000


492. California Coiled Basketry Bowl, c. 1900, decorated with stepped diagonal and zigzag designs, ht. 3 1/2, dia. 6 in. $400-600 493. Panamint Polychrome Coiled Basketry Bowl, c. 1900, with a meandering band and two rows of red diamonds, (stitch loss), ht. 4 3/4, dia. 13 in. Provenance: Colleen James Collection.

$800-1,200

494. Yokuts Polychrome Coiled Basketry Bowl, with flared sides and decorated in a rattlesnake pattern, (minor stitch loss), ht. 5, dia. 10 1/4 in. Provenance: Colleen James Collection.

$500-700

495. Polychrome Pictorial Mission Basket, c. late 19th century, the oval form with slightly flared sides and decorated with eight-point devices, numbers, bugs, and lizards, (stitch loss), ht. 6, lg. 16 1/2, wd. 13 1/2 in. $800-1,200

493 494 489

492 490 491

495

497 496 498

503

502

496. Mission Coiled Basketry Bowl, with flared sides and single row of dark triangles on a variegated background, ht. 6, dia. 14 1/2 in. $800-1,200 497. Mission Pictorial Lidded Basket, with wide shoulder and two-color butterfly designs, ht. 8 1/2, dia. 10 1/2 in. $1,000-1,500 498. Mission Polychrome Coiled Basketry Bowl, c. 1900, with crosses coming off of a single geometric band, ht. 4 1/2, dia. 13 1/4 in. $800-1,200

152


499. Tohono O’odham Lidded Basket, the oval form with meandering design on the bottom and the lid with large lizard surrounded by chickens, (loss), ht. 6 3/4, lg. 12 in. Provenance: Colleen James Collection.

$250-350

500. Two Southwest Coiled Baskets, a Hopi basket with zigzag and fret design and a straight-sided Tohono O’odham with single bold zigzag band, (stitch loss), largest ht. 10 1/2, dia. 13 1/2 in. Provenance: Colleen James Collection.

$500-700

505

504

506

507 508

509

501. Large Pima Coiled Basketry Olla, c. first quarter 20th century, with flared rim, decorated with geometric designs and what appears to be letters or cattle brands, (damage), ht. 18 1/2, dia. 19 1/2 in.

503. Apache Burden Basket, c. first quarter 20th century, with fringed hide carrying straps, tin cone danglers, and simple banded design on basket, ht. 8 1/2, dia. 11 in.



$600-800

$400-600

502. Pima Pictorial Coiled Basketry Bowl, decorated with horses, human figures, crosses, and three horseback riders, ht. 13 1/4, dia. 16 in.

504. Large Pima Coiled Basketry Tray, with dark center and overall fret design, braided rim, ht. 6 1/2, dia. 20 3/4 in.



$800-1,200

$600-800


153

510

512

511

514 513

515

516

505. Large Pima Basketry Tray, with a notched banded design overall, (some discoloration), ht. 6, dia. 22 in.

508. Hopi Polychrome Wicker Plaque, depicting a Kachina with tablita, dia. 15 1/2 in.



$600-800

$600-800

506. Pima Coiled Basketry Tray, with a concentric pinwheel design, (some damage), ht. 5 1/2, dia. 20 1/2 in.

509. Pima Coiled Basketry Tray, c. first quarter 19th century, with an elaborate pinwheel design, ht. 2 1/2, dia. 16 in.



$500-700

507. Pima Coiled Basketry Bowl, with an elaborate sawtooth fretwork design and painted red detail, ht. 5 1/2, dia. 17 1/4 in. Provenance: Colleen James Collection.

154

$800-1,200


$600-800

510. Pima Coiled Basketry Tray, with elaborate five-petal squash blossom pattern, ht. 2 1/2, dia. 14 1/2 in. Provenance: Colleen James Collection.

$800-1,200

520 518

519

511. Two Pima Coiled Basketry Trays, one with an elaborate three-petal squash blossom design, the other with six-point design, largest dia. 11 1/2 in. Provenance: Colleen James Collection.

$600-800

512. Pima Coiled Basketry Tray, with dark center and elaborate four-petal squash blossom design, ht. 2 1/4, dia. 14 in. Provenance: Colleen James Collection.

$800-1,200

512A. Three Items, a large Pima basketry bowl, a small Acoma pottery bowl, and a contemporary Casas Grande black-on-black jar, basket ht. 7 1/4, dia. 18 1/4 in. Provenance: Estate of Susan Parrish.

$700-900

513. Apache Polychrome Coiled Basketry Bowl, c. early 20th century, with a seven-petal design and four small crosses at center, ht. 4 1/4, dia. 19 1/4 in. $1,000-1,500 514. Apache Coiled Basketry Bowl, c. 1900, with five-petal center and two checkered bands, ht. 4 1/2, dia. 18 1/2 in. $1,200-1,600

515. Apache Coiled Basketry Tray, c. first quarter 20th century, with floating crosses and pinwheel design, ht. 2 1/2, dia. 14 1/2 in. $500-700 516. Pima Coiled Basketry Bowl, c. 1900, with concentric three-point design, ht. 4, dia. 14 1/2 in. $800-1,200 517. Two Apache Coiled Basketry Trays, the larger with five-petal design incorporating human and animal figures (damage), the smaller in a triangular banded pattern (stitch loss), largest dia. 16 in. Provenance: Colleen James Collection.

$500-700

518. Apache Coiled Basketry Tray, c. early 20th century, with an expanding six-point petal pattern, ht. 5, dia. 17 in. Provenance: Colleen James Collection.

$1,000-1,500

519. Apache Coiled Basketry Tray, c. 1900, with a checkered banded design, ht. 4 1/4, dia. 15 in. Provenance: Colleen James Collection.

$600-800


155

521

523

522

520. Apache Coiled Basketry Tray, c. 1900, with stepped diagonal design and two rows of triangles at center, (stitch loss at rim), ht. 4, dia. 18 1/2 in.

523. Apache Coiled Pictorial Basketry Tray, c. first quarter 20th century, with five point center and depicting human, animal, and geometric designs, ht. 3 1/2, dia. 14 1/4 in.



$600-800

521. Apache Two-color Pictorial Basketry Tray, with animal, human figure, and geometric decoration, ht. 3 1/2, dia. 14 1/2 in. Provenance: Colleen James Collection.

$1,500-2,000

522. Small Apache Pictorial Basketry Bowl, a pinwheel design with animals, (minor stitch loss), ht. 3, dia. 8 in. Provenance: Colleen James Collection.

156

$400-600


$1,500-2,000

524. Navajo Polychrome Pictorial Basketry Tray, possibly by Sally Black, depicting Yei figures with stacked crosses and vertical lines, ht. 4 1/2, dia. 24 in. $600-800

525. Diminutive Polychrome Apache Burden Basket, c. last quarter 19th century, with bands of red and black decoration, the hide strips and sides with fringe and tin cone danglers, the base covered with a recycled (?) painted hide with symbolic designs and pony bead decoration, ht. 8 1/2, dia. 8 in. $800-1,200

524

525


157

527 526

528

526. Apache Coiled Basketry Olla, c. early 20th century, with high round shoulder and flared rim, decorated with zigzag bands, a single row of fret design, and an unusual row of hearts, (stitch loss), ht. 12, dia. 10 1/2 in. Provenance: Colleen James Collection.

$1,500-2,000

527. Apache Pictorial Basketry Olla, c. early 20th century, with flared rim and decorated with meandering vertical devices framing one row of human figures and two rows of animals, ht. 13 1/2, dia. 11 in. Provenance: Colleen James Collection.

$3,000-5,000

528. Apache Coiled Basketry Olla, c. 1900, with wide flared top and overall checkered-edge triangular design, ht. 12, dia. 10 1/2 in. Provenance: Colleen James Collection.

$1,500-2,000

529. Apache Pictorial Basketry Olla, c. 1900, with flared rim and an overall grid pattern with human figures, animals, and cross devices, (damage), ht. 16 in. $1,500-2,000

530. Diminutive Apache Pictorial Basketry Olla, c. first quarter 20th century, decorated with humans (one with a hand in the air), animals, and lightning-like designs, ht. 6 3/4, dia. 6 in. Provenance: Colleen James Collection.

531. Apache Pictorial Basketry Olla, latticework framing two types of animals, ht. 10 1/2, dia. 8 1/2 in. Provenance: Colleen James Collection.


$800-1,200

532. Small Apache Polychrome Basketry Olla, an aberrant grid pattern, with animals, crosses, and cattle brands (?), ht. 8 1/4 in. Provenance: Colleen James Collection.

$800-1,200

533. Apache Coiled Basketry Olla, c. 1900, with spout-like opening and decorated with bands of geometric devices, ht. 10, dia. 8 1/2 in. Provenance: Colleen James Collection.

END OF SALE

158

$1,200-1,600

$1,000-1,500

529

530

531 533

532

Skinner, Inc. - Conditions of Sale 1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot. 2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability. 3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate. 4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale. Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser. 5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases. 6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale. 7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item. 8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston. 10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus 10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via on-line Live Auctions will be in an amount up to 22.5% of the final bid price up to and including $200,000, plus 15% of the final bid over $200,000. 11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid. 12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent. 13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.

160

Revised March 30, 2012

Absentee Bid Form Sale Title

Sale Date

First Time Bidder?

YES

NO

Customer #

Name (Please Print)

Business Name

Address City

Phone #

Alternate #

check if change in address

State

Zip Code e-mail

I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale. Signature (Required)

Lot #

Date

Description

Bid Price

FOR OFFICE USE Marlborough

Boston

Phone

Fax

Mail

Person

Employee:

SKINNER Auctioneers and Appraisers of Antiques and Fine Art

6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9 2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0 w w w. s k i n n e r i n c . c o m

Board of Directors

Administration

Expert Departments

SKINNER, INC. Auctioneers and Appraisers of Antiques and Fine Art 63 Park Plaza Boston, MA 02116 617.350.5400 Fax 617.350.5429 274 Cedar Hill Street Marlborough, MA 01752 508.970.3000 Fax 508.970.3100 www.skinnerinc.com

162

Chairman of the Board - Nancy R. Skinner Richard Albright John Deighton Barnet Fain Stephen L. Fletcher Karen M. Keane Andrew Payne President/Chief Executive Officer - Karen M. Keane Chief Financial Officer - Don Kelly Executive Vice President - Stephen L. Fletcher Vice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr

20th Century Design - Jane D. Prentiss American & European Paintings & Prints - Robin S.R. Starr Assistants: Kathy Wong, Elizabeth C. Haff American Furniture & Decorative Arts - Stephen L. Fletcher Deputy Director: Chris Barber; Assistant: Karen Langberg American Indian & Ethnographic Art - Douglas Deihl Asian Works of Art - Judith Dowling Assistants: Biying Zhang, Carol Tran Books & Manuscripts - Devon Gray Bottles, Flasks & Early Glass - Stephen L. Fletcher Ceramics - Stuart G. Slavid Classic Automobiles & Motorcycles - Jane D. Prentiss Couture - Cara Elmslie Discovery Auctions - Cara Elmslie Assistants: Garrett J. Sheahan, Melissa Riebe European Furniture & Decorative Arts - Stuart G. Slavid Assistants: Leah Kingman, Stephanie Opolski Fine Wines - Marie Keep Assistant: Michael J. Moser Jewelry - Victoria Bratberg Assistants: John Colasacco, Julie Khouri Judaica - Kerry Shrives Musical Instruments - David Bonsey Oriental Rugs & Carpets - Gary Richards Science, Technology & Clocks - Robert C. Cheney Assistant: Jonathan Dowling Silver - Stuart G. Slavid Toys & Dolls - Kerry Shrives Auctioneers - LaGina Austin, Chris Barber, Robert C. Cheney, John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney

Exhibitions & Property Distribution

Finance Department

Subscriptions

Service Departments

Marlborough: Warehouse Manager - Fred Trottier; 508.970.3261 Property Manager - Samuel Combs, 508.970.3262 Boston:

Property Distribution Manager - Jessica R. Lincoln, 617.874.4308 Auction Coordinator - Benjamin Evans, 617.874.4329

Marlborough:

Accounts Receivable - Denise Johnson, 508.970.3269 Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268 Accounts Payable, Trade - Kevin Rota, 508.970.3283 Credit Supervisor - Joe Monteyro, 508.970.3266

Marlborough: Heather Retzke, 508.970.3240

Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Shannon M. Ames, Hadley Bridgman Advertising Production - Pamela Van de Houten Boston Gallery Director - Laura V. Sweeney Assistant Gallery Director: Paige Lewellyn Gallery Assistant: Jessica Turner Catalogue Production - Pamela Van de Houten, Kristina Harrison Consignment Services - Patricia Walker King, Megan J. Blomgren, Carol Zeigler Customer Relations - Carol McCaffrey Institutional Relations - L. Emerson Tuttle Human Resources - Carol McCaffrey Information Technology & Internet Auctions - Kerry Shrives Assistants: Timothy Shaughnessey, Melissa Riebe Managing Director - Marie C. Keep Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather Retzke Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius Receptionists - Marlborough: Jessica Bedenbaugh Boston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric Jones Assistant: Mark McCaffrey

163

Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA Telephone: 617-350-5400 From the West:

Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the South:

Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From Logan Airport:

Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.

From the North:

Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza. 164

PARKING INDOOR PARKING GARAGES City Place Parking Garage Transportation Building 12 Charles Street Located at the end of Park Plaza Underground multi-level garage All day–closes at 2:30am First hr/$5, after 2 hrs/$14 AllRight Parking Boston Common Garage Located on Charles Street, on the Common, two blocks from Skinner 1 hr/$6, up to 24 hrs/$25, Evenings (4pm-10am)/$10 The Four Seaons Hotel Parking Garage 200 Boylston Street Adjacent to Skinner, valet drop-off and pick-up, up to 24 hrs/$30

The Taj Hotel Parking Garage 2 Newbury Street Located three blocks from Skinner, valet drop-off and pick-up Up to 24 hrs/$42 Back Bay Garage 222 Berkeley Street (entrance off St. James) One block from Skinner All day/$35, evening (5pm-7am)/$10 Radisson Hotel Parking Garage Stuart Street (near intersection of Charles) Two blocks from Skinner 1-2 hrs/$12, 2-3 hrs/$16, 3-12 hrs/$18, 12-24 hrs/$31

Motor Mart Garage 26 Park Plaza (Same building as Legal Sea Food) Up to 1 hr/$8, 1 to 2 hrs/$12, 2-3 hrs/$16, 3-12 hrs/$20, 12-24 hrs/$31, weekends up to 3 hrs/$8 OUTDOOR PARKING LOTS (recommended for trucks) Pin Stripe Parking Arlington Street 617-338-7984 All day/$14, after 6pm and weekends/$10, overnight/$15 Billy’s Parking 222 Stuart Street 617-423-7781 8am-5pm/$18, after 5pm/$20

BOSTON HOTELS

BOSTON HOTELS WITH SKINNER CORPORATE RATES

Boston Harbor Hotel 70 Rowe’s Wharf Boston, MA 02110 Tel: 800-654-2000 Fax: 617-345-6799

The Back Bay Hotel (formerly Jurys) 350 Stuart Street Boston, MA 02116 Tel: 617-532-3800

Eliot Hotel 370 Commonwealth Ave. Boston, MA 02215 Tel: 617-267-1607

Radisson Hotel 200 Stuart Street Boston, MA 01740 Tel: 617-482-1800 Fax: 617-451-2750

Beacon Hill Hotel & Bistro 25 Charles Street Boston, MA 02114 Tel: 617-723-1133

The Park Plaza 64 Arlington Street Boston, MA 02116 Tel: 617-457-7488 Fax: 617-426-2000

Four Seasons 200 Boylston Street Boston, MA 02116 Tel: 617-351-2036

The Ritz-Carlton, Boston Common 10 Avery Street Boston, MA 02111 Tel: 617-912-3315 Fax: 617-912-3375

The Colonnade 120 Huntington Avenue Boston, MA 02116 Tel: 617-424-7000 Fax: 617-424-0968

The Liberty Hotel 215 Charles St. Boston, MA 02114 617-224-4000

Taj Boston 15 Arlington St. Boston, MA 02116 617-536-5700

Marriott Copley Place 110 Huntington Avenue Boston, MA 02116 Tel: 800-228-9290 Fax: 617-236-5885

Westin-Copley Plaza 10 Huntington Avenue Boston, MA 02116 Tel: 800-228-3000 Fax: 617-424-7483

Fairmont Copley Plaza 138 St. James Avenue Boston, MA 02116 Tel: 617-267-5300 Fax: 617-375-9648

Nine Zero Hotel 90 Tremont St. Boston, MA 02108 617-772-5800

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RESTAURANTS

FINE DINING Dante Royal Sonesta Hotel 5 Cambridge Parkway 617-806-4200 Mediterranean restaurant with great views of the Charles River and Boston skyline. Davio’s 75 Arlington St. 617-357-4810 Northern Italian steak house. Grill 23 & Bar 161 Berkley Street (Stuart Street) 617-542-2255 Great steak, seafood, wine list, and service. L’Espalier 774 Boylston St. 617-262-3023 Fine French dining and wines with a wonderful pre-fixe menu. No. 9 Park 9 Park St. 617-742-9991 Barbara Lynch’s bistro showcases inspired French and Italian influenced food and wine on Beacon Hill. Radius 85 High St. 617-426-1234 Features a modern French menu focusing on seasonal ingredients accompanied by a thoughtful wine list. Scampo The Liberty Hotel 215 Charles St. 617-536-2100 Lydia Shire’s latest restaurant, featuring Italian fare produced in an open kitchen upstairs at the Liberty Hotel.

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Troquet 140 Boylston St. 617-695-9463 French restaurant and wine bar perched at the edge of the Boston Common and the theatre district. Via Matta 79 Park Plaza 617-422-0008 Elegant Italian fare and beautiful wines in a vibrant dining room - the best of Italy in Boston’s Back Bay creates an unforgettable experience.

MODERATE Aquitaine 569 Tremont Street 617-424-8577 Parisian bistro style fare. The Bristol Lounge at Four Seasons Hotel 200 Boylston St. 617-338-4400 Breakfast, lunch, and dinner served in an elegant yet comfortable lounge setting with views of the Boston Public Garden. East Ocean City 25-29 Beach St. 617-542-2504 Outstanding Chinese food restaurant highlighting seafood dishes with a fullservice bar. Lala Rokh on Beacon Hill 97 Mt. Vernon Street 617-720-5511 Authentic regional Persian cuisine, hand-selected wine list, knowledgeable waitstaff. McCormick and Schmick’s Seafood Restaurant 36 Columbus Ave 617-482-3999 Fresh seafood offerings that change daily.

Summer Shack 50 Dalton St. 617-867-9955 Jasper White serves well-executed seaside favorites in a casual Back Bay setting.

INEXPENSIVE Au Bon Pain 26 Park Plaza (across the street from Skinner) or 431 Boylston Street (at Berkeley Street) 617-338-8948 Casual café offers quick service. Davio’s To Go 10 St. James Galleria Atrium 617-357-4810 Casual Italian take-out lunch spot with daily special pastas, soups, and salads. Flash’s 310 Stuart St. 617-574-8888 American comfort food served with classic cocktails in a casual setting. Parish Café 361 Boylston St. 617-247-4777 American restaurant with seasonal outdoor seating features sandwiches created by renowned local chefs. Piattini 226 Newbury Street 617-536-2020 Italian wine bar with an eclectic menu; specializes in Italian-style tapas. The Upper Crust 20 Charles Street 617-723-9600 Gourmet thin crust pizza.

SKINNER

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