11 Short Piano Pieces 1. Waltz 2. McGillicuddy’s Rant 3. Invention: Canon at the Octave; Syncopated Rhythm 4. Invention: Canon at the Ninth 5. C-E-G Prelude 6. Sue’s Song 7. Study: Chromatic Noodling 8. Dream: Hearing Footsteps 9. Broken Glass 10. Julia’s Prelude 11. Waltz (reprise)
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Clark Winslow Ross
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11 Short Piano Pieces (1980-98)
Clark Winslow Ross
(1980-98) is a collection of piano compositions written over a fairly long period of time. Most are for beginning-to-intermediate pianists, but the last four are more more demanding. The pieces pieces that have very little little in common, save their brevity. They can be played independently of one another, or in any combination of the performer’s choice. Waltz was was written for the 1994 Kiwanis Music Festival of Greater Toronto as a theme on which young composition students were to write variations, variati ons, and McGillicuddy’s Rant was was written in 1980, the year I started studying studyi ng composition compo sition.. This also exists in a version for classi classical cal guita guitarr with numerous variations.. I played it for my guitar teacher many years ago, before I had come up with a name for it, and, variations a nd, for reasons I have never been able to fathom, he suggested the name McGillicuddy’s Rant . I felt the pentatonic pentaton ic tune had a vaguely Scottish, folk-like quality, and although althou gh it bears little resemblance to a Rant, I did not know that at the time, so the name stuck. The two inventions were commissioned by for possible use in the Royal Conservatory of Music graded graded piano albums, Frederick Harris Publishing for aimed at earlier grades, and the C-E-G Prelude was written much later (1998), also as a relatively easy student piece. I wrote Sue’s Song Song for my former sister-in-law, Susan Griffin, in 1986 as her birthday gift. The next three pieces become increasingly chromatic and challenging. Chromatic Noodling was conceived as a study, and is a fun, rather nutty piece. Dream…, is an impressionistic composition written for my friend and former colleague Liana Lam (who came up with the idea of making a collection of my short, but unrelated, piano pieces, and performed them), while Broken Bro ken Glass Gla ss is short but very challenging. It was written for Barbara Pritchard, also a close friend, who specializes in the performance of insanely-difficult modern works, and she commissioned it through the Canada Council in 1991. was named for my wonderful daughter, and was written in the style of Schumann just for Julia’s Prelude was the heck of it, after a harmony class one day in which we analyzed Bach's Prelude to to the Bb Fugue from from the Well-Tempered Clavier (book (book 1). Yes, there is a connection! Clark Winslow Ross's compositions have been performed in England, Ireland, the United States, and across Canada by some of Canada's finest musicians, ensembles, and orchestras. He was Composer-in-Residence at Ireland's Waterford New Music Week in in 2003, and has won Young Composer's Awards in in national competitions by the Winnipeg Symphony Orchestra and and the Hamilton Philharmonic Orchestra Orche stra . He has also received over 20 commission grants from various funding agencies, including the Canada Council , the CBC , and the Newfoundland Newfoundland and Labrador Arts Council . Clark is the founder and Artistic Director of the Newfound Newfound Music Festival , held every February in St. John's, and was a founding member and later President of Continuum, the Toronto-based new-music group. He serves on the national executive of both the Canadian League of Composers and and the Canadian Music Centre . Born in Maracaibo, Venezuela, Venezuela, Clark was raised there and in Caracas (Venezuela), (Venezuela), Lima (Peru), Lennoxville (Quebec), New York City, Fort Lee (New Jersey), Brussels (Belgium), and Toronto, where he attended university. Upon receiving a Mus.Doc. (composition) degree from the University of Toronto in 1992, he began working at Memorial University's School of Music, Music, where he is currently an Associate Professor, teaching composition, orchestration, theory, electronic music, and classical guitar. He was wa s awarded Memorial University's President's Award for Outstanding Outstanding Research (1999) in recognition of his extensive compositional activities. He is married to Dr. Jennifer Porter (professor of Religious Studies, Memorial University), and has three children (Alexander, (b.
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1. Waltz Clark Winslow Ross
# 3 œ Œ 4 &l p œ œ œ œ œ œ œ # œ œ œ œ œ ˙ . . _ _ ˙ l ? # 34 l l ˙. l ˙. l Allegretto grazioso; molto espressivo
#& ll # ? #& ll # ? #& ll # ?
œ . œ ˙ 4 œ œ œ œ œ œœœ P œ _œ _œ œ œ F ˙. l #˙. l 4 œ˙ œ # # œœ l œ˙ . œ œœœ œ œ œ œ œœœ œœœ F p˙ . . _ ˙ ˙ . ˙ . ˙ l ˙. l #˙. l ˙. 4.
rit. …
dim.…
a tempo
œ œ l œ #œ œ l
# œ œ œ œ œ œ œ b œ œ n œ œ œ ˙œ . ˙ P#_˙ . pn_˙ . p˙ . π _ œ l l l ˙. ˙ rit. …
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2. McGillicuddy's Rant Clark Winslow Ross
œ . œ J œ œ . œ œ œ J œ œ w c œ . œ j œ w &l _pœ œ P F _ œ J _ œ œ . œ œ l?c l& œ œ œ . œj l # œ œ ˙œ n œ ? l œ . œ ˙ l œ . œ J œ œ J œ œ 4 œ œ 4 . œ œ œj ˙ pœ . &l _pœ œ œ . œj _œ F_œ b_œ b _ œ œ b œ _ œ _ _ _ œ _ ˙ œ ˙ œ b œ l? l l œ l &l œ œ œ œ œ . œJ œ œ œ œ œ . œJ œ œ œ œ œ œ œ œ ˙ œ . 4 œJ &l P F l & œœ # œœ b n œœ œœ l _œœ #_œœ # # œ n œ l œ b œ b œœ b œœ l b_˙œ . _œ œ b œ l œ œ œ œ œ . œj œ œ œ œ œ . œ œ œ œ œ œ _œ œ ˙ U˙ &l p œ j / π f / _ œ œ # œ _ _ b œ n œ l & œœ # œœ b n ˙œ˙ œ _œ #_œ ? l œ # œ œ œ n œ l b œ œ # n œœ n b œœ l b œœ b b œœ nu˙˙ / Andante
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3. Invention Canon at the Ninth Clark Winslow Ross
&l l?
œ ˙ . œ œ b œ œ œ œ ˙ œ œ œ œœ˙ œœœœ œ &c F ˙ _ œ _ œ _ œ _ œ œ œ l & c Ó œ œ œ _œ l _ ? œ œ l ˙ œ œ œ œ l l ˙ œœ œ œ ˙ œ _œ œ _œ ˙ œ _œ œ _œ _œ _œ œ œ ˙ œ œ œ _œ _œ _œ _œ œ ˙ l œ œ _œ œ l l l œ œœœœ œœœ˙ &œ œ œ œ ˙
&l l&
b_œ _œ œ _œ n_œ _˙ . _œ _œ œ œ œ œ ˙ ∑ p l l l w œ b œ œ œ œ œ œ œ œ b œ œ b ˙ œ _œ œ œ œ bœ
Allegretto
/ / / ?
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4. Invention Canon at the Octave; Syncopated Rhythm Clark Winslow Ross
? > A = > @ = A = @ A ?
Andante espressivo
& c œ œ œ œ _œ _œ œ _œ _œ œ _œ œ œ œ œ _œ œ œ œ œ _œ œ œ œ ˙ P ll c Ó œ? œ@ œ = œ= ll œ@ A œ> A =œ ll œ œ@ œ œ? œ œ œ ll œ œ œ = œ= œ? œ@ œ> ll œ œœ ? &l ll ?
œ œ_œ œ œ . œj œ œ ˙ œ œ œ œ œ_œ œ œ_œ_œ œ_œ œ œ b œ œ œb œ ˙ ˙ Ó Aœ œ _œ œ œ œ ll œ œ œ œ œ œ œ ll _œ œ œ œ œ_œ ll œ œ œ œ œ # œ ll œ œ b œ œ œb œ ll Ó ˙ rit.…
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5. C - E - G Prelude Clark Winslow Ross June 21, 1995
‰ ˙ c ∑ ∑ Ó œ J œ &l P p π p π l & c ‰ œj _œ œ œ l œ _œ œ # œ œ l œ œ _œ œ œ l œ œ ‰ œj œ l . # _ œ # _ œ # œ J # œ # ˙ # œ œ œ œ œ œ œ œ &l p π π p l & ‰ œj œ œ l ‰ œj œj ‰ œ œ l œj ‰ ‰ œj l œj œ œj œ l _œ _œ _œ b œ œ J œ œ œ J œ œ b ˙ œ . œ j œ œ #œ #œ &l # œ p π l & ‰ œj _œ œ œ l œ _œ œ œ l œj _œ œj œ l _œ _œ œ œ l . _ œ b œ U b œ b b b & q = 66–80
espr.
somewhat slower slower
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6. Sue's Song Clark Winslow Ross December 7, 1986
#& # c œ l ? ## c Œ
œ{ . œJ œ œ œ œ œ . œJ œ œ œ œ œ . œj œ œ œ œ F œ œ œ œ _œ œ # œ œ œ # œ œ œ “{ œ œ l l l
Allegro giocoso
#& # ll # # ?
. œ œ œ œ œ œ j œ œ œ œ œ j œ œ œ . œ œ œ œ œ œ œ œ ˙ œ œ œ œ . œj œ œ œ _œ _œ œ l œ œ œ œ œ l œ _œ _œ #_œ l œ œ# œ n œ œ l
#& # ˙ .
. œ J œ œ J œ n œ . œ œ {# {
nœ œ bœ bnœ
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#& # ll # # ?
# ˙˙ œœ bœ œ nœ œ œ
#& # l ? ##
. œ œ œ œ œ œ j œ œ œ œ œ j œ œ œ . œ œ œ œ œ .œ œj œ œ œ œ œ œ . œj œ œ _œ _œ œ l œ œ œ œ œ l œ _œ _œ #_œ l œ œ# œ n œ œ l
#& # ll # # ?
˙˙ .. _œ œ
œ n œ œœ . œ œj œ œ œ œ œ˙ . œj œ˙ œ œ œ œ . œj œ œ œ œ _ œ œ œ œ œ # œ œ œ œ Œ lœ l l œ# œ œ œ l
œ œ œ œ ˙ œ œ œ œ œ ˙˙ œ { #˙ Œ œ Œ {” œ œ _œ Œ l œ œ œ œ l œ
_œ Œ œ _œ Œ __œj8
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7. Study Chromatic Noodling Clark Winslow Ross
œ _ œ _ œ _ œ œ œ _ œ _ # _ œ _ _ œ œ œ œ œ œ œ œ b œ œ œ c œ & F ll ? c _œ b œ œ œ œ œ b œ œ œ œ ll œ# œ œ œ œ œ n œb œ œ œ œ œ œ œ ll œ œ b œ _ œ _ _ _ b _ œ b _ œ œ œ œ #œ œ œ œ nœ œ œ œ œ bœ nœ œ _ œ œ b œ œ b œ l l œ b œ œ œ œ b œ œ œ œ œ l l With a brisk sense of purpose (as if avoiding a mandrill in the wild)
&l ll ?
b œ &
œ œbœ œ œ
œbœ œbœ œ
œ# œ# œ n œ œ œ# œb œ œ n œ œ
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˙ b œ n œ b œ b œ n œ œ œ b œ œ œ œ & b œ _œ œ b_œ b œ œ œ ll ? b œ œ b œ œ œ œ œ b œ œ œ œ ll œ # œ œ œ œ œ n œ b œ œ b œ œ œ œ ll b œ œ œ b œ œ b œ œ œ n œ b œ œ œ œ œ œ œ œ œ # œ n œ #œ ˙ & #œ œ ll ? œ _œ œ b œ œ b œ œ # œ ll œ œ b œ œ œ # œ œ b œ œ œ œ ll _ œ œ b œ _ œ _ _ b _ œ œ œ U œ œ œ œ b œ œ ‰ œ œ œ œK . # ww &l œ œ œ / ∏ > ll ? œ b œ œ œ œ œ œ œ œ œb œ œ ll œ# œ œ œ œ œn œ œ œ œb œ œ _Kœ ‰ . ll b buww //
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8. Dream: Hearing Footsteps Clark Winslow Ross
œ J œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ &l c p l ? c ‰ Œ &l œ #˙ . lw l œ b œ . b b Kœ œ l ° ° ° ° ° œœœœœœœœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ > > ‰ . . b _ k œ _ œ _ œ _œ#_œœ l œ b œ . # œ n ˙ . œ # œœ ˙˙ # œ l ˙ l # ˙ ° ° °° ° b q= 84 il mano destra senza espressione
&l l&
(poco)
rit . … … … … … … … … … …
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84
. √,,,,,,,,,,,,,,,,,,,,,,,, ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, ,,,,,,,,,,,,,,,,,,,,,,,, ,,,,,,,,,,,,,,,,,,,,,,,, ,,,,,,,,,,,,,,,,,,,,,,, ,,,,,,,,,,,,,,,,,,,,,,, ,,,,,,,,,,,,,,,,,,,,,,,, ,,,,,,,,,,,,,,,, ,,,, _ œ _ ˙ œœ œ œ _œ _œ œ ˙ 45 œ œ œ œ _œ _œ œ __ c œ œ œ œ _œ _œ œ _œ œ œ œ œ œ œ œ œ & l & _ww l 45 #_˙˙ l l c . ˙˙ _œœ . b_œ b b_ww _ ° ° ° (√),,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, ,œ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ &œ œ œœ œ œ œ œ œœ œ œ œ œ œœ œ œ l & _ œ #˙. lw l œ b œ . b b Kœ œ l œ° ° ° (√),,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ &l ! a tempo; (espr.)
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(√),,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,b _ œ b _ œ œ œ œ œ &l § œ œ §œ œ §œ b§œ § œ œ §œ œ §œ œ b§œ l & œ# œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ l œ# œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ l b≈ _œ _œ ≈ _œ _œ ≈ b_œ ≈ _œ _œ ≈ _œ _œ ≈ _œ ≈ #_œ _œ ≈ _œ _œ ≈ #_œ ≈ _œ _œ ≈ _œ _œ ≈ _œ &l l & b œ ≈ ≈ œ ‰ # Kœœ ≈ œ ≈ ≈ œ ‰ Kœœ ≈ l b œ ≈ ≈ œ ‰ Kœœ ≈ œ ≈ ≈ œ ‰ Kœœ ≈ l œ≈ # œ _œœ ≈ _œœ _œœ ≈ b bb__œœ ≈ _œœ _œœ ≈ _œœ _œœ ≈ b_œœ ≈ #_œœ _œœ ≈ _œœ _œœ ≈ b bb__œœ ≈ _œœ _œœ ≈ _œœ _œœ ≈ b_œœ 5 _ 4 &l l & b b œœ ≈ ≈ œœ ‰ b bb kœœ ≈ œœ ≈ ≈ œœ ‰ #n kœœ ≈ l bb œœ ≈ ≈ œœ ‰ b bb kœœ ≈ œœ ≈ ≈ œœ ‰ #n kœœ ≈ l 45 q= 108
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9.
Broken Glass Clark Winslow Ross
Commissioned by Barbara Pritchard through a grant by The Canada Council
œ œ _ _ # # _ œ _ œ # œ œ _ _ # _ œ _ _ # œ # 5 # œ ‰ œ . 4 & ¶ Ï ll 45 œœ n #n #_œœ_œ œ_œœ .. & ¶ 4 # _œ ° œ . # _ œ _ # # œ . _ œ _ > 2 4 ‰ . n ˙ . Œ œ # 4 # œ 4 # ˙ # # .F ˙ &l # _œ_œ % ll 42 ‰ . Œ ll 44 ƒ # œœœ Œ Ó ? #_œœ & q=
60 (nervous)
_#_Kœœ __˙˙ .. 4 U__ww 2 4 4 F l p l U 4 . # œ# #_œ _˙˙ . l 4 # ww ? l 42 ° _œ _œ _œ °_œ _˙ # # #_œ__œ _œ__œ _œ__œJ _œ__œ _˙__˙ www ∞ Ïl #_œœ_œ _œœ_œ _œœ_œ _œœ_œ_œ_œœ _˙_˙˙ l l l (Loco)
~ ~ ~
~ ~ ~
(Loco) ~ ~ ~
~ ~ ~
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π . f _ œ J œ # œ œ œ 5 œ 4 ‰ Œ b œ Ó 4 œ œ & !! 4 ƒ £ £ £ £ £ £ £ ll 45 œ b œ œ œ# œ œ £ !! 44 ? _œ œ œ b_>œ _˙ _œ . __œ. ◊,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,> 4 b œ b œ 5 2 . b ˙ œ ˙ Œ Œ . b œ œ 4 œ 4 4 & p ‰ # œJ b Kœ œ . b œJ n_œ Œ œ . _œ#_œ # œ #_ww π ll 44 >_˙ ≈ œ˙ ˙ œ ll b b œ˙ . n œJ n œ# œ ll Œ ‰ œj. œ . 4 kœ ll 45 ˙ # ˙Œ ‰ .# # kœœœŒ ll 42 ? b_œ ° ˙ #_œ _œ ___œ# œ . œ >(◊).,.,. M œ œ _ _ # U # # # _œœ _œœ w dolce ("chorale")
(M.D.)
(M.S.)
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normally
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Julia's Prelude Clark Winslow Ross Allegro moderato; q = 88 –
4 l&4 l l ? 44
≈ œ œ œ≈ œ œ œ≈ œ œ œ≈ œ œ œ l≈ œ œ œ≈ œ œ œ≈ œ œ œ≈ œ œ œ l F_œ _œ _œ œ l _pœ _œ _œ œ l _ l _ l
espressivo e cantabile
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Julia's Prelude
œ œœ œ œ œ œ œ œ l& l œ œ _œ l l l l _ œ _ œ œ l ? œ œ œ œ œ œ œ#œ œ œ œ œ#œ œ l œ œ œ œ#œ œ œ œ œ œ œ œ œ œ œ l
11
l& œ l l
13
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l # ll
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Julia's Prelude
œ œ œ œ œ œ œ œ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ œ œ œ œ œ œ œ œ œ œ œ l& l œ œ œ œ œl l _œ _œ _œ _œ l _œ _œ _œ œ l l? l l œ # œ n œ œ œ œ œ œ œ œ œ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ œ œ œ œ œl l& œ œ œ œ œ œ œ l œ l œ œ _œ #_œ l _œ _œ œ œ l l? l l
21
23
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1.
Waltz Clark Winslow Ross
# 34 Œ œ œ œ œ œ œ œ œ #œ œ œ œ œ & p_˙ . l . _ ˙ l ? # 34 l l ˙. l ˙. l Allegretto grazioso; molto espressivo
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rit. …