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Extra rules and world information for CYBORG COMMANDO players
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Descripción: Your Attraction Magnets Report
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ADVENTURE MAGNETS FOR PULP RPG'S Adventure Magnet a I make use of what I call a Adventure a meas to !athe" to!ethe" a #a$ of $%s&a"ate cha"acte"s % a a$etu"e sess%o( A A$etu"e Ma!et )he"eafte" AM* %s a+ eet, locat%o o" c%"cumstace that t hat a* w%ll att"act a$ e-c%te the %te"est of a $%e"se a"%et+ of &otet%al a$etu"e"s a$.o" #* allows P/'s to eas%l+ %t"o$uce themseles to each othe" a$ 0loo&0 %to the sto"+( It &"o%$es the "easo wh+ P/'s who %%t%all+ $o ot kow each othe" a"e swe&t u& to!ethe" % oe &lace a$ %to t he sto"+( sto"+(
A AM %s ot as s%m&le as a &lot hook11%t's the fe"t%le sett% ! fo" a whole #"am#le #ush of such hooks1th%k of a AM as #e%! 0&lot1Velc"o0( 0&lot1Velc"o0( It ca also #e use$ as a MacGuff%, whe"e the eme"!%! sto"+ has %"o%call+ e"+ l%ttle t o $o w%th whatee" AM was use$ to #"%! ee"+oe to!ethe"2 %t ca #e use$ to t o me"el+ k%ck th%!s off( E-am&les of AM's fam%l%a" to most %clu$e the much oe"use$ cl%ch3 of the me$%eal tae", The O"%et E-&"ess, a fest%al com%! to tow, /asa#laca, a atu"al $%saste", a %sla$ at%o of Fo"tea &"o&o"t%os )such as OTE's Al Ama"4a*, etc( A AM %s a %$eal w a+ to %t"o$uce cha"acte"s at the #e!%%! of a cam&a%!2 the eol%! a$etu"e a$ %ts outcome &"o%$e the ecessa"+ !lue to #o$ the P/'s fo" fu"the" a$etu"es to!ethe"( to!ethe"( P/'s a"e %ole$ w%th the AM fo" a+ "easo that the &la+e"s ca make u& fo" t hemseles11%$eall+ %t woul$ #e a coo&e"at%e effo"t w%th the GM "elat%! the #as%c sett%! )%(e(, 05hat woul$ #"%! +ou" $etect%e to A&ollo Stu$%os60, 05h+ woul$ +ou" w%7a"$ #e atte$%! the D"a!o18%!'s 5%te" Feast60, 05ho $oes +ou +ou" P/ wat to %s%t % Al Alma"4a60*, a$ the &la+e" &"o%$%! a &laus%#le e-&laat%o wh+ the%" cha"acte" %s %ole$ w%th th%s &a"t%cula" c%"cumstace( If the+ a"e stuck fo" a %$ea, the sett%! a$ eets shoul$ #e fle-%#le eou!h so that the GM1#ase$ o that cha"acte"'s #ack!"ou$, !oals, o" a+th%! else that seems %te"est%!11ca &"o%$e the "easo fo" wh+ the%" P/ %s %ole$ % th%s &a"t%cula" s%tuat%o( Oce the"e %s a &laus%#le "easo, the GM ca weae each P/ %to the sto"+ % a wa+ that %s't o#%ousl+ cot"%e$ o" falls %to that ol$ chestut, 09ou 09ou all meet % a #a"(0 A AM shoul$ #e a"%e$ a$ e-&as%e eou!h % sco&e fo" %t e"est%! a$etu"es to eas%l+ s&"%! f"om th%s o&e%! s%tuat%o, +et ot too s&ec%al%7e$ to e-clu$e ee the most #%7a""e P/ coce&t%os f"om a&&ea"%! o the scee( These AMs ca come % all sha&es a$ flaou"s2 &"e%ousl+ % A:E I'e $%scusse$ how A&ollo Stu$%os, The Ra$%o ;e"oes )
A$etu"es s&"%!%! f"om th%s ca %clu$e ha%! The Canadian #e cau!ht % a te""%#le a$ ee"%e elect"%cal sto"m, $%sa&&ea" f"om ou" wo"l$, a$ eme"!e somewhe"e ot o th%s ea"th( O" &%"ates &os%! as &asse!e"s oe"&owe" the c"ew a$ take oe" the fa#ulous a%"sh%&, stee"%! the c"aft to t he f"o7e %sla$ la%" of the%" Viking ( Fo" a occult.ho""o" m+ste"+, oe of the &asse!e"s %s k%lle$ #+ what looks ch%ef, the %lla%ous Ice Viking l%ke a co#"a #%te o the eck, #ut the #o$+ %s $%stu"#%!l+ $"a%e$ of #loo$11a$ whatee" )o" whoee"* $%$ th%s e%l $ee$ %s u$ou#te$l+ st%ll o #oa"$( Night of the Violet Comet
A #la7%! &u"&le flame "oa"s ac"oss the summe" %!ht sk+ mak%! a sou$ l%ke a locomot%e fall%! th"ou!h a !"eehouse( It &lu!es to ea"th somewhe"e % the h%lls su""ou$%! the tow of M%"amach%, wh%ch %s somewhe"e % o"the" New ="usw%ck )% the /aa$%a Ma"%t%mes*( The lu"%$ fla"e, eo"mous e-&los%o, a$ c"ate" att"acts locals )some at%e hute"s, sto"ekee&e"s, the tow $et%st, a R/MP off%ce", a f%"e1
wa"$e f"om the lum#e" com&a+, etc(*, acat%o%! cotta!e"s )who ca hae a+ #ack!"ou$*, a sc%et%st f"om the local colle!e, the f"eak+ &ul& w"%te" w%th $%"e wa"%!s a#out 0/olou"s out of s&ace>0, 4ou"al%sts coe"%! a hot sto"+ $u"%! a slow summe", etc(, all who ca #e P/'s( The a$etu"e a"%s%! f"om th%s AM coul$ %ole a c"%m%al !e%us afte" the "a"e "a$%oact%e m%e"als % the meteo"%te, the $%scoe"+ that %t's ot a meteo"%te #ut a st"a+ "ocket f"om a &ul& %lla% who %s test%! a wea&o she %s &la%! to #lackma%l the !oe"mets of the wo"l$ w%th( Fo" some cosm%c &a"ao%a, th%s coul$ #e Loec"aft%a ho""o" f"om the $e&ths of s&ace2 o" %t coul$ #e a comet that %s the sou"ce of a ew a$ #%7a""e s&ace &la!ue that w%ll s&"ea$ te""o" th"ou!hout the cout"+s%$e %f uchecke$( Fo" mo"e we%"$ s&ace a$etu"e, the P/'s ca $%scoe" th%s %s a al%e s&acesh%&2 the f%"st wae of a %te"&laeta"+ %as%o f"om tetacle$ a$ #u!1e+e$ moste"s )who hae m%sse$ the%" ta"!et of G"oe"?s M%ll, N<*( In the Shadow of War
The @B Canadian National !hi"ition "us f"om Au!ust C to Se&tem#e" th % To"oto, Ota"%o, /aa$a( It's the s%-t%eth a%e"sa"+ of th%s &o&ula" fa%", com&lete w%th the #role!land Midwa$, "u"al ha$%c"afts, a%mal 4u$!%!, #%! ame $ace #a$s )Gu+ Lom#a"$o, =e+ Goo$ma, etc(*, cultu"al e-h%#%ts #+ ma+ at%os11a$ the tes%o su""ou$%! the ee of wa" % Eu"o&e ha!%! oe" the e-h%#%t%o l%ke a sh"ou$( Th%s +ea"'s theme of 0T"as&o"tat%o a$ /ommu%cat%o0 %s a salute to the futu"e, a$ the /NE has ma+ $%s&la+s of the e"+ latest sc%et%f%c ma"els11tele%s%o, m%"acle fa#"%cs f"om &et"ochem%cals, faste" "ac%! autos, etc( Pla+e"s ca #e tou"%sts see%! the s%!hts, !oe"met a!ets check%! out the &a%l%os of fo"e%! at%os, "esea"che"s ma%! sc%ece e-h%#%ts, stut1folk wo"k%! at the m%$wa+ ca"%al, !"%fte"s wo"k%! the sucke"s )e"", c"ow$*, a$ so o( A$etu"e %$eas a"e m+"%a$2 P"ofesso" ua%l's mock1u& of a %te"&laeta"+ "ocket w%th a actual wo"k%! e!%e of h%s ow $es%! %s a %c"e$%#l+ &o&ula" e-h%#%t, a$ the #"ow sh%"ts f"om the Ge"ma &a%l%o a"e look%! &"ett+ closel+ at %t( The outsta$%! t%cket sales woul$ #e look tem&t%! to some %s%t%! Ame"%ca !a!ste"s( The s&ectacula" Ro+al a&&ea"ace of 8%! Geo"!e VI a$ uee El%7a#eth at the /NE's 0G"a$sta$ Pa!eat0 )the Ro+al / ou&le % ou" h%sto"+ tou"e$ /aa$a that +ea" % the s&"%!, a$ actuall+ $%$ %s%t the New 9o"k 5o"l$'s Fa%" that summe"* ma+ &"ooke a assass%at%o attem&t #+ fo"e%! e-t"em%sts( A maste"m%$ of e%l coul$ "a%$ the /NE's R/A tele%s%o stu$%o fo" some ee$e$ eu%&met to com&lete h%s %fe"al $e%ce wh%ch w%ll #e teste$ o the hel&less c"ow$( The MacI%aac #ortune Trea%ure &unt
Each P/ "ece%es a "e!%ste"e$ lette" f"om the law f%"m of Calvin' Copeland and Cudgel , "euest%! that the+ atte$ the "ea$%! of the last 5%ll a$ Testamet of "ecetl+ $ecease$ me!a1m%ll%oa%"e A!us MacIsaac II( Iclu$e$ % the lette" %s a "a%l"oa$ t%cket to Vacoue", ="%t%sh /olum#%a, locat%o of the late eccet"%c t+coo's mas%o, whe"e the "ea$%! of the w%ll take &lace( P/'s ca "eall+ #e "elat%es of the late lum#e" : &ul& &a&e" #a"o, o" the+ ca #e sta$1%s fo" mo"e caut%ous "elat%es, %m&osto"s who hae %te"ce&te$ a s%m%la" lette", "e&"esetat%es of cha"%ta#le %st%tut%os met%oe$ % the w%ll, etc( All P/'s a$ NP/'s met%oe$ % the w%ll $%scoe" to the%" su"&"%se that the $ecease$'s fo"tue w%ll #e fou$ a$ awa"$e$ ol+ afte" a e-tes%e wo"l$1w%$e t"easu"e hut( Ee"+oe %s su&&l%e$ w%th a l%st of clues #+ MacIsaac's law+e", a$ f"ee "a%l a$ a%" t%ckets fo" a+whe"e the+ ma+ $es%"e to t"ael % the &"o%ce. cout"+. wo"l$( The t"easu"e hut coul$ #e a hoa-, a test #+ the ol$ ma o the f%tess of h%s he%"s )he'll &ose as h%s ow law+e"*( The"e %s a &lot at wo"k #+ MacIsaac?s law+e" a$ a local me$%cal e-am%e" to la+ the%" ha$s o McIsaac's m%ll%os, #ut MacIsaac wo't #u$!e ee u$e" to"tu"e to "eeal the locat%o of h%s wealth11the two c"ooks hae fake$ the ol$ ma's $eath, a$ calle$ % the "elat%es to hel& them t"ack $ow the h%$$e wealth, wh%ch the two w%ll late" a#sco$ w%th( O" MacIsaac ma+ hae #ee mu"$e"e$, a$ the mu"$e"e" ma+ #e oe of the othe" "elat%es t"+%! to la+ the%" ha$s o the fam%l+ fo"tue, a$ who ma+ well st"%ke a!a% to %m&"oe the%" cha!es of w%%! the fam%l+ fo"tue(
RPGs : OTR Alo! w%th RPGs, collect%! a$ l%ste%! to Ol$1T%me Ra$%o )OTR* %s oe of m+ &ast%mes, a$ I'e ofte thou!ht of wa+s to t"+ a$ com#%e the two of them, as I #el%ee that oe meta&ho of RPGs %s that the+ a"e a fo"m of %m&"o%se$ "a$%o1&la+ o" "a$%o1$"ama( 5h%le ma+ !ame"s hae talke$ a#out !am%! l%ke #e%! a #ook o" mo%e whe"e the GM acts l%ke the autho" o" $%"ecto", a$ the &la+e"s the cha"acte"s a$ acto"s % the sto"+, I'll use the %m&"om&tu "a$%o1show as m+ &a"a$%!m a$ e-&lo"e whe"e that lea$s( Ra$%o % the &ast has #ee calle$ the 0Theat"e of the M%$0, w%th the %ma!%at%o of( the l%stee" &la+%! a e"+ la"!e "ole( The w"%te", $%"ecto" a$ acto"s % a "a$%o1&la+ ca "ec"eate et%"e wo"l$s th"ou!h the use of wo"$s a$ s%m&le sou$ effects aloe( Vo%ce cha"acte"%7at%os us%! a acto"s' full "a!e of talets ca &"o$uce ee"+oe f"om s&ace1"a!e"s to maske$ ae!e"s, 4u!le lo"$s to sow1#ou$ Mout%es, su&e"1s&+ &%lots to 5este" !usl%!e"s( Acto"s coul$ #e chose #ase$ o the%" a#%l%t+, ot 4ust the%" looks )fo" a e-am&le, take a look at the sho"t e##%sh+ acto" &la+%! the "ole of 0The Maske$ Ae!e"0 % 5oo$+ Alle's ostal!%c class%c, RADIO DA9S*( The"e a"e ee e-am&les of me &la+%! wome, wome &la+%! ch%l$"e, the +ou! &la+%! the e"+ ol$, a$ all othe" com#%at%o % OTR shows No ee$ fo" s&ectacula" sets a$ s&ec%al effects, whe $esc"%&t%os a$ s%m&le sou$ effects ca $o the same % the m%$ of a l%stee" of a OTR show( A wa$$e$ u& &%ece of cello&hae #e%! c"um&le$ #ecomes a "a!%! fo"est f%"e( == shot % a #alloo "olle$ a#out #ecomes thu$e" "oll%! oe" the mouta%s( A #o- of co"1sta"ch suee7e$ #ecomes footste&s o sow( =e$%! the #ack of a sw%el cha%" &"o$uces the u1o%le$ sueak of a $u!eo $oo"( A &%ece of th% cellulo%$ % a elect"%c1fa #ecomes the e!%e of a "ocket1sh%&( /ue$ "eco"$s &"o$uce e-&los%os, f"e%!ht1t"a% wa%l%!s a$ the "oa" of w%l$ a%mals( Oe coul$ #e % a tem&le of am&%"es, a hu!e c%t+ of the $ea$, a lost wo"l$ of $%osau"s, a ha"$ #o%l e$ $etect%es off%ce, o" ee o the moo, w%th the l%stee"'s ul%m%te$ %ma!%at%o f%ll%! % all the $eta%ls that the w"%te"s, sou$1 effects me a$ acto"s s%m&l+ sketche$ out fo" them( Such s%m&le effects hae #ee e"+ &owe"ful % the &ast % "a$%o &e"fo"maces O ;allowee %!ht % @B, m%ll%os of Ame"%cas we"e l%ste%! 1to t he e"+ &o&ula", 0E$!a" =e"!e : /ha"l%e Mc/a"th+ Show0, whe the come$%c act%o of the et"%lou%st a$ h%s $a&&e" $umm+ was #"%efl+ %te""u&te$ #+ a !uest s%!e"( M%ll%os tu"e$ the "a$%o1$%al to l%ste to someth%! a l%ttle mo"e &alata#le, a$ we"e %statl+ "%ete$ to the f"at%c o%ce o aothe" etwo"k( It w as the o%ce of a ews aouce" % G"oe"s M%lls N<, coe"%! the Ma"t%a %as%o of the U%te$ States( O"so 5elles' Me"cu"+ Theat"e of the A%"'s &e"fo"mace of ;( G( 5ells', T;E 5AR OF T;E 5ORLDS #ecame all too "eal to the "a$%o au$%ece, a$ the &a%c that esue$ was u#el%ea#le #ut t"ue( Pe"ha&s the sha$ow of wa" % Eu"o&e c"eate$ a fe"t%le !"ou$ fo" the h+ste"%a that followe$, w%th thousa$s flee%! f"om the c%t%es w%th all the%" wo"l$l+ !oo$s, the !u1ha&&+ f%"%! off "ou$s at a+th%! tall w%th th"ee le!s )mostl+ ha&less wate"1towe"s*, a$ oe woma ha$ to #e "est"a%e$ f"om tak%! he" ow l%fe )she was % the #athtu# w%th a "a7o" % ha$, $ete"m%e$ to e$ %t all %f a Ma"t%a t"%e$ to !et %*( Th%s was ot a %solate$ %c%$et, fo" a $eca$e late" % Ecua$o" a "a$%o stat%o "e&"%se$ the 5AR OF T;E 5ORLDS to ee mo"e t"a!%c "esults2 the &a%c st"%cke cout"+s%$e, whe the+ "eal%7e$ the+'$ #ee foole$, sto"me$ the #"oa$cast cet"e k%lle$ see"al acto"s, a$ #u"e$ the "a$%o stat%o to the !"ou$( Role &la+%! !ame sess%os hae ma+ s%m%la"%t%es w%th OTR( It too makes use of the %ma!%at%o of the &a"t%c%&ats to c"eate a cosesus 0Theat"e of the M%$0 that 'all sha"e a$ %te"act %( RPGs also make use of a GM.Aouce" to $esc"%#e the su""ou$%!s fo" ee"+oe to !et a ha$le o a$ "es&o$ a&&"o&"%atel+ too( RPGs also make use of $esc"%&t%o a$ o%ce to &"o%$e m a+ of the &e"soal%t+, cha"acte"%st%cs of the &a"t%c%&ats.acto"s( All the &a"t%c%&ats of a RPG sess%o a"e much l%ke the acto"s, w"%te"s a$ $%"ecto" of a $+am%c OTR $"ama, wo"k%! to!ethe" % a coo&e"at%e fash%o to ach%ee a commo !oal, a$ to hae a !oo$ t%me % the #a"!a%, ;ow to make +ou" RPG sess%o mo"e l%ke OTR6 D%m the l%!hts a l%ttle, a$ hae ee"+oe use$ the%" %ma!%at%o to &a%t the scee, "athe" tha metal m%%atu"es o a u"eal%st%c oe"%ew ma&, A$$ s%m&le sou$ effects, such as a /D of a thu$e"sto"m &la+%! % the #ack!"ou$, &"e1ta&e$ sou$s of !u1f%"e,
e-&los%os, o" a+ othe" ee$e$ sou$ effect )&e"ha&s sw%&e$ f"om a OTR show>* that +ou ca hae cue$ a$ &la+e$ at ce"ta% t%mes % the !am%! a$etu"e( S%m&le &"o&s l%ke a ca&&%stol ca #e a !u1shot, a em&t+ ca full of &e%es "attl%! cha%s, #low%! oe" a em&t+ #ottle a fo!1ho", etc(, ca #e e"+ effect%e( Ecou"a!e the &la+e"s to a$$ #%ts of s%m&le $esc"%&t%o to the%" $%alo!ue to com&lemet the GM's $esc"%&t%o of the sett%!( =+ a$$%! s%m&le $esc"%&t%e em#ell%shmets a$ seso"+ $eta%ls, the $e&%cte$ scee #ecomes all that mo"e "eal to all the &a"t%c%&ats, the GM a$ &la+e"s al%ke( Fo" e-am&le2 (M) *When $ou finall$ pr$ open the door of the vault' in%tead of %eeing the interior' $ou are %urpri%ed to %ee ahead of $ou a long' co"we" choked corridor %tretching ahead of $ou in the darkne%%+* ,-A./ A) *0o$' it1% dark in here+ I1ll draw m$ revolver' for an$thing can "e down there in all that ink$ "lack+* ,-A./ 0) *.eah' onl$ the flickering of our torche% allow% u% to %ee at all+ 2u%t look at all tho%e %hadow%3* ,-A./ A) * And the %mell+ ,hee4uh3 &one%t to m$ (randma' doe% it %tink3* ,-A./ 0) *I think we1ll find more than 5u%t %pider% down here'* and %o on+