Perlow
TEll
prowes prowess. s. wer
Heoords
We hallmarks
Pa approach, h e , w a s
on c keen h a n on
ra
ns
life near near his life
'the
m ad a d e b e w ee ee n ri
w h a Granz, h i p e o rm rm a nc n c e e p o m iz iz e
.s producer, preterreo
h e art
's Montgomery Farl Farlow ow wa
s a d , T a c am a m e out poppin and burnln'," and gu'i ar "Yes "Yeste terd rday ays" s" in jazz gu'i
the
h,
hi burn burn
g r o un un d b r e a k iiii n g p r ot ot oo- b o p s ty ty le le . Personnel:
Trio..Tal Farlow,
Recorded: Arrang;emenl:
Farlow also
mino minor. r. Ther Ther
to Smith's version e nd n d . F a o w ' v e s io io n
e ce c e iv iv e
the similarities b l s te te r n g u p
~95
rhythmically
Sigl1atures:
Ti
v irir tu tu o s
'the
th
singll llee-no note te arpe arpegq gqio ios. s. Th (IDm6-Eb7) with quick sing 7-8 and
for horn-nke
phras,ing measures
char charac acte teri rist stic ic
bo
diss disson onan ance ce
and
(A.7#9-A~7#9-G7~:9-"3b7~9}it
motive,
105-106. and
by starting
rhythmically
Sigl1atures:
Ti
v irir tu tu o s
'the
th
singll llee-no note te arpe arpegq gqio ios. s. Th (IDm6-Eb7) with quick sing 7-8 and
for horn-nke
phras,ing measures
char charac acte teri rist stic ic
bo
diss disson onan ance ce
and
(A.7#9-A~7#9-G7~:9-"3b7~9}it
motive,
105-106. and
by starting before between musi musica ca
pers person ona. a.
O m S - I E b 7 osti-
the five-fret stretches,
ou
rapi rapi
effects
the uncanny fingering
95-96.
~3~
;;;; ;;;;42
Fast Fast Swin Swin
barrinq,
10l1g
linear longl ,eighth~notle same note-unisons-to
Intra
shif shifti tiln lng, g, seam seamle less ss bent bent-k -knu nuck ckle le
Head Dm6
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