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MU 786.41 DUET ALBUMS FOB BEGINNER S VCL.
t*.75 + K
NNBR 841219620 LIBRRBIES THE BRANCH
MY The Newark Public Library Astor.
Lenox and Tilden Foundations
The Branch
Libraries
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New
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Digitized by the Internet Archive in
2008
with funding from
Microsoft Corporation
http://www.archive.org/details/duetalbumsforbeg01dill
R-PAGE e n du DUET ALBUMS FOR BEGINNERS IV 5 CAW
GREEN DUET BOOK The
G.
Schirmer,
Inc.,
New York
Ed.
1 1
69
DILLER-PAGE the
ft
green duet book
DUET ALBUMS FOR BEGINNERS The
GREEN DUET BOOK Second j4(ium
The
BROWN DUET BOOK Each Containing Thirty Folk-Tunes
Arranged by
ANGELA DILLER Texts by
KATE STEARNS PAGE
G.
Schirmer,
Inc.,
New York
flu*
THE DILLER-QUAILE GRADE
SERIES
I
BOOK A collection of folk-tunes. They are chosen as
FIRST SOLO
being the best possible material for developing the young student's musical taste. In order to facilitate reading, various devices of printing are used to show phrase lengths, the metrical position of dots, etc. All of these points are described in detail in the preface of the book.
FIRST
DUET BOOK
Duets for pupil and teacher are of value in arousing and keeping alive the child's interest because they permit him to take part in making real music long before he would otherwise be able to do so. This book corresponds in grade and choice of material to the First Solo Book. It contains charming, melodious arrangements of folk-music and easy classics.
FIRST
BOOK OF TECHNICAL EXERCISES
Intended to solve some of the difficulties that appear in elementary pieces, with special Important among these difficulties are the smooth reference to the pieces of the First Solo Book. transference of a melodic line from one hand to the other, phrasing, staccato-playing, etc. The book is also useful for independent study.
25
FIRST-GRADE PIANO PIECES
Written with the specific needs of the young beginner in mind. They are especially valuable additional material for such collections as the First Solo Book, which is based largely on folkas songs that in their very nature are limited in compass. These pieces are intended to supplement folk- music and to give a sense of the "romantic" as well as to develop the pianism that the student should be acquiring at an early age. The pieces are easy to read and provide much technical variety.
GREEN DUET BOOK Written for two children of the same grade to play together. The words are printed above both parts throughout, so that the books may be used as song-books. A child can sing the primo part while playing the secondo as accompaniment.
BAUER-DILLER-QUAILE COURSE, Book This book contains studies, writing lessons,
II
many famous
melodies for sight-reading, technical exercises, pedal A feature of the book is the pieces to be taught by rote. The etc. preface contains suggestions to the teacher on how to teach a rote piece, and each of the rote pieces is preceded by preliminary exercises.
LINES
AND
SPACES
this book is to give young students practice both in writing and reading notes in order to facilitate the reading of piano music. The unfolding of the subject is highly original and logical.
The purpose of
SHEET MUSIC
by Angela Diller Gossip Joan Augustin Morning Song
Lazy
Reap the Flax
SHEET MUSIC
Man
Judges' Dance Come, Sweet Lass
Slumber Song
by Elizabeth Quaile and Frederic Hart
The Drum Major
Playing Soldiers Toes
On Your
In a Chinese Village
Swing Song
A
complete
this book.
list
of Diller-Quaile material for all grades
is
printed on the back cover of
H 3^*>n NlUS
TO JACK AND MARY
'" KK >
-V Y.
m-23
Copyright, 1922, by Copyright renewal assigned,
G. Schir?>ter, Inc. 1950, to G. Schirmer, Inc. Printed in the U. S. A.
PREFACE The
choice of Folk-Tunes, as material for the child's
A
needs no explanation.
word should be
said,
first
piano study,
however, as to the marks
used in editing these pieces.
The
—
-*
slur
dot
-
•
and dot and
,
slur
*""T"""*» ,
signify legato,
(
a slight break
in the sense,
ating English.
The brace
is
The mark
and portamento, respectively.
staccato,
and
used
is
>
used to aid intelligent reading.
For example:
staccato.
portamento;
p
p
p
p
t
?
T
t
much
as a
means that there
comma
is
used
in
punctu-
indicates the length of the phrase,
The
is
and
brace does not refer to legato or
means that the notes are
means that the notes are
to be played
to be played staccato.
There are often several ways of phrasing a passage, but since an inexperienced child usually reads from bar to bar, irrespective of the rhythmic
grouping of the piece, these indications of one
way
of phrasing
may
not be
superfluous.
Most
teachers agree as to the value of words in developing the child's
feeling for phrasing,
and rhythmic
sense.
As
far as possible, the original
words, or translations in the rhythm and spirit of the original, are used
in
this book. It is
hoped that
by many teachers,
this little
volume may help supply the need, expressed
of a collection of
Duets
for
two beginners
in
piano playing.
INDEX Page
Augustin
Oh, du lieber Augustin
Avignon
Sur
Ballad
Chevalier of the Marjolaine (The)
pont d' Avignon
German
10
French
6
Ballade de Jesus-Christ
French
34
Le Chevalier du Guet
French
36
English
46
French
20
Moravian
24
le
Chirping Lark (The)
Christmas Song
Enlre
Crooked Hat (The)
Muj
Dance
Poznam
Czech
44
Viens, Aurore
French
12
English
48
French
28
French
22
Dawn
is
breaking
bosuf et
le
Vane
gris
klobucek krivo stoji
Follow the Plow
Garden (The)
Le Jardin
High on the mountain
Sur
Hunter (The) and the Shepherdess
Ach, englische Schdferin
German
38
Wenn
German
18
English
40
If I
a bird could be
le
montagne,
ma
mere
ich ein Vdglein
war
Lincolnshire Poacher (The)
Summ, summ, summl
German
Love-Song
Reszeg vagyok vozsdm
Hungarian
36
Matches
Les Alumettes
Alsatian
10
Little
My My
Bee (The)
Love's an Arbutus
I
Mother
No more
in
Dy woods
we'll
roam
sembyla u na.menky svaji
Nous n
irons plus
au
bois
Oats and beans and barley grow
Au
Pierrot
clair de la lune
Pussy Cat
A llez-vous en
Run, run away! Sally go round the
moon!
rish
2
42
Moravian
30
French
14
English
26
French
4
English
8
French
18
English
20
Sleep, Baby, sleep
Schlaf, Kindlein, schlaf
German
26
Slumber-Song
Divca, divca
Moravian
32
Song
of the
Zabila panicke pdna
Moravian
16
Tom
Tinker
English
14
Sword
FIRST ALBUM
THIRTY FOLK-TUNES
Thirty Folk -Tunes SECONDO Texts byKate Stearns Page
Arranged by Angela Diller
The
Little
Bee
(Siimm, summ, summ!)
Hum, hum, hum!
around us hum! Little bee, we'll hurt you never, all
Through the fields you're flying ever; Hum, hum, hum! all around us hum!
German Folk -tune
Andante
=
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£:
P
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4V
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£
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£ mif
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30B06
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Copyright, 1922, by Copyright renewal assigned,
a
G. Srhirmer, Inc. 1950, to G. Schirmer, Inc. Printed in the U. S. A.
P
3
Thirty Folk -Tunes PRIMO
Arranged by Angela Diller
Texts by Kate Stearns Page
The
Little
Bee
(Summ, summ, summ!)
Hum, hum, hum!
around us hum! you never,
all
Little bee, we'll hurt
Through the fields you're flying ever; Hum, hum, hum! all around us hum!
German Folk -tune
Andante ~i
r
4
p
p
ISC
?
80606
Copyright, 1922, by 0. Schirmer, Inc. Copyright renewal assigned, 1950, to O. Schirmer, Inc. c
Printed in tn« U.S.A.
m
SECONDO
Pierrot (Au
clair de la lune)
In the silver moonlight,
Oh
Pierrot
my
friend,
would now a word write, Thy pen prithee lend! Candlelight has vanished, And no fire I see, Open wide the door, then, If thou lovest me. I
French Folk-tune
Andante con moto
1
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PRIMO
Pierrot (Au
clair de la lune)
In the silver moonlight,
Oh I
Pierrot
my
friend,
would now a word write,
Thy pen prithee lend! Candlelight has vanished,
And no
fire
I
see,
Open wide the door, If
then,
thou lovest me.
French Folk-tune
Andante con moto ISC
3
ist
P
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mif
p
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SECONDO
6
Avignon (Sur
pont d'Avignon)
le
In the town, Avignon,
On
the bridge folks are dancing,
In the town,
Avignon,
All are dancing in a ring.
Gentlemen And again Ladies all And again
go go go go
way, this way! this way, this way! this
In the town, Avignon,
On
the bridge folks are dancing,
Avignon, All are dancing in a ring.
In the town,
French Folk-tune
Allegretto i r 3
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PRIMO
Avignon (Sur le pont
d' Avignon)
In the town, Avignon,
On
the bridge folks are dancing,
In the town, Avignon,
All are dancing in a ring.
Gentlemen And again Ladies all And again
go this way, go this way! go this way, go this way!
In the town, Avignon,
On
the bridge folks are dancing,
In the town, Avignon,
All are dancing in a ring.
French Folk-tune
Allegretto i r
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SECONDO
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Pussy Cat Pussy Cat, Pussy Cat, where have you been? I've been to London to visit the Queen. Pussy Cat, Pussy Cat, what did you there? I frightened a little mouse under her chair.
English Folk-tune
Andantino i r
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Ep | m-f i
30«06
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i
PRIMO
n r
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Pussy Cat Pussy Cat, Pussy Cat, where have you been? I've been to London to visit the Queen. Pussy Cat, Pussy Cat, what did you there? I frightened a little mouse under her chair.
English Folk-tune
Andantino 1 r
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SECONDO
10
Matches (Les Alumettes) Matches, matches, Bring some matches, Matches, matches, if you please:
We
Round
the fire,
Warm
and cozy,
will take our ease.
Alsatian Folk-tune
Allegro
S5
4,
£
fc£-
f
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£ P
^
^ Augustin
(Oh,du lieber Augustin)
Oh you poor
old Augustin,
Augustin, Augustin! old Augustin, Everything's gone!
Oh you poor
Money's gone, Sweetheart's gone, All is gone, All is gone,
Oh you poor
old Augustin, Everything's gone!
Tempo
di
German Folk-tune
Valzer ~\
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PRIMO
Matches (Les Alumettes) Matches, matches, Bring some matches, Matches, matches, if you please:
We
Round
the fire,
Warm
and cozy,
will take our ease.
Alsatian Folk-tune
Allegro
M
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Augustin (Oh,du lieber Augustin) Oh you poor
old Augustin,
Augustin, Augustin! old Augustin, Everything's gone!
Oh you poor
Money's gone, Sweetheart's gone, All is gone, All is gone,
Oh you poor
old Augustin,
Everything's gone!
Tempo
German Folk-tune
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Dawn
is
breaking
(Viens, Aurore)
Dawn
is
breaking,
Fair and rosy,
Leaps my heart with happiness, Not more rosy Is the dawning, ||:
Than my
lovely shepherdess.
:||
French Melody
Andante
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Dawn
is
breaking
(Viens, Aurore)
Dawn
is
breaking,
Fair and rosy,
Leaps my heart with happiness, Not more rosy Is the dawning ||:
Than my lovely shepherdess.
:||
French Melody
Andante
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SECONDO
14
No more (Nous
in
woods
we'll
roam
au bois)
n'irons plus
No more in woods we'll roam, The laurel all is gone, Oh lovely maiden fair, Pray stay no more alone.
Come and Come and
join the dancing, join the dancing,
Prancing, Dancing, Catch and kiss whome'er you can.
French Folk-tune
Allegretto
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Tom Tom And
I'm
Tinker's
my
Tinker
true Love, and
am
his Dear,
will go with
Old English Song
Andantino
t
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•o«oe
I
him his burden to bear; Oh this way and that way, Whichever you will, sure I say nothing that you can take ill. I
i
p
15
PRIMO
No more
in
(Nous
The
we'll
roam
n'irons plus au bois)
No more
Oh
woods
in
woods
we'll
roam,
laurel all is gone,
lovely maiden fair,
Pray stay no more alone.
Come and Come and
join the dancing,
join the dancing, Prancing, Dancing, Catch and kiss whome'er you can.
French Folk- tune
Allegretto ~\r
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^ Tom
Tom And
this
Tinker
way and
Whichever you I'm sure
I
that way,
will,
say nothing that you can take
ill.
Old English Song
Andantino
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Tinker's my true Love, and I am his Dear, I will go with him his burden to bear;
Oh
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SECONDO
~ir
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of the
&-
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7
Sword
(Zabila panicke pana)
Swords are flashing gay and brightly, Learn to wield them strong and lightly, Steady, steady, little man, Thrust and parry if you can, Play the game! Play the game! Hoop-la!
Moravian Folk-tune
Allegro
I-5W
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4
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II
PRIMO
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Song
of the
^
2
3
i
Sword
(Zabila panicke pana)
Swords are flashing gay and brightly, Learn to wield them strong and lightly, Steady, steady, little man, Thrust and parry if you can, Play the game! Play the game! Hoop-la!
Moravian Folk -tune
Allegro
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SECONOO
Run, run away! (Allez-vous-en, gens de la noce!) Run, run away! the wedding's over! Run, run away! you merry guests! Hurry away! our daughter's married, Hurry away! each one of you!
French Folk -tune
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Allegretto
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If I a
(Wenn
n
bird could be
ich ein
Voglein war')
If I a bird
could be,
Swiftly
fly to thee,
I'd
In eager quest; But as it cannot be, But as it cannot be, Here will I rest.
German Folk-tune
Andante
3 C3-i
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PRIMO
Run, run away! (Allez-vous-en, gens de la noce!) Run, run away! the wedding's over! Run, run away! you merry guests! Hurry away! our daughter's married, Hurry away! each one of you!
French Folk-tune
Allegretto
11
If I a bird could
(Wenn If
ich ein I
be
Voglein war')
a bird could be,
Swiftly I'd fly to thee, In eager quest; But as it cannot be, But as it cannot be,
Here will
I
rest.
German Folk-tune
Andante
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SECONDO
Christmas Song (Entre With ox and
boeuf et l'ane gris)
le
most holy One, Sleep, sleep, sleep, my little Son: Angel hosts on high Throng the midnight sky, Spreading gentle wings above the Lord of Love: ass,
King of angels,
sleep.
Andante
13
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72
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Sally go round the moon! Sally Sally Sally go Ev'ry
go round the moon-, go round the stars; round the chimmey pots, afternoon- Bump! English Folk-tune
Allegretto
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PRIMO
Christmas Song (Entre With ox and
le
boeuf et Pane gris)
most holy One, my little Son: Angel hosts on high Throng the midnight sky, Spreading gentle wings above the Lord of Love ass,
Sleep, sleep, sleep,
King of angels,
sleep.
French Carol
Andante
3
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Sally go round the Sally Sally Sally go Ev'ry
moon
go round the moon; go round the stars; round the chimmey pots, afternoon - Bump !
English Folk-tune
Allegretto i r
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High on
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r
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the mountain
(Sur le montagne,
ma
mere)
High on the mountain, oh Mother, High on the mountain, High on the mountain hear the violin, oh Mother! High on the mountain I hear the violin. I
French Folk-tune
Andante i r
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PRIMO
p
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m^ High on (Sur
le
the
r
yr\
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mif
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mountain
montagne,
ma
mere)
High on the mountain, oh Mother, High on the mountain, High on the mountain I
hear the violin, oh Mother!
High on the mountain I
hear the violin.
French Folk-tune
Andante
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15
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SECONDO
The Crooked Hat (Muj klobucek krivo
Oh you
careless merry
With
little
stoji)
funny fellow,
that queer crooked hat!
Put your hat on straight now, do, Everyone will laugh at you! I'd
not think that such a clever
Would behave
little
fellow,
quite like that.
Moravian Folk-tune
Allegretto
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PRIMO
The Crooked Hat (Muj klobucek krivo
Oh you
careless merry
With
I'd
little
stoji)
funny fellow,
that queer crooked hat!
Put your hat on straight now, do, Everyone will laugh at you! not think that such a clever little fellow, Would behave quite like that.
Moravian Folk-tune
Allegretto
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26
Sleep, Baby, sleep (Schlaf, Kindlein, schlaf ) Sleep, Baby, sleep,
Thy Father guards the sheep, Thy Mother watches the lamb so white, While thou dost slumber, my Heart's Delight; Sleep, Baby, sleep.
German Folk-tune
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Oats and beans and barley grow Oats and beans and barley grow, Oats and beans and barley grow, Do you or I or anyone know How oats and beans and barley grow? First the farmer sows his seed, Then he stands and takes his ease, Stamps his foot and claps his hand, And turns around to view the land.
English Folk-tune
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Sleep, Baby, sleep (Schlaf, Kindlein, schlaf)
Sleep, Baby, sleep,
Thy Father guards the sheep, Thy Mother watches the lambs so white, While thou dost slumber, my Heart's Delight; Sleep, Baby, sleep.
German Folk-tune
Andante
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Oats and beans and barley grow Oats and beans and barley grow, Oats and beans and barley grow, Do you or I or anyone know How oats and beans and barley grow?
sows his seed, Then he stands and takes his ease, Stamps his foot and claps his hand, And turns around to view the land. First the farmer
English Folk-tune
Allegretto
18
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The Garden (Le Jardin) Here in my garden fair, Garden so green, Softly the turtle-dove Coos in the tree above, Soon will the day be done; In the woody glade Light begins to fade, Darkness comes on.
Here in my garden fair, Garden so green.
Tempo
di
French Melody
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The Garden (Le Jardin) Here in my garden fair, Garden so green, Softly the turtle-dove
Coos Soon
in the tree above,
will the day be done;
In the woody glade Light begins to fade,
Darkness conies on. Here in my garden fair, Garden so green.
Tempo
di
Valzer
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French Melody
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My (Dy sembyla When
Mother u
mamenky
I'm with
my
svaji)
Mother,
Daily playing, I need no other, Gaily playing; Best of playmates ever,
Then
She
weary never:
is
When
I'm with
my
Mother,
Daily playing.
Moravian Folk-tune
Andantino 2
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P^S 20
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My
Mother
(Dy sembyla u mamenky When
I'm with
my
svaji)
Mother,
Daily playing, I need no other,
Then
Gaily playing; Best of playmates ever,
She
is
When
weary never: I'm with
my
Mother,
Daily playing.
Moravian Folk-tune
Andantino "i
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SECONDO
Slumber-Song (Divca, divca)
Slumber, slumber,
Dearest child of mine; Slumber, slumber, All my heart is thine. Gently fall the moon's pale beams, While thou sleepest smiling in dreams; Hushed are all the sounds of ni^ht,
Slumber then
till
morning
light.
Moravian Folk-tune
Andante
1
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Slumber- Song (Divca, divca)
Slumber, slumber, Dearest child of mine; Slumber, slumber, All
Gently
my
heart
is
thine.
moon's pale beams,
fall the
While thou sleepest smiling in dreams; Hushed are all the sounds of night, Slumber then till morning light.
Moravian Folk -tune
Andante
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SECONDO
84
Ballad (Ballade de Jesus-Christ)
"Woman whom
I see at the window, Give me of your charity; Woman whom I see at the window, Give me of your charity!"
Jesus went disguised as a beggar, "Give me of your charity!" Jesus went disguised as a beggar, "Give me of your charity! Give me, pray, the crumbs That from your table fall, They would make a supper for me."
"Mount the
steps,
good man,
And
enter in, I pray, Supper here is waiting for thee!"
"Woman, for thy bounty so gracious Words of thanks can never suffice; Woman, for thy bounty so gracious Words of thanks can never suffice;
When
thy life is
o'er,
In Heaven thou shalt dwell, is Paradise."
Evermore
Old French Ballad
Andante con moto
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35
Ballad (Ballade de Jesus-Christ) Jesus went disguised as a beggar, "Give me of your charity!" Jesus went disguised as a beggar, "Give me of your charity! Give me, pray, the crumbs That from your table fall, They would make a supper for me.'
"Woman whom
I see at the window, Give me of your charity; Woman whom I see at the window, Give me of your charity!" "Mount the steps, good man,
And
enter in,
Supper here
is
I
pray,
waiting for thee!"
'Woman, for thy bounty so gracious Words of thanks can never suffice;
Woman, for thy bounty so gracious Words of thanks can never suffice;
When
thy life is
o'er,
In Heaven thou shalt dwell, Evermore in Paradise."
Old French Ballad
Andante con moto
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8EC0ND0
86
The Chevalier of the Marjolaine (Le Chevalier du Guet)
Who
is
passing here so late, all of the Marjolaine? passing here so late,
Comrades
Who
is
Gay, gay, over the quay? "Tis the royal chevalier, Comrade he of the Marjolaine,
'Tis the royal chevalier, Gay, gay, over the quay.
French Folk-tune
Allegretto
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Love-Song (Reszeg vagyok rozsam) Sweetest Rose, I love but you, Laughing eyes of tender blue, Day and night I think of you, Naught can change my heart so true.
Hungarian Folk-tune
Andante i r
24
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PRIMO
The Chevalier
of the Marjolaine
(Le Chevalier du Guet)
Who
passing here so late, all of the Marjolaine? Who is passing here so late, Gay, gay, over the quay? is
Comrades
'Tis the royal chevalier,
Comrade he of
the Marjolaine,
'Tis the royal chevalier, Gay, gay, over the quay.
French Folk -tune
Allegretto
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Love -Song (Reszeg vagyok rozsam) Sweetest Rose,
I
love but you,
Laughing eyes of tender blue, Day and night I think of you, Naught can change my heart so
true.
Hungarian Folk-tune
Andante
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SECONDO
The Hunter and the Shepherdess (Ach, englische Schaferin)
Oh sweet English shepherdess, Attend to my prayer, And let me be with thee, Thy bower to share. In the wood I have lingered, The chase was long and bold, The night now, I fear me, Grows darker and cold.
Andantino i
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PRIMO
The Hunter and
the Shepherdess
(Ach, englische Schaferin)
Oh sweet English shepherdess, Attend to my prayer, And let me be with thee, Thy bower to share. In the wood I have lingered, The chase was long and bold, The night now, I fear me, Grows darker and cold.
German Folk-tune
Andantino
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SECONDO
The Lincolnshire Poacher When
I
was bound apprentice,
In fairest Lincolnshire, Full well
I
my
served
Master,
For more than seven year; I took up to poaching, As you shall quickly hear,
Till
Oh!—
'tis
my
delight on a shining night,
In the season of the year.
English Folk-tune
Allegretto ~i
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2
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41
PRIMO
The Lincolnshire Poacher When
I
was bound apprentice,
In fairest Lincolnshire, Full well
I
served
my
Master,
For more than seven year; Till I took up to poaching, As you shall quickly hear, Oh! -'tis my delight on a shining night, In the season of the year.
English Folk-tune
Allegretto
13
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42
SECONDO
My My
Love's an Arbutus
Love's an arbutus
By
the borders of Lene,
So slender and shapely In her girdle of green.
And I measure the pleasure Of her eyes' sapphire sheen, By the blue skies that sparkle Through the soft branching screen.
Song
Irish
Andante
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PRIMO
My My
Love's an
Arbutus
Love's an arbutus
By
the borders of Lene,
So slender and shapely In her girdle of green.
And
I
measure the pleasure
Of her
By
eyes' sapphire sheen,
the blue skies that sparkle
Through
the soft branching screen.
Irish
Andante
IMS w B m ?
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SECONDO
Dance (Poznam) Come
away, come away, come away,
Spring
is
the time for play,
Come away, come
away, come away,
Dancing the livelong day; Gaily sing, gaily sing, gaily sing, Voices with laughter ring, Gaily sing, gaily sing, gaily sing,
Welcome
is
spring!
Czech Folk -tune
Allegro 5
gqFr £ 28
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PRIMO
Dance (Poznam) Come away, come away, come Spring
away,
time for play,
is the
Come away, come
away, come away, Dancing the livelong day;
Gaily sing, gaily sing, gaily sing, Voices with laughter ring, Gaily sing, gaily sing, gaily sing,
Welcome
is
spring
Czech Folk-tune
Allegro
1
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46 SECONDO
The Chirping Lark The
leaves a pleasant shelter made,
The summer sun was strong, As through the forest once I strayed, And heard a merry song. The woodlark chirped and would not cease, High perched upon a spray, My heart was filled with woodland peace, While listening to his lay.
English Song
Andante con moto
5
29
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PRIMO
The Chirping Lark The
leaves a pleasant shelter made,
The summer sun was strong, As through the forest once I strayed, And heard a merry song. The woodlark chirped and would not cease, High perched upon a spray, My heart was filled with woodland peace, While listening to his lay.
English Song
Andante con moto i r 1
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SECONDO
Follow the Plow was plowing my father's field, Across the hill came Marjorie, The farmer's eldest son was I, The miller's daughter she. She greeted me kindly as home she hied, As
I
I
prayed she would linger and stay by
"Come back, come back, come back,"
I
my
side,
cried,
"And follow the plow with me."
English Folk-tune
Allegro
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49 PRIMO
Follow the Plow was plowing my father's field, Across the hill came Marjorie, The farmer's eldest son was I, The miller's daughter she. She greeted me kindly as home she hied,
As
I
I
prayed she would linger and stay by
"Come back, come back, come back," "And follow the plow with me."
I
my
side,
cried,
English Folk-tune
Allegro
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qiadedList"
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ViihlrQmle Srtk FOR PARENTS AND TEACHERS
PIANO BOOKS A
FOR BEGINNERS Off
1.25 1
Bauer-Diller-Quaile Course, Book
A
Very
First
1
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75
Solo Book (Diller-Quaile) to First Solo
1
.25
1
.00
75
(Di7/er-Quai7e)
85
Book of Technical Exercises (Quaile) Bauer-Diller-Quaile Course, Book II First
1.25
75 III)
1.25
III)
1.25
by Angela
Diller
and Kate Stearns Page
Rote Pieces for Rhythm Band (Kindergarten and Elementary Grades) Teacher's Book
1
85
Second Solo Book (Diller-Quaile) Second Duet Book (Diller-Quaile) Brown Duet Book (Diller-Page)
1
85
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1
I
Baker's Dozen
.25
1.00
First
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3.50
score Extra piano parts, each
1
Schubert Band Book (Intermediate Grades) Teacher's full piano score, conductor's score 5 parts
2.50
Extra piano parts, each
75
Extra parts, each
25 50
and
1
set of
Extra scores
Book Book
85
(Di7/er-Quoi7e)
(Di//er-Quai/e)
A Pre-Czerny Book, Volume Rhyme and Reason (Quaile)
1
How
to
Teach the Rhythm Band
35
.25
75 75
(Quaile)
II
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35
Extra parts or song books, each
75
(Diller)
GRADE THREE Third Duet
.75
Folk-Tune Band Book (Elementary Grades) set of 4 instrumental parts, a song book, child 1 conductor's score, and teacher's full piano
TWO
Third Solo
.00
RHYTHM BAND BOOKS
75
Duet Book fDfJfer-QuaifeJ Green Duet Book (Diller-Page) First
GRADE
1
Book Pieces
(Diller)
25 First-Grade Pieces
.25
75
Piano Book (Quaile)
Second Piano Parts
A A
(D/7/er)
1.00
I
GRADE ONE First
85
9 First-Grade Piano Solos to Learn by Rote
We Go! (Diller-Quaile) We Go Again! (Diller-Quaile)
Off
Pre-School Music Book (Diller-Page)
by Angela
Diller
GRADE FOUR 85
Fourth Solo Book (Di7/er-Quai7e)
THEORY BOOKS by Angela
The Story of Siegfried (Grade II) The Story of Lohengrin (Grade III) The Story of Aida (Grade IV)
3.50
IV)
1.00
I
A-1035
and Spaces. A Music Writing-Book (Grade
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"The keyboard with the raised black keys" $4.00
Lines
75 1
THE DILLER KEYBOARD
Diller
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1
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new YORK
