Thriller String Quartet

Violin I Rod Temperton

THRILLER From Michael Jackson's Thriller album (1982)

Rock q = 120

   

   

  

3









ff

     7

    11

      

                     

      

                          

mf

    

             

    

                  

15

19

$

Arr. Philippe Marillia

          

               f

                           

23

27



          





  



              

To Coda            

31

30



mf

     36









     

   



D.S. al Coda

        



   

ff

V.S.

Violin I

Ø Coda 42

                  

2

 

     

  

   

    49

      53

   f

cresc.

45



                           

 



                        mf

  

  

  

  

  

  

  

p mp

     57

mf

  

2'22"

Violin II

THRILLER

Rod Temperton

Arr. Philippe Marillia

From Michael Jackson's Thriller album (1982) Rock q = 120

         

  

ff

   

3





p

               





   

7











mf

14

$

mf









23

            31

mf

     

f

      

   

      45

f

ff

mp

              

                         D.S. al Coda



        

36

41



To Coda

                   mp f 30



Ø Coda

                         cresc.

mp

                      

    f

51

    55

mf

   



         

                      

mp



     mf

   

  

p mp

   

  

   

 

   

  

2'22"

Viola

THRILLER

Rod Temperton

Arr. Philippe Marillia

From Michael Jackson's Thriller album (1982)

Rock q = 120

3

       

  









ff

7

  



p



      







mf

14

            

$















mf

23

      



f

mp

To Coda

29

 

         

         mp

 

f

31

         



       

mf

D.S. al Coda

35

  

     





           cresc.

      



f





      ff

Ø Coda 42

45



          

           mp

 



     

f

51

                         mp

mf

55

  

  

 

  

 

p mp

            f

  

2'22"

Violoncello Rod Temperton

THRILLER From Michael Jackson's Thriller album (1982)

Rock q = 120

      

3







 

Arr. Philippe Marillia

            

mf

ff 4

                                       7

                                       10

                                       13

                                      16

                                       19

                                       22

23

$

                                       25

                                       28

To Coda

                          

V.S.

Violoncello

2

31

30

                   mf

 

  

        

35

                             D.S. al Coda

40

Ø Coda

                    3

44

  

 

                   

45



                                      

48

                                       51

                         

                  mf

54

                                                57

                                   59

                                   2'22"