Back in the Saddle Words and Music by Tyler/Perry Tune Down 1/2 Step: 1 =E
4 =D
2 =B
5 =A
3 =G
6 =E
Aadd9
Am
23
Intro Moderate Rock A5
D
231
A5
132
11
= 116
Gtr. 3 (elec.)
+
+
A.H.
w/ dist. *
7 0
T
T
12
7
Gtr. 1 (elec.)
w/ dist.
3
2
X
6
5
X
9 8
8 8
8
6 5
5
X
Gtr. 2 (elec.)
w/ fuzz P.M.
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
* vol. swell
fdbk.
7 0
7 0 pitch: E
3
2
X
6
5
X
9 8
8
X X X X
X X
X X
8 8
6 5
5
X X
X X
X X
X
( )
X X
X X X X X X
X X X X
3
X X
X X X X
3
(3)
3
X X
X X
X X
X X
X X
X X
Copyright © 1977 Music Of Stage Three, Song & Dance and Vindaloo Productions Copyright Renewed All Rights Reserved Used by Permission
Sorgdal
X X
X X
X X
X X
X X
X X
69
7 0
3
2
X
6
5
2 2
2 2
X
9 8
8
2 2
2 2
8 8
P.M.
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
2 2
Chorus N.C.(E5)
D
back,
I’m
Riff A1 Gtr. 2
full
10
15
Gtr. 3
8 7
7
8 7
7
8 7
7
8 7
7
8 7
7
8 7
(15)
(15)
Riff A2
5 0 Gtr. 1
(15)
5 0
5 0
5 0
5 0
3
0
5 0
5 0
5 0
Riff A
P.M.
4 5
70 Sorgdal
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
4 5
3
0
2
3
I’m
back
in
the sad dle
a
gain.
I’m
End Riff A1
full
full
(15)
(15)
(15)
(15)
15
End Riff A2
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
End Riff A
(3)
0
2
3
5
5
5
4
5
3
0
3
0
2
3
0
2
5
3
5
5
4
5
Gtrs. 1, 2 & 3: w/ Riffs A, A1 & A2
back,
I’m
back
in
the
sad
dle
a
gain.
Verse Gtr. 2 tacet
Add9 Am
D
Add9 Am
D
Rhy. Fig. 1B
End Rhy. Fig. 1B
Gtr. 4 (acous.)
1. Rid in’ in Gtr. 3
a
lone
by the light of the moon,
I’m
Rhy. Fig. 1A
7 0
Gtr. 1
to town
7 0
7 0
End Rhy. Fig. 1A
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 5
7 3
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 5
Rhy. Fig. 1
7 3
End Rhy. Fig. 1
slight P.M.
4 5
4 5
2 X X 2 4 X X 0 5
0
0
4 5
2 2 0
3
3
4 5
4 5
2 3
4 5
4 5
2 X X 2 4 X X 0 5
0
0
4 5
2 2 0
3
3
4 5
4 5
2 3
71 Sorgdal
Gtrs. 1 & 4: w/ Rhy. Figs. 1 & 1B *A
D
look in’ for old Su
kie
C
she cra zy
Jones,
horse
A
D
C
loon.
sa
Gtr. 3
w/ bar
let ring 1/4
13 7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 5
7 3
7 0
7 0
7 0
12
7 0
(12)
* Chord symbols reflect combined tonality
-1/2
Gtr. 4: w/ Rhy. Fig. 1B, 2 times
D
A
A
Bar keep gim me a drink,
that’s when she caught my
D
eye,
she
Gtr. 3
1/2
1/2
(14)
14 7 0
7 0
7 0
7 0
0
0
4 5
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
0
4 5
0
4 5
4 5
3
4 5
7 0
7 0
7 0
3
4 5
2 X X 2 4 X X 0 5
(14)
13
(13)
7 0
Gtr. 1
slight P.M.
3
4 5
4 5
2 X X 2 X X 0
A
D
0
that’d make a grown man
4 5
4 5
0
4 5
0
0
D
A
turned to gim me a wink,
0
cry.
I’m
w/ bar
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
12
10 -2
slight P.M.
3
72 Sorgdal
4 5
4 5
2 X X 2 X X 0
0
0
4 5
0
4 5
0
4 5
4 5
3
4 5
3
4 5
2 X X 2 4 X X 0 5
0
0
4 5
0
4 5
0
4 5
0
4 5
4 5
Chorus Gtr. 1: w/ Riff A, 2 times
N.C.(E5)
back
in the sad dle
a
gain,
I’m
back.
I’m
Riff A3 Gtr. 2
full
full
(15)
15
15
(15)
(15)
(15)
(15)
(15)
(15)
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
w/ bar -1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
Gtr. 3
back in the sad dle a
gain,
I’m
back. End Riff A3
full
full
(15)
15
15
(15)
(15)
(15)
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
w/ bar -1/2
-1/2
-1/2
-1/2
w/ bar -1/2
-1/2
-1/2
7 0
7 0
7 0
full
9 11
7 0
9
11 9 11
(15)
(15)
w/ bar full 15
(14)
9 14
(15)
7 0
7 0
7 0
Verse Gtrs. 1, 3 & 4: w/ Rhy. Figs. 1, 1A & 1B, 2 times
A
2. Come eas
C
D
y,
go
eas
y,
al
right
till
the
ris
in’
A
D
sun.
Gtr. 2
9
12 12
12
12
12
14
73 Sorgdal
A
C
1/2
(14)
12
14
13
a
12
load
I’m
call
12
12
(12)
12
10
A
ed
in’
all
the
shots
to
night,
1/2
C
I’m like
D
D
C
gun.
13 12
13 12
12
13 13 13 13
12 14 14 14 14
14
14 12 14
(12) Gtr. 4 tacet
B
E
Peal in’ off
my
boots
and
B
chaps
I’m sad dle
sore,
E
four bits
gets
you
time in
the
rack
Gtr. 2
P.M.
14
15 15
16
15
15 15 15
15 15 15
15 15 15
15 15
Gtr. 1
P.M.
5
7
9 X 7
9 X 7
5
6
7
P.M.
4 4 7
7
9 X 7
9 X 7
6 7
P.M.
7
7
9 X 7
9 X 7
6 7
7
P.M.
6 7
6 7
9 X 7
9 X 7
7
P.M.
6 7
5
7
5
6
7
4 4 7
7
9 X 7
9 X 7
6 7
Gtr. 3
74 Sorgdal
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 9
9 X 7
9 X 7
9 X 7
9 X 7
E
B
I
scream
for
15
15
more.
Fools
gold
15
15
out
of their mine,
P.M.
15
15
15
P.M.
15
15
15
15
P.M.
6 7
7
7
9 X 7
9 X 7
15
15
15
girls are
9 X 7
soak in’
15
15
15
15
6 7
6 7
9 X 7
9 X 7
wet.
15
15
15
15
P.M.
6 7
7
9 X 7
9 X 7
5
7
9 X 7
9 X 7
5
6
9 X 7
B
the
15
P.M.
7
9 X 7
15
7
4 4
9 X 7
9 X 7
6 7
7
7
9 X 7
9 X 7
9 X 7
E
No tongue’s dri er than mine,
I’ll come when
I
get
P.M.
15
15 15 15
P.M.
15 15 15
15 15 15
P.M.
7
7
9 X 7
9 X 7
6 7
9 X 7
7
9 X 7
15 15
15
15 15 15
15 15 15
P.M.
6 7
6 7
9 X 7
9 X 7
7
9 X 7
15 15 15
15 15
P.M.
6 7
9 X 7
5
7
9 X 7
9 X 7
5
9 X 7
6
7
9 X 7
15 15 15
P.M.
4 4
9 X 7
15
7
7
9 X 7
9 X 7
6 7
9 X 7
15 15 15
15 15 15
P.M.
7
7
9 X 7
9 X 7
6 7
9 X 7
7
9 X 7
6 7
9 X 7
6 7
9 X 7
9 X 7
9 X 7
75 Sorgdal
Chorus Gtrs. 1 & 2: w/ Riffs A & A1, 2 times
N.C.(E5)
back.
I’m
Gtr. 3
back
in
the sad dle
a
-1/2
-1/2
-1/2
-1/2
w/ bar
w/ bar
full
-1/2
-1/2
-1/2
-1/2
7 0
7 0
7 0
7 0
(13)
13
gain.
I’m
full
(13)
(4) 2
4
4
2
slack
back,
-1/2
I’m
back
in
the sad dle
a
gain.
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2 -1/2 -1/2 -1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2
-1/2 -1/2 -1/2 -1/2
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
w/ bar
Bridge Asus4 A
Bsus4
I’m rid
B
G
7 0
7 0
7 0
A5
N.C.
I’m load in’ up my
in’,
7 0
pis
tol.
Gtr. 3
hold bend w/ bar (grad. bend and release) full
full
full
full
full
5
5
5
7
8
7
7
7
9
10
full
8
full
10 10
10 12
12
-1 *Gtrs. 1 & 2
End Rhy. Fig. 2
Rhy. Fig. 2
7 7
6 7
6 7
9 9
8 9
X
4 5
4 5
4 5 5 7
*composite arr.
76 Sorgdal
5
4
2
5
2
3
2
0
2 2
2 2
Gtrs. 1 & 2: w/ Rhy. Fig. 2, 3 times, simile
Asus4
A
Bsus4 B
I’m rid
N.C.
G
in’,
real
I
ly
got
a
fist
ful. 8va
Gtr. 3
full
full
full
full
full
full
full
full
5
5
7
8
10
10
17
17
7
7
9
10
12
12
19
19
A5
Asus4
A
Bsus4
I’m 8va
rid
B
G
in’,
I’m
shin
in’
up
my
8
10
loco
full
full
17
17
19
19
full
17
17
17
N.C.
sad
full
full
5
7
8
7
9
10
A5
Asus4
dle.
I’m
full
full
10
13
11 13
14
12 14
13
13
14
12
Bsus4
A
G
B
the snake is
N.C.
gon
na
rat
full
7
8
9
10
5
5
7
7
A5
tle.
I’m
w/ bar
full
8
7
in’,
full
* full
rid
10
1/2
(12)
12
12
15
(15)
* vib. bottom note only.
77 Sorgdal
Chorus Gtrs. 1 & 2: w/ Riffs A & A1, 2 times
N.C.(E5)
back
in
the sad dle
a
gain,
I’m back.
full 15
7 0
7 0
7 0
7 0
back
in
the sad dle
a
7 0
I’m
full
3 2 2
15
7 0
7 0
gain,
I’m
7 0
7 0
7 0
2 2 2 0
0
back.
8va loco
P.H.
2 0
0
0
0
0
0
2
1 1/2
2
0
(15)
15
2
2
0
0
0
0
0
0
0
Outro Gtrs. 1 & 2: w/ Rhy. Fig. 2, 6 times
Asus4 A
Bsus4 B
G
N.C.
Rid
in’
A5
high.
1/4
2 2 0
7
Asus4 A
1 1/2
(7)
5
Bsus4 B
9
(9)
G
11
9
11
12
14
N.C.
Rid
in’
78 Sorgdal
12 14
(14)
A5
high.
w/ bar full
7
(14)
3
3 full
(7)
5
5
5
8 5
8 7 5 7
5
7
5
full
5 7
5
7
7
7 5 7
5 7 5
7
Asus4 A
Bsus4 B
G
N.C.
Rid
8
11
13 10 13
10
high.
hold bend 1/2
1 1/2
9
in’
A5
(13)
w/ bar
12
10 12 10
11
12
10
11
11
(11)
(11)
5
-1
Asus4 A
Bsus4 B
O
full
(5)
G
le.
w/ bar
full
7
N.C.
X
7
5
7
5
5
4
2
4
2
4
2
5
4
2
4 3
A5
Asus4 A
Got
Bsus4 B
to. -1
-1
-1
-1
-1
O
G
N.C.
le.
w/ bar 1/2
-1
full
5 5
5 (3)
0
(0)
0
full
5 5
X X
8
full
5 5
8
full
5 5
8
8
(0)
A5
Asus4 A
Bsus4 B
O
G
le.
Ooh,
1/2 full
5 5
8
full
5 5
8
full
5 5
5
7
5
full
5 8
X
5
7
7
79 Sorgdal
Gtr. 1 tacet
N.C.
A5
A5 Rhy. Fig. 3 Gtrs. 2 & 4
ooh,
full
(7)
ooh.
full
(7)
(7)
full
(9) 12
9
12
12
12
10
11 12
12
11 12
11
12
11 12
11
11 12
11
Gtrs. 2 & 4: w/ Rhy. Fig. 3, 10 times, simile
A5
End Rhy. Fig. 3
O
le,
o
le,
o
le
who.
full
11
12
11
11
12
11
11
12
14
12
14
14
12
14
14
12
14
14
w/ bar full
16
14
(16) 14
16
16
16
16 14
14
16 17
15 16
14
12
14
14
16
+1 1/2
+1 1/2
17 17 16
1/2
(17)
16
14
16
16
14 16
+1 1/2 +1 1/2 (17)
(17)
(17)
X
2 2 0
slack
Get on!
Yeah!
Huh!
Harm. w/ bar
w/ bar
w/ bar
full
17 14 2 2 0
5
(5)
0 -1
80 Sorgdal
-1 1/2
0
17 14
18 16 14
16 14
17 16
16
17
16
16
14
16
14
16
14
14
15
13 13
14
16
0
12 12
12
14
14
12
X
12
X
14
14
12
14
12
X
w/ bar +1/2
14
12
12
14
X
14
14
12
14
12
12
14
12
14
14
5 5
(5)
-1
-1
-1
-1
-1
-1
-1
-1
-1
-1
(0)
(0)
(0)
(0)
(0)
5
8va -1 1/2
w/ bar
w/ bar -1 1/2
fdbk.
0
(0) pitch: G
+ 6
3
6
3 hold bend
fdbk.
w/ bar w/ bar
full
full
T
17 20 17
(2 7 ) 2
20 17
19
19
20 17
19
20 17
19
20 17
19
20 17
19
20
(20)
(20) 20
20 20
(0) -1 1/2
Gtr. 4 tacet
A5 Gtr. 2
P.M.
full
4
2
4
2
4
2
3
0
2 2 0
2 0
0
0
0
0
0
0
0
81 Sorgdal
Big Ten Inch Record Words and Music by Fred Weismantel
Intro Moderately
Verse = 88
N.C.(E5)
C 5
D5
D6
1. Got
D5
D6 D5
the strang
me
est
wom
9 5
7
Gtr. 1 (slight dist.) Joe Perry
P.M.
8 7
7
D6
D5
7
5
6
4
3
6 4
7
G 5
an;
A5
A6
A5
lieve me, this
be
A6
chick’s no
7 5
A5
9 5
7
A6
A5
7 5
7
C 5
cinch.
But
Rhy. Fig. 1
P.M.
P.M.
7 5
7
D5
9 5
7
7 5
7
D6 D5 D7
5
6 4
7 5
D5
7 5
9 5
D6 D5 D7
7 5
7 5
D5
7 5
9 5
E5
7 5
7 5
7 5
9 5
7 5
X X
7 5
X X
N.C.
6
C 5
3
I real ly
get
go
her
when I
in’
whip out my big
ten inch
re
cord of
a
End Rhy. Fig. 1
P.M.
7
X 7
9 5
7
10 5
X X
7
7 5
9 5
7
10 5
5
7
9 7
Copyright © 1952 by Bienstock Publishing Company and Quartet Music Copyright Renewed International Copyright Secured All Rights Reserved Used by Permission
Sorgdal
6 4
43
Chorus D5
D6
D7
D6 D5
that plays
band
D9
G 5 A5
the blues,
well, a
A6 A5 A7 A5
that plays
band
A5
the
Rhy. Fig. 2
9 5
10 5
9 5
5 5 5
7 5
3
let ring
love
my
P.M.
let ring
5 5 5 7 5
9 5
7 5
10 7 5
7 5
9 5
7
E5
just
She
5 5 5 6 4
E7
Am7
blues.
3
P.M.
7 5
A6
7 5
5 5 5
ten
inch
re
cord of her fa vor ite
9
7 5
A5
big
5 5
A6 A5 A7 A5 A6 A5
blues.
Now
my
band!
End Rhy. Fig. 2
3
P.M.
7 9 7
7 9
7 9
Guitar Solo A5 G5
F 5
9
P.M.
9 9
9 9
E5 A5
9 9
G5
9
F 5
P.M.
9 9
9 7 0
E5 A5
9
9
X 7 5
G5
F 5
9 5
E5 A5
7 5
10 5
G5
7 5
9 5
F 5
7 5
7 5
E5 D5
Gtr. 2 (dist.) Joe Perry
3 P.M.
3 P.M.
P.M.
3
3 P.M.
3
P.M.
P.M.
P.M.
1/4
7
7
5
7
5
7
7
7
5
7
5
6
7
7
7
5
7
5
full
7
7
7
5
7
5
full
8
8
Gtr. 1
P.M.
7 5
44 Sorgdal
5 3
P.M.
5 3
4 2
4 2
7 0
7 5
7 5
5 3
5 3
4 2
4 2
7 0
7 5
7 5
7 5
5 3
5 3
4 2
4 2
7 0
7 5
7 5
7 5
5 3
5 3
4 2
4 2
X 0
7 5
C5
B5
A5 D5
C5
B5
A5
G5
F 5
E5 A5
G5
F 5
E5
3 1/2
(8) 5
1/2
7 7
(7) 5
7
5
7
6
5
5
7
8
5
7
8
5
8
7
7 7
(7) 5
P.M.
7 5
5 3
4 2
D5
X 0
7 5
C 5 B5
7 5
E5
5 3
D5
4 2
X 0
C 5
B5
7 5
7 5
A5
5 3
5 3
4 2
4 2
X 0
A6 A5 A7
P.M.
7 5
A5
7
7 (5 6 ) 5
A6
7 5
5 3
5 3
4 2
4 2
9 7
X 0
A5
C 5
2. Last
3 1/2
1/4
(7)
5
5
7
1/4
5
(7)
7
(7)
1/4
5
7
(7)
3
1/2
5
5
7
8
5
8
7
5
7
7
5 5 5 7
7
5 5 5 7
P.M.
9 7
9 7
7 5
6 4
4 2
X 2
9 7
9 7
7 5
6 4
4 2
7 5
9 5
7 5
10 7 7 5 5
9 7 7 5 5
X X
6 4
7 5
Verse Gtr. 2 tacet
Gtr. 2: w/ Fill 1, 2nd time
G 5
D5
night
I cov
er
tried her
to with
tease kis
her; ses,
I ’n’
Gtr. 1
let ring
8 X
7 5
X X
5
8 7 6 4
Fill 1 Gtr. 2
5 7 7
9
9
7
( 5 6) 5
10 9
11
45 Sorgdal
Gtr. 1: w/ Rhy. Fig. 1, simile
A5
A6
A5
A6
A5
C 5
A6 A5
D5
D5
D6
D5
D7
3
gave my love when we’re in D6
a a
D5
lit lov
tle er’s
pinch. clench
D5
D7
But she
E5
she
said, “Now gets all
that
stop
jiv cit
ex
N.C.
C 5
3
in’, ed.
’n’
now whip When she beg
out for
your my
big
ten
inch
rec
ord
of
a
Chorus Gtr. 1: w/ Rhy. Fig. 2, simile
D5
D6
band
that
D7
D9
D6 D5
plays
the
A5
G 5
blues,
well, a
A6 A5 A7 A5 A6 A5
band
that
plays
the
Am7
blues.”
She
1 Gtr. 1: w/ Rhy. Fill 1
E7
E5
just 2
loves
my
ten
big
N.C.
A6 A5 A7 A5
A5
inch
re
cord of her fa vor ite
blues.
3. I,
D5
I,
I’ll
(A5)
Gtr. 1
3
3
3
3
3
3
3
3
P.M.
5
6
5
7
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
Harmonica Solo D6 D5
Gtr. 2
D7
5
5
5
5
D6
D5
9 5
7 5
3
7
5
6
5
5
Gtr. 1
3
3
3
3
P.M.
poco a poco cresc.
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
7 5
5
9 5
10 5
Rhy. Fill 1 Gtr. 1
P.M.
7 5
46 Sorgdal
P.M.
7 5
9 5
7 5
10 5
7 5
X X
7 5
X X
7 7
X X
7 7
7 7
6 4
D6 D5 D7
D5 A5
A6 A5 A7
A6 A5
A6 A5 A7
A5
3
5
7
E5
3
5
6
3
5 5
5
5
5
6
P.M.
7 5
7 5
9 5
7 5
10 5
5
5
X X
9 7
5
6
P.M.
X 5
7 5
7 5
7 5
9 5
7 5
10 5
9 5
7 5
7 5
7 5
9 5
7 5
10 5
9 7
X X
X X
9 9
X 7
9 7
A5
D5
4. My
3
3
5 5
5
5
5
6
3
5
5
5
5
6
let ring
5
5
5
5
6
5 5
5 5
5
P.M.
X 7
9 9
9 9
9 9
X X
7 7
X 5
7 5
7 5
X X
7 7
7 7
7 7
7 7
7 5
Verse Gtr. 2 tacet
D5
A5
girl
don’t
go
for
smok in’;
liq uor just
make her
flinch.
Seems
Gtr. 1
P.M.
7 5
7 5
P.M.
7 5
7 5
X 5
7 7
7 5
7 5
7 5
7 5
X X
7 7
X X
X X
7 5
7 7
X X
7 X
47 Sorgdal
D5
E5
N.C.
C 5
3
she don’t
go
for
noth
in’
’cept for
my
big
ten
inch
rec ord of
a
P.M.
7 5
7 7
7 5
7 7
X X
X X
7 7
7 X
7 7 5
7 7
X X X
X X
9 9 7
6 4
Chorus Gtr. 1: w/ Rhy. Fig. 2, 1st 5 meas., simile
D7
D6
D5
D9
D6 D5
band that plays
G 5 A5
the blues,
band
A6 A5 A7 A5 A6 A5
that plays
Am7
E7
the blues.
She
just
love
my
Outro E5
N.C. rit.
ten
inch
rec ord of her fa vor ite
blues.
Gtr. 1
rit.
P.M.
9
X X
X X
9 9
X X
9 9
X X
X X
9 9 7
Free Time * A9
fdbk.
4
(4)
* Chord symbol reflects overall tonality.
48 Sorgdal
(4)
8
10
8
9
7
5
7
5
7
big
Chip Away the Stone Words and Music by Richard Supa Gtrs. 1 & 4; Tuning: 1 =E
4 =D
2 =B
5 =G
3 =G
6 =D
Intro Moderately = 136 Half-Time Feel *C F/C
C
A 8va
Gtr. 1 (dist.- Joe Perry)
Harm. P.M.
**
5 5 5
5 5 5
6 5 7
5
D/A
A
G
C/G
G
loco
5.8
0
sim.
2 2 2
2 2
3 2 4
P.M.
2 2 2
5
0 0 0
0
0
1 0 2
0 0 0
0 0 0
* Chord symbols reflect implied tonality. ** Release finger pressure to mute 2 and 4 .
C/G
Gtr. 1
G
C
F/C
C
6 5 7
5 5 5
6 5
5 5
A
D/A
A
3 2 4
2 2 2
3 2
2 2
G
C/G
G
P.M. don’t pick
0 0 0
0 0
0 0 0
1 0 2
X X X
0
5 5 5
5 5
2 2 2
2 2
0 0 0
0 0
1 0 2
0 0 0
1 0
0 0
0 0 0 0
Gtr. 2 (elec.- Brad Whitford)
5 5 3
C/G
3
F 5
G
1. You
2 2 0
3
Verse G5
C/G
act
like a
G
0
G5/F G5
0 X 3
0
C/G
B5
G
pri ma don na,
3
play
3
F/C
C5
0 0 X 3
in’ so
B5
C
hard
to
get,
P.M.
0 0 0 0
0 0 0
1 0 2
0 0 0
3 3 0
X
6 4
7 5
9 5
8 7 4
5
X X
5
4
5
4 2
5 3
5 5
7 5
4 4
Rhy. Fig. 1
P.M.
0 0 3
0 0 0
1 0 2
0 0 0 3
0 X 2
3
1 0 2 X 3
0 0 3
All Rights Reserved
Sorgdal
0 X 2
1 0 3
3
0 0 0 3
© 1977 COLGEMS-EMI MUSIC INC. International Copyright Secured Used by Permission
6 5 3
5 5 3
4 2
3
C5
F/C
C
B5
C5
F/C
tin’ so
sit
F 5 G5 G
C
cool
C/G
G
E m7 Em7
cha lant,
’n’ non
drag
Em7sus4 Em7
gin’ on
a cig a
P.M.
5 5
5 3
5 5
7 5
5
6 5 3
C5
5 5 3
F/C
C
4
5
4 2
5 3
5 5
7 5
6 4
6 5 3
G5/F G5
5 5
You keep a
P.M.
G
wall
5 5
7 5
7
9
5
0
0 0
1 0 3
a
round
C/G
0
G
B5
ya,
’n’
P.M.
3 3
3 3 0 0
0
0
2
8 7 9 7
2
10 7
C5
8 7
F/C
I’ll get
C
through
X
0
4
X
4 2
B5
some day.
P.M.
3 3 0
X X
0
7 6 8 6
0 0
3
G5/F G5
all
0 0
5
P.M.
3 3 5
0 X 2
3
C/G
7 5
rette.
P.M.
3 3
8 8
B5
0
X X
4 4
5 5
4 2
5 3
5
7 5
4 4
P.M.
5 3
4 Sorgdal
6 5 3
3
5 5 5
0 X 2
1 0 3
3
0 0 3
X X
0 X 2
3
0 X 3
1 0
0 0 3
6 5 3
5 5 3
4 2
C5
F/C
C
B5
C5
’N’
I
1/2
5 5
5 5
7 5
want your
5 5 2
Em7sus4 Em7
chip that
wall
babe
love,
B5
a
3
0
3
2
2
4 2
5 5
7 5
5
5 5
0
5 0
3
Chip a
way.
X X
C/G
comes to
P.M.
0
3
G6 G5
G
E m7
shove,
3 3
0 X 2
Chorus End Half-Time Feel C G5 G5 F/C
C5
push
5 5
gon
na
3 3
0
0 X 3
1 0 2
7 6 8 6
0 0 3
G6 G5
G6 G5
way,
chip a
P.M.
0 0
if
G5
P.M.
6 5
3
Em7
G5/F
5
5
5 5
7
3
C
let ring
5
6 5
5 3
F/C
G6
at the stone,
way
let ring
0 0
0
0 0
3 3
3 0
0 0
0 0
0 0
0 0
0 X 3
0 X 3
2 X 3
0 X 3
3 3 0
0 0
0 0
End Rhy. Fig. 1
8 7 9 7
10
8 7
9 7
G5
4 2
7
G6
G5
G6
5 3
6 5
5 3
G5
5 5 3
G6
X X
G5
X X
0 X 3
G6
0 X 3
D5
2 X 3
Harm.
12 12
0 0
0
0 X 3
0 X 3
2 X 3
2 2
2 X 3
0 X 3
0 X 3
2 X 3
2 X 3
2 2
0 X 3
0 0
0 X 3
3
2 X 3
P.M.
0 0 9
2 X 3
0 X 3
0 X 3
2 X 3
0
7 5
7 5
2 X 3
0 X 3
0 X 3
0 X 3
2 X 3
love
is my ver y
7
10 7
9 7
9 5
7 5
10 5
9 5
7 7 7
5
7 5
0
own.
P.M.
P.M.
9 7
2 X 3
D6 D5 D7 D6 D5 N.C.
till your
stop
1/4
12
0 X 3
D6 D5 D7 D6 D5
I won’t
let ring
3
7 7 9 7 7 7
7 7
10 7
9 7
0
7 5
7 5
10 5
9 5
7 5
9 5
0
0
5 Sorgdal
G5
G6 G5
G6 G5
G6 G5
G6 G5
Chip a
G6 G5
G6 G5
G6
way,
G6
G5
that’s what I’m
gon na
do.
P.M.
3 3
3
1 3 0
0 0
0 X 3
2 X 3
0
0 0
0 X 3
G5
0 X 3
5
0 X 3
G6
2 X 3
0 X 3
G5
0 X 3
G6
0 0
0 0
0 0
0 0
0 0
0 X 3
0 X 3
G5
3 3 0 0
2 X 3
0 0
3 3 0
0 X 3
2 X 3
0 0
0 0
0 X 3
0 X 3
G6
0 0
0 0
0 0
2 X 3
G5
3 3 0
3
0 X 3
G6
0 0
0 0
5 0
0 X 3
2 X 3
0 X 3
D5
7
0 0 0
0 0
0
0 X 3
0 0 0
0 X 3
2 X 3
D6
D5
Sweet
lit
tle
7 7
9 7
X X
wan
0 X 3
na
2 X 3
2 X 3
0 X 3
0 X 3
2 X 3
2 X 3
D6
D5
D7
D6
D5
G5
ta
you.
get
next
0 X 3
0 X 3
2 X 3
G6
2 X 3
0 X 3
0 X 3
G5
2 X 3
G6
7 5
7 5
G5
9 5
7 5
G6
G5
2 X 3
0 X 3
D7
D6
ma
5
0 X 3
0 0
7
10 5
5
0 0
0 X 3
2 X 3
2 X 3
D5
ma,
I
7
0
9 5
7 5
7 5
G5/F
2. Ya
1/2
(0)
7 5
6 Sorgdal
7 7 7
7 5
7 7 0
9 5
7 5
7 7 7
10 5
3 3 0
0 0
9 5
7 5
0
0 X 3
0 X 3
0 0 0
2 X 3
0 X 3
3 3 0
0 X 3
0 0 0
0 X 3
2 X 3
6 5
3 3
0 X 3
0 X 3
0 X 3
3 3
2 X 3
0 X 3
0 X 3
5 5
0 X 3
3 3
0 0
0 X 2
Verse Half-Time Feel Gtr. 2: w/ Rhy. Fig. 1, simile
C/G
G5
stand
G
like
a
G5/F
mar
ble
stat
G5
C/G
B5
G
ue,
F/C
C5
try
in’
ta
B5
C
look
so
hard,
Gtr. 1
P.M.
3 3 0
P.M.
3 3
3 0
0
C5
F/C
P.M.
3 3
B5
C
F/C
C5
all
0
decked
C
out
in
your
4 4
5 5
5 5
7 5
5 5
F 5
G5
G
C/G
G
an
tique
7 5
Em7
5 5
5 5
Em7sus4 Em7
B5
prom e
all
C5
F/C
7 5
C
5 5
C/G
ven a
E
while the
boys
0 0
7 0
G5/F G5
nade.
dress
3 3
3 3 5 5
E m7
G5/F G5
G
rock
will
crum
C/G
G
B5
ble
if
ya
P.M. let ring
let ring
0 0 2
C5
strike
0 X 2
F/C
it
0
4 4
5 5
5 5
B5
C
night
5 5
and
5 3
7 5
3 3
7 5
C5
0 0
F/C
3 3 0
C
day.
1 0 2
0
B5
If
C5
ham mer
F/C
I
0 0
0 0 0 0
4 4
G5/F
C
must,
I’m
gon
na
P.M. 1/2
5 5
5
7 5
5 5
5 7
1/2
(7)
P.M.
5
7
5
0 0
3 3 0 0
7 Sorgdal
G5
C/G
G
get through your
E m7
crust;
gon
na
Em7sus4
Em7
chip that
Em7
B5
a
stone
C5
F/C
End Half-Time Feel G5
C
way.
Chip
P.M.
way,
P.M.
3 3
7 8
3 3
0 0
0
Chorus G5 G
a
4
4 2
C/G
G
C/G G
C/G G
chip a
C/G G
C/G G
way
at the stone,
3 3
3 3
5 5
5
7 5
5
C/G G
5 5
X X
0 0
0
C/G G
N.C.
’n’
Gtr. 1
let ring
let ring
3 3 0 0
0 0
0 0 3
Gtr. 2
5
0 0 0
let ring
0
0
0 0 0 X 3
1 0 2 X 3
0
0 0 0
0 0
0 0 0 X 3
0 0 0 X 3
1 0 2 X 3
0
3 3
3 3
1 0 2
3 3 9 0
0
Rhy. Fig. 2
let ring
0 0 0
0 0
1 0 2
0 0 0 X 3
3
D5
0 0 0
1 0 2 X 3
0 0 0 X 3
0 X 3
D6 D5 D7 D6 D5
I won’t
0 0 0 X 3
1 0 2 X 3
0 0 0 X 3
D6 D5 D7 D6 N.C.
’til your
stop
0 0 0
is my ver y
love
G5
0
0 0 0 X 3
0
0 0 0
G6 G5
1 0 2
0 0 0
0 0 X 3
0 0 0 X 3
G6 G5
1 0 2 X 3
0 0 0
0 0 0 X 3
0 0 0 0
G6 G5
G6 G5
own.
Chip a
way,
* 1/4
7 7
9 7
7
10 7
10 7
7 5
9 5
7 5
10 5
9 5
8 7
7 5
7 5
(8)
7 7 7
7 5
9 5
7 5
7 7
10 5
9 5
9
0
3
0 0
0
0 X 3
0 X 3
3 3
3 6 3
2 X 3
0 X 3
0 X 3
5 5
5 5
0 X 3
2 X 3
1/4
3
0 X 3
5 5
0 X 3
* Pull-off sounds both strings.
8 Sorgdal
1/4
3 3
0 X 3
2 X 3
0 X 3
3 3
5 5
0 X 3
0 X 3
2 X 3
0 X 3
G6 G5
G6 G5
G6 G5
G6 G5
that’s what I’m
gon na
G6 G5
G6 G5
3 3
0 X 3
5 5
0 X 3
D5
Sweet
1/4
3 3
3 3
5 5
2 X 3
0 X 3
3
3 3
0 X 3
3 3
5 5
2 X 3
0 X 3
D6
D5 D7 D6 D5
lit
tle ma ma,
0 X 3
3 3
0 X 3
2 X 3
1/4
3 3
5 5
0 X 3
0 X 3
0 X 3
0 X 3
1/4
3 3
5 5
2 X 3
0 X 3
wan na
1/2
get
1/2
5 5
5 5
0 X 3
D6 D5 D7 D6 N.C.G5
I
N.C.
1/4
1/2 1/4
1/2
G5
do.
1/4 1/4
G6
2 X 3
0 X 3
3 3
0 X 3
0 X 3
2 X 3
G6 G5
5 5
3 3
0 X 3
0 X 3
3 5 3 5
5
0 X 3
2 X 3
G6 G5
next to you.
5 5
0 X 3
0 X 3
7 7
0 X 3
2
5
C5 C 5 D5
G6 G5
Look out!
Hunh!
1/2
full
7 7
7 7
1/2
full
7 7
0
0
3 3 0
7 7
6 5
3 3
6 5
5 5
3 3
5
3
0
0 X 3
2 X 3
0 X 3
0
0
6
5
3
12
5 X 3
6 X 4
7 X 5
End Rhy. Fig. 2
7 5
7 5
9 5
7 5
10 5
9 5
7 5
7 5
7 5
9 5
7 5
10 5
9 5
0
0 X 3
0 X 3
2
0 X 3
0 X 3
0 X 3
2 X 3
0 X 3
3
0 X 3
9 Sorgdal
Guitar Solo D5
D6
D5
D6
D5
D6
D5
10 10
12 12
C 5
C5
12 12
10 10
Gtr. 1
hold bend
let ring
1/2 full
1/2
10 10
10 10
13
13
10 12
12
12 12
12 12
12
10 10
12
Riff A Gtr. 3 (slight dist.)
End Riff A
hold bend full
hold bend
full
3
full
3
3
5
3
5
full
3
5
3
5
3
5
3
5
5
Gtr. 2
7
7 5
5
9 5
7 5
7 5
7 5
9 5
7 5
7 5
7 5
9 5
7 5
7 5
7 5
6 4
5 3
Gtr. 3: w/ Riff A, 3 times, simile
C6
C5
C6
C5
C 5
D5
D6
D5
D6
D5
Gtr. 1
* 1/2 full
full
12 12
10 10
5 3
7 3
12
12 12
10 10
5 3
7 3
12 12
10 10
12
12 12
12 12
10 10
12 10 12 10
5 5 3
5 5 3
5 5 3
5 5 3
12
10 10
12 12
10 10
13 12
6 X 4
7 X 5
7 5
7 5
full
full
13
13
(12)
12
12
Gtr. 2
5 3
5 3
5 3
5 5 3
5 5 3
6 X 4
9 5
7 5
7 5
7 5
7 5
9 5
* Vib. 3 str. only.
10 Sorgdal
5
D6
D5
C 5 C5
C6
C5
C6
C5
C6
C5
C6
N.C. G5
Chip
13
(12)
12
7 5
full
7 5
9 5
full
13
13
12
12
7 5
7 5
7 5
full
(12)
6 4
5 3
13 12
13 12
5 3
7 3
5 3
way,
hold bend
* full
a
5 3
13 12
15 14
5 3
7 3
full
15 15
7 3
15 15
5 3
15
14
5 3
14
5 3
7 3
(14)
14
12 14 12
5 3
5 3
7 3
0 0
0 X 3
0
*Vib. 3 only.
Chorus Gtr. 2: w/ Rhy. Fig. 2, simile
G5
G
C/G
G
C/G G
C/G G
chip
a
C/G G
way
at
the
C/G G
C/G G
stone.
Gtr. 1
P.M.
P.M.
P.M.
*
P.M. 1/4
0 0
3 3 0
3 3 0
3 3 0 0
3 3 0
3 3 0
0
3 3 0
3 3 0
0
1/4
1/4
6
6
6
6
5
5
5
5
X
6 5
0 * Pull str. off side of fretboard (pitch: C).
C/G
N.C.
G
(Hon
1/4
ey,
D5
I I
D6
D5
won’t won’t
D7
D6
6
6
6
5
5
5
5
D6
till your till your
stop stop
love love
is is
D5
D7
my my
ver ver
D6
D5
y y
own. own. )
P.M.
1/2
6
D5
7 7
9 7
7 7
10 7
9 7
0
N.C.
P.M.
7 7
7 7
9 7
7 7
X X 5
7
5
7
0 0
11 Sorgdal
G5
G6 G5
G6 G5
G6
G6 G
G5
Chip a
G6 G5
G6 G5
G6 G5
way,
G6 G5
that’s what I’m
gon na
do.
P.M.
3 3 0
3 3
5 5 5
G6
3 3
5 5
G5
0 0
G6 G5
G6
0 0
G5
3 3 0
3 3 0 0 0
0 0
0 0
D5
N.C.
Sweet
1/2
3 3 0
D6
wan
8 7
na
get
D5
D5
lit
tle
9 7
7
D7
D6
D5
ma
ma
ma,
10 7
9
I
1/2
5 5
5 5
D6
D7
next
5 5
5 5
D5
N.C. G5
ta
you.
3 3
5
3
G6
(3)
0
15
G5
0
G6
G5
Yes,
3 3
7 X X X
5
5 5
3 3
G6
G5
I
do.
3 3 0
3 3 0
3 3 0
8 7
G6
C
(Yes,
I
do.
3 0
5
5 5 5
0 X 3
2 X 3
0
Gtr. 2
0 X 3
12 Sorgdal
0 X 3
2 X 3
0 X 3
0 X 3
5 5
Interlude F/C
C
A
D/A
A
G
C/G
G
C/G
G
C
) Gtr. 4 (dist.-Perry)
w/ slide and MXR Phase 90
2 2 2 8va
Gtr. 1
P.M.
5 5 5
5
6 5 7
5 5 5
6 5
5 5
7
0
loco
* Harm.
2 2 2
2 2
2 2 0
2 0
3 2 4
2 2 2
3 2
2 2
0 0 0
5
0
1 0 2 0
0 0 0
1 0
0 0
0 0
0 0 0
1 0 2
0 0 0
1 0 2
0 0
X X
X X
5 5 5
Gtr. 2
5 5 3
3
0 X 3
0
3
0 X 3
3
3
5 5 3
3
* Pick harm. while barring strings at 2nd fret.
F/C
C
A
D/A
A
G
C/G
G
B 5
A5
C5
Chip a
steady gliss.
steady gliss.
3 3 3
9 9 9
14 14 14
12 12 12
5 5 5 8va
P.M.
5 5 5
5 5 3
5 5
3
way,
6 5 7
5 5 5
6 5
5 5 3
7
loco
* Harm.
0
2 2 2
2 2 0
2 2
0
3 2 4
2 2 2
3 2
2 2 0
X X X
0 0 0
0 X 3
0 0
3
1 0 2
0 0 0 0
1 0
0 0 3
2.6
5
0 0 0
0 0 X 3
0 0
0
3 3
3 3
3 3
2 2
X X
3 3
3 3
3 3
2 2
X X
5 5
5 5 3
* Don’t pick; sound harm. w/ L.H.
13 Sorgdal
Outro Gtr. 4 tacet
C
Csus4
C
chip
Asus4
A
a
A
way
G
at
the
stone.
2 2
2 2
2 2
0 0
0 0
3 2 2 0
2 2 2 0
X X 0
0 0 X 3
0 X 3
Gtr. 1
5 5
5 5
7 5
5 5 5
6 5 5 3
5 5
5 5
5 5
6 5 5 3
5 5 5 3
0
2 2
2 2
2 2
2 2 2 0
2 2 0
3 2 2 0
3
0 0 0
4
0 0
3
3
3
0 0 X 3
2
Gtr. 2
* let ring
5 5 3
X X X 0
3 2 2
0 0
0 X 3
0 0 X 3
0 0 X 3
* next 18 meas.
C
Chip
a
Csus4
C
way,
A
Asus4
A
chip
a
way
5 5
5 5
5 5
5 5
2 2
2 2
2 2
2 2
6 5 5 3
5 5 5 3
5 5 5 3
X X X
2 2 2 0
2 2 2 0
3 2 2 0
3 2 2
at
G
the
stone.
1/4
0
0 0 3
3
2
0
0 X 3
0 0 X 3
0 0 X 3
C/G
0
5 5
3
0 0 X 3
0
G
0
3 3
3
5 5
5 5
5
6 5 5 3
C/G G
5 5
5 5
C/G
G
0 0
3 0 0
0 0 0 (3)
14 Sorgdal
3 0
1 0 2 X 3
3
3 0
3 0
1
3
0 0 X 3
1 0 2 X 3
3 0
1
0 0
0 0 0 X 3
1
0
3
won’t
3 0
0
0 0 X 3
3
1 0 2 X 3
Csus4
C
I
0 0 0
0 0 0
3 2 2 0
won’t
0 0
5 5
5 5
5 5
5 5 3
5 5 3
5 5 3
6 5 5 3
2 2
2 2 2 0
2 2 2 0
0 0
3
C
stop. (I
2 2
I
won’t
5 5
5 5
5 5
5 5
6 5 5 3
5 5 5
5 5 5 3
5 5 5
stop.
5 5
Asus4
A
A
stop.
I I
won’t
Gsus4
G
won’t
2 2 2 0
4 2
2 2
2 2
2 2
2 2
2 2 2 0
3 2 2 0
3 2 2 0
3 2 2 0
2 2 2 0
2 2 2 0
I
2 2
0 0 0
won’t
5 5
5 5
7 5
3
5 5 5 3
5 5 3
5 3
G
6 5
Gsus4
5 5
5 5 3
6 6
6 6
won’t
1 0 0
1 0 0
0 0 0
0
0 0 0 2 3
0 0 0
I I
won’t
5 5
7 5
5 5
2 2
2 2
2 2
5 5 5
5 5 5 3
5 5 5
2 2 2 0
2 2 2 0
2 2 0
C
it,
5 5
5 5
5 5 5 3
5 5 5 3
won’t
won’t
2 2
2
3 2
2 2 0
6 6
1 0 0
1 0 0
2 2
2 2
2 2 2
2 2 2
6 6
1 0 0
0 0 0
0 0 0
X X 0
Gsus4
Gsus4 G
I
won’t
stop.)
6 6
6 6
6 6
6 6
0
0
C
0 0 0 X 3
3
A
I’m
1 0 0
6 6
stop.
stop.
Csus4
Chip
0 0 0 X 3
6 6
G
stop.
G
0
Asus4 A
stop.
5 5
1 0 0 X 3
A
I I
6 6
0
Csus4 C
stop.
G
I…
2
C
Gsus4
stop.
stop.
6 6 2
G
1 0 0 X 3
0 0 0 3
Asus4
0 0 X 3
0
0
1 0 0 X 3
1 0 0
A
gon
na
nip
it
5 5
5 5
2 2
2 2
2 2
2 2
2 2
2 2 2 0
2 2 2 0
3 2 2 0
3 2 2 0
2 2 0
G
all night
long.
let ring
6 6
6
6 6
6 6 0
(0)
0 X 3
3
1 0 0 X 3
1 0 0 X 3
0 0 0 X 3
0 0 0
0 X 3
0
0
4 4
5 5
5 5
6 5 5 3
6 5 5
4 4
5 5
5 5 3
5 5
5 5 5
4 4
5 5 3
X X 0
2 2
2 2 2 0
0 0
2 2 0
3
15 Sorgdal
C/G G
C/G G
C/G G
C
Csus4
C
A
Asus4
A A 5 G5
11 10
11 10
12
0 0
2 2
2 2
0 0
3 2 2 0
3 2 2 0
3 2 2 0
X X X
Gtr. 5 (dist.- Perry)
*
11 10
11 10
12
0 0
2 2
11 10
11 10
12
12
11
1 1
0 0
6 X 4
5 X 3
Gtr. 1
0 0
2 2
0 0
2 2
0 0
2 2
0 0
2 2
0 0
2 2
0 0
2 2
0 0 0
2 2 2 0
Gtr. 2
0 X 3
3
2 X 3
0 0 X 3
0 0 X 3
0 0 X 3
1 0 2 X 3
0 0 0
0 0 0 X 3
0 0 0
1 0 0 X 3
0 0 0
0 0 0 X 3
0 0 0
0 X 3
5 5 5 3
0
5 5 5
6 5 5 3
6 5 5
5 5 3
5 5 3
5 5 5 3
2 2 2 0
* Studio fade in.
Free Time -1/2
-1/2
-1/2
-1/2
-1/2
w/ bar -1/2
-1/2
-1/2
-1/2
-1/2
(11)
(11)
(11)
(11)
(11)
fdbk. 1/2
1/2
(11)
(11)
w/ bar * depress bar grad.
11
(11)
-2 1/2
0 0
5 3 * Depress bar and release bend simultaneously.
16 Sorgdal
Draw the Line Words and Music by Steven Tyler and Joe Perry Open A tuning: (low to high) E-A-E-A-C#-E
Intro Moderate Rock q = 132 A5
*
mf
E5
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
w/ dist.
0 0 0
0 0 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
*Wear slide on pinky throughout.
A7
5 0
2
Verse E5
3
4
3
2
beat
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
let ring
5
3
let ring
3
5 2
3
4
3
you
at
your own damn
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
0
0
A7
game.
E5
No
dice
hon - ey,
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
2
3
3
0 0
3
0
1. Check - mate hon - ey, 2. See additional lyrics
let ring
I’m
0
2
3
4
3
2
0
liv - in’
on
the
as
-
tral
plane.
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
3 0
Copyright © 1980 Music Of Stage Three All Rights Administered by Stage Three Music (U.S.) Inc. All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A7
Feet’s
E
let ring
5 0
2
3
head’s
4
3
2
go - in’ down
the
drain.
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
0
7 7 7 0
D5
I win,
55 5
w/ slide
1.
tails
you lose
5 5 5
5 5 5
5 5 5
0
2
3
4
to the nev - er
7 7 7 0
7 7 7 0
3
7 7 7
7 7 7
7 7 7
2
let ring
5 0
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
3
4
3
2
0
3
7 7 7 0
7 7 7 0
Oh,
heads
3
3
0
0
G5
when to draw
the line.
1010 10
7 7 7
10 10 10
mind,
w/o slide
Sorgdal
7 7 7 0
and your
let ring
77 7
5 5 5
E5
10 10 10 10 10 10
10 10 10
10 10 10 10 10 10
10 10 10
10 10 10 10 10 10 10 10 10
A7
the ground
7 7 7 0
5 7 7 7 0
on
3
3
0
A7
let ring
3
5
0 0
2
3
4
3
2
0
3
3 0
2. The
2.
A7
w/o slide
2
3
4
3
2
3
3
5
2
3
Verse E5
4
3
3
2
4
3
5
0
0
2
3
4
3
2
-
ho
Sil - ver,” we were
sing - in’
songs.
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
let ring
5
3
Oh
you
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
told
your cow - boy
E5
3. “Hi -
let ring
0
all
3
3
3
0
0
2
let ring
0
2
3
0 0
5
let ring
0
let ring
5 0
Car - rie
and
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
3
3 0
0
A7
0
2
3
4
3
2
0
prom -ised her you would - n’t
be
long.
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
3 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Heads
0
E5
3
No
55 5
3
2
Lord, it’s
such
a
7 7 7
7 7 7
7 7 7
7 7 7
hon - ey,
you
5 5 5
5 5 5
5 5 5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10 1010
10 10 10
10 10 10
10 10 10
E5
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
you’re the queen of
77 7
7 7 7
7 7 7
7 7 7
the
5 5 5
5 5 5
5 5 5
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
brine.
1010 10
10 10 10
10 10 10
10 10 10
10 10 10
D5
on - ly
7 7 7
7 7 7
5 5 5
5 5 5
Check - mate
hon - ey, you’re the
7 7 7
7 7 7
7 7 7
10 10 10
G5
7 7 7
lose,
5 5 5
salt,
E5
4
the
10 10 10
dice
5 5 5
crime.
you
G5
tails
win,
55 5
0
0
77 7 D5
4
I
2
w/ slide
3
3
let ring
5
D
one who’s got
5 5 5
5 5 5
to
5 5 5
choose
E5
when to
w/o slide
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
let ring
5
draw
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
0
2
3
4
3
2
3
2
3
4
3
0
2
3 0
0
Interlude A7
3
5
3
0 0
let ring
3 0
let ring
0
3
2
3
2
3
4
3
2
3 0
0
Play 3 times
5
3
let ring
*
3
4
0
3
5
5
line.
let ring
2
the
3
3
0
0
A7
Play 3 times
let ring
5 0
2
3
4
3
2
3
3
0
0
*3rd time, omit tie
0
0
0
2
3
4
3
2
0
0
2
3
4
3
2
0
0
2
3
4
3
2
0
0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge E5
8va
Yeah!
2
8va
3
4
3
2
0
That’s right,
0
-
pos
-
don’t be
late,
take
an - oth - er
bow.
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
im
si - ble
when you got
to
be your - self.
You’re the
boss,
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
8va
it’s your
toss.
The dice,
the price. Grab your - self
a
loco
slice and
go and draw
the
line.
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Check - mate,
0
Outro
A7
Ooh
yeah.
let ring
5 0
2
3
4
3
2
3
3
0
0
0
2
3
4
3
Ooh
2
yeah.
let ring
5 0
2
3
4
3
2
3
3
0
0
yeah.
let ring
5
Play 4 times
Ooh
Ooh
3
3
0
0
0
0
0
0
0
0
0
0
Play 3 times
yeah.
Repeat and fade
Ooh
yeah.
5
3
3 0
0
0
3
0
5
3
3 0
0
0
3
0
5
3
3 0
0
0
3
0
5
3
3 0
0
0
3
0
Additional Lyrics 2. The Indian Summer, Carrie was all over the floor. She was a wet net winner and rarely ever left the store. She’d sing and dance all night, and wrong all the right outta me. Oh, pass me the vial and cross your fingers, it don’t take time. Know where to draw the line.
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Dream On Words and Music by Tyler C
Fm/C
C 7 4 fr
341
C7
231
5 fr
142
C
F5
5 fr
B 5
142
C5
E 5 8 fr
D
13
4 fr
13
G5
1333
Intro Moderately Slow * Fm Gtr. 1 (clean)
13
13
= 78 Cm
13
11 fr
13
Dm7 5/F
13
13 fr
13
D maj7 11
Riff A
1324
B 5
10 fr
13
5 fr
1341
A 5
4 fr
Dm7 5
6 fr
1333
F5 I
D 5
E sus2
6 fr
Fm
Fsus4
End Riff A
let ring throughout
4 6
4 6
5
5
3 4
3 4
5
4 3
5
4 3
5
5
3 2
3 2
5
4 6
5
4 6
5
6 6
5
6 6
5
5
* Chords reflect combined tonality of gtr. and elec. piano.
Fm
Cm
8 6
8 6
5
Fm
4 6
8 6
5
4 6
Fsus4
5
4 6
6 6
5
5
5
4 6
3 4
5
Fm
6 6
5
3 4
4 3
5
8 6
6 6
4 6
6 6
8 9
D maj7 11
4 3
5
B 9
8 6
5
Dm7 5/F
3 2
5
E
8 9
8 8
6 6
6 6
3 2
5
5
E 7
6
5
6
5
6
5
6
5
Fm
6
5
3
5
6
5
6
8
6
8
9
8
9
11
9 11 9
8
9
8
6
8
6
4
6
4
2
1
13
Verse Gtr. 1: w/ Riff A, 4 times
Fm
1. Ev ’ry
18 Sorgdal
Cm
time
Dm7 5/F
that I
look
D maj7 11
in the mir
ror,
Fm
Cm
all these lines
Copyright © 1973 Music Of Stage Three Copyright Renewed All Rights Reserved Used by Permission
Dm7 5/F
in my
face
D maj7 11
get tin’ clear
er.
Fm
Cm
Dm7 5/F D maj7 11
The past
Dm7 5
is
Fm
gone;
Csus4
it
C
Dm7 5/F
Cm
went
Dm7 5
by
like
D maj7 11
dusk to dawn.
D maj7 11
C
Fm/C
*Gtr. 2 (clean)
Is n’t that the way?
Ev
’ry bod y’s got their dues
in life
to
pay.
5
6
Gtr. 1
4 6
4 6
5
3 6
5
3 5
5
4 6
5
4 6
5
5
3 6
3 6
5
5
5
6
5
6
5
6
5
* kybd. arr. for gtr.
Pre-Chorus C 7
Gtr. 2 tacet
C7
F5
E
E 5
D
5 6fr
Rhy. Fig. 1A
D
E
5 4fr
E sus2
5 6fr
Gtr. 3 (slight dist.)
Well,
I
know
no bod
y knows
where it
comes
and where
it goes.
Rhy. Fig. 1
6
5
6
5
6
5
6
5
10 10
10 10
8 8
8 8
6 6
6 6
8 8
8 8
Gtr. 3 tacet
F5
E
E 5
D
5 6fr
D
E
5 4fr
E sus2
Fm
Cm
5 6fr End Rhy. Fig. 1A
I
know it’s ev
’ry bod y’s sin;
you’ve got
to lose
to know
how to win. End Rhy. Fig. 1
10 10
10 10
8 8
8 8
6 6
6 6
8 8
4 6 8
6
8
5
4 6
5
3 4
5
3 4
5
19 Sorgdal
Dm7 5
D maj7 11
Fm
Fsus4
Fm
Gtr. 4 (clean)
1 1
3
1
4
2
3
3
Gtr. 1
4 3
4 3
5
5
3 2
3 2
5
4 6
5
5
4 6
6 6
5
5
6 6
8 6
5
8 6
5
8 6
5
Verse Gtr. 4 tacet Gtr. 1: w/ Riff A, 4 times
Cm
Fm
2. Half
Fm
Dm7 5/F
my life’s
in
Cm
D maj7 11
book’s writ ten pa
Dm7 5/F D maj7 11
You know
it’s
Cm
Fm
ges,
lived and learned
from
Cm
Fm
true
Dm7 5/F
fools
and from sag
Dm7 5/F
all these things
D maj7 11
es.
D maj7 11
come back to you.
Pre-Chorus F5
E
E 5
D
5 6fr
Rhy. Fig. 2A
D
E
5 4fr
E sus2
5 6fr
Gtr. 3
Sing Gtr. 1
Sorgdal
sing
for the
years,
sing
for the laugh ter
’n’
sing
for the
tears.
Rhy. Fig. 2
10 10
20
with me,
10 10
8 8
8 8
6 6
6 6
8 8
8 8
F5
E
E 5
D
5 6fr
Sing Gtr. 4
with me if it’s just for
Dm7 5
D
5 5fr
to
day,
10
10
may be
D
5 4fr
to
mor
11
11
row
the good Lord
will take you a way.
Riff B
10
8
8
8
10
8
10
10
10
11
11
10
(11)
8
8
8
8
Gtr. 1
10 10
10 10
8 8
8 8
10 10
10 10
6 6
6 6
To Coda
Gtr. 1: w/ Fill 1, 2nd time
C
End Rhy. Fig. 2A
End Riff B
8
10
End Rhy. Fig. 2
6
5
6
5
6
5
6
5
6
5
6
5
6
6
5
5
Fill 1 Gtr. 1
full
full
8 6
5
5
8
9
10
10
10
8
10
8
10
8
11
8
10
8
10 8
10
8
10 10
full
X
11
21 Sorgdal
Interlude Gtrs. 3 & 4 tacet
Fm
Fm(maj7)
Fm7add9
B add9
E 13
E 7
Gtr. 1
4
4
6
5
5
6
6
5
6
6 5
6
6
6
5
8
6
5
8 5
6
8 13 13
8
6
5
8
6
6
8
6
6
5
Gtr. 2 †
let ring throughout
4 6 5 3
5
4 5 3
4 5
5
3
3 4
5
3
3 4
5
3
3 5 3
5
3
2 6
6
† play fingerstyle
Fm
Fsus2
Fm(maj7)
2
5
Fm7add9
2
5
6
B add9
2
5
2
E 7/6
5
D.S. al Coda
E 7
Well,
1/2
6
6
6 5 3
5
8
6 8
4 6 6 8 3
4
(8)
8
4
5
8 9
3 6
3
3
5
6
3 6 3
4 5
6
4 5
5
3
6 5
6 5
5
4 5 3
6
8 5
5
3 4 3
6
8 5
6
3 4
5
3
8 13 13
8
3 5 3
2
6
5
5
8
5
6
6
6
2 6
6
5
8
2
6
5
2
6
2 2
Coda Chorus B 5
C5
D 5
F5 I
E 5
Gtr. 1
Gtrs. 1&3
Dream on
’n’ dream on,
’n’ dream on,
dream your self a dream come
true.
Gtr. 4 Gtr. 3
(cont. in slash) full 16
1
22 Sorgdal
1
3
3
4
4
6
6
16
16
16
5
Gtr. 4 tacet
B 5
C5
D 5
E 5
Gtr. 1 (Gtr. 3 cont. in notation)
(’n’) Dream on,
’n’ dream on,
’n’ dream on,
dream un til your dream come
Gtr. 3
(cont. in slash) full 16
16
13
15
13
15
13
15 14 13
1
16 13
1
3
3
4
4
6
6
F5 I Gtrs. 1&3 (Gtr. 3 cont. in notation)
true.
Gtr. 4
1/4 1/4 1/4 full
3
1
3
1
3
1
1
3
3
1
3
1 3 5
4
4
5
10
8
9 8
8
9 10
9
9
10
9 8
11 10
11 10
11 10
11 10
11 11 10
Gtr. 4 tacet
B 5
C5
D 5
E 5
F5
G5
Gtr. 1
(’n’) Dream on,
’n’ dream on,
’n’ dream on,
’n’ dream on.
Dream on,
dream on,
Gtr. 3
1
1
3
3
4
4
6
6
1
1
3
3
23 Sorgdal
A 5
B 5
dream on,
4
C5
ah!
1
4
5 3
1
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
Pre-Chorus Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A
E 5
F5
with me,
Sing
D 5
sing
for the
years,
sing
E 5
F5
Sing it with me
if
E sus2
for the laugh ter ’n’
sing
D 5
it’s just for
to
day,
for the
tears.
E sus2
may be
to
mor
row
the good
Lord will take you
a way.
Gtrs. 1 & 3: w/ Rhy. Figs. 2 & 2A
F5
E 5
Sing
with me,
E sus2
D 5
sing
for the
years,
sing
for
the laugh ter ’n’
sing
for the
tears.
Gtr. 4: w/ Riff B
E 5
F5
Dm7 5
Sing it with me if it’s just for to day,
D
C
may be to mor row the good Lord will take you a way.
Outro
Repeat and Fade
Gtrs. 1, 3 & 4 tacet Gtr. 2
N.C.(C5)
let ring
3 2
24 Sorgdal
1
3 2
1
3 2
1
3 2
1
3 2
1
3 2
1
3 2
1
3 2
1
Dude (Looks Like A Lady) Words & Music by Joe Perry, Steven Tyler & Desmond Child A5
G/D 7fr
D
G6/D
7fr
7fr
F/A 8fr
D*
C/D
E
G
E5
5fr
D5 7fr
5fr
q = 128 A5
Intro
I...
I...
I...
I...
9 7
9 7
9 7
9 7
9 7
109 109 70 70
9 7
10 9 7 0
10 9 7 0
That,
that,
10 9 7 0
10 9 7 0
Sorgdal
9 7
A5
9 7
8 7 0
8 7 0
10 9 7 0
9 7
9 7
9 7
9 7
dude
G6/D
looks like a
D
la
- dy.
10 9 7 0
10 9 7 0
0
8 7 0
8 10 7 9 0 7 0
7 7
8 9
7 7 0
0
9 7
9 7
7 7
7 7
9 7
9 7
9 7
2.
a
la
7 7
7 7
9 7
G6/D
looks like
D
w/dist.
0
7 7
1. D
dude
A5
G/D
Gtr. 2 (elec.)
A5
G/D
that,
mf w/dist. 9 7
That,
Gtr. 1 (elec.) (sample)
9 7
A5
D
-
8 9 0
0
D
dy.
0
G6/D
looks like
7 7 0
a
la
7 7 0
© Copyright 1987 Demon Of Screamin Music/Juju Rhythms/EMI April Music Incorporated/Universal Polygram International, USA.
D
-
8 9 0
0
7 7 0
dy.
0
A5
109 70
G/D
A5
D
G6/D
D
8 7 0
8 7 0
10 10 9 9 7 7 0 0
7 7 0
8 9 0
9 7
9 7
9 7
2. D
7 7
7 7
9 7
7 7
9 7
9 7
0
D
7 7 0
8 9 0
0
7 7 0
Sorgdal
9 7
7 7
G6/D
7 7
8 7 0
8 7 0
10 10 9 9 7 7 0 0
7 7 0
8 9 0
9 7
9 7
9 7
7 7
9 7
7 7
7 7
9 7
9 7
9 7
7 7
0
0
7 7
9 7
10 10 10 9 9 9 7 7 7 0 0 0
0
D
7 7
7 7
9 7
Verse
G6/D
A5
G/D
9 7
9 7
7 7
9 7
7 7
A5
Cruised in - to
9 7
1. D
A5
10 10 9 9 7 7 0 0
G/D
A5
10 9 7 0
10 9 7 0
8 7 0
8 10 10 7 9 9 0 7 7 0 0
9 7
9 7
9 7
G6/D
D
A5
a bar on the shore,
10 9 7 0
D
7 7
7 7
7 7
9 7
9 7
G/D
A5
her pic -ture graced the grime on the door.
7 7 0
10 9 7 0
10 9 7 0
10 9 7 0
7 7 0
7 7 0
8 9 0
8 9 0
7 7 0
7 7 0
7 7 0
8 7 0
8 7 0
10 9 7 0
10 9 7 0
7 5
7 5
9 5
7 5
7 5
7 5
9 5
7 5
9 7
9 7
9 7
7 7
7 7
7 7
9 7
9 7
D
G6/D
D
G/D
A5
long
lost
She
a
7 7 0
7 7 0
8 9 0
8 9 0
7 7 0
7 7 0
8 7 0
7 5
7 5
9 5
7 5
7 5
A5
-
G/D
7 5
A5
be you’re wrong,
9 5
10 9 7 0
10 9 7 0
8 7 0
8 7 0
Sorgdal
9 7
9 7
7 7
7 7
7 7
love
at first
10 9 7 0
10 9 7 0
10 9 7 0
8 7 0
8 7 0
10 9 7 0
9 7
9 7
9 7
7 7
7 7
7 7
G6/D
all
7 7 0
7 7 0
9 7
9 7
9 7
D
9 7
G/D
right, that’s right.
7 5
7 5
9 5
8 9 0
8 9 0
8 9 0
8 9 0
7 5 3
3
D
may -
7 7 0
8 9 0
8 9 0
7 7 0
7 7 0
8 7 0
7 5
7 5
9 5
A5
7 5
G/D
That,
10 9 0
G/D
ba - by,
7 7 0
10 9 7 0
G6/D
10 9 7 0
D
D
bite,
9 7
but you know it’s
10 9 7 0
A5
7 5
10 9 7 0
G/D
7 5
7 5
9 5
7 5
A5
that.
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
8 7 0
8 7 0
10 9 7 0
9 7
9 7
9 7
7 7
9 7
7 7
7 7
9 7
D
G6/D
D
A5
G/D
That,
7 7
8 9
0
0
7 7
0
0
9 7
9 7
A5
Verse
7 7
7 7
9 7
G/D
A5
109 70
that.
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
8 7 0
8 7 0
10 9 7 0
9 7
9 7
9 7
D
back - stage we’re hav - ing the time ne - ver judge a book by it’s co - ver
A5
7 7
9 7
G6/D D
7 7
D
G6/D
D
And
7 7
8 9
0
0
0
7 7 0
7 7
7 7
9 7
A5
9 7
G/D
9 7
7 7
A5
9 7
D
of our lives un - til some - bo - dy say, or who you’re gon - na love by your lo - ver.
G6/D D
G/D
“For Said,
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
8 7 0
8 7 0
10 10 9 9 7 7 0 0
7 7 0
7 7 7 7 0 0
8 8 7 9 9 7 0 0 0
7 7 0
7 7 0
8 7 0
8 7 0
10 9 7 0
10 9 7 0
7 7 7 7 0 0
8 8 7 9 9 7 0 0 0
7 7 0
8 7 0
Sorgdal
9 7
9 7
9 7
7 7
7 7
7 7
9 7
9 7
7 5
7 9 5 5
7 7 7 5 5 5
9 5
7 5
9 7
9 7
9 7
7 7
7 7
7 7
9 7
9 7
7 5
7 9 5 5
7 7 7 5 5 5
9 5
7 5
A5
G/D
A5
D
G6/D
D
G/D
A5
G/D
A5
D
G6/D
- -give me if I seem out of line.” Then she whipped out her gun and tried to blow me a - way. love put me wise to her love in dis -guise, she had the bo- dy of a Ve - nus, Lord, i - ma- gine my sur- prise.
10 9 7 0
10 10 8 9 9 7 7 7 0 0 0
8 7 0
10 9 7 0
10 9 7 0
7 7 0
7 7 0
8 9 0
8 9 0
7 7 0
7 7 0
8 7 0
10 9 7 0
10 10 8 8 9 9 7 7 7 7 0 0 0 0
10 9 7 0
10 9 7 0
7 7 0
7 7 0
8 9 0
8 9 0
8 9 0
8 10 9 9 0 0
Chorus
9 7
9 7
9 7
7 7
A5
7 7
G/D
That,
10 9 7 0
Sorgdal
9 7
9 7
9 7
A5
that,
10 9 7 0
7 7
9 7
7 5
7 5
9 5
10 9 7 0
10 9 7 0
8 7 0
10 9 7 0
9 7
7 7
9 7
7 5
7 7
7 5
9 5
9 7
7 5
9 7
D
G6/D
looks like
a
9 7
7 7 7 7
7 7
9 7
9 7
5 5
5 5
5 5
5 5
7
dude
8 7 0
7 5
la
D
-
dy.
A5
G/D
That,
A5
that,
dude
7 7
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
7 7
7 7
9 7
9 7
7 7 0
9 7
8 9 0
9 7
9 7
0
7 7
0
9 7
9 7
8 7 0
7 7
8 7 0
9 7
10 9 7 0
7 7
7 7
9 7
D
G6/D
D
looks like a la
A5
- dy.
That,
8 9
0
0
7 7
0
0
9 7
7 7
G6/D
9 7
D
9 7
0
0
0
9 7
9 7
7 7
7 7 0
9 7
8 10 7 9 0 7 0
7 7
9 7
7 7
7 7 0
9 7
8 9 0
0
7 7
9 7
9 7
7 7
9 7
7 7
That,
7 7 0
G6/D
D
7 7 0
0
9 7
8 9 0
9 7
7 7
dude
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
8 7 0
8 10 7 9 0 7 0
9 7
9 7
9 7
7 7
9 7
7 7
7 7
9 7
A5
G/D
A5
F/A
Let
9 7
7 7
10 10 10 9 9 9 7 7 7 0 0 0
0
that,
(Ba - by let me fol- low you
A5
looks like a la - dy.
7 7
9 7
G/D
Bridge
D
So
8 9
- dy.
10 9 7 0
8 7 0
A5
looks like a la - dy.
7 7
looks like a la
D
10 9 7 0
10 9 7 0
2.
D
Sorgdal
dude
G6/D
10 9 7 0
1.
that,
D
7 7
9 7
A5
9 7
7 7
G/D
7 7
9 7
9 7
9 7
8 7 0
7 7
8 7 0
7 7
10 10 9 9 7 7 0 0
7 7
9 7
me take a peek down.
6 5 7
5 3
dear.
A5
let
you
G/D
A5
me, do
do Ba - by
me
fol - low
10 9 7 0
10 9 7 0
8 7 0
8 7 0
10 9 7 0
9 7
9 7
9 7
7 7
7 7
7 7
F/A
10 9 7 0
the down.
6 5 7
Sorgdal
5 3
o - ther cheek
all
6 5 7
9 7
5 3
C/D
D*
dear. Ba - by let me fol- low you
3 2 0
3 2 0
1 0 0
1 0 0
1 0 0
3 2 0
7 5
7 5
9 5
G/D
A5
night.
Turn Ba - by
let
me
10 9 7 0
10 9 7 0
10 9 7 0
8 7 0
9 7
3 2 0
A5
fol - low
you
8 7 0
10 9 7 0
10 9 7 0
D*
me
me, do
down.
10 9 7 0
F/A
7 5
7 5
7 5
9 5
9 7
E
0 0 1 2 2 0
9 7
7 7
7 7
7 7
9 7
G
Do me, down.)
9 7
do me,
do me,
3 0 0 0 2 3
12 10
do
me.
Gtr. solo
[A5]
[D5]
[A5]
0 2
0
4 2
0
0 4
3
2
2
1/4
2 0
1/4
[D5]
4 2
5 2 5 2 5 2 2
0
4
0 4
0
0
3
0
2 0 2
7
5
0
3 2
cont. sim.
7 9 7 9 7 7 7 7
9 9 7 7
7 7
9 7
9 7
9 7
7 7
7 7
9 7
9 9 7 7
7 7 9 7 9 7 7 9 7 7 7 7
9 7
7 7
9 7 9 7 7 7
[A5] [D5] [A5] full
5 7
5 7
7 7
7 5
full
8 8 8 8
5 5
7
7 7
7
5 5
5 5
7 5
7
[D5]
7 7
5 5
7 7
7
[A5]
1/2
5 5
7 7
5 5
8
5
7
5
5 5
7
5
7
5 5
7 7
8
8
7
8
8
[D5]
full
8 8
5 5
5
8 8
7
full
8 8
8 8
8 8
8
7
full
8 8
0 0 19
7
7
[D5]
[A5]
17
7 7
7
full
Sorgdal
8
full
5 5
5
5
full
5 5 7
7
7
full
7
[A5]
full
5
full
8 7 7
5 5 5 5 5 5 5 5
7
full
[D5]
5 5 5 5 5 5 5 5
7 5
5 5
17 17
full
17 17
17 20
19
full
17
17 17
19
full
17
20
17
17
17 19
full
17 19
20
17 19
[A5]
[D5]
full
17
Bridge
full
17
20 17
17 17 20 17 20 17 20 17
E5
D5
9 9
9 9
9 9
7 7
7 7
9 9
9 9
what
a
fun - ky
full
17 20
9 9
9 9
9 9
7 7
7 7
9 9
9 9
like
it, like
it, like
it,
la
-
E5
D5
X X X
like
Ooh, she
9 9
9 9
X
X
X
X
X
X
X
X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
7 7
9 9
X X X
X X X
D5
X X X
E5
X X X
9 9
9 9
he was
9 9
7 7
7 7
9 9
7 7
7 7
a
la
7 7
9 9
9 9
-
dy.
9 9
7 7
9 9
0
2
9 9
9 9
Ooh,
9 9
9 9
X X X
9 9
9 9
9 9
7 7
E5
9 9
that,
E5
dy.
9 9
full
20
1/2
Sorgdal
20
full
17
20
20
E5
Ooh,
20
full
17
19
full
17
9 9
9 9
X X X
X X X
X X X
X X X
X X X
E5
D5
E5
G
Yeow,
9 9
9 9
9 9
7 7
7 7
9 9
9 9
9 9
9 9
7 7
A5
109 70
Sorgdal
9 7
9 9
yeah, yeah, yeah, yeah,
A5
9 9
12 12 10
that,
D
G6/D
D
dude
looks like
a
la
-
dy.
A5
G/D
A5
That,
that,
dude
10 9 7 0
10 9 7 0
10 9 7 0
7 7
10 9 7 0
10 9 7 0
10 9 7 0
10 9 7 0
7 7
7 7
9 7
9 7
7 7
G/D
That, (yeah.)
3
Chorus
9 9
9 7
8 7 0
8 7 0
10 9 7 0
9 7
7 7
9 7
7 7
7 7 0
9 7
8 9 0
9 7
9 7
0
7 7
0
9 7
9 7
8 7 0
7 7
8 7 0
9 7
10 9 7 0
7 7
7 7
9 7
1, 2, 3. D
4.
looks like
a
7 7 0
G6/D
la
D
-
8 9 0
0
9 7
9 7
7 7
D
7 7
D
a
7 7
9 7
la
-
7 7
8 9 0
0
Sorgdal
9 7
9 7
7 7
7 7 0
9 7
7 7
a
la
-
7 7 0
9 7
9 7
A5
7 7
9 7
G/D
dude,
10 9 7 0
10 9 7 0
10 9 7 0
9 7
7 7
9 7
7 7
7 7
9 7
8 7 0
9 7
10 9 7 0
G6/D
looks like
a
la
0
-
9 7
7 7
9 7
9 7
dy.
7 7
7 7
0
9 7
7 7
D
8 9 0
10 9 7 0
7 7
9 7
7 7
9 7
8 7 0
7 7
1. D
0
9 7
9 7
dude
10 9 7 0
9 7
10 9 7 0
7 7
10 9 7 0
10 9 7 0
8 7 0
8 7 0
dude
109 70
A5
dude,
dude,
7 7
Dude,
dude,
0
Dude,
0
G/D A5 A5
dy.
8 9
0
dy.
0
looks like
G6/D
looks like
dy.
0
2.
looks like a la
-
[A5]
dy.
[D5]
Yeah,
yeow,
ya, ya, ya, ya, ya, ya,
[A5]
ya,
yeow,
yeow,
yeow,
full
7 7
8 9
0
0
0
7 7
9 7
9 7
5
0
7 7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7 7
9 7
9 7
9 7
7 7
7 7
[D5]
7
7
9 7
9 7
9 7
7 5
7 5
9 5
7 5
7 5
7 5
9 5
5 5
5 5
Sorgdal
9 7
9 7
7 7
7 7
9 7
9 7
9 7
5 5
5 5
5 8
7
5
5
12
10 10
8
12
9 10
10
5 7
7
full
7
7 5
5 5
[D5]
full
5 5
7
9 7
7 5
ya, ya, ya, ya, ya, ya, ya, ya, yeow.
5 5
full
5 5
5
[A5]
yeow,
5 5
9 7
full
5 5
7 5
9 5
7 5
7 5
7
7
7 5
9 5
7 5
9 7
9 7
9 7
7 7
7 7
9 7
9 7
9 7
7 5
7 5
9 5
7 5
7 5
7 5
9 5
7 5
[A5]
[D5]
That,
that,
9 10
9 10
8 9
9 10
9 10
9 10
7 5
5
5
7
2
2
0
5
0 2
9 7
9 7
9 7
7 7
7 7
9 7
9 7
9 7
7 5
[D5]
7 5
9 5
7 5
7 5
7 5
[A5]
That,
9 5
7 5
7
5
7
5 5
5 5
7 7
7 7
5 5
0 0
2 2
Sorgdal
7 5
7 5
9 5
7 5
7 5
7 5
9 5
7 5
9 7
5 5 7
7
9 7
0 0
5
9 7
9 7
9 7
7
7 7
7 7
9 7
9 7
9 7
9 7
9 7
10
9
9 7
9 7
7
Repeat ad lib. to fade
9
7 7
5 5
7
5 5
7 7
7 7 7
that,
that,
[D5]
7 5
0
9 10
That,
8 9
[A5]
9
12
11
11
12
7 5
7 5
9 5
7 5
7 5
7 5
9 5
7 5
Eat The Rich Words and Music by Tyler, Perry and Vallance
E5
A5
E7 9
B5
D5
6fr 114
5fr
2134
134
11
134
Intro Moderate Rock N.C.
= 123 E5
E7 9
Gtr. 3
(Percussion w/vocal ad Libs)
Gtrs. 1 & 2
0 0 4 2 2 0
T A B
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
N.C.
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
E5
Rhy. Fig. 1B
End Rhy. Fig. 1B Gtr. 3: w/Rhy. Fig. 1B, 2 times
N.C. Gtr. 1
Rhy. Fig. 1
End Rhy. Fig. 1
Rhy. Fig. 2
4 2 2 0
5
End Rhy. Fig. 1A
Rhy. Fig. 2A
*
5
Gtr. 2
5
7
5
7
3
5
6
5
6
6
5
5
3
0
4 2 2 0
Rhy. Fig. 1A
0 0 4 2 2 0
0 0 4 2 2 0
5
5
7
5
7
5
7
5
7
3
5
3
5
*2nd time, and when Rhy. Fig. 1 is recalled, note is picked, not hammered.
E5
7
5
6
6
5
5
3
0
4 2 2 0
N.C.
0 0 4 2
5
E5
7
5
5
7
3
5
7
5
6
6
5
5
3
0
4 2 2 0
End Rhy. Fig. 2
4 2 2 0 End Rhy. Fig. 2A
7
5
6
5
3
4 2 2 0
4 2 2 0
5
7
5
5
7
3
5
7
5
6
5
3
© 1992 SWAG SONG MUSIC, INC., EMI APRIL MUSIC INC., ALMO MUSIC CORP. and TESTATYME MUSIC All Rights for SWAG SONG MUSIC, INC. Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
Sorgdal
4 2 2 0
4 2 2 0
133
Gtr. 3 tacet
N.C.(Em7)
Yeah! Rhy. Fig. 3A
End Rhy. Fig. 3A
Gtr. 2
Gtr. 1 divisi Rhy. Fig. 3
End Rhy. Fig. 3
5 5 2 5
3 3 0 0
7
5
0
0
7
0
4
0
5
0
6
0
7
0
5
0
7
5
0
0
7
0
4
0
5
0
6
0
7
0
Verse Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A, 4 times Gtr. 1: w/ Rhy. Fill 1, 2nd time only
N.C.(Em7)
1. Well, I
how
I
got
to
think
or
di
nar
y
peo
call
in’
names
kicks
back on
woke up this morn ing 2. See Additional Lyrics.
in’
a
bout
ple,
a
and
you,
then
all
how
I
on
those
they
hope
the wrong side
things
make
this
you
you
does
sick.
the trick.
Rhy. Fill 1 Gtr. 1
T A B 134 Sorgdal
0
2
5
0
7
0
4
0
5
0
6
0
said.
7
0
of
the bed.
And
A bout
And
if
Cause I’m
Pre-Chorus E5
F 5
sick of *Gtr. 1
your
com
A5
G5
plain
ing
a
bout
man
how
y
bills.
And I’m
full
2 2 0
Gtr. 2
4 4 2
2 2 0
5 5 3
(2)
2
0
2
Riff A
let ring throughout
0
3
0
0
0
3
0
0
0
3
0
0
0
3
0
0
*During Pre-Chorus, Gtr. 1 is two gtrs. arr. for one. Gtr. 1: w/ Rhy. Fill 2, 2nd time
E5
F 5
sick of
all
G5
your bitch in’ ’bout your
A5
poo dles and your pills.
And I
E5
F 5
just can’t see
no
hu
mor
a bout
full
2 2 0
4 4 2
2 2 0
5 5 3
(2)
2
2 2 0
4 4 2
let ring throughout
0
0
3
0
0
0
3
0
0
3
0
0
0
0
3
0
0
0
3
0
0
0
3
0
Rhy. Fill 2 Gtr. 1
full
15 (15) 5 5 3
7 7 5
14
135 Sorgdal
A5
G5
your
way
of
B5
life.
And I
A5/B
think I
can
do more for
you with
B5
this here,
fork and knife.
P.M.
4 4 2
2 2 0
5 5 3
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
2 2 2
2 2 2
4 4 2
4 4 2 End Riff A
0
3
0
0
0
3
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Chorus E5
D5
Eat Gtr. 1
the
A5
B5
D5
rich,
there’s
on
A5
thing
ly one
G5
E5
that they’re
good
for.
Rhy. Fig. 4
7 5
Gtr. 2
B5
End Rhy. Fig. 4
9 7
7 5
7 5
9 7
7 5
7 5
7 5
7 5
9 7
7 5
5 3
0 0 4 2
2 0
Rhy. Fig. 4A
12
12
12
10
10
12
X
12
12
12
12
X
X
12
12
12
12
X
X
12
12
12
12
12
12
9
9
9
7
7
9
X
9
9
9
9
X
X
9
9
9
9
X
X
9
9
9
9
9
9
A5
G5
Gtr. 1: w/ Rhy. Fig. 4, 3 times
D5
Eat
the
B5
D5
A5
rich,
B5
E5
D5
take a one bite now, come back for more.
Eat
the
B5
A5
rich,
I
Gtr. 2
136 Sorgdal
12
X X 12
X X X 12 12 X X X 12 12
12
X X 12
X X X 12 X 12
12 12
12
X X 12
X X 12 12 12
12 12
9
X X 9
X X X 9
9
X X 9
X X X 9
9
9
X X 9
X X 9
9
9
X X X 9
9
X 9
9
9
9
9
To Coda
Gtr. 1: w/ Rhy. Fill 3, 1st time
D5
B5
got ta
get
A5 G5
E5
off
my
this
D5
chest.
B5 A5
the
Eat
D5
rich,
B5
A5
take a one bite
G5
E5
spit out
now,
the rest.
End Rhy. Fig. 4A
1.
12
X X 12
12
X 12 12
12 12 12 12
12 12
12 10 10 12
12 12 12 12 12 12
12
X X
X X 12 X 12 12 12 X X X X X
9
X X 9
9
X 9 9
9
9 9
9 7 7
9 9 9 9 9 9
9
X X
X X 9 X 9 9 9 X X X X X
9 9 9
9
Gtr. 2: w/ Rhy. Fig. 3A Gtr. 3: w/ Fill 1
N.C.(Em7) Gtr. 1
3 1/2 full
(3)
0 0
0
0
0
0
full
0
3
0
0
3
0
0 0
3
0 0
0 0
3
3
2
0
2
0
2
0
2
2. So
I
3 1/2
0
2
0
2
2
0
0 2 4
2
3
3
4
2
0
2
2
0
2
0
0
2
0
2
1
0 3
1/2
0
3
0 3
2. Interlude Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A, 2 times Gtr. 3: w/ Fill 1
Gtrs. 1 & 2: w/Rhy. Figs. 2 & 2A
Rhy. Fill 3 Gtr. 1
Fill 1 Gtr. 3
7 5
7 5
9 7
7 5
5 3
2 0
0 0 4 2
3
12 9
137 Sorgdal
Guitar Solo A5
E5
Gtr.2
Gtr.1
15ma
loco
3 1/2 full
full
5 8
full
5
5 8
full
1/4
full P.H.
5 5 8
8
3
5
3
0
5
5
3
5
3
3 0
0
3
0
3
0
3
0
2
0
3
pitch: E
A5
6
6
full full
1/2
3 0
3
2
2
0 2
1/2
0 2 0 2 2
B5
2
2
0
2
2 0 0 0 2
3
4
4 2
0
2 0 2 2 0
2
2 0
2
0
0
D5 Gtr. 2: w/ Rhy. Fig. 3A, 3 1/2 times
N.C.(Em7) 3
15ma
0
2 0
0
2
0
2
0 0
2
0 0
2
0 0
0
0
2
full P.H.
0
0
2
0
3
loco
full
full
(0)
2
3
3
full
10
full
10
11
11
10 11
(11)
5 pitch: A B
3
3
let ring full
full
full
10 11
10 10 11
full
1/2
10 10 11
(11)
11
9
11
9
(9)
12 12 12 12
2
12 12
12 12
12 12
12
full
12
138 Sorgdal
15
15
12
12 15
12 12 15
(15)
12 15 12
12
1/2
15
15
12
15
12
10 11
12
12
12
15
12
15
14
12
14
12
14
1/2
15 15
12 12
12 14
Gtr. 2: w/ Rhy. Fill 4
3 1/4
full
full
12 12
14
12
14
12
14
14
12
12
15
12 14
14
12
14
12
14
14 12
12
14
14
14
12
14
14
12 12
14
13 12
8va
N.C.
*
0
fdbk.
(0)
(0)
*Pitch is lowered by turning tuning peg.
slack
fdbk. pitch: A
Pre-Chorus Gtr. 2: w/ Riff A
F 5
E5
Be lieve
in all
the
G5
good
things
A5
that mon ey
just
can’t
buy.
Uh, then
Gtr. 1
full
2 2 0
E5
you won’t get
4 4 2
F 5
no
G5
bel ly ache
from eat
5 5 3
A5
in’ hum ble
E5
pie.
14
7 7 5
I be lieve in
14 12
14
F 7sus4
rags
to rich
es,
your in
full
2 2 0
8 7 5
7 6 4
10 9 7
10 9 7
15 15 14
0 0 9 9 7
0 0 11 11 9
Rhy. Fill 4 Gtr. 2
T A B
3 3 0
139 Sorgdal
D.S. al Coda G6
her
Asus2
i
tance
B5
won’t last,
A5/B
take your Grey Pou pon,
so
my friend,
and
B5
3
shove it
up
ass!
your
P.M.
0 0 12 12 10
0 0 14 14 12
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
2 2 2
2 2 2
4 4 2
4 4 2
Coda Outro Gtr. 1: w/ Rhy. Fig. 4, 3 1/2 times Gtr. 2: w/ Rhy. Fig. 4A Gtr. 3: w/ Fill 2
E5
Eat
E5
D5
Eat
the
D5
B5
the
B5
A5
D5
rich,
rich,
on
there’s
D5
take a
D5
B5
one
bite now,
B5
G5
come back
thing
G5
that
they’re
E5
E5
D5
for more.
Eat
ly
A5
A5
one
E5
good A5
B5
the
for.
rich,
don’t
Gtr. 1: w/ Fill 3 Gtr. 2: w/ Fill 4
D5
B5
stop me now,
A5
G5
E5
I’m
go in’
E5
cra
D5
Eat
zy.
Fill 2 Gtr. 3
the
B5
A5
rich,
that’s
1., 2., 3.
full
T A B
full
14
14
15
14
14
Fill 4 Gtr. 2
T A B
B5
A5
G5
E5
my i
dea
of a good time, ba
4.
full
15
15
D5
1/4
14
full
1/4
15
12
14
14
14
14
12
14
12
Fill 3 Gtr. 1
12 12 9
9
12
12
9
9
12 12 9
9
12
10
12
9
7
9
T A B
7 5
7 5
9 7
7 5
5 3
2 0
0 0 4 2
0 0 4 2
Additional Lyrics: 2. So I called up my head shrinker And I told him what I’d done. He said, “You’d best go on a diet, Yeah, I hope you have some fun. And-a don’t go burst a bubble On the rich folks who get rude. ’Cause you won’t get in no trouble When you eats that kinda food.”
140 Sorgdal
Now they’re smokin’ up their junk bonds, And then they go get stiff. And they’re dancin’ at the yacht club With Muff and Uncle Biff. But there’s one good thing that happens When you toss your pearls to swine. Their attitudes may taste like shit, But go real good with wine.
14
by!
from Aerosmith - O, Yeah!
Girls of Summer Words and Music by Tyler/Perry/Frederiksen D
G5
132
2
34
Am
Cm
231
1342
G5 type2
2
3
Bm
Em7
Bb
C
A
1342
12 4
1333
1333
111
Gtr. 6: Drop D tuning: (low to high) D-A-D-G-B-E Gtr. 7: Open G tuning: (low to high) D-G-D-G-B-D
Intro Moderately fast q = 152 Half-time feel
*Gtr. 1 (elec.)
End half-time feel
(Drums)
D
Dsus4
Dsus2
D
** w/ clean tone
2 3 2
Gtr. 1 tacet
D Gtr. 3 (acous.)
Gtr 2 (elec.)
mp
0 3 2
2 3 2
**Vol. swells
*Backwards gtr. arr. for gtr.
Slower q = 122
3 3
o
Riff A
G5
mf
End Riff A
3
3
1. When
mf w/ clean tone let ring throughout
2
3
Verse G5 Rhy. Fig. 1
win - ter
let ring
3 3 0 0 X 3
0 2
3
hearts
3 3 0 0 X 3
3
2
turn
2 2
sum
-
mer
2
3
2
3
pink
0 2
3
2
in
half
3
2 2
3
2
the
time
it
takes
3 3
© 2002 EMI APRIL MUSIC INC., DEMON OF SCREAMIN' MUSIC PUBLISHING, JUJU RHTYHMS, SONY/ATV SONGS LLC and WHITE PEARL SONGS All Rights for DEMON OF SCREAMIN' MUSIC PUBLISHING and JUJU RHYTHMS Controlled and Administered by EMI APRIL MUSIC INC. All Rights for SONY/ATV SONGS LLC and WHITE PEARL SONGS Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 All Rights Reserved International Copyright Secured Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2 tacet
to
blink,
but
it
Gtr. 3
all
de
-
Cm
pends
on
what
you
mf
w/ slight dist
think
a - bout
o
0 1 2 2 0
4 5 5 3
3 3
G5
let ring
Gtr. 4 (elec.)
Am
Gtr. 3: w/ Rhy. Fig. 1
the
girls
of
sum
-
mer.
End Rhy. Fig. 1
When
all
Gtr. 4
G5
you
think
of
all
let ring
3 3 0 0
3 0 0 X 3
3
*Gtrs. 2 & 5
mf
w/ tremolo
0 3 *Gtr. 5 (baritone gtr.)
day
long
Gtr. 3 divisi
is
a
pret - ty
face
-
side
a
song,
with a
0 **Gtr. 2 to left of slash in tab
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
**
3 0
broad
3
(cont. in slashes)
**
Sorgdal
in
let ring
Gtr. 2
0 3
0 3 0 **As before
Am
Cm
like
can’t
go
wrong
G5 type2
a
-
bout
the
girls
of
sum -
5
3
0 3
Gtrs. 2, 4 & 5 tacet
-
µ
mer.
you
2
0
that
Gtrs. 2 & 5
Gtr. 4
I
know
you
know
what
ev
-
(Oo.
’ry - bod - y’s
talk - ing
’bout.
Wah.)
0 3
Chorus D
Bm
G5
Rhy. Fig. 2
Gtr. 3
** Voc. Fig. 1
Some
girls
Fig. 3 Rhy. *Gtr. 6
are
all
a
-
bout
Em7
it, (Ah.
a,
3 2 4 2
7 8 0 0 X 5
mf
some
girls
they
love
w/ dist.
3 2 0 0 0 *Two gtrs. arr. for one. **Pertains to upstemmed notes only.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Rhy. Fig. 2
D
Bm7
End Rhy. Fig. 2
to
let
it
fly.
Some
can’t
girls
3
live
with - out
it, Ah.)
Voc. Fig. 2
(Ah.)
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
G
2 4 2
0 0 0
Em7
a,
some
G5 Gtr. 3
girls
End Voc. Fig. 1
are
born
to
make
cry,
7 8 0 0 X 5
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
cry
you
yeah,
End Rhy. Fig. 3
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
End Voc. Fig. 2
Bb
2 2 2
2 2 2
Gtr. 6
5 5 5
Gtr. 2: w/ Riff A
o
- ver
and
o
- ver
a
D
-
G5
gain.
2. My
T o Coda
3 2 0 0 0
8 8 8
Verse Gtr. 3: w/ Rhy. Fig. 1 Gtr. 6 tacet
G5
fa - v’rite
thing
Gtr. 7 (elec.)
that
drives
me
wild
7
5
is
when
a
cit - y
girl
walks
a
3
w/ flanger tremolo off let ring throughout
8
0 7
-
try
mile
coun
5
7
0
5
0
7
3
0
0
5
0
3
0
3
Am
2
for
the
boy
she
3
8
8
7
7
0
1
0
loves,
4
1
God
0
bless
3
the
8
0
child
8
7
7
Cm
3
3
4
in
0
G5
-
side
4
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda
G
the
girls
-
of
sum
Gtr. 7 tacet
µ
mer.
A, do you know
what ev
(Oo.
9
10
8
7
9
8
7
8
8
7
Gtr. 3
Yeah,
Gtr. 2
yeah,
yeah,
Gtr. 3
yeah.
They
get
you
climb - ing
the
1
1
C
walls,
1
1
8 8 8
let ring
1
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3 2 0 0 0 Gtr. 4
Bridge
1
Gtr. 6
9 8
Bb
’ry - bod - y’s talk - ing ’bout?
Coda D
-
Wah.)
10
3
3 1
3
3 1
3
they
G5
get
you caught in
3
1
3
3
10 10 10
let ring
5
5
3
5
5
3
3
Bb
their spell.
3
3
D
They get
you speak - ing
3
in
Could this
3
3
5 5 5
7 5 0
let ring
5
5
5
3
5
5
3
3
heav - en
5
hell?
2
3
or
2
3
be
3
3
tongues.
3
let ring
7
7
5
C
7
7
5
7
5
G5
To
fall
in
3
1
love twice
a
1
1
1
day
is
1
3
sweet
price
3
3
3
to
pay.
3
3
3
3 1
3
3 1
3
3
3
3
3
3
5 5 5
let ring
3
10 10 10
let ring
1
a
8 8 8
such
5
5 3
5
5 3
let ring
5 3
5
5 3
5
5 3
5
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A
Verse
Gtrs. 2 & 4 tacet
G5
G5
(cont. in notation)
3. The
(S’il
vous
3
5
5
3
best
5
7
5
5
5
7
5
5
7
are
7 5
G5
7
free,
3 3 0 0 X 3
bout
life
2 3 0 0 X 3
2 3 0 0 X 3
Gtr. 6
0 3 0 0 X 3
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
9
7
5
6 7
p
Gmaj7
the
pus - sy
wil
-
low
3 0 0 X 3
G6
of
9
7
Gtr. 3
Sorgdal
-
3 0 0 X 5
Gtr. 6 tacet
G6
a
let ring
5
things
Gtr. 3
7 7 7
plez.
Gmaj7
your
G5
dreams
to
the
one
Am
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
2 3 0 0 X 3
0 0 X 3
0 0 X 3
0 3 0 0 X 3
3 0 0 X 3
0 1 2 2 0
0 1 2 2 0
who
climbs
there’ll
al
-
ways
be
Gtr. 3
the
G5
girl.
G5
Cm
Ah.)
Gtr. 2
(cont. in slashes)
0 1 2 2 0
0 1 2 2 0
4 5 5 3
4 5 5 3
4 5 5 3
3 3 3 3 0 0 0 0 X X 3 3
4 5 5 3
7
8
8
7
8
7
8
7
8
8
7
7
8
7
7
Chorus Bkgd. Voc : w/ Voc. Fig. 1 Gtr. 3: w/ Rhy. Fig. 2 (2 times) Gtr. 6: w/ Rhy. Fig. 3 o
Some
girls
Bkgd. Voc.: w/ Voc. Fig. 2
Em7
to
are
all
a
it
fly.
let
D
-
bout
a,
some
girls
are
born
G5
it,
Some
girls,
Em7
Bm7
no
to
make
you
a,
some
a -
bout
doubt
G5 Gtr. 3
girls,
they
love
it,
Em7
G5
Bm7
D
cry.
Gtr. 6
3 0 0 X 5
Some
girls
can’t
live
with - out
it.
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
2 2 2
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Riff A (2 times)
G5
Bb
Some
twen - ty
girls
got
D
rea
why.
-
sons
O - ver, and
o - ver, (O - ver, and
5 5 5
and
3 2 0 0 0
8 8 8
Bb
C
o - ver, and. o - ver, and
Gtr. 8 (elec.)
o
- ver, and...)
f w/ dist. & slide
7
Gtr. 6
3 2 0 0 0
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8 8 8
7
7
5
3
5
10 10 10
from Aerosmith - Rocks
Last Child Words and Music by Steven Tyler and Brad Whitford
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro Moderately slow q = 72 **Dm('9)
G6(no3rd)
I’m
dream
-
ing
to
-
night.
I’m
(Oo.) (Oo.)
*Gtr. 1 (dist.)
mf let ring
6
7
7
0
6
7
7
7
7
6
0
6
7
let ring
7
5
7
0
8
8
7
5
5
0
8
7
8
7
5
*Brad Whitfield. Doubled next 6 meas. **Chord symbols reflect implied harmony.
Faster q = 82
-
ing
back
leav
***Gtr. 2
F#7
E9
home.
Right!
F7
E7
mf
P.M.
P.M.
7 7
7 7 0
4
5
4
0
4
X
5
7
***Joe Perry
Gtr. 1
let ring
7
9
7
9
0
9
7
9
9
7
9
0
Riff A
End Riff A
slight P.H.
9 7 9
10 8 10
11 9 11
Copyright © 1977 Stage Three Songs Copyright Renewed All Rights Administered by Stage Three Music U.S. Inc. All Rights Reserved Used by Permission Reprinted by Permission of Hal Leonard Corporation
2 0
2 0
4
5
4
2
4
0
2
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff A (3 times)
Yeah,
Gtr. 2
P.M.
7 7 4
0
ya, ya, yeah.
P.M.
7 7 5
4
X
5
7
4
5
4
1. Take
P.M.
7 7 0
P.M.
7 7 4
7
7 7
0
4
X
5
7 7
7
0
4
5
4
0
4
0
5
7
Verse Gtr. 1: w/ Riff A (6 times)
me in
to put
a South the mule
Tal - la - has - see, in the sta - ble.
4
0
5
4
’cross the bridge to she’s a, cook - in’, put
my sweet the eats
4
0
5
sas - sa - fras - see. on the ta - ble.
4
5
4
0
5
stand in the
in in
up cit - y
on and
my feet my love’s
the cit - y, the mead - ow,
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4
0
4
5
X
Can’t Hate’s
P.M.
7 7 0
4
5
4
0
4
X
7
5
got hands
P.M.
7 7 4
5
4
7
7 7 4
X
5
7
7
7
7 7
2
5
P.M.
0
4
0
7 7 4
7
7 7
7
7 7
P.M.
P.M.
7 7 0
7 7
0
P.M.
7 7
P.M.
7 7
down Ma,
back the field,
E9
7 7 0
4
5
4
0
4
X
5
7
to
Gtr. 2
get back on the plough
to and
the real my feet’s
nit - ty in the
Riff B
grit - ty. ghet - to.
P.M.
7 7
7 7 4
4
0
4
slight P.H.
2 0
4
2
4
0
5
7
End Riff B
P.M.
7 7
5
0
7 7 4
5
4
0
4
slight P.H.
2 0
4
2
4
0
0
5
7
Gtr. 1
Pre-Chorus
2 0
4
5
A5
Yes Stand
sir, up,
no sit
sir. down.
Don’t Don’t
come do
0
2
2nd time, Gtr. 3: w/ Fill 1
*Gtr. 3 (dist.)
close to noth - in’.
mf 12 12 12
14 14
12 12
7 0
4 0
5 0
2 2 0
my It
home, ain’t
2 0
4
5
sweet no
home. good
Can’t when
catch boss
no man’s
11 11 11
12 12 12
15 14
7 0
4 0
5 0
2 2 0
0
2
0
a it
hot down
dose from stuf - fin’
11 11
11 11
*Joe Perry
Gtr. 2
5 0
Gtr. 1
4 0
2 0
2
4
5 0
4 0
2 0
2
4
5 0
Rhy. Fig. 1
End Rhy. Fig. 1
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
Fill 1 Gtr. 3
12 12 12
14 14
11 11 11
11 11 11
11 11 11
12 12 12
15 14
11 11 11
11 11 11
11 11 11
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2nd time, Gtr. 3: w/ Fill 2
tail their
poon - tang throats for
12 12 12
14 14
sweet - heart pap - er
sweat who could notes and their
11 11 11
11 11 11
11 11 11
make ba
silk bies
purse cry
from while
a
-
J. cit
-
Paul ies
Get lie
and at
his their
11 11 11
11 11 11
11 11 11
12 12 12
14 14
7 0
4 0
5 0
2 2 0
4 0
2 0
2
4 0
5 0
7 0
4 0
5 0
2 2 0
4 0
2 0
2
4
5 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
E9
Gtr. 3
7 7
Gtr. 4 (dist.)
7 7
7 7
7 7
7 7
Fill 2 Gtr. 3
Sorgdal
with her face in when you’re rock - in’
her the
beer. streets.
7 7
7 7 7
7 7
7 7
7 7
12 12 12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
mf 7 7
4
Gtr. 1: w/ Riff A (2 times) Gtr. 2: w/ Riff B 2nd time, Gtrs. 3 & 4 tacet
15 14
7 7
11 11 11 11 11 11
11 11 11
7 7 7
12 12 12
15 14
15 15 14 14
15 15 14 14
ear, feet,
0
Chorus
D
Home, Riff C1
*Gtr. 5 (dist.)
f
1
11
9
7
0
7 0
7 0
7 0
home.
7 7 4
5
4
0
5
7
4
5
4
14
13
14
13
14
13
14
13
14
1
slight P.M.
Gtr. 2
0
0
0
0
0
0
0
0
0
0
Riff D
0
5
4
2
2 3
0
9
9
0
7 0
5
2 0
2. Get out
7
4
0
2 0
5
7
7 7
7 7 0
4
5
4
7 7
7 7
7 7
0
P.M.
12 13
1
15
14
13
14
13
14
13
14
13
14
13
14
X
0
0
2
0
0
0
slight P.M.
Gtr. 1
0
13 14 13
*Brad Whitford
7
15
13
7 7
*Gtr. 6
f
11
1/2
0
P.M.
End Riff C
7 7 4
7
2.
Guitar Solo E5
11
7 7 0
End Riff C1
1.
Gtr. 1: w/ Riff A (2 times) Gtr. 5 tacet
E9
sweet
7
7
A
1/2
11
*Doubled throughout Riff C Gtrs. 1 & 2
Gtrs. 3 & 4 tacet
2 0
0
0
0
0
0
0
0
0
0
0
0
0
2
End Riff D
5
4
2
2 3
0
0
2
0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Riff D (2 times)
Gtr. 6
1
1
12
12 12 15
12
15
8v a
15
12
15
12
12
0 12
15 16
17
17
15
15
15
17
15
D
f
14
14 12
14
14 12
14
14 12
14
14
14
17
17
15
15
14
14
14
14 14
15
17
17
A
9
9
11
9
11
9
15
17
15
16
15
16
14
13
14
E5
1 1/2
15 14
12
Gtrs. 1 & 2: w/ Riff D Gtr. 7 tacet
1
15
9
11
14
loco
15 14
9
1
15 14
9
12
Gtr. 6
15 14
9
11
4
let ring
1
Gtr. 7 (dist.)
14 12
3
Gtrs. 1 & 2: w/ Riff C Gtr. 5: w/ Riff C1
14 12
14
1
11
12 12
14 0
0
1
14
1
*
17
17
X
15 14
12 14
12 14 15
12 14
12
14
*Open D sounds when 4th string slips out from under finger while releasing bend. Gtrs. 2 & 3: 2/ Riff C Gtr. 5: w/ Riff C1
Gtr. 6
1/4
12
14
15
X
14
12
12
12
D
1
1
14
14
12
15
15
12
A
12
p 15
15
15
Outro Gtr. 1: w/ Riff A (2 times) Gtr. 6 tacet
E9
Ma
Gtr. 2
-
ma,
take
Sorgdal
me
home,
sweet
7 7 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
5
4
7
0
5
7
P.M.
7 7 4
E9
I was a
last
child,
8v a
home.
P.M.
7 7
6
Gtr. 1: w/ Riff A (till fade) Gtr. 2: w/ Riff B (till fade)
Gtr. 6
7 7 0
4
5
4
0
4
0
5
0
7
a, just a punk in the streets
I was a
last
Gtr. 6
a, just a
I was a
12
steady gliss.
5 5
2
12 12
0
1/4
12 12 12 12
1/4
12 12 12 12
12 12 12 12
X 14
Begin fade
8v a
last
child,
a, just a punk in the streets
1
15
15
14
I was a
steady gliss.
I
let ring
12
15 12
was
a
last
child,
15
last
child,
a,
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
15 X 12
8v a
15 X 12
I
1
1
3 3
*
1
1
15 X 12
15 X 12
was
15
3
10
1 1
3
3
3
3
3
3
2
2
2
2
2
2
*Played behind the beat.
last
a
punk in
the
streets
mf 2
3
14
2
Fade out
a
1
15 X 12
just
mp 15 X 12
a, just a punk in the streets.
12
15 X 12
1
15
5
8v a
2
1/4
12
punk in the streets.
steady gliss.
15 12
15
child,
f
1
8v a
child,
2
a,
just
a
punk
in
the
streets
6
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Aerosmith - O, Yeah!
Lay It Down Words and Music by Tyler/Perry/Frederiksen/De Grate C
1333
Intro Slowly q = 70
Verse **Am7
(Drums)
(Synth.) 5 sec.
1. Ru - by
*Gtr. 1
F
red, her
lips
fire.
*Piano arr. for gtr.
were on
mf
G
3 1 2 2
T
1 2 3 X 1
2
Gsus4
***T
let ring througout
3 1 2 2 0
Dm7
1 2 3
5 6 5 0
3
5 6 5
0
3 4 5 X 3
3 5 5
5
5
**Chord symbols reflect overall harmony. ***T = Thumb on 6th string
F
Do
me
with a
3 1 2 2 0
3 1 2 2
kiss
if
you
Gsus4
5 6 5 0
5 6 5
1 2 3
G
3
E7
Tell
5
5 6
5
0
12 12 12 10
me
what your
3 5 5 X 3
3 5 5
3 1 2 2 0
F
sires.
5 6 5 0
0
Am7
3
sweet
heart de -
1
5 6 5 3
5 6
T
1 2 3 X 1
Dm7
Tell
F
please.
T
2
Am7
12
9 7 9 7
7
me how you
3 1 2 2 0
1
3 1 2
want
5
3 1 2
Dm7
5
G
it
1
Dm7
3
Am7
to
be.
5
’Cause if
5 6 5 0
5 6 5
it’s
T
1
5 6 5 3
5
5 6 3
0
3 4 5 X 3
© 2002 EMI APRIL MUSIC INC., DE SWING MOB, INC., JUJU RHYTHMS, DEMON OF SCREAMIN’ MUSIC PUBLISHING, SONY/ATV SONGS LLC and WHITE PEARL SONGS All Rights for DE SWING MOB, INC. Controlled and Administered by EMI APRIL MUSIC INC. All Rights for DEMON OF SCREAMIN’ MUSIC PUBLISHING and JUJU RHYTHMS in the world excluding the U.S. Controlled and Administered by EMI APRIL MUSIC INC. All Rights for SONY/ATV SONGS LLC and WHITE PEARL SONGS Administered by SONY/ATV MUSIC PUBLISHING, 8 Music Square West, Nashville, TN 37203 All Rights Reserved International Copyright Secured Used by Permission
3 5
5
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1 tacet
Am7
F
Dm
G
Am7
love
you
want,
then
you
won’t
F
µ
mind
a lit - tle
ten
-
der - ness
3
3
that some - times is so hard to find. (Lay it
T
8 10
7 8 0
5 6
3 5 3
0
Chorus C
3
0
Fsus2
Lay it
0
5
down,
5
7 8 0
all
3
C
Fsus2
right.
Lay it Lay it
Riff A1
3 5 3
0
down.
Gtr. 3 (elec.)
5 6
G
make it
8 10
3 4
3 4 5 X 3
5 5
Am
6 7
down,
I’ll hold you
down.
mp w/ clean tone & heavy tremolo let ring throughout
9
8
8 10
*Gtr. 2 (elec.) Riff A
8
8 10
mp
9
10
8 9
12
12
10
12
9
8
8 10
8
8 10
w/ clean tone let ring throughout
0
1
3 *Two gtrs. arr. for one.
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
3
0
1
1 3
0
2
2
1
0
1
0 0 3
1
0
3
0
1 3
Am
tight
9
10
1
1
0
Oh,
be - fore the
7
6
8
6
0
2
morn - ing
light
0
1 0
8
1
8
0
3
lay
12
13
0
12
12
3 1 0 3
it
Fm
down.
12
13
12
End Riff A
0
3 1 0
12
3
down
14
5
5 5
all
8
13
1
10
0
C
12
11
10
3
2
3
3
G/B
End Riff A1
10
12
0
1 1 1
3
be
to - night.
12 12
down
Come and lay it
Am
0
Bb
it’s gon - na
10
2
10
8
9
0
P.M.
3
Yeah,
down.)
12
Oh,
C
right.
Fsus2
12
10
12
12
C/E
T o Coda
Gsus4
9
2
2
0
yeah. Lay it
8
1
so
Dm7
G
13
13
12
12 10
0 3
1
0
13
10
0
0 3
12
2
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Am
me
how
you
2. Tell
Gtr. 4 (nylon str. acous.)
F
feel
when
we
Dm7
G
make
love.
Tell
mf
me
w/ fingers let ring throughout
0 2
0 Gtr. 2
0
1
2
Am
it
You
will
nev - er
0
0
0
2
3
2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 2
3
0
know
2
1
1 0
3
make
be
0
0
0
3 0
0
1
2
what
you’re
made
of
3
1
1
0
Gsus4
0
3 3 5
3 3 5
2
0
3 3
0
1
Dm
End Riff B
- lieve?
0
3
Dm7
1
1
1
1
1
4
Sorgdal
F
just
Am
0
3
2
0
or
2
2
1
F
0
1
0
0
real
0
1
3
2
0
2
3
Gtr. 2: w/ Riff B (2 times)
1
0
1
2
2
Gtr. 4
3
3
1
0
3
Riff B
is
1
3
0
G
till
2
1
3
1 2
3 0
0 3
0
0
3 0
you
o - pen
F
up
your
heart
to
0
1
2
1 2
3
0
3
Gtr. 2
2
1
1 0
3
2
1 2
3 3 5
3 3 5
love
1
2
2
0
2
3 3
0
got’s
that
you
0
F
0
Am
’Cause if the
0
2
3
1
1
2
3
1
2
Gsus4
re - ceive.
Gtr. 4
1
Dm7
3
Am
1
0
1 2
3
0
3
1
0
1
2
3
1
1
3
3
1
2
D.S. al Coda
Dm
same
old
1
we’re talk - ing
3
3
0
0
0
3
0
2
3
1
3
3
3 3 0 0
3
0
ten
-
der - ness
that’s
0 1 2 2 0
0
3
3
F
0
2
grind,
1
Am
G
3 3 0 0
2
2
1
1
0
3
0 3
3
3
3
0 3
2
0
1
1 0
3 3 3 3
Dm7
G
so hard to find and I’m here to re - mind you. (Lay it
1
0
3 3 0 0 X 3
3 3 0 0 X 3
0
0 1 0
2
2
3
3
1
1
3
3 3 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
to
-
C
Bridge
Riff C
12
13
Bb
Am
12
re
-
mem - ber them
times
talk
ing
in
your sleep? With
a
10
mf
-
End Riff C
13
10
you
*Gtr. 5 (elec.) Gtr. 2
night. Do
Gtr. 3
Gtr. 2 tacet Gtr. 3: w/ Riff C (5 times)
mf
*Gtr. 6 (elec.) divisi **
0
1
3
1
0
11 X 8 8 X 6
3
10 X 7 7 X 5
*w/ dist. **Gtr. 5 to left of slash in tab.
C
pock - et full of prom - ise you
Gtr. 7 (elec.)
Ab
nev
-
er could keep.
From your
8
8
Bb
best friend’s
Am
lov - er, you dreamed
a - bout a
mp
Gtr. 5
Gtr. 6 divisi
9 X 6 6 X 4
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8 X 5 5 5 3 3
10
8
8
8
11 X 8 8 X 6
10 X 7 7 X 5
bed. When you’re
w/ dist. & slide
8
C
Ab
pull - ing
up
the
cov - ers,
the
voic
-
es
in
your head
3
say,
“If
you want
8
8
8
8
8
it
bad,
don’t
9 X 6 6 X 4
Am
3
10
Bb
8 X 5 5 5 3 3
11 X 8 8 X 6
10 X 7 7 X 5
Gtrs. 3, 5, 6 & 7 tacet
G
3
ev - er
let
3
12
Gtr. 7
13
F
it’s
love
you
want
and
ten
-
der
-
ness,
down
10
3
8 10
7 8
Gtr. 1
5 6 X 3
7
Gtr. 6
µ
(Lay it
8
Gtr. 5
Dm
it slip a - way.” ’Cause if
Gtr. 3
Am7
3 5 3
3
6 7
0
5 5
0
divisi
8 X 5 5 X 3
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus Gtr. 1 tacet Gtrs. 2 & 3: w/ Riffs A & A1
C
lay
Make it
all
right.
Lay it
so
G
Dm7
C/E
down,
I’ll hold you
down.
tight.
Gtrs. 5 & 6
be - fore the
right.
morn - ing
Am
be
all
8 8 6
7 7 5
light
it’s gon - na
Lay
it
f
7 7 5 5
2 2 0
3 3 1
C
Bb
down.)
Oh,
Lay it
Fsus2
Fsus2
Yeah.)
Am
Gsus4
Lay it
(Yeah.
C
down.
it
G
Am
Fsus2
down.
I’m
gon
-
Fm
na
lay
it
down
to
- night.
Gtrs. 2, 5 & 6
5 5 3
5 5 3
3 3 1
Gtr. 3: w/ Riff A1 (last meas., 2 times)
C
Fm
You’re gon - na come a
5 5 3
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3 3 1
C
- round
to - night.
5 5 3
Fm
You
got
C
to
lay
Gtr. 2
down.
Gtrs. 5 & 6
3 3 1
(Gtr. 2 cont. in slashes)
5 5 3
Livin’ on the Edge Words and Music by Tyler/Perry/Hudson Bm7
D5 ( )
A
B 5
D5 open F 7 9 B maj7
G5
4 fr
5 fr
013 00
013 00
5 fr
003240
013 00
8 fr
200034
F5
A5
F6
111000
001100
111000
021340
013400
Em7/11 E maj7/ 11(no 3rd)
Intro Slowly D5
111000
111000
= 88
* Acous. Gtr. 1 3
** Guitar 1
3
let ring w/light distortion
T A B
0 2 0
3
0
3
3
0
0
*Tune Down: 6 = D, **Tune Down: 6 = D
5 = A,
3
2
0 2 0
3
0
3
0
3
0
0
2
3
4 = D, 3 = G, 2 = A, 1 = D
D5
3
There’s
3
let ring
3
0
2
0
0
3
3
0
3
2
0
3
0
2
0
0
3
0
3
0
2
3
0
Verse D5
some thin’
wrong with the world
to
day;
I
don’t know
what
it
3
is. 3
let ring
3
0
2
0
3
0
3
0
2
0 3
3
0
2
0
3
0
0
0
3
0
2
3
0
© 1993 EMI APRIL MUSIC INC., DEMON OF SCREAMIN’ MUSIC PUBLISHING, JUJU RHYTHMS, UNIVERSAL MUSIC CORP. and BEEF PUPPET MUSIC All Rights for DEMON OF SCREAMIN’ MUSIC PUBLISHING and JUJU RHYTHMS Controlled and Administered by EMI APRIL MUSIC INC. All Rights for BEEF PUPPET MUSIC Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission
Sorgdal
149
* Gtr. 2: w/Rhy. Fill 1
Bm7
A
*Tune Down: 6 =D
Some thing’s
wrong with our eyes.
We’re
let ring
3 4 4 2
3 4 4 2
3 4 4 2
things
in
3 4 4 2
3 4 4 2
let ring
2 3 4
3 4 4 2
2 3 4
3 4 4 2
2 3 4
3 4 4 2
2 3 4
3 4 4 2
0
2 2 2 0
2 2 2 0
0 0
D5
see ing
a diff
’rent way
and God knows
it ain’t
his.
3
It
3
let ring
0 0
2
0
0
3
0
3
0
Rhy. Fill 1 Gtr. 2
T A B
150 Sorgdal
2 2 0
3 2 0
2
3
3 0
0
2
0
3
0
3
0
2
3
Bm7
sure ain’t
no
sur prise.
Yeah!
let ring
3 4 4 2
3 4 4 2
3 4 4 2
let ring
2 3 4
3 4 4 2
We’re liv in’ on the
2 3 4
3 4 4 2
3 4 4 2
3 4 4 2
3 4 4 2
7 7
7 7
7 7
7 7
7 7
7 7
10 11
11
*Chorus Gtr. 3: w/Riff B, (4 times)
D5 Rhy. Fig. 1
edge.
Liv in’ on the
*Bass pedals D. End Riff A
Riff A Gtr. 1
let ring
sim. full
full
7
0
7
0
9
0
9
9
7
7
0
7
0
0
9
9
Rhy. Fig. 1A Gtr. 2
7 7 5
Riff B Gtr. 3
let ring
sim.
full
full
T A B
0
19
0
19
0
21 21
21
19
0
19
0
19
0
21 21
151 Sorgdal
Gtr. 1: w/Riff A, 3 times
D5
D5
edge.
Liv in’ on the
Gtr. 2
7 7 5
B 5
G5
edge
3 3 1
D5
edge.
Liv in’ on the
3 3 0 0
D5
End Rhy. Fig. 1
2. There’s End Rhy. Fig. 1 A (Gtr. 2 tacet)
7 7 5
152 Sorgdal
Verse D5
D5 open
Some thin’ wrong with the
world
to
day,
the light
bulb’s
get tin’
3
Rhy. Fig. 2
dim.
There’s
3
let ring
3 0
0
2
2
0
0
3
3
0
2
3
2
0
0
3
0
3
0
0
down
in
the
sky.
3
2
Gtr. 2: w/Rhy. Fill 1, 1st 3 bars only
Bm7
melt
0
3
D5
If
(Ah.) End Rhy. Fig. 2
let ring
4 4 2
sim.
2 3 4
2 3 4
2 3 4
4 4 2
2 3 4
4 4 2
2 3 4
2 3 4
4 4 2
2 3 4
2 3 4
4 4 2
2 3 4
2 3 4
Gtr. 2: w/Rhy. Fig. 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
Gtr. 2: w/Rhy. Fill 2
Bm7 3
you can judge a wise
man
by the
col or of
his
skin.
Then mis ter, you’re a bet
ter man
than I.
fdbk. (8va)
Rhy. Fill 2 Gtr. 2
fdbk.
T A B
3 2 0
0
0
153 Sorgdal
*Chorus Acous. Gtr. 1: w/Rhy. Fig. 1 Gtr. 2: w/Rhy. Fig. 1A Gtr. 1: w/Riff A Gtr. 3: w/Riff B
D5
Oh!
We’re liv in’ on the edge.
Liv in’ on the (You can’t help your self from
fall
ing.)
*Bass pedal D
Gtr. 1: w/Riff A Gtr. 3: w/Riff B
Gtr. 1: w/Riff A, 1st bar only, (2 times) Gtr. 3: w/Riff B, 1st bar only, (2 times)
edge.
Liv in’ on the edge. (You can’t help your self
at
all.)
(You can’t help your self from
Gtr. 1: w/Riff A, 1st bar only, (2 times) Gtr. 3: w/Riff B, 1st bar only, (2 times) (Gtr. 2 tacet)
Liv
in’
on
the
edge. ing.)
fall
Bridge
F 7 9
* Acous. Gtr. 2
Tell me what you think a bout your sit
u
a
tion.
Com
pli ca
tion,
ag
gra va
tion is
*Standard tuning Gtr. 1
** P.M.
4 4
P.M.
4 4
4 4
4 4
2 2
3 3
4 4
4 4
4 4
4 4
2 2
3 3
4 4
**For next 8 bars only, all P.M.’s are slight
2 2
4 4
2 2
4 4
4 4
4 4
4 4
2 2
3 3
4 4
4 4
2 2
4 4
4 4
4 4
4 4
2 2
3 3
4 4
2 2
4 4
Rhy. Fig. 3 Acous. Gtr. 1
4 4
154 Sorgdal
2 2
2 2
4 4
get
ting
to
you.
Yeah!
1/2
P.M.
9 9
1/2
full
7
7
9 9
If
9 9
9
9 9
9 9
9 9
9 9
7 7
8 8
7 7
9 9
9 9
7 7
7 7
9 9
9 9
9 9
9 9
7 7
9 9
9 9
9 9
9 9
7 7
7 7
9 9
8 8
9 9
7 7
9 9
7 7
9 9
(Acous. Gtr. 2 tacet)
Chick en Lit tle tells you that the sky
is
fall
P.M.
in,
e ven if
it was n’t would you still
come
crawl ing
P.M.
4 4
4 4
4 4
4 4
2 2
3 3
4 4
4 4
4 4
4 4
4 4
2 2
3 3
4 4
2 2
2 2
4 4
2 2
4 4
4 4
4 4
4 4
2 2
3 3
4 4
4 4
2 2
4 4
4 4
4 4
4 4
2 2
3 3
4 4
2 2
2 2
4 4
4 4
4 4
4 4
155 Sorgdal
G5
A5
back
a
gain?
P.M.
I
bet
you
P.M.
5 5
5 5
5 5
3 3
5 5
my
P.M.
3 3 5 5
would,
5 5
5 5
5 5
5 5
5 5 5 5
5 5
a
P.M.
3 3
5 5
friend,
5 5
5 5
5 5
7 7
2 2 0
5 5
2 2 0
P.M.
2 2 0
2 2 0
7 7
7 7
2 2 0
2 2 0
5 5
5 5
5 5
5 5 7 7
2 2 0
2 2 0
2 2 0
B 5
gain
and
a
gain
let ring
and
let ring
8 8
8 8
7
gain
10
8 7
and
a
gain
and
a
let ring
6 6
a
9
9
12
10
12
10
10
10
12 10
10
12
10
10
10 10
8 8
End Rhy. Fig. 3
3 3 1
156 Sorgdal
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
Guitar Solo Gtr. 1: w/Riff A, 1st bar only, (2 times) Gtr. 3: w /Riff B, 1st bar only, (2 times)
D5 Acous. Gtr. 1
gain. Gtr. 2
* w/octaver full
12
12
12
12
12
12
11
*Doubles an octave lower.
Gtr. 3: w/Riff C
Gtr. 2
P.M. full
12
full
full
12
12
full
12
full
12
12
10
10
2
Gtr. 1
let ring
sim.
1/2
0
7
0
7
9 9
0
1/2
7
0
0
7
0
9
9
9
Riff C Gtr. 3
let ring
T A B
0
1/2
19
0
19
0
19 19
sim.
0
1/2
19
0
19
0
19 19
19
157 Sorgdal
Gtr. 2: w/Riff A, (1st bar only, 9 times) Gtr. 3: w/Riff B, (1st bar only, 9 times)
full full
full
full
14 12
12
12
12
12 10
9
9
15
14 14 17 14
14
B maj7
P.H. (8va)
sounding pitches: B C
3
B (octaver off)
full
full
full
17
17
15
* w/slide
15 17
17
14
17
15
17
17
15
15
15
15
15
*Wear slide on pinky to allow other fret hand fingers to play single notes
G5
F5
3 steady gliss.
w/slide
13
13
12
12
12
8
11
11
10
10
10
10
D5
* Gtr. 2
w/slide
full
14 12
14
17
full
14
17
full
14
17
* Gtr. 3
full
14
17
14 17
14
17
14
full
17 16
*Standard tuning
158 Sorgdal
Bridge Acous. Gtr. 1: w/Rhy. Fig. 3
F 7 9
Acous. Gtr. 3
Tell me what you think a bout your sit
u
a
tion.
Com
pli ca
tion,
ag
gra va
tion is
(Gtrs. 2 & 3 tacet)
17 16
Gtr. 1
* P.M.
P.M.
4 4
4 4
4 4
4 4
2 2
3 3
4 4
2 2
4 4
2 2
4 4
4 4
4 4
4 4
2 2
3 3
2 2
4 4
4 4
*For next 9 bars only, all P.M.’s are slight.
get
ting
to
you.
Yeah!
P.M.
1/2
full
7
7
9 9
9 9
9 9
9
9 9
7
1/2
1/2
9 9
9 9 9 9
If
9 9
9 9 9 9
7 7
7
7 7
7 7
9
(Acous. Gtr. 2 tacet)
Chick en Lit tle tells you that the sky
is
fall
P.M.
4 4
in,
e ven if
it was
would you still
come
crawl ing
P.M.
4 4
4 4
4 4
2 2
3 3
4 4
2 2
4 4
P.M.
2 2
4 4
4 4
4 4
4 4
4 4
2 2
3 3
4 4
2 2
4 4
4 4
159 Sorgdal
G5
A5
back
a
gain
I
bet
you
B 5
would, my friend,
a
gain
and
a
gain
and
let ring
let ring
P.M.
3 3
P.M.
3 3
3 3 3 3 3 3 3 0 0 0
5 5
5 5
a
5 5
5 5 5 5
5 5
7 7
P.M.
5 5 5 5 5 5 5 5 7 7
7 7
6 6 7 7
6 6
6 6
8 8
6 6
6 6 7
10 7
10
8 8
Verse D5 Acous. Gtr. 1
gain and
a
gain.
3. There’s some thing right with the world to day
and ev ’ry bod y knows it’s wrong.
But we can
Gtr. 1
10
10
10
10 10 10 10 10
10
10
10
10 10 10 10 10
3 2 0
0
2 0
3 2 0
3 2 0
2 0
3 2 0
Bm7
3 2 0
N.C. (Acous. Gtr. 1 tacet)
tell
’em no
or
we can let
it
go,
but
I would rath er
be
hang in
on. Gtr. 1 tacet)
2 3 4 4 2
160 Sorgdal
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
2 3 4 4 2
Chorus Acoust. Gtr. 1: w/Rhy. Fig. 1 Gtr. 2: w/Rhy. Fig. 1A Gtr. 1: w/Riff A, (1st bar only, 2 times) Gtr. 3: w/Riff B, (1st bar only, 2 times)
D5
A tempo
Liv in’ on the
Liv in’ on the edge. (You can’t help your
self
from
fall
ing.)
Gtr. 1: w/Riff A, (1st bar only, 2 times) Gtr. 3: w/Riff B, (1st bar only, 2 times)
Gtr. 1: w/Riff A Gtr. 3: w/Riff B
edge.
Liv in’ on the edge. (You can’t help your self
at
all.)
(You can’t stop your self from
Gtr. 1: w/Riff A Gtr. 3: w/Riff B
D5
G5
Liv in’ on the fall
edge. ing.)
Liv in’ on the
Gtr. 1: w/Riff A Gtr. 3: w/Riff B Rhy. Fig. 4
B maj7
A5
Acous. Gtr. 1
edge.
Liv in’ on the
Rhy. Fig. 4A Gtr. 2
3 3 1
2 2 0
Gtr. 1: w/Riff A, (1st bar only, 7 times) Gtr. 3: w/Riff B, (1st bar only, 7 times)
G5
F6
edge.
5 5 5
Liv in’ on the
3 3 3
161 Sorgdal
Em7/11
E maj7/ 11(no 3rd)
edge.
2 2 2
1 1 1
E maj7/ 11(no 3rd)
D5
End Rhy. Fig. 4
3
Yeah,
1 1 1
yeah,
1 1 1
yeah,
1 1 1
1 1 1
yeah,
yeah.
yeah,
1 1 1
1 1 1
1 1 1
yeah.
1 1 1
0 0 0
Gtr. 1: w/Riff A Gtr. 3: w/Riff B
Liv in’ on the End Rhy. Fig. 4A
0 0 0
162 Sorgdal
Gtr. 1: w/Riff A, (1st bar only, 9 times) Gtr. 3: w/Riff B, (1st bar only, 9 times) Gtr. 4: w/Riff D, till end
B maj7
G5
Rhy. Fig. 5
edge.
Liv in’ on the (You can’t
help
your
self
from
fall
ing.)
Rhy. Fig. 5A
3 3 1
5 5 5
3
D5
End Rhy. Fig. 5
edge.
Liv in’ on the (You can’t
help
your
self
at
all.) End Rhy. Fig. 5A
0 0 0
Riff D Gtr. 4
T A B
8va
15
19 14
14
15
19 14
14
163 Sorgdal
Acous. Gtr. 1: w/Rhy. Fig. 5, (2 times) Gtr. 2: w/Rhy. Fig. 5A, (2 times)
B maj7
D5
*G5
edge. (You can’t stop your self from
Liv in’ on the edge. ing.)
fall
Liv in’ on the
*Bass plays B.
B maj7
*G5
edge.
D5
Liv in’ on the edge. (You can’t help your self at all.) (You can’t help your self.)
(You can’t help your self.)
Liv in’ on the
*Bass plays B. Acous. Gtr. 1: w/Rhy. Fig. 4 Gtr. 2: w/Rhy. Fig. 4A
B maj7
G5
A5
edge. (You can’t help your self.)
F6
Liv in’ on the edge. (You can’t help your self.) (You can’t help your self.) * Not in strict time D5
(Gtr. 1 tacet)
Em7/11
Liv in’ on the (You can’t help your self.)
Acous. Gtr. 1
E maj7/ 11(no 3rd)
3
edge. (You can’t help your self from fall
Liv in on the edge,
Yeah,
yeah! in’.)
yeah, yeah, yeah, yeah, yeah, the dead, yeah.Yeah,
*Gtr. 3 (Riff D) keeps relatively steady time, whereas all other guitars and vocals are looser. The rhythms shown are approximate. (Gtr. 2 tacet) (Acous. Gtr. 1 tacet)
3
yeah, yeah, the dead, now.
*
*Gtr. 4
** w/slide *** w/octaver 7
*Tune down: 1 =D
8
8 8
12
7 8
7
7
9
11
11
11
*Played w/fret hand pinky while note played by slide continues to ring.
**Wear slide on ring finger, allowing pinky to play single notes when indicated. ***Doubles an octave higher.
Repeat and Fade Gtr. 3: w/Riff D
* (Gtr. 4 tacet)
10 11
9
8 7
8
*Played w/fret hand pinky as before.
164 Sorgdal
7 8
8
7
0
N.C.
Love in an Elevator Words and Music by Tyler/Perry
Intro Moderate Rock
= 92
N.C.(Em) 3
Mm,
3
3
mm,
mm,
mm, mm,
mm,
Gtr. 1 (dist.)
mm.
3
3
3
3
Mm,
mm,
3
3
3
mm,
mm, mm,
mm,
mm.
Mm, 3
3
3
3
3
3
w/ dist.
T A B
7
7
9
9
7
7
9
8
7
5
7
5
9
7
9
9
7
7
9
8
7
5
7
5
9
9 7
Gtr. 2 (dist.)
3
T A B
4
0
3
2
3
2
0
2
1
mm,
3
0
mm, mm,
mm,
mm.
11
9
9
7
4
122 Sorgdal
0
8
7
5
3
2
2
0
2
2
Mm,
0
3
2
1
0
mm,
mm,
7
5
9
3
2
2 0
3
3
mm, mm,
mm,
mm.
Mm, 3
9
11
3
7
9
7
9
7
9
3
2 0
2
3
3
3
0
0
3
3
3
1
0
3
3
3
3
9
3
2
3
3
7
0
3
0
3
3
3
4
2
3
3
3
mm,
0
3
3
3
4
0
8
7
5
3
2
2
0
2
7
5
9
9 7
3
3
1
0
3
© 1989 EMI APRIL MUSIC INC., DEMON OF SCREAMIN’ MUSIC PUBLISHING and JUJU RHYTHMS All Rights Controlled and Administered by EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
0
3
2
2 0
A5
D5
Yeah!
3 2 0
2 2 0
2
2 0
4
2
5
5
5
5
4
3
2 0
2 0
4
5
3
3
5
5
5
4
0
Verse E5
D/F
G5
1. Work in’ like a dog 2. Jack ie’s in the el
E7(no3rd) D/F
C5
fo’ de boss e va
man, tor,
work
G5
C5
in’ fo’ de com pa ny. sec ond floor. lin ge rie,
I’m She
(Whoa.
Whoa,
yeah.
)
*Gtrs. 1 & 2
2 0
5 2
5 0
5 2
5 3
5 5 3
5 3
5 0
5 2
5 0
5 2
5 3
5 5 3
5 3
*Two gtrs. arr. for one.
E5
G5
D/F
C5
bet tin’ on the dice said “Can I see
I’m you
toss lat
in’ er
G5
E7(no3rd) D/F
I’m and
gon na have a love you just a
fan ta lit tle
C5
But I
sy. more?”
(Whoa.
2 0
5 2
5 0
5 2
5 3
A
D5
where am I kind a hope
7 0
5 3
7 4
gon na we get
7 0
7 4
7 5
Whoa,
5 5 3
5 0
They no
7 5
3 3 0 0 X 3
5 0
5 2
A
G5
look? stuck
5 2
7 4
love out
7 0
7 4
is a
7 5
)
5 5 3
5 3
D5
tell me that bod y gets
7 0
5 3
yeah.
G5
blind live.
I She said, I’ll
7 5
3 3 0 0 X 3
123 Sorgdal
D5
A
real ly need a girl show you how to FAX
7 0
7 4
Chorus B
Love in
an
7 0
like an o pen in the mail room
7 4
A
G5
7 5
book room hon ey
3 3 0 0 X 3
7 5
B6
B5
el
e
va
4
4 2
4 0
4 2
4 2
4 2
6 2
4 4 2
to and
D5
read have
be ya’
7 0
7 4
B
tor,
tween home
7 0
7 4
B6
liv in’
it
4 2
4 2
4 2
4 4 4 2
4 4 2
4 2
the by
lines. five.”
7 5
7 5
B6 B5
B5
up
when I’m go
in’
B7sus4
down.
Gtr. 1
4 2
4 2
4 2
4 4 4 2
4 4 2
4 2
6 2
4 2
4 4 2
4 2
4 2
4 4 2
4 4 2
4 4 2
4 2
4 2
4 0
6 2
4 2
4 0
6 2
4 2
2 2 2
Gtr. 2
6 2
4 4 2
4 2
6 2
4 2
4 2
1 Voc. Fig. 1
B
Love in
an
B6
B5
el
e
B6 B5
va
End Voc. Fig. 1
B
tor,
B 5
B6 B5
lov in’
it
up
’till
I
hit
the
A5
ground.
Rhy. Fill 3
4 2
4 2
4 2
6 2
4
4 2
4 0
4 2
4 4 2
4 2
4 2
End Rhy. Fill 3
4 4 2
4 2
4 2
2 2
4 2
4 2
3 1
2 0
Rhy. Fill 3A
4 4 4 2
124 Sorgdal
4 4 2
4 2
6 2
4 2
4 2
6 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 2
4 4 4 2
4 4 2
4 2
End Rhy. Fill 3A
6 2
4 2
4 4 2
4 2
3 1
2 2 0
2
B
Bsus4
lov in’
it
4 4 2
4 4 2
4 4 2
4 4 4 2
4 4 2
4 2
up
’till
I
4 4 2
2 2 2
4 2
4 2
4 4 2
2 2 2
B5
Bsus4
hit
the
ground.
4 4 2
4 4 2
In the air,
in the air,
4 2
2 2 2
4 4 2
6 2
B/E
5
5 4 6
6
B
more
time
4 2
now,
it
ain’t
4 2
4 2
4 2
4 2
B
0 0
6 2
B5
B6
in’
0 0
4 4 4
2 2
2 2
an
4 2
4 2
4 2
4 4 4 2
4 4 2
4 2
Guitar Solo A5
B6 B5
lov in’ it up when I’m go
Love in
2 2
5 4 6
4 2
fair.
one
4 2
4 4 4
2 2 2
hon ey
5 4 6
4 4 4
4 4 4
5
B6
B5
el
e
va
4 2
4 2
4 0
4 2
4 2
4 2
6 2
4 4 2
6 2
6 2
4 4 4
6
4 4
4 4
B6 B5
tor,
4 2
4 4 2
4 4 2
4 2
4 2
4 4 2
4 4 2
4 4 2
4 2
D5
down.
1/2 full
9 10 4 2
4 2
4 2
4 2
4 2
4 0
6 2
4 2
10 10
4 2
12 10
10 9 10 10
10
12
7 7
7 7
8 7
10 7
8 7
7 7
8 7
7
10 7
7 7
Rhy. Fig. 1
4 4 4 2
4 4 2
4 2
6 2
4 2
4 2
6 2
4 2
4 2
2 2 0
3 2 0
125 Sorgdal
N.C.
3 3
3 full
0 0
0
12
12 0 0 10 0 15
15
12 14 14
12
14
12
14
12 12
14
12 12
14
12 12 12 12
14
12 12
12 12
14
12 12
14 12
12 12
End Rhy. Fig. 1
3
3
2
0
2
4 2
0
4 2
1
0
3
0
3
3
3
3
3
0
2
3
3
2
0
2
4 2
0
0
4 2
1
0
0
3
2
3
0
Gtr. 2: w/ Rhy. Fig. 1, 2 1/2 times, simile
A5
D5
5 4
9
6
7
6
4
9
9 9
9
10 10
11
10 9
11
12 11
12
N.C.
12
12 14 14
14
14
14
14
14
14
14
A5
1/4
14
14 14
14
14 14
14 14
12 12
12 12
1/2
1/4
14 12 14
14
4
12 12 12
D5
14 14 13 13 12 12 10
12
0
0
0
2
4
2
4
2
4
0
N.C. 8va
3
3
1/2
2
14
11 12
4
2
4
0 0
4 2 0 4 2 0 2
1/4
19
19
19
19
19
19
19
17
19
19
19
19
19
19
19
19
A5
1/4 19
full
(19)
(19)17 17 17
19
17 0
(17)
D5
8va
3
full
1/2
126 Sorgdal
12
12 12
12 12
15
15
15
12 15
15 12 14
(14) 12 14
12 12 (14) 12 14 12 12 12
12 14
full
full
full
14 14 12 14
14
12
15
12 12 12 12 12 12 17 17
15 17
B/E
E5
8va
loco
6
Gtr. 1
3
6 full
full
full 17
(15) 12
15
15
12 12
12 15
12
14 12 9
full
12
12
9 12 9
7
7
12
3
Gtr. 2
7 0 7
0
5
3
P.M.
4 4 4
2
0
4 2
2
0
4 2
4 2
0
X X X X
X X
2 2
E5
2 2
0
X X X X
X X
N.C. 3
7 5
7
0 2 0 2
7 5
0 0
2 3 0
4
7 Rhy. Fig. 2
End Rhy. Fig. 2
3
3
3
3
P.M.
P.M.
2 2
2 0
2
0
X X 2 2
2 2
2 2
2 2
X X X X X X X X X X X 2 2 X 2 2
0
0 0
0 4
0 0
5 0
0
6
0 7
0 9 10
Gtr. 2: w/ Rhy. Fig. 3, 11 times, simile Gtr. 2
Rhy. Fig. 3
N.C.
End Rhy. Fig. 3
3
Gtr. 1
3
3
full
2
12 (10)
0
4
0 0
5 0
0
6
0 7
0 9
12
12
12
9
12
10
3 3
3
3 full
12 9
7 9
9 7 9 7
9 9
9 9
7 7
12 7
12
12 12
12 15
15
12 15
127 Sorgdal
Gtr. 2: w/ Rhy. Fill 1
Gtr. 2: w/ Rhy. Fig. 2
N.C.
8va
3
12 15 12
1/4
1/2
1/2
(15) 12
15
(12)
15
15 14
15 14
15 14
15 14
15 14
15 14
12
12
Gtr. 2: w/ Rhy. Fig. 3
15 14
15 14
12 12
Gtr. 2: w/ Rhy. Fig. 3, 3 times, simile
N.C.
band tacet
Go
1/4
15 14
ing down.
8va
loco
8va
3
3
3 3
3
3
1/4
12 12
12 12 12 12 14
12 12 12 12
14
14
11 12 14
12
14
12
12
14
14
14 14
14 14
14
Gtr. 2: w/ Rhy. Fill 1
3
17 17
15
17
12 15 15 12 14
N.C.
15 12 14 14
15
17 17
17
full
17
15 17
12 15
15
17
17
full
(15)
15
3
3
full
full
17 20
12
loco
3
full
(15)
12
Gtr. 2: w/ Rhy. Fig. 2
D5/A
8va
3
1/4
20
12
15
12
0 0
15
12
7 9
9 9
7 (7)
9
Gtr. 2: w/ Rhy. Fig. 3, 2 times, simile
3
3
3
full
14
14
12
12 14
(12)
14 14
12
12
12
12 12
15
12
full
full
12
12 15
full
12
15
full
12 15
full
12
15
12 15
15
14 Gtr. 2: w/ Rhy. Fill 2
D5/A
A5 8va
full
12
12 15
12 15
12
12 15
12
12 15
Rhy. Fill 1 Gtr. 2
Sorgdal
12 15
12
12
20
19
19
19
20
19
19
19
20
Rhy. Fill 2 Gtr. 2
0 0
128
12
0 0
0 0
2 0
2 0 0
2 2 0
19
19
19
20
19
19
19
Chorus
Gtrs. 1 & 2: w/ Rhy. Fills 3 & 3A, 2nd time Bkgd. Voc.: w/ Voc. Fig. 1, 2nd time
B
Love in Gtr. 1
an
B6
B5
el
e
B6 B5
va
B
B6
lov in’ liv in’
tor,
it it
up up
4 2
6 2
*A5 B7sus4
*B 5 B6 B5
B5
when I’m go when I hit
in’ the
down. ground.
8va
19
19
19
19
19
19
19
19
19
19
19
19
19
19
19
Gtr. 2
4 4 4 2
4 4 2
4 2
6 2
4 2
4 2
6 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 4 2
4 2
4 4 2
4 2
4 2
6 2
2 2 2
4 2 *2nd time
Verse E9(no 3rd)
3. Gon na *Gtrs. 1 & 2
G5
be
a pent
C5
house
pau
E9(no 3rd)
per,
C5
G5
gon na
be
a
mil lion aire.
I’m
(Whoa.
Whoa,
yeah.
)
loco
5 0
5 2
5 0
5 2
5 3
5 5 3
5 3
5 0
5 2
5 0
5 2
5 3
5 3
5 5 3
*Two gtrs. arr. for one.
G5
E9(no 3rd)
gon na
be
a
real
E9(no 3rd)
C5
fast
talk
er
and
have
G5
me
a love af
C5
fair.
(Whoa.
5 0
5 2
5 0
5 2
A
get
7 0
5 3
7 4
tim in’
7 0
7 4
7 7 5
5 5 3
5 3
5 0
G5
D5
my
Whoa,
right.
It’s (Whoa.
7 7 5
3 3 0 0 X 3
5 2
5 0
5 2
test
7 0
5 3
D5
A
a
5 3
that
7 4
I
7 0
got
7 4
ta
7 7 5
yeah.
Got ta )
5 5 3
G5
pass. Whoa,
7 7 5
I’ll yeah.
)
3 3 0 0 X 3
129 Sorgdal
D5
A
chase you
7 0
all
the way
7 4
Chorus B
Love in
an
G5
7 0
to
the stair
7 7 5
7 4
way
A
hon ey. (Whoa.
B6 B5
B6
B5
el
e
va
4
4 2
4 0
4 2
6 2
4 2
4 2
6 2
4 4 2
B6
B5
el
e
va
4
4 2
4 0
4 2
4 2
4 2
6 2
4 4 2
Kiss
your
7 0
7 4
sas
sa
fras.
)
3 3 0 0 X 3
7 7 5
D5
B
tor,
7 0
B6
liv in’
it
4 2
4 2
4 2
4 4 4 2
4 4 2
4 2
7 7 5
7 4
7 7 5
B6 B5
B5
up
when I’m go
B7sus4
in’
down
Gtr. 1
4 2
4 2
4 2
4 4 4 2
4 4 2
4 2
6 2
4 2
4 4 2
4 2
4 2
4 4 2
4 4 2
4 4 2
4 2
4 2
4 0
6 2
4 2
4 0
6 2
4 2
2 2 2
Gtr. 2
B
Love in
130 Sorgdal
an
4 2
4 2
4 2
4 4 4 2
4 4 2
4 2
6 2
6 2
4 4 2
B6 B5
4 2
6 2
4 2
4 2
B
tor,
4 2
4 4 2
4 4 2
4 2
4 2
4 4 2
4 4 2
4 4 2
4 2
A5/B
liv in’
it
4 4 2
4 4 2
4 4 2
4 4 4 2
4 4 2
4 2
up
4 4 2
2 2 2
’til
I
4 4 2
2 2 2
4 2
4 2
hit
the
4 4 2
6 2
ground. Do you care?
4 4 2
4 4 2
2 2 2
2 2 2
Outro E
B/E
E
Do you care?
Hon ey
one
more
time
now,
it
ain’t
fair.
(voc. simile on repeats)
2 2 0
4 4 4
2 2 0
5
5 4 6
6
5 4 6
2 2 0
4 4 4
4 4 4
5 6
Love in an el
4 4 4 2 2 2
e
4 4 4
2 2 0
4 4
4 4
va
4 2
4 2
4 4 4 4 2 0 2 2
4 4 4 4 2 2 2
4 4 4 4 4 4 2 2 2
4 2
4 4 4 6 4 4 2 2 2 2
4 4 4 4 4 4 4 2 2 2 2
4 4 4 2 4 4 4 2 2 2 2 2
4 2
2 2 0
6 2
4 4 2 4 4 2 2 2 2
in’ down.
4 4 2
4 4 2
4 4 2
4 4 6 2 2 2
B/E
2 2 0
5 4 6
4 2
5 4 6
A5/B
Do you care?
2 2 0
4 4 4 4 4 4 2 2 2
2 2 2
4 4 4 2 4 4 4 2 2 2 2 2
B
4 4 2 4 4 2 2 2 2
4 4 4
2 2 0
5 6
5 4 6
5 4 6
2 2 0
4 4 4
4 4 4
5 6
2 2 0
4 4 4
4 4
2 2 0
4 4
4 2
2 2 0
4 2
4 2
6 2
2 2 0
4 2
5 4 6
5 4 6
4 4 2
4 4 2
4 4 2
4 4 6 2 2 2
2 2 0
2 2 2
B6 B5
...va
2 2 0
2 2
6. B
A5/B
liv in’ it up when I’m go
tor,
6 4 2 2
4 4 4 4 4 4 6 2 2 2 2
2 2 0
1., 2., 3., 4., 5. B
B6 B5
B
2 2 0
2 2 0
4 2
4 2
4 2
2 2
4 4 4 2
4 4 2
4 2
6 2
6 2
tor,
4 2
4 2
4 0
4 2
4 2
4 4 2
4 2
4 2
4 2
4 2
6 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 2
131 Sorgdal
B
A5/B
B/E 3
liv in’
it
4 4 2
4 4 2
4 4 2
4 4 4 2
4 4 2
4 2
up
when I’m go
4 4 2
2 2 2
4 4 2
2 2 2
4 2
4 2
in’
down.
4 4 2
4 4 2
2 2 0
4 4 2
6 2
Air.
In the air,
2 2 0
4 4 4
2 2 2
2 2 0
5 6
5 4 6
5 4 6
in the air,
2 2 0
4 4 4
4 4 4
5 6
2 2 0
4 4 4
4 4
band tacet
in
the
air.
Love in Fade Out
2 2 0
2 2 0
2 2 0
2 2 0
Fade Out
4 2
4 2
4 2
lov in’ it up
132 Sorgdal
6 2
5 4 6
4 2
when I’m go
in’
down.
4 4 4
2 2
an
el
e
va
tor,
4 4
Mama Kin Words and Music by Steven Tyler B5
E5 7 fr
7 fr
13
13
Intro Moderately Fast E5
= 156 B5
A5
E5
E6
E7 E5 E6
Gtr. 1 (dist. - Joe Perry)
P.M.
9 9 7
Gtr. 1
9 9 7
9 9 7
7 7
E5
4 4 2
4 2
4 4 2
2 2
B5
4 4 2
0 0
2 2 0
0 0
2 0
2 2
2 0
0
2 2 0
A5
9 9 7
7 7
9 9 7
4 4 2
4 2
4 4 2
2 2
4 4 2
0 0
2 2 0
X X
2 0
E5
P.M.
9 9 7
2 0
2 0
0 0
0
2 2 0
4 0
5 0
0
2 0
4 0
E6 E5 E7
0
E6
P.M.
0 0
2 0
2 0
2 0
2 0
4 0
2 0
5 0
0
4 0
2 0
4 0
2
5 0
2
4 0
0
Gtr. 2 (slight dist. - Brad Whitford)
9 9 7
4 4 2
2 0
E5
B5
A5
2 0
A6 A5 A7
P.M.
458 Sorgdal
9 9 7
9 9 7
9 7
9 7
7
A6 E5
E6 E5 E7 E5 E6
P.M.
7 7
9 9 7
9 7
9 7
4 0
4 4 2
4 2
4 4 2
4 2
4 2
4 2
2
2 2
4 2
4 2
4 2
0 0
2 2 0
2 0
0 0
2 0
2 0
2 0
2 0
4 0
2
5 0
0 0
Copyright © 1973, 1977 Music Of Stage Three Copyright Renewed All Rights Administered by Stage Three Music U.S. Inc. All Rights Reserved Used by Permission
2 0
4 0
2 0
2 0
X X
2 0
4 0
2 0
5 0
2 0
4 0
2
5 0
2 0
4 0
4 0
X X X X X X
E5
B5
A5
P.M.
9 9 7
9 9 7
9 7
9 7
7
E6
7 7
9 7
9 7
9 7
E5
4 0
E7
E6
A6
2
4 2
2 2
4 2
4 2
4 2
4 2
4 2
4 2
E5
E6
0 0
E7
2 0
2 0
0 0
2 0
2 0
2 0
2 0
4 0
2
5 0
E6
A5
A6
4 0
X 0
2 0
2 0
4 0
2
X 0
5 0
X 0
5 0
4 0
2 0
4 0
2 0
2 0
2
2
2 0
3
4
E5
0 0
2 0
2 0
4 0
2 0
A7 A5 A6 E5
1/2
14 2 0
A6
P.M.
*steady gliss.
X X
A7
P.M.
4 4 2
P.M.
A5
5
6
4 0
7
8
(14) 12
11
5 0
2
12
11
9 10 11 12 12
5 0
4 0
2 0
0
2 0
4 0
4 0
2 0
*Slide up 6 w/ middle finger while picking specified rhythm.
E6 (E5) E7 (E5) E6
A5
A6 A5
A7
1/4
14
12
(12)
2 0
2 0
4 0
A6 E5
1/2
14
2
14
5 0
2
12
4 0
14
14
2 0
12 14
2 0
4 0
X
2
14
E6
E7
E6
E5
1/2
(14)
14
12
14 14
0
5 0
(E5)
4 0
2 0
2 0
X
4 0
14 14
2
12
14 14
5 0
12
14 14
4 0
12
14 14
2 0
459 Sorgdal
E6
E7
E6
A5
A6
A7
A6
E5
E6
E7
E6
1/2
14
12
12
14
2 0
2 0
14 14
12
14
5 0
X 0
12
12
14
4 0
(14)
14
12
4 0
2 0
0
2 0
15
4 0
14
5 0
12
X 0
12
4 0
12
11
2 0
F 5
14
12
2 0
4 0
B5
B6
1/2
12
12
5 0
4 0
X 0
B7
B6
B5
1/2 1/4
(4)
4
2
2
4 2
4 2
4 2
4 2
4 2
B6
B5
B7
4
2
4 2
4 2
7 9 2
1
4 2
4 2
B6
1
4 2
4 2
G5
2
4 2
1
2
4 2
G 5
1
2
7
1
4 2
4 2
A5
9 7
A 5
9 7
11 7
7
12 7
9
11 7
9 7
B5 ( )
grad. bend 1/2
1/2
9
9 7
460 Sorgdal
(9)
9
9 7
11 7
1/2
9 7
12 7
7
X 7
11 7
7
0
10
7
5 3
9
5 3
7
6 4
7 9
6 4
1/4
X
7 5
7 5
X
X
9
8 6
8 6
full
X
9 7
9
9
(9)
Gtr. 2 tacet Gtr. 1
E5
B5
A5
P.M.
9 9 7
Gtr. 1
9 9 7
P.M.
7 7 7
7 7
E5
9 9 7
4 4 2
4
E5
4 4 2
2
P.M.
2 2
2
4 2
2 2 0
0
B5
P.M.
2 2 0
A5
E6 E5 E7 E5 E6
0 0
2 0
A6
2 0
0 0
A7
2 0
2 0
2 0
2 0
4 0
A6 E5
2 0
5 0
4 2 0
2 0
9 7
E6 E5 E7 E5 E6 E5
P.M.
9 9 7
9 9 7
7 7
9 9 7
4
4 2
2
4 2
2 2
2
4 2
0 0
2 0
2 0
0 0
2 0
2 0
4 0
2
5 0
0
2 0
2 0
2 0
2 0
4 0
2 0
4 0
2 0
5 0
2 0
2 2
X X
Gtr. 2
9 9 7
4 4 2
E6
2 2 0
E7
E6
E5
E6
E7
E6
4 0
2 0
E5
E6
5 0
E7
4 0
2 0
E6
15ma
loco
P.H.
1/2
4
2 2
1/2
X X
1/2
4
2
4
4
4
4
4
4
4
4
pitch: C
P.M.
2 0
2 0
4 0
5 0
4 0
2 0
2 0
4 0
P.M.
5 0
4 0
2 0
2 0
4 0
5 0
4 0
2
461 Sorgdal
Verse B5
E5
ain’t
1. It
eas
y,
P.M.
9 9 7
9 9 7
liv
P.M.
7 7
9 7
A5
in’
like
a
P.M.
4 4 2
4 0
2
gyp
sy.
E5
ya,
Tell
P.M.
4 4 2
2 2
hon
ey, how
I
feel.
0 0
2 0
P.M.
4 2
0
2 0
2 0
0 0
2 0
2 0
2 0
2 0
E6
E5
E7
E6
E5
E6
E7
E6
E5
B5
I’ve
been
P.M.
2 0
4 0
2 0
5 0
2 0
4 0
2
5 0
0
4 0
2 0
2 0
4 0
4 0
2 0
2 0
4 0
2
5 0
2
4 0
5 0
2
4 0
A5
in’ down
stream and
*P.M.
4 4 2
4 2
4 4 2
P.M.
2
2 2
Sorgdal
2
in’ touch with
4 4 2
2 2 0
2 0
9 9 7
7
E6
E7
P.M.
9 9 7
X 0
4 4 2
E6
E5
4
2 2
4 0
2 0
2 0
E5
all that’s real.
P.M.
* 4 and 5 are muted by R.H.
462
los
9 9 7
float
dream in’,
P.M.
X X
2 0
P.M.
0 0
2 0
2 0
0 0
2 0
2 0
0
4 0
2 0
2 0
4 0
0
5 0
5 0
2
E6
E7
E6
E5
B5
Whole
earth
lov
er,
keep
A5
in’
un
der
cov
nev
er,
Rhy. Fig. 1
P.M.
P.M.
P.M.
P.M.
2 2
4 0
0
5 0
0
9
4 2 0
9 9 7
9 7
7 7
9 9 7
4 0
4 4 2
E7
E5
E6
E5
4 2
4 4 2
2 2
4 4 2
0
E5
E6
2 0
4 0
2 2 0
Rhy. Fig. 1A
2 0
2 0
4 0
2
5 0
4 0
2
2 0
E5
er know in’ where ya
2 2
0 0
2 0
P.M.
2 2 0
0 0
2 2 0
2 0
2 0
E5
You’ve
E5
fad
X X
2 0
4 0
2 0
5 0
2 0
4 0
2
5 0
2 0
2 0
4 0
2 0
2 0
4 0
4 0
2 2 0
2 2 0
4 0
in’,
al
9 9 7
0
7 7
4
4 4 2
5 0
5 0
4 0
ways out
par
ad
Keep
in’.
E5
in touch with ma
P.M.
9 9 7
2
A5
P.M.
9 9 7
(E5) E7
P.M.
B5
been
E6
been.
P.M.
2 2 0
E6
4 2
4 4 2
2 2
4 4 2
0 0
ma
kin.
P.M.
2 2 0
2 0
0 0
2 0
2 2 0
0 0
2 0
2 0
2 0
463 Sorgdal
E6
E5
E7
E5
E6
E5
E6
E5
Pre-Chorus A5 A6 (A5) A7 (A5) A6
E7 (E5) E6
Well,
you’ve End Rhy. Fig. 1
al
ways got your tail
on
the
X 0
4 0
E5
wag,
Rhy. Fig. 2
P.M.
2 0
2 0
4 0
2 0
5 0
2 0
4 0
2 0
X X
2 0
4 0
2 0
5 0
X 0
4 0
End Rhy. Fig. 1A
2 0
2 0
4 0
2
5 0
4 0
E6
E5
E7 (E5) E6
2 0
2 0
A5
shoot in’
4 0
5 0
A6 (A5) A7
fire
A5
2 0
0 0
2 0
4 0
5 0
2 0
Rhy. Fig. 2A
2 0
2 0
4 0
4 0
0
A6
E5
E6
a
drag
from your mouth just like
X 0
E5
5 0
4 0
E7 (E5)
E6
2 0
E5
on.
P.M.
2 0
2 0
4 0
2 0
5 0
X 0
4 0
0 0
2 0
2 0
4 0
X 0
5 0
2 0
4 0
2 0
2 0
2 0
4 0
2 0
5 0
X 0
4 0
2 0
1/2
2 0
2 0
4 0
2
E6
E5
5 0
E7
4 0
E5
0
E6
P.M.
(0)
464 Sorgdal
2 0
A5
You
2 0
2 0
act
like
4 0
2
5 0
4 0
3
A6 (A5) A7
A5
A6
E5
a
u
al
drag.
per
pet
E6
4 0
2 0
5 0
2 0
4 0
0
0
3
(3)
0
0
0
(E5) E7
E5
E6
You
P.M.
2 0
0
3
P.M.
2 0
2 0
4 0
X 0
5 0
2 0
2 0
4 0
2
5 0
2 0
4 0
4 0
2 0
2 0
4 0
X 0
5 0
2 0
2 0
4 0
2
5 0
2 0
4 0
0 0
4 0
0
F 5
bet
B5
ter check it
out, ’cause some day
soon you’ll have
ta climb back on
B6
the
B7
B6
wag
B5
on.
End Rhy. Fig. 2
4 4 2
4 2
4 2
4 4 2
4 4 2
4 2
4 2
4 2
B6
B5
B7
4 4 2
4 2
4 2
4 4 2
4 2
4 2
B6
4 4 2
4 2
4 2
G5
4 4 2
4 2
4 2
G 5
9 9 7
4 2
4 2
A5
9 9 7
4 2
9 9 7
9 9 7
9 7
A 5
9 7
11 7
12 7
9 9 7
9 9 7
11 7
9 7
B5
don’t pick
9 9 7
9 9 7
(7)
0
3
5 5 3
5 5 3
6 6 4
6 6 4
7 7 5
7 7 5
8 8 6
8 8 6
9 9 7
X X X
End Rhy. Fig. 2A
9 7
9 7
11 7
9
12 7
11 7
0
5 3
5 3
6 4
6 4
7 5
7 5
8 6
8 6
9 7
Verse Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A, simile
E5
2. It
B5
ain’t
E6
eas
E5
E7
y
A5
in’
liv
E5 E6
Yes,
E5
it
like
you wan
E6 E5
is.
E7
na.
E5
It’s
E6
E5
so
hard
to
find peace of
E5
The
way
mind.
B5
I
see
it,
you
465 Sorgdal
A5
got
ta
say
shit,
don’t
but
E5
for
get
to
drop
me
a
E6 E5 E7 E5 E6 E5
line.
Pre-Chorus Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A, simile
A5
E6 E5 E7 E5 E6
A6 A5 A7 A5 A6 E5
Said, you’re as bald
E6 E5
E7 E5
E6
as
E6 E5 E7 E5 E6
an egg at eigh teen,
E5
E6 E5
E7 E5
E6
He
B6
B7
B6
A5
A6
still
stuff
A5
A7
A5
A6
your mouth with
your
a
E5
dream.
F 5
You
B5
A6 A5 A7 A5 A6 E5
work in’ for your dad is just
an’
drag.
E6 E5 E7 E5 E6
A5
bet
ter check
B5
it
out, ’cause some day
B6 B5 B7
B6
G5
soon you’ll have
G 5
A5
ta
climb back
A 5
on
the
B5 Gtr. 2
wag
on.
Gtr. 1
7 7 9 9 7
9 9 7
7 7
7 7
7 7 9 9 7
Chorus
9 7
7 9 7
X X X
9 7
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
9 9 7
9 9 7
Gtr. 2 tacet
B5
E5
Keep
in touch with
E5
ma ma kin.
B5
Tell
her where ya
gone ’n’ been.
Rhy. Fig. 3
9 9 7
466 Sorgdal
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
E5
B5
Liv
in’
out
your
fan
ta
sy.
9 9 7
Sleep
9 9 7
B
smok
E5
in’
tea.
E5
G5
Keep
in
9 7 0
9 7 0
9 7
9 7
D5
B5
late
an’
9 9 7
9 9 7
A5
Mm, hmm.
in’
D5
ma
ma
X X 0
7 5 0
X X 0
9 7
7 5
7 5
touch with
B5
kin.
Gtr. 1
Gtr. 2
9 9 7
9 7
8 9 9 7
8 9 9 7
9 7
X X X
9 9 7
0
9 7 0
7 5
9 7
9 7
9 7
9 7
Rhy. Fig. 3A
E5
A5
Tell
9 7
X X X
9 9 7
0
G5
her where you
9 7 0
9 7 0
9 7
9 7
9 7 0
gone
’n’
been.
X X 0
7 5 0
X X 0
7 5
9 7
7 5
7 5
7 5
E5
9 7
9 7
9 7
9 7
7 5
A5
9 7
X X 0
9 7
0
Liv
in’
out
your
9 7 0
9 7 0
9 7 0
X X 0
9 7
9 7
9 7
467 Sorgdal
G5
D5
ta
fan
B5
E5
A5
sy.
G5
in’
Sleep
late
an’
smok
D5
in’
tea.
End Rhy. Fig. 3
7 5 0
X X 0
7 5
9 7
X X X
9 7
9 7
9 7 0
9 7 0
9 7 0
X X 0
7 5 0
7 5
End Rhy. Fig. 3A
7 5
7 5
C5
7 5
9 7
C5
C6
9 9 7
9 7
C6
C5
0
9
C6
C5
9 7
C6
9 7
B5
7 5
9 7
B6
B5
B6
X X
B5
7 5
B6
5 3
B5
B6
Ah.
5 3
5 3
468 Sorgdal
5 3
5 3
7 3
X 3
5 3
5 3
7 3
7 3
5 3
5 3
5 3
5 3
7 3
X 3
5 3
5 3
5 3
4 2
4 2
5 3
7 3
X 3
4 2
4 2
6 2
6 2
4 2 0
4 2
0
4 2
6 2
6 2
4 2
4 2
4 2
4 2
2
6 2
6 2
4 2
4 2
6 2
0
N.C.(A5)
(A7)
(A6)
(A5)
(A7)
(A6)
full
2
4 2
0
9
0
9
0
0
2 0
0
9
9
2
5
0
5
17 17
17 17
full
17
17
16
16
full
full
17 16
17 17 16 16
16
0
4
0
4
2 0
2 0
0
5
0
5
4
Verse Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A, simile
E5
3. It
A5
B5
ain’t
eas y,
E6
liv
E7
is.
And it’s
in’ like you wan na.
E6
E5
The
way
E5
so hard ta find peace of mind.
B5
I
see it,
you
E6
E7
E6 E5
Yes,
A5
got
ta say
shit,
it
E5
but don’t
for get
to drop me
a line.
Pre-Chorus Gtr. 1: w/ Rhy. Fig. 2, 1st 7 meas., simile Gtr. 2: w/ Rhy. Fig. 2A, 1st 4 meas., simile
E6 E7 E6 E5
E6 E7
E6
A5
Said, you’re bald
A6 A5 A7 A5 A6 E5
as an egg at eigh teen,
Gtr. 2: w/ Rhy. Fill 1
E6 E5 E7 E5 E6 E5
E6 E5 E7 E5 E6
A6 A5 A7 A5 A6 E5
an’ work in’ for your dad dy’s just a
Gtr. 2: w/ Rhy. Fig. 2A, last 7 meas. simile
E6 E5 E7 E5 E6
A5
He
drag.
A5
still
A6
A5
A7
A5 A6 E5
stuffs your mouth with your dreams.
E6 E5 E7 E5 E6
You
Rhy. Fill 1 Gtr. 2
(0) 0 2 2
3 3
4 4
469 Sorgdal
F 5
bet
ter
check
it
out,
’cause
some
day
soon
you’ll
have
ta
climb
back
on
the
Gtr. 1
2 2 3
2 2 3 4
2 2 3 4
2 2 3 4
2 2 3 4
2 2 3
2 2 3 4
Gtr. 3 tacet
B5
B6
B7
B6 B5
wag
B6 B5
B7
B6
G5
Gtr. 2: w/ Rhy. Fill 2
G 5
A5
A 5
B5
on.
Gtr. 1
7 7 8 9
7 7
7 7 X X
X X X X
4 5 5 3
0
X X X X
5 6 6 4
5 6 7 7 5
X X X X
X X X X X
7 8 8 6
X X X X
9 9 7
9 9 7
Gtr. 3 (dist. - Perry)
w/ slide 5
7
7
7
4 4 4
Chorus Gtr. 1: w/ Rhy. Fig. 3, 1st 6 meas., simile
E5
B5
Keep
in
touch with
B5
gone
’n’
ma
ma
kin.
her where
ya
B5
been.
Liv
in’
out
your
fan
ta
sy.
Gtr. 1: w/ Rhy. Fig. 3, last 8 meas., simile Gtr. 2: w/ Rhy. Fig. 3A, simile
E5
B
Sleep
in’
late
an’
smok in’
tea.
E5
A5
Keep
Mm, hmm.
Rhy. Fill 3 Gtr. 1
Rhy. Fill 2 Gtr. 2
9 7
Sorgdal
Tell
E5
Gtr. 1: w/ Rhy. Fill 3
470
E5
9 7
9 9 7
in
touch with
G5
D5
ma
ma
B5
I
A5
G5
in’
Liv
D5
smok in’
A5
kin.
E5
G5
E5
out
C5
your
fan
G5
a
said,
tell
D5
ta
C6 C5
her
where
B5
gone
ya
E5
’n’
been.
in’
Sleep
C5
D5
D6
B5
A5
sy.
C6
D5
D5
late
an’
Slower . = 72 E9sus4
D6
tea.
Gtr. 1
7 5
0 0
7 5
5 3
5 3
0
5 3
5 3
7 5
7 5
7 3
5 3
7 5
7 7 7 9 0
0
Gtr. 2
7 5
7 5
7 5
5 3
7 3
5 3
5 3
5 3
7 5
9 5
7 5
7 5
7 7 7
9
0
0
Free Time E5 -1
flutter bar -1
7 7 7 9
7 7 7 9 0
7 7 7 9 0
7 7 7 9 0
7 7 7 9 0
7 7 7 9 0
0
0
9 7 0
9 7 0
8va
9 7 0 loco
Harm.
7 7 7
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
7 7 7 0
9 9 7 0
7 7
don’t pick
9 9 7 0
(9)
X X X
471 Sorgdal
Rag Doll
Gtr. 2; Open E Tuning: 1 =E
4 =E
2 =B
5 =B
3 =G
6 =E
Words and Music by Tyler/Perry/Knight/Vallance
Intro Moderate Rock = 96 ( E5 Gtr. 1 (elec.)
T A B
7
9 9
3
=
9 7 9 7
) B5
9 9 11 9 9 9 11 9
9 9
4
7
9 9 7 9 9 9 9 7
9 9 11 9 9 9 11 9 7
9 9 4
7
6 7 6
7
9 7 9 7
9 9 9
9 9 11 9 9 9 11 9 7 7
9 9
5
*Gtr. 2
w/slide
T A B
11
12
12 (12)
6
5
*Lap steel arr. for gtr.
E5
7
9 9
9 9
7 7
9 11 9 9 11 9 7 7
9 9
7
9 9
7 7
9 9
9 11 9 9 11 9
9 9
4
9 9
9 9
7
7 7
9 9
9 11 9 9 11 9
9 9
4
let ring
steady gliss.
(5)
9 9 7
6
7
7
7
9
12
12
F 5
12 10
D5
0
12
12
13
Chorus N.C.(B5)
Rag doll,
liv in’ in a mov ie.
Rhy. Fig. 1
9
11 11
11 9 11 9
11 11 11 11 9 9
13 11 13 11 9
11 11
4
9
11 11
11 9 11 11 9 11
11 11 9
7 7 5
0
1
2
2
0
1
2
3
4
2
Rhy. Fig. 1A
13 14
13
13 14 13 13
14 14
14 14
14 14
9 9
9
10 10
7
© 1989 EMI APRIL MUSIC INC., DEMON OF SCREAMIN’ MUSIC PUBLISHING, JUJU RHYTHMS, KNIGHTY-KNIGHT MUSIC, MIKE CHAPMAN PUBLISHING and CALYPSO TOONZ All Rights for DEMON OF SCREAMIN’ MUSIC PUBLISHING and JUJU RHYTHMS Controlled and Administered by EMI APRIL MUSIC INC. All Rights for KNIGHTY-KNIGHT MUSIC Controlled and Administered by WIXEN MUSIC PUBLISHING, INC. All Rights for CALYPSO TOONZ Controlled and Administered by ALMO MUSIC CORP. All Rights Reserved International Copyright Secured Used by Permission
Sorgdal
7 7
103
D5
A
Hot tramp,
B
G
You’re so fine, they nev er see ya leav in’ by the back door,
dad dy’s lit tle cut ie.
E
man. End Rhy. Fig. 1
0
1
2
2
0
1
2
3
4
2 0
1
2
0
2
1
2
3
2
4
0
5 5 5 5
10 10
5 5 5 5
2
2
5 5
7 7
0 1 2 2 0
3 3 3 3
0 0 0 0
To Coda
Gtr. 1: w/ Rhy. Fig. 1
B5
D5
Hot
1
0 0 0 X 3
A
I don’t mind, come on up and see me.
time, get it while it’s eas y.
Rag doll,
ba by won’t you do me like you
Gtr. 2
7 7
7 7
B5
done
G
be
E
10 10
10 10
D
fore.
1. I’m
7 7 7 7
feel in’ like a
bad
boy,
Rhy. Fig. 2
7 7 7 5
5 6 7 7 5
Gtr. 2
2
7
9 9
9 9
7 7
9 9
9 9
11 11
9 9
9 9
5
End Rhy. Fig. 1A
7 7
Sorgdal
5 5 5 5
1 Verse E5
A
Gtr. 1
104
5 5 5 5
7 7
3 3 3 3
0 0 0 0
10 10
5 5
5 5
12 12
12
10
B5
mm,
9 9
7
just a like a
9 7 9 7
bad
boy.
3
I’m rip pin’ up a rag
9 9 11 9 9 9 11 9
9 9
9 9
7
12 12
12 12
10 10
10
7 7 7
12 10 12 10 12
9 9
7 7
doll,
like throw in’ a way an old
9 9 11 9 9 9 11 9 7 7
7
7 7
7
9 9 7
7
5 5
7 7
E5
9 9
9 9
7 7
toy.
9 9 11 9 9 9 11 9 7
9 9
6
10 10
12
B5
Some babe’s talk in’ real
loud,
talk in’ all a bout the new
Try and sell me on an old
crowd.
dream,
End Rhy. Fig. 2
7
9 7 9 7
9 9
9 9 11 9 9 9 11 9
9 9
9 9
9 9
7
7 7
9 9 11 9 9 9 11 9
9 9
X X
7
9 9
9 9
7 7
9 9 11 9 9 9 11 9 7 7
let ring
12 12
12 12
10 12 10 12
12
10 10
12 12
5
9 9 7
steady gliss.
7
7
5 5
7
E5
a new ver sion of the old
7
7 7
9 9
9 9
7 7
scene.
9 9 11 9 9 9 11 9 7
Speak eas y on the grape
9 9
9 9
6
7
12 12
9 9
9 9
7 7
vine,
9 9 11 9 9 9 11 9
12
10
12 12 12
uh, keep shuf flin’ in the shoe
9 9
7
12
12 10 12 10
9 9
12 12 12
9 9
7 7
12
11
shine.
9 9 11 9 9 9 11 9
9 9
12 12
X X
12 12
105 Sorgdal
F 5
G
Old
tin
liz zy,
do
it
till you’re diz zy,
give it
E
D5
ya got un til you’re put out of your mis
all
e
Rhy. Fig. 3
End Rhy. Fig. 3
11 11
9
11 11
9 9
11 11 9
14 14 14
14 14
2
ry.
11 11 9
14 14
13 13 9
11 11 9
11 11 9
14 14
14
0
1
2
14 14
13 13
14 14
0 0 0 X 3
2
13 13
14 14
13 13
14 14
0 1 2 2 0
14 14
10 10
Verse Gtr. 1: w/ Rhy. Fig. 2
E5
B5
2. Yes
I’m
mov
in’,
yes,
I’m
mov
Get read y for the big
in’.
time.
Gtr. 2
11 12 12
12
12
12
12 (12)
5
7
7 7
5
7
mov
in’.
12 12
12 (12)
14
12
E
Tap danc ing on a
land
mine.
7 7
Yes,
8
12
I’m
12 12
mov
10
in’,
12
yes,
12 12
11 12 11 12 11
I’m
Gtr. 1: w/ Rhy. Fig. 3
F 5
106 Sorgdal
G
Old
tin
14 14
14
liz zy,
13
14
14
do
it
till you’re diz zy,
14 14
13 13
14 14
14 14
14 14
give it
14 14
14 14
14
all
ya got un
14 14
E
til you’re put out of your mis
14
14 14 14
D.S. al Coda
D
10 10 10 10
e
ry.
Coda A
B5
Rag doll,
G
E
D
by won’t you do me, ba by, won’t you do me, ba by won’t you do me like you done be
ba
A
fore, hoo, hoo.
Gtr. 1
0 1 2
0 1
2
2
3
4
0 0 0 X 3
2 0
1
2
2
0 1 2 2 0
7 7 7 5
5 6 7 7 5
2
Gtr. 2
steady gliss.
5 5 5 5
5 5 5 5
Guitar Solo F 5
11 11
9
7 7 7 7
11 11 11 11 11 13 11 9 9 9 9
7 7
F 6(no 3rd)
F 6F 5
11 9 11 9
7 7
11 11 9
11 11 9
11 11 9
3 3 3 3
13 9
13 9
F 5
G 5
A5
11 11 9
13 13 11
14 14 12
0 0 0 0
10 10
5 5
A6(no 3rd) A5
14 14 12
16 12
16 12
5
A6(no 3rd)
14 14 12
14 14 12
16 12
16 12
3 steady gliss.
10
13
A5
14 14 12
14 14 12
17 15
(13)
A6 (no 3rd)
A5
G 5
16 12
14 14 12
13 13 11
17 17
16 12
17 17
15 15
17
17
14 13
14
13
13
14
14 12 12
14 14 (14)
F 5
9
9 9
15
17
17
15 15
F
11 11
14 14 14 12 12
11 X 11 X 11 X 9
11 9 11 9
11 11 9
11 11 9
14 14 (14)
14
12 12 14 14
X X X
11 11 9
14 12
11 11 9
14
14
17 15
17 17 (17)
15
17 17 17
17 17
F 6(no 3rd)
F 5
G 5
13 9
11 11 9
13 13 11
13 9
14
14
15
13 14
14
14 17
107 Sorgdal
A5
14 14 12
14 14 12
14 12 14 12
14 14 12
A6 (no 3rd)
A5
16 12
14 14 12
14 14 12
16 12
14 14 12
A6 (no 3rd)
A5
G 5
F 5
F 6 (no 3rd) F 5
16 12
16 12
14 14 12
13 13 11
11 11 9
11 11 9
17
17
(17)
14 14
11
F 6 (no 3rd)
11 11 9
13 13 9 9
11 11 9
13 9
13 9
14 (14)
12
let ring
17
17 (17)
22
15
17
15
17
17 17
14
14
14 14
14 12 14 12 14 12
14
Verse (no 3rd)
F 5
F 6
Gtr. 1: w/ Rhy. Fig. 2
F 5
D5
E5
3. Yes,
11 11 9
11 11 9
13 9
13 9
11 11 9
I’m
mov
in’,
yes,
I’m
mov
in’.
7 7 5
steady gliss.
12
14 13 14 13 14 12
14
10 10
14
12
7
steady gliss.
12 12
12
B5
2
E5
Get read y for the big
time.
Uh, get tin’cra zy on the moon
Yes,
shine.
I’m
mov
in’,
Gtr. 2
X X X
7
2
7 7
7
12 12
7 7
Gtr. 1: w/ Rhy. Fig. 3
F 5
I’m
12 12
108 Sorgdal
real ly
mov
in’.
12
Sloe
gin
14 14
14
13
fiz
zy,
14 14
14 14
uh,
do
14 14
it
till you’re diz zy,
uh,
14 14
14
14 14
14 14
Chorus Gtr. 2: w/ Rhy. Fig. 1A
G
give it
D
E
N.C.(B5)
til you’re put out of your mis
all you got un
e
ry.
Rag
doll,
2
2
liv in’ in
a mov ie.
0
3
Rhy. Fig. 4 Gtr. 1
14 (14)
12
14 14
14
14 14
13 13
14 14
10 10 10
14 14
10 10 10 0
D5
1
2
A
Hot tramp,
2
4
B
You’re so fine,
dad dy’s lit tle cut ie.
1
G
they’ll nev er see ya leav in’ by the back door,
2
E
man. End Rhy. Fig. 4
0
1
2
2
2
0
1
2
3
4
2 0
1
2
2
0
2
1
2
3
0 0 0 X 3
0 1 2 2 0
see
me.
2
4
0
1
2
2
Gtr. 1: w/ Rhy. Fig. 4
B5
D5
Hot
time,
get
it
while it’s
eas
y.
A
don’t
D
doll, A
ba
by won’t you do me like you
mind, G
B5
Rag 2
I
done
be
come on 1
E
up
and
D
A
fore!
Outro A
Doe
dee dee ya bo doo dae,
da dom
dom.
Da
da ba.
Da
Gtr. 1
7 7 7 5
5 6 7 7 5
Gtr. 2
steady gliss.
10 10 10
5 5 5
3
5
13
(13)
15
16
17
17
15
17 17 (17)
109 Sorgdal
6
(w/ Clarinet and muted trumpet ad lib.)
de de da um do da do do da do do da
do do
da do
do da do do da.
De
6
huh ole bup uh de bup uh de bup uh de
dim. 5 6 7 7 5
17 17
15 15
15 17
17 17
17
16
16
N.C.
17
17
17
15 17
15 15
17
17 17
17
16 16
17 17
Ba,
ba ba ba ba ba ba ba ba,
ba
ba.
17 17
17
17 17
Begin Fade
All gtrs. tacet
baa!
16 16
Ba
ba
ba ba ba ba ba um ba,
bo.
Ba!
Ba,
ba.
dim.
17 17
3
Ba
um ba
3
uh um dap dap dap dap dap dap
doe,
wah bah.
Wah dah.
Wah dah.
Wo dah dah dah um
Fade Out
dah dah.
110 Sorgdal
Doe
dee
deh
dah dah
dah
dah dah dah dah.
Dah de dah dah dah dah dah.
Round and Round Words and Music by Steven Tyler and Brad Whitford
Intro Moderately
= 72 A5
B5
C5
N.C.
(Em)
(voc. w/ heavy flange) (approx. 4 sec.)
Gtr. 1 (dist.) Brad Whitford
6
P.M.
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5
5 5 5 5 5 6 7
7
(Em7) ** Gtr. 2 (dist.) Brad Whitford P.S.
*
1. If
Rhy. Fig. 1
be
End Rhy. Fig. 1
let ring
3
you
7
0
0
0
0
let ring
7
0
5
3
0
7
0
0
** w/ delay
0
7
0
5
* Voc. w/ flange throughout.
Verse Gtr. 1: w/ Rhy. Fig. 1, 4 times Gtr. 2 tacet
N.C.(Em7)
lieve one mem
tel play fol
72 Sorgdal
lin’ in’ low
in for ber the
me all, days
me things it with Dee, ing the ways
I be it was when you were like
lieve all sweet
that weren’t ex er and nev of some one
in for six
you would n’t be An’ now I’m and I was
you, one. teen
act ly both ered no else ’s
Copyright © 1975 Music Of Stage Three Copyright Renewed All Rights Administered by Stage Three Music (U.S.) Inc. All Rights Reserved Used by Permission
true. one. dreams?
Look here! Look here!
Now Now Now
all ev ev
of it ’ry thing ’ry thing
chang chang chang
es; es; es;
ain’t
noth in’
the
same.
To Coda
I’m
get tin’ the
strang
Chorus A5
est
feel
ing, ba
by.
C5
B5
life
I can’t re mem ber my
I been liv in’ an’ the love
I been giv in’, well, it
’Cause the ’Cause the I’m go in’
name.
N.C.
sends you spin nin’, with your feet
sure
(Em)
nev er touch in’ the ground.
Gtr. 1
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
5 3
5 3
5 3
5 3
5 3
1
Gtr. 1: w/ Rhy. Fig. 1
5 3
5 3
5 3
5
5
5
6
7
5
7
2
(Em7)
Spin nin’ round ’n’ round. Rol lin’
Bridge * N.C.(Gmaj7)
2. Well, it was
(Fmaj7)
’n’ round ’n’ round ’n’ round ’n’ round ’n’ round.
(Em7)
Gtr. 3 (dist.) Brad Whitford Fill 1
End Fill 1
w/ bar full
13 5
Gtr. 1
10
9
10
9
10
7
16
10
Rhy. Fig. 2
End Rhy. Fig. 2
let ring
3
5
5
4
5
4 1
3
3
2
3
2 3
0
7
0 0
0
7
let ring
0
5
3
0
7
0 0
0
7
0
5
* Chord symbols reflect overall tonality.
73 Sorgdal
D.S. al Coda
Gtr. 1: w/ Rhy. Fig. 2
(Gmaj7)
(Fmaj7)
(Em7)
3. Can you re Gtr. 3
w/ bar full
13 5
9
10
10
9
7
10
(13)
3
16
10
Coda N.C.(Em)
round
’n’
round
’n’ round
’n’ round
’n’ round
’n’
round
’n’ round
’n’ round
Gtr. 4 (dist.) Brad Whitford
w/ heavy reverb
7
(7)
8
(8)
9
Gtr. 1
round
’n’
(9)
3
74 Sorgdal
3
0
round
’n’ round
10
0
10
7
3
’n’ round
’n’ round
(10)
3
11
0
11
8
0
’n’
round
3
’n’ round
(11)
3
’n’ round
12
0
12
0
’n’ round
’n’
(12)
3
9
round
13
0
13
’n’ round
’n’
Guitar Solo N.C.
(B5)
D5
E5
N.C.(B5)
’n’ round ’n’ round.
full
full
(10)
10
full
10 7
7 10
10
full
1/2
7
10
9
(12)
3
9
14
0
7 10 7
7 7
D5
9 7
E5
10
7
7 7
9 9
7 5
9 7
3/4
full
7 (9) 7
9
7 10 7
10
7 5
9 10
full
7
7 10 7 10 7
10
9 7
3
9
7
7 7
7
A5
full
full
7
9 7 9 7 9
7
0
7
1 1/2
6
full
7
10 7
G5
full
10
7
9
7
N.C.(Em)
6
10 7 10 10 10 7
7 10
9 10
full 10
10
9
0
7
7
10
(10)
10
15 14 12
9
3 0
7
0
5
0
3
5
0
N.C.(Em7)
5 5 3
7
G5
3
7 5
A5
3
3 full
full
full
(12) 14
3
full
12
full
12
15
15
12
15
15
12
15
12
full
15 15
(15)
full
(15) 12
14
14
0
7
0
3
0
7
0
5
0
3
0
7
3
14
12
5
75 Sorgdal
Bridge Gtr. 3: w/ Fill 1 Gtr. 1: w/ Rhy. Fig. 2, 1 1/2 times
N.C.(Gmaj7)
Gtr. 3: w/ Fill 1
(Fmaj7)
(Em7)
(Gmaj7)
(Fmaj7)
Gtr. 4
3
6
grad. release
grad. bend
full
grad. release
full
12 14
(14) (14) 5 5 9
14
(Fmaj7)
15 12 15 12
14
12
14 12 14 12
14
3/4
14
(14)
14
(Em7)
Gtr. 4
grad. release 3/4
(14)
14
(14)
Gtr. 3
full
13 16
Gtr. 1
let ring
3
3
1
2
3
2 3
0
7
0
0
0
7
let ring
0
5
3
0
7
0
0
0
7
0
Gtrs. 3 & 4 tacet
Go Gtr. 1
let ring
3
76 Sorgdal
0
8
0
0
0
let ring
7
0
5
3
0
8
0
0
0
7
0
5
in’
5
Outro (Em)
round
Voc. Fig. 1
’n’
round
’n’ round
End Voc. Fig. 1
’n’ round
’n’ round
’n’
round
’n’ round
’n’ round
’n’ round
’n’
round
’n’ round.
Gtr. 4
w/ slide
2
3
0
4
Gtr. 3
w/ slide
2 Gtr. 1
2
0
2
0
2
Rhy. Fig. 3
3
Gtr. 4
0
0
End Rhy. Fig. 3
0
3
0
0
3
0
0
3
0
0
Voc.: w/ Voc. Fig. 1, till fade Gtr. 1: w/ Rhy. Fig. 3, till fade
2
6
3
4
5
6
7
8
2
3
4
5
6
Gtr. 3
0
(6)
2
0
2
0
2
0
9
10
11
12
13
14
15
16
2
3
4
5
6
7
8
9
77 Sorgdal
8va
13
14
15
16
13
17
14
15
8va
10
11
12
13
14
15
16
17
20
21
22
23
13
14
15
16
Begin Fade 8va
*
(15)
16
17
18
19
14
15
16
17
8va
* Hypothetical location above fretboard.
Fade Out
8va
(23)
24
25
26
27
28
29
30
17
18
19
20
21
22
23
31
8va
*
24
* Hypothetical location above fretboard.
78 Sorgdal
from Aerosmith - Greatest Hits
Same Old Song and Dance Words and Music by Steven Tyler and Joe Perry
3 Intro Moderate Rock q = 120 =
N.C.(E5)
Gtr. 3 (dist.)
C5
D5 5fr
133
133
f rake
X
Gtr. 2 (dist.)
X
2 0
0
3
2
8v a
0
2
0 0
2
ha,
3
9 9 7
0
0
3
4
0
3
0
7
9 9 7
3 2
Riff A
0
2 0
3
1/4
0
2
3
0 0
2
3
2
0
3
1
2
2
2 0
0
1
0
3 3
3
1/4
3
3
mf
2
9 9 7
0
9 9 7
right!
5
2 0
3
0 0
Ah
5
1/4
1/4
2
0
0 0
Copyright © 1977 Music Of Stage Three Copyright Renewed All Rights Administered by Stage Three Music U.S. Inc. All Rights Reserved Used by Permission
2
2
1/4
0 0
2
0
2
0 0
3 2
2
0
3 2
0
f
0 5 4
0 5 4
f
Gtr. 1 (dist.)
2
3
2 0
0
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse N.C.(E5)
loco
1. Get 3
4
3
0
2
0
2
mf 3 3
3 2
2
0
2
3 2
2 0
0
2
3
0 0
lay
Gtr. 2
3
3
2
5 4
5 4
’s
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3 2
2
3 2
3 2
3
3
his
2
head,
5 4
3
End Rhy. Fig. 1
0
0
0
3
5 4
wife’s
0
his
0
and
3 2
noth - in’
3 2
to
with
goes
mur - der
0 0
3 2
Rhy. Fig. 1
P.M.
2 0
3
con - sti - pa - tion
0 0
0 0
Co - in - ci - den - tal
Sorgdal
low.
-
your - self
0 0
2
Rhy. Fig. 1A
1/4
Gtr. 1: w/ Rhy. Fig. 1, 6 times Gtr. 3 tacet
12 12
0 0
1/4
0
12 12
End Riff A
steady gliss.
3 2
12 12
2
4
cool - er,
(2) 2
your - self
w/ wah-wah
1
2
to
2
show.
0
0
When
the
judge -
5 4
0
5 4
ag - gra - va - tion,
0 0
3 2
3 2
you
soon
Gtr. 2
3
end
up
dead.
2
5 4
3
It’s
the
5 4
4 5
0
0
0
0
0
0
my
friend.
5 5 6
5 5 6
5 5
7 7
9 7
7 7
C5
7 7
the
0
0 0
2
0 0
2
3
same
3
D5
old
song
and
5 5 3
7 7 5
7 7 5
5 5
7 7
9 7
A
old
sto - ry,
5 5 6
5 5 6
5 5
7 7
9 7
4 5
dance,
0
0
C5
same
5 5 3
0
End Rhy. Fig. 3
1/4
0
3 3 4
3
1/4
2
0
5 5 3
End Rhy. Fig. 3A
same
G
It’s
1/4
Rhy. Fig. 3
sto - ry,
Rhy. Fig. 3A
3 3 4
End Rhy. Fig. 2
N.C.(E5)
A
old
End Rhy. Fig. 1A
P.M.
0
same
Rhy. Fig. 2
Gtr. 1
Chorus G
1/4
2
0
0 0
2
0 0
2
3
0
7 7
7 7
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
old
song
and
N.C.(E5)
dance,
my
7 7 5
7 7
7 7
5 5
0
9 7
0
2
3
0 0
2
0 0
2
0
1/4
0
3
7 7 5
1/4
5 5 3
2. Shad -
1/4
5 5 3
friend.
Gtr. 3: w/ Fill 1
D5
1/4
0
2
3
0 0
0 0
2
2
3
0
Verse
Gtr. 1: w/ Rhy. Fig. 1, 3 times Gtr. 2: w/ Rhy. Fig. 1A
N.C.(E5)
-
y
look - in’ down and
los - er dirt - y
you from
get no
you one
un - done. to meet.
Say
played with walk - in’
love
Gtr. 1
P.M.
ain’t
my the
gun. street
the
No with your
same
on
the
0
0
0
smooth old
0
0
0
Fill 1 Gtr. 3
0
0
0
0
0
south
side
steady gliss.
X X
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12 12
12 12
12 12
face law - yer hur - dy, gur - dy,
can
o’
look
town.
0
Gtr. 1: w/ Rhy. Fig. 1, 2 times
3 3 0 0
You could
Chorus
Gtr. 1: w/ Rhy. Fig. 2
but
you
ain’t
Gtr. 2
gon - na
old
song
and
D5
old
sto - ry,
3 3 4
4 5
5 5 6
5 5 6
7 7
5 5
7 7
9 7
find
it
a -
round.
sto - ry,
5 5 3
7 7 5
7 7 5
7 7
3
7 7
5 5
old
sto - ry,
same
F5
same
10 10 8
G
It’s
7 7
3
G5
old
song
and
10 10 8
12 12 10
12 12 10
12
15
15
1
17 15
15
1
12
3
15
15
the
same
A5
dance.
14 14 12
15
15
12
3
15 12 15 12
1 15
14
15
7 7
7 7
9 7
1
15
1
15
5 5
3
3
15
same
9 7
1 15
C5
(cont. in slash)
3
15
friend.
old
5 5 3
12
my
12
the
1
Fill 4 Gtr. 3
It’s
D5
same
N.C.(E5)
C5
A
Gtr. 3: w/ Fill 2, 1st time Gtr. 3: w/ Fill 4, 2nd time
dance,
Gtr. 1
Fill 2 Gtr. 3
A
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A
G
14 12
1 15
1 15
15
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
T o Coda
Gtr. 3: w/ Fill 3, 1st time Gtr. 3: w/ Fill 5, 2nd time
Gtr. 1
Gtrs. 1 & 2: w/ Riff A, 1 3/4 times, simile
C5
5 5 3
12
14
N.C.(E5)
12
14
w/ slide
3 3
7 7 5
0 0
14
0
12
12
8v a
3
3
1
12
15 17 17
2
1/4
3
17
w/ slide
15
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
15 15
14
11
11 14
14
Bridge B5
12
12
11 14
15 12
12
13
A5
G5
14
A5
comes a - knock - in’, 2. Saxophone solo
3
3 3
0
14
0 0
0
12
12
12
12
B5
13
12
12
15
A5
doors
start
12
12 14
G5
15
B5
lock - in’. Your
1
old
17
Rhy. Fig. 4
End Rhy. Fig. 4
End Rhy. Fig. 4A
†
4 4
2/2 2/2
0/0 0/0
2/2 2/2
4 4
2/2 2/2
4 4
0/0 0/0
2/2 2/2
4 4
*1st time only **Don't pick †Gtr. 2 tabbed to right of slash.
1
A5
Rhy. Fig. 4A
4 4
14 13
17
Gtr. 2 divisi
3
15 12
*
17
2 0
Fill 3 Gtr. 3
12
1/2
Gtr. 1
0 0
Sorgdal
1/2
Gtrs. 1 & 2
12
0 0
3 3
**
1/2
15 15
3 3
14
Gtr. 3
15
3 3
8v a 3 3 3 3 3 3 w/ delay w/o slide 1 12 12
1. Fate
15
Gtr. 3
3
14 14 12
12
D5
Gtr. 2
Guitar Solo
14
Fill 5 Gtr. 3
1 1/2 17
15
1
17
15 17 15
17 15 17 16
14
12
Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A, 2 times Gtr. 3 tacet
A5
time
G5
A5
B5
con - nec - tion,
A5
G5
re - ar - range
A5
change
A5
B5
it.
G5
A5
your
Can’t
G5
the
You
B5
pain
when
it’s
all
Gtrs. 1 & 2
4 4
4 4
2/2 2/2
0 0
2 2
4 4 2
1.
C#5
A5
change
it,
D5
G5
gon - na
divisi
ain’t
Gtr. 2 Gtr. 1
A5
A5
stand
di - rec - tion.
A5
B5
the
can’t
to
you
D#5
same
6 6 4
B5
7 7 5
8 8 6
0
D.S. al Coda
2.
Gtrs. 1 & 2: w/ Riff A, simile
N.C.(E5)
N.C.(E5)
3. When you’re low
my friend.
Gtr. 2 Gtr. 1
1/4
2 0
2
3
Coda
0 0
2
N.C.(E5)
1
2
2 0
3
3
1
12 15 15
1
15
12
3 1
15
1
15
1
17 15
1
1
15 14
1 15
14
4 4
Gtr. 1: w/ Riff A, 2 times, simile Gtr. 2: w/ Rhy. Fig. 1A, 1st 4 bars, 2 times
Gtr. 3
divisi
1/4
0 0
0
0
14
12
14
3
3
1
12
14 14
1/4
10 10
3
1/4
14
14
12 15
12
14
3
fdbk.
1
10 10
12 12
14
1 hold bend
8
10 10
10
10
8
10
8 9
9
7
9
9
9
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Aerosmith - O, Yeah!
Seasons of Wither Words and Music by Tyler D
C
132
G5
2 1
134
A5
Bb5
34
134
C5
134
Gtrs. 4 & 6: Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately slow Rock q = 97 * Gm (Crowd noise &
sound effects) 34 secs.
Am7
Bb6(no3rd)
**Gtr. 1 (acous.)
ppp cresc. poco a poco, next 4 meas.
Gm
0
0
0
1
3
0
mf
let ring throughout
Riff A
0
2
0
3
0
0
3
1
3
1
0
0
0
1
3
0
0 3
*Chord symbols reflect implied harmony. **Doubled throughout
Am7
Gtr. 1: w/ Riff A (2 1/2 times)
Bb6(no3rd)
Gm
Am7
Gtr. 2 (elec.)
End Riff A
ppp cresc. poco a poco, next 4 meas.
Bb6(no3rd)
Gm
0
0 1
Am7
3
0 1
3
0
2
0 1
3
0 1
3
0
0
0 0
3
2
0 1
3
Gm
Bb6(no3rd)
Gtr. 2
0
0
0 1
0 1
0
0 1
3
0
0
0 0
3
0
0 1
3
Am7
End Riff B
0
mf
w/ slight dist. let ring throughout
2
Riff B
0
0 3
Bb6(no3rd)
0
C5
(cont. in slashes)
2
0 1
3
0
0 3
Gtr. 1
0
2
0 1
3
0 1
3
0
3
0 1
0
0
0
3
Copyright © 1977 Music Of Stage Three and Song & Dance All Rights Administered by Stage Three Music U.S. Inc. All Rights Reserved Used by Permission
0
2
0 1
3
0
0
3
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1 tacet
D
Rhy. Fig. 1 Gtr. 2
Gtr. 3 Rhy. Fig. 1A (elec.)
f
2 3 2 0
2 3 2 0
C
D
2 3 2 0
2 3 2 0
C
End Rhy. Fig. 1A
2 3 2 0
2 3 2 0
0 1 0 2
End Rhy. Fig. 1 (cont. in notation)
w/ slight dist.
2 3 2 0
2 3 2 0
0 1 0 2
D
C
Gtr. 2
2 3 2 0
2 3 2 0
2 3 2 0
E7sus4
2 3 2 0
Gtr. 3
Gtr. 2
0
mf
0
*Gtr. 3 let ring throughout
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
0
Sorgdal
0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
0 0
0 0
0
0
Riff C
2
0
0 1 0 2
0
0 0
0
2
0
2
0
0 1
0 1
C
2 3 2 0
0 1 0 2
0
0 1
2
3 3 1
0
End Rhy. Fill 1A
2 3 2 0
2 3 2 0
0 1 0 2
2
0
0
3 3 3 1
2 3 3 1
2
0 2
0 2
End Riff C1
2
2
0 2
3 3 3 1
G5
0
F End Rhy. Fill 1
Rhy. Fill 1A
2
Bb
0
Rhy. Fill 1
D/F#
1
0 1
0
F6sus2
1
0 1 0 2
F6
D
Em7
Riff C1
mf
*Gtrs. 1&3
0
2
0 3
2 2
0
0
3
0 3
0
0
0 3
0 3
End Riff C
0
0 3
Verse Gtrs. 1 & 3: w/ Riff C (3 3/4 times) Gtr. 2: w/ Riff C1 (3 3/4 times)
E7sus4
Em7
F6
Blues
heart - ed
Em7
Em7
of
E7sus4
Sea
sleep
F6sus2
-
brought
thou - sand
sons
of
F6
F6sus2
with
-
drawn
to
Riff D
End Riff D
Gtr. 2
G5
her
sin.
-
Chorus Csus2
me.
D/F#
Ooh,
hold
G5
to
she.
er
G5
was
her
D/F#
y
F6sus2
-
D/F#
G5
dy,
F6
a
Em7
dev - il
Seas
F6
for the
E7sus4
la -
Love
D/F#
E7sus4
F6sus2
in’
G/B
me
in.
woe is
me.
I
feel
so
bad -
Riff E1 Gtr. 4 (12-str. acous.)
mp
let ring throughout
0
0
3 Gtrs. 1&3
0
0
3
0
0
3
0
0
3
0
3
End Riff D1
0
0
3
Riff D1
0
0
0
3
0
0 3
0
3
0
0
3
0
0
3
3
0
0 3
0
0 3
0
2
0
0
0
0
0
Riff E Gtrs. 1, 2 & 3
3
0
0 3
0
0 3
0
2
0
0 2
0
0 2
0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E7sus4
Em7
F6
F6sus2
-
0
2
2
0
0
0
2
2
0
0
0
0
woe
is
2
0
0
Time to
0
0
5
0 3
0
0
0
3
3
0
0 5
so
Em7
F6
sad
Live on
bor
0
0
3
-
ly
for
you
C5 T o Coda
- rowed time.
Take the
0
0
3
0
0
wind
0 3
F6sus2
right Fill 1
0
3
3
0 3
out
of
2
0
0 3
D
sail.
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C
D
C
0 3
o
your End Fill 1
Bridge Gtr. 2: w/ Rhy. Fig 1 (2 1/2 times) Gtr. 3: w/ Rhy. Fig. 1 (2 times)
0 5
0
your mind.
3
0
1
feel
0
Bb5
0
0
0 5
Gtr. 3
0
5
End Riff E
I
0
E7sus4
5
0
0 1
lose
0
3
time.
0
A5
in
3
me.
G5 Gtr. 2
you.
for
G/B
Ooh,
ly
0
1
Gtrs. 1, 2 & 3: w/ Riff E Gtr. 4: w/ Riff E1
3
2
0
0
0
Csus2
G5
End Riff E1
0
2
Gtrs. 1 & 3: w/ Riff D Gtr. 2: w/ Riff D1
Gtr. 3: w/ Rhy. Fig. 1A (1 1/2 times)
D
Fire
at
the
moon.
C
in
the
heat
mf
C
D
of
hound
Gtr. 5 tacet
My
ship
leaves
Gtr. 2
2 3 2 0
Gtr. 3
Can’t
say
2 3 2 0
13 14
13 14
13 14
13 14
I’ll
0 1 0 2
dogs
that
C
in
the
mid
-
night.
bay
13 14
Verse
D
steady gliss.
w/ dist. & slide
13 14
D
dance
Gtr. 5 (elec.)
flies
-
2 3 2 0
C
be
back
2 3 2 0
0 1 0 2
F
too
Em7
2. They a -
soon.
2 3 3 1
E7sus4
mf
2 0
0
0
0
Gtr. 1
0 0
Gtrs. 1 & 3
Gtr. 3 divisi
2 3 2 0
2 3 2 0
0 1 0 2
0
2 3 2 0
0 1 0 2
3 3 1
2 0
0 0
0
0 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F6
F6sus2
D/F#
far
0
0
1
2
0
wak - en
2
0
0
0
1
0
1
0
1
2
a
- way.
2
0
2
0
0
0
0
0
0 3
0
0
3
3
0
2
3
0
0
2
2
2
0 2
0
1
2
far
0
1
G5
0
0
3
3
Gtrs. 1 & 3: w/ Riff C (2 3/4 times) Gtr. 2: w/ Riff C1 (2 3/4 times)
E7sus4
Em7
Heat
E7sus4
of
Em7
my
F6sus2
F6
of
D/F#
a
can - dle
Seas
show
F6sus2
thou - sand
D/F#
G5
me
drawn
to
the
way.
G5
her
F6
sin.
D.S. al Coda
E7sus4 Em7
Sea
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F6
3
-
sons of
with - er
F6sus2
Gtrs. 1 & 3: w/ Riff D Gtr. 2: w/ Riff D1
D/F#
G5
hold
-
in’
me
in.
Coda Gtr. 2
Interlude
Gtr. 3: w/ Fill 1
Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1 3/4 times)
C5
D
out
of
Gtr. 6 (12-str. elec.)
right
your
C
sails. (Sail.)
mf
w/ slight dist.
let ring throughout
1/2
2 12
D
0
4
1/2
4
0
0
2
0
2
0
0
3
C
0
0
3
D
1/2
5
4
2
4
2
2
5
4
0
4
2 4
1/2
2
2
0
3
0
4
0
0
0
0
3
Gtrs. 2 & 3: w/ Rhy. Fills 1 & 1A
C
D
1/2
4 0
2
0
2
0
5 3
4
2
5
7
10 11
10 11
C
Bb
F
8 9
6 7
6 5
0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro - Guitar Solo
Gtrs. 2 & 3: w/ Riffs C & C1 (1st 3 meas.)
E7sus4 Em7
*Gtr 7 (elec.) o
Gtrs. 1 & 3: w/ Riff A (3 1/2 times) Gtr. 2: w/ Riff B1 ( 3 1/2 times)
Gtr. 6 tacet
F6
F6sus2
15
1/2
15
17
14
14
Gm
mf
w/ dist.
D/F#
8v a
fdbk.
1
14
12
15 14
14
12
12
*Doubled till end
o
Gtr. 6
5 4
Am7
Bb6(no3rd)
Gm
Am7
Bb6(no3rd)
Gm
*
Ooh.
8v a
12
*w/ heavy reverb till end.
Am7 Bb6(no3rd)
Gm
Am7
Bb6(no3rd)
C5
Fade out
D
8v a
Gtr. 7
12
Gtrs. 1, 2 & 3
0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2
0 1
3
0
0 5 3
2 3 2 0
from Aerosmith - Toys in the Attic
Sweet Emotion Words and Music by Steven Tyler and Tom Hamilton
Intro Moderately q = 96
*A
Gtr. 1 (dist.)
mf
w/ talk box & heavy reverb
**Gtr. 2
0 Riff A
End Riff A
mf
0
5
0
0
0
5
slight P.M.
0
5
0
0
7
0
0
0
0
4
5
0
7
0
0
0
0
4
*Chord symbols reflect overall harmony. **Bass arr. for gtr. Gtr. 2: w/ Riff A (6 times)
D/A
Gtr. 1
A
3 4
4
let ring
0
2
3
2 2
0
D/A Sweet
3 2 4
4
0
let ring
0
A5 Sweet
Harm.
2
4
D/A
3
4
2
2 4
4
4
2
4
4
2
4
e
-
mo
-
2
4 0
let ring
2
e - mo
4
tion.
2
0
-
3 2 4 0
Copyright © 1975 Music Of Stage Three Copyright Renewed All Rights Administered by Stage Three Music (U.S.) Inc. All Rights Reserved Used by Permission Reprinted by Permission of Hal Leonard Corporation
A tion.
2
3
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Chorus
Gtr. 2: w/ Riff A (4 times)
A
Sweet
e
D/A
-
A
mo
-
tion.
talk box off
2
Sweet
e
D/A
A
- mo
-
tion.
0
Verse
2nd time, Gtr. 1: w/ Fill 1
Talk a - bout pulled in - to
things town
and in
no a
D5
A5
bod po - lice
-
y
A
A5
4
cares, car,
you’re your
Gtr. 1
dim.
0
Gtr. 3 (dist.)
mf 2 2 0
2 2 0
Riff B
3
0
3
0
3
3 2 0
2 2 2 0
2 2 0
Fill 1 Gtr. 1
let ring
7 0
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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dim.
End Riff B
3
0
3
0
3
Gtr. 1 tacet Gtr. 3: w/ Riff B (6 times)
D5
A
D5 A
D5 A
A
I You
You’re call - in’ my name, but I got - ta make clear. You’re tell - in’ her things but your girl - friend lied.
can’t say, can’t catch
D5 A
D5
A
wear - in’ out things that no - bod - y wears. dad - dy said I took you just a lit - tle too far.
D5
ba - by, where I’ll be in a year. me, ’cause some rab - bit done died.
Yes
it
did!
Interlude µ
Gtrs. 1 & 3
Riff C
End Riff C
5
3
5
0
2
3
2
3
3
4
4
5
5
3
5
0
2
3
2
3
3
4
4
5
2. Some 4. You
Riff D
Gtr. 1
7
Gtr. 3
5
End Riff D
7
4
4
4
5
5
5
6
6
7
7
5
7
4
4
5
6
7
Riff D1
End Riff D1
5
3
5
0
2
3
2
3
3
4
4
5
5
3
5
0
2
3
0
4
Verse Gtr. 1 tacet Gtr. 3: w/ Riff B (8 times)
D5
sweet stand
A
hog, in
a, the
with just
a a,
face shak
ma - ma front
like in’
a yo
-
D5
A
D5 A
get up and go take you back - stage,
D5 A
’cause a ’cause a
A
D5
Well, I I
back - stage boo - gie, set month on the road and I’ll
gent ass,
must -’ve got up and went. you can drink from my glass.
D5
A
got good news, she’s a real talk a - bout some - thin’ you can sure
A
yo’ pants on fire. be eat - in’ from your hand.
D5
A
said
my I
D5
good li - ar, un - der - stand,
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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To Coda Interlude
Gtr. 1: w/ Riff D (1st meas., 2 times) Gtr. 3: w/ Riff C
Gtrs. 1 & 3: w/ Riff C (2 times)
µ
Gtrs. 1 & 3: w/ Riffs D & D1
Chorus A
Sweet
e
Gtr. 1
-
7
6
let ring
Gtr. 3
5
3
0 0
0
Gtr. 1
let ring
7 0
Coda
-
tion.
7 6
7 0
Gtr. 1: w/ Riff D (1st meas., 3 times) Gtr. 3: w/ Riff C (1 1/2 times)
0
2 0
4
5
0
3
4
0 0
2 2
0
6
2 2
0
4
Sweet
e
7 6
7 6
7 0
D/A
-
mo
7 6
7 0
7 0
-
7 6
4
Gtr. 1 *divisi
tion.
3. I
7 0
Gtr. 1
fdbk. 1 1/2
1
7 5
Sorgdal
3
1/2
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
A
Gtr. 3 tacet Gtr. 3
grad. bend
4
5
D.S. al Coda
A
mo
2 2
6
End Riff E
2 2
0
Gtr. 3: w/ Riff E (6 times)
D/A
Riff E
5 3
7 5
0
2
*Gtr. 1 plays downstemmed notes. Gtr. 3 plays upstemmed notes.
2
2
2
2 Pitch: F#
7 6
Interlude E
Gtr. 1
3
mp
w/ slide
3
2
2
0
steady gliss.
4
2
4
3
4
6
7
2
0
Gtr. 4 (dist.)
mp
w/ talk box
5
0
0
7
Gtr. 3
2 0
5
0
7 7
7
7
5
3
4
3
0
0
2 0
2 0
5
0
5
0
7
7
7
7
5
3
4
w/o slide
2
4
4
Riff G1
2
3
2
0
2
2
0
4
End Riff G1
mf 1
10 0
0
5
0
Riff G
2 0
2 0
5
0
7
7
7
7
0
0
5
0
End Riff G
5
3
4
2 0
2 0
5
0
1
10
8
10
10
7
7
7
5
3
4
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro-Guitar Solo Gtr. 3: w/ Riff G (till fade) Gtr. 4: w/ Riff G1 (8 times)
E5
Gtr. 1
mf
steady gliss.
15 14
16 15
15 14
16 15
15 14
16 15
15 14
16 15
X X
15 14
16 15
16 15
16 15
1/2
16 15
2
2
2
let ring
16 15
15 14
16 15
15 14
16 15
16 15
let ring
12
15
15
12
12 14
12
12 14
3
1/4
12
16
15 14
1
16 15
15 14
3
1
0
0 0
0
let ring
14
1
1
1
1
1/4
1/4
15
15
15
12
14
15
12
12 14
14
14 12
14
14
12
15
14
3
14 12
14 14
14
13
12
14
12
14
14
12
13
12 14
12
14 14
12 12
13 14
11
12
12
1/2
12
12
1
12
14 12 14
14
1
12
12
15
11
14
14 14 14
12 12 12
14 14 14
14
14 14 14
14 14 14
Begin fade
G
3 Gtr. 1
let ring
0 2
2
0
0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
0
0
0
3
2
3
2
0
2
1/2
2
0
3
2
0
2
2
Gtr. 4
5
3
1
1/2
5
2
0
0
1
7
5
0
Gtr. 4: w/ Riff G1 (till fade)
Gtr. 1
1
14 14
12 11
12
0
11
9
11
9
3
15
1/2
15
15
1
15
11
12 14
12
12
12
14
12
14
1/2
15 12 14
12
14 12
14
14
12
12
15
12 14
12
12
11
12
1
12
14
12
12
3
1/2
15 12 14
15
3
14
14 12
14
3
1/2
15
15
12
14
3
14
14
14
12
14
12
let ring
12
15
15
4
12
12
14 12
13
14
15
14
15
15
15
14
12
1
1
12
14
13
12
14
12
12
14
1
13
12
14
14
14
12
3
14
14
14
3 3
15
14
1
1
12
3
12
7
0 0
15
Fade out
3 1
16
15
3 2
2
0
2
0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Theme From Spider Man Written by Robert J. Harris and Paul Francis Webster
Cm('9)
Cm
8fr 3 11 4
Intro Fast q = 180
Fm 8fr
134 111
134 21
1314 1
f
3
* Gtr. 1
10
11
12
3
f 8
8
11
1. Spi 2. Is ** Gtr. 63. Spi
8
8
-
10
der he der
8
** Melody arr. for gtr. Gtr. 4
10
mf
(cont. in slashes)
8 8
7 8
8 8
8 8
Gtr. 4 (clean)
mf
P.M.
8
Cm
10
- Man, strong? - Man,
1 34 2 1
Cº
8 8
10
1 3121 1
Cm
133 31
III Cm 3fr
Gtr. 5 (clean)
* Horns arr. for gtr. Verse 2nd & 3rd times, Gtr. 3 tacet 3rd time, Gtrs. 1 & 2: w/ Riff A (2 times)
Gtr. 5
IIIG7 6fr
Cm
11
* Gtr. 2
Eb 6fr
f
134 211
w/ bar
10
Bb 10fr
Gtrs. 1, 2 & 3 tacet
Cm(add9) * Gtr. 3
G7 8fr
Spi Lis Spi
8
-
11
10
8
8
10
der - Man, ten, bud, der - Man,
10
10
10
does he’s friend
10
10
10
10
8
10
10
what - ev got ra ly neigh
8
-
8
10
10
10
er a di - o bor - hood
9
8
8
10
8
10
8
10
10
10
-
P.M.
10
10
10
10
10
10
Riff A Gtrs. 1 & 2
10
10
10
10
10
10 X 8
9 X 7
8 X 6
7 X 5
10
Copyright © 1967 (Renewed 1995) Hillcrest Music and Webster Music Co. All Rights Reserved Used by Permission
10
10
10
10
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
spi ac Spi
-
der tive der
can. blood. Man.
11
8
Spins Can Wealth
a he and
9
10
10
3rd time, Gtrs. 1 & 2: w/ Riff B
8
10
Fm
web, swing fame,
y a ig -
size. thread? nored.
an from he’s
-
8
12
9
10
10
8
10
8
10
P.M.
10
10
10
10
3rd time, Gtrs. 1 & 2: w/ Riff A
catch Take Ac
-
Cm
es a tion
8
10
thieves look is
10
10
10
just o his
10
10
10
-
8
11
8
10
10
10
To Coda
like flies. ver - head. re ward.
10
Look Hey, To
out, there, him
9
8
10
10
10
G7
10
8
10
10
8
P.M.
10
10
10
10
10
10
Riff B Gtrs. 1 & 2
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10
10
10
12
10
10
10 X 8
9 X 7
8 X 6
7 X 5
10
12
12
10
12
12
12
12
3
here there
comes goes
the the
spi spi
-
der der
man. man.
Gtr. 3 Gtr. 6 divisi
3
10
8
10
8
10
10
8 8 10
10
w/ bar
11
1.
Cm
8 8 10
10
12
12
10
12
12
12
12
10
10
In
the
chill
9
11
10
10
10 8 8 10
10
10
Bridge Gtr. 3 tacet
2.
8 8 10
P.M.
12
8
10
10
Bb
Gtr. 6
10
10
10
10
of
night,
9
8
8
8
6
6
8
10
10
10
Eb
10
at
the
10
8
8
10
10
8
10
10
8
8
6
6
8
8
5
5
6
6
5
5
P.M.
10
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G7 III
of
a
crime,
10
8
7
8
scene
Cm III
like
a
streak
8
9
11
Bb
8
8
9
9
9
9
8
8
8
8
7
7
7
8
8
6
8
8
of
light,
9
8
8
8
P.M.
5
5
he
ar -
rives
Eb
10
Ab
just
in
time.
8
10
8
5
5
5
5
10
6
Gtr. 3
8 8 8 10
8
D.S. al Coda
G7 III
Gtr. 6 divisi
8
7
8
8
P.M.
6
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
6
5
5
6
6
5
5
5
6
5
5
5
5
7
7
Coda
G7
3
is
a
great
big
8
10
8
life
Gtr. 6
bang
Cm
-
up.
3
8
11
10
Gtr. 4
8
10
10
10
8
8
8
10
P.M.
10
10
10
8
Gtrs. 1 & 2
10
10
10
10
10
10
10
10
Cm
3
Where - ev - er
11 X 8
there’s
a hang
-
G7 N.C.
3
up,
you’ll
find
3
11
10
8
10
8
8
10
11
P.M.
10
10
10
10
10
Spi - der - Man.
10 7
Cm(add9)
3
10
the
8
10 12 10 12 10
G7
10
10
10
10
10
10
10
10
10
10
8
10
11 X 8
10
10
10
8
10
8
10 8 8
10
10 7
10
5 X 3
10 8 8 10
10 8 8 10
10 8 8 10
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Toys in the Attic Words and Music by Steven Tyler and Joe Perry
E5
D5
134
5 fr
Intro Moderately Fast
D5 open
A5
7 fr
A5 open
B5
E5 open
B5 VII
G5
5 fr
134
E 5
7 fr
134
12
133
11
1
T
11
6 fr
T3 3
134
= 204 E5 Rhy. Fig. 1A
Gtr. 2 (dist. - Brad Whitford) Gtr. 1 (dist. - Joe Perry) * ** (cymbal)
Rhy. Fig. 1
2
0
0
2
0
2
2
3
0
0
0
0
2
2
2 3
0
0
2
0
0
2
3
0
* Key signature denotes E Mixolydian. ** recorded backwards
D5
A5
E5
play 3 times
P.M.
0
(cont. in notation)
P.M.
3 2 0
0
2 2 2 0
D5 open
2
0
0
2
0
0
0
0
2
0
2
In
the
at
tic,
lights, End Rhy. Fig. 1
P.M.
0
E5 open
A5
0
2
0
0
2
3
0
D5
voic
es
scream;
Rhy. Fig. 2
P.M.
3 2 0
0
4 4 2
Gtr. 2
2 2 0 End Rhy. Fig. 1A
7 7 5
X X X
4 4 2
5
7 7 5
7 7
2 2 0
7 7 5
7 7
2 2 0
(2)
5
7 7 5
Rhy. Fig. 2A
7 7 5
Copyright © 1975 Music Of Stage Three Copyright Renewed All Rights Administered by Stage Three Music (U.S.) Inc. All Rights Reserved Used by Permission
Sorgdal
2 3
Rhy. Fig. 2B
Gtr. 1
X X X
2 3
Bridge A5 open
B5
Gtr. 3 (dist. - Perry)
0
2
7 7 5
3
A5 open
noth
in’
G5
D5
seem
real’s
A5 open
B5 VII
the
dream.
*
7 7 5
7 7
3 3 0 0 X 3
2 2 0
3 3 0
7 7 5
7 7
2 2 0
4 4 2
4
6
7 7 5
7 7
2 2 0
2
4
6
4 4
2 2
4 4
2 2
P.M.
7 7 5
7 7
2 2 0
X X X
5 5
5 5 3
* See chord frames for Joe Perry fingering.
B
Verse E5 open
6 7fr
End Rhy. Fig. 2B
fdbk.
End Rhy. Fig. 2
2
4 4
4 4
2 2
2 2
2
2
4
6
4 4
2 2
2
4 4
4 4
2 2
4 4
4 4
2 2
2
9 9 7 0
2
9 7 0
End Rhy. Fig. 2A
2
4 4
4 4
2 2
2 2
2 pitch: A
4 Sorgdal
2
4
6
4 4
2 2
2
1. Leav
in’
the
things
that are
real
be
hind,
7
0
7
0
Riff A
*
1/2 full
9 9 7 0
10
9
9 9
9 9
7 7
6 7
9
(7)
0
7
0
7
0
Riff A1
3
**
1/4 1/2
10
9
7 9
9 9
9
9 7 0
7 7
6 7
9
(7)
0
* Gtr. 1: Bend 3 w/ 1st & 2nd fingers, 2 w/ 3rd finger. **Gtr. 2: Bend both strs. w/ 2nd finger.
but
e
ven
the
things
that you
love
re
mind,
7
0
7
0
uh.
* 1/2 full
10
9
9 9
9 9
7 7
9
6 7
(7)
0
(0)
7
0
7
0
3 ** 1/4 1/2
10
9
7 9 9
(0)
9 9
7 7
9
6 7
(7)
0
5 Sorgdal
All
of
the
things
that you
learn
from
fears,
1/2 full
10
9
9 9
9 9
7 7
6 7
9
(7)
0
(0)
7
0
7
0
7
0
7
0
3
1/4 1/2
10
9
7 9
9 9
9
7 7
6 7
9
(7)
(0)
0
Bridge A5
A5 open
E5 open
Rhy. Fig. 3B
noth
in’
is
left
but
the
years.
Voic
End Riff A
es
Rhy. Fig. 3
1/2 full
10
9
9 9
9 9
7 7
9
6 7
7 7 5
(0)
7 7
2 2 0
End Riff A1 Rhy. Fig. 3A
3
1/4
10
9
7 9 9
(0)
6 Sorgdal
9 9
7 7
9
6 7
(6)
0
7 7 5
7 7
2 2 0
(2)
5
A5 open
D5
scream;
noth
in’
7 7 5
7 7 5
7 7
2 2 0
7 7 5
7 7 5
7 7
2 2 0
G5
D5
A5
seem
real’s
the
3 3 0 0 X 3
X X X
5 5 3
7 7 5
7 7
2 2 0
7 7 5
7 7
2 2 0
dream.
End Rhy. Fig. 3B
B5 VII
End Rhy. Fig. 3
2
2
4
6
4 4
2 2
2
4 4
4 4
2 2
2 2
4 2
2
4
6
4 4
2 2
2
4 4
4 4
2 2
2 2
End Rhy. Fig. 3A
(cont. in slash)
4 2
2
4
6
4 4
2 2
2
4 4
4 4
2 2
2 2
2
2
4
6
4 4
2 2
2
4 4
4 4
2 2
2
7 Sorgdal
Chorus Gtr. 1: w/ Rhy. Fig. 1 Gtr. 3 tacet
E5
D5
A5
Gtr. 2
Toys,
toys,
E5
toys
E 5
Toys,
in the at tic.
E5
D5
toys,
toys
A5
in the at tic.
E5
D5
Toys,
toys,
toys
A5
in the at tic.
E5
D5
B5
D 5 5fr
Toys,
toys,
toys
in the at tic.
Gtr. 3
9 X 7 0
X
3 2 0
X
Bridge Gtrs. 1, 2 & 3: w/ Rhy. Figs. 2, 2A & 2B, simile
E5
A5
Lights,
8 Sorgdal
voic
es
G5
D5
A5
seem
real’s
the
D5
scream;
B5
dream.
A5
noth
in’
4 4 2
Guitar Solo Gtr. 3 tacet
C5
Gtr. 4 (dist. - Perry)
hold bend 1/2
1/2
1/2
6
6
7
full
6
7
Gtr. 1
1/2
6 7
7
8 7
Rhy. Fig. 4
4 4
2
4 4
2 2
10 8
2
Gtr. 2
End Rhy. Fig. 4
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
Rhy. Fig. 4A
4 4
2
4 4 2
X X
8
10 8
10 8
End Rhy. Fig. 4A
0 10 8
2
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 8
10 10
8 8
10 10
8 8
8 8
Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A, 3 times
Gtr. 4
3 full
3
1/4
full
(7)
7
5
7
1/2
5
7
5
7
7
5
5
7
7
1/2
(7)
5
7
8 8
9
10 10
decresc.
3 1/2 full
1/4
10 10
10 10
8 8
8 8 10
10
11
8 8
full
8 11
11
8
11
10
8
10
10
(10)
8
10
9 Sorgdal
N.C.(C5)
1/4
8 8 8
8 8
8 8
8 8
10 8
8
10
12
10 8
8
10
12
10
1/4
10
8 8
8 8
8 8
1/4
10
8 8
8 8
8 8
10
8 8
8 8
8 8
7 7
8
8
10
12
8
8
10
12
8 8
10
10 10
8
10 10
8 8
10 10
8 8
10
Gtr. 1
10 10
8 8
10 10
8 8
8
10 10
10 10 8
10 10
8 8
10 10
10 10 8
10 10
8 8
Gtr. 2
8
grad. bend 1/2
10 10 10
8
8
10 Sorgdal
8
10
10 10
8 8
10
8 8 11
10 10
10 10
10 10
8 8
10 10
10 10 8
10 10
8 8
1/2
8 8
1/2
8 8
8 10
8
8
8
10
12
8
8
10
12
1/2
8 8
11
10 10
8 8
10 10
8 8
8
1 1/2
8 8 10
8
8
8
11
10 10
10 10
10 10
X X X
(11)
10 10
10 10 8
8 8
10 10
Verse E 6 open
Gtr. 3
3 3 1/2
(11)
8
8
8 8
11 10 8 10 10
8
8
10
10
12
12
full
(10) 0
10 10
8 8
10 10
8 8
1/2
1/2
9
11 11
10
8
8
1/2
full
10 11
12
12
13
14
14
12
10 10
10 10
10 10
8 8
8 8 6
9 9 7 0
10 10
10 10
10 10
8 8
8 8 6
9 9 7 0
Gtr. 4 tacet Gtr. 1: w/ Riff A, 1st 6 meas. Gtr. 2: w/ Riff A1
2. Leav in’ the
things
full
E5 open
that are
real
be
hind,
but Gtr. 1: w/ Fill 1
e
ven
the
things
that
you
love
re
mind.
Fill 1 Gtr. 1
0 0
1
2
(2)
9
(0)
11 Sorgdal
Gtr. 1: w/ Riff A, last 6 meas.
All
of
the
things
that
you
learn
from
fears,
Bridge A5
noth in’
is
there
but the
G5
D5
A5
seem
real’s
the
Gtrs. 1, 2 & 3: w/ Rhy. Figs. 3, 3A & 3B, simile
open
years.
A5
E5
Voic
es
D5
A5
scream;
noth
in’
B5
dream.
Gtr. 5 (dist. - Perry)
full
6
full
(6)
7
7
9
1/2
(9) 7
9
7
full
7
7 9
7
10 7
9
7
7
10
Outro-Chorus Gtr. 5 tacet Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Rhy. Fig. 1A, 2 times
E5
Toys, (Uhhhh,
Gtr. 3
Sorgdal
toys,
A5
toys m,
m,
m,
Riff B
12
12
D5
g,
in g,
the g,
at g,
tic. g,
g,
g,
End Riff B
12
12
12
Gtr. 3: w/ Riff B, 7 times
E5
A5
D5
Toys, g, g,
g,
g,
g,
g,
g,
toys, g, g,
g,
g,
g,
g,
g,
g,
in the at tic.
toys g, g,
g,
g,
g,
g,
E5
g,
g,
g, gaah!)
A5
D5
Toys,
toys,
toys
were
in
the
at
tic.
Begin Fade E5
D5
Toys,
toys,
A5
toys
in
E5
the
at
D5
Toys,
toys,
tic.
A5
in the at tic.
toys
End Rhy. Fig. 5 Gtr. 1
Rhy. Fig. 5
P.M.
2 0
0
2
0
2
2 3
0
0
0
2
0
2
2 3
0
0
0
2
0
2
3
0
0
P.M.
3 2 0
0
5 5 2 2 0
Gtr. 1: w/ Rhy. Fig. 5, 3 times
E5
Toys,
D5
toys,
toys
E5
Toys,
A5
in
the
D5
toys,
toys
at
tic.
A5
in
the
at
tic.
Fade Out E5
Toys,
D5
toys,
toys
A5
in
the
at
tic.
13 Sorgdal
Train Kept A-Rollin’ Words and Music by Tiny Bradshaw, Lois Mann and Howie Kay Intro Free time µ
3 rake rake w/ bar let ring let ring let ring 1 3
f w/ dist. let ring 1
1
1
12 12
0
14
12 12
3 0
14
X
14
2
5
2
14
14
X
0
3 0 X
2
2
2 -1
Guitar Solo Moderately q = 102 G5
8va
grad. bend let ring 1
15 15
1
14
14
15
3
3
12
14
12
15
14
12
14
12
17
12
15
17
15
3 3 3 3 3 3 A5
8va
G5
3
15
1 17
17 15 17
A5
B5
17 15
15
17 15
17 17
A5
G5
F#5
17
15
17
15
17 15
16
15
16 14
12 14 12
G5
6 6 6 grad. bend 1
14
12
12
15 12
15
1
15 15
1
12 15 12
14
12 14
14 12 14 12 14 12
14
14
14
12
14 12
14
8va
1
14
1. Well,
14
12 14
on
a
14
12
Copyright © 1951 by Bienstock Publishing Company, Jerry Leiber Music, Mike Stoller Music, Fort Knox Music Inc. and Bug Music-Trio Music Company Copyright Renewed International Copyright Secured All Rights Reserved Used by Permission 1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse G5
train,
I
met a dame.
0
A5
heat,
I’m
7 5
train
G5
in
love,
9 7
kept
5 3
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
a - roll - in’
I
7 5
5 3
4 2
5 3
all
night
long,
5 3
0
5 3
5 3
0
fair
lane.
5 3
5 3
0
0
could - n’t
tell her
0
5 3
5 3
0
0
said,
5 3
all
night
long.
5 3
5 3
0
0
0
in
a - roll - in’
I’m
I
kept
5 3
so.
0
5 3
5 3
old
train
5 3
5 3
0
walk - in’ down that
just
0
0
G5
but
5 3
F#5
She was
7 5
Chorus G5
0
G5
I’m
7 5
Cit - y.
0
7 5
B5
we kind - a looked the same.
5 3
0
hand - some;
5 3
0
0
5 3
from New York
7 5
A5
5 3
0
pret - ty,
She was rath - er
5 3
5 3
A5
Train kept
a - roll - in’
7 5
0
heave
and
7 5
A5
a
G5
but
9 7
I
just
7 5
5 3
5 3
4 2
tell
night long
with
5 3
5 3
0
0
could - n’t
all
0
G5
a - roll - in’
5 3
F#5
ho,
kept
7 5
train
7 5
night long,
0
G5
B5
0
A5
all
7 5
her
5 3
so.
No,
no,
5 3
5 3
0
0
0
a
5 3
Guitar Solo G5
no!
1
15
15
14
12
3 3 3
14
14 12 14 12 14 14
12
14
12
15
12 12
3
14
12
14
12
14
12
13
12
3
G5
1
12
6
1
14
14
A5
1
15
15 12 15 12
15 12 15 12 15 12
14
12
14 14
1
12
12
15 12
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
B5
Verse G5
15
12
15
sweet
5 3
A5
0
7 5
7 5
0
A5
B5
heat,
7 5
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
I’m
5 3
0
9 7
A5
G5
in love,
12
I
a -
15
just
5 3
0
on
7 5
5 3
5 3
your way.
I’m
5 3
5 3
0
tell her
0
so.
5 3
No,
no,
5 3
5 3
0
0
0
a -
5 3
0
could - n’t
Get
5 3
0
a - long,
G5
your way.
0
G5
5 3
12
get
on
F#5
4 2
15
5 3
7 5
but
1
12
a - long,
5 3
7 5
2. Well,
lit - tle wom - an, get
14
lit - tle wom - an, get
12
14
5 3
0
sweet
12
long,
15
12
0
1
15
long,
Sorgdal
1
15
G5
3
15
F#5
3
1
A5 G5
5 3
in
µ(E5)
no.
0
0 2
0
Guitar Solo µ(E5)
2
1 0
0 0
0 2 3
0
0 2
0 0
2 0
0
2
1 0
3
grad. release
1/2 1
3
A5
7 7
7 7
0
2 0
0
5 5
7
5
10
3 1
5
5 5
7
5 5
8
10
9
8
9
8
7
0
1/4
6
5
7
5
5
7
7
7
5
7
5
7
E5
8
9
9
1/4
10
12
9
12
5
X
7
1
12
7
5
7
7
12
12
8
9
1
12
1
9
12
9
9
1
10
8va
13
10
10
8
10
8
1
12
12
12
15
3 1 1/2 1 1 1/2 12 12 12 12 12 12 15 12 15 12 12 12 12 12 15 14 12 14 12 14 12 14 14 14 E5
B5
8va
15
15
15
15
14
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
C#5
D5
D#5
E5
F5
F#5
G5
6 3 3 6 8va
6
12 15
12 15 12
15 12 15 12 15 12
14 12 14 12 14 12
14
1
1
14
14
12
12
12
1
15 12 14
15
12
12
12
15
14
3 3 1 1 1 1/2 12 17 16 17 16 17 16 15 12 14 12 15 15 14 12 14 12 17 14 14 14 A5
8va
17
14
12
3
G5
A5
3 6 6 6 8va
1
17 15 17 15
17
17 15 17
15 17 15
16
G5
1 22
22
22
µ
1
22
22 19
22
1
12 14
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
14
1
14
14
20 22
13 21
A5 G5 F#5
1
22 20
22
22
22
20
Interlude Faster q = 198
(snare drum)
let ring
1
14
B5
22
let ring
15
16 14 12 14 12
E5
8va
15
17
13
1
15 12 14
1
14
14
let ring 1
14
5 3
5 3
0
0
5 3
0
5 3
0
5 3
0
7 5
0
0
A5
7 5
0
7 5
0
B5
7 5
Verse G5
7 5
7 5
7 5
train,
5 3
9 7
I
met
a
0
5 3
0
0
5 3
0
5 3
7 5
0
A5
G5
7 5
F#5
1
14
A5 7 5
grad. release
14
1
14
G5
1
15 12
5 3
0
0
G5
5 3
0
0
5 3
5 3
0
5 3
0
5 3
0
14
14
0
G5
5 3
0
0
5 3
5 3
0
0
5 3
5 3
0
5 3
0
3. Yeah, on
a
7 5
5 3
0
5 3
4 2
5 3
0
0
dame.
She was rath - er
5 3
0
5 3
0
5 3
5 3
0
5 3
5 3
5 3
0
hand - some,
we kind - a
0
5 3
0
5 3
0
0
5 3
0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
looked the
5 3
same.
She was pret - ty,
5 3
fair
5 3
lane. I’m in
5 3
0
5 3
5 3
A5
I’m in
7 5
0
G5
7 5
7 5
7 5
7 5
Chorus G5
all
I’m walk - in’
down
that
5 3
5 3
0
0
5 3
0
7 5
G5
but
9 7
0
F#5
love,
train kept a - roll - in’
I
5 3
just could - n’t tell her
so.
4 2
0
5 3
night long,
5 3
0
0
0
5 3
0
train kept a - roll - in’
all
0
5 3
5 3
0
0
5 3
0
5 3
0
A5
night long.
Train kept a - roll - in’
all
5 3
0
5 3
0
5 3
G5
night long,
0
5 3
0
0
5 3
0
train kept a - roll - in’
all
5 3
0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B5
7 5
5 3
0
7 5
0
G5
7 5
0
5 3
0
0
heat,
I said,
7 5
0
A5
7 5
0
Cit - y.
5 3
0
from New York
old
A5
5 3
0
5 3
0
7 5
0
7 5
0
0
7 5
0
7 5
7 5
0
7 5
0
5 3
5 3
0
0
5 3
0
night long,
B5
with a
heave,
with a
F#5
ho,
but
5 3
0
5 3
5 3
0
7 5
7 5
7 5
g,
g,
g,
7 5
5 3
I
just could - n’t tell her,
ah,
4 2
5 3
5 3
0
0
5 3
0
0
Guitar Solo G5
g,
ga!
8va
9 7
g,
7 5
G5
g,
G5
A5
A5
hold bend
hold bend
hold bend
1
1
1
hold bend let ring 1
1
14
14
5 3
15 12
15 12
14
14
15 12
14
14
1
15 12
14
14
14
14
5 3
8va
1
1
1
12 12
12 14
14
hold bend let ring
14
14
14
12
14
12
15
12
15
12
14 14
1 15
14
1 3/4
12 15
12
G5
8va
1
3
12 12
A5
hold bend 1
12 15
14
12
15
15
12
3/4 15
1
15
12
15
12
15
12 15
15
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3 3 3 3 1 1 15 12 15 12 12 14 14 12 14 12 14 12 12 14 14 14
A5
B5
A5
G5
F#5
G5
8va
1
12
12
12
15
15
15
12
15
14
4. Well,
get
Verse G5
a - long,
sweet
lit - tle wom - an, get
a - long,
8va
1
(15)
on
on
0
5 3
0
0
A5
your way.
5 3
0
5 3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5 3
0
5 3
0
I’m in
0
7 5
7 5
0
0
5 3
7 5
0
lit - tle wom - an, get a - long,
7 5
0
B5
heat,
I’m in
7 5
7 5
7 5
7 5
7 5
A5
7 5
0
G5 F#5
love,
9 7
0
G5
7 5
5 3
0
0
0
5 3
0
5 3
0
0
5 3
0
G5
but I
0
5 3
0
sweet
5 3
0
5 3
A5
your way.
5 3
5 3
0
Get a - long,
10
Sorgdal
5 3
5 3
15
5 3
loco
just could - n’t tell her,
’eah,
5 3
5 3
4 2
0
5 3
0
0
5 3
0
Bridge E5
yeah,
5 3
0
5 3
3
3 3 0 0 X 3
3 3 0 0 X 3
Guitar Solo G5
let ring
let ring
0
2
3
4
12
1
2
2
0
0
12
0
2
3
3 3 0 0 X 3
0
0
4
8
4
1
12
15
A5
12
1
15
7
1/2
5
7
G5
1/2
7
F#5
14
12
14
12
1
12 12
15
12
15
G5
1
14
1
12 12
15
15
15 14
let ring
2
hold bend 1
15
15
B5
Play 6 times
G5
12
3 3 0 0 X 3
2
2
15
15 14 12 14
1 15
2
14
15
2
0
1
0
1/2
3
A5
3
A5
0
2
2 0
0
G5
(E5) (F#5) (G5)
yeah!
5 3
µ(E5) (F#5) (G5)
14
12
12
15
1
12 14
14 12
14
14 12
14 11
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
13:4
13:4
* +1/2
12
14 12 14
12 12
12
14
+1/2
+1/4
15 12 15 12 15 12 15 12 15 12 15 12 15
12 15 12 15 12 15 12 15 12 15 12 15 12
14 * Raise pitch by bending str. behind nut w/ right hand, next 6 meas.
A5
13:4 +1/2
13:4
+1/2
+1/2
+1/2
15 12 14 9 15 12 15 12 15 12 15 12 15
13:4 +3/4
+3/4
+1/4
12 15 12 15 12 15 12 15 12 14 12 15 12
15 9 15 12 15 12 15 12 15 12 15 12 15
let ring G5
A5
12:4 +1/4
1/2
0
12 15 12 15 12 15 12 15 12 15 12 15
A5
G5
12
12
F#5
B5
12
0
G5
10
12 0
10 12
0 0 12 12
7
8
7
3 3
0
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
5
3
0
4
3
0
3
2
0
15
5
5
3
3
6
5. Yeah,
3
6
1
1
12 15
we made a
15
15
12 14
14
12
14
3
Verse µ (E5)
G5
stop
12 12
12 12
in
Al - bu - quer - que.
5 3
0
real
cool
jerk.
5 3
5 3
G5
µ
-
in’
5 3
0
5 3
5 3
0
off
A5
Got
She must - a
the train
and
so
good,
her
could - n’t
let
her
G5
but
I
just
9 7
7 5
5 3
4 2
5 3
could - n’t
hands
up,
0
G#5
A5
7 5
tell
6 4
her
so.
0
5 3
0
5 3
7 5
0
0
0
5 3
0
look -
7 5
7 5
0
0
B5
Oo,
go.
F#5
7 5
5 3
0
9 5
G5
0
0
5 3
A5
5 3
7 5
5 3
0
0
0
a
0
was
7 5
I
I
put
thought
G5
9 7
I
said,
5 3
5 3
0
5 3
0
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus G5
train
kept
5 3
0
night
long.
5 3
G5
0
5 3
a - roll - in’
5 3
0
A5
G5
5 3
0
kept
0
7 5
0
0
F#5
7 5
night
long.
5 3
G5
but
I
just
could - n’t
9 7
7 5
5 3
4 2
5 3
0
0
5 3
0
I’m
in
5 3
tell
her,
0
0
5 3
0
all
night
5 3
0
long,
7 5
7 5
0
0
7 5
0
B5
heat,
I’m
in
love,
7 5
7 5
7 5
ah,
5 3
A5
0
5 3
0
0
7 5
5 3
0
a - roll - in’
0
kept
a - roll - in’
5 3
5 3
train
5 3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
long,
all
0
night
Train
5 3
0
14
Sorgdal
0
A5
kept
5 3
0
5 3
all
train
0
all
a - roll - in’
5 3
0
7 5
yeh,
9 7
y - yeah!
5 3
5 3
0
5 3
Free time
Outro In time q = 198 E5
2 2 0
E5
9 9 7 0
0
0
0
9 9 7 0
0
0
E7#9
8 7 6 7 0
0
0
0
E5
G5
0
3 0 0 X 3
2 2 2 0
0
0
8 7 6 7 0
0
Free time E5
A
3
0
Slower q = 192
5 3
9 9 7 0
0
0
0
8 7 6 7 0
0
0
1
9 9 7 0
0
0
0
0
0
0
0
0
0
0
1 1/2
1 16
2 0
3
15
12
15
12 15 12 15 12
12
14
12
0
3
1/2
16
15
15
14
12
15 12 14
1
14 12 14 12
12
14
12
14
14
15 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Aerosmith - Toys in the Attic
Walk This Way Words and Music by Steven Tyler and Joe Perry Intro Moderately q = 108
(Drums)
* E5 **Gtr. 1 (dist.)
f
0
1
2
2
0
1
2
2
0
X
0
X
1
2
2
0
1
2
2
2 3
0
*Chord symbols reflect basic harmony. **Joe Perry
A5
***Gtr. 2 (dist.)
7 7 5
7 7 5
f
8 8 6
9 9 7
***Brad Whitford
Gtr. 1
0
Verse C5
2
0
1
2
lov - er
0
al - ways hid - in’ ’neath the cov - ers
till
I
8
2
2
talked
to you, my dad - dy
10
10 8
10
10
12
10
10
13
10
12
10
10
8
10
10
10
13
10
12
10
2
2 2 0
2
say.
He said, “You End Riff A1
8
12
1
3
10 10 8
10
0
P.M.
8
1
Riff A
8
0
P.M.
10 10 8
2
1. Back - stroke Riff A1
2
1
8
8
10
10
12
10
10 8
10
10
13
10
12
10
End Riff A
8
8
8
10
Copyright © 1977 Music Of Stage Three Copyright Renewed All Rights Administered by Stage Three Music U.S. Inc. All Rights Reserved Used by Permission Reprinted by Permission of Hal Leonard Corporation
10
12
10
10
8
10
10
13
10
12
10
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Riff A (2 times)
ain’t
seen
-
lead
cheer
noth - in’
till you’re down
-
on
a
muf - fin, then you’re
things in
to
be,
a, chang - in’ your
er,
was
a
real
young
bleed - er,
oh,
the
times
I
lov - in’ with
a
sis - ter
and
a
cou - sin
on - ly
ways.”
could rem - i
-
I
met
a
nisce,
’cause
the
A5
start - ed with
a
lit - tle
kiss,
a,
like
this! End Riff B
Riff B Gtrs. 1 & 2
P.M.
8
sure
best
8
8
10
10
12
10
10
10
8
10
13
10
12
10
8
8
8
10
10
12
10
10
2 2 0
10
8
Interlude E5
Gtr. 2
Riff D
0
Gtr. 1
0
1
2
2
0
0
1
2
2
0
1
2
2 0 End Riff C
1
2
2
0
1
0
X
X
X
2
2
0
1
2
2
0
1
2
2
2
0
3
0
A5
1
2
2
0
1
2
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1
2
2
0
1
2
2
0
0
0
Sorgdal
2
0
2
Riff C
0
1
2 0
X
X
X
1
2
2
End Riff D
0
1
2
2
7 7 5
0
1
2
2
0
1
2
2
2 2 0
7 7 5
8 8 6
9 9 7
Verse
Gtr. 1: w/ Riff A (4 times) Gtr. 2: w/ Riff A1
C5
2., 4. See - saw
“Hey
did - dle
with
the
boys
in
the school
kit - ty
in
the
at
school
big
chance
the
high
and
mid - dle
of
with
me
she was fool - in’ ’cause she knew what she was do - in’
Gtr. 2
P.M.
8
8
10
8
Chorus C5 C6
C7
way,
F6
this
10 8
fly - in’
up
in
the
swing
like
a the
mis - sy
you
air,
did - n’t
who was read - y
to
when she and
I
a,
sing,
So
I
care.
play.
Was - n’t
10
8
8
10
8
T o Coda
way.
to this
10
C5
10 8
10 8
12
10
this
10
10
10
10 10
10
C7
way,
10 8
to... to...
8
C6
when she told me She told me
End Rhy. Fill 1
Walk
stay way.
know’d love was here taught me how to walk
12
F7
*Sing harmony 1st time only.
f
10 8
10
Rhy. Fill 1
talk
**Gtr. 3 (dist.)
13
feet
F5
10
10
this
10 8
(Walk
10
*
a
12
10
your
dance
a
did - dle” with your
took
swing - in’
Gtr. 2: w/ Riff A (2 times)
10 8
10 8
10 8
10 8
12 8
13 8
**Joe Perry Rhy. Fig. 1A Gtr. 2
10 8
12 8
13 8
10 8
12 8
Rhy. Fig. 1 Gtr. 1
10 8
12 8
13 8
12 8
10 8
12 8
End Rhy. Fig. 1A
13 8
10 8
12 8
13 8
8
12
10 8
12 8
10 8
12 8
13 8
End Rhy. Fig. 1
13 8
12 8
13 8
12 8
X X
X X
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo Gtrs. 1 & 2: w/ Riff A
F5
F6
this
walk
gim - me
a
kiss.
C5
F7
Uh,
just
way.)
10 8
10 8
12 8
10 8
8
8
1
10 8
11
8
11
11
13 8
10 8
1 10
10 8
12 8
13 8
8
12
13 8
12 8
Gtrs. 1 & 2: w/ Riff B
A5
1 1/2
Gtr. 3
11 11
8
11 8
10
8 10
10
10
8
10
8
10
10
8
11
11
11 10
8 10 8
10
8
A, like this!
1
10
11 10
11 10 8 10 8
7
Interlude Gtr. 1: w/ Riff C Gtr. 2: w/ Riff D Gtr. 3 tacet
E5
Oo.
A5
Uh.
Gtr. 1
0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1
2
2
0
1
2
2 X
X
X
X
X
X
0
1
2
2
0
1
2
2
2 2 0
Verse Gtr. 1: w/ Riff A (3 times) Gtr. 2: w/ Riff A1
3. School
with your class - y,
kind - a
girl
sweet - ie
three
young
la - dies
in
the school
Gtr. 2: w/ Riff A
high
school
los - er, nev - er made it
Gtr. 2
8
lit - tle
when
I
10
8
10
12
10
10
with
a
la - dy
’til
8
10
10
13
10
next
door Interlude
Gtr. 1
neigh - bor with
daugh - ter
had
a
fa - vor
so
up
the
8
look - in’
at
me.
8
I
10
8
10
gave her
just
a
12
I
was
a
a, then my
8 8
8
8 8
8
lit - tle
8 8
10
There was
missed,
I
knee.
told me some - thin’
kiss,
a,
A5
like
this!
0
X
X
X
Gtr. 2: w/ Riff D
E5
0
a
way
was
boys
Gtrs. 1 & 2: w/ Riff B
10
climb - in’
no - ticed they
the
12
skirt’s
lock - er
P.M.
8
sass - y
gym
C5
1
2
2
0
1
0
X
X
2
2
0
1
2
2
0
1
2
2
D.S. al Coda
0
1
2
2
0
1
2
2 0
Coda
X
X
X
0
X
1
2
2
0
1
2 2 0
2
2
Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A (3 times) Gtr. 3: w/ Rhy. Fill 1 (3 times)
C5
C6
Gtr. 3
10 8
this
C5
way.
10 8
Walk
C6
this
10 8
10 8
this
C7
way,
10 8
Walk
F5
F6
talk
C6
way.
C5
this
10 8
10 8
C7
this
F7
way,
walk
F7
F7
walk
F6
way,
this
F6
F5
Walk
F5
C7
Uh, just
gim - me
way.)
8
10 8
10 8
a
kiss.
10 8
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro-Guitar Solo Gtrs. 1 & 2: w/ Riff A
C5
3 1/2
10
9
10
10
8
8
7
7
5
7
5
7
1/2
7
7
8
5
5
5 5
5 5
8
8
5
7
7
7
Gtrs. 1 & 2: w/ Riff B
3
3
3
3
3
3
7
3
8
8
5
8
8
5
8
5
8
8
5
Like
this!
8
1/2
8
5
8
7
5
7
7
7
5
7
5 0
Gtr. 1: w/ Riff E (3 times) Gtr. 2: w/ Riff E1 (till fade)
E5
A5
Gtr. 3
E5
1
1
2
2
0
3
0
4
1
2
2
2 0
0
3
0
4
1
2
2
0
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2 2 0
End Riff E
6
2
Riff E
2
Sorgdal
4
0
1
2
2
2
0
X
X
0
3
4
0
1
2
2
2 2 0
1
End Riff E1
1 1/2
4
Riff E1
2
Gtr. 1
4
w/ slapback delay
Gtr. 2
3
1/2
5
A5
A5
Gtr. 3
1
4
1 1/2
1
4
16
15
12
0
3
15
12
0
4
1
1
15
12
12
14
12
15
15
12
12 12
2 0
3
0
4
1
Gtr. 3
1
12 12
14
15
15
14
12
1
15
14
14
3
(16)
16
12
14
0
4
1
2
14 14 14
12 12 11
2
E5
A9
3
12
1/2
12 14
14
14
12
0
3
14
14
12
14
14 14
12 12 11
12 12 11
2
0
Gtr. 1: w/ Riff F (till fade)
E5
14
7 7 6
2
2
13
6
2 0
Riff F
15
1/2
12
11
A9
0
15
1 1/2
1/2
E9
16
16
12
1
7 7 7 6
E5
steady gliss.
16
(16)
1 1/2
15
2
2
1
15
2
E5
1
15
Gtr. 1
A5
1
14
1
E5
E9
12
A5
E5 Gtr. 3
E5
0
4
1
2
2
End Riff F
8v a
E9
E5
A9
15
1/2
12
15
17
14
17
17 17
1 17
1
17
15
15
15
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
E9
E5
loco
A9
1
12
15
13
6
12
15
14
12
1
14
14
12
12
14
E5
12
14
13
12
1
2
2
0
2
2
11
12
11
12
12
11
12
2
0
12
A9
1
2
11
E5
3
1
12
12
14
E9
1
2
2
2
2
0
0
2
2
2
2
0
2 2 0
Begin fade
E5
E9
1/2
1
0
0
3
E5
1/2
0
3
3
0
0
1/2
0
3
1/2
0
3
0
E9
1
2
2
0
2
2
2
E5
0
2
2
E5
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
12
12
12
12
12
12
2
12
0
2
0
2 2 0
0
1
12
3
1
2
0
3
15
12
1 15
0
2 2 0
2
0
12
0
A9
A9
let ring
12
0
1/4
0
E9
1 3
E5
1
0
3
3
Sorgdal
0
1/2
3
E5
12
A9
Fade out
E5
1
12
E9
1
12 14
15
12
2
1
15
12 14
from Johnny Burnette Trio - Rockabilly Boogie
Train Kept a-Rollin’ Intro Fast Rock q = 168
Words and Music by Tiny Bradshaw, Lois Mann and Howie Kay
*B
A
7 7
7 7
7 7 0
7 7 9
7 7
7 7
7 7
7 7
5 5
5 5
5 5
5 5
3 3
3 3
3 3
Gtr. 1 (clean)
f
3 3
0 0
3 3
0 0
*Chord symbols reflect overall harmony.
E
1. I
w/ fingers
0 0
3
3
2
Verse E
caught
a
train.
I
met
a
0
0
3
3
0
3
0
0
2
0
3
0
0
0
0
0
2
0
0
0
3
3
0
3
0
0
2
0
3
0
0
0
0
0
2
0
and
a
real
gone
dame.
She
was
0 2
dame.
She
was
a
hep - ster
3
3
0
0
0
3
0
0
3
0
3
3
0
3
0
0
7
6
7
5
3
0
3
3
3
3
0
0
0
3
0
0
3
0
3
3
0
3
0
0
7
6
7
5
3
0
3
3
A
pret - ty
from
New
York
Cit - y.
we
trucked
down
that
3
0
3
3
0
3
0
0
3
0
3
3
0
3
0
0
3
3
0
3
0
0
3
0
3
3
0
3
0
0
3
0
3
3
0
3
0
0
3
3
0
3
0
0
on
E
And
Copyright © 1951 by Bienstock Publishing Company, Jerry Leiber Music, Mike Stoller Music, Fort Knox Music Inc. and Trio Music Company, Inc. Copyright Renewed International Copyright Secured All Rights Reserved Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B
old
fair
lane
with
a
heave
and
a
ho.
Well,
I
just
3
0
3
0
0
3
0
3
3
0
3
2
0
3
3
2
0
3
2
0
0
3
0
3
0
0
3
0
3
3
0
3
2
0
3
3
2
0
3
2
0
0
E
could
-
n’t
let
her
go.
Get
a
3
3
0
7
0
0
0
0
3
3
0
0
0
3
3
0
0
0
0
0
0
3
3
0
0
long.
Sweet
a
lit - tle
wo - man,
get
long
a -
and
be
0
0
0
0
3
0
3
0
0
0
0
0
3
0
0
3
3
3
0
0
0
0
0
3
0
3
0
0
0
0
0
3
0
0
3
3
3
0
on
A7
your
a
way.
A
get
a
-
long.
Sweet
a
lit - tle
-
0
Pre-Chorus E
wo - man,
get
a -
0
0
3
0
3
3
0
0
0
7
5
0
0
3
0
3
3
0
3
0
0
3
3
0
0
3
0
3
3
0
0
0
7
5
0
0
3
0
3
3
0
3
0
0
3
3
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E
long
0
and
be
on
3
0
3
3
0
3
B7
your
a
way
a
with
a
heave
0
3
0
and
a
ho.
1/4
0
3
0 3
0 3
0
3
0
3
3
0
3
0
Well,
I
3
0
just
could
0
E
-
n’t
2
let
her
go.
Well,
the
0
0
3
3
0
3
0
3
0
3
3
0
3
0
0
0
0
0
0
0
0
3
3
0
3
0
3
0
3
3
0
3
0
0
0
0
0
0
0 2
Chorus E
train
kept
a
roll - in’
all
night
long
the
train
kept
a
roll - in’
all
0
3
3
0
0
3
0
3
3
0
0
0
0
0
0
3
3
0
0
3
0
0
3
3
0
0
3
0
3
3
0
0
0
0
0
0
3
3
0
0
3
0
night
long.
the
train
kept
a
roll
mov - in’ - in’
all
night,
long,
the
0
3
0
3
0
0
3
0
7
5
7
5
3
0
0
3
0
0
0
0
3
3
0
3
0
3
0
0
3
0
7
5
7
5
3
0
0
3
0
0
0
0
3
3
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E
roll - in’
all
train
kept
a
0
3
0
3
3
0
night
long
0
7
3
0
3
0
a
with
3
B7
heave
and
0
3
0
3
3
0
3
0
T o Coda
Well,
I
0
just
3
could
0
-
7
0
3
a
ho.
X X X
0
X X X
X X X
0
8v a
n’t
let
her
go.
3 X 2
2
Ow!
3
2
0
3
2
0
3
2
0
0
0
3
3
0
3
0
0
0
0
0
0
0
0
3
2
0
3
2
0
3
2
0
0
0
3
3
0
3
0
0
0
0
0
0
0
0
Guitar Solo E
8v a
0
2
0
Yeah,
cat!
Hey!
0
0
0
12
12
12
12
0
0
0
0
12
12
12
12
0
0
0
0
12
12
12
0
0
0
12
12
12
12
0
0
0
0
12
12
12
12
0
0
0
0
12
12
12
Ow!
steady gliss.
12
0
0
0
12
0
0
0
12
12
12
10
7
5
3
0
12
0
0
0
12
0
0
0
12
12
12
10
7
5
3
0
Get it!
A
3
0
3
0
0
3
0
3
3
0
3
0
0
3
0
3
0
3
0
0
3
0
3
3
0
3
0
0
3
0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Giddap!
E
3
2
0
3
2
0
Ow!
3
0
3
0
2
2
3
3
0
3
0
2
2
3
3
2
0
3
2
2
0
3
2
0
3
2
2
0
3
2
0
3
2
0
E
B7
2. We
3
3
3
2
0
3
0
3
3
0
3
0
0
0
0
3
3
3
3
2
0
3
0
3
3
0
3
0
0
0
0
stop
in
real
Al - bu - quer - que.
She
must
have
thought
made
a
3
Verse E
that
I
was
a
3
3
0
0
0
0
0
3
0
0
0
0
3
0
5
5
0
3
0
0
3
0
3
3
0
0
0
0
0
3
0
0
0
0
3
0
5
5
0
3
0
0
3
0
gone
Joe.
A
We
got
off
the
train
at
El
-
Pas
-
o.
Her
5
3
0
3
0
0
3
5
5
5
5
7
7
5
5
3
5
3
0
3
0
0
3
5
5
5
5
7
7
5
5
3
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E
µ
3 looks
a
were so
0
0
good,
Jack.
I
3
3
could - n’t let her
go.
Get
B
a - long.
Well,
I
steady gliss.
3
7
5
5
0
3
7
5
5
0
just
0
D.S. al Coda
could
-
n’t
E
let
her
go.
Get
a
3
3
0
3
0
0
3
0
3
0
0
0
0
3
0
0
3
0
0
0
0
3
3
0
3
0
0
3
0
3
0
0
0
0
3
0
0
3
0
0
0
0
Coda
E
could
-
n’t
let
her
3
2
0
3
2
0
3
2
3
2
0
3
2
0
3
2
0 0
2
7 8
7 8
7 8
7 8
7 8
7 8
7 8
E%
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
-
go.
Sorgdal
2 2 1 2 2 0
3
0
3
2 2
3
0
3
2
5 7
5 7
4 5
4 5
2 3
2 3
from Aerosmith - O, Yeah!
Walk This Way Words and Music by Tyler/Perry E5
A5
11
G5
11
A
2
E5
type2
111
Intro Moderately q = 108
(Drums)
µ
** E5 Riff A
f * 1
1
1
*Sampled gtr.
0
1
2
2
0
1
2
Gtr. 1 (dist.)
2
0
0
1
2
2
0
1
Gtr. 1
0
Gtr. 2 (dist.)
2
2
2 3
**Chord symbols reflect implied harmony.
1. Your
1/4
A5
1
2
2
0
1
2
2 0
0
1
2
2
Rhy. Fill 1
0
1
2
2
girl’s
a
End Riff A
2 2 0
mf
7 7 5
Copyright © 1977 Music Of Stage Three Copyright Renewed All Rights Reserved Used by Permission
7 7 5
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
C7
back - seat
al - ways un - der -
that’s lov - er
Riff B
8
8
P.M.
cov - er
10
10
12
10
10
8
and, “I and, “I
10
Gtr. 2 tacet
12
to,” my dad - dy to,” my dad - dy
talk talk
13
8
8
10
say.
10
12
Said, “You
10
10
8
10
13
12
10
End Rhy. Fill 1
1010 8
ain’t
till you’re down
seen
on
noth - ing Gtr. 1
a
and you’re sure to muf - fin and you’re sure to
be be
a - chang a - chang
-
ing ing
I met a way.
P.M.
8
10
8
(Cheer
10
-
lead lead
-
lead
- er, that’s a - er
12
10 8
cheer
10
-
10
real
13
10
12
10
big
The
8
times
8
8
10
10
10
10
8
10
I
12
13
could rem - i -
12
’Cause the
bleed - er.
nisce.
er.
Times.
8
8
P.M.
8
8
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10
10
12
10
10 8
10
13
12
10
10
10
12
10
10 8
10
13
12
10
best
thing
was your sis - ter
and your
lov - ing
and cou - sin, and
it it
A5
start - ed start - ed
Start - ed
with with
a a
lit - tle lit - tle
kiss kiss
with
a
lit - tle
like like
this. this.
kiss
like
this.) End Riff B
P.M.
8
8
10
10
12
10
10
10
8
13
12
12
10
8
10
8
10
12
10
10
2 2 0
10
8
Interlude Gtr. 1: w/ Riff A
Gtr. 2: w/ Rhy. Fill 1
E5
A5
Verse Gtr. 1: w/ Riff B (1st 6 meas.)
C7
with
the
boys
in
swing - ing 2. See - saw
school
and your
in
the
fly - ing fly - ing
up up
in in
the the
up
in
the
Kit - ty
mid - dle,
mid - dle
the
fly - ing
and you’re swing - ing like you
in
swing - ing like you
just don’t
just don’t
air air,
air.
care.
sing - ing,
So
I
Gtr. 2
was was
did - dle with the kit - ty
feet feet
Feet
“Hey, did - dle,
(Swing - ing.
care.
mf 11 10
12 11
13
11 10
12 11
13
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
chance took
a
Gtr. 2 tacet
at
the
high
school
with
a
la - dy
who was read - y
to
dance
big
Miss - y
who was read - y
to
play.
But was
it
play.)
13 12
fool - ing me
’cause she knew what she was
she was
Gtr. 1
8
8
P.M.
10
10
12
10
10 8
walk
this
way,
Gtr. 2 Riff C
do - ing when she when she
13
12
12
10
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
13 8
8
and
this
12 8
8
Rhy. Fig. 1
10 8
12 10 8
10 8
12 8
this this
10
10
talk
way.
Walk
She She
10
12
way? way?
C7
8
12 8
13 8
12 8
me me
this
10
13
way,
to to
10
12
and
11 10
10 8
told told
11 10
11 10
Gtr. 1
F7
told me how to walk told me how to walk
10
Chorus C7
10 8
12 10 8
10 8
12 8
13 8
12 8
10 8
12 10 8
F7
talk
this
C7
way.
walk She told
this
way,
me to
F7
13 8
and
this
way.
talk
11 10
11 10
12 8
11 10
10 8
12 8
10 8
10 8
12 8
13 8
12 8
10 8
12 10 8
10 8
12 8
8
8
13 8
12 10 8
10 8
12 8
Guitar Solo Gtr. 1: w/ Riff B (last 4 meas.) Gtr. 2 tacet
C7
Walk
this
way,
and talk
this
way.
Well, just give me a
13 8
12 8
10 8
12 10 8
C7
10 8
8
12 8
8
13 8
kiss.
Gtr. 3 (dist.)
11 10
11 10
12 8
End Riff C
10 8
F7
f 1 11
1
11
11
1
11
11
1
11
11
11
End Rhy. Fig. 1
12 8
10 8
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
Oo,
1
1
11
11
11
11
11
2
11
11
1 11
11 8
11 11 8
10
8
10
8
10
10 8
10
E5
8 10 8
1/2
10
8
10
A5
9 10
9 10
8 10
10
3. School girl
with a slea - zy,
skirt
8
µ (C7)
Mm.
Verse
Gtr. 1: w/ Riff A Gtr. 3 tacet
3
Interlude
like this.
3
1
hang - ing way up her knee.
There was three young la - dies
in the school gym lock - er and I
lit - tle class - y, kind of sass - y,
at D. find they were look - ing at D.
I was a
(Three young girls.
high
Gtr. 1
0
1
2
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
school nev - er made it with a till the boys told los - er, la - dy told me some - thing I missed.
Los - er,
with a,
till the,
told me,
Then my next
door with a daugh - ter had a fav - or and I neigh - bor fav - or
missed.
Door,
0
1
had a daugh - ter,
fav - or,
Interlude Gtr. 1 tacet
gave
Gtr. 1: w/ Riff A
the
girl
a
lit - tle
kiss
just
a
lit - tle
E5
kiss,
like like
this. this.
like
this,
A5
break.)
Verse Gtr. 1: w/ Riff B
C7
Both: Swing - ing,
swing - ing
school,
with
the
boys
in
school
air,
feet
fly - ing
up
in
the
with your
air,
sing - ing,
4. See - saw
Gtr. 2
1/4
grad. bend
11 10
did - dle,
mid - dle,
“Hey
did - dle, did - dle,” with your
swing - ing like you did - n’t
the mid - dle and
care.
So
I
P.M.
1/2
11 10
in
care.
kit - ty
8 8 10
10
10
8
10
8
10
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chance,
took
a
big
chance
Gtr. 2 tacet
dance,
at
the
high
school dance
play,
with
a
miss - y
who was read - y
to
play.
Was
it
8
fool - ing,
do - ing,
me
she was fool - ing ’cause she knew what she was do - ing when she
told me how to walk.
She
told me how to walk
this
told
me
to
way?
She
told
me
to
Chorus Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff C
walk
this
way
C7
F7
talk
this
way.
F7
C7
Walk
this
and
talk
this
C7
walk
way
told
me
C7
way.
Walk
this
way
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
this
way
F7
and
talk
and
this
way.
to
F7
and
talk
this
way.
Well, (Ah,
8
She
just ah,
give ah,
me
some ah,
Interlude C 8fr
P.M.
Gtr. 1
head. ah,
Gtr. 3
ah,
ah,
ah,
ah,
ah,
ow,
ga,
ga,
ga,
ga,
ga,
ga,
ga,
w/ bar
11
11
-1/2
11
11
-1/2
-1/2
-1/2
11
11
-1/2
-1/2
11
8
8
8
-1
-1/2
8
8
-1
9
-1
9
-1
go,
go,
1
go,
1
8 8
8 8
11 11
1
8 8
10
8 8
8
10
go,
go,
1
10
go,
1
10
10
8
8
10
X X
8
10
2
0
1
2
2
1
8 10
A5
0 0
Rhy. Fig 2
this. go.)
2 2 0
10
0
1
2
2 0
0 0 X 2 2 0
1
0 0 2
End Rhy. Fig 2
1 1/2
4
4
E5
End Rhy. Fig 2A
1
Like go,
1
10
1
Gtr. 1
11
E5
Gtr. 1: w/ Rhy. Fig. 2 (11 times) Gtr. 2: w/ Rhy. Fig. 2A (4 1/2 times)
Rhy. Fig 2A
Gtr. 3
go, go,
1
11 11
Outro - Guitar Solo
Gtr. 2
(cont. in notation)
go,
8 8
10
-1/2
9
-1/2
go,
1
8 8
9
-1/2
go,
11
P.M.
ga,
1/2
0
1
2
2
0
1
2
2 2 0
2 3
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
Gtr. 3
E5
1
1
1 1/2
12
12
15
14
12
3
E5
12
6
3
1
1
15 12
1 1/2
1 12
14
12
12
A5
12
12
3
A5
1 1/2
E5
E5
1
12
4
4
A5
15 12
14
12
15 12 12
12 14
15 12 12
15 12 14
15
15
15 12 15 12
15
12
X
12
12
17 12
12
12
12 15 12
15
X X
Gtr. 2
E5
Gtr. 3
G5 A
3
3
15 12
15
12
14 12
14
14 12
14
1
12 14
1
Harm.
1
12
12
w/ bar 1/4
A
12
12
14 12 14 12 14 12 14 12
0 0 0
0 0 0
12 -1 1/2
7
-2
Gtr. 2: w/ Rhy. Fig. 3 (10 times)
E5 Rhy. Fig. 3
_1
_1
_1
_1
7
_1
_1
7
7
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
_1
Harm. w/ bar
A
_1
_1
7
7
7
8v a Gtr. 3
3
12 2
3
_1
E5 End Rhy. Fig. 3
0
2
2 0
2
0
2
12
9
0
12 12 12
1
12
0 0
17
17
17 15
17
17
16 17 16
A
E5
8v a
1
17
1
17 15
17
17
15
15
15 19
19
18 17
3
A
loco
let ring
16
20 17
16
17
17
14
15
14
15
14
15
12
12
E5 A
9 12
12
12
12
11 11
12
12 10
12
12 10
12
3
E5
1 15
10
10
10
0
10 12
1 15
10
0
12 10
12
12
10
12
12
17 12 10
9
15
12
1 15
1 15
0
1
17 17
17
12 12 12
11 12
3
1212 12 1212 12
12 10
15
20
12 10
10 12
1 1/2
17
17
0
A
1
17
20
12
A
15
1
12
1
17 17
20
17 17
20
0 0 0
0
12 12 12 12 12
12
1
17 17
1212
Gtr. 3 tacet
A5
12 12 12 12 12 12 12 12 12
12
12
0
1 1/2
1 17
0
E5
15
15
0
12 10
12
1
15
A
12 10
E5
1212 12
14 12
1
12
14
E5
E5
12 10
12 15 14 12
12
9
A
12
12
3
12 12
14 12 14 12 14
3
3
14 12 14 12 X 14 12
12
12
12
E5
0
2 2 0
Gtr. 1
0
1
2
2
0
1
2
4 2
2 0
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A
E5
2 2 0
0 0 X 2 2 0
0
1
2
2
0
1
2
2
0
0
open
1
2
2
0
1
2
2
0
E
Gtr. 2
A
1
0
1
2
2
0
1
2
2 2 0
2 3
E5 type2
A5
Gtr. 1
let ring
0
1
2
2
0
1
2
2
2
1
2
2
0
1
2 2 0
2
2
2 2 0
2 2 0
0
1
2
2
0
1
2
2
A5
1
0
1
2
2
0
1
2
1
2 2 0
2
2 2
0
E5 type2
A5
let ring
0
0
0
1
2
2
0
1
2
2
2 2 0
0
3
0
1
2
2
0
1
2
2 2 0
2
2 2 0
3
Gtr. 2: w/ Rhy. Fig. 3 (3 times)
E5
A
Gtr. 3
8v a
14 15
15 16
15 16
15 16
14 15
15 16
15 16
15
14 15
15 16
15 16
14 15
15 16
15 16
15 16
14 14
14 14
14 14
2 2 0
2 2 0
2 2 0
14 15
15 16
15 16
15 16
15 16
15 16
15 16
14 14
14 14
Gtr. 1
0
1
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2
2
0
1
2
0
2 2 0
2
0
1
2
2
0
1
2
2
14 14
Gtr. 1 tacet
E5
A
Gtr. 3 8v a
15 16
15 16
15 16
15 16
14 15
15 16
15 16
15 16
14 15
15 16
15 16
15 16
14 15
15 16
15 16
14 15
15 16
15 16 X
14 15
15 16
15 16
15 16
14 14
14 14
14 14
17 14 14
E5
17 14 14
14 14
14 14
A
8v a
15 16
15 16
15 16 X
14 15
15 16
15 16
14 15
15 16
15 16
15 16
14 15
15 16
15 16
15 16
14 15
15 16
15 16
15 16
15 16
14 15
µ
8v a
let ring
15 16
15 16
15 16
14 15
15 16
15 16
15 16
15 16
15
15 16
15 16
15 16
15 16
15 16
8v a
loco
14 14 14
15 16
15 16
17 14
15 16
14 14
14 14
14 14
let ring
17
17
14 14
17 14
17 14
17 14
17 14
14
14
Gtr. 3 tacet
(Drums)
w/ bar 1
12 12 14
12
14
14
14 12
14
13
12
11 12 11
12
12
11
12
11
12
X X X
14 14 14
14 14 14
14 14 14 -2 1/2
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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