Percussion of the Arabic World and beyond: Introduction to the Darbuka (Doumbek) drum. This first chapter with teach the darbuka and doumbek student the basic techniques and rhythms used …Full description
Percussion of the Arabic World and beyond: Introduction to the Darbuka (Doumbek) drum. This first chapter with teach the darbuka and doumbek student the basic techniques and rhythms used …Descripción completa
Percussion of the Arabic World and beyond: Introduction to the Darbuka (Doumbek) drum. This first chapter with teach the darbuka and doumbek student the basic techniques and rhythms used …Description complète
Percussion of the Arabic World and beyond: Frame drum techniques and rhythms. These chapters will show all techniques used for frame drums such as the Tar, Daf, Riq and Bendir and the di…Description complète
Percussion of the Arabic World and beyond: Frame drum techniques and rhythms. These chapters will show all techniques used for frame drums such as the Tar, Daf, Riq and Bendir and the di…Full description
Percussion of the Arabic World and beyond: Frame drum techniques and rhythms. These chapters will show all techniques used for frame drums such as the Tar, Daf, Riq and Bendir and the di…Descripción completa
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FINGERS OF FURY Percussion of the Arabic World and beyond
Part 3 - The Req / Practice Sessions / Advanced Fingerstyle Matt Stonehouse
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The Riq, or Req is a pocket drum kit. One of the most amazing hand drums ever invented! It is generally made with fish or goat skin and a timber body yet it’s not uncommon to find more modern ones made with plastic skin. The riq has ten groups of Zills (cymbals ) placed around the frame and is usually a diameter of around ten inches with a frame depth of two inches. Like the darbuka, there is an infinite combination of sounds that can be created and you’ll also notice that the ‘Tuk’ and ‘Tun’ are the same as that in finger style Darbuka playing. It is highly recommended that someone playing a Darbuka should also learn the Riq and other frame drums; not just to be a more dynamic and versatile musician but to compliment a particular composition with the correct tones. When choosing a Riq it should be reasonably light to avoid stress on the wrist and the Zills should have a nice rich tone with good volume. There are metal Riq’s available with a blue skin like those found on the darbuka, however I have found these too heavy on the wrist and with a poor Zill tone. Save yourself the pain and an d jump on the net with about $ 60 - $100 to spare and get something comfortable to play with a nice tone. This will also save your wrist! In this chapter I will cover a basic way of playing the Riq, which is ideal for supporting a Darbuka player. Also I will cover another style to allow for ornamentation and fills. Once these techniques are mastered, if you wish to further your technique, check out the ‘classical’ style. This is where the Riq can replace the Darbuka as a solo drum. drum . You will hear this style of playing on many of the older recordings of Turkish and Egyptian music where the composition allows for a more subtle drum to be played. It’s an amazing way of playing and the fingers of both hands are used on the skin.
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The Riq
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Basic technique & rhythm 182
Position 1 - like like finger style style Darbuka
Position 2 - like finger style Darbuka 183
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Basic technique & rhythm
184
Position 1
Position 2
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Basic technique & rhythm
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Basic technique & rhythm
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Basic technique & rhythm 188
Position 1
Position 2
The rim is struck with an open palm to replace the ‘tun’ with a more full cymbal sound.
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Basic technique & rhythm 189
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Basic technique & rhythm
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R
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Basic technique & rhythm Below ar Below are e our our now now fa fami milia liarr soun soundin ding g Arab Arabic ic rhyt rhythms hms.. I have included a simple variati variation on ideal ideal for accomp accompanying anying a Darbuka player and also some more ornamental variations, when the Riq is featured....... I told you it was like a pocket drum kit!
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