THE CALL OF KTULU Words and Music by James Hetfield, Lars Ulrich, Clifford Burton and David Mustaine
,A.5
E5
EffifI HH^ tt 134
step: @= Eb @=cb @= Al O=Bb Tune down 1/2
D*S
ffiii*
D5
iffifi'u
B5
g
cs
Bb5
F5
ffi iffi+i"'ffi ffi'" 134
@= Dl O=Eb
Moderately Dm xGtr.
J
= 128
II
Rhy. Fig.
I
(Gtr.
I)
ryp (w/pick) let ring throughout
*Orchestra
m. for
gtr.
w/Rhy. Fig.
*Gtr.
(endRhy.ttr.t,
1
(lst
7 bars only)
III
9L-T
*Orchestra arr. for gtr.
Copyright @ 1984 Creeping Death Music (ASCAP) This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP) lntemational Copyright Secured All Rights Reserved
Amadd2/D#
(Gtr. II out)
Rhy. Fig. 2
(end Rhy. Fig. 2)
F----.
-..--.-F' w/Rhy. Fig. 2 (3 times)
Amadd2 Gh.
10
III
Amadd2/Dil
Amadd2iDf
Amadd2/D*
Dm Gtr.
w/Rly. Fig. 3 (3 times) Dm Dm(il5)
Dm($s)
II
Rhy. Fig. 3 (Gtr.
I)
(end Rhy. Fig. 3)
Dm
Dm(*5)
-----\
Amadd2/D#
Dm7
Amadd2
Amadd2/Df
Riff A
Amadd2/Df
Amadd2
Amadd2
(end Riff A)
Amadd2
Amadd2/D#
III
dRhy. Fig. 3 (4 times)
Dm
w/RiffB (3 times) Dm Dm(fs)
Dm($5)
Gtr.I r4
dRiff A (3 times)
w/Rhy. Fig. 2 (4 times) Dm6
€}'iC}
Gtr.
Dm6
Gtr.
II
/-;"
I
(end
HH
Dm Dm(#5) e -----...--
RiffB)
Riff B 1xx6o. tU,
Dm
oHP
Dm($5)
HPH
Dm7
H PH
pH PHPHPHPHPH
fup
pH P H P H J FI PH
P
H
PHP
11
Half time feel w/Rhy. Figs.4 & 4A (both 3 times)
A5 Gtr.
Ff5 45
E5
D$s
Es
F*s
As
II
---\
Rhy. Fie.4,A' (Gtr. D
(end Rhy. Fig. 4A')
IV)
lend Rhy. Fig. 4)
Rhy. Fig.4 (Gtr.
'--J-/ sl.
/^
w/dist. p.tr,t.---
Dfi5
P.M.-- ----- --- -- -- ---- r
Es F*5 Dm
E5
L-3-----l
Dm(il5)
,3,
I)
(end Rhy. Fig. 5A)
w)
(end Rhy. Fig. 5)
Rhy. Fig. 5A (Gtr.
Rhy. Fig.5 (Gtr.
12
w/Rhy. Figs. 5 & 5A (both 3 tirnes) Dm6 Dm7 Gff. II
Dm Dm(f5)
ilRhy.
,{5
Dm(*5)
Dm
Figs. 4 & 4,{ (both 4 times)
E5
Df5
E5
Fil5
E5
As
E5
D$S
Gtr.
trI
GtI.
II
dRhy. Figs. 5 & 5A (both
A5
E5 Ff5 Dm Dm(#5) Gtr. II 'J----r r-J---r-J -: r-J_____r
I
I
j
I t-3
J JrJ
JqJ
TJJ
A.5 Gtr.
D$5
E5
E5 Ffl5
trI
(Gtr. tr out)
4 times)
D*s
E5
Fil5
Dm(#s)
Dm6
Dm
Dm7
(Gff.
)
[out)
Gff.
Dm6
Dm(fs)
Dm7
m
| Gtr.
III
tctr. II Dm(#s)
w/Rhy. Fig. 4 (4 times) (Gtrs. I &
A5 Es Dfs Ctr. II re---.,..'..'...-\e. -,,-\
to left of slash in TAB.
Dm7
N) E5
Ffls
A5 -o.
Es D#s
E5
Fil5
A5
Es
F*s
D$5
e ----\ t
J
'
t
3--)
13
Dfs
Es
w/Rhy. Fig. 5 (4 times) (Gtrs. I & IV) F$5
Dm
D{ls)
"2.
'J',J,
Dm(#s)
Dm6 8va
Dm($5) -
w/Rly. Fig. 4 (4 times) (Gffs. I & IV)
As
Dm6 Gtr. III
E5
14
F$5
Es Df5
E5
F*s
Dfs
As
w/Rhy. Fig. 5 (4 times) (Gtrs. I & A.5
E5 F*5
Dm
"l
Dm(fl5)
N)
E5 F+s
Dm(f5)
Dm6
Dm7
,tl HH
Pp
"rHH
-)
*Orchestra
Dm
PP
,/.HH
---+\ "l.HH
---,+\
m. for gtr Dm(#5)
II.
(Gtr. Itr out)
(Gtr.
Gtr.
II
II out)
9-
RiffC(Gtrs.
I&N)
P.M.------- -------
-- r
tChords are implied till Guitar solo.
dRiff
C (Gtr.
I)
(2 times)
A5IE Gtr. II
F$o
Ioco
nr
H
L-?J
Gtr.
TV
C5lG Gff. II
Bbs b
PPP
Riff Dl (Gtr. IV)
"
H
(end Riff
Dl)
s/.
.!.a
HsL
Riff D (Gtr. I)
16
(end
RiffD)
w/Riffs D & D1 C5lG Gtr. II
Ab
Bbs
Guitar solo
dRhy. Fig. 4
(4 times) (Gtr.
I)
E5
A5 Gtr.
Es
Dfl5
Ff5
E5
D$5
Fils
TI
8va-------------Gtr.
IV
Full llr
Full
Full
_/))
Full
Full
Full
Full
l1/2
Full
)
))
P
L3{ 11/2
l
t3,
P
F*5 As
D#s
E5
*
,3'
8va -------------
Full
Full
Full
IPIPIPI a+ 3-'r a+ /-'' .!+ :-t
:.
P
P
<\
P
P
P
17
w/Rhy. Fig. 5 (4 times) (Gtr. I)
F*5
Dm
Drn(f 5)
€>
Full
sl.
Dm(*5)
P
P
sl.
P
.sI.
PP
1B
P
P
,-_:
P
A.H.
dRhy. Fig. 4
pitches:
(4 times) (Gtr.
A5 Gtr.
G
E
I) D#s
v
III
F*5 (Gtr.
J
Itr out)
I
P
'tqiP
sl
8va ------------sl.
lll2
P
tllr-
tt/2
tv2
tu2
/1) '3'
t t/2 I 1t2 P
l
1 1.t2
t
1t2
_/l
19
w/Rhy. Fig. 5 (4 times) (Gtr. I)
Dm
Dm(f5)
Pp
Pp
P p
Pp
pp
P P
PP
PP
tE f;hij.i*r* w/wah
PP
as
fiIter
P P
rP
rP
P P
PP
PP j-{. rX,*{ .3{. l-I. lp -lP f+>fF)fi; pp
D-
PP
PP
P
PP
P
PP
PP
P P
Dm($5)
--. L_3J
PP
PP L-3J
PP
PP
t-JJ
PP
R
(/'2n
s/.
+
t-3J
PP
sl. sl.
20
slH
sl. H
PP
Pp
P
P
Dm(S5)
sl.
P-
bi-)^
8va----------
HP /:-\
,.hr
L3J
HP
PP
P%
(end half time feel)
,--,
s/.
A5
\
Full
Rhy.Fig.6(Gtrs.
sI.
I&IV)
(end Rhy. Fig. 6;
loco
sl.
dRhy. Fig. 6 (3 times) A5 E5 Dfs
E5 Dil5
w/Rhy. Fig. 5 (4 times) (Gtrs. I &
Dm Dm(f5)
Dm6
F#5
sl.
E5 D*s
A5
N)
Dm6
Dm7
Dm7
Dm
Dm(#5)
t= t3l
,3'
21
w/Riff C (lst 2 bars only) (4 times) Dm(f;5)
Dm6
Dm7
A5/E
Play 4 times
Bs/F# Gtr.
22
II
Play 3 times
(end
Rhv.45
ris.z
I
I
(ctis. Iol
&IV)
E5
Df5
/h
o
Rly. Fig. 7) wlRhy. Fig. 7 (Gtr. I: 3 times; Grr. II: 7 times)
A5
E5 Df5
-/'
w/Rhy. Fig.4A (4 times) (Gtr. I)
A5
w/Rhy. Fig. 5,4
Dm Gtr.
II
Dm(f
(372 times) (Gtr.
5)
Dm6
E.s Dfs Df Es .5
I) Dm7
23
w/Rhy. Fill Dm6
A little slower J = ros 1
"J'=-.-.---=.--
Gtrs. I &
P^M.
cs
Rhy. Fig. 8 (Gtr.
G5
G5
24
Fil5
G5
Fil5
(end Rhy. Fig. 8A) Full
IV)
(end Rhy. Fig. 8)
I)
w/Rhy. Figs. 8
(Gtr. IV cont. on upper staff)
-------------------r
Ff5
Rhy. Fig. 8A (Gtr.
IV
(Gtr. II ou$
& 8A (both
G5
3 times)
E5
Gtr. fV substiture Fill
c5 F*s
(Resume Rhy. Fig. 8A)
1
c5
E5
G5 F*5 Gtr.
c5
II
F*s
F*5
RitrE1 (crr. IV)
HP ,.--\
(end Riff
HP
El)
^
LJJ
Riff E (Gtr. I)
HP
(end Riff E)
HP
,..=\\
/--\.
r_JJ
L3J
HP
dRiff G5
El c5
E (2 times) &
F*s
cs Ff5
E5 Gtr. ITI
(Gft.m) (-)
(Gtr. II out)
tr@
*Gtr. III to left of slash in TAB
Fill
1
(Gtr. IV)
25
Gs F$s Gtr.
II
HP
Grr.ryHPsl.
s/.
a-\A
LJ
--.r
_93{L
Gs Ff5 rj-
HP
(Gtr.
ctr.
Grr.
IV H P
H
-J-r sL
I
-i-
L-r
IV cont. in
slashes)
p s1.
L3J
HPsl.
H Ps/.
*8yd refers to Gtr. IV only.
Freelv D5
ct.wrlll^!
26
B5
)
ofro*o
(Gtr.
IV out)
A tempo w/Rhy. Fig. 1 (1% times)
Dm Gtr.
II
xGrad. vol. swell
Bb/D
ft H
*Clean tone
J)1tt
d A
Slower
J
= 92
D5 C5 Gtrs, I
r&N) f
D5
I
)
dist. tone Gtr. II
Bb5
I
)
)))
D5
F5
Dm
(Gtr.
@Gtr.
--;
TAB.
II
trem.pick
D5
)1
slash in
IV out)
@
D5
i
**Gtr. II to left of
r r)
C5
D5
))
B'5
D5
F5
))
A_--.--\{}
+Played by Gtr. IV only; Gtr. I tacet.
/i ., I t:\
p
grad. cresc.
*While trem. picking, slowly slide up neck, past fretboard, reaching bridge pickup last at bar of song.
27
MASTER OF PUPPETS Words and Music by James Hetfield, Lars Ulrich, Kirk Hammett and Cliff Burton
E5vn
E5
A5
F5
ffi
ffi
rIEEi
I
1
11
D5
B5
C5
i$i[i^ ifiifi* ifiili*
ffi 13
D#5
c5
ifiiii"'Ei[H*
Ffr5
ffi
E5(tvpe2)
IE+EI
Tune down 1/2 step:
@= Eb @=Gb @= nb @=36 @= Db @)=Eb Fast Rock
)
=216 D5
E5
*Gtr.
III
Gtrs.
I & II
Dbs
C5
*Orchestra arr. for gtr.
D5 Gtr.
^t
Db5
C5
trI
.-'4 d
t;
*Gtr.
s rv
(end Rhy. Fig. 1)
*Orchestra arr. for gtr.
w/Rhy. Fig.
I
(3 times)
D5 Db5
)I
C5
N.C.
J
Copyright @ 1986 Creeping Death Music (ASCAP) This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP)
28
lnternational Copyright Secured All Rights Reserved
(end Rhy. Fig. 24) (cont. in notation)
Rhv. gs
Fig.2A
1
tctr.Il)/
I
N.C sl.
do. rn
Rhy. Fig.2 (Gtr.
I)
Gtrs. I &
.;-
il
(end Rhy. Fig. 2)
+\{ --z
=Y sl-
rt\
--i
{
sl.
w/Rly. Figs.2 & 2,4 E5
29
B5 (Gtr.
III)
(Gtr. III out)
Rhy.Fig.3(Gtrs.
(Gtrs. I
I&il)
&D
Gtrs. I,
il
w/Rhy. Fig. 3
E5 N.C. III I t .e-.v-a-
85
Gtr.
-
(Gtr.
r Rhy.
30
Fill
1 (Gtr.
ry)
Gtr. UI
IV out)
N.C
&
IV
(end Rhy. Fig. 3)
w/Rhy. Fill 1 (Gtrs. I & IV) N.C.
E5
Gff.
M
E5
(Gtr.
III out) Rly. Fig. 4 (Gtr. I)
Rhy.
Fig.4A (Gtr. II)
*Omit note in pilentheses when recalled unless otheruise indicated.
(end Rhy. Fig. 4)
i-{
sl.
sl.
.= sl.
sl. ,_a
sl.
sl.
-l
sl.
),=
sl.
sl.
sl. (end Rhy. Fig.
4,{)
J--
s/.
sl.
s/.
sl.
sI.
sL
sl.
sl.
w/Rhy.Figs.4&4,A. (Es) Gtr.
N.C.
m
1st Verse w/Rhy. Figs.4 &
4,A.
N.C.
(both 4 times)
N.C.(Es)
31
(Audience:)
(l'm
N.C.
Veins
thal
pump-
with
fear,-
Gr. m
you
III
will
see-
is all-
you need,
J----=..--J
il' Rhy. Fig. 5 (Gtr.
E_r
r r'
Lr r_r_r-r
I)
Rhy. Fig. 5A (Grr.
II)
(end Rhy. Fig. 5A')
----/ s/.
P.M.
xP.M. applies to Gtr. I only
HH (end Rhy. Fig. 5)
*P.M,--- --- -- --- ---- ----- -- --- ----- -r
32
clear,-
suck - ing
was
o
Taste
Gtr.
it
H
--,--/ H
H
(cont. in notation) Rhy.
Fill 2 (Gtr. II)-------------'
@ zrr. B
rTD
w/Rhy. Figs.5 & 5A F$s
P.M.------------
TT71
*P.M. applies to Gtr. I only **Gtr. III to left of slash.
D*s
(Gtr.
(Audience:)
trI)
_--
re-
tffi
(Come
85
crawl
-+)-
|JJJ (end Rhy. Fig. 6)
xP.M--------------r
Rhy. Fig.64. (Gtr.
II)
(end Rhy. Fig.
6A)
P.M.
P.M.
*P.M. appies to Gtr. I only.
w/Rhy. Figs. 6 &
E5
D5
6,4' (both 27e times)
E5
N.C.
33
fast
-
er.)
ffChorus (end half time feel)
F5
o
(Audience:) (mas
bey (Gtr.
trI)
(Gtr.
Rhy.
Fill 3A (Gff. II)
Rhy.
Fill
ilI
E5
Mas
- ter).
- ter of
Pup-pets,
out)
(end Rhy. Fill 3,A.) Gtrs. I &
11
=--/ P.M.----
pull -
ing
your
3 (Gtr.
I)
-- -- --- - -- -- -- -- --- --
stnngs,-
----r
(end Rhy.
twist
Fill 3)
ing your mind-
=--/
P
34
P.M.
A5 Gtr.
IIo
_------.,..--
(cont. in notation)
(Gtr. II cont. in slashes)
Gtrs. I
:--'-----
&
il
_
thing.-
=.--/
xGtr. III to left of slash
35
a 2nd
& 3rd times Gtrs. III & IV subsriture Riff A
scream._
(Audience:) (mas - ter)
J
znd time to Coda
j
(Audience:) (mas
(Gtr.
III out)
(Gtr.
IV out)
(2nd time Gff. I cont. in slashes)
(Gtr.
36
IV out)
I
3rd time to Coda
-
ter). (Spoken:)
Hell,
yeah.
II
(Gtr.
III out)
!5
w/last bar ofRhy. Fig. 3
N'c'
"L
2nd Verse
dRhy. Figs. 4 & w/Rhy. Fill 1
4,A.
(both 4 times)
E5
(Audience:)
(hfe Gtr.
of
death-
be -
com -
ing
clear -
er).
m
/
Pain mo-nop - o - 1y,-
ri-ri-ri-ri
- rit -
------
I
----\-
ual
loco
sl.
--''--5.-------
----\
(Es)
:e:) (chop Gtr. In
Oo,
ror).
-o
Gtr. UI
s/.
Gff.
IV
(Gtr.
ry
out)
sl.
w/Rhy. Figs.5
&
5A. (both 2 times)
Ff5
Taste
N.C.
you will
me,
see_
more,
you need,-
that's
fe
w/Rhy. Fill 2 (Gtrs. I &
@ru
N.C.
B
/-:-a ded-i -
cal
how I'm
to_
ed
D
you._
fuck-ing
sl.
Half time feel Pre-chorus wlRhy. Figs. 6 & 64. (both 33/ttimes) D5 E5 N.C.
E5
(B5)
D5
(Audience:)
(Come crawl
--\
-
o-
ing
D5
N.C.
Your
38
(B5)
N.C.
---*\
D5 E5
'a
E5
r
.O.
life
bums
fast
-
er.)
E5
I
D.S. al Coda (end half time feel)
w/Rhy.Fills3&3.A N.C.
I
I '
J
Coda
s
.J
,
Gtr.
III
Gtr.
Iv
lrt
FreelyJ = ca.96
F5
+
'
tl
I
Gtr. I
-
)a
(Gtr. I ouo
I mas -
ter,
Gff. ITI
Gfu.
II
-{}-
-
-{}
e6
=*-/-=--l
_t--l
trem. pick
*dprocessed echo repeats.
Fdbk. --------
(Gtr.
II out)
(8va) Rhy. Fig.7 (Gtr.
I)
HP
,.--::\. LjJ
Fdbk.
Fdbk. pitches: E
-----------
W letring cleantone
HP
*w/Rhy. Fig. 7 Em
(end Rhy. Fig. 7) U2
Gff.
II
*Omit last note.
**Vol. knob swells.
^f
*Riff B (Gtr. I)
^f
dist. tone
sl.
8va
------------'
*Play with slight vriations ad lib when recalled, *+Gtr. II to left of slash.
HP -.i-
s/.
H
40
(end Riff B)
w/Riffs B & B1 (Em)
(D)
(Cadd9)
(Amsus2)
Riff C (Gtr. trI)
(B7)
----\
*Omit note in prentheses when recalled.
Guitar solo
I
w/Riff C (2 times)
*w/Rhy. Fig. 7 (2 times) (Gtr.
(B7lD*)
EmD (end Riff C) Gtr. I 8va ------------.r
II)
H
H
HP
*Clem tone w/chorus, 2nd time omit last note
B7
Amsus2
B7/D# Fu
) sl.
,3'
sl.
P*
HP _.--':-\ L-3
L3J
t
HP
HP
s/.
HH *w/Riffs B & 81 (both 2 times) Amsus2
N.C.(Em)
B7
---\ (echo off)
sResume dist. tone. Gtr. II chorus
off
41
E5vII
ctr.
D5
c5
A5
B5
D*s
o
o
J
J
J
II d f
.f
I
oi't ----.*\
t_r_r-t
|JJJ
(end Riff D)
HP
,.=\.
LjJ HP
*P.M. applies to ctr. IV only.
w/Riff D E5vtr
J
Gtr.
D5
C5
A5
B5
o
o
J
J
I
I
TIT
D*s
-----\
.l
(cont. in slashes) 1t1
HP
LjJ
-------------------------l
HP
42
,/+
ffr fTll fT71 ----------P.M. (Gtr.
(cont. in notation)
fT]1 STtl
IID
F*s
G5 Ff5
cs cf5
G5 Ffl5
(Gtr. Itr out)
Rhy.Fig.8(Gtrs.
Gtr.
F#s
(Gtr.
IV
I&Q
(erd Rhy. Fig. 8)
IV ouo
*P.M. applies to domstem notes only
dRhy. Fig.8 F$5 G5
Ff5 c5
F*5
G5
F{s
Gs c*s
w/Rhy. Fig. 8 (4 times) F#5
F*5
cs
G5
where's the dreams that
G5
F*5
G5
mas
- ter,)
prom-ised
on
Ffl5
:--.--:.
Iy lies.-
Cil5
cs c*5
F#s
I've-
been
F$s
(Laugh-ter,
laugh - ter,)
43
r-
G5
all Bva
F#s
I hear- or
G5
see
is
laugh
c$s
- ter.-
laugh - ter,)
iaugh -
ing at-
<<7-....my
--------------
DoubletimeJ =116
(Gtr. I cont. in notation)
(cont. in notation)
Fd5 Gtr.
II 9 r-
3.-----1
(Ha, ha,
(Gtr.
Guitar solo
III ouO Gtr' I
II
w/Rhy. Fig. 4 (4 times)
N.C.(E5)
8va --- -- --- -- - --
N.C. 8va ---- - -- - -- -- -- --
44
cs c#s
G5
N.C.
(Es)
ha.)
N.C.
Pp
-----^-._---\-^
;--.T-sl,
-Y'W trem. bar
PP
---\
Ps/
*Depress ba before striking note.
(Es)
N.c.
(E5)
A.H.-------------
A.H.---.
(15ma)
(15ma)
.y
l%
rtltt!ltt vib. w/bar
IAAAAA/IAA'I
A.H. pitches: Gf
*Pull bar up.
A.H. pitch: F{
N.C.
45
w/Rhy. Fig. 5 (2 times)
F#5
N.C.
F$5
Fult
Ffl5
N.C.
Full
{L\)?\_1/^r,-t
Full
Full
Full
Full
Full
Full
Full
Full
Full
Full
Full
JJ
A Fu1l +A ____
/
Full
+
s/.
sl.
w/Rhy. Fill 2 (Gtr.
Ffs
@zt
N.C.
B
1Y2
Full
Full
Full
Full
Full
) l
,---*\----\
46
*
N.C.
Full
t
Full
I)
l-
*P.M. applies to Gtrs. I &
only -tr
B5
(Gtr.
trI out)
(end Rhy. Fig. 9)
+P.M. applies to Gtrs. I & II only
47
f f rF
i-i.g *P.M. --- ----- -- ---
--
--l
*P.M. applies to Gtr. I only
w/Rhy.Figs.2&2A E5 Gtr.
III
GtI. IV
w/Rhy.Figs.2&2A
Gtr. I substitute last bar Rhy. Fig.2,A.
of Resume Rhy. Fig.
E5
-o.(:)
2
w/last bar of Rhy. Fig. 2
-o
Q)
(Gtr.
48
IV out)
3rd Verse w/Rhy. Figs. 4 & 4A (both 4 times) N.C.(E5)
(Es)
rhyme-
with
out_ (Gtr.
Nev-er -
end
num -
bered
help-
you
III ouo
days,-
w/Rhy. Figs. 5 & 5A (both 2 times) Fil5
will
oc
die,49
w/Rhy. Fill 2 (Gtrs. I &
[)
@zt. B
HaIf time feel Pre-chorus w/Rhy. Figs. 6 & 64' (both
D5
E5
33l+
tirnes)
N.C.
E5
(Audience:)(Come crawl 8va ------------Gtr.
III
Gtr.
IV
ib?.-trTii.iD Harm.
H3H
,>J (Gtr.
IV
ouO
H*'
HH "/.
N.C.
E5
50
N,C
(B5)
D5
E5
n'/Rh1'.Fills3&3A N.C.
bey
ter,
(Audience:) (mas
s/',
-
Outro *w/Rhy. Figs.4 & 4,A (both 4 times)
,----\_ '.J'
tlst time Gtr. I plays
lJ,
E5 on beat 1 of lst bar
N.C. P
.----.,._.-iI
Gtr. I substitute Rhy. Fill 4 N.C.
Rhy. Fill 4 (Gtr. I)
51
w/last bar of Rhy . Frg. 2
Free time F5
(type2)
(Gtr. II cont. in notation)
iHi,g-o*c
o
yeah.-
Yeah.-
E5
c"'lJ
--\
&
---3
v
-J.-------)'r -a-----\
Gtr.
II
II
u trem.
52
pick
-----/ sl.
VII
lt
//
Thank you
ver-y
much.-
NO LEAF CLOVER Words and Music by James Hetfield and Lars Ulrich G5
ffiili* Tune down 1/2 step:rl
C5
Em
ffi*ffi
Am
Effii
B7
C
DE5
H+JIJ 213 4
!H+ri
IFIH
[ffi
32 I
lifilr
@=El @=cb @=Ab @=Bb @=Db O=Eb
SlowlyJ = 80
Intro
N.C. *Gtr.
I
P.M,-------------
*Orchestra
m. for gtr
P
a-\
P
Rhy. Fig
P
a\
P
(end Rhy
nlp clean tone
w/pick &.fingers
Copyright @ t6ss creeping Death Music (ASCAP) This Arrangement Copyright O 2000 Creeping Death Music (ASCAp) lntemational Copyright Secured Ail Rights Resenied
53
r Em *Gtr.
Gtr.
(Gtr. III out)
III
II
*Orchestra
ar. for
gtr.
Rhy. Fig.2
54
1st Verse
A5
1. And
("g$y.Fig.2)
it feels right_
this
Rhy. Fig. 3
\J P.M.
P
P.M.
on his crash course with the big_ time._
Pays no
mind to
P.M.
the dis-tant
(end Rhy. Fig. 3)
55
fills-
new day
head
his
with
HP
-------:-\
HP
*B played by
bass only.
2nd, 3rd Verses w/Rhy. Fig.
3
A-5
2. Says it feels 3.
Don't
it
feel
rightright-
this
like
time.this?-
Tumed
All
it 'round and found- the right- line.-
the piec - es
fall-
to his- wish.-
*Orchestra plays dvariations ad lib on repeat.
fTn rTn
B5
"Good day to be "Suck-er
56
for
a
- live,-
that quick re -
ward,-
sir. boy.
Good day to be Suck-er
for
a
-
live,"
he
that quick re-ward," they
(Gtr. IV out)
Yeah.Yeah.-
)
|
Then it comes to
be-
that the
light-
sooth-ing Gtr.
at the end of
your
tun - nel
I
) Gtr.
was
just
a freight
trl
J
train com-in' your
t\-/-
hey,-
J (Gtr.
III out)
H
PsLH
HPH
pH Ps/.H
HPHPHPH xorchestra arr. for gtr.
ffirrs-= yeah.
Am
B7
SEffiTT Then it
comes
to be-
TTMil
that the sooth-ing
c
Am
at the end of your tun-nel
IT
U2
Full
57
ll.
Gtr. I tacet
fuo
B7
E,M
(cont. in notation)
fETT ffi )_T TTTTDI M was
just a freight train
NC
/
=----:
com-in your
yeah.-
way,
Rhy.
f
Fill
1 (Gtrs.
II & IV)----'
(w/dist.) P.M.
sl-
12.
rT rTn J-
hey,-
ffi rT rT{n rT yeah.-
your
P
a-.
Full
-FA sl.
58
P
^
rT rT{n rT rT s-Tfn B7
s--T r-3---r
lt's com-in' your
way
P ..-\
85 C5 B5 C5 B5
fTT TTT C5
w/Rhy. Fill N.C.
1
(Gtr.
II)
Guitar solo w/Rhy. Fig. 2 (2 times) (Gtr.
II)
E5
-------:-\ yeah.-
Full
Full
t* )
Full Full
Full
Full
)
Full Full
P
-
Full
59
Full
)
Full
Full
)
pu1
)*):
Full
sl. sl
Full
P
P
sL
i\
sl.
P
Full
1112
P
Full
11/2
Full
t )sl.
P
loco
+34trem. Full FuIl FulI
)
60
P
sLP
<\
pick
)
Full
)
P
a\
P
Interlude E5
8va ------------Full
)st.
P
, sl. /1
-lR
Rhy. Fig. 4 (Gtrs.
II & IV)
loco
Full
)\
(end Rhy. Fig. 4)
w/Rhy. Fig. 4 (Gtrs. II & IV)
E5 Gtr.
I
G5
E5
N.C,
F5
N.C. F5
61
w/Rhy. Fig.4 (Grr. II) E5 Gtr.
N.C.F5 N.C.F5
I
c'ir"J1)
STrnf)
@ op"o AB5
D1
E5
rnfnf) (end Riff
A'5
D]
@ 85
Snfnf)
op"n
AB5
//-.
P.M:
P.M.-----------A)
Chorus
w/Riff A (2 times) E5
uus.
I&tvli-i J J J
J
Yeah,- then it
{nn comes
to be-
rTn that
the
sooth-ing
Gtr.
62
I
light-
{nn at the end of
your
@
op"n
AB5
//-. P.M:
[nn
rTn
Knv-r
l-lrr
rii.s/ / / /
rfrn
A5
/
[n-)
ITn
mn {Tn
C5
(Gtr.
III out)
(end Rhy. Fig. 5)
w/Rhy. Fig. 5 (Gtrs. II & IV) E5
63
w/Rhy. Fig. 5 (2 times) (Gtr. tr) E5
to be,-
Then
Gtr.
yeah,
yeah.-
Then it comes to
IV
Outro E5
Then
it comes
to be,- yeah,
yeah.-
Then
it comes
to be,-
lt
Gtrs.
II & IV
be,-
yeah.-
HERO OF THE DAY Words and Music by James Hetfield, Lars Ulrich and Kirk Hammett
F#s/Gfr
F#s
Hli t34
down l/2 srep:
F$s/A
Ffrs/B
211
4tt
E/G#
m Eiii ffioo ffioo $lt+ H++ FH+H !t+++ 111
311
E5/A
85
m* lHii
@= Eb@ =cb @= Ab@ =Bb @= Dbo =Eb
Moderately
J
= 112
(end Rhy.
,ryp
Fig. 1)
let ring throughout
clean tone
*Orchestra arr. for gtr.
Ma - ma,
they try-
and
break-
me.-
Copyright @ 1996 Creeping Death Music (ASCAP) This Arrangement Copyright @ 2000 Creeping Dealh Music (ASCAP) lnternational Copyright Secured All Rights Reserved
65
lst Verse w/Rhy. Fig. 1 (6 times) (Gtrs. I
& m)
where-
They're
ofl
to find-
they've
of-
gone
day.Gtr.
II
*Orchestra
But what (Gff. II
66
if out)
they should Grr.
tV
fall-
wick -
ed
way?-
ar. for
gtr.
Yeah._ Still
the
win-dow
A5/Cf
+l
bies
of those flames,- can't you feel your names?- Can't you hear yourGtr.
ing?-
cry
Yeah
II
+l-___ Gtr.
w/Rhy. Fig. I (lst 3 bars only) (Gtr. Itr) w/Rhy. Fill 1 (Gtr. I)
A5 A5/B A5lC$ Ma-ma, they
Gtr.
w/Rhy. Fill
A5/D
try-
IV
(Gtr. IV out)
2
w/Rhy. Fig. 1 A5/B
,{5
and break-
Still
they try-
and break-
=--*-
II
Rhy. Fill
1
(Gtr. I)
Rhy. Fill 2 (Gft. IU)
67
Half time feel 2nd Verse w/Rhy. Fig.
Thesethings
Grr.
1 (6
times) (Gtr. IID
re-turn_ to me_ that still_
seem real
II
e-_
f.*(Gtr.
Iout)
tL-
Now, Gtr.
de
-
serv
ly,-
this
II -o.
68
eas
-
v
But
the
(end half time
wheels-
rock-ing
of-
de
-
feel)
O,
Don't want your aid,-
spair
but
the
I
fist I've
made-
for years-
won't hold
off
fear.-
m not all
me,-
A5ID
Chorus Ffl5
now
Rhy.Fig.2(Gtrs.
I&ilI)
the
dreams-
(end Rhy. Fig. 2)Rhy. Fig. 2A
and
wak -
ing
(But now the
screams_
dreams-
that that
evev-
(end Rhy. Fig.
2A)
69
w/Rhy. Fig. 2A
(3V2
times)
F$s
er er Gff.
N.C.
lastlast-
night.night.-
So build the
be -
hind_
it,
crawl_ and
hide_
II
un
un
- ril_ - til_
hear-
light.light.)
-
Guitar solo A5
now?
-
70
wall-
loco
your
ba-
I can't hear you!
(end
w/Rhy. Fig.
Riy. Fig. 3)
3
9va
-------------------
-
71
t3rd Verse w/Rhy. Fig. 3 (I3/ttimes)
A5
A5/B
time so (The
some Some -
one one
-=-..---
therethere-
ls is
sigh sigh -
ing.
Keep
-
ing.
of
the
tums._ burns.-
can't
you
Can't you
8va------------
sL
sl.
a-:-\
sI.
72
ers
slow - ly win - dow
sl.
eslc$
E
Jrr feel
feel
.t) Can't Can't
your your
you hear you hear
ba ba -
your your
bies bies
cry cry
-
ing? ing?
Chorus w/Rhy. Fig. 2 (Gtrs. I & F#5
now the
ilI)
w/Rhy. Fig. 2A F$s
wak -
(But Gtr.
ing
screams_
now the
dreams-
er er
that that
(4Yz
lastlast-
times)
thethe-
II
wlFill2
build
the wall- be - hindSo build
it, the
crawlwall-
Rhy.
and and
hidehide-
un un
it's_ it's-
lighr._ light.)-
Fill 3 (Gtr. IIf
73
Outro
F*s
Ff
crrrT ))',
)), they
(Gtr. I cont. in slashes) Rhy. Fig. 4 (ctr.
)),
))
and break-
me.
III)
Fill 2 (Gff. IV)
74
))',
5/cf
(Gtr. IV ouO
F$s/A
1
Ff5/B
Ff5
n1 n1 nl D1 nl nl nl n1 nl n1 n1 n
Ma-ma, they try-
and break-
me
Ma-ma, they tryH /-\
E/G$
1 ))1
E5lA
and
break-
^
85
fit fit nt n1 n1 n1 n1 n1 n, n) Ma-ma, they try,-
Ma-ma, they try.-
Heyl
(end Rhy. Fig. 4)
75
r w/Rhy. Fig.4 w/Fill 1 (8 times) (Gtr. I)
F{5
F$s/c$
break-
F#s/B
break-
Ma-ma, they
me.
(Ma-ma,
they try-
break-
me.
Ma-ma, they
me.
try-
fl
E/Gf
Ma-ma, they
try-
and
break-
Ma-ma, they
me.
Ma-ma, they
me.
try-
break-
-
try,-
Ma-ma, they try
me.)
rC}
yeah
Gtr.
Full
)
II ,__--..-.....=t
i
Full
Gtr.
I -----\/i
Gtr.
III
==-
76
/-
Full
_
BLEEDING ME Words and Music by James Hetfield, Lars Ulrich and Kirk Hammett Tune down 1/2 step:
D5
E5
ffizri
@=Eb O=cb
ffi
@=el @=nl
ffi*
r34
@=Db O=Eb
C5
iffiii*
Half time feel
ModerateRockJ =116
Intro
N.C.(Em) *pi11 1
(**Gtr. II)
zuff A (Gtr. I)
sl.
m1t clean tone
s/.
P
*Play all orchestral parts w/slight vriations ad lib when recalled (thoughout). **Orchestra an. for gtr.
sl.
D/F+ (end
Fill
1)
(end Riff A)
let ring-
sl. w/Riff A (lst
--------
-- --
-
------- ----
-
-- -- r
P 6 bars only)
N.C. (Em)
Fill
Gtr.
2
tl.
Itr
clean tone *aow
*Vol. swell (next
<.
8
sim.
brs) Copyrighl @ 1996 Creeping Death Music (ASCAP) This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP) lnternational Copyrighl Secured All Rights Reserved
77
(end Fi1l
2) w/Riff A (lst
G5 D/Ff ce--_
6 bars only)
Em
Rhy. Fig.
1
tOmit ties when Fill 2 is recalled,
w/Fill
3
(end Rhy. Fig
Fiil
78
3 (Gtr.
I)
lst, 2nd Verses A (1st 7 bars only)
ilRiff
2nd time Gtr.
II substitute Fill
5
Em
I'm dig-gin I'm sow-in'
my the
way._
Yes, I'm Yes, I'm
seeds.-
dig - gin' sow - in'
my
way_
the
seeds-
some tak -
thin'. en.
let ring
------------
w/Fill 4 G5
to
I
some - thin' take- for
bet grant
-
ter. ed.
(end Riff B)
let ring--- -- -- --
Fill 4 (Gtr. I)
Fill 5 (Gtr. II)
79
some - thin'. from- the tree.
side,-
with some is from the tree
(end half time feel)
Rhy."Fie.3 (Orr.r, )
D/F#
f
y
ter.
Ooh, it
plant
n
D5
)
'l
))
,rO,r,.
w/dist
si.
tw/variations ad lib on repeat
BO
bet
))
n1))
r)
r)
E5
1))
1))
woh,
bleed,-
ll.
r)
(end Rhy. Fig. 3)
@open
D5
1))
r)1))
A5
J'--f)
3fr.
EG
),0,,,*
--_.--\ Oh,
yeah
(end Riff C)
81
Half time feel
w/RiffA (lst w/Rhy. Fig. Em
6 bars only)
I
(cont. in notation)
w/Fill
l-n
3
@open
3fr.
EG
)
Half time feel Chorus E5
1.3. Caught
2.
I'm caught
Rhy.Fig.4(Gtrs.
un un
wheel'swheel's-
take the take the
leech,- I'm bleed-ing me.leech,- hey, I'm bleed-ing me.
I&III) (end Rlty. Fig. 4)
82
dRhy. Fig.4 (2 times)
3rd time Gtr.
III
substitute Rhv.
Fill
3
E5
lst & 2nd times Gtr. fII substitute Rhy. Fill 2
E5
(Gtr. III resume Rhy. Fig. 4)
D5
bleed-ing
Ooh, woh.-
me.
(Gtr. II out)
To Coda
2nd time
dRhy. Fig. 4 (1st 3 bars only)
:-\\
I
s
1st time w/Rhy. Fig. 4
Gtr.
III
A'5
D5
substitute Rhy.
Fill
1
N.C.
der wheel's-
Rhy.
Fill 1 (Gtr. IID
Rhy. Fill 3 (Gtr. H
Iil) sl.
sl.
sl.
1/2
)-) *
sl.
r:>
83
r w/Rhy. Fig. 3 and Riff C E5
_-..-.-D5 -^:
r
Woh,-
the bleed
oh.
Interlude dRiff A (1st 6 bars only) N.C.(Em)
Gft.
II
----\
---\ -
nf wflight dist. & slide
*Fill 6 (Gtr. I) Harm. sl.
*While lightly resting L.H. finger on string. slide up neck while picking in eighth note rhythm. thereby sounding random harmonics.
84
- ing of
w/Fill
3
wlRiff A (1st 7 bars only1 N.C.(Em) .o.
---+\
-
,*/-\
,*'---\
-
D.S. al Coda
w/Fill 6 (G5)
--.=...--..
=
(D/F{)
I
Coda
I
(end half time N.C.
SA5
Free time feel) Interlude N.C.(Em)
drandom fdbk. (Gtr. I) (next 10 bars)
Esus4
bleed
*Orchestra
m. for gtr
ing
of
N.C.(B5)
P.M.--.t
Rhy. Fig. 5 (Gtr. I) H
P.M.------
(end Rhy. Fig.
5)
Rhy. Fig. 5A.
(end Rhy. Fig. 5A)
H* I
-_/ H P.M.--r
P.M.
P
P.M.--r
87
ctr. rrr
w/Rhy. Fig. 54' (2 times)
I
, )rh,,I , JJ, rTT;
Half time feel w/Rhy. Fig. 54' (4 times) (Gtrs.
I & III)
wlFill2 N.C.
E5
Gtr.
N.C.
E5
fV
Bridge w/Rhy. Fig.
5,A. (4
times) and
Fill
1
E5
the
beast-
feeds-
the beast.
am-
re - lease.
D.S. al Coda
Come make me 88
pure,_
mea
cure._
caught,- I'mcaught
Il
Coda
II
w/Rhy. Fig. 4 (Gtr. I)
SE5
;--\ I can't
Gff.
take
it.
I can't take-
II] Full
r)
Full
) w/wah Full
as
filter
Full
oh,-
it.
Full
A5
the bleed - ing of Full Full Full Full j G..
^ Full
Full
s
l}a>
Ful]
I l*
aD a>
.-:-
me.-
sl.
Full Full
Guitar solo w/Rhy. Fig. 5 and
Fill I
w/Rhy. Fig.5A (3 times)
E5
E5
-=--E-: Corne on.
B5
&')
w-n LJJ
89
f)W
B5
/
I
Come on
P
Full
Full
Full
)
P
+
P
:--\
)
and
feel
P
)
Pr
Full
Full P
)
Fu11
P
)
P
<-3P
w/Rhy. Fig.
Pr
Full
5
Full
LJJ
P
90
w/Rhy. Fig. 5A (3 times) E5
-----,'_.-o
Fu
l
(Gtr.
Full
II out)
lY2
I
-A
=<
rL
Half time feel dRhy. Fig.4 E5 Gtr.
III
__-\
sl.
sI. sL<=>
s/.
sl.
sl.
:=)
sl
91
w/Rly. Fill 2 (Gtr. I) sl.
a--\
N.C.
E5
*dRiffA(Gtrs.
w/Rhy. Fig. 4 (last2 bars only)
N.C.(Em)
Gtr. I subsrirute Fill
3
(Gtr.
DlFf
III out) x*w/Riff A N.C.(Em)
**Clean tone
92
(1st 3 bars only) (Gtr.
I)
I&III)
dRiff A (1ast 4 bars
only)
3rd Verse
dRiff A (1st 7 bars only) dRiff B (2 times) Em
dFill
8
G5
Fill 7 (Gtr. I)
Fill 8 (Gtr. I)
93
r dRiff A Em
I'm push-in'
to
Yes, I'm
stay
push-in' to stay-
with
some
with
some-thin'
-
thin'.
---.*.-
I'm push-in'
to stay-
with
some
-
thin'
bet - ter,-
yeah,
-3-
(Gtrs.
I&IIIout)
Gtr. IV
6\
uJ
!l
94
bet -
NOTHING ELSE MATTERS Words and Music by James Hetfield and Lars Ulrich Am
C
Tune down
l/2
ih'
E$ili 32
t-++r+
23t
1
step'.
D
ffi
t32
E5VII
D5
C5
G5
xj^"
-.......e^-
B5 IJ
ffi"'iffiil* Fffi* ffi'," ffi
@= Eb@ =Gb
@= Ab@ =Bb @= Dbo =Eb
Slowly J. = 54
Intro
.,---\
Em
*Gtr.
'--',.,._\
TT
.----\
----\ tup-
w/clean tone & fingers
let ring throughout
*Orchestra an. for gtr.
x*Vol. swell
HP11.
Copyright O 1991 Creeping Death Music (ASCAP) This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP) lnternational Copyright Secured All Rights Reserved
95
96
(Gtr. II out)
_---nw
Gtr.
III
1st Verse
Em
So
Rhy. Fig.2 (Gtr.
+Orchestra
m.
\-t close,
no mat-ter
how-
j =---far.-
be
much
\rmore_
III)
for gh
97
I' 1 i
, --;
.---.
from the heart.-
For- ev - er
trust
- irg
who
we are._
-
noth
- ing else-
== T.T==-.--l I
tt
(end Rhy. Fig. 2)
I
nev
- er
o -
self
pened my
GtI.
(Gtr.
98
IV out)
this IT
way._ H
Life is ours,
we live it
All
And noth - ing
these
words
else
-
3rd Verse w/Rhy. Fig. 2 (1st 8 bars only) Em
I
seek
and I
find
in
you._
Ev-'ry
day
99
some - thing
O - pen mind
for-
a
dif - f'rent
:\vr9w._
\-/ sl.
(cont. in slashes) (end
Chorus D
CAm
,"tiuffiW Nev -
100
er cared
//l.t. for
what they
l-=-..---\-;
Rly. Fig.
rTn fnn Nev
- er
cared
for
what they
l)
CAm
D
s-T)
))
4th Verse w/Rhy. Fig. 2 (1st 8 bars only) (Gtrs. I & Em
close,
no
mat - ter
----\
howGtr.
(Gtr.
from the
1 (Gtrs.
I & III)
III)
\-, So
w/Rhy. Fig. Em
II
J =-/ fzr.-
'-t
Could-n't be much moreH
IV out)
For-ev -
heart.
er
trust
-
mg
who
we
are.H
C
Gtrs.
t&m /
noth
- ing else-
mat - ters
l.
Chorus
)#:;UTrm
AmD
Nev-er cared for what they
do.-
*Vol. swell
101
(end Rhv. Fis. 4)
c
Am'
Rhv.
)
Fig.
5
I)
FrrD
rm
1 (Gtrs.
know
I & III)
Interlude
Em
Em
---:-...--
.i,--j .'--..-\
Gtr.
III teI , rtng
*Gtr. I notated to left of slashes. +*8ra refers to both gtrs.
Dadd2
102
(end Rhy.
Fig.5)
)
Nev-er cared for what thev
w/Rhy. Fig.
D
C
and I
know,-
.-
C Gtr.
N.C.
Dsus2
II
.----\
loco
--'-\
Full
Full
*Vol. swell
5th Verse w/Rhy. Fig.2 (cff. Em
Iil)
I nev-er
w/Rhy. Fig. 2(1ast7 bars only) (Gtr. I) Em
self
this
way._
Hey,
life i, ohi
H
-==--'
6th Verse
104
we live
you._
O
- pen mind
Ev
for-
a
-
'ry day for us-
dif-f'rent
some
- thing
vlew._
new.-
And noth - ing else-
----
Am
Chorus w/Rhy. Fig.4 (3 times) (Gtrs. D
)
Nev-er cared
mat - ters.
I & m)
lor things they say
Riff A (Gtr. II)
Nev
- er cared for games- they
(end
I
play.
w/Rhy.Fig.5(Gtrs.
nev
Riff A)
- er cared for what they do.-
I&III)
D
I
nev
- er cared for
what they
105
Guitar solo
E5 Gtr.I l.
E5 \'tr
//
I
t oh, Gtr.
Yeah,
and I
-----\
II
yeah,
(w)
(Gtr. I cont. in slashes)
C5
))
P
HP
P
t{P
@:ri.
zr'.
GF*E5
) -----.\
P
P
Full
Full
Full
Full
Full
P
a\
Full
Full
)
Full
_/-)
P
i\
D5
)
C5
//ht
))
B5
G5
E5
))
J
I'a.
Fuil
1{l
Freely
(cont. in notation)
J
"---l
H
22.
2-^-@sl
(Gtr.
III
out)
A tempo Em
ntp
w/clean tone & fingers
107
(end Rhy. Fig. 6)
(Gff. n)
Gtr.
II
HPsl.
108
UNTIL IT SLEEPS Words and Music by James Hetfield and Lars Ulrich Tune down 1/2 step:
@=Eb O=cb
@=el @=nl @=Db O=Eb
Moderately J = 124
N.C.
*Gtr.
Intro
I
HP
(Cymbal)
.-.---\
^
torchestra ar. for gtr 1st Verse
N.C.
Where
do-
take-
this pain of
mine?-
-o
Rhy. Fig. 1 (Gtrs.
II &
il)
v
run
but
it
stays\-o.
right by my
side.-
(end Rhy. Fig. 1)
Copyright O 1996 Creeping Death Music (ASCAP) This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP) lnternational Copyright Secured All Rights Reserved
109
G
So tear-
pen,
me
Rhy. Fig. 2 (Gtr. II)
P.M.
P.M.
w/Rhy. Figs. 2 &2A(both 2 times)
110
There's
side-
things- in
that
(end Rhy. Fig. 2)
Rhy. Fig.2A (Gff. IID
AmG
pour me out.
P.M.
(end Rhy. Fig. 2A)
P.M.
P.M.
scream- and
,-----\..
Rhy. Fig. 3 (Gtr.
{}
II)
clean tone Iet rinp
Rhy. Fig. 3A (Gtr. IID
2nd Verse
Am
like-
3)
Rhy.
Fill
3,{)
Rhy.
Fill 1,{ (ctr. m)
(end Rhy. Fig.
(end Rhy. Fig.
1 (Gtr.
II)
stray._
(end Rhy.
(end Rhy.
Fill
1)
Fill 1A)
111
wiRlty. Fig.
1
N.C.
You feed-
Gtr.
it
and
I
Chorus
112
now it
stays,-
Bridge
E5 til-
Rhy.
I'm
clean.-
Fill 2 (cff. II)
Rhy.
N.C,
E5
It grips-
you,
so-
hold me._
Fig.4
(end Rhy. Fig. 4)
Rhy. Fig.4,A
(end Rhy. Fig. 4.A)
P.M.-------------r
w/Rhy. Figs. 4 (2%ttmes) &
E5
4,A' (3 times)
N.C
It stains- you, so-
E5
a...-\
hold me.-
It hates- you, so-
hold me.-
113
wiRhy. Fill
E5
E5
N.C.
E5
N.C.
w/Rhy.Figs.3&3,{ A5
sleeps).-
w/Rhy. Fig. I N.C.
--/ me why-
you've cho - sen
me._
'c
t+'
youl gnp,
don't want your greed,
Rhy. Fill 3 (Gtr. tr)
114
3
N.C.
Chorus w/Rhy. Figs. 2 & 2A (both3% times)
Am(
w/Rhy.Fills2&2,A' F
And
the pain-
still
shakes
- me.-
so hold*Gtr.
ril_
me
il
[v
*Orchestra
m. for
g1I
Bridge w/Rhy. Figs. 4 & 4A (both 3Vztimes) N.C.
E5
.--\E5
N.C,
It grips- you, so- hold me.-
-
J
(Gtr.
E5 N.C.
It stains- you, so- hold me.-
Ooh yeah.-
IV out) crr. I
It hates- you, so- hold
me.
It holds-
you,
115
Guitar solo Am
un - tilH
Gtr.
a->,,lr-HsI
(Un
sleeps.-
it
/->
/C
H
sl.
+ r
t)
III
w/wah
Gtr.
II
^
1
as
fiIter
sleeps).6VO-
Ioco
Full
Full sl.
P ].-
116
-
i
til-
it
sleeps.-
----\
Full
Full sl. t\
Full
l
Full sl.
let ring
CmajT
I don't want-
it.-
no.-
*rl
.r/.
U2
let ring-
-- --- --
- ---- --
-----
-- --
-l
117
L
sl.
*
t
trem. bar
'.v
"y
3
sl.
---)
(wah off)
sl.
"v
(dist. on)
+Depress
bu before striking
notes
Chorus w/Rhy. Figs. 2 & 24. (both 4 times)
Am
.c
So tear-
And
118
me
the dirr_
pen, but
still
be-ware
starns_ me,
there's
things- in - side_
so wash-
me
with - out_
a
till I'm clean,-
care._
ah
w/Rhy. Fig. 2.A (4 times) (Gtrs. II & A5 D5/A
I'11 tear-
me
o
[I)
-
pen,
I'll
make you gone.
No
long
er will you-
hurt
an-y-one._
loco
8va--------'-----
Outro A5
(Un
til_
it
'l
t
sleeps.)- Un
ti1-
it
sleeps.-
'<}
clean tone let ring
Gtr.
III
(Gtr.
III out)
119
sh
---.*-
rC}
Gtr.
sh
-
sh...
Un-til it
sleeps.
rC>
II
=::5
Free time
*< Gtr.
IV
*Vol. swell (Gtr. IV only)
120
HUMAN Words and Music by James Hetfield and Lars Ulrich
D5 iEEFIi Drop D tuning down 1/2 step:
@= ob @=65 @= ab @=35 @= Db @=Eb
Moderately sbwJ = 82 D5 *Gtr.
E5
J
N.C,
Rhy.Fig.
Play 4 times
D5
A5
Gf5
N.C.
I
*Orchestra
Faster
F5
m.
for gtr
= 94 Full
I
1(Gtrs.tr&il)
(endRhy. Fig.
1)
s/.
dRhy. Fig. I (2 times)
F5
N.C.
F5 8va
D5 _______(qq_D
N.C.
N.C. _____
Rhy. Fig. 2 (Gtrs.
II & ilI)
Copyright @ 1999 Creeping Death Music (ASCAP) This Arrangement Copyright O 2000 Creeping Death Music (ASCAP) lnternational Copyright Secured All Rights Reserved
H
121
w/Rhy. Fig. 2 (Gtr. II) D5
N.C. 8va -------------
Rhy.
Fig.2A (Gtr. III)
(end Rhy. Fig. 2)
-----/ H
H N.C.
----\
si.
N.C
you leave-
me,
rC>
sI. -----\
-z----
122
L,
s/.
(end Rhy. Fig. 2A)
.------\
Rhy. Fig. 3 (Gtrs.
II & m)
ther
Time.-
Take
me
with-
you.
Tell me, does_
your
8va---------s/.
still
shine?
Come
s/.
C)
squeeze
the world
and drip it
down
my
ga1n,_
(end Rhy. Fig. 3)
dRhy. Fig.2 D5
gdn.-
Oh,- whoa,-
uh
You 'vegot to
breathe,- man,-
sl.
8va
*
(Com-in' H
wiRhy. Figs.2 (Gtr. II) & D5
124
2,A'
up
for
breathe.-
------------P
P
a--\
Breathe,- man,air.
Com-in'
up
for...)
2nd Verse w/Rhy. Fig. D5
N.C.
3
Bare
the
world
and drip it
down my
- ly
breath
-
ing,
throat-
---..*\
w/Rhy. Fig.
2
D5
N.C.
Oo.
uh.
P
a-.
down my throat
a-
Chorus
w/Rhy. Fig. N.C.
'=-\\ Oh, whoa,- whoa.-
You've
got to
I
breathe,-
(2 times)
man,-
loco
(Com-in' up
for
Breathe,- man,-
breathe.for...)
air.
(Gtr. I out)
Half time feel Guitar solo D5
Gv
\
).
)^)
Gtr.
Itr
Harm.-- --------- ----(8va)
)--)
)
)
)^)
)-)
)
--,
3
rJ--l 3
Harm.--- -----
126
---------
)^)
).-)
)
/
t.
)-)
)-)
)
.-
)-)
I-)
)
P
^r:,,.-\
127
Outro-Chorus w/Rhy. Fig. 1 Gtr. III substitute Rhy. Fill
1
N.C.
breathe.-
Breathe,*
up
atu.)
(Gtr.D 8va
-- --- --- -- -- -- --- --
-
H
H
HH
HH
Gtr.
Gtrs.
m
II & III
Gtrs.
Rhy.
128
H
H
Fill
1
(Gtr.
II & Itr
m)
THE OUTLAW TORN Words and Music by James Hetfield and Lars Ulrich
Dg5/E
D5
E5'II
Ht?ll
Tune down
vz
Bs Xl
htr l-t++N t#'n m'offi r34
"t |,1
I
A'5
Es
F5
ffi ffi ffi O XIX
F*5
XXX
G5
E5
(type2)
ffi ffi*ffi"'
@=Eb @ =Gb @=Ab @ -sb @=Db
o =sb
SlowRockJ =60 Df 5/E
PIay 3 times
*h.n))'t
t
^f
dist.
n
**Gtr
^t
tone
P.M.
-
xDist. tone dwah as filter
**Orchestra m. for gtr.
(cont. in notation) PIa,r 3 times
n'l
n1
Copyright @ 1996 Creeping Death Music (ASCAP) This Anangement Copyright @ 2000 Creeping Death Music (ASCAP) lntemational Copyright Secured All Rights Reserved
ffin1-
@ t+tr B
(wah off)
129
xRhy.Fig. 1(Gtrs.
P.M.
lt2
I&[)
)l
P.M
P.M.
P.M.
l/2
*Play w/slight variations ad lib when recalled throughout (2nd bm only).
w/Rhy. Fig.
E5 vII
Gtr.
130
II 9
1 (3 times)
@ tor'. B
)t
(Gtr. II out) I
)::
N.c.
(endRhy. Fig. r/2
1)
1st Verse *N.C.(E5)
v-
----/ wait-
And now-
my whole-
\t life - time-
*Chords inplied by bass when gtrs. are tacet (throughout).
And now-
wait-
I
my
whole- life - time-
wFill
D5
E5vtr
urrs.
t&n/-i
r
**Gtr. IV
)
(Gtr. IV out) Gtr.
't'
Gtr-
Gtd.rr
l'-----..--'--..----.--.----.--4.
f
1
(Gtr. I)
@ rzt. E
st.
(Gtrs.
I
I&ilout)
III
III
the dirt,-
the tideGtr.
IV
Gtr. ITI
131
*GtI. IV to left of
n.-). D5 85
Gtrs.
I&II
slashes
in TAB.
(Gtrs.
I&trout)
f
what you-
left
me.-
Youknow
I'll
to be-
al-ways
a---l
N.C.(A5)
the one who seeks
so I-
may- find.-
So on I wait my whole-
life
(Gtr.
\__./o
tV out)
HH HHS'' -
*P.M. refers to Gtr. Itr only.
132
Chorus w/Rhy. Fig.
I
(4 times)
(85)
E5 VN
(Gtr. II out)
Gtrs.
t&Il o-o
(Gtr.
I out)
2nd Verse N.C.(Es)
v\/\!/
So on-
I
wait-
my whole- life -
time-
133
-v-
So on-
wait-
my
whole-
life -
time-
*ryp
*Vol. swell (Gtr.
D5 E5 vrr
ctr.rt.^J f \'\--l
you._
II out)
@zzt'. D
IsL
t-,I
D5E5
(w/delay repeats)
-
(Gtr. I ouO vvvvvvv w/delay --- -- -- --- -- --
ll2
lt2
lt2
1t2
--_j
The more(Gtr. IID r€>
134
search,-
the more-
my
need-
.-; you._
The more- I
D5 Gtrs.
I
bless,-
the more- I
@
B5
&I J-1 /-_d.
you.
bleed-
You
opeo
AB5
n.-1.
I
make me smash the clock- and
feel.-
be
- hind-
-
@gt
GA5
n
A5
o
Time was nev -
er
on-
my
so on I wait
my
135
law ofGtr.
III
Rhy. Fig.2 (Gtrs.
I & il)
U2
_)-
(end Rhy. Fig. 2) U2
U2
)-
)f
1/2
w/Rhy. Fig.2 (Bs)
----\ And I'm
136
Bridge 2nd time Gtr. II substitute Rhy. Fill 2
D5
D5
E5
And if
Rhy.Fig.3(Gtrs.
G5
A.5
I
G5
A5
mind
-
G5
A.5
A5
please pry
in
ito
pen.-
I&il)
D5 45
And if
face-
comes*
be
G5
s1n
A.5
be
-
ware.
(See me.)
(end Rhy. Fig. 3)
Rhy.
Fill 2 (Gtr. II)
8va ---------" Full
J
I
sl- loco
137
w/Rhy. Fig. 3 E5
D5
D5
D5
And
if
you
see_
A.5
A5 G5 A5
G5
G5
A5
re
me
To Codn
0
A5
- mind- me
of-
what left-
this
(Save me.)
@op"n
Rhy. Fill 1 (Gtrs.
I&D
E
(end Rhy.
FiIl
1)
(Gtr. II out) .,'7Ut t N.C.
o
-.-\^.
,^----\-.
,_o.
---/
*Vol. swell
138
v "7-
--s/.
Full
----\
Full
Gtr.
III
al ) I )1'^1
Gff. IV
(B5) Gtr. III (Gtr' IV oul.) 8r'a--------------
P
grad. cresc
Full
(Grr.
III
our)
(delay off)
Guitar solo w/Rhy. Fig. N.C.(Es)
1 (2 times)
8va --- -.
*Slide wom on pinky (not used till indicut"d)i*wuh indi.u,ions: + = pedal closed (toe down); o = pedal open (toe up)
__)
140
dRhy. Fig. 2 (2times)
sH ,<-)
(E5)
,-.*TAB numbers higher than 24
are imaginary fret positions located past fretboard. Pitches shown are approximate (next 2 bars only).
(Es) P
.----\
D.S. aI Coda
-3<
HP ,.'-'\
HP
^
141
Cod
s
Gtr.
dRhy. Fill
1 (Gtr.
I)
(Gtr.
E5
II o
Rhy. Fig. 4' -' -' E5
\-)J' /
----------
-
w/Rhy. Fig.4 (4 times)
'
Gtr.
**
<
III
,ryp
w/delay Full
*Vol. swell
w/Rhy. Fig.4 (4 times)
142
I out)
s/.
+Wah
F$5
G5
J {}
J
off
(end Rhy. Fig. 5)
w/Rhy. Fig.5 (5 times) E5 (Gtr.
F5
III out)
143
144
r/.
Ffl5
sl.
G5
sl.
H
G5
'*5
mmmffi P.M.---,
P
\-/
P.M.
PsL *Throughout Rhy. Fig. 6, play only lowest note of chord when P.M. is indicated.
(end Rhy. Fig. 6)
dRhy. Fig.6 (5 times)
P.M.-.
P.M.
E5
F5
Full
)
145
HP
Ffs Gtr.
III
P
P
a-\
P
sl.
P
a1
A.H,
i
F$5
146
(15ma) Full P
I
lt2
l
s/.
Full
Full
Full
))
)
sl.
Free time (end double time feel)
.r/.
Gtr.
ltr
oft
o
E5
/i
o
)
(tYPe2)
1 )sr
,{
t
/i
147 J
ONE Tune down 1/2 step:
Words and Music by James Hetfield and Lars Ulrich
@=Eb @=cb @=nl @=nu @=Db O=Eb Moderately slow, freely
Intro
(Banlefield roona enectsl
E-[tlf2,
(approx.23 sec.)
+Orchestra
m. for
gtr.
GmajT(no3rd)
GmajT(no3rd)
'j,
Rhy. Fig. 1 (Gtr.
II)
nlp let ring throughout clean tone
GmajT(no3rd)
w/Rhy. Fig. Bm
1
H Copyright @ 1988 Creeping Death Music (ASCAP) This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP)
148
lnternational Copyright Secured All Rights Reserved
GmajT(no3rd)
---\
Gtr. tr subsritute Rhy. Fill
1
GmajT(no3rd)
(Resume Rhy. Fig. 1)
D/A
wRhy. Fig. GmajT(no3rd)
1
Bm
GmajT(no3rd)
-
8va
Rhy.
Fill
1
P
(ctr. ID
149
Grr.
II substitute Rhy. Fill
(Resume Rhy. Fig. 1)
1
GmajT(no3rd) sl.-,
D/A
r-Jl
Gtr. II substitute Rhy. Fill 2 GmajT(no3rd)
GmajT(no3rd)
N.C.
Rhy. Fill 2 (Gtr.
150
II)
GmajT(no3rd)
Gtr.
II
Riff A (Gtr. II)
HP
HP <3.J
let ring throughout P
Gtr.
III
Riff A1 (Gtr. III)
HP
3
HP
Fsus2
L-----\
(end
HP
-3J
let ring throughout
RiffA)
HP q3-
P
(end Riff A1)
HP
-3'
lst Verse Bm
T
can't re-mem- ber
Rhy. Fig. 2 (Gtrs. II & ru)
152
GmajT(no3rd)
GmajT(no3rd)
tell if this
is
GmajT(no3rd)
Deep down
in-side I
this ter - ri-ble
si
-
lence
(end Rhy. Fig. 2)
w/Rhy. Fig.2 Bm
Now
GmajT(no3rd)
that the
war
is
through_ with
GmajT(no3rd)
me,_
not_
wak-ing up,
see
GmaiT(no3rd)
that there's
not
much
me._
Noth -
ing is real
but
153
my breath as
Rhy. Fig. 3 (Gtrs.
Oh
death.-
(end Rhy. Fig. 3)
I&
P.M.-------------r
P.M.-------------J
dRiffs A &
please,
A'1
Dsus4
2nd Verse
dRhy. Fig.2 (2 times) N.C.
Bm
GmaiT(no3rd)
\t( Back in
154
the womb
much
too
real.
-
GmajT(no3rd)
veal,-
to
xctr. IV
GtI.
\ I L',_rl,_t
I
*Orchestra
live
ctr. IV
(Gtr.
m. for
**Gtr. IV to left of
I out)
gtr. siash in
TAB.
Bm
GmajT(no3rd)
Fed through the
tube that (Gtr.
sticks
me,_
like a war-time
IV out) Gtr. I
GmajT(no3rd)
155
dRhy. Fig.
3
GmajT(no3rO
Cut this shit
off
from-
my breath
me!
as I
wish
Oh please,
for
God,
wake
w/Riff A (lst 4 bars only) (2 times) Dsus4
Please, God, wake-
Gtr.
III
me.
HP L3!
HP
HP ,._\ L3J
HP
HP
^
8va -------------
€-
sL
L3J
P
s/.sl
156
HP "r.
A
w/Riff A (lst 3 bars only) Dsus4
P p a--\
HP :-T>
PP :-.-\
PP
i--\ <-t!
P P
dRhy. Fill
P P
PP
dRiff A (1st 4 bars only)
3
Em7
Dsus4
sL
Ioco s/.
-
-sL
Rhy. Fill 3 (Gtr. tr)
'157
.r/.
8va-----.
27-
"t
L_-tr sL
-L,
sl.
the world is
Gtrs. loco
gone,
Oh
I'M
God,
II & III
at
f(w/dist.)
158
P,M.--------- -----
A5 85
A.5 G5
my breath
as I-
--
I
Bs c+5
wish for death.-
Bs
45 85 C#5
A5 B5 A.5 G5 Ff5
sL
(end Rhy. Fig. 4)
Rhy. Fig.4 (Gtr. IID
*w/Rhy. Fig.4 (3 times)
Am Gtr. I
5tt
H
H
P
a..-\
H
H
*dslight vtriations ad lib
'159
c5 H
H
P :--\
H
sl.
/.->
B5
C5 P
P
H
H
H
H
P
H
H
PPHH
sl.
B5
H
sL
-i
160
H
H
H
H
P.M.----------
\--a H
PS1.
HP
E5 Gtrs.
I & IV
(Gtr. IV out)
lD
P
l/2
U2
r/2
lt2
sl.
sl.
P.M.
*Gtr. I to left of slash in TAB.
Gtr.
I
Gtrs. II & ilI r--3-r r-3--
162
r-3-r r-3-r
lJ'
r-tl
r-3-r r3-r
13-
P.M.-------------r
P.M.-------------{
r3--r
t--
r-
j
3
-----1
t-
L--
.t
---1
P.M.-----------
1-3---1
Rhy. Fig.
5
r-3--r
r-3--t
f-J----
P.M.---------------
lm - pns-on-rng
r-3-r
t-3
3
r--J--r r-3--r
--
--r
r-j-l
P.M.------------------r
r-J-----.1
r-3--r
P.M.--"---'------'---'{
all that I
ab
r-3--
r-3--r r-3--r
r-3--r
- so-lute
ror!
I
I
can-not
r-3--r r-3--r
P.M.--
-----------' ---r
r-3--r
r-3---
can - not
r-3-r r-J--r
Trappedin my
r_3-_ r_3__r
hold -
r-j--r
r-j-r
(end Rhy. Fig. 5)
P.M.----'-'--- ---'--i
7-3----1 r-3-_
r-3___ r_3__r
P.M. --------- -- -- -- ----{
P.M.' -- --
r-.3--- r-J--r >
164
--------------r
P.M. ---
--------'-------r
ing
.sl-
1-3---1 t-3'-'-1
>a
P.M.------- ------'-- ---{
Gtr.
III
r-3--r
r-3-r
sl
r--3-r r-3---r
r-3-r
r-3--r
r-3---r r-3---r
r-3---
r-.3---
P.M.--"--'-----------'{
P.M. ---'-" -'-------"-{
P.M.-----
r-.3---r r-3---r
--
----------
-- r
>\__t P.M.--"'-'-'-'-'--'--'r
P.M.'-'--------'-------i
sl.
ilRhy. Fig.5 E5
tak -
Land Gtr.
en my
sight,
tak -
en my
speech,
tak -
en my
hear
-
ing,
I
165
Rhy. Fig. 6 (Gtrs.
II & III)
w/Rhy. Fig. 6 (3 times) E5
Rhy. Fig.7 (Gffs.
166
II & ilD
(end Rhy. Fig. 7)
(end Rhy. Fig. 8)
Rhy. Fig. 8
wiRhy. Fig. 6 E5
PIay 4 times F-5
w/Rhy. Fig.7 N.C.(E5)
167
Guitar solo w/Rhy. Fig. 6 (4 times) (cff. II) E5
Gff. III 8va -------------
*TP P T P H TP P TPH TP P TP P TPH
t:\ i'-) f:\
L-
J
--J
TPP
i-.-> i:\
TPH
i:\ f--> i_>
L-j-J i.l__, 3 r L-3 r LS--: r*3 ---.: TP H TPP TP H TP P TP P TP H TPH 3
T PH TP
;\
L-j--J
P
L-jJ
TPH
TPH TP
L-J-J
L- j*J
t\
H
TP
5-\
L-3--J
3
P
TPH
---.r
L- 3 ---.rL-3
;-\
T PP
;-\
---.t
TP H TP P TPH TPH T PH TPP TPH TP
P
*Tap w/edge of pick.
E5 -o.
TP P TPH a-\
TP
L-jJ
L-jJ
L*JJ
TPP
TPH TP P TPH
L-jJ
L-j-J
t-JJ
P
TPH
TP P T
L-JJ
L*3r
L-3r
TPP
TPH TPP
TPH TP
L3-
L*jJ
L-JJ
P
L-jJ
L-jJ
PP
3r
TPP
L-jJ
TP P TP HTP HTP H TPH TPH TPH TP
168
H
T PP TPH i-.-\
TPP
TP P TPP
L-jJ
L-jJ
t--3r
TPP TPH
TPP
TPP TP
L-jJ
L-j--J
t-jJ
L-*3r
L-jJ
TPH TPP TPP
L-jJ
L-J--J
3: P
r-3r
L-JJ
TP H TP P TPP
L-jJ
L-jJ
L-jJ
TPP TP H TP P TPH TPP TPH TPH TPH
w/Rhy. Fig.7 (Gtr. II) N.C.(E5)
Ioco
T .h'
:
PH --:\
T
T
T
}(P lr
T
P
-h'
1',-r
--
P
-\
TTT 6P +-4P +-LPH t^
T
;P
=
P
---1-l-----=-\
L_r
TPH TP TP TP TP
TP TP TP H
TP
P
dRhy. Fig.9 E5
Full
))
Full
Full
----\
sl.
HH
P
a--\
HH
P
3
HHP
i)
3
HH
/--: 3
Full
)
HH
Rhy. Fig.9 (Gtr.
P
HH
P
HH
P
HH
II)
169
Gtr.
PP
PP
PP
PP
PP
PP
PP
PP
Itr
w/Rhy. Fig. 10
PPPPPP
t;> PP
P P
i-:-\
Prl.PP
i->\
PP
P
--
;-.
PsLPP
P
PPP
PPPPPP
PP
_---\
---\
----\
---+\
Pp ---\P
P
PPP =_\
PPP
Pp
--<
Ab5 P
Bp 3
PP P ,-\
P P P
P P _--\
Rhy. Fig. 10 (Gff.
170
:--..-\
II)
P
P PP
PPP
P PP
P PP
PP
F5
Pp
P P
2=
P
wRhy. Fig.
11
G5
Gtr.
Itr
H-gJ H H g H .+bi'_r--=-g 3
HH
HH
HHP -----\
8va Full
Full l,:/-
Rhy. Fig. 11 (Gtr.
tt
Full /
II)
171 _.ll
'J't3,
8va
-- -- --- -- -- -- -
-- -- -- - -- -- -- --
-t----
"
Gtrs.
II & trI
loco
P.M.
4th time E5
w/Fill
-------------
Play 4 times
1
F5
N.C.
N.C.
Riff Bl (Gtr. IID
P
t::
zuff B (Gtr. ID
P
s/.
s/.
P
(end s/.
Psl
.L{
3
Psl
Fill
172
1 (Gtr.
I)
:-.....--
(end
P sl.
Riff Bl)
PsL
P
Riff B)
Gtr. I
dRiffs B & 81 GtI.
(both 2 times)
(Gtr. I ouO
I
Outro
t---{5 God,
Please,
help
me._
Hey!
Hey! (end FilI 2)
Gtr.m
(cont. on lower staff)
PsL
P
s/.
3
P
sl.
Fill2 (Gtr.I)
--J PP PP
Full
I U2 __________-_-__ ) i-_______________ J
Rhy. Fig. 12 (Gtrs. II & m)
(end Rhy.
Fig. 12)
Pp
173
w/Rhy. Fig. 12 and Fill 2 (both 3 times)
E5
174
F5
E_r_r
*Gt. tr
to left of slash in TAB. *+P.M. refen to Gtr. Itr only.
I
ENTER SANDMAN Words and Music by James Hetfield, Lars Ulrich and Kirk Hammett o
Em ooo
E5
ffiffiffi
A5
xo xxt
23tl
Tune down 1/2 step:
@=Eb O=cb @=Ab @=Bb
@=rb @=eb
J
Moderately
= 126 w/Riff A (10 times)
N.C.
*Gff.
I
Grr.
I
Gtr.
^ft/ >,= ---n Sl
^t
-a_.
*Gtr.
r *f ct .l
I
III
Riff A ----------
clean tone si.
*Orchesha m. for gft.
"T Gtr. TV
O+
I)_
IJ dist. tone *w/wah
o+o+o
+
o+
0
*o
= open (toe up); + = closed (toe down)
o
-lt t /'-
176
o+o+o+ o+o+ o + o + o+o+o+o+o+o+
o+
o
h
l.
/n
Copyright @ 1991 Creeping Death Music (ASCAP) This Arrangement Copyright @ 2000 Creeping Death Music (ASCAP) lnternational Copyright Secured All Rights Reserved
)^)
)^
sl.
A5
E5
)^))
@r'
@ ra.
Bb
-)
Bb
A5
)) sL |br^ ).
)--)
A5
)) s/.
bi:>
@r'
@u.
l-)
Bb
br-
Bb A5
E5
.A5
//ht.
l^
A
)-
) /
sl.
I
PP
P.M.
E5
h
/^
t.
PP
H
PP
H
H
@1f..
Bb A5
E5
Bb
))
)\-)
))
(cont. in notation)
@rfr.
@1ft.
A'5
@1ft.
E5
Bb A5
E5
Bb A5
E5
)--)
))
)\-)
))
/'-
h
;\-/
Gs F+5 E5
E5
;----
(i-n^,-..Oh,-
Rhy.Fig.2(Gtrs.tr&IV)
yeah
Let loose.-
man.
(end Rhy. Fig. 2)
P.M.-------------------'---r
178
tv
lst Verse N.C.
Don't for - get,
Say your prayers,
my
nrry.hig. 3 (Gtrs. II & IV)
P.M. --------------------------------1
Gs Fil5
E5
warm with
-
in,
keep you free from
179
llalf time feel
-
Pre-chorus
Gs F*5 N.C.
till the sand-man, he comes,-
Sleep with
ah.
(end Rhy. Fig. 3)
P_M.-------------------------------l
>\--/
(end half time feel)
grip-ping
P
a---\
your pil P
HP /--\-
HP (end Rhy. Fig.4)
180
hglt|-
(Spoken:)What is
it?
(Audience:) (En
HsL s/.
xP.M.
-
---'-----
--
------
Rhy. Fig.58 (crr. IV)
Hsl
(Gff. W cont. on upper staff) (end Rhy. Fig. 5) Rhy. Fig. 54. (ctr. tr)
+P.M. applies to Gtr. IV only.
E5
Take-
hand.-
We're
JJJ
off to
nev
- er -
nev
- er
land._
1J: 'r.
l[V
(end Rhy. Fig. 5B)
(end Rhy. Fig. 5,A')
j/-
sl.
*P.M. applies to Gtr. IV only.
w/Rhy. Fig. 2 (2 times)
N.C.
/->.
G5 Fils E5 (Gtr.
2nd Verse w/Rhy. Fig. 3 (Gtr.
III out)
Grr.
I
II)
dRhy. Fig. 3 (last
7 bars only) (Gtr.
IV)
N.C.
N.C.
F5
G5
N.C.
i--.-\-
Some-thing's wrong.
Shut the
light.
Heav-y
night,-
thoughtsto
Il2
u2
1t2
of Snow White.-
1/2
Fill 1(Gtr. IV)
(wah offl U2
1/2
Full
182
U2
Full
1/2
Full
t/2 Full
P.M. -- -- -- -- -- ------ - -- --- -r
Dreams
and
the things
of
war,
G5
FS5 N.C.
dreams of
that will
Sleep with
(end half time feel)
eye
grip -
ping
your
pil
(end
sl.
s/.
,-
Riff B)
---'
Fill 2 (Gtr. IV)
183
dRhy. Figs. 5A & 5B F#s
light.-
(Audience:) (En
Come on.
loco
Ff5
Take-
We're off
nev
Es
land.-
(end Riff C)
(Gtr. I out)
Guitar solo w/Rhy. Fig. 2 N.C.
(13/e
times) (Gtr.
II)
yeah.-
Lyric ad lib Full
I
J--
A.H.---------. (lSma)
HP
Rhy. Fig.6 (Gff.
184
Full
)
I)
Full
Full
I )'J -t -.L--
?
(end Rhy. Fig. 6)
w/Rhy. Fig.6 (3 times) Gft. IV
N'c"L
sl.
N.C.
Full Full
Full
Full
Full
Full
Full
))
)
)
)
)
))
E5 Full
Full
Full
E5
HP
----------------
P
-
r_3J
Full
HP
HP
N.C
Tp T P
3
p
P
P
sl.
(ctr. tr)
G5
Fil5
i-'-
,, a dr i--\\
sl.
t,*
dlast bar of Rhy. Fig. 8va-
E5
N.C.
HP
L3J
Full
Ffs
G5
P.sL
Ff
5
N.C.
sI.
r-.3J t%
H TP TP ,--
Half time feel dRhy. Fig. 4 (lst
P
2 bars only) (Gtr.
P
PP
PPs/.
I
II)
loco lt2
ltz
*Gtr. I to left of slashes.
**P.M. applies to Gtr. tr only.
18s
w/Rhy. Fig.5 (Gtr. II) B5
F*s Full
Full
(end half time feel)
LLLJ / F-=== = V
w/Rhy. Fig. 5A (lst 2 bars only) B5
Full
Full
Full
1I
+
J-
^*+^*{{^-{
FS5 ' 8va-------PP
a\
85
-a\
tem. bar
99I I I
Full
P
P
P
.\p
,-->
r-3-
uj--'l
HH
P
N.C.
E5
9va-------------
Full
Full
lV2
/----g Full
I I9V I
loco P p a1..-.
L_JJ
\-/
l%
9V 99
P
I
J.t (Gtr. II out)
fr-'l
*P.M. applies to Gfr. II only.
186
v
trem. bar
))
Gtr.
HH
V
Put your hands to A.H. (8va)
I v-
vtrem,
--
geth
-
er.
---- -- -- ------,
v:
bar
\rv
H
v A.H. pitches: F$
Gtr.
n
dRiff A (6 times)
(Spoken:) Now I
(Gtr.
lay me down to
sleep.
(Child:) Now I
lay rne down to
Pray the Lord my soul sleep.
I)
(Gft. rr)
Pray the Lord
my
to
I keep.
die
before I I
die
before
187
w/lst bar of Rhy.Fig.4 (4 times) (Gtr. tr) N.C.
pray
tne
!1))
w/Rhy. Fig.4 (Gtr. tI)
w/RiffB
It's just
the beasts un
- der-
.-;
your
bed,-
in
ah,
your clos - et,
Chorus *w/Rhy. Fig.5
w/RiffC
Ex
-
Fil5
it:
Come
on.(Au.dience:) (En
+Resume/md dist. tone.
dRhy. Fig.5
Ff5
:--Grain-
188
your
head.-
w/Rhy. Figs.5A' & 58 (both 1st 3 bars only)
B5
F$s
in-
of
sand,-
Bs
F#s
dRhy. Figs. 5,{ & 58
off to
nev
w/Rhy. Fig. 7 (7 times)
G5 F*5E5
F+5
^ _ Go Gtr. lI g
-
er
-
nev
- er
land.
^f Yt.
Fig' 7 (Gtr. D--: Gtr.
.II
rl
:rt: Gtr.
IV
IV
o'--=-\o-=---\
(cont. on lower stafo
(Gtr. II out)
N'c'
^o-o Grr.
I
O-----O--,-..-O--.-O ie
r€}
__z/-.--.-
re
/--..-,--
Fdbk. (8va)
/:\
+
Gtr.
Outro w/Rhy. Fig.
I
(4 times) (Gtr.
N,C.
RhY' Fig.
II)
ctr. IV
E5
'A
IV out)
rl\
w/Rhy. Fig. 1 (2 times) (Gtr. IV)
N.C.
E5 ;-\
t7
Hey,-
Oo!-
8
II
(Gtr.
yeah.-
(end Rhy. Fig. 8)
o^t?2^bA1
ilRhy. Fig.2 dRhy. Fig. 8 (2 times)
G5
Woh,190
No,-
whoa,-
F$5
E5
F5
w/Rhy. Fig. 9 (10 times)
F5 N.C.
N.C.
F5
(We're off to Gtrs.
nev
- er - nev - er
II & tV
P.M.--l
F5
N.C.
F5
N.C.
N.C
^t Take-
my
off Riff D (Gtr. I)
dRiff
to
nev-er-nev-er - land._ (end
.----\
RiffD)
D
F5
N.C.
Take-
N.C.
uh.-
my
dlast bar of Riff D N.C.
Rhy. Fig. 10 (Gtrs. tr & tV)
We're off to
F5
---------------.
Rhy.
w/Rhy. Fig. 10 (11 times) N.C.
Gtr.
I
F5
N.C.
F5
nev
-
er
-
nev
Gff. tr substitute Rhy. Fill N.C.
-
er
Iand.)-
1
F5
H
b;D
Fill
1
(Gtr. n)
191
)
(Resume Rhy. Fig. 10)
F5
N.C.
F5
(Resume Rhy. Fig. 10)
N.C.
Gtr.
F5
Gtr.
rit.
1
F5
(rrYf f (_IJJrJr |JJJ
rit,
192
Fill
I
I J 4^4',I
II
*P.M. applies to Gtr. IV only (next 5 brs).
substitute 1st bar of Rhy.
--+1
+'h
Gtr.
II
Fill I
F5 N.C.
N.C.
N.C. Gtr. I
ff TJJJTJJJ IV
Gtr. tr substitute Rhy. N.C.
r
h^I
Free tirne Em
Ffs
Gs Ffs
cff.rol--=
,
J
o
trem. pick
(Gtr. I cont. on lower staff)
A.H.
-3
/i Gtr.
(8va)
IV
C
r
w/wah
Full Full Full
P.M.- -- --'--------- -- -r
(cont. in slashes)
Gtr.
I I
t:\
P.M.'------
--
A.H. pitch: B
i::4:-3 I
----- - ---r
l
, Full
)
i
, Full P
-.
)
Full
P
)
Full
i-\
P
)
o--.P
Full P
a\ ) PP
P
P
)
a\P ->7--'-L
2
o
193
,
-o
o
A.H.------------:-------------------.
Full
Full
(8va)
)
Y- iY A.H.---
A.H. pitches:
---------"---'--------------l
Ff G* Ff
c* FfHHsl. cf F* cf rC}
In time J. = 140
I '--_ol
ol
^\r^v^v^v^v-.\2 trem.
bar
(wah
+ 't 0 r}r}
ffi \i
.---._---\
P.M. ---------------
-------l
P.M.----------------------{
J
I Gtr.
II
XP.M.
*t.t. 194
applies to Gtr. II only
(till end). H
I
'
(cont. in notation)
