Against all odds - Phil Collins

From: “Against All Odds”

Against All Odds (Take A Look At Me Now) by PHIL COLLINS

Published Under License From

Alfred Publishing Co., Inc.

© 1984 EMI GOLDEN TORCH MUSIC CORP. and PHILIP COLLINS LTD. All Rights except Synchronization Rights Jointly Administered by EMI GOLDEN TORCH MUSIC CORP. CORP. and EMI APRIL MUSIC INC. on behalf of PHILIP COLLINS LTD. Synchronization Rights Exclusively Administered by EMI GOLDEN TORCH MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission

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Against All Odds (Take a Look at Me Now) Words and Music by Phil Collins

q

Slow Ballad (   = 58)

b

b

b

b

b

G bbbbb 44 ÏÏ Ï Ï Ï Ï Ï . ÏÏ Ï . Ï ÏÏ ÏÏ Ï Ï Ï Ï Ï . úú mf   F bbbbb 44 Ï . Ï J ú Ï Ï. J ú b b b Ï Ï b Ï Ï Ï Ï Ï Ï b Ï Ï Ï . ê Ï « b Ï Ï Ï Ï Ï Ï Ï Ï G bb Î b b ÏÏ ÏÏ ÏÏÏ bÏÏ G bbb ÏÏ ÏÏ nÏÏ ÏÏ j  jÏ  F bbbbb Ï j j . Ï Ï Ï. Ï Ï. Ï. bÏ Ï b bÏ b Ï b Ï Ï Ï Ï Ï Ï b Ï Ï Ï ê « b b Ï Ï Ï Ï G b Ï ÏÏ ÏÏ G bbbbb ÏÏÏ ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï Ï Ï Ï Î Ï  F bbbbb w Ï .  jÏ ú b Ï b Ï · G bbbbb Ï « Ï Ï Ï Ï Ï Ï Ï Ï Ï G bbbbb ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ  F bbbbb ú  jÏ Ï . ú. Ï ÏÏ E m7

}{

A sus

B m7

A

E m7

Cm7

How can

I

just let

you walk a - way,

D

just let you

}{

E m7(add4)

leave with-out

a trace,

when I

 g

G (add2)

A /G

stand here

}{

A

tak

-

ing

ev

-

Fm7

’ry

breath

B m

with you?

Ooh.

You’re the

  Ð   Ð   Ð   Ð

E m

on - ly

A

one

who real - ly knew

me

at

all.

}{

1984 EMI GOLDEN TORCH MUSIC CORP. and PHILIP COLLINS LTD. All Rights except Synchronization Rights Jointly Administered by EMI GOLDEN TORCH MUSIC CORP. and EMI APRIL MUSIC INC. on behalf of PHILIP COLLINS LTD. Synchronization Rights Exclusively Administered by EMI GOLDEN TORCH MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission ©

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Authorized for use by: helene rudermann

2

b

G bbbbb Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï « G bbbbb ÏÏ ÏÏ nÏÏ ÏÏ  jÏ Ï .  F bbbbb Ï . Ï. Ï Ï. bÏ Ï b bÏ G bbbbb Ï Ï Ï Ï Ï Ï « . B m7

bÏ

How can you just walk

a - way

from me

D (add2)

when all

}{

G (add2)

A /G

shared the laugh - ter

G bbbbb ÏÏÏ .. Ï ÏÏ  F bbbbb ww

}{

b Ï Ï b b b b G b Ï Ï Ï G bbbbb ÏÏ ÏÏ  F bbbbb úú E m

on - ly

one

and

ÏÏ

the

pain

ÏÏ

 kÏ Ï Ï Ï ÏÏ Î úú Fm7

and

ÏÏÏ ÏÏÏÏÏ Ï at

ÏÏ ÏÏ  jÏ Ï Ï Ï %bb b bÏ bÏ Ï . «.  k Ï Ï Ï G bb Î G bbbbb ÏÏ ÏÏ ÏÏ ÏÏ mf f   F bbbbb ú Ï . Ï ú Ï. Ï Ï.

}{

D /A

Well, there’s just

}{

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-

e - ven

b

me

E m7(add4)

I can do is watch you

A sus

who real -ly knew

b

Ï Ï ÏÏÏÏ Ï ÏÎ ÏÏ Ï ÏÏ Ï ÏÏÏ ÏÏ .. ÏÏj úú

Cm7

leave?

’Cause we’ve

bÏÏ

Ïj b Ï Ï Ï Ï Ï « « Ï ÏÏ  J ÏÏÏ Ï ÏÏ ÏÏ Ï Ï úú b ÏÏÏ Ï ÏÏ Î êÏ B m

shared the

tears.

You’re the

A

all.

So take a look at me now.

ÏÏ ÏÏj Ï . Ï. b b Ï ÏÏ E 7/A

an

« Ï Ï

emp - ty

n ÏÏ ww

ÏÏÏ

ÏÏ ÏÏ Ï J Ï Ï Ï ÏÏ Ï Ï Ï « .  kÏk Ï Ï Ï 3

space,

and there’s noth-ing

ÏÏ ÏÏ

ÏÏ

Authorized for use by: helene rudermann

G bbbbb

bÏ

B m

b

b

Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ê Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ê Ï Ï Ï Ï Ï Ï Ï G

left

here

to r e - mind

E m

me,

just the mem

-

A sus

’ry o f

G bbbbb ÏÏ .. ÏÏ ÏÏ ÏÏ bÏÏ ÏÏ ÏÏ ÏÏ  F bbbbb ÏÏ ÏÏ ÏÏ .. úú ÏÏ .. b b b b .  Ï  k Ï b Ï Ï b Ï Ï « . b Ï Ï b Ï G b Î G bbbbb ÏÏ ÏÏ ÏÏ ÏÏ nÏÏ  F bbbbb ú Ï . Ï ú . ú Ï. Ï Ï. ú. b b Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï b Ï Ï b Ï ê b G bb

}{

D /A

E 7/A

Well, there’s  just ’cause there’s  just

an an

emp - ty emp - ty

}{

B m

G bbbbb  F bbbbb

to for

me you

}{

A sus

Ǻ

Musicnotes.com

is

ÏÏ

a - gainst is all

your face.

the odds I can do

space, space,

A

and you com -ing but to

back wait

ÏÏ ÏÏ Ï Þ b Ï 24 Ï Ï Ï Ï Ï Ï Ï 44 24 ÏÏ ÏÏ 44 24 úú 44  k « . Ï Î úú ê Ï Ï> >  >Ï Ï

and that’s what and that’s what

ÏÏ .. bÏÏ ÏÏ ÏÏ Ï ÏÏ .. úú b Ï J î î ÏÏ ÏÏ ÏÏ ÏÏ úú ..

Ooh, take a look at me now. Now, take a look at me now,

 k « . ÏÏÏ ÏÏÏ ÏÏ  jÏ Ï . j Ï Ï Ï. Ï Ï Ï Ï « .  kÏk Ï Ï Ï Ï

To Coda

G

ÏÏ .. ÏÏ Ï b G bbbbb 44 Ï . G bbbbb 44 ÏÏ  F bbbbb 44 ww

}{

3

b

ÏÏ ÏÏ E m

I’ve

got

to

face.

I

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4

b

B m7

Cm7

much I

G bbbbb ÏÏ  F bbbbb úú ..

A /G

need

{}

Ïb

Ï b b b b G b Ï G bbbbb ÏÏ  F bbbbb úú E m

to

ÏÏ

ÏÏ

cry.

Fm7

so

man - y

rea

- sons

why.

me

ÏÏ ÏÏ Ï

E m

at

Musicnotes.com

 al Coda

A

all.

So take a look at me now.

cresc.

A sus

I’ve got - ta face.

}{

You’re the

 D.S.

A sus

who real -ly knew

ÏÏ

There’s so

B m

ÏÏÏ ÏÏÏ ÏÏ ÏÏ Ï Ï Ï .  jÏ Ïj Ï Ï. Ï Ï Ï  ÞG bbbbb Ïb Ï Ï Ï Ï Ï Ï bê Ï Ï Ï Ï Ï Ï Ï bÏ Ïb Ï Ï Ï Î b b G bbb ÏÏ ÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏÏ ÏÏ ÏÏ  F bbbbb ÏÏ ..  jÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï

CODA

Ǻ

turn a - round and see me

to you,

« ÏÏÏÏ

on - ly one

}{

say

Î

a-round,

}{

G

E m7(add4)

Î « Ï Ï ÏÏ ÏÏ Ï ÏÏ ÏÏÏ bÏÏ j Ï . Ïj jÏ Ï . Ï Ï Ï. Ï Ï Ï. b Ï  k Ï « . ÏÏ ÏÏ ÏÏ ÏÏ ÏÏ Ï Ï ÏÏ ÏÏ « Ï Ï ÏÏ ÏÏ ÏÏÏ Ï ÏÏ ÏÏ Ï Î ÏÏ .. ÏÏ úú ÏÏ Ï b bÏ Ï Ï Ï Ï % ÏÏ ê ÏÏÏÏÏ î

G bbbbb Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï G bbbbb ÏÏ Ï ÏÏ nÏÏ  jÏ Ï .  F bbbbb Ï . Ï. Ï Ï. bÏ b bÏ Ï G bbbbb Ï Ï Ï Ï Ï Ï wish I could just make you turn

bÏ Ï Ï Ï Ï Ï b Ï Ï Ï Ï Ï Ï Ï Ï

D (add2)

D /A

Take a good look at me now

ÏÏ

ÏÏj Ïê Ï Ï Ï Ï ÏÏ ÏÏ Ï Ï ’cause I’ll

still be

Authorized for use by: helene rudermann

b b

 Ï  k Ï b Ï Ï b Ï Ï Ï Ï «. Ï Ï G bbb G bbbbb nnÏÏ ÏÏ ÏÏ ÏÏ  F bbbbb Ï Ï Ï ÏÏ b b Ï Ï Ï b Ï Ï Ï 44 Ï . b Ï b 2 G bb 4 E 7/A

stand-ing

here,

and you com-ing back

}{

E m

bÏ

5

b

Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï 2 4 ÏÏ .. ÏÏ ÏÏ ÏÏ bÏÏ ÏÏ Ï Ï 24 ÏÏ Ï ÏÏ Ïú Ï Ï 24

B m

G

to me

is

a - gainst all

odds.

A sus

A

It’s the

b

Ï J î · G bbbbb 24 ÏÏ Ï ÏÏ Ï Ï 44 ÏÏ ÏÏ ÏÏ ÏÏ ÏÏÏ ww ÏÏ ÏÏ w  F bbbbb 24 úú 44 úú .. w b b b b b Ï Ï Ï Ï b Ï b Ï · î « b b G b 45 G bbbbb ÏÏ Ï Ï Ï Ï Ï . ÏÏ Ï . Ï ÏÏ ÏÏ Ï Ï Ï Ï Ï . úú 45 mf   F bbbbb Ï . Ï J ú Ï 5 ú 4 .Ï J b b b b b ; b Ï . b Ï î · G b b b 45  Ï Ï Î 44  ; b b b 5 4 G b b 4 ÏÏ Ï Ï Ï Ï Ï . ÏÏ Ï Ï ÏÏÏ Ï ÏÏ 4 ww  F bbbbb 45 Ï . Ï J Ï . Ï Ï Ï 44  ;w Ï w chance I’ve

got

-

ta

take.

}{

decresc.

E m7

A sus

A

E m7

A

Take a look at me now.

}{

E m7

}{

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D (add2)

A (add2)/ C

G (add2)

A

molto rit.

Authorized for use by: helene rudermann