Against All Odds Sheet Music Phil Collins (SheetMusic Free.com)

Against All Odds (Take a Look at Me Now) Words and Music by Phil Collins

q

Slow Ballad (   = 58)

b

b

b

b

b

G bbbbb 44 ÏÏ Ï Ï Ï Ï Ï . ÏÏ Ï . Ï ÏÏ ÏÏ Ï Ï Ï Ï Ï . úú m f   F bbbbb 44 Ï . Ï J ú Ï Ï. J ú b b b Ï Ï Ï Ï Ï Ï b Ï Ï b Ï Ï Ï Ï . « ê b Ï Ï Ï Ï Ï Ï Ï Ï G bb Î b b ÏÏ ÏÏ ÏÏÏ bÏÏ G bbb ÏÏ ÏÏ nÏÏ ÏÏ j  jÏ  F bbbbb Ï j j . Ï Ï Ï. Ï Ï. Ï. bÏ Ï b bÏ b Ï b Ï Ï Ï Ï Ï Ï b Ï Ï Ï « ê b b Ï Ï Ï Ï G b Ï ÏÏ ÏÏ G bbbbb ÏÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï Ï Î Ï  F bbbbb w Ï .  jÏ ú b Ï b Ï · G bbbbb Ï « Ï Ï Ï Ï Ï Ï Ï Ï Ï G bbbbb ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ  F bbbbb ú  jÏ Ï . ú. Ï ÏÏ E m7

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A sus

B m7

A

E m7

Cm7

How can I

just just let let

D

you you walk walk a - way,

just le let you

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E m7(add4)

leave with-out h-out

a trace,

when I

 g

G (add2)

A /G

stand here

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A

tak

-

ing

ev

-

Fm7

’ry

breath

B m

with you?

Ooh.

  Ð   Ð   Ð   Ð

E m

on - ly

A

on one

who real - ly knew

me

at

all.

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1984 EMI GOLDEN TORCH MUSIC CORP. and PHILIP COLLINS LTD. All Rights except Synchronization Rights Jointly Administered by EMI GOLDEN TORCH MUSIC CORP. and EMI APRIL MUSIC INC. on behalf of PHILIP COLLINS LTD. Synchronization Rights Exclusively Administered by EMI GOLDEN TORCH MUSIC CORP. All Rights Rights Reserve Reserved d Internation International al Copyright Copyright Secured Secured Used by Permissi Permission on ©

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You’re the

2

b

G bbbbb Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï « G bbbbb ÏÏ ÏÏ n ÏÏ ÏÏ  jÏ Ï .  F bbbbb Ï . Ï. Ï Ï. bÏ Ï b bÏ G bbbbb Ï Ï Ï Ï Ï Ï « . B m7

bÏ

How can you just walk

a - way

from me

D (add2)

when all

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G (add2)

A /G

shared the laugh - ter

G bbbbb ÏÏÏ .. Ï ÏÏ  F bbbbb ww

}{

b Ï Ï b b b b G b Ï Ï Ï G bbbbb ÏÏ ÏÏ  F bbbbb úú E m

on - ly

one

and

ÏÏ

the

pain

ÏÏ

 kÏ Ï Ï Ï ÏÏ Î úú Fm7

and

ÏÏÏ ÏÏÏÏÏ Ï at

ÏÏ ÏÏ  jÏ Ï Ï Ï %bb b bÏ bÏ Ï . « .  k Ï Ï Ï G bb Î b b G bbb ÏÏ ÏÏ ÏÏ ÏÏ mf f   F bbbbb ú Ï Ï . Ï. Ï Ï. ú

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D /A

Well, there’s just

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-

e - ven

b

me

E m7(add4)

I can do is watch you

A sus

who real -ly knew

b

Ï Ï ÏÏÏÏ Ï ÏÎ ÏÏ Ï ÏÏ Ï ÏÏÏ ÏÏ .. ÏÏj úú

Cm7

leave?

’Cause we’ve

bÏÏ

Ïj b Ï Ï Ï Ï Ï « « Ï ÏÏ  J ÏÏÏ Ï ÏÏ ÏÏ Ï Ï úú b ÏÏÏÏ ÏÏ Î êÏ B m

shared the

tears.

You’re the

A

all.

So take a look at me now.

ÏÏ ÏÏj Ï . Ï. b b Ï ÏÏ E 7/A

an

« Ï Ï

emp - ty

n ÏÏ ww

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ÏÏÏ

ÏÏ ÏÏ Ï J Ï Ï Ï ÏÏ Ï Ï Ï « .  kÏk Ï Ï Ï 3

space,

and there’s noth-ing

ÏÏ ÏÏ

ÏÏ

G bbbbb

bÏ

B m

G

here

}{

D /A

me,

just the mem

bÏÏ ÏÏ ÏÏ úú « .  kÏ Ï Ï Ï Well, there’s  just ’cause there’s  just

ÏÏ úú b ÏÏ

B m

to for

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me you

is

ÏÏ .. Ï ÏÏ ..

ÏÏ

A sus

ÏÏ

Ï J

an an

-

A sus

’ry o f

your face.

Ooh, take a look at me now. Now, take a look at me now,

ÏÏ ÏÏ .. b b ÏÏ

 k « . ÏÏÏ ÏÏÏ ÏÏ  jÏ Ï . j Ï Ï Ï. Ï Ï Ï Ï « .  kÏk Ï Ï Ï Ï

emp - ty emp - ty

space, space,

E 7/A

and you com -ing but to

ÏÏ ÏÏ nÏÏ ÏÏ Ï Ï . úú .. Þ b b Ï Ï Ï Ï ê Ï Ï Ï 24 Ï Ï 24 ÏÏ bÏÏ ÏÏ ÏÏ úú 24 úú b î î Î ÏÏ ÏÏ ÏÏ úú úú ..

ÏÏ ÏÏ ÏÏ .. Ï Ï ÏÏÏÏ

G bbbbb G bbbbb ÏÏ ..  F bbbbb ÏÏ Ï b G bbbbb 44 Ï . G bbbbb 44 ÏÏ  F bbbbb 44 ww

}{

3

b

E m

to r e - mind

G bbbbb ÏÏ .. ÏÏ ÏÏ ÏÏ  F bbbbb ÏÏ ÏÏ ÏÏ .. b b .  Ï b Ï b Ï G bbb Î

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b

Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ê Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ê Ï Ï Ï Ï Ï Ï Ï

left

G bbbbb  F bbbbb

b

To Coda

G

a - gainst is all

the odds I can do

and that’s what and that’s what

A

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E m

I’ve

back wait

ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï 44 44 ÏÏ 44  kÏ «. ê Ï Ï> >  >Ï Ï got

to

face.

I

4

b

B m7

Cm7

much I

G bbbbb ÏÏ  F bbbbb úú ..

A /G

need

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Ïb

Ï b b b b G b Ï G bbbbb ÏÏ  F bbbbb úú E m

ÏÏ

say

turn a - round and see me

ÏÏ

cry.

Fm7

to you,

so

B m

man - y

rea

-

A sus

who real -ly knew

sons

why.

CODA

me

ÏÏ ÏÏ Ï

E m

You’re the

at

all.

So take a look at me now.

cresc.

A sus

I’ve got - ta face.

 al Coda

A

ÏÏÏ ÏÏÏ ÏÏ ÏÏ Ï Ï Ï .  jÏ Ïj Ï Ï. Ï Ï Ï  ÞG bbbbb Ïb Ï Ï Ï Ï Ï Ï bê Ï Ï Ï Ï Ï Ï Ï bÏ Ïb Ï Ï Ï Î b b G bbb ÏÏ ÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏ ÏÏ  F bbbbb ÏÏ ..  jÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ

There’s so

 D.S.

« ÏÏÏÏ

on - ly one

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to

Î

a-round,

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G

E m7(add4)

Î « Ï Ï ÏÏ ÏÏ Ï ÏÏ ÏÏÏ bÏÏ j Ï . Ïj jÏ Ï . Ï Ï Ï. Ï Ï Ï. b Ï  k Ï « . ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï ÏÏ ÏÏ « Ï Ï ÏÏ ÏÏ ÏÏÏ Ï ÏÏ ÏÏ Ï Î ÏÏ .. ÏÏ úú ÏÏ Ï b bÏ Ï Ï Ï Ï % ÏÏ ê ÏÏÏÏÏ î

G bbbbb Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï G bbbbb ÏÏ Ï ÏÏ nÏÏ  jÏ Ï .  F bbbbb Ï . Ï. Ï Ï. bÏ b bÏ Ï G bbbbb Ï Ï Ï Ï Ï Ï wish I could just make you turn

bÏ Ï Ï Ï Ï Ï b Ï Ï Ï Ï Ï Ï Ï Ï

D (add2)

D /A

Take a good look at me now

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ÏÏ

ÏÏj Ïê Ï Ï Ï Ï ÏÏ ÏÏ Ï Ï ’cause I’ll

still be

b b

Ï Ï  k Ï Ï b b Ï Ï Ï Ï «. Ï Ï G bbb G bbbbb nnÏÏ ÏÏ ÏÏ ÏÏ  F bbbbb Ï Ï Ï ÏÏ b b Ï Ï Ï b Ï Ï Ï 44 Ï . b Ï b 2 G bb 4 E 7/A

stand-ing

here,

and you com-ing back

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E m

bÏ

5

b

Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï 2 4 ÏÏ .. ÏÏ ÏÏ ÏÏ bÏÏ ÏÏ Ï Ï 24 ÏÏ Ï ÏÏ Ïú Ï Ï 24

B m

G

to me

is

a - gainst all

odds.

A sus

A

It’s the

b

Ï J î · G bbbbb 24 ÏÏ Ï ÏÏ Ï Ï 44 ÏÏ ÏÏ ÏÏ ÏÏ ÏÏÏ ww ÏÏ ÏÏ w  F bbbbb 24 úú 44 úú .. w b b b b b Ï Ï Ï Ï b Ï b Ï · î « b b G b 45 G bbbbb ÏÏ Ï Ï Ï Ï Ï . ÏÏ Ï . Ï ÏÏ ÏÏ Ï Ï Ï Ï Ï . úú 45 mf   F bbbbb Ï . Ï J ú Ï 5 ú 4 .Ï J b b b b b ; b Ï . b Ï î · Ï Ï G b b b 45 Î 44  ; b b b 5 4 G b b 4 ÏÏ Ï Ï Ï Ï Ï . ÏÏ Ï Ï ÏÏÏ Ï ÏÏ 4 ww  F bbbbb 45 Ï . Ï J Ï . Ï Ï Ï 44  ;w Ï w chance I’ve

got

-

ta

take.

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decresc.

E m7

A sus

A

E m7

A

Take a look at me now.

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E m7

}{

D (add2)

A (add2)/ C

molto rit.

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G (add2)

A