Y E N S I D ©
STUDIO
CAST
R ECORDING
Music by ALAN MENKEN
Lyrics by STEPHEN SCHW SCHWARTZ ARTZ
Book by PETER PARNELL
Based on the novel by Victor Hugo and songs from the Disney film Album Produced by MICHAEL KOSARIN, ALAN MENKEN, STEPHEN SCHWARTZ and CHRIS MONTAN Executive Producer: KURT DEUTSCH Recorded by Lawrence Manchester and Isaiah Abolin Mixed by Lawrence Manchester with Stephen Schwartz and Britt Bonney Associate Producers: Steve Norman and Greg Brunswick Pro Tools Engineer: Aki Nishimura Assistant Engineers: Tyler Hartman and Tim Marchiafava Mastered by Ryan Smith at Sterling Sound, NYC Music Supervisor, Vocal & Incidental Music Arrangements: Michael Kosarin Music Director: Brent-Alan Huffman
Orchestrations: Michael Starobin Additional Orchestrations*: Larry Blank Dance Music Arrangements: Rob Berman Synthesizer and Drum Programmer: Randy Cohen Music Preparation: Anixter/Rice Music Service Music Associate: Britt Bonney Music Coordinator: Seymour Red Press Album Coordinator: Josh Gordon Package Design: Stephanie Layton Recording Studio Photos: Nathan Johnson Production Photos: Jerry Dalia, Matthew Murphy and Kevin Kevin Berne Production Assistant: Lee Friedman *“Flight into Egypt” and “In a Place of Miracles”
Recorded on September September 28-30 and October 11, 2015, 2015, at Avatar Studios, Studios, NYC 2
Music by ALAN MENKEN
Lyrics by STEPHEN SCHW SCHWARTZ ARTZ
Book by PETER PARNELL
Based on the novel by Victor Hugo and songs from the Disney film Album Produced by MICHAEL KOSARIN, ALAN MENKEN, STEPHEN SCHWARTZ and CHRIS MONTAN Executive Producer: KURT DEUTSCH Recorded by Lawrence Manchester and Isaiah Abolin Mixed by Lawrence Manchester with Stephen Schwartz and Britt Bonney Associate Producers: Steve Norman and Greg Brunswick Pro Tools Engineer: Aki Nishimura Assistant Engineers: Tyler Hartman and Tim Marchiafava Mastered by Ryan Smith at Sterling Sound, NYC Music Supervisor, Vocal & Incidental Music Arrangements: Michael Kosarin Music Director: Brent-Alan Huffman
Orchestrations: Michael Starobin Additional Orchestrations*: Larry Blank Dance Music Arrangements: Rob Berman Synthesizer and Drum Programmer: Randy Cohen Music Preparation: Anixter/Rice Music Service Music Associate: Britt Bonney Music Coordinator: Seymour Red Press Album Coordinator: Josh Gordon Package Design: Stephanie Layton Recording Studio Photos: Nathan Johnson Production Photos: Jerry Dalia, Matthew Murphy and Kevin Kevin Berne Production Assistant: Lee Friedman *“Flight into Egypt” and “In a Place of Miracles”
Recorded on September September 28-30 and October 11, 2015, 2015, at Avatar Studios, Studios, NYC 2
ACT ONE 1. OLIM – Congregation & Choir 2. THE BELLS OF NOTRE DAME – Frollo, Jehan, Jehan, Father Father Dupin, Congregation & Choir 3. OUT THERE – Frollo & Quasimodo 4. TOPSY TURVY (PART 1) – Clopin, Quasimodo & Revelers 5. REST AND RECREATION – Phoebus, Frollo & Congregation 6. RHYTHM OF THE TAMBOURINE – Clopin, Esmeralda, Frollo, Phoebus Phoebus & Quasimodo 7. TOPSY TURVY (PART 2) – Clopin, Clopin , Esmeralda & Revelers 8. INTO NOTRE DAME – Frollo, Quasimodo, Esmeralda & Congregation 9. GOD HELP THE OUTCASTS – Esmeralda, Congregation & Choir 10. TOP OF THE WORLD – Esmeralda, Quasimodo, Statues Statues & Gargoyles Gargoyles 11. TAVERN SONG (THAI MOL PIYAS) – Gypsies, Esmeralda & Frollo 12. HEAVEN’S LIGHT – Quasimodo 13. HELLFIRE – Frollo, Priests & Choir 14. ESMERALDA – Company
ACT TWO 15. ENTR’A ENTR’ACTE CTE – Choir 16. FLIGHT INTO EGYPT – Saint Aphrodisius, Quasimodo, Statues & Gargoyle G argoyless 17. THE COURT OF MIRACLES – Clopin & Gypsies 18. IN A PLACE OF MIRACLES MIRACLES – Phoebus, Esmeralda, Quasimodo, Clopin & Gypsies 19. JUSTICE IN PARIS – Congregation 20. SOMEDAY – Esmeralda & Phoebus 21. WHILE THE CITY SLU SLUMBERED MBERED – Congregation 22. MADE OF STONE – Quasimodo, Statues & Gargoyles 23. FINALE – Company 3
Dom Claude Frollo – PATRICK PAGE Quasimodo – MICHAEL ARDEN Clopin Trouillefou – ERIK LIBERMAN Captain Phoebus de Martin – ANDREW SAMONSKY Esmeralda – CIARA RENÉE
Jehan Frollo – JEREMY STOLLE Father Dupin / Ocial – WILLIAM MICHALS Saint Aphrodisius – NEAL MAYER Gypsy Ghost – SAMANTHA MASSELL
Congregation MARY JOE DUGGAN, JULIAN DECKER, IAN PATRICK GIBB, BETH KIRKPATRICK, SAMANTHA MASSELL, NEAL MAYER, NORA MENKEN, WILLIAM MICHALS, ANISE RITCHIE, VINCENT RODRIGUEZ III, RICHARD RUIZ, JOSEPH J. SIMEONE, JEREMY STOLLE, DASHAUN YOUNG Choir RENÉ ATCHISON, BEN BARTELS, MAGGIE BOLAND, BRITT BONNEY, BRIAN CALI, JACOB CHRISTOPHER, CLINTON CURTIS, KAREN ELLIOTT, ELIZABETH ESCHEN, IAN GIBB, CALEB HOYER, LAURA INMAN, ALLISON LINKER, ERIK MALMQUIST, KENNY MARTINEZ, COLLEEN MCCORMACK, NORA MENKEN, WILLIAM MICHALS, EMILY MOORE, DEVIN PROVENZANO, TROY QUINN, MATT RICKMEIER, MICHELLE ROMBOLA, KRISTIN RONEY, ANGIE MARIE SMITH, KEITH SNODE, LYSSANDRA STEPHENSON, ALAN M-L WAGER 4
Michael Starobin
Choir
Conductor – BRENT-ALAN HUFFMAN Keyboards – CALEB HOYER, ANNBRITT DUCHATEAU Violins – SEAN CARNEY, CHRISTOPH FRANZGROTE, MAURA GIANNINI, AMY HAMILTON-SOTO, LISA MATRICARDI, KRISTINA MUSSER, BELINDA WHITNEY, MINEKA YAJIMA, ROBIN ZEH Violas – DAVID BLINN, RICHARD BRICE, SHELLEY HOLLAND-MORITZ Celli – DIANE BARERE, MAIRI DORMAN-PHANEUF, ROGER SHELL Bass – RICHARD SARPOLA Woodwinds – STEVEN KENYON, CHARLES PILLOW, MARK THRASER French Horn – JUDY LEE Trumpets – JAMES DE LA GARZA, DON DOWNS, ANTHONY KADLECK Trombone/Euphonium – BRUCE BONVISSUTO Drums/Percussion – DANNY TAYLOR
5
When Aaron Burr raps of his desperation to be “in the room where it happens” in Lin-Manuel Miranda’s brilliant musical
Hamilton , we all know what he means.
As head of development for Disney Animation in the early 1990s, I was indeed “in the room where it happened” for many Disney lms, and for our stage productions as well. Never did that position provide my close colleague Peter Schneider and me a more interesting perspective than on the journey of The Hunchback of Notre Dame from screen to stage, and stage again. History makes it clear the lm underperformed at the box oce. Perhaps Janet Maslin was right in her New York Times review: “There’s just no way to delight children with a feel-good version of this story.” I think we all knew that, but Peter and I were trying something new, something that would be groundbreaking, and frankly something intended to avoid an animation “rut.” Or so we thought. What triumphed was the lm’s spectacular score by Alan Menken with lyrics by Stephen Schwartz. And therein came the idea of taking Janet Maslin to heart and creating a musical for the adult audience. As the lm was opening in 1996, work began on the rst stage iteration, led by Stuart Oken, who had been approached by partners in Germany who wanted a new Disney Theatrical production. By 1999, we had opened a German-language version for the stage in Berlin. On reection, it seems odd that we premiered the show in a language native to none of the creative team. Like the lm,
that production straddled the fence of “family entertainment” and sophisticated theatre fare. It played a healthy run, but once again the glorious score triumphed over the storytelling.
Years later, convinced there was an audience for our musical, I returned to Alan and Stephen with Steve Fickinger, then head of creative aairs at Theatrical. We asked if they would be interested in creating a version that could be licensed by theater and opera companies around the world. The cast album for the German production had circulated among acionados, and interest for both professional and amateur productions was growing. This time we’d focus on the adult audience and let go of many elements of the animated lm. The wonderful Peter Parnell joined the team to shape the book and Scott Schwartz joined as our director. We returned to the source, Victor Hugo’s novel, eliminated the cartoonish Gargoyles, and most importantly returned our villain to his rightful role in the novel. All of this would have been unthinkable in our animated telling, but it seemed completely appropriate for this version.
By this time, the inestimable Jane Abramson was at the ready to shepherd our development.
I’ve lost count of the number of demos, readings, workshops, and labs we’ve done – all with my longtime producing partner Chris Montan supervising the music. Each iteration made us tear up at the glory of this music and the story’s call for a more
tolerant world.
That passion is what you’ll hear in this recording.
— Thomas Schumacher President and Producer, Disney Theatrical Productions 6
The earliest memory I have of working on The Hunchback of Notre Dame is an evening in the fall of 1994, when Stephen and Carole Schwartz shared a dinner with Janis and me at our house to celebrate the completion of our work on the Disney animated feature Pocahontas. I was demonstrating my new Yamaha Disklavier grand piano and played a piece I was working on, one totally unconne cted with any project. Stephen immediately said, “That’s perfect for Quasimodo’s rst song,” during which the hunchback reects on the world below from high in the bell tower he has never left. When Stephen wrote his lyrics for “Out There” – sitting up in the actual bell tower of Notre Dame during a research trip – every note of that piece I had composed was retained, as if it had been created unconsciously, specically for that very moment. That experience is typical of our collaboration. There is an amazing uidity and synchronicity between Stephen and me. With all our years of experience working on musicals for both stage and lm, there’s this shorthand and openness to serendipity. The most casual notions, the most eeting impressions, get picked up and explored. The result is a wonderful marriage of creative impulses. And we both love the process of songwriting and using all of the tools at our disposal to achieve the best results. I think I can speak for both of us in saying that there has never been a project richer and more emotionally fullling for us to work on than The Hunchback of Notre Dame. Beginning with our earliest creative meetings at Disney Animation, the potential of this musical felt enormous. And this score – from the ringing of the bells and the chanting of the Latin liturgy to the street music of the Gypsies and the rich tradition of French classical music – exploded from our heads, our hearts, and our voices. From that point to our current theatrical adaptation, this project has continued to bring out the best from us … and so many others along the way. During our twenty-year process, we’ve evolved from a G-rated, family-oriented, cinematic approach to a darker and more nuanced story theater for adults. One of our original devices was a trio of wisecracking Gargoyles – Victor, Hugo, and Laverne – who were a lighthearted outer manifestation of Quasimodo’s inner turmoil, the expression of his hopes and fears. We wrote a comedic, Maurice Chevalier-style number for them called, “A Guy Like You,” in which the Gargoyles bolster Quasimodo’s ego and encourage him to express his romantic feelings for Esmeralda. While we all loved and cherished these characters, it became apparent that we needed a more grounded approach once we began the process of creating our stage adaptation. Where the animated musical ended with Esmeralda surviving the ordeal of being burnt at the stake by Minister of Justice Claude Frollo, the stage adaptation ends in line with Hugo’s novel: Esmeralda perishes
at the hands of Archdeacon Frollo. Yet on stage we wanted to retain some way to distinguish between Quasimodo’s monstrous exterior and the beauty of his interior world, to provide some expression of his inner voice. We also wanted to oer a hopeful context for our story’s tragic ending. This is where director Scott Schwartz, book writer Peter Parnell, and our music team began their invaluable contributions. Over the years I’ve watched as Scott’s directing career has blossomed on and o Broadway. At the helm of our project, Scott developed the idea of giving voice to the entire Cathedral of Notre Dame (as opposed to our three Gargoyles) and having our Storytellers ll multiple functions, existing within the story as well as transcending it. He also suggested using an actual choir on stage to comment on and underscore the story, creating a scale both intimate and enormous at the same time. The shorthand Stephen and Peter developed while serving, respectively, as President and Vice-President of the Dramatist Guild served us well, with the three of us coordinating every line of book and score in service of the fully integrated experience 7 audiences have enjoyed at La Jolla and Paper Mill Playhouses and now will enjoy around the world.
During this process, we have been blessed with a great music team, headed by three men who are dear and longtime associates of mine: music supervisor and vocal arranger Michael Kosarin, music director Brent-Alan Huffman, and orchestrator Michael Starobin. The evidence of their profound contributions and those of our extraordinary cast, choir, and musicians is in every
second of this album. The Hunchback of Notre Dame has now reached its full owering with this theatrical adaptation. It’s been an amazing journey, one I’m hopeful will continue through our lifetimes and beyond.
— Alan Menken, composer
8
Stephen Schwartz, Alan Menken
ACT ONE Paris, 1482. A Congregation emerges, intoning a Latin chant amid a Choir (Olim). As bells echo throughout the Cathedral, they begin to recount a story: Dom Claude Frollo and his beloved brother Jehan were taken in as orphans by the priests of Notre Dame Cathedral. While Frollo thrived under the strict rules of the Church, carefree Jehan took up with Gypsies and was expelled. Many years passed, until one day now-Archdeacon Frollo was summoned to his estranged brother’s deathbed. Jehan’s dying wish was for his brother to care for his Gypsy baby. In grief, Frollo agreed and kept the deformed child, whom he named “Quasimodo,” secluded in the Cathedral bell tower (The Bells of Notre Dame). Now grown, Quasimodo is the lonely but staunchly obedient bell-ringer at Notre Dame. Frollo continues to oer him sanctuary within the connes of the Cathedral, but Quasimodo longs to be part of the world (Out There). He summons the courage to sneak out of the tower and attend the Feast of Fools, a day when all of Paris indulges in debauched celebration. In the square, Clopin, King of the Gypsies, leads the festivities (Topsy Turvy – Part 1). Captain Phoebus de Martin arrives from the battlefront to take command of the Cathedral Guard – after a little holiday (Rest and Recreation). He runs into Frollo and nds himself assuming his new positon earlier than expected. Both men are instantly captivated by the appearance of the beautiful dancing Gypsy, Esmeralda, as is Quasimodo, peering at her from the shadows (Rhythm of the Tambourine). The crowd then gathers to select and crown the King of Fools, the ugliest person in Paris! After her initial shock at his appearance, Esmeralda with good nature prompts Quasimodo to step up for the honor (Topsy Turvy – Part 2). As the drunken crowd becomes a mob, they brutally abuse
Quasimodo while Frollo looks on in cold silence. Esmeralda alone shows kindness to the hunchback and rescues him. Frollo then steps forward to chasten Quasimodo, who promises he will never again leave the bell tower (Into Notre Dame). Concerned about Quasimodo’s welfare, Esmeralda ventures into the Cathedral, where she oers a dierent prayer from the other parishioners (God Help the Outcasts). Phoebus happens upon her, and there is a palpable spark between them. Esmeralda catches sight of Quasimodo and follows him to the bell tower, where she coaxes him from hiding. Quasimodo shows Esmeralda his view of Paris while his inner voices – his “friends,” the stone statues and gargoyles of Notre Dame – take in the presence of the beautiful Gypsy (Top of the World). Frollo arrives and discovers them. Clearly smitten with Esmeralda, he oers her sanctuary in the Cathedral under his tutelage and protection, but, questioning his motives, she refuses. As his obsession with the Gypsy girl grows, Frollo begins prowling the streets at night, until he comes upon a tavern where the Gypsies spiritedly sing and dance. He sees Phoebus with Esmeralda, and watches in turmoil as their irtation escalates into a kiss (Tavern Song – Thai Mol Piyas). Back in the bell tower, Quasimodo remains taken by Esmeralda’s beauty and kindness (Heaven’s Light). Meanwhile, Frollo convinces himself that Esmeralda is a demon sent to tempt his very soul (Hellfre). The next morning, Frollo persuades King Louis XI to put out a warrant for Esmeralda’s arrest, and a search commences. Frollo targets a brothel known to harbor Gypsies. When Phoebus refuses a direct order to burn it down, Frollo has him arrested.
Esmeralda appears to try to save Phoebus, and in the melee, Frollo stabs Phoebus and blames the Gypsy. Esmeralda and an injured Phoebus escape, and Frollo continues the hunt while an increasingly distraught Quasimodo watches the burning chaos from above (Esmeralda). 9
ACT TWO The Choir opens the second act with a Latin Entr’acte. In the bell tower, Esmeralda implores Quasimodo to hide the wounded Phoebus until he regains strength. Quasimodo agrees to help, and she oers him an amulet that will lead him to where she hides, the Gypsies’ mysterious Court of Miracles. Inspired by a statue of the legendary martyr Saint Aphrodisius, Quasimodo envisions himself as Esmeralda’s protector and savior (Flight into Egypt). Frollo arrives to tell Quasimodo that he knows the location of the gypsy hideaway and that his soldiers will attack at dawn. Quasimodo and the injured Phoebus use the amulet to nd Esmeralda
before Frollo does. Arriving at the secret lair, Phoebus and Quasimodo are captured by Clopin and the Gypsies ( The Court of Miracles). Esmeralda intervenes, and the two men warn of Frollo’s impending attack. As the Gypsies prepare to leave Paris, Phoebus decides to go with Esmeralda. She consents and matches his commitment to a life together while Quasimodo watches, heartbroken (In a Place of Miracles). Having tricked Quasimodo into leading him to Esmeralda, Frollo storms in with his soldiers, arrests Esmeralda and Phoebus, and orders his ward be chained in the bell tower (Justice in Paris). In prison, Frollo confesses his love to Esmeralda and forces himself on her. When Esmeralda ghts him o, Frollo threatens Phoebus’s life unless she yields to him, and he has Phoebus brought into her cell as an inducement. Esmeralda and Phoebus spend their nal doomed night together (Someday). A devastated Quasimodo, now bound in the tower (While the City Slumbered), refuses the entreaties of his “friends” to try to save Esmeralda (Made of Stone). In the square the next morning, Phoebus watches from his cage as Esmeralda is tied to a wooden stake. Frollo again oers to save her if she will be his. She spits in his face, and enraged, he lights the pyre himself. Witnessing the horror from above, Quasimodo is galvanized into action, breaks free of his bonds, and swoops down to free Esmeralda, claiming “Sanctuary!” for her. He bars the doors of Notre Dame and carries her to his tower. Violence breaks out in the square as Clopin frees Phoebus and together they rally the crowd against Frollo. When the soldiers break down the doors and are about to enter, Quasimodo pours molten lead down on them. Quasimodo returns to Esmeralda, thinking he has saved her, but she dies in his arms. Frollo enters and tries to persuade the grieving hunchback that they can now return to the way they were. Quasimodo nally sees the archdeacon for the monster he has become and throws him from the tower to his death. Phoebus arrives and collapses on Esmeralda’s body in grief. Quasimodo comforts him, then picks up Esmeralda and carries her into the square, where the crowd, gathered to mourn, sees the hunchback in a new light (Finale).
ACT ONE
BOH AKEN IN BY HE GRACE OF NORE DAME …
AND DEFIED AND DEFILED ALL HE LAWS
FROLLO
CONGREGATION & CHOIR
CLAUDE HE OLDER, WHO CARED FOR HE LAWS OF NORE DAME … KYRIE ELEISON HIS BROHER ©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission. CONGREGATION & CHOIR
OLIM OLIM DEUS ACCELERE HOC SAECULUM SPLENDIDUM ACCELERE FIAT VENIRE OLIM…
J E H A N
FATHER DUPIN
YOUNG JEHAN, FULL OF BEAUY AND CHARM
YOU MUS LEAVE, JEHAN HIS HOLY REFUGE WHERE YOU’VE DWELLED
FROLLO & JEHAN
AND HEY LIVED AND HEY GREW AND AWOKE O HE MUSIC OF BELLS
CHOIR
CONGREGATION & CHOIR
FROLLO
HE BELLS OF NORE DAME … KYRIE ELEISON
Leave? But, Father—
KYRIE ELEISON
FATHER DUPIN FROLLO
OH DEAR BROHER, ‘NEAH HESE ARCHES AND HIS SACRED DOME
SORRY, CLAUDE, BU I’VE NO CHOICE – YOUR BROHER IS EXPELLED! FROLLO
KYRIE ELEISON
And Frollo didn’t hear rom his brother or several years.
FROLLO
CONGREGATION
WE ARE BLESSED O FIND OUR SANCUARY AND OUR HOME …
Meanwhile …
CHOIR
©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.
FROLLO ASCENDED UNCOMMONLY FAS CONGREGATION MORNING IN PARIS, HE CIY AWAKES RIGHEOUS CLAUDE FROLLO WAS EVER HROUGH HE RANKS OF NORE DAME MORE DRAWN O HE BELLS OF NORE DAME ILL HE WAS NAMED HE LIKE A SON O NORE DAME HE FISHERMAN FISHES ARCHDEACON A LAS HE BAKERMAN BAKES AND GAVE HANKS O NORE DAME J E H A N O HE BELLS OF NORE DAME NO LIKE HIS PROFLIGAE BROHER, AND HEN ONE DOLEFUL DAY O HE BIG BELLS AS LOUD AS HE BROUGH A MESSAGE … JEHAN HUNDER O HE LILE BELLS SOF AS A PSALM WHO’D HAVE NONE OF NORE DAME FROLLO AND SOME SAY HE SOUL OF C O N G R E G A N T AND HE NAME HA I BORE WAS HE CIY’S HE OLL OF HE BELLS HOUGH AS BROHERS, HEY LOVED “JEHAN”! HE BELLS OF NORE DAME ... ONE ANOHER FROLLO WACHED IN DESPAIR AND CONGREGATION LONG YEARS AGO, DID HIS SORY ALARM AND CONCEALING HIS FACE BEGIN FROLLO SOLE O A PLACE FAR AWAY IN HIS PLACE CALLED NORE DAME J E H A N AWAY FROM NORE DAME … WO ORPHANED BROHERS WERE AS JEHAN GREW MORE WILD CONGREGATION
AND HE SAINS REGARDED FROLLO Jehan, let me take you back. I’ll bring you home. FROM HEIR SONE FAÇADE KYRIE ELEISON BROHER DEARES, COME WIH ME AND HE FEL HEIR GAZE AS IF I WERE WHERE WE WILL FIND A REMEDY HE EYES OF GOD AND NORE DAME ONCE MORE WILL BE YOUR SANCUARY FROLLO HEALING YOU WILL BE MY GOAL Oh Lord, you have sent me a test. Tis child NO JUS YOUR BODY, BU YOUR SOUL is my cross to bear. I may not have saved my WE’LL BE OGEHER IN OUR HOLY brother, but I will save this – thing. SANCUARY— SEE HIS LOAHSOME CREAURE J E H AN FROM WHOM LESSER MEN WOULD FLEE Enough, Claude. It’s too late or me, anyway. I WILL KEEP AND CARE FOR HIM But i you’ve truly discovered charity at this AND EACH HIM A MY KNEE late date, there’s someone you can help. O HINK LIKE ME … FROLLO
HE WORLD IS WICKED I’S I ALONE WHOM YOU CAN RUS IN HIS WHOLE CIY I AM YOUR ONLY FRIEND I WHO KEEP YOU, FEED YOU, EACH YOU, DRESS YOU I WHO LOOK UPON YOU WIHOU FEAR HOW CAN I PROEC YOU, BOY, UNLESS YOU ALWAYS SAY IN HERE AWAY IN HERE ...? Remember what I taught you, Quasimodo ... FROLLO
QUASIMODO
YOU ARE DEFORMED I AM DEFORMED ... FROLLO CONGREGATION AND YOU ARE UGLY A baby? Yours? And Frollo gave the child a name, a cruel AND I AM UGLY name that means “hal-ormed”— AND HESE ARE (FROLLO sees the baby’s deormed ace.) CRIMES FOR WHICH FROLLO HE WORLD SHOWS A monster! It’s God’s judgment on you. Te Quasimodo. LILE PIY wicked shall not go unpunished. YOU DO NO COMPREHEND CONGREGANT YOU’RE MY DEFENDER NOW … J E H AN OU HERE HEY’LL HERE IS A RIDDLE O GUESS IF YOU CAN I should have known. I was a ool to think REVILE YOU SING HE BELLS OF NORE DAME that you would look afer him. AS A MONSER I AM MONSER ... OU HERE HEY QUASIMODO FROLLO WILL HAE WHA MAKES A MONSER? Look afer him? Me? AND SCORN AND JEER AND WHA MAKES A MAN? ONLY MONSER ... J E H AN WHY INVIE HEIR CURSES CONGREGATION & CHOIR He has nobody else. ake him, i you can AND HEIR CONSERNAION? WHA MAKES A MONSER AND WHA SAY IN HERE find it in your heart. MAKES A MAN? BE FAIHFUL O ME I’M FAIHFUL SING HE BELLS, BELLS, BELLS, BELLS (JEHAN dies.) GRAEFUL O ME I’M GRAEFUL BELLS, BELLS, BELLS, BELLS … DO AS I SAY BELLS OF NORE DAME! FROLLO OBEY Jehan? Jehan!!! AND SAY IN HERE ... I’LL SAY IN HERE ... CONGREGATION & CHOIR
DIES IRAE DIES IRAE DIES ILLA DIES ILLA SOLVET SAECULUM IN FAVILLA KYRIE ELEISON 12
FROLLO
©1996 Wonderland Music Company, Inc. (BMI), Remember, Quasimodo – this is your Walt Disney Music Company (ASCAP). All Rights sanctuary. Reserved. Lyrics reprinted by pe rmission. QUASIMODO FROLLO My sanctuary …
HE WORLD IS CRUEL
Michael Arden
SAFE BEHIND HESE WINDOWS AND HESE PARAPES OF SONE GAZING A HE PEOPLE DOWN BELOW ME ALL MY LIFE, I WACH HEM AS I HIDE UP HERE ALONE HUNGRY FOR HE HISORIES HEY SHOW ME ALL MY LIFE, I MEMORIZE HEIR FACES KNOWING HEM AS HEY WILL NEVER KNOW ME ALL MY LIFE I WONDER HOW I FEELS O PASS A DAY NO ABOVE HEM
BU PAR OF HEM ... AND OU HERE LIVING IN HE SUN GIVE ME ONE DAY OU HERE ALL I ASK IS ONE O HOLD FOREVER OU HERE WHERE HEY ALL LIVE UNAWARE WHA I’D GIVE WHA I’D DARE JUS O LIVE ONE DAY OU HERE OU HERE AMONG HE MILLERS AND HE
WEAVERS AND HEIR WIVES HROUGH HE ROOFS AND GABLES I CAN SEE HEM EV’RY DAY HEY SHOU AND SCOLD AND GO ABOU HEIR LIVES HEEDLESS OF HE GIF I IS O BE HEM IF I WERE IN HEIR SKIN I’D REASURE EV’RY INSAN OU HERE SROLLING BY HE SEINE ASE A MORNING OU HERE 13
LIKE ORDINARY MEN WHO FREELY WALK ABOU HERE JUS ONE DAY AND HEN, I SWEAR I’LL BE CONEN WIH MY SHARE WON’ RESEN WON’ DESPAIR OLD AND BEN I WON’ CARE I’LL HAVE SPEN ONE DAY OU HERE!
(PART I) ©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission. R E V EL E R S
COME ONE, COME ALL LEAVE YOUR LOOMS AND MILKING SOOLS COOP HE HENS AND PEN HE MULES COME ONE, COME ALL CLOSE HE CHURCHES AND HE SCHOOLS I’S HE DAY FOR BREAKING RULES COME AND JOIN HE FEAS OF ... FOOLS! QUASIMODO
OU HERE … R E V EL E R S
SO EXCIING! COLORS, CROWDS AND SMELLS QUASIMODO
OU HERE R E V EL E R S
WHERE I’S WICE AS NOISY AS HE 14BELLS
QUASIMODO
CONGREGANTS
SOMEHOW I CAN WANDER HROUGH HIS HELER-SKELER WIHOU FEAR NOW NO ONE SEES I’M HERE NOW OU HERE IN HE WORLD …
… whose dashing manner and bold swagger could not quite conceal the haunted look in his eyes. PH O EB US
New to Paris, just back rom the ront.
CLOPIN
FEMALE CONGREGANT
ONCE A YEAR WE HROW A PARY HERE IN OWN ONCE A YEAR WE URN ALL PARIS UPSIDE DOWN EV’RY MAN’S A KING AND EV’RY KING’S A CLOWN ONCE AGAIN I’S OPSY-URVY DAY I’S HE DAY HE DEVIL IN US GES RELEASED I’S HE DAY WE MOCK HE PRIG AND SHOCK HE PRIES EV’RYHING IS OPSY URVY A HE FEAS OF FOOLS!
One o those handsome ellows to whom all the girls take a liking—
R E V EL E R S
OPSY URVY CLOPIN
BEA HE DRUMS AND BLOW HE RUMPES CLOPIN & REVELERS
OPSY URVY JOIN HE BUMS AND HIEVES AND SRUMPES SREAMING IN FROM CHARRES O CALAIS CLOPIN
SCURVY KNAVES ARE EXRA SCURVY ON HE SIXH OF JANU-URVY CLOPIN & REVELERS
ALL BECAUSE I’S OPSY-URVY DAY! P H OE B US
PH O EB US
Tank you, ladies.
©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission. PH O EB US
FOUR YEARS A HE FRON GIVE A MAN A ZES FOR A LILE RES AND RECREAION FOR HE CHANCE O HUN FOR HE SPICIES IN HE WAY OF RES AND RECREAION GIVE ME YOUR GIRLS OF PLEASURE YOUR GRAPES OF MERLO SHOW ME YOUR WARES AND MEASURE ONE LARGE SAMPLE SAMPLE ‘EM A MY LEISURE HIS HREE-DAY FURLOUGH SHOULD BE AMPLE
Into this crowd strode a young cavalier – I HAVE BORNE HE BRUN Captain Phoebus de Martin, at your service … OF A SOLDIER’S ES NOW I’VE MADE MY WAY
WHERE I GE O PLAY A RES AND RECREA –
FROLLO
Captain! Welcome to the Cathedral Guard.
(PHOEBUS flashes back to the battleground.) PH O EB US I’m grateul or the opportunity to serve you, my lord. FOUR YEARS A HE FRON FOUR YEARS A HE FRON … FROLLO S OL D I ER S ’ V O I C ES
CANNON FODDER LYING IN HE FIELD BELOW HE CASLE IS HIS HE HIRD WEEK OR HE FOURH WEEK OF HE SIEGE? HE AIR FILLED WIH HE SENCH OF BODIES IN A RENCH … WHOEVER PAYS HE MOS, I CALL: “MY LIEGE …” SUMMONED HERE O PARIS NOW, I’M FAR AWAY FROM BALE FROM CLOING BLOOD AND ROING WOUNDS OF DEAD AND DYING MEN …
Your early arrival is most auspicious. Te pestilence o these gypsies grows more dangerous every day. CAPAIN, YOU AND I HAVE A ASK WE SHARE SOPPING HEM AND HEIR PROLIFERAION FROLLO & PHOEBUS
PARIS LOOKS O US O RID HER SREES OF CRIME HIS IS WAR AND HUS HERE IS NO IME FOR RES AND RECREAION!
DANCE LA ESMERALDA ... DANCE! ESMERALDA
HEY, SOLDIER BOY I SEE HOW YOU SARE HEY, BUCHER MAN I SEE YOU ADMIRE COME GAHER ‘ROUND HEY, JACQUES AND PIERRE COME SEE ME DANCE O HE RHYHM OF HE AMBOURINE FLASH OF AN ANKLE FLIP OF A SKIR FEEL HEM EXCIE ENFLAME AND INSPIRE COME SEE ME DANCE HEY, WHA CAN I HUR? I’S JUS A DANCE O HE RHYHM OF HE AMBOURINE …
P H OE B US & SO LD I E R S’ V OI C E S
AND WHAEVER I DO I’LL MAKE SURE HIS IS RUE …
P H OE BU S
P H OE B US
FROLLO
I WILL NEVER GO BACK AGAIN!
HIS GIRL … WHO IS SHE?
(PHOEBUS shakes off the memory as a woman catches his attention.) DARLING, O BE BLUN YOU ARE WIH HE BES HA’S WHY I’VE BEEN BLESSED WIH HIS PROMOION I’VE BEEN WORKING HARD NOW I’M GONNA BE CAPAIN OF HE GUARD AIN’ HA A NOION? LIKE OHER RUE KNIGHS I’VE GO AMBIION BU FOR A FEW NIGHS FUN IS MY MISSION SO WHA DO YOU SAY? CARE O SHARE A DAY OF RES AND RECREAION?!
HIS GIRL … WHO IS SHE?
©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.
QUASIMODO
HIS GIRL … WHO IS SHE? FROLLO
SHE DANCES LIKE HE DEVIL HIMSELF – R EV E L ER S
COME ONE, COME ALL
P H OE BU S
SHE DANCES LIKE AN ANGEL – CLOPIN
HURRY, HURRY – HERE’S YOUR CHANCE Q U A S I M O D O SEE HE MYSERY AND ROMANCE AN ANGEL! R EV E L ER S
P H OE BU S
COME ONE, COME ALL
BU WIH SUCH FIRE …
CLOPIN
FROLLO
SEE HE FINES GIRL IN FRANCE MAKE AN ENRANCE O ENRANCE
SUCH FIRE! 15
EVERYBODY!
FROLLO, QUASIMODO & PHOEBUS
ESMERALDA & REVELERS
WHO IS SHE?
OPSY URVY
ESMERALDA
CLOPIN
MEN OF PARIS BEFORE WE GE OLD COME FEEL HE HEA COME ASE HE DESIRE FEEL HEM WIHIN YOU CRIMSON AND GOLD GOLD LIKE HE COINS YOU WILL OSS INO MY AMBOURINE WHEN I DANCE O HE RHYHM OF HE AMBOURINE!
UGLY FOLK, FORGE YOUR SHYNESS
ONCE A YEAR WE HROW A PARY HERE IN OWN
ESMERALDA & REVELERS
CLOPIN
OPSY URVY
HAIL O HE KING
CLOPIN
ESMERALDA & REVELERS
YOU COULD SOON BE CALLED “YOUR HIGHNESS!”
ONCE A YEAR WE URN ALL PARIS UPSIDE DOWN
A L L
CLOPIN
PU YOUR FOULES FEAURES ON DISPLAY BE HE KING OF OPSY-URVY DAY
OH, WHA A KING!
ESMERALDA & REVELERS
(PART II)
R E V EL E R S
ESMERALDA & REVELERS
ONCE A YEAR HE UGLIES WILL WEAR HE CROWN
OPSY URVY!
©1996 Wonderland Music Company, Inc. (BMI), Walt Disney Music Company (ASCAP). All Rights ESMERALDA Reserved. Lyrics reprinted by per mission. CLOPIN
And now, ladies and gentlemen, the pièce de résistance! HERE I IS – HE MOMEN YOU’VE BEEN WAIING FOR HERE I IS – YOU KNOW EXACLY WHA’S IN SORE NOW’S HE IME WE LAUGH UNIL OUR SIDES GE SORE NOW’S HE IME WE CROWN – CLOPIN, ESMERALDA & REVELERS
HE KING OF FOOLS! CLOPIN
SO MAKE A FACE HA’S HORRIBLE AND FRIGHENING MAKE A FACE AS GRUESOME AS A GARGOYLE’S WING FOR HE FACE HA’S UGLIES WILL BE HE KING OF FOOLS! Why? 16
CLOPIN
GIRLS, GIVE A KISS (To QUASIMODO) Aren’t you going to join in the competition? (Sees his ace) My God. E S M E R A L D A & R E V E L E R S ONCE A YEAR ON OPSY-URVY DAY
R E V EL E R S
OPSY URVY!
CLOPIN
WE’VE NEVER HAD A KING LIKE HIS! ESMERALDA
Well, wouldn’t you like to be crowned king or a day? R E V EL E R S
OPSY URVY! ESMERALDA
Why not take advantage o what you’ve got? VARIOUS REVELERS
My God! He’s hideous! Is that a mask? It’s his ace! CLOPIN
Ladies and gentlemen, we’re in luck! We asked or the ugliest ace in Paris, and we ound him: Quasimodo, the Hunchback o Notre Dame!
AL L
AND I’S HE DAY WE DO HE HINGS HA WE DEPLORE ON HE OHER HREE-HUNDREDAND-SIXY-FOUR ONCE A YEAR WE LOVE O DROP IN WHERE HE BEER IS NEVER SOPPIN’ FOR HE CHANCE O POP SOME POPINJAY AND CROWN A KING WHO PUS HE “OP” IN OPSY-URVY DAY! OPSY URVY! MAD AND CRAZY, UPSY-DAISY, OPSY-URVY DAY! HEY!
©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.
REREAED BACK IN HROUGH HE DOORS OF NORE DAME AND HERE FOLLOWED HE GYPSY GIRL WHO’D NEVER BEEN HROUGH HE DOORS OF NORE DAME AND SHE SOPPED AND BEHELD ALL HE BEAUY LIKE A BEGGAR RECEIVING AN ALM AND EACH WINDOW AND PILLAR AND ARCH SEEMED O FILL HER WIH LIGH …
FROLLO
ESMERALDA
SEE HOW I’S CRUEL SEE HOW I’S WICKED SEE HOW I SHELERED YOU FROM HAVING O GO HROUGH HIS? HOW COULD YOU DO HIS O ME?
HE LIGH OF NORE DAME …
QUASIMODO
©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.
Forgive, master. Won’t ever leave again. FROLLO
NOW, BOY, YOU SEE YOU DON’ BELONG WIH NORMAL MEN YOU ARE HAPPY WHEN YOU’RE IN YOUR SANCUARY
CHOIR
SANCUARY … FROLLO
ESMERALDA
BACK O YOUR SANCUARY FROLLO & QUASIMODO
NEVER O COME OU HERE FROLLO
AGAIN (Motions to PHOEBUS) ake the boy inside. CONGREGATION
SO HE POOR HUNCHBACK
CONGREGANTS
I ASK FOR WEALH I ASK FOR FAME I ASK FOR GLORY O SHINE ON MY NAME I ASK FOR LOVE I CAN POSSESS I ASK FOR GOD AND HIS ANGELS O BLESS ME ESMERALDA
SALVE REGINA, MATER MISERICORDIAE VITA, DULCEDO, ET SPES NOSTRA, SALVE AD TE SUSPIRAMUS GEMENTES ET FLENTES IN HAC LACRIMARUM VALLE …
QUASIMODO
SHOW HEM HE MERCY HEY DON’ FIND ON EARH GOD HELP MY PEOPLE HEY LOOK O YOU SILL GOD HELP HE OUCASS OR NOBODY WILL ...
I DON’ KNOW IF YOU CAN HEAR ME OR IF YOU’RE EVEN HERE I DON’ KNOW IF YOU WOULD LISEN O A GYPSY’S PRAYER YES, I KNOW I’M JUS AN OUCAS I SHOULDN’ SPEAK O YOU SILL I SEE YOUR FACE AND WONDER WERE YOU ONCE AN OUCAS OO? GOD HELP HE OUCASS HUNGRY FROM BIRH
I ASK FOR NOHING I CAN GE BY BU I KNOW SO MANY LESS LUCKY HAN I PLEASE HELP MY PEOPLE HE POOR AND DOWNROD I HOUGH WE ALL WERE HE CHILDREN OF GOD GOD HELP HE OUCASS CHILDREN OF GOD CHILDREN OF GOD
©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission. QUASIMODO
Can see everything rom up here. City gates. River Seine.
17
AND SHE IS KIND AND WE’RE ADMIING WE’D GIVE HREE CHEERS O SEE YOU BOH FOREVER SIING LOOK A YOU SIING ON OP OF HE WORLD … ESMERALDA
SEEING LIFE FROM HE OP OF HE WORLD NOHING NEEDS FIGHING AND NO ONE NEEDS PIY HANKS FOR GIVING HIS MOMEN O ME WHEN JUS FOR A MOMEN HINGS SOP HERE A HE OP OF HE WORLD HERE A HE OP OF HE WORLD STA TU ES & G A R GOY L ES
QUASIMODO, SAY SOMEHING AKE OUR ADVICE BE BRAVE AND SAY SOMEHING PLEASE DON’ HINK WICE QUASIMODO, SAY SOME – QUASIMODO
Esmeralda … Ciara Renée
ESMERALDA
Yes? ESMERALDA
Yes. It sparkles in the light. I’m glad I can get to ... to see things down there.
HANKS FOR GIVING HIS MOMEN O ME WHEN JUS FOR A MOMEN HINGS SOP HERE A HE OP OF HE WORLD …
GAZING DOWN FROM HE OP OF HE WORLD SUDDENLY SEEING A DIFFEREN CIY S TA TUE S & GA R G OYL E S HINGS LOOK INY AND FRIENDLY FOR ALL HESE YEARS AND FAIR YOU’VE SAYED ALONE SEEN FROM HE OP OF HE WORLD AND FREE FROM DANGER WHEN YOU LOOK FROM HIGH ABOVE WE SHARED YOUR FEARS EVERYHING SEEMS PREY I WASN’ SAFE SEEING LIFE FROM HE OP OF HE O RUS A SRANGER WORLD BU MAYBE WE WERE WRONG HERE NOHING NEEDS FIGHING AND NO COULD SHE BELONG HERE? ONE NEEDS PIY HIS GIRL APPEARS 18
QUASIMODO
I … I … I’S NICE HE WO OF US SIING … ESMERALDA
HE WO OF US SIING … STA TU ES & G A R GOY L ES
HE WO OF YOU SIING … AL L
SIING ON OP OF HE WORLD!
ÁNDO BIRTO ZHAS THAI MOL PIYAS AMARE LOVE DAS THAI MOL PIYAS ©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.
ESMERALDA
WIH HE ASE OF HE WINE HOLD ME CLOSE WHILE WE’RE DANCING
SO MANY IMES OU HERE I’VE WACHED A HAPPY PAIR OF LOVERS WALKING IN HE NIGH HEY HAD A KIND OF GLOW AROUND HEM I ALMOS LOOKED LIKE HEAVEN’S LIGH
I KNEW I’D NEVER KNOW HA WARM AND LOVING GLOW WHEN I HEAR YOU SIGHING HOUGH I MIGH WISH WIH ALL WINER IS DYING MY MIGH YOU’LL KEEP ME WARM UNIL MORNING NO FACE AS HIDEOUS AS MY FACE IN HE DARK OF HE NIGH … WAS EVER MEAN FOR HEAVEN’S LIGH BU SUDDENLY, AN ANGEL HAS SMILED (ESMERALDA and PHOEBUS kiss.) A ME AND OUCHED MY FACE WIHOU A FROLLO RACE OF FRIGH BRAZEN, LEWD AND ODIOUS HIS VILE, DEPRAVED DISPLAY … I DARE O DREAM HA SHE MIGH EVEN CARE FOR ME GYPSIES AND AS I RING HE BELLS ONIGH IN HE DEAD OF HE WINER … MY COLD DARK OWER SEEMS SO BRIGH I SWEAR I MUS BE HEAVEN’S LIGH ESMERALDA & GYPSIES
CONGREGANTS
Frollo began to walk the streets, night afer night, unable to bring himsel to return alone to his cold, dark chambers. FROLLO
He thought he saw her everywhere … GYPSY
ÁNDO BIRTO ZHAS THAI MOL PIYAS CONGREGANT
Until one night, walking down an unknown alley …
FROLLO
I CANNO BEAR O WACH, AND YE I CANNO URN AWAY …
GYPSY
AMARE LOVE DAS THAI MOL PIYAS
GYPSIES
YOU’LL KEEP ME WARM UNIL MORNING He heard the ÁNDO BIRTO ZHAS IN HE DARK OF HE NIGH sound o distant THAI MOL PIYAS IN HE DEAD OF HE WINER PLEASURE IS FLEEING music and laughter… SO LIPS WILL BE MEEING COME KEEP ME WARM UNIL MORNING … CONGREGANT Coming rom within AMARE LOVE DAS a tavern called – THAI MOL PIYAS FROLLO
QUASIMODO
GYPSIES
GYPSIES
La Pomme d’Eve! THAI GILABA THAI MOL PIYAS IN HE DARK OF HE NIGH ©1996 Wonderland Music Company, Inc. (BMI), IN HE DEAD OF HE WINER Walt Disney Music Company (ASCAP). All Rights PLEASURE IS FLEEING Reserved. Lyrics reprinted by permission. SO LIPS WILL BE MEEING COME KEEP ME WARM UNIL MORNING
HELLFIRE ©1996 Wonderland Music Company, Inc. (BMI), Walt Disney Music Company (ASCAP). All Rights Reserved. Lyrics reprinted by per mission. P R I ES TS
CONFITEOR DEO OMNIPOTENTI BEATAE MARIAE SEMPER VIRGINI BEATO MICHAELI ARCHANGELO SANCTIS APOSTOLIS OMNIBUS SANCTIS FROLLO
BEATA MARIA YOU KNOW I AM A RIGHEOUS MAN OF MY VIRUE, I AM JUSLY PROUD ... P R I ES TS
ET TIBI PATER ...
19
DON’ LE HER FIRE SEAR MY FLESH BEATA MARIA AND BONE YOU KNOW I’M SO MUCH PURER HAN DESROY ESMERALDA HE COMMON, VULGAR, WEAK, AND LE HER ASE HE FIRES OF HELL LICENIOUS CROWD ... OR ELSE LE HER BE MINE AND MINE ALONE ... FROLLO
P R I ES TS
QUIA PECCAVI NIMIS ... FROLLO
HEN ELL ME, MARIA WHY I SEE HER DANCING HERE WHY HER SMOLD’RING EYES SILL SCORCH MY SOUL ...
HELLFIRE DARK FIRE NOW GYPSY, I’S YOUR URN CHOOSE ME OR YOUR PYRE BE MINE OR YOU WILL BURN ... CHOIR
KYRIE ELEISON
P R I ES TS
COGITATIONE ... FROLLO
GOD HAVE MERCY ON HER I FEEL HER, I SEE HER HE SUN CAUGH IN HER RAVEN HAIR C H O I R IS BLAZING IN ME OU OF ALL CONROL ... KYRIE ELEISON
HELPING HER WILL BE CHARGED AS WELL FROLLO
HUN DOWN HE GYPSY ESMERALDA DON’ LE HER FLEE AND VANISH IN HE NIGH HESE ARE HE FLAMES OF ESMERALDA WHILE SHE IS FREE YOUR ORCHES MUS BURN BRIGH … P H OEB U S & SOL D I E R S
HUN DOWN HE GYPSY ESMERALDA DON’ LE HER FLEE AND VANISH IN HE NIGH HESE ARE HE FLAMES OF ESMERALDA WHILE SHE IS FREE OUR ORCHES WILL BURN BRIGH …
FROLLO
(FROLLO approaches QUASIMODO in the bell tower.) FROLLO
P R I ES TS
FROLLO
VERBO ET OPERE ...
GOD HAVE MERCY ON ME
FROLLO
CHOIR
LIKE FIRE HELLFIRE HIS FIRE IN MY SKIN HIS BURNING DESIRE IS URNING ME O SIN ...
KYRIE ELEISON FROLLO
BU SHE WILL BE MINE OR SHE WILL BURN!
Have no ear, my boy … We will find her and capture her! “HE WICKED SHALL NO GO UNPUNISH-ED HE HEAR OF HE WICKED IS OF LILE WORH HE WICKED SHALL NO GO UNPUNISH-ED …” CONGREGANT
FROLLO
PRIESTS
HROUGH HE CIY, A MORE E S M E R A L D A ALLFEVERED PICH
I’S NO MY FAUL MEA CULPA I’M NO O BLAME MEA CULPA ©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / I IS HE GYPSY GIRL HE WICH WHO MEA MAXIMA Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics SEN HIS FLAME CULPA reprinted by permission. I’S NO MY FAUL MEA CULPA IF IN GOD’S PLAN MEA CULPA HE MADE HE DEVIL OFFICIAL SO MUCH BY ROYAL EDIC, WARRAN OF ARRES: SRONGER HAN A MAN MEA MAXIMA HE GYPSY KNOWN AS ESMERALDA CULPA BEING UNDER SUSPICION OF SORCERY, WICHCRAF PROEC ME, MARIA AND HE ARS OF HELL DON’ LE HIS SIREN CAS HER SPELL ANYONE FOUND HARBORING OR 20
HAN HE BELLS OF NORE DAME … P H OEB U S
wo gold pieces or the one who leads us to Esmeralda. CONGREGANT
FROLLO’S MEN SOUGH ESMERALDA, HE WICH WIH HE MIGH OF NORE DAME …
PH OE B US
Four gold pieces or the one who leads us to Esmeralda. CONGREGANTS
ILL A LAS, HEY WERE OLD OF A BROHEL WHERE HEY SOMEIMES HID GYPSIES FROM HARM … BU HE MADAM, HA WHORE DENIED I AND SWORE BY HE SAINS HE SAINS OF NORE DAME ... SOL D I E R
We’re looking or La Esmeralda. MA D AM
Never heard o her. FROLLO
I you want your house to remain standing, give us the gypsy girl. MA D AM
I know nothing o gypsy girls.
Andrew Samonsky
FROLLO
Very well. We’ll set fire to it. Burn it. Did you hear me, Captain?
promising career? Captain? Carry out the order!
HE OUCASS E S M E R A L D A OR NOBODY No! WILL
PH OE B US
FROLLO
AND HE HELD HE ORCH HA CRACKLED LIKE HE GYPSY’S VOICE …
PH O EB U S
FROLLO
FROLLO
Are you disobeying a direct order?
COWARD! RAIOR! GYPSY’S PAWN! YOU’RE RELIEVED OF YOUR PAROL
GOD HELP HE OUCASS OR NODOBY WILL!
PH OE B US
AND HE KNEW HIS WAS HE MOMEN PH O EB U S HE MUS MAKE A CHOICE … Consider it my highest honor. FROLLO
CHOIR FROLLO
GOD HELP KYRIE ELEISON HE OUCASS GOD HAVE MERCY ON YOUR SOUL! I knew it. She’s bewitched HEY LOOK you, too. O YOU SILL Arrest Captain Phoebus. You would throw away a GOD HELP
You see?! Tere she is! GOOD PEOPLE OF PARIS I’VE HEARD HE CALLING OF HE LORD HE IME HAS COME O AKE OUR CIY BACK WE’LL SAVE OUR PARIS EXPUNGE HIS HEAHEN GYPSY HORDE BEFORE WE’RE OVERRUN, WE MUS AACK! FROLLO, SOLDIERS & CONGREGATION
HUN DOWN HE GYPSY AND HE SOLDIER DON’ LE HEM FLEE AND VANISH IN HE NIGH
21
WE’LL FIND HE GYPSY AND HE SOLDIER WHILE HEY ARE FREE OUR ORCHES WILL BURN BRIGH! QUASIMODO
FIRE! FIRE! SMOKE AND FLAME! ESMERALDA, WHERE ARE YOU? IN HIS DARK, I CALL YOUR NAME IS HA ALL HA I CAN DO? P H OEB U S
WHA HAVE I DONE FOR ESMERALDA? WHY DID I HEAR HER WORDS INSIDE MY HEAD? AND SILL I HINK OF ESMERALDA WIH MY CAREER AND BODY LEF FOR DEAD … QUASIMODO
OU HERE SOMEWHERE SHE IS LOS ...
ACT TWO
FROLLO
HE DEVIL DWELLS IN ESMERALDA QUASIMODO & PHOEBUS
CHOIR
OH ESMERALDA, OH ESMERALDA
PACEM
FROLLO
RESIS HIS CHARM …
ENTR’ACTE ©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.
QUASIMODO & CONGREGATION
WAKE UP HE CIY AND SOUND HE ALARM! FROLLO & SOLDIERS
WAKE UP HE CIY AND SOUND HE ALARM! CHOIR
CHOIR
LIBERA ME DOMINE DE MORTE AETERNA IN DIE ILLA TREMENDA QUANDO CAELI MOVENDI SALUTARIS, SALUTARIS LIBERA ME DOMINE DE MORTE AETERNA
WAKE UP HE CIY AND SOUND HE ALARM!
PUTABUM ME NUNQUAM QUOD AURUM CALIDUM P H OEB U S, FR OL L O FROLLO, CLOPIN C H O I R PUTABUM ME NUNQUAM SOMEWHERE SHE IS LOS ... QUOD AURUM CALIDUM & CONGREGATION QUAMVIS TOTIS VIRIBIS VELEM HESE ARE HE FLAMES QUASIMODO NUNC TURRIM VIDETUR SPLENDIDUM OF ESMERALDA DONA NOBIS PACEM ESMERALDA! IURO LUCE CAELI HE NIGH IS SINGING DONA NOBIS PACEM SALUTARIS, SALUTARIS HOSTIA QUASIMODO, FROLLO, PHOEBUS, OF ESMERALDA … DONA NOBIS PACEM QUAE CAELI PANDIS OSTIUM SO LD I E R S & C ONG R E GA TI ON EVEN HE BELLS SING HE BELLS WHERE IS HE GIRL CALLED OF SING HE BELLS OF IBI VIVA IN SOLE ESMERALDA? NORE DAME! OF NORE DAME! DABIT ME UNUM DIEM HE FLAMES GROW ALL IBI DABIT ME AND SHARP AS FLEURS-DE-LIS CHOIR
MISERICORDIA QUASIMODO, FROLLO, PHOEBUS & SOLDIERS
ALL PARIS BURNS FOR ESMERALDA QUASIMODO, FROLLO & PHOEBUS
AND SILL I ALL COMES DOWN O HER AND ME CHOIR
ET DONA NOBIS PACEM 22
OLIM NOS SUADEBIMUS FELIX ERIMUS IN CLARA DIES USQUE HOC TEMPUS CUM NON ESSET SOLE VIVUNT IN SPE NUNQUAM REDONO VENIET OLIM MUTATIO AMEN
Brent-Alan Hufman & Orchestra QUASIMODO
SA I NT A PH R OD I S I US
Save her? Me?
SAIN APHRODISIUS, HE BISHOP OF BÉZIERS I WAS BEHEADED BY A MOB IN PLACE SAIN-CYR AND HOUGH I MADE A CHOICE I DID NO KNOW WOULD BRING MY GRISLY MARYRING I WOULDN’ CHANGE A HING FOR I KEP SAFE AND FREE HE HOLY FAMILY
STA TU ES & G A R GOY L ES
©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission. S TA TUE
You have to save her!
What’s the matter? Are you araid? O course he’s araid! And he should be. But that’s what makes you a hero – doing what you’re araid o. A hero … or a saint … QUASIMODO
You mean like Saint … Saint … What’s your ON HEIR FLIGH INO EGYP name again? LAND OF HE DAE AND PALM I OFFERED SHELER
23
O HER WHO IS NORE DAME IF HA’S WHA I COULD DO HEN QUASIMODO, YOU CAN OO … QUASIMODO
But even i I could go out there – how can I find her? S AI NT A PH R OD I S I US
Te amulet she gave you! GARGOYLES
But what is it? Just a web and a jewel … It doesn’t mean anything! S AI NT A PH R OD I S I US
NO, I MUS BE A CLUE MADE WIH GUILE AND AR … S TA TUE S
AND SHE GAVE I O YOU BECAUSE SHE KNOWS YOU’RE SMAR! HINK, QUASIMODO! IS I HOPELESS? S AI NT A PH R OD I S I US
OR – CAN YOU SEE IN I SOMEHING YOU’VE SEEN BEFORE? QUASIMODO
Seen beore? Wait – I know this!
S A I NT AP H R OD I SI U S, STA TU ES & GARGOYLES
oo bad you won’t live to talk about it.
I’S A MAP OF HE CIY FROM ABOVE! MAYBE YOU’VE HEARD OF A ERRIBLE PLACE QUASIMODO WHERE HE SCOUNDRELS OF PARIS I’ll do it! I’ll go out there while it’s dark. I’ll COLLEC IN A LAIR find Esmeralda and bring her back! MAYBE YOU’VE HEARD OF HA MYHICAL PLACE JUS LIKE HE ANGEL WHO WARNED CALLED HE COUR OF MIRACLES – JOSEPH HE MUS FLEE I’LL SAVE ESMERALDA – HER ANGEL GYPSIES WILL BE ME HE COUR OF MIRACLES I’LL GIVE HER SANCUARY, SOMEWHERE SAFE O HIDE CLOPIN PROECED A MY SIDE BROHER, YOU’RE HERE! A LILE LIKE … A BRIDE WHERE HE LAME CAN WALK AND HE BLIND CAN SEE S A I NT AP H R OD I SI U S, STA TU ES BU HE DEAD DON’ ALK & GARGOYLES SO YOU WON’ BE AROUND LIKE SAINS IN SONE AND SONG O REVEAL WHA YOU’VE FOUND WE HAVE A MEHOD FOR SPIES AND QUASIMODO INRUDERS FOR HER I WILL BE SRONG NO ERRIBLY DIFF’REN FROM BEES IN A HIVE A L L HERE IN HE COUR OF MIRACLES AND (Y)OUR FLIGH INO EGYP WHERE I’S A MIRACLE IF YOU GE MAY LAS (Y)OUR WHOLE LIFE LONG OU ALIVE! YES, HA FLIGH INO EGYP WILL LAS … GYPSIES Te ugly hunchback! He’s bad luck! He’s QUASIMODO cursed! Hang them both! String ‘em up! OUR WHOLE LIFE LONG … CLOPIN
LOOK A HIS LINE – HA’S A BRIDGE, HA’S A SREE AND HIS JEWEL – I MUS SHOW WHERE WE’RE SUPPOSED O MEE! S AI NT A PH R OD I S I US , S TA TUE S & GARGOYLES
YOU’VE DONE I, QUASIMODO! HIS WE’RE CERAIN OF … QUASIMODO
I’S A MAP! I’S A MAP! Look – I’S HE CIY SEEN FROM ABOVE! 24
My apologies, gentlemen, or your imminent demise. Any last words? I thought not!
©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission. CLOPIN
Welcome to the Court o Miracles! You’re very clever to have ound our little hideaway.
I’S ALWAYS SAD WHEN A LIFE’S A IS FINISH I HAVE O ADMI O A BI OF A PANG BU WE MUS PROEC A ALL COS OUR SECRE I’S OUR LIVES OR YOURS – CLOPIN & GYPSIES
SO YOU’RE GOING O HANG!
MY MIGH NO FACE AS HIDEOUS AS MY FACE WAS EVER MEAN FOR HEAVEN’S LIGH …
KINDER O OUR RACE? CLOPIN, ESMERALDA, PHOEBUS & GYPSIES
IN A PLACE OF MIRACLES …? ©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission. PH O EB U S
ESMERALDA
QUASIMODO
ALL HIS IME
HIS IME I’S IME I LEARNED I’VE BEEN CERAIN NO LOVE WILL HA MY LIFE BE REURNED WOULD BE O ONE WHO’S SPEN ALONE BORN O BE ALONE AND WHA’S MORE I PREENDED NO O CARE... WHO LOOKS BOH LAUGHABLE AND FRIGH’NING ...
HERE WE ARE NEARLY SRANGERS FROM WO WORLDS HA HAVE RARELY ME BU SOMEHOW YOU HAVE MADE ME SOMEONE NEW RAV’LING FAR P H OE B US ON A JOURNEY BU NOW I’M AND NOW I KNOW HA’S HE LONGES I’VE AKEN YE HERE BESIDE YOU HERE’LL BE NOW I’M ASKING IF YOU WILL LE ME NO MIRACLES FOR ME COME WIH YOU HOUGH OUR LIVES ARE AERED P H OE B US & ES ME R A LD A AND ORN NO MORE NEED FOR A ALL I’M FEELING NOW IS REBORN HEAR OF SONE BEER O I MUS BE HAVE A HEAR IN A PLACE OF MIRACLES … OF SONE HOUGH WE SE OU ESMERALDA FOR LANDS WHERE HE BLIND CAN SEE UNKNOWN HEY’RE LANDS HA HOLDS ESMERALDA & PHOEBUS WE’LL SHARE … NO HOPE OF IN A PLACE OF MIRACLES HEAVEN’S LIGH … PH O EB U S
A MIRACLE YOU’VE BROUGH O ME ESMERALDA & PHOEBUS
HE SOLDIER AND HE GYPSY LOCKED IN AN EMBRACE IN A PLACE OF MIRACLES … QUASIMODO
I KNEW I’D NEVER KNOW HA WARM AND LOVING GLOW HOUGH I MIGH WISH WIH ALL
QUASIMODO
WHERE’S MY PLACE OF MIRACLES …? ESMERALDA & PHOEBUS
IN A PLACE … AL L
… OF MIRACLES
©1999 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission. CONGREGATION
JUSICE IN PARIS WAS OFEN DISPLAYED IN HE SQUARE A NORE DAME NOW AS HE WOOD FOR A PYRE WAS LAID IN HE SQUARE A NORE DAME HERE CAME SOME HERE WHO SOUGH ENERAINMEN CLOPIN, ESMERALDA, PHOEBUS AND SOME WHO WISHED ALL GYPSIES & GYPSIES HARM WILL WE REACH A FRIENDLIER SHORE? FOR HE RUMOR WAS GROWING: WILL WE FIND A HAVEN ONCE MORE A GYPSY WAS GOING O BURN WHERE WE’LL BE A DAWN A NORE DAME … IN A PLACE OF MIRACLES? NOW WE LEAVE OUR HOME FOR A PLACE OF MIRACLES … CLOPIN
ROMANIES AGAIN MUS ROAM COULD HERE BE A COUNRY
25
©1999 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission.
P H OE B US
QUASIMODO
ONE DAY …
Quiet! Go away.
ESMERALDA
STA TU E
SOMEDAY …
You’re the only one who can save her now.
ESMERALDA & PHOEBUS
QUASIMODO
SOON …
You know what happens when I try to help. I only make things worse.
ESMERALDA
I USED O BELIEVE IN HE DAYS I WAS NAÏVE HA I’D LIVE O SEE A DAY OF JUSICE DAWN AND HOUGH I WILL DIE LONG BEFORE HA MORNING COMES I’LL DIE WHILE BELIEVING SILL I WILL COME WHEN I AM GONE SOMEDAY WHEN WE ARE WISER WHEN HE WORLD’S OLDER WHEN WE HAVE LEARNED I PRAY SOMEDAY WE MAY YE LIVE O LIVE AND LE LIVE ESMERALDA & PHOEBUS
SOMEDAY LIFE WILL BE FAIRER NEED WILL BE RARER GREED WILL NO PAY GOD SPEED HIS BRIGH MILLENNIUM ON IS WAY LE I COME SOMEDAY ...
STA TU ES & G A R GO YL ES
You don’t believe that. QUASIMODO
©2015 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission. CONGREGATION
KYRIE ELEISON … WHILE HE CIY SLUMBERED, QUASIMODO SA AWAKE AS HE NIGH CREP PIILESSLY ONWARD NO ONE WORD HE UERED, NO ONE MOVEMEN DID HE MAKE AWAIING HE INEXORABLE DAWN KYRIE ELEISON …
ESMERALDA & PHOEBUS
SOMEDAY HESE DREAMS WILL ALL BE REAL ILL HEN WE’LL WISH UPON HE MOON CHANGE WILL COME … 26
WHA DO YOU KNOW OF ME? WHA DO YOU KNOW OF ALL HE HINGS I FEEL? YOU’RE ONLY MADE OF SONE WHO IS I HA YOU SEE INSEAD OF SEEING WHA I AM FOR REAL – HIS WISED FLESH AND BONE? GARGOYLE
But Quasimodo, it wasn’t your ault – QUASIMODO
YOU’RE A LIAR! WIH EV’RY NEW EXCUSE YOU RY OU YOU ONLY MAKE ME WAN O CRY OU: “WOULD HA I WERE MADE OF SONE LIKE YOU …” STA TU E & G AR G OY LE
P H OEB U S
… WHEN HE WORLD’S OLDER WHEN HINGS HAVE CHANGED …
How do you know what I believe?
You don’t mean that. Just take some time to – ©1999 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission. GARGOYLES
Quasimodo, you must try to ree yoursel! Te girl needs your help.
QUASIMODO
YOU GIVE SUCH GOOD ADVICE SO WHY HAS NO ONE SINGLE WORD YOU’VE SAID BEEN ANY HELP A ALL? STA TU ES & G A R GO YL ES
Quasimodo –
Patrick Page QUASIMODO
HE OLD ME I WAS CRUEL OUSIDE HE OLD ME HOW I HAD O HIDE HIS WORDS WERE COLD AS SONE BU HEY WERE RUE NO LIKE YOU AKE ALL HE DREAMS YOU’VE SOWN AKE ALL YOUR LIES AND LEAVE ME ALONE!
AND YOU WHO SOUND SO NICE HE MORE YOUR DREAMS AND FANCIES FILL MY HEAD HE FARHER HA I FALL SHU MY BRAIN DOWN! IF I WERE SENSELESS, I’D PREFER I ANOHER GARGOYLE ON HIS URRE SPIING RAIN DOWN O HE SONES BELOW
ST AT UE S & GA R G OYL E S
I’VE WASED MY FAIH BELIEVING IN SAINS OF PLASER BU HE ONLY ONE WORH BELIEVING IN WAS MY MASER HE’S HE ONE WHO NEVER LIED
ALL RIGH, QUASIMODO WE’LL LEAVE YOU ALONE ALL RIGH, QUASIMODO WE’LL ROUBLE YOU NO LONGER YOU’RE RIGH, QUASIMODO WE’RE ONLY MADE OF SONE WE JUS HOUGH HA YOU WERE
MADE OF SOMEHING SRONGER ... QUASIMODO
AND NOW I’M ON MY OWN NEVER AGAIN O WONDER WHA’S “OU HERE” LE I REMAIN UNKNOWN AND MY ONE HUMAN EYE WILL EVERMORE BE DRY UNIL HE DAY I DIE AS IF I WERE MADE OF SONE!
27
©1999 Wonderland Music Company, Inc. (BMI), Menken Music & Trunksong Music, Ltd. (BMI) / Walt Disney Music Company & Greydog Music, Inc. (ASCAP). All Rights Reserved. Lyrics reprinted by permission. CHOIR
JUDEX CREDERIS ESSE VENTURUS IN TE DOMINE SPERAVI NON CONFUNDAR IN AETERNUM SALVUM FAC POPULUM TUUM JUDEX CREDERIS
QUASIMODO
FROLLO
Esmeralda!
Captain! Seize the Cathedral.
CHOIR
SO LD I E R
LIBERA ME DOMINE DE MORTE AETERNA
But sir, the laws o sanctuary – FROLLO
CONGREGANT
And at that moment Quasimodo decided – CHOIR
IN DIE ILLA TREMENDA QUANDO COELI MOVENDI SUNT He could remain stone no longer.
(In the bell tower, QUASIMODO sits, still motionless as stone, and observes. FROLLO nods to a soldier, who brings up a torch. FROLLO grabs it to light the fire himsel.) 28
SO LD I E R S
CHOIR
CHOIR
For the justice o the realm and or the salvation o Paris, it is my sacred duty to send this unholy demon back to hell.
As the soldiers attempted to ram open the church doors, they suddenly saw Quasimodo hurl giant stones and wooden beams – Watch out!!!
COELI ET TERRA DUM VENERIS JUDICARE Te prisoner has been ound guilty o entering SAECULUM PER IGNEM the city o Paris illegally, guilty o stabbing a O SALUTARIS, SALUTARIS HOSTIA soldier o the Church, and guilty o the crime QUAE CAELI PANDIS OSTIUM o witchcraf. Te sentence is death. BELLA PREMUNT HOSTILIA DA ROBUR PER AUXILIUM CHOIR SIT SEMPITERNA GLORIA KYRIE ELEISON … SIT SEMPITERNA GLORIA SIT SEMPITERNA GLORIA FROLLO GLORIA I will give you this opportunity to recant GLORIA! and save yoursel. Tink o what I’ve SEMPER SANCTUS! offered. What is your answer? (QUASIMODO jumps, swings rom a parapet (ESMERALDA spits in FROLLO’S ace.) to the pyre, and rees ESMERALDA. He hoists her over his shoulders.)
FROLLO
CONGREGANTS
CONGREGATION
FROLLO
LIBERA ME DOMINE
I am the Archdeacon o this Cathedral! I negate the laws o sanctuary! Open those doors! Ram them through, i you must!
CHOIR
DIES IRAE DIES IRAE FROLLO
Use them to break down the doors! CHOIR
DIES IRAE DIES ILLA (PHOEBUS and CLOPIN rally the crowd.) PH OE B US
C L OP I N & CONGREGATION
HEAR ME, PEOPLE OF PARIS
Sanctuary!
OLIM DEUS ACCELERE HOW MUCH OPPRESSION WILL YOU ALLOW? HOC SAECULUM SPLENDIDUM SOMEDAY YOUR PAIENCE WILL ACCELERE FIN’LLY BREAK FIAT VENIRE OLIM WHY NO MAKE SOMEDAY COME RIGH NOW?
CHOIR
CONGREGANTS
IN EXCELSIS!
Te people ought the soldiers, but could not hold them back. With one final blow, they knocked down the doors –
QUASIMODO
Sanctuary! CHOIR
SANCTUS! QUASIMODO
CONGREGANTS
CHOIR QUASIMODO
FROLLO
And Quasimodo ran MORS STUPEBIT Can stay inside here orever. back and orth, ET NATURA trying to find a way CUM RESURGET E S M E R A L D A to stop them, until CREATURA I don’t think orever … You are such a good he came upon the JUDICANTI riend, Quasimodo. great vats o molten lead RESPONSURA sitting up on the roo. (ESMERALDA dies.)
It was her choice, Quasimodo. I could have helped her. Even … loved her …
SO LD I E R
I loved ... I loved my brother! I tried to teach him.
QUASIMODO
My God! Look! Up there! He’s way up there! Yes. Your riend … Esmeralda … Esmeralda, wake up! QUASIMODO,STATUES & GARGOYL ES
COME ALL YOU SAINS OF SONE ALL YOU GUARDIANS AND GARGOYLES BLAZE HE FIRE IN HE NIGH RAISE HE FIRE NOW AND LIGH HESE VAS OF LEAD SEAMING, BOILING SREAMS OF LEAD BURNING LEAD AND LE HE FLAMES GROW HIGHER
QUASIMODO
Love … What do you know o love? Who have you ever loved? FROLLO
QUASIMODO
(FROLLO enters.)
You teach him …?
FROLLO
FROLLO
Is she dead? QUASIMODO
Because o you!
Yes, as I tried to teach you. But he was wicked! Weak! QUASIMODO
It was my duty.
No. You are the weak one … You the wicked one. And the wicked shall not go unpunished!
QUASIMODO
J EH A N’ S G H OS T
FROLLO
Duty?
QUASIMODO
FROLLO
OH SAINS AND MONSERS SHOW YOUR POWER HELP ME O SEND HIS RAGING SHOWER RAINING FIRE ON HE SONE BELOW ...
Now we can finally go back to the way things were. QUASIMODO
No … never go back.
(QUASIMODO releases molten lead rom the F R O L L O bell tower, dispersing the soldiers. He runs to We will. You’ll see. where ESMERALDA lies in the bell tower.) A LAS WE’RE FREE OF ESMERALDA We’ve done it, Esmeralda! Beaten them NOW HA SHE’S GONE, HER POISON back! Esmeralda, you are home. DIES WIH HER NOW HA WE’RE FREE OF ESMERALDA ESMERALDA WE CAN GO ON, AS CLOSE AS ONCE Home … WE WERE HERE IN OUR SANCUARY HERE AGAIN A HE OP OF HE WORLD SANCUARY … WO FRIENDS ENJOYING HIS QUASIMODO BEAUIFUL MORNING IN MY EYES, YOU ARE BEAUIFUL OO Sanctuary …? No sanctuary – without her … SHARING HE OP OF HE WORLD …
“HE WICKED SHALL NO GO UNPUNISH-ED…” GYPSY GHOST
“HE HEAR OF HE WICKED IS OF LILE WORH …” FROLLO
Let go o me, Quasimodo. CONGREGATION & CHOIR
“HE WICKED SHALL NO GO UNPUNISH-ED…” FROLLO
Quasimodo, let go … CONGREGATION & CHOIR
SOLVET SAECULUM IN FAVILLA TESTE DAVID CUM SYBILLA QUANTUS TREMOR EST FUTURUS QUANDO JUDEX EST VENTURUS ... QUASIMODO
I told you, master – I am very strong!
29
FROLLO
You don’t want to hurt me— S TA TUE S & GA R G OYL E S
Yes, you do … CONGREGANTS
Quasimodo raised his two huge hands… and with a great bellow threw his master over the edge o the roo into the abyss below!
AFERNOON SPLENDIDUM GOD SPEED HIS BRIGH ACCELERE FIAT MILLENNIUM VENIRE OLIM HOPE LIVES ON WISH UPON HE MOON LE I COME ONE DAY ...
BALLADEERS AND HE BELLS OF NORE DAME
QUASIMODO
A LL
SOMEDAY
BU HERE IS A RIDDLE O GUESS IF YOU CAN SING HE BELLS OF NORE DAME WHA MAKES A MONSER AND WHA MAKES A MAN? SING HE BELLS, BELLS, BELLS, BELLS … WHAEVER HEIR PICH YOU CAN FEEL HEM BEWICH YOU HE RICH AND HE RIUAL KNELLS OF HE BELLS OF NORE DAME!
FROLLO
CONGREGATION
Damnation!
SOON …
(FROLLO alls to his death.)
CLOPIN
S TA TUE S & GA R G OYL E S
HE WORLD IS CRUEL HE WORLD IS UGLY BU HERE ARE IMES AND HERE ARE PEOPLE WHEN HE WORLD IS NO AND A IS CRUELES I’S SILL HE ONLY WORLD WE’VE GO LIGH AND DARK FOUL AND FAIR QUASIMODO
OU HERE … (QUASIMODO lifs ESMERALDA and carries her out o the Cathedral and into the square. At first, the crowd recoils. But then, one by one, they approach QUASIMODO with compassion.) CONGREGATION & CHOI R
GYPSY GHOST
MORNING IN PARIS, A NEW DAY APPEARS SING HE BELLS OF NORE DAME ENDING HE ALE OF YOUR POOR
CONGREGANTS
AND WE WISH WE COULD LEAVE YOU A MORAL LIKE A RINKE YOU HOLD IN YOUR PALM
Live dramatic performance rights for The Hunchback of Notre Dame are represented exclusively by Music Theatre International (MTI) 421 West 54th Street, New York, NY 10019
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OLIM DEUS ACCELERE HOC SAECULUM SPLENDIDUM SOMEDAY LIFE WILL BE KINDER LOVE WILL BE BLINDER SOME NEW 30
OLIM DEUS ACCELERE HOC SAECULUM
Studio Cast Recording based on the American Premiere production directed by Scott Schwartz at La Jolla Playhouse in Fall 2014 and Paper Mill Playhouse in Winter 2015.
Clockwise from top left: Michael Arden / Ciara Renée, Andrew Samonsky / Ciara Renée, Patrick Page, Michael Arden / Congregation 31
