She Used To Be Mine.pdf

She Used To Be Mine As Performed in the Musical "Waitress"

Words and Music by SARA BAREILLES

Moderately slow swing  = 130

Intro G♭

       43          43  

   



   

   

With Pedal

Verse 1

                           5

           

It's not

sim pl ple

to say;

             

E♭m

                                      

12

me;

That these

shoes

and this

Most days

D♭

                   I don't

                 a pron,

that

place

© 2015 Sony/ATV Music Publishing LLC All Rights Reserved

and its pa

re cog nize

     trons

  

have



C♭

                            

17

ta

G♭

                          

21

ken

             

more

than

           

It's not

ea sy

to know

I

gave



them.

              I'm

not

  

 

G♭/B♭

 

D♭

                a ny thing

like I

E♭m

                                                                

27

used to be;

2

Al

though it's true

I was

ne ver


at

ten tion's

sweet

Chorus 1

                                                                             C♭

32

cen ter,

I

G♭/B♭

still

re

mem ber that girl.

She's

im

G♭

per fect

   

                           

38

but she

D♭

                             

tries.

She is

good

but shelies.

                                                          C♭

46

on her self.

She is

bro ken

and

                 She is

     

won't ask


for help.

E♭m



hard

  

       

3

                                     

52

G♭/B♭ G♭

She is

mes sy

              D♭

but she's

kind.

   

                                                                                   

64

ti ful

She

is

all

of this

   

ly

   

         

E♭m

most ofthe time.

lone

         

59

4

She is

mixed up,

and

   

baked

in a beau

    

C♭

                              

pie.

She is

gone


but she

used

to be

G♭

                          

69

                             

75



And it's not



for;

                             

80

door,



                          



mine.



Verse 2

D♭

 

 

Some times

  

life

   

E♭m

            and

carves o ut

a

    

     

what I

asked

           just

             

per son,

      

and

slips

makes you


in

through a

back

              

be lieve

it's

all

5

C♭

                           

85

true;

 

             And

                                

90

        

what I

                           

95

6

asked for.

3

    giveit all







             

 

got you.

And you're not

B♭7

                        If I'm

              back



now I've

 

G♭

for a

hon

est

I

know

    

I would

      

                            E♭m

chance

to start

o ver,


and

 

re write

an



                                          

C♭

100

en ding

or

two;

                     

For the

girl

that I

   knew,

Who'll be

     

Chorus 2

                              

105

G♭

re

ckless



                          

111

                just

e

nough.

   

to

tough en up when

      

 

she's

hurt,

but who

                           

       

learns how

    

Who'll get

E♭m

3

D♭

bruised,

   

and



  




gets



used

 

by a

 

 

7

                         

116

C♭

   

man who can't



love,



 



G♭

                                  

121

and

 

B♭7

                         

stron

8

  ger each



     then she'll get

 

 

stuck,

 

and be

    

                

scared

125

          of the

life



that's in

 

 

side

  

her;

Growing

    

           

day,

      

'til it

fin

'ly

re

  



 


minds

her,

  

to





                                                   

129

E♭m

fight

just

a

lit tle,

to

E♭m/D♭

        

B♭7

gone

but

                                               

140

3

used

re in her eyes;



                                                             been

3

bring back the fi

134

That's

C♭

to be

   G♭







    





mine.

   





 



3

Used

 

  



 



 

     

3



 

E♭m










  

to be

 

 

mine.

 

 

 

9

                           

         

146

3

C♭

3

 

  

 

 

  

  

 

                                            is mes sy

but she's

E♭m

                                    

           

           

kind.

Sheis

all

of this



She is

mized up,

  

   

           

D♭



160

                             

G♭



10

   She

Refrain

153



and

lone ly

baked

in a beau


most of the time.

E♭m/D♭

ti ful

C♭

pie.

Rubato

                                            

166

She is

gone,

but she

used

to be


G♭



mine.

   

         

11

She Used To Be Mine.pdf

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