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^'Qh^H. DODD,
MEAD & COMPANY
Fourth Aven'^^ a;i4 30th Streol Publishers
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G)pyright, 1913, by E. G. Lirtz All rights reserved
Printed is
U. S. A.
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PROPERTY OF
TH£:
INSTRUCTIONS In drawing from this book, copy the last diagram, or finished picture, of the particular series before you.
The other diagrams go on with your drawing.
— beginning with They
that together form the completed picture. help in construction
—that
is;
details in their proper places.
—
number two, and so on show how to make the various strokes of the pencil
one, then
The dotted
lines indicate
where
light lines are
drawn
that-
getting proportions correctly, outlining the general form, or marking
Do
not press ftaid on' the pencil in making these construction
then they can be erased afterwards.
Use
number
give the order in which to
pencil compasses for the circles, or
'.':'.
:i''.
*
'
mark theto Off with buttons 7
or disks.
lines,
A.-
1?
1
\ THE NEXT
AT EQUAL mVANCES LINE FROM ON A CIRCLE LEFT To RmT ^
AND 60 ON TO THE LAST
IN THIS
i
WAY
1
WITH PRACTISE THE AH) OF CIRCLE AND P01NT6 WILL NOT BE NEEDED
^y^
LigKtl\pu&e.
Cepyrisht.l9l3.t»C.6LuU
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^Syrf
10
A
1
i
3.
^
4.
\_\ \ B
1
Copyright, 1913. by
E.Q.Lutz
11
^
Cube-
Toy HorsG.
12
C=5
W—^ Toys
—^^1 ^
Copyrisht.l9l3,byE.Glut2
13
1
i
C reefed C rV3kne ^...
14
^
TKinjs
to npiice ^^eIv
SHAPE OFeARf)
drawing a cati face
|^
X
EYES WIDE APART
A FXWLONCt HAIRS Above
r^*4kv/.('Pt... EYES -PUPILS CHANCRE IN SIZE
MARKINGS IN BRJ&HT DAYl.l(}HT PUPILS OF EYES
AND SHAPE
.^
T1(^ER-LIKE ,.--"
^
AROUNP-'''
LONQ WHI5KER5
EYES
ARE LIKE THIS
16
MAKE AN
OUTLINE
THE SAME
^^^ B
1
iryiry yV\ioe^
^^
Copyrl8MI9l3>C.G.Lutt
17
CUF^IOUS F^ISHeS
IC^..rt<.l3«.t,tJi.U1,
18
Angel Fisb
Fi5he5
1
B
Co()ynslrt.l9l3. by e.ftUtz
19
Cai+ail
plan-t
20
CownsM.ISlJ
21
"Rabbit
Runnin.^
^^^ 22
Ft&hbii:^
Copyright. 1913, by
E.&.Lutz
23
24
1
3.
°6 Heiy And
Copyright. ISia. I» E.Q
?^a#
Clval^
Utz
25
4
.
.
S
^fe •C^
26
Cet)yright, I9l3,by
E.6.Lutz
27
28
God^t
Coffrijihi
l?l3t)yE&Lu^z
29
Bulldog
@
®
(i)
!
'(§)VA-/(§)'
(§)
(SD
'®VA_/® /
30
A
1
^ '^O
1
Cowrisht,l9l3,b^EQ.Uh
'Q-:^
Ir^ 31
FIRST
DRAW A
WITH
TRIANQ-LE 5 IDES EQUAL
ifor>se.
32
A
/' I
»
Tui^l^ev'
Co|;yn^M.I9l3.byE.Q.Lutt
33
34
Copyright. l9l5.byE:.&.Lurz
35
^w2vllow5
36
Flyii^ Dirdfe
Copyright. l?l3.ty£,&Lutz
37
38
39
40
A
I
_^
2.
^_^
3
Parrakeet and Parrot
Copyright. I9t3. by
t & Lut ^
41
42
Y\Z\CCOOT\^
"Copyfi<;Kt,l9l3.byES.t.tftz
43
1.
—N
y^
^
44
45
FIRST DRAW / A RHOMBOID /'
46
A
I
ror\
Birds Tm
Ci
Adjutant
Copyri9ht.l913
byEQ.Utz
>«^ 47
48
Camel
3 A
B
freight Line. Dra.wiri
1
1
Copyright. 1913, by E.&.Lutz
49
60
A
1
Face5
-
Easily drawn
Copynjht.Bl^bytKfLutz
51
i
4
:
1
1 1
I'll
i
t
52
'-**-^
Fi^upcj -Merv- DraWn witK straight
h
5
_
1
'
lii>e5
P
— -
CoiyTiJ».l9li.l)yE.^Ltt
53
/
iB
3
2,
C
'.
^
-
"\
4
,ri
r
ir^s
/\ [/1^ u 54
's
^
A
1
Copyr.
56
Droll
Face
56
A
1
\
DrAwintf F^ices in. &t\ Amuf>in<5
Co|)yri«;Vt
.
I9li by
Wav
E O.Luti
67
58
Profile.^
'
Ea5y
te
draw
Coprigm,l9l3byE&ttfft
59
Ligktly drawi| lines like will
^^pr* e^^j
above
help in
sketcKw
60
o£v>£-
C(i[Yri
_ «1
62
63
64
66
R^Ufvd Pi d ti re^
To draw iKey® fi^utes
,
fir^t
n\h,U^ circle^ a^ 5K«>Wrvi»> Ai.
&£>!
66
An odd way ofbejinuinf
B
1
Copyright, 1SI3 by
E&U^z
87
_L_
A
t^—.
B
^
1
1
A A IWI\
-^..
•
^>i^^
^^ \
-1
1
I 1
\!^^
1
68
MeiJ\/i7g an, Ovetl w^ithfhe. Confp^3S&S >r«Tr
DRAW TWO UNE5 CROSSING AT RKtHT ANQLES
WITH
A
AS CEffTER. DESCRIBE CIRCLE WITH DIAMETER WIDTH OF OVAL VMNTEP
FROM BanoC DRAW
FROM BandC as
LINES THROUGH AND BEYOND D
CENTERS DESCRIBE ARCS TO EanoF
DRAWING OVALS AND Take
The
note, first of
all,
of the difference
between an
ellipse
large plate explains the construction of an ellipse.
ELLIPSES and an oval. It
shows how to find the points where
the three pins are placed that determine the size of the looped string.
ments accurately. elastic.
A
The
Use
a string that will not give, cotton thread
suggestion to amateur gardeners:
make
WITH DA5 CENTER E AND r BY AN ARC COMPLETING OVAL
CON N ECT
is
elliptical flower
Be
sure and
good for small
beds this way.
caution in regard to accuracy also applies to the making of the oval. 70
make measure-
ellipses, silk
is
too
How
DRAW TWO UNE5
to mh,ke a/? Ellipse:
/ I
SKETCH ELLIPSE WANTED
ROV<^Hiy
CROSSINQ-
AT RIQHTANQLES
IN CENTER.
\
\ I
\
/
V^
i<
\
WITH CENTER C AND DISTANCE BA AS
AT POINTS OF INTERSECTION AND F PLACE P/NS
T.
RADIU5 IKTERSECT
C
^ LINEBD
\1
\ \
\, LOOP A STRIN<} AROUND ALL THREE P/NS
TAKE OUT PIN
AT C AND
REPLACE WITH
I//
71
PENCIL POINT
n
-
SUGGESTIONS FOR WATER-COLOR PAINTING Here
-A Useful List OF VVATER-COLORS
COLOR5' _______^ ;y^i;i.bw:-|
•WHAT -TO ASK
good
a
wish, purple
list
rORIN-THE-5HOP
There are many
brown
what
to get, the
Moist
colors in
if
as
names
you
pans are best.
different kinds of red, green, blue
and
paints;
The
of colors for practical work.
and orange.
YELLOW OCHRE
GAMBOGE
H Br-igh-t
is
eight are enough for every purpose; but add,
first
and
you may be puzzled and not know of the best hues of these particular
The most useful paints in this list light red, Vandyke brown and Payne's
colors are also given. 3|
light
red
CrimsomIcrimson lake
are yellow ochre,
gray.
Learn to work with them, use them often and see
the beautiful effects they produce.
VANDYKE BROWN NEW BLUE OR ULTRAMARINE Oreiein
HOOKER'S GREEN
NoJ
PAYNE'6 qRAY
Mjim.M
sS-«jppl^"\erv.t^r>j^
—
MAUVE ANQE -^n O RVERMILION ;UP{.ANG£:
10: -7:^:7-^7—
I
brown makes
made Vandyke
Delicate tints are
with thin washes of yellow ochre and light red. a variety of pleasing tints.
Use the bright
colors sparingly.
You do not need
a black paint.
Payne's gray with
either brown, blue, crimson or green gives rich dark tones.
Payne's gray
is
also useful in
shadows and shading other
colors.
For the different kinds of greens, mix yellow ochre,
blue or
brown with Hooker's and blue for the gray
light red
73
green.
Use thin washes of and clouds.
of distances
74
/
7S
^
E
76
^ZXOS3^-/>iO^
77
THE NEW YORK PUBLIC LIBRARY CIRCULATION DEPARTMENT NATHAN STRAUS BRANCH
348 EAST 32nd STSSFt
78
WHAT TO DRAW
©T.O
and
HOW TO DRAW
Mrell.
that fixet the object in memory and 6 ops naturally a physical skill and a knowledge of proportion and form. Foreshortening and perspective, t bugbears to young artists, are overcom the simplest progressive examples.
INSTRUCTIONS are very brief, for the key line* of each object tell their own story uid the child is entranced by the results toon gained. There is no stupid tracing in this book, for tracing accomplishes at most Bnly a little muscular controL The book provides a step-by-step system
REMEMBERING THE KEY LINE o T the way to the completed object are hundreds of pictures to draw and all those most fascinating to the child, wh thrilled by the "magic" that makes dra>i easy and delightfully interesting. LINE, that't *'Ju*t remember the
THIS which the
is
really tine ia
a remarkable book in
made a good rea$on for form. The youngest child may grasp magic progress of this way of working
knd he will draw the picture naturally and
\
-y
m
AN IDEAL GIFT FOR CHILDREN
Ik^i'^'m
KEY
)
