In Your Face Guitar
In Your Face Guitar
Presents
Alexi Laiho In Your Face Guitar Advanced Techniques & Concepts Method By: John McCarthy Adapted By: Jimmy Rutkowski Supervising Editor: Joe Palombo Music Transcribing & Engraving: Jimmy Rutkowski, Matt Warnock Production Manager: Anna-Lisa Tedeschi Layout, Graphics & Design: Jimmy Rutkowski Music Transcribing & Engraving: Jimmy Rutkowski Photography: Rodney Dabney Copy Editor: Cathy McCarthy Cover Art Direction & Design: Paul Enea, Tovero & Marks
Produced by The Rock House Method® Fred Russell Publishing 2011©, LLC All Rights Reserved
In Your Face Guitar
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2
In Your Face Guitar
Table of Contents About the Instructor ......................................................................................................................... 5 6 Introduction ....................................................................................................................................... Icon Key .......................................................................................................................................... 7 8 Reading Tablature ............................................................................................................................ 9 Tuning ................................................................................................................................................
DVD 1 Chapter 1: Scale Patterns & Sequences C Major Scale Sequences ............................................................................................................... 11 12 E Minor Scale Pattern #1 .................................................................................................................. 12 E Minor Scale Pattern #2 ............................................................................................................... E Minor Scale Pattern #3 .................................................................................................................. 13 14 Full Scale Run #1 - “In Your Face” ................................................................................................... Full Scale Run #2 - “Bodom Beach Terror” ...................................................................................... 15 16 Pentatonic Scale Sequences .......................................................................................................... Combining Pentatonic Scale Patterns .............................................................................................. 17 Chapter 2: Arpeggios Three String Arpeggios ...................................................................................................................... 19 20 String Skipping Arpeggios ................................................................................................................ Sweep Tap Six String Arpeggios ....................................................................................................... 20 String Skipping - Diminished Arpeggio ............................................................................................. 21 21 D Major String Skip & Tap Arpeggio ................................................................................................. 21 Arpeggio Combining Techniques ...................................................................................................... Five String Arpeggio Pattern ..........................................................................................................22 Chapter 3: Writing a Harmony Guitar Section Verse Harmony Section - “Blooddrunk” ..........................................................................................24 25 Harmony Section - “Follow the Reaper” .......................................................................................... Pivoting Harmony Section - “Smile Pretty for the Devil” ................................................................... 25 Chapter 4: Warm Up Exercises Pivoting Exercise ............................................................................................................................. 28 Pivoting Exercise #2 ........................................................................................................................ 28 Classical Exercise .........................................................................................................................29 Classical Bach Exercise .................................................................................................................. 29 Chapter 5: Writing a Lead Writing a Lead - “Blooddrunk” Solo ................................................................................................... 32 Lead Technique - Tapping Sequence .............................................................................................38 Complete Lead - “Everytime I Die” .................................................................................................... 39
3
In Your Face Guitar Chapter 6: Infusing Other Styles Into Metal Funk Techniques for Metal Guitar ..................................................................................................... 42 Blues Techniques for Metal Guitar .................................................................................................. 43
DVD 2 Chapter 7: Bending The Scream Bend ............................................................................................................................ 46 The Over Bend ................................................................................................................................ 46 Intro a Riff with a Bend ...................................................................................................................... 47 The Semitone Bend ......................................................................................................................... 47 Double Stop with the Whammy Bar ................................................................................................. 48 Bend and Tap .................................................................................................................................. 48 Bending as a Rhythm Technique - “Living Dead Beat” .................................................................... 48 Chapter 8: Crazy Guitar Sounds Pick Scrapes ..................................................................................................................................50 50 Rake Harmonics - “Six Pounder” ...................................................................................................... Chapter 9: Syncopations 52 Syncopated Rhythm - “Roadkill Morning” .......................................................................................... 53 Syncopated Rhythm - “Needled 24/7” ............................................................................................. Syncopated Rhythm - “Lobodomy” .................................................................................................54 Chapter 10: Songwriting Dynamics Dynamics - Playing Aggressive - “In Your Face” ............................................................................56 Dynamics - All Down Strums - “Punch Me I Bleed” .......................................................................... 56 Chapter 11: Playing Slow Playing Slow - “Punch Me I Bleed” .................................................................................................. 58 Chapter 12: Full Songs 60 “Blooddrunk” .................................................................................................................................... “Tie My Rope” ................................................................................................................................... 63 “Hatecrew Deathroll” ......................................................................................................................... 67 How To Get Your Next Rock House Product .................................................................................. 73 The Rock House Catalog ...............................................................................................................74
4
In Your Face Guitar
About the Instructor
Alexi Laiho
Alexi is the founding member and lead guitarist of the Metal band “CHILDREN OF BODOM,” he has his own Signature Model ESP guitar, made Guitar World’s list of the top 100 metal guitarist of all time in 2004 and appeared on the cover of Guitar World in 2005 with Steve Vai and Zakk Wylde. Originating from the town of Espoo, in Finland, Alexi began his musical training at an early age by learning the Violin. However, influenced by the music his sister listened to (heavy metal music) bands such as W.A.S.P., Poison and Stone; he ended up dropping the classical instrument at the age of 11, in favor of guitars. A taped live performance of Steve Vai’s song “For the Love of God” (from the Passion and Warfare album) was especially influential in Alexi’s decision to become a guitarist. He then began taking lessons at the Finnish Pop & Jazz Conservatory in order to study the instrument. At the conservatory he also studied the pianos. The development of his playing style was heavily influenced by Stone’s Roope Latvala (who many years later became his band mate in Sinergy and then in Children of Bodom). His vocal influences came mostly from Phil Anselmo of Pantera and Mille Petrozza of Kreator. He has dedicated his life to creating music and developing his technique. Alexi is known for his incredible six string momentum and melodic speed along with stern vocal strength. 5
In Your Face Guitar
Introduction Welcome to The Rock House Method® system of learning. You are joining millions of aspiring musicians around the world who use our easy-to-understand methods for learning to play music. Unlike conventional learning programs, The Rock House Method® is a teaching system that employs DVD and 24/7 online lesson support along with this booklet to give you a variety of sources to ensure a complete learning experience. The products can be used individually or together. The DVD that comes with this booklet matches the curriculum exactly, providing you with a live instructor for visual reference.
How to Use the Lesson Support Site Every Rock House product offers FREE membership to our interactive Lesson Support site. Use the member number included with your book to register at RockHouseMethod.com. You will find your member number in the package that contains your DVD. Once registered, you can use this fully interactive site along with your product to enhance your learning experience, expand your knowledge, link with instructors, and connect with a community of people around the world who are learning to play music using The Rock House Method®. There are sections that directly correspond to this product within the Additional Information as well as Backing Track sections. There are also a variety of other tools you can utilize such as Ask The Teacher, Quizzes, Reference Material, Definitions, Forums, Live Chats, Guitar Professor and much more.
Register Now Click Here!
Click here now to use the member number included with your program to register for free at RockHouseMethod.com. Registering will also make all of the icon links in this booklet active links that will take you to the Lesson Support site. 6
In Your Face Guitar
Icon Key Throughout this book, you’ll periodically notice the icons listed below. They indicate when there are additional learning tools available on our support web site for the section you’re working on. When you see an icon in the book, visit the member section of RockHouseMethod.com for musical Backing Tracks, Additional Information and learning utilities.
Backing Tracks Many of the exercises in this book are intended to be played along with bass and drum rhythm tracks. This icon indicates that there is a backing track available for download on the Lesson Support site or click here.
Additional Information The question mark icon indicates there is more information for that section available, it can be theory, more playing examples or tips on the Lesson Support site or click here.
Metronome Metronome icons are placed next to the examples that we recommend you practice using a metronome. You can download a free, adjustable metronome on the Lesson Support site or click here.
Tuner Also found on the web site is a free online tuner that you can use to help tune your instrument. You can download the free online tuner on the Lesson Support site or click here.
7
In Your Face Guitar
Reading Tablature Tablature (or tab) is a number system for reading notes on the neck of a guitar. It does not require you to have knowledge of standard music notation. This system was designed specifically for the guitar. Most music for guitar is available in tab. Tablature is a crucial and essential part of playing guitar. The six lines of the tablature staff represent each of the six strings. The top line is the thinnest (highest pitched) string. The bottom line is the thickest (lowest pitched) string. The lines in between are the 2nd through 5th strings. The numbers placed directly on these lines show you the fret number to play the note. At the bottom, underneath the staff, is a series of numbers. These numbers show you which left hand fingers you should use to fret the notes.
first string (thinnest)
fret number
sixth string (thickest) left hand fingering
8
In Your Face Guitar
DVD 1
Tuning
Alexi Laiho uses two different tunings in his music. One tuning he uses is “D” tuning and the Dropped “C” Tuning other is Drop “C” tuning. Below are the tuning notes for each, notice that the only difference Dropped “C” Tuning = D = C you will see an icon for the tuning between the two is the note on the 6th string. On each page = = used in the example. The icons for each are =D Ashown below. =C G If you do not have a tuner, go to the Lesson Support site at RockHouseMethod.com = A to download = G one for free.
=F =F
=C =C
“D” Tuning “D” = DTuning= C = = =D A =C G = = =A F =G D =F =D Dropped “C” Tuning Dropped = D “C” Tuning =C (thinnest string) = D = (thinnest string) =A =C G = A = =F =G C (thickest string) =F = C (thickest string)
(thinnest string) (thinnest string)
9
“D” Tuning “D” = DTuning= C = = =D A =C G = = =A F =G D (thickest string) =F = D (thickest string)
In Your Face Guitar
Chapter One Scale Patterns & Sequences
In Your Face Guitar
C Major Scale Sequences Pattern 1
12
15
C Major Scale Pattern
20
19
17
19
17
21
19
20
19
18
17
17
21
20
20
19
17
19
18
22
21
20
20
24
19
17
19
21
22
17
19
21
20
Pattern 2
3
8 10 12
13 12 10
11
5
8 10 12 8 10 12
13 12 10 13 12 10
7
9
9 10 12 9 10 12
12 10 9 12 10 9
9 10 12 9 10 12
12 10 9 12 10 9
12
10 12 13
12 10 8
15
10 12 13
12 10 8
10 12 13
12 10 8
17
In Your Face Guitar
E Minor Scale Pattern #1
3 12 14 15 14 12
5
7
15 13 12 10 12 13 12 10
12 11 9
9
7 9 11 9 7
12
10 9 7
15
5 7 9 7 5
9 7 5
17
7
E Minor Scale Pattern #2
3 1412151412
5
151312 1312151312
7
141211 1211141211
9
12
141210 10 91210 9 1210 9
15
1210141210
17
141210 12
12
In Your Face Guitar
E Minor Scale Pattern #3
3
15
12
14
15
5
14
7
12
12
15
9
13
15
12
13
12
15
11
14
12
17
14
12
11
14
10
12
14
12
10
10
14
12
14
12
10
10
14
12
14
12
10
14
12
11
12
Combining Patterns 15
12
14
15
14
12
15
13
12
13
15
13
12
12
14
12
11
13
12
10
14
12
10
12
14
12
10
14
12
10
12
14
12
10
12
10
14
10
12
In Your Face Guitar E Minor Scale Pattern #3 - Sixteenths 15
12
14
15
14
12
15
12
13
15
13
12
14
11
12
14
12
11
14
10
12
14
12
10
14
10
12
14
12
10
14
10
12
14
12
14
12
10
12
E Minor Scale Pattern #3 - Triplets 15
12
14
15
14
12
15
12
13
15
13
12
14
11
12
11
14
10
12
14
12
10
14
10
12
14
12
10
14
10
12
14
12
10
12
Full Scale Run #1 “In Your Face” 13
10
12
13
12
10
10
7
9
10
9
7
10
10
11
13
8
7
13
10
11
8
10
7
11
8
8
5
10
7
11
8
10
7
8
5
8
8
9
10
7
5
10
8
9
7
7
5
14
In Your Face Guitar
Full Scale Run #2 “Bodom Beach Terror” Basic Lick
17
17
19
20
17
19
17
19
20
17
19
19
20
17
19
17
20
17
19
20
17
19
10
12
14
10
12
10
12
14
10
12
3
5
7
3
5
3
5
7
3
5
15
17
10
13
10
13
17
20
19
20
17
19
20
19
20
17
19
20
12
13
10
12
13
12
13
10
12
13
Descending Neck Run in “Em” 20
17
20
7
7
3
3
19
20
17
19
20
19
20
17
19
20
14
15
17
14
15
14
15
17
14
15
7
8
10
7
8
7
8
10
7
8
5
7
3
5
7
5
7
3
5
7
17
17
10
10
14
14
8
8
5
5
15
17
13
15
17
15
17
13
15
17
8
10
7
8
10
8
10
7
8
10
In Your Face Guitar
Pentatonic Scale Sequences The first two sequences will be played using the minor pentatonic scale diagrammed below.
3
5
7
9
12
15
17
Sequence Pattern 1 #1 Descending P.M.
15 12
15 12
14 12
15 12
14 12
14 12
14 12
14 12
14 12
14 12
14 12
Pattern 2 #2 Descending Sequence 15 12
12 15
15
12
12 14
15 12
12 14
15 12 1 1/2
15 12
13 14
12
14 12 12 14 14 12 14
12 14
14 14 12 12 12 11 14 14 14 12
12 14
12 17
12 14 14 12 12 14 14 12
15
14 12
15 14 12
Sequence Pattern 3 #3 Ascending H
In the17following sequence Alexi12uses the same root position minor pentatonic scale, however; 15 12 15 12 17 17 into 15 the pattern 17 15 12for more12 hePattern adds 1a few extra notes tonal color. Note the added b5 and major 6th 17 15 17 15 14 12 14 degrees within the scale as well as a 4th added on the 1st string 17th fret.14 12 13 14 14
P.M.
15 12
15 12
14 12
15 12
3
x
6
14 12
5
14 12
7
14 12
6
14 12
9
14 12
b5 14
12
12
14 12
15
Pattern 2
12 15
15 12 17 1 1/2
12 14
12 14
13 14
12 14
12 14
11 14
12 14
12 14
12 14
12 14
12 17
15
16
Pattern 3 H
14 12
14 12
14 12
14 12
14 12
In Your Face Guitar
Pattern 2
14 12
14 12
14 12
15 12 1 1/2
Combining Pentatonic Scale Patterns 12 15
12 14
12 14
12 14
13 14
12 14
11 14
12 14
12 14
12 14
12 14
12 17
15
Pattern #1 Pattern 3
17 15 12
17
15 12
17 15
H
12
17 15 12
17 15
12
17
15 14 12
14
14
14
12 13
14
Pattern #2 Two String Sequence 5th pos.
3
2nd pos.
5
7 1st pos.
4th pos.
9
12 3rd pos.
15
17 5th pos.
Repeat All 4x with P.M.
17
5
12
3
10
5
12
3
10
5
13
3
10
8
5
8
5
15
12
15
12
8
5
15
13
10
8
10
8
17
15
17
15
10
8
17
15
In Your Face Guitar
Chapter Two Arpeggios
In Your Face Guitar
Three String Arpeggios E Minor
19
15
19
15
19
15
G Major 22
19
15 19
22
19
22
19
22 20
19 17
20
17
17
P
H
P
20
19
15
19
15
17
20
17
17
20
17
H P 17 17 H 20 P 17 16
H 17
P 20
17
19
19 19
19
16 19
20
19
20
19
20 19
19 20
19
20
19
19
15 19 15 17 16 17 Arpeggio 15 15 19 Progression 17 16 17 16 H P H P 17
16
17 20
17
15 H 19 P15
16
17
F# Diminished 20 17
H
16
17
17
17
20 20 20
20
20
H
P
H
P
sl.
15 H 19 P20 15 15
19
15
15
19
15
H 15 19 19 19
19
17 17 17
P H
19
15
16 16 16
17 17
17
17
20
17
H 17
P 20
17
19
19 19
19
P
19
22
19
22
19
H
H P 17 17 17 H 20 P 17 16 20
H
sl. 19
sl.
17
P
19 22 P 19 sl. H
17
P
H
20 20 20
20
19 19 19 19
19
P 22
20 20 20
H
19 19 19
20 20
P
19
H 20P 15 H 19 P 15 19 15
19
15
15
19
15
H 15
20
P 19
15
20 17 17 17
17
H
P
H
P
19H 22 P 19 19
22
19
19
22
19
H 19
16 16 16
16
P 22 17 17 17
17
20 20 20
19 19 19
20 20 20
20 20 15 19 15
19
15
15
In Your Face Guitar
String Skipping Arpeggios Em
P 15
P
12
12
12
16
Dmaj
Amaj
H
P
14
12
14
P
16
12
11
14
H 10
10
F#dim
P
10 11
P
14
H
10 14
P
14
11
11
12
P
14
H 11
11
14
11
14
13
11
14
Sweep Tap Six String Arpeggios Em
C H
H
15 19
19
17
16
17
TP
P
15 19 24 19 15
H 17
16 12 15
15
14
12
13
TP
P
12 15 20 15 12
13
12
F#Dim
D H
H
H
14 17
17
16
14
15
TP
P
14 17 22 17 14
H 15
14 15 18
H
16
14 17
16
TP
P
14 17 23 17 14
16
17
20
In Your Face Guitar
String Skipping Diminished Arpeggio sl. 1916
sl.
19 1512 1916
sl.
14 1815 1512
sl.
18 12
9
1815
sl.
12 1512 12 9
sl.
15 9 6 15 12
8 12 9
6 3
9 6
12 9
6 3 0
D Major String Skip & Tap Arpeggio P 14
P
10
11
H
10 14
H 10
14
11
12
11
14
sl. 17
P 14
14
P 15
14
15
14
17
T P 22
17
PT P 22
17
P 14
15
Arpeggio Combining Techniques P
P
15 12
21
H
12 16
H
sl. P
12 15 19 15 16 12
14
12 16
H 17
16
17
sl. P
15 19 22 19
P 20
19
20
19 22 22
full
22
In Your Face Guitar
Five String Arpeggio Pattern Em
Bbº
P
P
19 15
17
16
17
H
P
19 14 19
17
16
17
P
15 19 15
17
Em
18 15 16
17
P
17
16
17
H
19 14 19
P
17
16
17
15 19 15
15 12 16
17
19
17
12
14
15 10
17
18 15
17
18
E
sl.
13
P
15 18
G
P
17
H
18 15
C
P 19 15
P
sl. P
9
7
8
7 10 17 14
15
14
22
In Your Face Guitar
Chapter Three Writing A Harmony Guitar Section
=D =A =F
=C =G =C
In Your Face Guitar
“D” Tuning =D =C =A =G =F =D
Verse Harmony Section “Blooddrunk”
Dropped “C” Tuning =D =C (thinnest string) =A =G =F = C (thickest string)
Guitar 1 “D” Tuning (thinnest string)
=P.M. D =A =F
0
=C =G = D (thickest string)
3 3
0 0 0
0 0
4 4
P.M.
0
8
0
5
7
7 6
0
2 2
0 0 0
0 0
3 3
7
10 7
6
0
0
0
0
7
5
8
6
0
0
0
2 2
0
0 0
3 3
0 0
0
0
0
0
0
0 0
4 4
0
0
5
7
7
0 0 0
6 6
8 6
0 0
6 0
0
0
2 2
0 0
3 3
4 4
0 0
3 3
0
0
5
0 0
3 3
7
9
8
10
9
6 0
8 6
0
P.M.
7
8 6
10 0
P.M.
P.M.
3 3
4 4
Guitar 2 - Harmony P.M.
0 0 0
P.M.
P.M.
0 0 0
2 2
0 0
3 3
0 0
6 6
0 0
8 6
8 6
8 6
24
In Your Face Guitar
Harmony Section “Follow the Reaper” Chorus Melody
12
12
10
8
10
12
10
10
10
8
8
12
10
12
10
8
7
7
8
10
Harmony Line
5
7
5
5
7
10
7
10
10
7
Pivoting Harmony Section “Smile Pretty for the Devil” Melody
5
5
10 25
3x 7
7
7
7
9
5
7
7
9
5
8
7
7
9
5
10
7
9
5
10
7
9
9
10
5
10
7
5
9
10
3x
12
12
10
14
10
14
12
10
12
10
12
14
10
12
10
5
7
10
7
7
In Your Face Guitar 8
7
9
10
9
10
9
10
9
10
10
3x
10
7
12
12
12
12
10
12
14
14
10
15
14
14
12
16
10
17
12
16
10
17
12
14
16
17
10
17
12
10
16
17
Harmony
7
12
3x
9
7
9
9
9
12
12
10
8
12
10
10
9
8
10
12
12
9
10
12
12
9
10
10
14
12
10
9
12
12
10
3x
14
14
17
15
17
15
14
17
14
17
14
15
17
14
17
12
14
14
17
15
17
15
17
19
17
19
17
21
17
19
26
In Your Face Guitar
Chapter Four Warm Up Exercises
27
In Your Face Guitar
Pivoting Exercise Basic Pattern
Variation Moving Across the Neck
1013121310131213101312 1310131213 10131213 7 10 8 10 8 1210 12 5 8 7 8
sl.
7 10 8 10 4 7 5 7 5
Pivoting Exercise #2
14 12 11 12
10
12 11 12
12
12 11 12
14
12 11 12
15
14 15 12 15 10 15
14
15
12
15
11
COBHC 28
In Your Face Guitar
Classical Exercise sl.
7 10 9 10 7
8
7
P
8
7 10 12 9
8
7
sl.
P
10 7
8
7
7
7
8
4
5
5
4
10
11
10 14 12 9
P
7 12 9
4
9
12
10
9 14
15
9
9
9
10
6
7
6
7
6
10
9
sl.
P 10
14 17 12 9
7
Classical Bach Exercise
5
7
8
7
5
8
4
8
7
5
8
7
8
7
7
5
6
3
5
5
3
6
5
6
2
6
5
3
3 5 6
5 3 3
6 5 3 5 1 3 5
1 3
3 1 2
5 3 2 3 5 6 3 5 6
29
1
3 2 0
3 2 3
0 0 2 0 0
2 3 5 2 3 5
X
3
6
A.H. full
3
H P
2 0
0
5
sl. 3 5
6
1 3 3
1
1
3
1
3 2 0
1 3 2
0 2 4
0 2 3 2 0
3
sl.
3 5 6
3 5
5 3 3
In Your Face Guitar 1 3
6 5 3 5 1 3 5
3 1
2
5 3 2 3 5 6 3 5 6
1
3 2 0
3 2 3
0 0 2 0 0
1
1
1
1
3
3 3
3 2 0
3
3
1 3 2
0 2 4
0 2 3 2 0
3
2 0
3 3
0 2 3
0
2 3
1 3
0 1
1 0 1
3 1 0 1 0 3 1 0
2 1 2 1
4 2 0
24
12
0
01
310
4
212
013
10
0 1
5 4 2 0 5
310
3
0 2 4
1 2
1 0
2 1
0
4 2
H P
full
H P
2 0
2 3 5 2 3 5
X
0
A.H.
A.H.
3 1 3 1 0
013
2
04
23023
13
31 2
3
sl. 1
2
0
0
1
0
2
0
3
X
5
6
3
5
6
2
6
5
3
6
5
6
3
2
0 2
2
3
2
2
3
0
3
0
N.H.
1
3
2
0
3
3 4
0
2
3
0
2
3 3
2
0
3 3 3 3
3 3 3 3
30
In Your Face Guitar
Chapter Five Writing a Lead
31
In Your Face Guitar
Writing a Lead “Blooddrunk” Solo
Dropped “C” Tuning =D =C =A =G =F =C
In this lesson Alexi shows how he creates a lead by improvising over the rhythm and finding sec“D” Tuning = D C tions that =work best each time to build a great lead. I have included the Blooddrunk rhythm so =A =G you =can see the chord changes that corresponnd with the lead. The rhythm is played in drop C F =D tuning but Alexi uses D tuning to play the lead. Dropped “C” Tuning =D =C (thinnest string) =A =G 2 =F = C (thickest string)
4 4 4
2 0
0 0 0
Ex. 2 “D” Tuning =D =A =F
(thinnest string)
C
D
E
F#
G
C
B
C
E
F#
G
F#
121415
17 19 20
E
12 14 15 121416
B
C
D
E
F#
G
F#
G
A
D
D
E
G
A
A
B
15
17
17
19
1214
12 13 15
Second Position
12 14
12 13 15
141517
14 15 17
14 16 17
17 19
16 17 19
141517
141617
14 16 17
15 17
16 17 19
17 19 20
12 14 15
12 14 15
Third Position
D
B
12 14 15
14 15 17
C
C
Second Position
B
B
15
2 2 2
A
A
12 14 16
0 0 0
A F#
4 4 4
A
E
5 5 5
G
D
Position First
121415
F#
A
12
2 2 0
4 4 4
G
First Position
5 5 5
=C =G = D (thickest string) F# G E
B
2 2 0
4 4 4
14 16 17
15 17
Third Position
171920
1719
161719
16 17 19
2 2 2
C
14 15 17
2 2 2
17 19 20
17 19 20
14 15 17
17 19 20
32
In Your Face Guitar
Writing a Lead “Blooddrunk” Solo Solo 1 full
17 16
P
full
17 16
16
T P H
full
T P H
T P
1/2
21 14 17 19 14 17
H
17
17
16 14
P H
1/2
1/2
1/2
T P
H
1/2
(17) 14 17 19 14 17
T P
H
19 14 17
17
1/2
19 14 17 17
(17)
1/2
17
17
14 14
16
21 17 21 17 15
17
1/2
19 14 17
19 15 15
15
15
P.M.
1/2
14 16 17
(17)
H
1/2
sl. 1/2
T P
1/2
14 16 17 16 14
17 14 15 17 15 14
16 13 14 16 14 13
16 12 14 16 14 12
Tremolo Picked P.M.
12
14
16
14
11
14
12
14
16
12
14
17
14
16
17
33
17
19
16
18
19
1/2
19
16
17
19
P.M.
14
17
19
19
16
1/2
(19)
18
P 17 19
19
1/2
16
1/2
(19)
18
P 17 19
19
18
16
1/2
1/2
(19)
P 17
19
16
18
19
17
19
21
w/bar
16
17
16
P.M.
19
17
16
18
19
1/2
19
17
19
19
In Your Face Guitar
16
1/2
(19)
18
19
P
16
1/2
17 19
1/2
18
P
(19)
1/2
17 19
18
16
19
1/2
(19)
1/2
5
19
17
17
17
15
1/2
14
17
13
full
17
X
X
17
17
17
17
17
(17) 14
17
14
16
14 15
14
16
sl.
15
15
14
16
14
15
14
16
14
15
15
H 17
15
P 14
17
sl. 17
17
17
14
24
P 21
H 17
19
18
19
21
17
21
17
19
14
18
TH
17
1/2
16
21
full
10
1/2
17
full
8
rake
H
0
12
17
17
17
w/bar
full
7
w/bar
18
21
w/bar 1/2
16
19
P
Solo 2
19
17
17
TH 21
24
P 21
H 17
19
18
19
17
TP 21
24
18
19
17
1 1/2
21
34
In Your Face Guitar
H 21
20
19
17
19
17
19
17
17
19
17
17
19
17
19
Solo 3 14
16
17
16
14
17
14
16
17
16
14
17
14
16
17
16
14
17
14
16
17
16
14
17
14
16
17
16
14
17
14
16
17
16
14
17
19
16
17
19
16
17
19
16
17
19
16
17
hold bend
T
full
P
22
19
P 21
w/bar
15
35
3
16
17
16
14
17
17
21
17
17
hold bend
P
1/2
14
14
P.H.
17
14
16
14
14
16
16
19
15
sl.
14
(16)
15
15
16
P.H.
15
0
15
2
4
sl. 2
5
4
2
5
4
2
4
2
4
2
2
4
2
4
6
4
5
4
5
T
full
P
22
19
P 21
15
17
16
14
17
17
21
17
17
P
1/2
14
14
16
16
14
16
P.H.
16
15
19
15
sl.
14
(16)
3
15
15
hold bend
14
14
P.H.
16
w/bar
In Your Face Guitar
17
0
sl. 2
5
4
2
5
4
2
4
2
4
sl. 5
7
4
2
2
2
4
6
5
4
w/bar
14
16
full
7
P 9
7
0
7
A.H.
5
5
4
7 3
Solo 4
2
4
w/bar
15
17
14
16
H
14
14
X
H P
full
17
15
1/2
14
16
TP H
full
14 17 14 19 14 17 17
14
15
16
14
15
16
full
19 14 17 17
16
14
15
17 16
14
T P H
16
1/2
17 16
TP H
14
16
16
full
19 14 17
17
17
14
1/2
14
1/2
17 16
17 16
TP H
full
19 14 17 17
16
17
14
14
14
16
17
17
14
16
17
36
In Your Face Guitar
14
15
16
14
15
P 14
17
17
17
14
14
17
17
19
17
Lick 1 T P
H
T
P
1/2
19 14 17 19 17
14
15
16
P 14
14
14
17
19
T
P
H
17
14
P 17
14
14
14
w/bar
21
16
P 14
14
15
14
16
16
14
14
14
T 14
17
16
14
17
P
19
14
21
16
17
17
17
16 18
T
1/2
19 14 17 19 17
14 15 16 14 15 16
14 15 16 14 15 16
19
17
17
17
19
T
P
H
19
T
P
17
1/2
19 14 17 19 17
14 16 17 14
19
19
21
T
P
19
H
T
16 17
15
P
19 14 17 19 17
14 16 17 14 16 17
37Lick 3 21
1/2
(17)
Lick 2
17
P
19
P
16
full
1/2
17
14
H 14
21
17
15
1/2
In Your Face Guitar 14 16 17 14
14 15 16 14 15 16
14 15 16 14 15 16
16 17
14 16 17 14 16 17
Lick 3 21
17
17
18
21
19
15
15
18
16
19
19
Lead Technique Tapping Sequence Lick 1 H
H
15
17
T P
TP
H
P
17
15
19
P
H
T P
T P 19
TP
20
P
P
T P 19
T P
21 19 21 19 17 16 24 19 24 19 17 16
P
20
TP
19
P
P 17
P
T P 15
T P
T P
20
TP
19
P
20
P 19
P 17
15
P
21 19 21 19 17 16 24 19 24 19 17 16
21
Lick 2 T P
19
H
12
T P
20
T P
15
17
H 12
H
12
T P
15
19
T P 15
17
H
12
H 12
T P
14
17
H
12
T P 15
19
T P
14
H 12
19
H
12
T P
14
T P 15
17
17
H
12
T P
14
12
T P
14
16
H
12
15
H 12
19
H
full
15
22
38
T P
H
H
T P
H
T P
H
T P
H
T P
H
In Your Face Guitar 19
12
15
T P
T P
20
17
H 12
12
19
15
T P 15
17
12
H 12
14
17
12
T P
14
H 12
19
15
12
19
14
17
T P 15
12
T P
14
12
12
19
T P
14
16
H
12
15
H
17
H
full
15
22
Complete Lead “Everytime I Die” Part I
w/bar
19
17
14
w/bar
15
17
Harm.
T
19
P
full
(19)
w/bar
P
14
12
12
(7 )
5
0
17
13
(5 )
Part II
16
17
20
16
17
17
16
17
20
16
w/bar
20
39
18
19 17
18
17 17
17
20
19
17
17
16
P 17
20
P 17
19
17
20
16
H 17
20
17
In Your Face Guitar w/bar
20
19
18
17
18
17
17
17
20
P 17
20
P 17
20
19
H 17
20
17
Part III P
1 1/2
(20)
20
17
17
20
Part IV
17
19
20
20
17
18
17
19
19
19
17
1/2
P (19 )
19
17
19
Part V 20
17
20 17
IPart V
17
20
17
19 17
20 19
17
20
17
19 17
19 17
19 17
H
H
20
19
19
17
17
17
17
20 19
17
19 17 19 17 19 17
T P 20
17
24
20
17
20 19
17
19 17 19 17 19 17
P 20
17
20
20 19
17
19
17
17
P 17
17
17
19
19
20
17
40
In Your Face Guitar
Chapter Six Infusing Other Styles Into Metal
In Your Face Guitar
Funk Techniques for Metal Guitar Rhythm 1
15
X
X
X
15
X
X
X
15
X
X
X
15
X
X
X
12
X
X
X
12
X
X
X
12
X
X
X
12
X
X
X
Rhythm 2
15 X X X 14 X X X 14 X X X 13 X X X
15 X X 14
X X X 14 X X X 13 X X X
12 X X X 11 X X X 10 X X X
12 X X 11
X X X 10 X X X
9
X X X
Rhythm 3
Triplet
Triplet
15 X X 14
X X X 14 X X X 13 X X X
12 X X X 11 X X X 10 X X X
12 X X 11
X X X 10 X X X
2 2
9
X X X
X X
2 2
9
X X X
X X
5 5
X X
X X
7 7
X X
X X
4 5
5 5
0
0
X X X
15 X X X 14 X X X 14 X X X 13 X X X
Metal Riff
9
X X
X X
5 5
X X
X X
7 7
0
0
0
0
0
0
With Palm Slide To Create Harmonics H
X
X
X
4 5
5 5
3
P
5
3
In Your Face Riff 1/2
11 14
1/2
1/2
11 14 11 13
13 13 10 13
11 13
11 13
11 16
11 14
1/2
11 14
sl.
10 11 X X 11 12 X X 10 11
sl. X X X
10 11 11 12 10 11
X X X
14 14 11
42
In Your Face Guitar
Blues Techniques for Metal Guitar Lick 1 13
10
13
10
12
10
12
10
12
Lick 2 13
10
10
13
13
12
10
12
Lick 3 13
10
10
12
12
10
12
Lick 4 1/2
43
12
1/2
13
13
13
In Your Face Guitar Blues-Metal Solo 1/2
1/2
10 10 10 10 10 10
10 13
10 10 10 10 10 10
13
13 10
12
13 10 12 10
10
12
13 12 10 10
12 12
10
1/2
10 13
10 12
10 12
10 12
10 12
15 10
13 10
13 10 12 13 12
P.H.
1/2
10 10 10
13 10
10 12 12
sl. sl.
12 10
12 11 10 8
1/2
10
10
13 10
12
13
13
10 10
13
10
13
10
12 10
13
12 10
12
P sl.
10 12 10 8 10
1/2
10
10
13 10
12
10
10
sl. 10
10
10 12
13 10 12 10
full
14
13 15
13 15
P (15) 13 15
44
In Your Face Guitar
DVD 2
Chapter Seven Bending
In Your Face Guitar
The Scream Bend sl.
sl.
P full
16
17
16
full
full
17 17 17 17
17 15
17 17
17
16
15 17
17
full
17 17
17 17
full
17 17
17 17
17 17
The Over Bend full
19
1 1/2
19
19
19
sl.
17
19
17
19
sl.
1 1/2
19
18
17
15 19
17
15
15
17
18
19
15
16
17
46
In Your Face Guitar
Intro a Riff with a Bend
full
15
15
12
1/2 full
17
15 12
12
14
15 12
19
17
14
12
14
12
14
14
P
P
P
14
14
14 12
P sl.
P
full
47
14 12
17
1/2
12
19 14
14
1/2
1/2
The Semitone Bend
15 12
17
full
P
15
19
1/2
1/2
1/2
19
15
full
1/2
12
15 12 14 12
14
12
14 12
14
14 12
14 12
14
14
14
12
14 12
14 12 10
P
H sl.
12 10 12 14
In Your Face Guitar
Double Stop with the Whammy Bar
w/bar
full
15
15
w/bar
-1
-1
full
22
22
Bend and Tap T
P
P
T
full
P
full
15
19
Dropped “C” Tuning =D =A =F
P
19
15
12
14
15
15
14
12
14
=C =G =C
“D” Tuning =D =C =A =G =F =D
Bending as a Rhythm Technique “Living Dead Beat”
Dropped “C” Tuning =D =C (thinnest string) =A =G =F = C (thickest string)
(thinnest string)
P.M. full “D” Tuning =D =C =A =G =F = D (thickest string)
0
0
0
0
3
P.M.
3
0
0
0
0
0
0
0
0
0
0
P.M. full
1
1
0
0
0
0
7 x 5
7 x 5
7 x 5
7 x 5
48
In Your Face Guitar
Chapter Eight Crazy Guitar Sounds
=F
=C
In Your Face Guitar
“D” Tuning =D =C =A =G =F =D
Dropped “C” Tuning =D =C (thinnest string) =A =G =F = C (thickest string)
(thinnest string)
Pick Scrapes
X “D” X Tuning = DX =C =A =F
=G = D (thickest string)
X X X
0 0 0
"The Hangover Hand"
X X X
X X X
X X X
X X X
Dropped “C” Tuning =D =C X =A =G =F =C
“D” Tuning =D =C =A =G =F =D
Dropped “C” Tuning =D =C (thinnest string) =A =G =F = C (thickest string)
(thinnest string)
“D” Tuning =D =C =A =G =F = D (thickest string)
(3)
N.H.
3
3
3
3
0 0
sl.
N.H.
(3)
(3)
0 0
Rake Harmonics “Six Pounder”
N.H.
0 0 0
0 6 5 3 0 4 3 1 0 6 5 3 0 4 3 1
(3) 0 0 0 (3) 0 0 0 0 0 0 0 0 0 0 0
0 6 5 3 0 4 3 1 0 6 5 3 0 4 3 1
sl.
5 4 0 0 2 3 0 0 3 2 0 0 2 3 0 0
0 0 0
50
In Your Face Guitar
Chapter Nine Syncopations
=F
=C
In Your Face Guitar
“D” Tuning =D =C =A =G =F =D
Syncopated Rhythm “Roadkill Morning”
Dropped “C” Tuning =D =C (thinnest string) =A =G =F = C (thickest string)
(thinnest string)
“D” Tuning =D =C =A =G =F = D (thickest string)
0
0
X
X
X
P.M.
7 5
7 5
0
0
0
0
0
9 7
9 7
X
X
0 0 0 0 0
0
0
0 0
X
X
X
7
8
5
10 8
7
10 8
0
5 3
5 3
0
0
0
0
0
7
0
8
6
8
5 7 4
3 3 3 3 3
X
P.M.
7 8 5 7
X
P.M.
P.M.
X
Riff
X
3 3
7 5
7 5
52
=F
=C
In Your Face Guitar
“D” Tuning =D =C =A =G =F =D
Dropped “C” Tuning =D =C (thinnest string) =A =G =F = C (thickest string)
(thinnest string)
Syncopated Rhythm “Needled 24/7”
“D” Tuning =D =C =A =G =F = D (thickest string)
0
0
X
0
X
0
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
0
0
0
9 7
0
0
0
0
0
0
0
0
0
0
0
0
0
53
9 7
0
0
0
0
12 10
12 10
0
P.M.
10 8
0
Riff
0
0
P.M.
10 8
X
0
Riff
0
0
0
0
0
0
0
0
0
0
0
7
5
7
10 8
9 7
=F
=C
In Your Face Guitar
“D” Tuning =D =C =A =G =F =D
Syncopated Rhythm “Lobodomy”
Dropped “C” Tuning =D =C (thinnest string) =A =G =F = C (thickest string)
(thinnest string)
“D” Tuning =D =C =A =G =F = D (thickest string)
Riff
X X X
0
0 X
X X X
0 0 0 0 0 0
X X X
0
X
0 0
0 0 0 0 0
0 0 0
P.M.
0 0 0 0 0
0 0 0
0
X X X
0
X
0 0 0
7 8 5
0 0 0 0
6 0 0 0
7 8 5
X X X
X X X
3 3
3 3
0
6 0 0 0
0
0 0 0
0 0
P.M.
5 3
5 3 3 3
3 3 3
2 2
0 0 0 0 0 0
0 0 0
X X X
0
P.M.
P.M.
3 3
0 X 0
P.M.
3 3
X X X
P.M.
0 0 0 0
0 0
P.M.
X
P.M.
0
7
8
5
8
5
6
8
9
7 5
7
6
8
9
54
In Your Face Guitar
Chapter Ten Songwriting Dynamics
=D =A =F
=C =G =C
In Your Face Guitar
“D” Tuning =D =C =A =G =F =D
Dynamics - Playing Aggressive “In Your Face”
Dropped “C” Tuning =D =C (thinnest string) =A =G =F = C (thickest string)
P.M. “D” Tuning =D =C =A =G =F = D (thickest string) Dropped “C” Tuning 6 3 5 0 =D =C =A =G =F =C
(thinnest string)
“D” Tuning =D =C =A =G =F =D
6
3
5
5
0
0
6
3
5
2
6
2
“D” Tuning =D =C =A =G 6 5 0 =F = D (thickest string)
X 6
6
Dynamics - All Down Strums “Punch Me I Bleed”
Dropped “C” Tuning =D =C (thinnest string) =A =G =F = C (thickest string)
(thinnest string)
5
3
X 5
0 0
0 0 0
6 X 6
5 X 5
0 0 0
0
3
7
P.H.
P.M.
0 0 0
4
4
5
56
In Your Face Guitar
Chapter Eleven Playing Slow
In Your Face Guitar
Playing Slow “Punch Me I Bleed”
3
3
2
2
5
5
5
5
3
3
2
2
5
5
6
6
1
1
0
0
3
3
1.
1 1
2 2
3 3
2 2
1 1
2 2
3 3
0 0
3 3
1
0
0
1
0
0
3
3
5
2.
2 2
5 5
5 5
6 6
5 5
5 5
5 5
w/bar
3 3
2 2
5 5
5 5
5
6
58
In Your Face Guitar
Chapter Twelve Full Songs
=F
=C
In Your Face Guitar
“D” Tuning =D =C =A =G =F =D
“Blooddrunk”
Dropped “C” Tuning =D =C (thinnest string) =A =G =F = C (thickest string)
“D” Tuning =D =C (thinnest string)Intro =A =G =F = D (thickest string)
P.M.
P.M.
(3) 5 5 5
5 5 5
5 5 5
8 6
8 6
8 6
8
0
8
0
0
N.H.
rake
(3)
(3)
(3)
0
3 3 (3) 3
(3)
P.M.
3 3 3
3 3 3
3 3 3
3 3 3
5 3
Main Melody 13
10
10
15
13
13
12
15
14
15
13
13
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
0 0 0
Harmony P.M.
3 3 3
P.M.
0 0 0
P.M.
0 0 0 P.M.
0 0 0
4 4 4
0 0 0
P.M.
0 0 0
13
0 0 0
0 0 0
P.M.
12
10
10
13
12
13
13
0 0 0
5
7
0 0 0
6
0 0 0
0 0 0
P.M.
8
15
5
7
6
0 0 0
0 0 0
0 0 0
P.M.
10
8
P.M.
8
13
13 15
P.M.
3 3 3
13
13
14
P.M.
4 4 4
13 12
12
15
12
P.M.
12
10
Verse Rhythm
12
12
13
10
2 2 2
2 2 2
8
14
12
15
8
P.M.
0 0 0
0 0 0
10
8
12
0 0 0
3 3 3
3 3 3
P.M.
7
7
6 6 6
6
10 7
8 8 8 6 6 6
60
0 0 0
0 0 0
0 0 0
0 0 0
4 4 4
Harmony Harmony P.M.
0 0 0
0 0 0
0 0 0
P.M.
0 0 0
0 0 0
0 0 0
3 3 3
0 0 0
0 0 0
4 4 4
0 0 0
4 4 4
0 0 0
P.M.
3 3 3
0 0 0
0 0 0
2 2 2 2 2 2 2
P.M.
7
5
0 0 0
6
5
5
6
7
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
Chorus
61
1.
P.M.
2 2 2 2 2 2
2 2 2
2 2 4 4 4 4 4 4 2
2 2 2
6
0 0 0
2 2 2
4 2 4 2 4 2
5 5 5
2.
2 2 2
0 0 0
0 0 0
2 2 2
2 2 2
0 0 0
2 2 2
2 2 2
2 2 2
2 2 2
3 3 3
10
3 3 3
9
10
8
6 6 6
9
8 8 8 6 6 6
4.
2 2 2 2 2 2 2 2 2 2 2 2
P.M.
4
0 0 0
2 2 2
P.M.
7.
5
2 2 2
0 0 0
0 0 0
8 8 8 6 6 6
P.M.
3.
2 5 4 2 2
2 2 2
P.M.
4 4 4
0 0 0
6.
2 2 2 2
0 0 0
P.M.
P.M.
6
2.
5.
2 2 2
7
6 6 6
3 3 3
2 2 2
P.M.
P.M.
0 2 0 2 2 0 2
0 0 0
0 0 0
0 0 0
0 0 0
6
1.
P.M.
8
P.M.
P.M.
0 0 0
0 0 0
0 0 0
P.M.
Bridge
In Your Face Guitar
3 3 3
0 0 0
3 5 3 5 3 5
2
0
2
4
5
8.
P
2 2 2
3 3 3
5 5 5
w/ bar 5
2 2 2
2
0
2
4
5
2 2 4 4 4 4 4 4 2
4 4 4
4 0 4 0 4 0
H
11 11 9 9 9 9 11 11 9 9 9 9 5 11 11 9 7 7 9 11 11 9 7 7 9 5 9 9 7 7 7 7 9 9 7 7 7 7 5
2 2 4 4 4 4 4 4 2
4 4 4
4 2 4 2 4 2
5 5 5
4 4 4
11 11 9 9 9 9 11 11 9 9 9 9 5 11 11 9 7 7 9 11 11 9 7 7 9 5 9 9 7 7 7 7 9 9 7 7 7 7 5
4 0 4 0 4 0
In Your Face Guitar 2.
1.
2 2 4 4 4 4 4 4 2
11 11 11 6 6 6 7 7 7 5 5 5 9 9 9 4 4 4 7 7 7 5 5 5 7 7 7 5 5 5
H
11 11 11 6 6 6 7 7 7 0 2 2 9 9 9 4 4 4 7 7 7 0 2 2 7 7 7 0 2 2
Breakdown
4 4 4
6 4
2 0
2.
1.
P.M.
4
44444
44
Keyboard Solo Rhythm P.M.
P.M.
6 6 6 666 68666666
full
full
X
H P P
full
24
full
24
15
17 15 17
44444 44 4
full
6 6 6 666 68666666
1.
911
P.M. P.M.
79
22
21
24
4
57 9
9 7 9 9 7 7 9 9 9 911 7 7 7 7 9
6
79
67
2.
9 9 9
2 2 2
H P P
full
14
14 16
14
17
17 16 14
21 19 21 19 17
17
19 17
1/2
14
17 14 16
141617
14
1617
1416
17
14 16 17 21 17 19 21 22 19 21 22 24 21 22 24
sl. 21
P.M.
1 1/2
24
4 7 911
P.M. P.M.
w/bar
10 12
full
19 17 19 17 15
P.M.
w/bar 5 7
* P.S. = Pick Slide
4
9 9 9 9 9 9 9 9 911 9 9 9 9 9 9
full
4
444444 44
P.M. P.M.
P.S.
Guitar Lead
2 4
4
7
0 0 0 0 0 0 0 0 0
21
22
22
22
2421 19
21
21
21
2219 17
19
17
19
211919 14
P.M. P.M.
15
16
15
1715
62
H P P
full
19 17 19 17 15
full
24
17 15 17
14
In Your Face Guitar 17 14 16
24
21
22
21
24
21
22
22
Main Riff
2
3
2
0
2
Verse P.M.
3 2
0 2 3 2
3 0 0 0 3
2421 19
21
3
0
21
2
2219 17
14 16 17 21 17 19 21 22 19 21 22 24 21 22 24
19
P.M.
0 6 0 6
0 0 2 0 3 0 2 0 0 2 0 3 0 2
17
19
211919 14
P.M. P.M.
15
16
15
1715
3
2
0
4 2
0 2
3 0 0 0 3
2 0
5
2
3 3.
4 2
0 5 0 5
0 0 0
P.H.
0 0 2 0 2 0 5 0 0 2 0 2 0 5
4 2
5 3
P.M.
P.H.
63
21
Bridge
17
5
6 3 0 2
22
1.
“D” Tuning =D =C =A =G =F = D (thickest string)
2.
1416
“Tie My Rope”
Dropped “C” Tuning =D =C (thinnest string) =A =G =F = C (thickest string)
0
1617
2 2 0 2 2 2 0 2 2 2 2 2 0 2
“D” Tuning =D =C =A =G =F =D
14
sl.
Dropped “C” Tuning =D =C =A =G =F =C
(thinnest string)
141617
full
24
15
1/2
7 7
2
0
P.H.
3 5
0 0
5 5 5 3 3 3
0 0 0
8 6
P.H.
0 0 2 0 3 0 2 0 0 2 0 3 0 2
2 0
7 5
7 5
9 7
5 7 5 7
1. P.M.
5
2
7 5
7 7 7 5 5 5
2.
7 7
7 7
9 9
10 10
X X 12 X X 11 X X 12 X X 14 X X 12 X X 12
5
In Your Face Guitar Breakdown
6 4
P.M.
6 4
6 4
4 2
6 4
4 2
6 4
4
4
4
0 0 2 2 0
4
P.M.
2 2 2
2 2 2
9 7
7 5
2 2
0 0
2 2
2
2
2
2
5 5 5
0
Chorus Melody 1/2
P.M.
15
15
13
13 13 13 13
13
1.
1/2
15
15
17
P.M.
15
13
17 15 13
15 15 15 15
17 17
15 15
13 13 15 15 15 15
13 13
2. 13 15 16 15 13
14
13
16
13 13
15 15
1/2
15
17
15
18 16 13
Keyboard Guitar Interlude First Part
H
13 11
11
13
11 14
H 13
H
20 18
18
20
18 21
11 13
H 13 11
11
13 11
11
13
16 14
14
16
14 18
H 16
14 16
16 14
14
16 14
H 20
18 20
14
16
1/4
20 18
18
20 18
18
20
23
21 23
23
21 23
23
21 23
23
21 23
23
64
11 18 10 Second Part 13
10
11
14 18
11 14
13
11 14
14 13 11 18
14
18
15 18
15
In Your Face Guitar
11 16 13 11
13 11
14
17
14 13 11
14
15
17
15 18
15 20 17 15
18 17 15
17 15
18
18 17 15
Second Part 13
13 11 17 15 17 15 20 17 15 17 14 14 13 11 18 18 17 15 15 15 18 20 10 20 18 20 22 2414 18 18 20 24 24 24 24 18 18 20 22 22 22 24 20 22 22 24 22 24 22 24 17 11
20
17
Ending 20 P
24
18
18
17 17
Ending Part I P
13
20
20
18 20 22
21
18
18
18 20 22
24
18 20 22 18 20 22 20H22 P
24
20 22
17
22
18 20
24
H
Part I
Part I P
11 16 13 11
18 20 22
22
24 17 17 15 12 Guitar Lead 22
Ending 17
11 14
15 12
17
15 12 22 17 21 17 15
17
15 12
17 15 H
17
22
22
21
22
17
24
12
H 17
17
17 15 15 12 15 12 12 17 17 24 17 2417 17 17 15 2212 15 1222 22 17 22 17 15 17 15 21 21
14 13 14 13
12
12 12
14
14 14
13 12 14 13
13 12 14 13 13 12 14 13
12
12 12
14
14 14
14 12 15 14
14 12 15 14 14 12 15 14
12
12 12
15 15
12
Part12III13 14 Part III
12 13 14 12 13 14
Part IV
22
21 17 15 14 12
12 12 13 14 12
12 14 15
15 12 17 15
12 12 13 14 12
12 14 15
12 12 13 14 12
12 14 15
12 14 15 14
1/2
24
22 14
17
14
24
14
12
H
TP
T
rake
P
P rake
X hold bend rake 20 17 22 17 17 15 17 full
17
TP
T
P
P
TP
T
P
P
17 1/2
20 17 22 17 17 15
20 17 22 17 17 15 X X
X
X X
17
1/2
1/2
17
1/2
12
14
1/2
12 14 15 14
17
17 15 14 12 14 12 14 14 24 24 17 17 12 22 22 17 15 14 12 14 12 21 14 14
15 12 17 15
24
22 24
H 12 P
full
12 14 15 14
22
21
15 12 17 15 hold bend
1/2
65
22
17
17
15
24
H
full
Part III
22 24
hold bend
Part II
24
P
Part II
Part14II 13
17
24
22 22 17 15 12 15 21 12 17 15
P17 15 12 15 12
22 24
24 24 24 24 22H 24 P 22 24 22 24 22 H24
P 24 12
24
22 24
15 12 14 12
1/2
14 14
12 1/2
12
15 12 14 12 15 12 14 12
15 14 12
15 14 12 15 14 12
14
14 14
14
14 14
14
14 14
12
12 12
17 15 12
17
15 12
17 15
12
17 15 12 15 12
12
17 15
In Your Face Guitar hold bend
Part II
full
14 13
12
14
13 12 14 13
12
14
14 12 15 14
12
15
15 12 17 15
1/2
12 13 14
12 14 15
12 12 13 14 12
12 14 15 14
17
TP
T
14
14
14
12
rake
P
P
1/2
20 17 22 17 17 15 X
Part III
17 15 14 12
17
X
1/2
12
14
15 12 14 12
15 14 12
14
14
14
12
Part IV
19
17
16
17
15 19 17 15
17 15
16 14
17 14
16 14
17
16 14
17
14
14
17 14
17 14
17 14
17 14
14
Whammy Dives
14
14
12
12
14
14
11
11
12
12
12
12
12
12
17 17
66
In Your Face Guitar
“Hatecrew Deathroll” Intro sl.
7 5
sl.
9 7
7 5
sl.
9 7
0
0
0
7 5
0
sl.
9 7
7 5
sl.
9 7
0
1.
0
2 0
2 0
sl.
7 5
9 7
2 0
2 0
sl.
P.M.
7 5
9 7
5 3
5 3
0
0
5 3
0
5 3
sl.
7 5
0
9 7
0
0
0
sl.
9 7
7 5
9
9
9
7
7
7
7
7
7
7
7
5
5
5
5
P.M.
9 7
0
0
0
2.
2 0
2 0
2 0
2 0
5 3
5 3
Verse sl.
7 5
sl.
9 7
7 5
P.M.
9 7
0
0
0
0
5 3
5 3
sl.
7 5
sl.
9 7
7 5
0
0
9 7
0
7 5
7 5
9 7
0
0
2.
sl.
sl.
9 7
7 5
P.M.
9 7
0
0
0
0
sl.
P.M.
1.
67
7 5
9
1.
0
9 7
2.
0
7 5
sl.
P.M.
0
7 5
9 7
X X X
X X X
sl.
sl.
P.M.
9 7
7 5
9 7
6 7
0
6 7
X X X
0
0
6 7
0
sl. 7
Verse
5
7 5
sl.
9 7
9 7
7 5
9 7
0
9 7
0
0
0
0
0
sl. 7 5
0
7 5
0
sl.
9 7
7 5
9 7
9 7
7 5
P.M.
0
9 7
0
0
2. 2.
2 20 0
2 20 0
2 20 0
0
0
2 20 0
5 53 3
5 53 3
5 53 3
5 53 3
0
0
0
0
1.1.
In Your Face Guitar
P.M.
7 5
0
0
sl.
7 5
7 5
0
9 7
9 7
P.M. P.M.
0 0
7 5
9 7
7 5
P.M.
9 7
0
0
0
0
0
0
0
0
6 6 7 7 7 7 5 5
6 6 7 7 7 7 5 5
6 6 7 7 7 7 5 5
0 0
0 0
sl.
Bridge
1
1
0
4
0
1
1
1.
P.M. 10 1 0 0 0 8 10 1. 8 P.M.
Bridge 2
0
12 0 1 10 0 0 0
0
9
8 8 Break Transition Riff 9 9
0
07 0
0
8 9 A.H.9 A.H. 5 7 5
12 10
P.M. P.M.
0
0
A.H.
Verse 0
sl.
0
sl.
P.M.
P.M.
0
P.M. 9P.M.
P.M.
7 7 9 9 7
7 7 9 9 7
7 7 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
07
4
0
1
0
0
1
0
4
0
2.
Bridge 2
0
P.M.
5
P.M.
4
0
0 7 7 9 9 0 70
0
1
0 0 0 0
0 0 0 0 7 7 9 09 0 7
5
0 0
0 0 0
0
0
0
7 7 A.H. 9P.M. A.H. P.M. 5 90 5 7 0
P.M.
1 0
P.M.9 9 8
P.M.
07 0
w/bar
sl. 3
P.M.
P.M.
P.M.
9 07 10 0
10 12 0 8 4 0 101 0 0 0
2. 0 0
sl.
P.M.
10 8
0 0
0 8 9 9 7
7 8 8 6
7 8 8 6
7 8 8 6
8 9 9 7
8 9 9 7
8 9 9 7
0
12 10
8 9 A.H. 9 A.H. 5 7 5
7 10
P.M. P.M.
0 0
sl.
9
9 10 1 7 0 10 4 0
9 7 10 7 7 9 09 0 7
7 7 9 09 07
sl.
9
9 10
3x 7 7 A.H. P.M. 9 A.H. P.M. 9 5 0 5 70
P.M.
68
P.M.
0
0
A.H.
A.H.
P.M.
5
0
0
0
P.M.
P.M.
0
0
5
0
A.H.
5
0
0
P.M. P.M. 15 17 17 14 17 14
P.M.
In Your Face Guitar
A.H.
0
5
17
Solo 1/2 Bridge 3
P.M.
15 14
12 3 3
0
14
0
3 3
0
5
1/2
P.M. 15
6 6
0
P.M. 18 15
17 3 3
0
0
0
3 3
0
11
14
8 9 9 7
8 9 9 7 17
13
8 9 9 7
17
17
17
P.M.
3 3
19
11
0
0
15
0
11
13
7 7 9 9 7 16
16
10 7 7 9 9 7
P.M.
3 3
17
7 12 7 9 9 7 22 22
P.M.
6 6
0 19
0 17
2. 14
13
22
P.M.
3 3 15
0 17
0 15
8 9 9 7
22
0
12 8 9 9 7
21
21
3 3
0 15
11
14
0
0
12
15
14
8 9 9 7 21
7 8 8 6 15
P.M.
6 6
0
15
14
P.M.
8 9 9 7
8 9 9 7
7 7 9 9 7
12
0 12
12
12
14
3 3 10
0
0
12
7 7 9 9 7
7 7 9 9 7
69
3 3
0
14
0
12
15
17
0
11
14
15
P.M.
3 3 10
A.H.
0
12
7 8 8 6
0
10
14 6 6
7 8 8 6
w/bar
5
P.M.
15 12 15 12
P.M.
P.M.
6 6
0 7
17
10
0 8
7
0
5
Chorus
13 12
0
P.M.
2.
1.
8 9 9 7
3 3
15
sl.
11
16
6 6
0
sl. 1. 14
5
3
full
P.M. (17)
0
P.M.
w/bar
0
A.H.
P.M.
1/2
12 15 14 12
15
14
12 12
13
12 14
10
10 14 12
12
12 15 14 12
15
15
15 12 15 12
14
12 0
12 10 10 8 0 8 0
0
Transition Riff Transition Riff P.M. P.M.
08 7
0 0
A.H. A.H.
P.M. P.M.
1/2
P.M.
12 10 12 14 8 14
0
0
0 7 0 8
7
17
1/2
full full
0 0
A.H. A.H.
0 0
P.M. P.M.
95 5 5
10 10 8 0 8 0
50 9 0
0 0
P.M. P.M.
0 0 7
14 17 14w/bar 10 14 15 10
14 14
11 11
13 13
11 11
12
12
15 15 17 17
19 19
15 15
17 17
19 19
17 17
9
0 100
9 10 7 10 9 10 7 10 A.H. A.H.
7
5 7 5
3x 3x P.M. P.M.
9
9
0 0
7
7
1/2
15
15
0
0
0
0
0
10 10
11 11
0
0
15 12
15 12
14
17 17
0
P.M.
14 15 14 15 12 15 12 12 8 15 12 15 12 2 12 15 14 8 214 0 6 0 0 0
sl. sl.
12 12
13 13
14 14
11 11
12 12
14 14
22 22 22 22 21 21 21 22 22 22 22 21 21 21
15 15
P.M.
18 15 15 18 15 17 15 17 14 17 14 17 17 14 17 14
0
13 13
12 15 14 12
P.M.
12 10
P.M. P.M.
14
3 3
17 17 17 17 16 16 16 17 17 17 17 16 16 16
11 11
A.H. A.H.
9 9
9 7 10 9 7 10
7 10 95 7 0 10 0 0 5 0 0 7 0 10
sl. sl. 14 14
12 12 10 0 10 0
0 0
w/bar
sl.
(17) (17)
0
0 0
5 5
1/2
17 17
15 15 14 14 0
0 0 0 0 0 0 0 0
70 0
12 15 14 14 0 13 0 15 012 0 5 12 5
12
In Your Face Guitar
0 0
A.H. A.H.
Bridge 2 Solo SoloP.M.1/2
12 12 10 0 10 0
7 010 9 5 09 0 5 100 7
0
12
15 15
15 15
12 12
15 15
12 12
12 12
15 15
14 14 12 12
14 14
12 12
11 11
15 12 14 15 17 14 15 17 15 12 14 15 17 14 15 17
10 10
12 12
10 10
10 10
7 7
10 10
8 8
70
In Your Face Guitar
w/bar w/bar
5 3 5 5 3 5
8 5 8 8 5 8
10 8 10 12 10 12 10 8 10 12 10 12
15 12 14 17 15 17 15 12 14 17 15 17
full full
20 17 20 22 20 22 20 17 20 22 20 22
22 22
full
22 22 22 22
hold bend hold bend
full
1/2
full
1/2
H H
8 8
TP P TP P
7 10 15 10 7 7 10 15 10 7
15 15
H H
8 8
8 8
7 7
T T
full
15 15
15 15 14 14
7 7
full
H H
8 8
8 8
7 7
20 20
T P T P
71
18 18
TP P TP P
TP TP
P P 15 15
H H
8 8
P P
8 8
7 7
P P
15 15
TP P TP P
7 10 12 10 7 7 10 12 10 7
TP TP
T P T P
P P
8 8
P P
15 19 20 19 20 19 15 17 15 19 24 19 15 17 15 19 20 19 20 19 15 17 20 19 20 19 17 15 17 15 19 24 19 15 17 17 16 17 20 19 20 19 17 15 16 17 16 17 16 17 17 15 19 17 15 19
T P T P
15 15
7 10 12 10 7 7 10 12 10 7
T P T P
T T
20 20
TP P TP P
7 10 14 10 7 7 10 14 10 7
P P
full
19 19
T P T P 20 20
TP TP
19 19
P P
P P
P P
15 15
P P
17 17
T P T P
T P T P 20 20
T P T P 19 19
TP TP
20 20
P P
P P 19 19
P P
P P 17 17
T P T P
T P T P 15 15
21 21
TP TP
T P T P 19 19
P P
P P
21 21
P P 19 19
T P T P
P P 17 17
T P T P 16 16
TP TP
24 24
P P
T P T P 19 19
24 24
P P
21 19 21 19 17 16 24 19 24 19 17 16 21 19 21 19 17 16 24 19 24 19 17 16 21 19 21 19 17 16 24 19 24 19 17 16 21 19 21 19 17 16 24 19 24 19 17 16
21 21
P P 19 19
P P 17 17
16 16
In Your Face Guitar
C H
B O
C
72
In Your Face Guitar
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In Your Face Guitar
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