Solution Manual for A Friendly Introduction to Numerical Analysis 1/E Brian Bradie
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(CNN)The US military has been ordered to begin planning to withdraw about half the troops in Afghanistan, a US defense official with direct knowledge of the matter told CNN on Thursday.
The official said planning is underway, and it could take months to withdraw the nearly 7,000 troops. The decision was made Tuesday, at the same time as President Donald Trump's decision to withdraw the US military from Syria -- moves that precipitated Defense Secretary James Mattis' resignation announcement on Thursday. Sponsor content by WeSpeke Learning English opens new doors for billions around the world David Crystal, the British linguist and academic, has calculated that there are three times more people learning English than there are native speakers of the language. Why? The Wall Street Journal was first to report the plan for the Afghanistan withdrawal. Several US defense officials told CNN that Trump wants to draw down US troops in Afghanistan. Two administration officials told CNN that Trump wants the plans drawn up in hopes he could announce the drawdown in his State of the Union speech, which is traditionally at the end of January or early February. CNN's Jake Tapper reported earlier Thursday that officials throughout the administration were bracing themselves for Trump to make an announcement about the US presence in Afghanistan. Af ghanistan. Multiple officials told CNN the military decisions were a factor in Mattis' decision to resign.
Gen. John Allen, a former commander of NATO and US forces in Afghanistan, told CNN on T hursday that a drawdown in Afghanistan would be a mistake. "Pulling out right now, just the announcement would create chaos in the strategy," Allen said. The US has about 14,000 troops in Afghanistan, most of which are present as part of a larger NATO-led mission to train, advise and assist Afghan forces. Any withdrawal would be complicated by the fact that the United States is part of NATO's Resolute Support mission. Trump has long been critical of the US presence in Afghanistan, which began after the September 11, 2001, terrorist attacks. But lawmakers have echoed Allen's concern a bout a hasty departure. South Carolina GOP Sen. Lindsey Graham told CNN's Kate Bolduan on Thursday that "according to our military commanders and everybody I know, we want to withdraw from Afghanistan with honor and do it based on conditions on the ground." "Based on my assessment in Afghanistan, if we withdrew anytime soon, you would be paving the way for a second 9/11," Graham said. Graham noted that Trump has said he wants other countries to do the fighting. "Since August of 2017, 5,600 Afghans have died fighting the Taliban and ISIS," he told Bolduan. "Eighteen American killed in combat, four killed through accidents. God bless the 22." Trump has long questioned troop presence in Afghanistan Trump has repeatedly questioned the need to spend US blood and treasure in Afghanistan, asking in 2011: "When will we stop wasting our money on rebuilding Afghanistan? We must rebuild our country first."
Donald J. Trump ✔
@realDonaldTrump When will we stop wasting our money on rebuilding Afghanistan? We must rebuild our country first.
1,140 2:43 AM - Oct 8, 2011 Twitter Ads info and privacy 1,499 people are talking about this Twitter Ads info and privacy Since his election, the President has made his frustration with the continued military presence clear. Outlining his strategy for the country in an August 2017 address, the President said, "I share the American people's frustration. I also share their frustration over over a foreign policy that has spent spent too much time,
energy, money -- and, most importantly, lives -- trying to rebuild countries in our own image instead of pursuing our security interests above all other other considerations." In an interview with The Washington Post last month, Trump laid out his rationale for keeping US troops in the country in a way that made clear the impetus to remain wasn't his. "We're there because virtually every expert that I have and speak to say if we don't go there, they're going to be fighting over here," he said. Nearly two decades in, a "stalemate" "stalemate" More than a year after Trump announced his administration's new strategy for achieving success in Afghanistan and the wider region, the situation remains decidedly mixed, with the conflict at a "stalemate." Though the casualty rate for US troops is far lower than it was earlier in the war, Americans are still losing their lives 17 years after it began. While the Taliban is unable to take ta ke major cities or towns, the Afghan security forces, despite receiving US support, are still unable to put an end to the insurgency. US troops have continued to suffer casualties ca sualties this year, even though they are largely serving in a supporting role, with local Afghan forces doing most of the fighting. Afghan President Ashraf Ghani recently announced that about 29,000 Afghan soldiers and police h ad been killed or wounded since since 2015. US casualties during during that same period declined declined sharply as American soldiers largely shifted away from direct combat. "We used the term stalemate a year ago, and, relatively speaking, it has not changed much," Gen. Joseph Dunford, the Chairman of the Joint Chiefs of Staff, told a conference in Halifax last month. News about the Afghanistan Afghanistan plan comes a day after Trump Trump ordered the "full" and "rapid" withdrawal withdrawal of US troops from Syria, declaring the US has defeated ISIS in Syria. The decision, a sharp reversal from previously stated US policy, surprised foreign allies and US lawmakers, sparking angry rebukes, rebuttals and warnings of intensified congressional oversight even as the White House said troops are already on their way home. "We have defeated ISIS in Syria, my only reason for being there during the Trump Presidency," Trump tweeted Wednesday morning. Planning for that pullout is already underway, a US defense and an administration official told CNN. Artisans: Japan Washington (CNN)Defense Secretary James Mattis resigned Thursday on the heels of President Donald Trump's plans to withdraw troops from Syria, citing irreconcilable policy differences in a move that took Washington by surprise.
"Because you have the right to have a Secretary of Defense whose views are better aligned with yours on these and other subjects, I believe it is right for me to step down from my position," Mattis wrote in his letter to the President. Earlier Thursday, a senior administration official told CNN's Jake Tapper that Mattis was "vehemently opposed" to the Syria decision and a possible Afghanistan troop withdrawal. withdrawal.
Sponsor content by WeSpeke Learning English opens new doors for billions around the world David Crystal, the British linguist and academic, has calculated that there are three times more people learning English than there are native speakers of the language. Why? READ: James Mattis' resignation letter In Syria withdrawal, Trump discards advice from allies and officials In Syria withdrawal, Trump discards advice from allies and officials Indeed, Mattis' resignation letter amounts to a rebuke of several of Trump's foreign policy views, with the outgoing defense secretary touting the importance of US alliances and of being "unambiguous" in approaching adversaries such as Russia and China. It is devoid of any praise for the President. The resignation emerged at a chaotic moment in Trump's presidency: The US government is teetering on the edge of a government shutdown, the Trump administration is about to face the hot light of Democratic investigations and the President is grappling with the fallout of a series of firings and resignations. Trump, seeking to downplay the news, stepped out in front of Mattis' resignation, spinning it as a retirement. Mattis did not explicitly cite his opposition to the President's planned withdrawal of US troops from Syria -- which caught US allies off guard -- but the retired four-star general was privately adamant in urging Trump against the pullback. 'They had differences' Play Video
Toobin: There are no more grown-ups in the room 01:23 It was just the latest issue on which Mattis has sought to position himself as a bulwark against some of the President's rashest decisions, but his relationship with the President has grown increasingly fractured in recent months and his efforts to deter Trump on key issues less influential. In his letter, Mattis pointedly stated that the strength of the US depends in part on the strength of its alliances around the globe, many of which have become notably frayed under Trump. "One core belief I have always held is that our strength as a nation is inextricably linked to the strength of our unique and comprehensive system of alliances and partnerships. While the US remains the indispensable nation in the free world, we cannot protect our interests or serve that role effectively without maintaining strong alliances and showing respect to those allies," he added. Mattis met with Trump one-on-one in the Oval Office, a senior White House official told CNN's Kaitlan Collins. Mattis told Trump he was going to be leaving and offered his resignation letter. "They had differences on some issues," the official said.
Trump announced Mattis' departure in a tweet, saying, "General Jim Mattis will be retiring, with distinction, at the end of February, after having served my Administration as Secretary of Defense for the past two years." The President touted the "tremendous progress" that has been made during Mattis' tenure at the helm of the Defense Department and thanked him for his service. Trump said a successor "will be named shortly." In a sign of the swift nature of the resignation, senior White House officials found out about it from the President's tweet, according to two officials. A senior administration official could not say if armed forces were told before the tweet. Syria decision Play Video
CNN reporter: Mattis is falling on his sword 04:47 Mattis' resignation comes just a day after the President ordered the "full" and "rapid" " rapid" withdrawal of US troops from Syria over the objections of Mattis, other senior officials and scores of lawmakers, who declared it a strategic blunder. The announcement of his departure comes just over an hour after reports emerged that Trump may also be considering a drawdown of US troops in Afghanistan. Sources told CNN's Jake Tapper that the President has not yet made a final decision, but officials are concerned and convinced that he might do so, and soon. Mattis is the latest senior administration to leave Trump's Cabinet, after former Attorney General Jeff Sessions was pushed out the day after the midterm elections in November, former Secretary of State Rex Tillerson was unceremoniously fired in March and national security adviser H.R. M cMaster was replaced earlier this year. But reaction to Mattis' departure was strikingly different. "This is scary," tweeted Virginia Sen. Mark M ark Warner, the top Democrat on the Senate Intelligence Committee. "Secretary Mattis has been an island of stability amidst the chaos of the Trump administration." South Carolina Republican Sen. Lindsey Graham, a strong Trump supporter who opposes the President's decision to pull out of Syria, expressed "great sadness" over Mattis' resignation. "He is one of the great military leaders in American history. He should be proud of the service he has rendered to President Trump and our nation," Graham tweeted. 'A good guy' US withdrawal from Syria means likely an end to airstrikes, official says US withdrawal from Syria means likely an end to airstrikes, official says
Mattis' future was brought into question most recently after Tr ump, in an October interview with CBS' "60 Minutes," labeled him as "sort of a Democrat," adding that the retired general "may leave" and that "at some point, everybody leaves." He also added that the 68-year-old Washington native was "a good guy" and the two had "a very good relationship." Mattis, a bachelor, has been described as a "warrior monk," married to the Marines. He served in the first Gulf War and in Afghanistan. He once led the all-important US Central Command, which is in charge of the US military in the Middle East. He was also supreme allied commander of NATO. After the 2016 election, Trump broke with protocol by tapping M attis to be his secretary of defense, a position typically typically reserved for civilians. civilians. In his first six months in office, Trump oversaw a steady transfer of power from the White House to the Pentagon, handing off several war-fighting authorities that previously rested in his hands -- and those of past presidents of both both parties -- to the Pentagon and the the commanders overseeing the US' military military campaigns. But while Mattis was widely considered one of Trump's T rump's most trusted advisers during his first year in office, his influence within the administration appeared to be waning in recent months as speculation swirled about a growing rift between the two men. Bob Woodward's book "Fear: Trump in the White House," published in September, fueled that notion, detailing how senior aides, including Mattis, grew exasperated with the President and increasingly worried what they described as his erratic behavior, ignorance and penchant for lying. Specifically, Woodward details several instances in which Mattis made disparaging comments about a bout Trump and military actions he sought to take against a gainst Syria and North Korea. One of the most striking accounts, according to Woodward, occurred after a charged meeting about South Korea, during which Trump wondered why the US backs Seoul. Woodward wrote that Mattis said Trump understands issues at the level of an elementary school student. Mattis denied those assertions and the accounts detailed by Woodward's sources, including claims that he ignored or slow-rolled Trump's ideas. CNN's Nicole Gaouette, Kaitlan Collins and Ryan Browne contributed to this re port. View All Arts Western taste for bamboo art is transforming an ancient Japanese tradition Updated 12th January 2018 One of more than 70 bamboo baskets on display at the Metropolitan Me tropolitan Museum of Art's current exhibition "Japanese Bamboo Art: The Abbey Collection." Credit: Minoura Chikuhō
Western taste for bamboo art is transforming an ancient Japanese tradition SHARE Written by Oscar Holland, CNN Contributors Yoko Wakatsuki, CNN When Japan opened up to the world in the middle of the 19th century, Western merchant ships were quick to return home with exotic art from the once reclusive nation. The private galleries and curiosity shops of London and Paris were flooded with Japanese woodblock prints, calligraphy and ceramics. But one traditional art form was, in retrospect, conspicuous by its absence -- woven bamboo baskets. At the time, bamboo weaving was still viewed in the context of the practical tools it yielded -- ropes, kitchen utensils, baskets and boxes. Despite requiring decades of mastery and being steeped in centuries of tradition, the craft had been passed between generations and was not considered an elite art. Artists wouldn't even sign their creations, as -- having adopted the practice from China -- they feared a Japanese name would damage the value of the work. "Flower Basket (Hanakago)" (circa mid-20th century) by Sakaguchi Sosai "Flowing Pattern" (2014) by Honma Hideaki "Dance Flower Basket (Hanakago)" (1995) by Minoura Chikuho C hikuho "Gathered Threads" (circa 1980s) by Monden Kogyoku "Basket for Transporting Sencha Tea Ceremony Utensils (Chakago or T eiran)" (circa 1877--80s) by Hayakawa Shokosai I "Basin" (2016) by Nagakura Kenichi "Heart of the Flower" (2016) by Tanioka Shigeo "Dancing Frog Flower Basket (Hanakago)" (1918) by Hayakawa Shokosai III "Vortex" (2017) by Yamaguchi Ryuun "Dream" (2005) by Noboru Fujinuma "Peerless Fruit or Offering Tray (Morikago)" ( Morikago)" (2012) by Noboru Fujinuma Hamakaze (Sea Breeze)" (2015) by Isohi Setsuko "Breath" (1968) by Honma Kazuaki "Floating Wheels" (2017) by Honda Syoryu "Whirlwind" (2010) by Sugiura Noriyoshi "Flower Basket (Hanakago) in the Shape of a Blossoming Flower" (circa early 1960s) by Maeda Chikubosai II "Swirl of Blue Water" (2006) by Torii Ippo
"Flow" (2002) by Yamaguchi Ryuun Japanese artist Fujitsuka Shosei works on bamboo basket in his studio 1/19 Despite requiring decades of mastery -- and being steeped in centuries of tradition -- the craft of basket making had been passed between generations and was not always considered an elite art. Credit: Metropolitan Museum of Art... Read More Growing Western demand In recent years, however, the West has developed a growing taste for this intricate art form, with some pieces selling for tens of thousands of dollars. dollars. Bringing together more than 70 bamboo artworks, the Metropolitan Museum of Art's current exhibition "Japanese Bamboo Art: The Abbey Collection" is just the latest example of how overseas interest in bamboo is matching and, arguably, arguably, outweighing that that in Japan. "Dancing Frog Flower Basket (Hanakago)" (1918) by Hayakawa Shokosai III. "Dancing Frog Flower Basket (Hanakago)" (1918) by Hayakawa Shokosai III. Cr edit: Metropolitan Museum of Art "In Japan they only show bamboo art in conjunction with other crafts -- no one in Tokyo or Kyoto is doing bamboo-only exhibitions," exhibitions," said Andreas Marks, Director of the Minneapolis Institute of Arts' Clark Center and curator of the traveling exhibition, "Modern Twist: Contemporary Japanese Bamboo Art." Tracing Western interest back to the 1980s, Marks attributes the growing popularity of Japanese bamboo art to the dedication of a small number of American collectors. Among them, he names the late Lloyd Cotsen, the former president of cosmetics giant Neutrogena, who assembled -- and regularly loaned out -a huge collection of bamboo baskets. "Vortex" (2017) by Yamaguchi Ryuun. "Vortex" (2017) by Yamaguchi Ryuun. Credit: TAI Modern Marks also said that contemporary bamboo artists are now creating work specifically for Western markets. He explicitly credits TAI Modern -- a gallery in Santa Fei, New Mexico, specializing in Japanese bamboo art and baskets -- with keeping the tradition alive. "(TAI Modern) was pivotal for artists in Japan, because a new platform was created," Marks said in a phone interview. "Americans love sculpture, so suddenly Japanese artists are faced with freedom to create new forms and to create things that they hadn't done before. bef ore. They can express themselves and go into new areas. And, if they're lucky, then (TAI Modern) takes them on, does a solo show and markets them in the US." Modern interpretations Today, TAI Modern houses a huge collection of woven items demonstrating the art form's versatility -from delicate and symmetrical boxes to irregular baskets made from thick, coarse-looking bamboo. Contemporary artists still draw on the tradition's utilitarian roots, creating vases and other usable items. But the material is also apt for more abstract expressions.
This is an approach increasingly explored by Japanese artists in the postwar period, according to the gallery's director, Margo Thoma. "I think of it all as this kind of sculpture -- even when it takes the form of something that could be functional," she said in a phone interview. "Whether or not you use them, they are work of arts." "Floating Wheels" (2017) by Honda Syoryu. "Floating Wheels" (2017) by Honda Syoryu. Credit: TAI Modern Strong, yet lightweight and flexible, bamboo is a challenging material to work with. Mastering the art involves not only weaving the bamboo, but harvesting, processing, dyeing and splicing it. Yet, it has huge potential to be expressive. expressive. "(Bamboo weaving) is highly technical," Thoma said. "Before you can begin to make something, you have to prepare the material, and the majority of time taken making any basket or sculpture is spent splitting the bamboo. With bamboo, it takes years of training to even be able to create the strips that you weave baskets from." Japanese artist Fujitsuka Shosei works on a bamboo basket in his studio. Japanese artist Fujitsuka Shosei works on a bamboo basket in his studio. Credit: TAI Modern "Bamboo artists are passionate about (their material) in a way I don't really see in other media. With painters there's more of an interest interest in the end product than than a passionate love for acrylic paint, paint, for instance. But there does seem to be a (unique) fascination with bamboo, a material that has so many opposing qualities -- it's simple but also really strong; it ca n be both powerful and delicate." An endangered art "Peerless Fruit or Offering Tray (Morikago)" ( Morikago)" (2012) by Noboru Fujinuma. "Peerless Fruit or Offering Tray (Morikago)" ( Morikago)" (2012) by Noboru Fujinuma. Credit: Noboru Fujinuma Bamboo weaving nonetheless remains a fringe art in Japan. TAI Modern believes that there are fewer than 50 full-time professional bamboo artists making original works in the country today. And, of those, only two masters have been named a "Living National Treasure" -- a government accolade recognizing cultural figures who help preserve Japan's ancient traditions. One of them, Noboru Fujinuma, fears that his art is being forgotten. "Japanese bamboo art is now coming to its limit in its originality," he said in a phone interview. "There are not many young artists coming up with creativity and their own aesthetic sense. "The population of bamboo craftsmen is declining and they tend to dwell on being craftsmen who can create from design drawings, but cannot create designs for great pieces of art." "Dream" (2005) by Noboru Fujinuma. "Dream" (2005) by Noboru Fujinuma. Credit: TAI Modern Fujinuma claims that his work is more appreciated in overseas markets than in Japan. But B ut he hopes that foreign interest can help bolster the art's standing and popularity in his home country. For this bamboo master, there is no substitute for his favored material.
"Bamboo art is simple, and that's why it shows the deepest aesthetic and human quality of the artists," he said. "Each stick of bamboo is different. Understanding each piece and what you will create out of them -that's the charm of bamboo art." PAID CONTENT The 10 Most Legendary Investors Who Have Ever Lived The 10 Most Legendary Investors Who Have Ever Lived Trendingstock Today Got Chrome? Here’s How It Can Save You Big Money Shopping Online Got Chrome? Here’s How It Can Save You Big Money Shopping Online www.couponclubapp.co Joel Meyerowitz 21_sarah_provincetown_massachusett 21_sarah_provincetown_massachusetts_1980 s_1980 Arts The man who put the color in photography There was a time when color photography was considered amateur. By pioneering color in the 1960s, Joel Meyerowitz helped change that. Jacopo Prisco, CNN AdvertiseTerms of UsePrivacy PolicyCookiesAdChoices PolicyCookiesAdChoices © 2018 Cable News Network. Turner Broadcasting System, Inc. All Rights Reserved. CNN Sans ™ & © 2016 Cable News Network. By using this site, you agree to our updated Privacy Policy and our Terms of Use.
New report explores what total total abortion ban means in the the Dominican Republic By Jessica Ravitz, CNN
Updated 1401 GMT (2201 HKT) November 19, 2018 Before her daughter died, Rosa Hernández unsuccessfully pleaded with doctors to give the 16-year-old a therapeutic abortion so she could get needed chemotherapy. Before her daughter died, Rosa Hernández unsuccessfully pleaded with doctors to give the 16-year-old a therapeutic abortion so she could get needed chemotherapy.
(CNN)A woman spoke of her 16-year-old daughter who died after being denied chemotherapy for leukemia because she was in the early weeks of pregnancy. A nurse described how a woman who was experiencing heavy bleeding after self-inducing an abortion was forced by medical providers to wait for treatment as "punishment" -- only to lose too much blood to be saved. An outreach worker remembered the mentally disabled 14-year-old girl who became pregnant at 12, probably by her father, and received no care.
Stories like these are revealed in a new Human Rights Watch report, released Monday, that focuses on the effect of a total government ban on abortions in the Dominican Republic. The Caribbean nation is one of just 26 countries around the globe that prohibit -- even criminalize -- the procedure with no exceptions, exceptions, according to the Guttmacher Guttmacher Institute, a research and policy policy group focused on reproductive health and rights. And the Dominican Republic is one of six countries in the Caribbean and Latin America to maintain restrictions, no matter the circumstances. Article 37 in the country's Constitution, which also prohibits the death penalty in all circumstances, reads, "The right to life is inviolable from conception until death." But just because abortions are outlawed doesn't mean they don't happen. In fact, Guttmacher has reported that incidence of abortions are no less frequent -- but are less safe -- when they are restricted. And in Latin America and the Caribbean, where 97% of women and girls of reproductive age live in a place with restrictive abortion laws, the rate of abortion has increased, rising 9 percentage points between the early 1990s and 20 years later, Guttmacher found. Rosaura Almonte Hernández, known as "Esperancita," died in 2012 after initally being denied chemotherapy because she was pregnant. Rosaura Almonte Hernández, known as "Esperancita," died in 2012 after initally being denied chemotherapy because she was pregnant. In a nation where the Ministry of Public Health and Social Assistance reports that nearly half of all pregnancies are unplanned or unwanted, the lack of safe and legal legal options for abortion has real consequences, the report shows. "Women and girls in the Dominican Republic have always defied the abortion ban, but they have been forced to put their health and lives on the line to end pregnancies clandestinely," said Margaret Wurth, senior women's rights researcher at Human Rights Watch and the report's author. They've tried home remedies, sipped special teas and a nd denied themselves food or water. They've taken prescriptions that aren't aren't supposed to be taken while while pregnant, have ingested ingested or inserted other pills to terminate their pregnancies and have tried to harm themselves. One woman reported using a concrete block to beat her belly. 'Fear that permeates everything' Human Rights Watch interviewed 167 people for this report. Included were 50 women and girls who'd experienced unplanned or unwanted pregnancies and dozens of others -- such as health providers, social service professionals and other officials. Pregnant teen dies after abortion ban delays her chemo treatment for leukemia
Women with resources who want to terminate their pregnancies may be able to travel outside the country or, with the help of their connections, arrange for abortions through safe clandestine providers. But those who are poor or living in rural parts of the country don't have these options, Wurth said. They are left with two choices: have babies they don't want or fend f end for themselves to end their pregnancies. Adolescent girls, who often lack access to contraception and information, she said, are especially vulnerable. Add to this Article 317 in the Dominican Republic's penal code, which threatens prison sentences when it comes to abortion. Women and girls who self-induce or consent to abortions, and medical providers who provide illegal abortions, abortions, face the risk of serving time time behind bars. In practice, while abortions are against the law even to save the life of a woman or girl, the United Nations reports that "general "general principles of criminal criminal legislation allow abortions to be performed performed for this reason on the grounds of necessity." But this exception doesn't help every woman or girl who feels she needs an abortion. Prosecutions and arrests are rare, but fear of both persists -- often preventing people from seeking or offering help, Wurth explained. Even women who have had miscarriages, she said, admit being afraid to enter hospitals because they might be falsely accused of having induced an abortion. Ireland repeals amendment banning abortion following landmark referendum Ireland repeals amendment banning abortion following landmark referendum "Criminal penalties create fear that permeates everything," the re port's author said. It means women and girls believe that "Going to the hospital and saying I ha d an abortion means I'm going to jail." As a result, complications like heavy bleeding or pain go untended to and, in the worst cases, kill. A perforated uterus and tissue remaining in the uterus that leads leads to sepsis are two examples examples of what can go horribly wrong. Even with the fear of arrest, "there are an estimated 25,000 hospitalizations for abortion and miscarriage in the public health system every year, many of which are women needing care after a clandestine abortion," the report says. This information came from Dr. José Mordán, the head of the Department of Family Health at the Ministry of Public Health, in an email he sent this month to Human Rights Watch, the report states. He also said that at least 8% of maternal deaths in the Dominican Republic result from illegal abortions or miscarriages. Some of the girls and women who did seek medical help after experiencing complications talked to Human Rights Watch about being mistreated and abused by ca re providers. They reported name-calling, being denied pain medications medications and even undergoing undergoing surgical procedures procedures without anesthesia. anesthesia. Women in Northern Ireland to get access to abortion services in Republic Women in Northern Ireland to get access to abortion services in Republic But mixed in too are those in the medical community who put their patients first, laws be damned, the report shows.
"Sometimes you have your hands tied. You don't know what to do. You have the law telling you that you can't do it [perform an abortion]," one doctor told Human Rights Watch researchers. "But it doesn't work like that. ... My job is to preserve the woman's life. If I have to violate the law, I will." 'A starting point' A poll taken in the Dominican Republic by a research organization shows that 79% of those surveyed believe abortion should should be decriminalized in certain certain cases. And protesters, demanding demanding change, took to the the streets in July. Thousands march in Santo Domingo in July, calling for the decriminalization of abortion in the Dominican Republic. Thousands march in Santo Domingo in July, calling for the decriminalization of abortion in the Dominican Republic. A coalition of groups, ob-gyns, the ministry of health and even President Danilo Medina support legalizing abortion in three circumstances, Wurth said: when the life of a woman or girl is endangered, when the pregnancy is a result of rape or incest, and when the pregnancy is unviable and the fetus won't survive outside the womb. Medina has objected to the penal code a number of times, encouraging decriminalization in these three circumstances. In a letter to the president of the Senate in 2016, obtained by Human Rights Watch, he called these exceptions "extreme circumstances, terrible, but that occur in daily life, and which we as legitimate representatives of the people, should give responses in accordance with the Constitution and with our values." Get CNN Health's weekly newsletter Sign up here to get The Results Are In with Dr. Sanjay Gupta every Tuesday from the CNN Health team.
So far, though, the laws remain the same. It's on the National Congress to enact this kind of reform -- and Wurth is hopeful that it will. Other countries, like Ireland this year and Chile last year, have eased abortion restrictions. And the Guttmacher Institute reports that 27 countries, between 2000 and 2017, reformed their laws to increase legal abortion access. Why not the Dominican Republic too, Wurth asked, even if it's limited to three circumstances? "It would be a starting point," she said. "There's no place in modern democracy for a ban on abortion." PAID CONTENT The 10 Most Legendary Investors Who Have Ever Lived The 10 Most Legendary Investors Who Have Ever Lived Trendingstock Today Got Chrome? Here’s How It Can Save You Big Money Shopping Online Got Chrome? Here’s How It Can Save You Big Money Shopping Online www.couponclubapp.co
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In Pursuit of Rare View All Luxury Qatari royal showcases rare Indian jewel collection Updated 6th November 2018
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Qatari royal showcases rare Indian jewel collection SHARE Written by Chris Dwyer, CNNSan Francisco, Fra ncisco, California In the 17th century, an exquisite dagger crafted from jade and inlaid with gold was created for Shah Jahan, the emperor who built the Taj Mahal. Two centuries later, it had found its way into the private collection of Samuel Morse, the inventor of Morse code. It's now just one of 150 breathtaking artifacts borrowed from the private collection of Qatar's ruling family for the exhibition, "East Meets West: Jewels J ewels of the Maharajas from The Al Thani Collection" at San Francisco's Legion of Honor. The Al Thani Collection comprises Indian art and jewels from the Mughal Empire through to the present. It was established by Sheikh Hamad bin Abdullah Al Thani, a member of the Qatari royal family. To bring the precious items items together, he enlisted the help help of Amin Jaffer, the international international director of Asian art at Christie's, who helped collect more than 400 pieces in just two years. Here the border of brilliant-cut diamonds and a substantial emerald echo European jewelry designs as the gems are not encased in closed settings that were typical of Indian jewelry. Here the border of brilliant-cut diamonds and a substantial emerald echo European jewelry designs as the gems are not encased in closed settings that were typical of Indian jewelry. Cr edit: Courtesy Legion of Honor The earliest pieces on display date back to 1526, when the Mughals -- a Muslim dynasty with roots in Central Asia -- invaded northern India and founded an Empire. By that time, Europeans had already established trading posts in India, and the Mughal emperors were fascinated by the technology they used to craft jewelry (in particular, techniques for cutting gemstones), as well as overseas treasures, such as emeralds from Colombia. In return, Europeans were stunned by the wealth of the Mughals. The treasury of the emperor Jahangir, for example, was said to have included more than five million carats of uncut diamonds. A 16th-century Flemish gem trader, Jacques de Coutre, is said to have observed that Jahangir J ahangir had more jewels than the monarchs of Europe combined. An Indian pendant inspired by European jewelry traditions. An Indian pendant inspired by European jewelry traditions. Credit: Courtesy Legion of Honor The Mughals and the Europeans went on to forge close links, according to the exhibition's co-curator, Martin Chapman. "Western jewelers and goldsmiths worked at the Mughal courts, while the techniques and tastes of European jewelry houses continued to exercise great appeal among Indian princes," he said.
What's behind our obsession with gems? What's behind our obsession with gems? "In later years, it was to Europe that the maharajas flocked in order to reset gems in their treasuries, inspiring a fusion of Indian forms and tastes with Western settings that characterizes an apogee of 20thcentury jewelry design." Japan's handmade, floating hotel Gender is also addressed in the exhibition, added Chapman, Chapman, with almost all of the pieces made for -- and worn by -- men: "We in the West seem to think that only women wear jewelry," he said. "But it is the men in India, specifically the male rulers -- Mughal emperors and maharajas -- who turn our expectations on their heads with their extravagant and elaborate jewelry: bangles, bracelets, rings, necklaces and earrings, as well as the most characteristic jewel, the turban ornament." Scroll through the gallery above for Martin Chapman's selection of 10 items from the exhibition. "East Meets West: Jewels of the Maharajas M aharajas from the Al Thani Collection" runs at the Legion of Honor until Feb. 24, 2019. PAID CONTENT Got Chrome? Here’s How It Can Save You Big Money Shopping Online Got Chrome? Here’s How It Can Save You Big Money Shopping Online www.couponclubapp.co The 10 Most Legendary Investors Who Have Ever Lived The 10 Most Legendary Investors Who Have Ever Lived Trendingstock Today New Site Finds the Cheapest Flights Flights in Seconds! New Site Finds the Cheapest Flights Flights in Seconds! TripsShop.com 9 top open-source tools for monitoring Kubernetes 9 top open-source tools for monitoring Kubernetes TechBeacon - A guide to today's business challenges. Insights for what's next in information technology. technology. New York's Luxury Home Market Is Popping Off: Take Take a Look New York's Luxury Home Home Market Is Popping Off: Take a Look Mansion Global PAID CONTENT The 10 Most Legendary Investors Who Have Ever Lived
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In Pursuit of Rare View All Arts 'Panthéon de la Guerre' at 100: The colossal war painting that time forgot Published 19th October 2018 VIEW GALLERY
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'Panthéon de la Guerre' at 100: The colossal war painting that time forgot SHARE Written by Jacopo Prisco, CNN Less than a month before the end of World War I, a huge painting commemorating the war effort was unveiled in central Paris. Its creators wanted to honor the greatest war the world had ever seen with the greatest painting ever made, and they had spent the previous four years working on it with the help of 150 artists. The result was the world's largest painting at the time, set on a panoramic canvas measuring 402 feet (122 meters) around and 45 feet (13.7 meters) high. It contained over 5,000 life-size portraits of war heroes, royalty and government officials from the Allies of World War I, with France dominating the stage. The painting was so big that that a custom building had to be constructed to accommodate accommodate it. The "Panthéon de la Guerre" (meaning "Pantheon of the War") was unveiled, to great fanfare, 100 years ago today on Oct. 19, 1918. In the century that followed, it was chopped up, auctioned off, hidden away and even stored outdoors in a crate for a decade before finding its place on the walls of the National World War I Museum and Memorial in Kansas City, Missouri, 4,500 miles away from the start of its unlikely journey. pantheon_de_la_guerre_panorama pantheon_de_la_guerre_panorama The "Panthéon de la Guerre" today (click here for full size: cnn.it/2AdegPt) A blockbuster of the day Work on the painting had begun, with astonishing foresight, foresight, just a few months into the war, in the winter of 1914. The idea came from two French artists with previous experience in panoramas, Pierre CarrierBelleuse and Auguste François-Marie Gorguet. Project Habbakuk: Britain's secret attempt to build an ice warship Project Habbakuk: Britain's secret attempt to build an ice warship Together, they enlisted an array of painters -- particularly elderly ones, as many young ones were on the front line -- and obtained financial and political support, which was essential due to the scale of the project and the materials required. required. Among the latter were 18,000 square square feet of Belgian linen for the canvas, tons of steel armature to support it and enormous amounts of paint, all of which were at a premium in wartime. "Their intent was patriotic, but also commercial," said Mark Levitch, an art historian at the National Gallery of Art in Washington, DC, and author of "Panthéon de la Guerre: Reconfiguring a Panorama of the Great War," in a phone interview. "Panoramic paintings like this were money-making ventures -- the Hollywood blockbusters of the day. But it was really a 19th-century phenomenon, and this was sort of its last gasp."
The painting was hung in a complete, uninterrupted circle; visitors descended into a tunnel to emerge right in the middle of it. The custom-built, octagonal building that housed it was enviably located in Rue de l'Université, steps from Les Invalides and just a few blocks from the Louvre. It was inaugurated by French President Raymond Poincaré, himself immortalized on the canvas, less than a month before the end of the war -- timing that was "mostly serendipitous," as Levitch puts it. Original Pantheon (from 1933 Chicago World's Fair program) The original "Panthéon de la Guerre" (click here for full size: cnn.it/2pXV7uR) cnn.it/2pXV7uR) Although a circular painting has, technically no center, the main focus of the "Panthéon de la Guerre" was a temple and staircase, representing re presenting the French section that spanned about 122 feet. This segment contained most of the 5,000 figures portrayed in the painting, with the rest split between other Allied nations including Britain, Italy, Russia and the United States, each given a space of around 32 feet or less. The background was meant to represent the battlefields of France and Belgium. -¬ IWM TR_001596 Rare color photos cast new light on World War II The search for figures worthy of appearing in the artwork was painstaking. "They sifted through the press and read the citations of the day, to see who was killed and find out who was most deserving of being put in this sort of encyclopedia of the French war effort," Levitch said. "They got photographs of people who had been killed and made sketches from those, while others, such as government officials, were sketched in person." Play Video Infrared photographs retell horrors of D-Day Touring to America The "Panthéon de la Guerre" remained in its Paris home for nine years and was seen by three million people. "It was as much for tourists as it was for the French, and seemed particularly particularly popular with American soldiers," Levitch said. In 1927, as interest started to wane, it was bought by three American businessmen who wanted to send it on a US tour. "I think they bought it for something like 250,000 dollars, dollars, real money for the time, and it had a very high profile sendoff that I suspect suspect was meant as much for American eyes as it it was for the French," Levitch said. 19--Postwar housing by SOM, Oak Ridge The secret cities where the atomic bomb was built The creators of the painting were opposed to the sale, fearing they would never see it again, although the buyers promised to eventually eventually return it. The sendoff sendoff involved ambassadors and bands bands playing national anthems, in the hope that the "Panthéon de la Guerre" would cement Franco-American relations. A few modifications were made, most notably the inclusion of more women and African-Americans.
Its first stop was New York's Madison Square Garden, where it attracted one million visitors in eight weeks. "They had an appropriately gargantuan opening opening night with 25,000 people and lots of notables, but it ended up closing two months ahead of schedule, so they were obviously not making as much money as they had hoped," Levtich said. PantheonGuerre_1933 Chicago World's Fair program cover A program cover from the 1933 World Fair featuring the "Panthéon "P anthéon de la Guerre." Credit: National WWI Museum and Memorial The painting, just like the war itself, was perceived very differently in the US. France F rance had suffered about 1.7 million deaths in the conflict, whereas the US, which entered the war in 1917, lost around 117,000. Americans had a faint, mostly celebratory memory of the war; the French a rather vivid, bloody one. "It was not promoted as the solemn painting that it was," Levitch said. "Instead, there were blow horns and even machine guns in Chicago for the 1933 World Fair. It was almost like a carnival c arnival attraction, but that's not the spirit of the painting at all. It's really rather quiet for all its grandiosity." Nearly sold for scrap The last stop on the painting's painting's US tour was San Francisco in 1940. At that point, the artwork was falling out of fashion and was sent to a storage facility in Baltimore, where it laid abandoned for 12 years in the almost tomb-like, 55-foot crate originally built for it in Paris. Because the painting was too big to keep indoors, it was left outside, and once the owner stopped paying the storage fee -- due to being caught up in World War II in Europe -- it was auctioned off. PantheonGuerre_British nursing sister A detail of the original painting showing a British nursing sister. Credit: National WWI Museum and Memorial The auction took place in July 1952 and included both the painting and the apparatus required to exhibit it, weighing in at a substantial 10 tons. But although the auction records presented it as "an art object of unusual value," few art connoisseurs showed up and the "Panthéon " Panthéon de la Guerre" went for a paltry $3,400 (around $32,000 in today's money) to William H. Haussner, a local restaurateur who was also an art collector and, incidentally, a German World War I veteran. "He owned a restaurant in Baltimore (that was) very well known for having good art and bad art -- mostly bad art -- on its walls," Levitch Levitch said. "He gets word that this this was, at one time, an important artwork, artwork, and he doesn't want it to go to the scrap metal collectors who were there to get the armature for the painting -that's who he was competing against in the auction." Concordski: What ever happened to Soviets' spectacular rival to Concorde? Concordski: What ever happened to Soviets' spectacular rival to Concorde? Opening the giant crate was such a massive operation -- 22 workers and a 48-foot trailer truck were involved -- that Life magazine sent reporters r eporters to document it. But even with a new owner, the future looked bleak for the painting. "Haussner tried to find a museum that was willing to take it. He got in touch with the Smithsonian. He was willing to donate it but, unsurprisingly, nobody wanted it. Nobody wanted to create a building for it,
or repair it. Even the French Consulate said they didn't want it back. It wasn't considered 'high' art," Levitch said. But there was one person who wanted it: Daniel MacMorris, himself a US World War I veteran who had seen the painting in Paris during the war. He had even gone on to study with Gorguet, one of the two original creators, and was now a professional artist. Awestruck by the Life magazine article, M acMorris started lobbying Haussner to donate the painting to the Liberty Memorial in Kansas City, the nation's largest World War I memorial, where he worked. PantheonGuerre_1980.923 The "Panthéon de la Guerre" being delivered to the Liberty Memorial in Kansas City in 1957. Credit: National WWI Museum and Memorial Memorial A second life Haussner eventually agreed, giving the "Panthéon de la Guerre" a second life. It needed to be adapted for its new venue, and MacMorris took on the task. "But he knew that he was not going to be able to save the entire painting, that was actually never his intention," Levitch said. MacMorris had 70 feet of wall space to work with, and, as he wrote in a 1958 letter to the London Daily Telegraph, he wanted to pay homage to Woodrow Wilson and the League of Nations, the precursor to the UN. But his "rearranging," as he called it, is best known for being US-centric -- with few Russian or Eastern European figures making the cut -- and for keeping almost nothing of the original canvas. "In terms of square footage, he kept only 7 percent per cent of the original, and also made it into a regular painting that's totally flat against the wall," Levitch said. "He ended up repainting a lot of figures and it looks really good. It's impressive work and it only took a couple of years." The new, Americanized version of the painting -- which now included Harry Truman and Franklin Roosevelt, among others -- was unveiled in Kansas City on Nov. 11, 1959. "MacMorris centered it on the US," the museum's archivist, Jonathan Casey, said in a phone interview. "He put Woodrow Wilson and all the American political and military leaders in the center, with the Allies on either side -- the whole 'Panthéon' scene with all the French soldiers was just totally removed. You get a whole different sense from it, with America dominating and coming out (looking) most responsible for the victory." PantheonGuerre_1993.29MacMorris Daniel MacMorris reconfiguring the painting. Credit: National WWI Museum and Memorial The Liberty Memorial closed down in the 1994 due to safety concerns around its aging structure, but after a successful renovation it opened again in 2006. In 2014 it was recognized as a national memorial and changed its name to National World War I Museum and Memorial. "The renovation really paid off, and it has made the museum incredibly popular and always a lways crowded," Levitch said. "And people are now paying more attention to the Panthéon and its incredible incredible history." Why was a legendary American car hidden away for 30 years? Why was a legendary American car hidden away for 30 years?
But what happened to the rest of the original painting? A large portion of the original French section now hangs in another hall at the museum, which also keeps dozens of smaller smalle r fragments in its archives and exhibits the most significant ones. MacMorris threw away large portions of the canvas, but he also doled out pieces to friends and acquaintances. Some have ended up in flea markets and online, where Levitch purchased one in 2001. "I spotted spotted it on eBay, but it was not advertised advertised as 'Panthéon de la Guerre.' It's It's a very tiny fragment, about two feet tall and a foot wide," he said. "I bought it for 99 dollars, which is more than it's probably worth, but to me it was important." PAID CONTENT The 10 Most Legendary Investors Who Have Ever Lived The 10 Most Legendary Investors Who Have Ever Lived Trendingstock Today Got Chrome? Here’s How It Can Save You Big Money Shopping Online Got Chrome? Here’s How It Can Save You Big Money Sho pping Sho pping Online www.couponclubapp.co New Site Finds the Cheapest Flights Flights in Seconds! New Site Finds the Cheapest Flights Flights in Seconds! TripsShop.com Want to See How Celebrities Really Live? See Inside These Homes That Are Currently on the Market Want to See How Celebrities Really Live? See Inside These Homes That Are Currently on the Market Mansion Global by Dow Jones Hybrid cloud headache? These tools and techniques ease the pain Hybrid cloud headache? These tools and techniques ease the pain TechBeacon - A guide to today's business challenges. Insights for what's next in information technology. technology. Rare personal objects show Frank Sinatra in a new light Rare personal objects show Frank Sinatra in a new light Style Rare personal objects show Frank Sinatra in a new light 'Obscene' books on display at Oxford University 'Obscene' books on display at Oxford University Style 'Obscene' books on display at Oxford University Inside England's most opulent houses
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In Pursuit of Rare View All Autos Why was a legendary American car hidden away for 30 years? Updated 30th June 2015
VIEW GALLERY 26 Pictures 1965 Shelby Daytona Coupe Prototype-front E
Why was a legendary American car hidden away for 30 years? SHARE
Written by Jacopo Prisco, CNN If this car could talk, it would describe a road to fame with all the twists and turns of a Hollywood plot. The original of only six models ever built, it was the first American car to beat Ferrari on its own turf, was once engulfed by flames in Daytona, was driven around Los Angeles by a music celebrity, and then sat for 30 years in a storage unit -- leading many to believe it had been lost. The extraordinary vehicle was the brainchild of an American car legend, who used it to win championships and shatter speed records. Once retrieved from its dusty alcove, the car sparked a multimillion dollar legal battle for its ownership.
Today, 50 years after it was built, the Shelby Cobra Daytona Coupe prototype finally sits in its rightful place -- a museum founded by its current current owner. A car with a mission As the name suggests, the car was created by American automotive entrepreneur, Carroll Shelby, who wanted to beat Italian designer Enzo Ferrari. He had already done so as a driver with Aston Martin, winning the prestigious FIA World Sportscar Championship in 1959, a series that the "prancing " prancing horse" was otherwise dominating. Shelby at Le Mans in an Aston Martin, 1959. Shelby at Le Mans in an Aston Martin, 1959. Credit: Hulton Archive/Getty Images But in 1963, years after Shelby had hung up his racing gloves, he wanted to win as a constructor -- with an American car, at that.wi Shelby modeled his dream machine on the basis of a previous racer he had developed, the AC Cobra Roadster. He hired designer Pete Brock to shape the car for maximum speed -- something it would need on the legendary 3-mile Mulsanne straight at Le Mans, the most important race in the championship. Thus was born the Shelby Cobra Daytona Coupe prototype, made with modest means compared to today's standards, in a shop in Venice, California. At the time, American cars weren't very competitive, says Fred Simeone, the current owner of the car and founder of the Simeone Museum, where it's currently displayed. "If you look at the history of sports car racing, America had contributed very little by then compared to England, Italy, Germany and even France," he said. The Daytonas were about to change that. They fared well during their maiden year, 1964, with a standout win in their class at the 24 Hours of Le Mans -- "The Superbowl of racing," Simeone calls it. But although they outclassed Corvettes, Lolas, Porsches, and Alfas, the Daytonas still finished the championship behind the mighty Ferrari GTOs. Play Video Antique cars with Tesla batteries
In 1965, Shelby finally took first place -- the first ever American racing team to do so -- taking 9 of 12 events in their class, with crucial wins in yet more historic races, such as the 24 Hours of Daytona itself, the Italian Grand Prix at Monza, and the grueling 1,000-kilometer race at the Nurburgring Nordschleife, a 14-mile forest road track that racing hero Jackie Stewart would later nickname "The Green Hell." Shelby had beaten Ferrari. The legend of the Cobra Daytona Coupe was born. Enter the "CSX2287" The car that Shelby had built in Venice remained the only one made in America. Five more were sent as frames to Modena, Italy -- right under Ferrari's nose -- where the bodywork was completed expertly and quickly. 1965-shelby-daytona-fire-historic The CSX2287 on fire at Daytona. Credit: From the collections of The Henry Ford That prototype car, chassis number CSX2287, was therefore already special. It was also lucky, surviving a fire while refueling in Daytona in 1964 -- an incident which cost the race, r ace, but not the car. And to many, it was beautiful -- complete with Le Mans Ma ns stripes, two white bands that ran the length of the car over the Viking blue paint, a pattern that has since become iconic and is strongly associated with the Cobras designed by Shelby as production cars for Ford. Its style had substance to match. After winning the 1965 championship, the car, somewhat retired from radcing, had still a lot of speed left in it, and got a chance to prove it. Speeding on salt On November 6, 1965, the CSX2287 had not been raced for months, but the opportunity presented itself to haul it to the Bonneville Salt Flats to race against the clock c lock and write history. Over four days, the car c ar set 23 national and international speed records, reaching a top speed of 187 miles per hour. 1965 Shelby Daytona - salt flat The CSX2287 at the Bonneville B onneville Salt Flats, driven by five-time land speed record holder Craig Breedlove. Credit: courtesy simeone museum/michael furman That was the last roar of the lion. Shelby then sold the original Daytona -- at this point little more than a tired old prototype -- to Jim Russell, founder of a toy car company called Russkits, for $4,500. And that's where the weirdest part of the story begins. The wall of (engine) sound The Daytona soon landed in the hands of eccentric music producer Phil Spector, 26 years old at the time. He scribbled the car's records with house paint on the doors -- ridiculously r idiculously exaggerating them -- and started driving it around Los Angeles.
This wasn't the first time the car was seen outside a track, as Shelby himself did several test runs in Marina del Rey with a manufacturer's plate. But lightning quick as it was, it cost Spector so many tickets that his lawyer eventually suggested he get rid of it. Added to that, it was far from a smooth ride and became hot as hell after just a few miles. This was no Sunset strip cruiser, but an angry thoroughbred racer, after all. Spector wanted to fix these issues, but the cost was so high that he was allegedly offered to scrap it for $800 instead. Luckily he knew better, and sold it to his bodyguard, George Brand, for $1,000. Brand gave the car to his daughter, Donna O'Hara, who then did the unthinkable -- she hid it away in a California storage unit. Hidden treasure Precisely as to why O'Hara made the conscious decision to just store the Daytona, dutifully paying the rent every month for 30 years, nobody knows. Over the years, interest mounted around the car and she received several offers for it, but always refused. "She would rebuff anybody who presented themselves as interested in the car," said Simeone. Carroll Shelby himself went to see the car, but she wouldn't even open her door for him Fred Simeone "Carroll Shelby himself went to visit her to see the car, and a nd she wouldn't even open her screen door to talk to him. It was widely known she had it, but it was also widely known that you couldn't communicate with her... people had given up going for it." "A very realistic offer" As a result, the CSX2287 remained untouched from 1971 to 2001. The car in its current condition. The car in its current condition. Credit: courtesy simeone museum/michael furman With the help of a lawyer, Martin Eyears, car collector and retired neurosurgeon Frederick Simeone finally managed to convince Donna O'Hara to sell him the car, for an amount he'd rather not disclose, but believed to be around $4 million. million. "It was persistence and timing, the right place at the right time that produced the sale, and a very realistic offer," he says. In 2008, he founded the Simeone Automotive Museum in his native Philadelphia, where the car now sits among 65 other classic racers. "My criteria for collection are a significant history, original condition, American origin whenever possible, and beauty. At the the time of purchase, in 2001, the the only car that I didn't didn't have that fit all those criteria was the Cobra Daytona Coupe, so I really wanted it very badly," he says. What happened next is the darkest part of the story -- "I hate to tell it, this is a happy story and the bottom of it is a downer. She [O'Hara] willed the proceeds of the sale to her mother and then set herself on fire. That was after the deal had been done."
A difficult aftermath The owner's shocking demise sparked a legal battle around ar ound the car that lasted for months. "The "T he aftermath of the sale was more difficult than the sale itself, because when word got out among the motoring community that the car was discovered and was being purchased by a private party, a lot of people desperately tried to buy it, and asked a judge to put it up for public sale," says Simeone. The aftermath of the sale was was more difficult than the sale itself Fred Simeone Even Phil Spector, through his lawyer Robert Shapiro -- famous for having been one of O.J. Simpson's defense lawyers -- claimed ownership by saying he never actually sold the car to his bodyguard, but only gave it to him for safekeeping. (Spector was convicted of second-degree murder in 2009 and is currently in prison.) "Everybody was gonna wanna have a story," says Simeone, "But the judge concluded rightfully that it had already been sold legitimately." Modern legend It's difficult to say how much the car is worth today, 14 years after that sale. The other five Daytonas -- those produced in Italy -- are all in the hands of private collectors, with one sold at auction in 2009 for $7.5 million. It's safe to assume that the CSX2287 would fetch significantly more, since it's the first prototype, it's the last Daytona to have been in competition and -- unlike the others -- it's still in its original state with no parts replaced and no repainting done. The CSX2287's interior today, in its original, unrestored condition. The CSX2287's interior today, in its original, unrestored condition. Credit: Courtesy Simeone Museum/Michael Furman "The car was in excellent condition out of storage, all of the original bits were there, no missing parts," says Simeone. "Only the front end was banged in, so we had to hammer that out because it was simply too ugly. The rest of the paint was dull but intact and all we had to do was get rid of the oxidation, and it came out very decent. The only things that we had to replace ended up being brake lines and a few bits of wiring." Phil Spector's five years of ownership did not mess it up too much either. "He just had upholstery put it, that's all, and he put some writing on the side of the car, with house paint, but we were able to get that off," says Simeone. The cars runs well, even on its original tires, and has been driven many times for shows and demonstrations, even though it's no longer raced. "We get into a little trouble with some people who think it should, but it's pointless and we'd risk damaging it. We want to preserve it for future generations," added Simeone. A place in history
The CSX2287 was the very first car ca r -- and one of only seven so far -- to be included in the National Historic Vehicle Register, putting it in the same class as American icons like the Statue of Liberty and the Space Shuttle. It was constructed on a shop floor and designed on a sheet of butcher paper Michael Gessler It was also named Car of the Year in 2014 at the International Historic Motoring Awards, the Oscars of classic automobiles -- the first ever American car to even get nominated for the award. "It was constructed on a shop floor and designed on a sheet of butcher paper, right at the end of an era when something could be built so simply and win on an international level," said Mark Gessler, president of the Historic Vehicle Association. Strikingly designed and with a history that reads like a Hollywood script, this car is the stuff of legend. "The iconic forerunner of a winning breed," as Simeone defines it, which kickstarted America's short but glorious dominance in road racing. The CSX2287 Shelby Cobra Daytona Coupe is on display at the Simeone Automotive Museum, in Philadelphia. PAID CONTENT The 10 Most Legendary Investors Who Have Ever Lived The 10 Most Legendary Investors Who Have Ever Lived Trendingstock Today All Drone Lovers Are Going Crazy About This Mini Invention All Drone Lovers Are Going Crazy About This T his Mini Invention smartdailysavings.com New York's Luxury Home Market Is Popping Off: Take Take a Look New York's Luxury Home Home Market Is Popping Off: Take a Look Mansion Global Got Chrome? Here’s How It Can Save You Big Money Shopping Online Got Chrome? Here’s How It Can Save You Big Money Shopping Online www.couponclubapp.co Blockchain for data security: A resource guide for IT Ops teams Blockchain for data security: A resource guide for IT Ops teams TechBeacon - A guide to today's business challenges. Insights for what's next in information technology. technology. Deepika Padukone reveals striking outfit from wedding to Ranveer Singh
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