CK Full Mixes
s
GS
I 2 3 4 5 6
Big Big Big PMA Mud Pie Musement Park One By One September Chill
7
Tuning Notes
8 9 10 II 12 13
Big Big Big PMA Mud Pie Musement Park One By One September Chill
Tech Exercises
14
Tapping Study
Quick Study Piece
15 16
Full Mix Backing Track
Ear Tests
17
Test I & Test 2
Backing Tracks
e e
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•••
Rockschool Welcome to Guitar Grade 6 Guitar Notation Explained
2 3
Pieces: Big Big Big PMA Mud Pie Musement Park One By One September Chill
4 6 10 12 14 17
Technical Exercises Quick Study Piece Ear Tests General Musicianship Questions The Gurus Guide Entering Rockschool Exams
20 23 24 25 26 28
rock - oo
elcome To ' ·- come to the Rockschool Guitar Grade 6 pack. The book and CD contain everything needed to play guitar in this grade. :=:: ::.::e ok you will find the exam scores in both standard guitar notation and TAB. The accompanying CD full stereo e, backing tracks to play along with for practice, tuning notes and spoken two bar coun--· o each piece. ~g the pieces and the marking schemes can be found in the Guru's Guide o ~ " _ . ~you have any ~ ~- - er Rocr chool exam, please call us on 0845 460 4747 co. uk or visit
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the le cls of the National Qualifications .qca.org.uk!NQF. Details of all Rockschool's
· Level is for those of you who wish to stretch and refine all aspects of your playing at G · i:a.f Grade 6 is part ot LeYel 3. ;::: ' ·anced level of technique and musical expression. Grade 6: in this grade you are developing the confidence of the advanced player across the range of physical and expressive ·ques. You will start experimenting with a range of techniques across a number of musical styles. There is a greater is on personal expression and you will display your own musical personality through ad lib bing and soloing. e 7: in this grade you are now confident in your abilities across the range of physical and expressive techniques. You ::_ ~ experimenting with a range of these techniques across a number of styles. You will also be comfortable with a range and time signatures other than common time. Your solos will be musically expressive and you will have the -~- '.:: ence to apply modal ideas in a number of soloing contexts. 8: you will play effortlessly with a wide range of physical and expressive techniques at your command. You will be able You will be comfortable playing pieces employing a number : ~erent time signatures (including changes from bar to bar) and you will display mastery of a number of musical styles . .o....r ·olos will be highly musical and employ techniques across the range. You will also be highly sensitive to all aspects of =~cal presentation.
-
--=~
-· ese at will across a range of styles and musical contexts.
Gui:ta:r Exams at Grade 6 ~..::.::'?
are two types of exam that can be taken using this pack: a Grade Exam and a Performance Certificate.
Guitar Grade 6 Exam: this is for players who want to develop performance and technical skills ?' ,ycrs " ishing to enter for a Guitar Grade 6 exam need to prepare three pieces of which one may be a free choice piece ~osen from outside the printed repertoire. In addition you must prepare the technical exercises in the book, undertake ~ '-study piece, take an ear test and answer general musicianship questions. Samples of these tests are printed in the book ..:.:.ono· 1 j th audio examples on the CD.
Guitar Grade 6 Performance Certificate: this is for players who want to focus on performing in a range of styles -=- ~ ::er for your Guitar Grade 6 Performance Certificate you play pieces only. You can choose any five of the six tunes in this book, or you can choose to bring in up to two free choice pieces as long as they meet the standards set out by ? - -- ool. Free choice piece checklists for all grades can be found on the Rockschool website: www. rockschool. co. uk.
G ·tar . .otatio THE ~51 CAl S'IAYI _ es and rhythms =Cis dirided by lines into ::2..-s.. Pitd:tes are named after se..-en letters of the
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II II II II
Ad lib. and cont. sim. sections
Rhythm notation with suggested fingering
are shown in slash notation
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Test 1: Melodic Recall You will be asked to play back on your guitar a melody of not more than four bars composed from either the G, A or B ionian mode. The test may include hammer-ons, pull-offs, vibrato, slides and bends with vibrato. You will be given the tonic note and you will hear the test twice with a drum and bass backing. There will be a short break for you to practise the test and then the test will recommence. You will play the melody with the drum backing. This test is continuous. The tempo is ~ = 80. 1\
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Test 2: Chord and Rhythm Recall You will be asked to play back a four bar rhythmic chord progression on your guitar. You will be told the tonic chord and _____.--: hear tlie rhythmic chord progression played twice with a drum backing. There will then be a short break for you to practise and then the test will recommence. You will play the rhythmic chord progression with the drum backing. This test is continuous. The tempo is~ = 80. Gmaj 7
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You will be asked fu-e General ~lusicianship Questions at the end of the exam. The examiner will ask questio pieces or pieces you have played in the exam. Some of the theoretical topics can be found in the Technical Exer ·
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Topics: i) ii)
Music theory Knowledge of your instrument
The music theory questions will cover the following topics at this grade: Knowledge of all music signs as displayed on the staff Knowledge of the construction of the following scales and arpeggios: Modes of the major scale: dorian & phrygian Harmonic minor scale Diminished scale Major 7 arpeggios Diminished arpeggios Minor 7 ~ 5 arpeggios The instfument knowledge questions will cover the following topics at this grade: All aspects of guitar construction Recognition of main guitar makes Recognition of main guitar amplifiers Use of appropriate tone and volume controls for different styles
Questions on all these topics will be based on pieces played by you in the exam. Tips on how to approach this part o= --:: exams can be found in the.Rockschool Companion Guide and on the Rockschool website: www.rockschool.co.uk.
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Guide To G · ar Gra e 6
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This section contains some handy hints compiled by Rockschool's Guitar Guru to help you get the mo ou- o: performance pieces. Do feel free to adapt the tunes to suit your playing style. Remember, these tunes are your chance show your musical imagination and personality. The TAB fingerings are suggestions only. Feel free to use different neck positions as they suit you. Please also note that solos featured in the full mixes are not meant to be indicative of the standard required for the grade.
Guitar Grade 6 Tunes Rockschool tunes help you play the hit tunes you enjoy. The pieces have been written by top pop and rock composers players according to style specifications drawn up by Rockschool.
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The tunes printed here fall into two categories. The first category can be called the 'contemporary mainstream' and feature current styles in today's charts. The second category of pieces consists of'roots styles', those classic grooves and genres whi influence every generation of performers. CD full mix track I, backing track 8: Big Big Big
A Latin track in the style of Carlos Santana. This piece requires considerable control to pull off on account of the sparSI nature of the backing track which leaves no room for error. The initial guitar figure is played with a palm mute and bends need to be crisp and accurate. You will need a degree of overdrive but not too dirty, enough to allow notes to sustain a Santana trademark. The solo gives you the opportunity to show off the harmonic minor scale. Composer:
~mon
Troup.
CD full mix track 2, backing track 9: PMA
In the early 1990s, guitar heroes were all the rage and players such as Joe Satriani, Steve Vai and ..Eric Johnson held swa; This track takes many elements from their playing. The song itself mixes a driving hard rock opening with the more lyrical melodic playing that players such as Vai and Johnson are famous for. You need to play this with a degree of sensitivit;~ particularly in the middle sections, where the main theme is restated but more tenderly. Nevertheless, the rock sections need power and great deal of control, as well as technical ability, to pull off. ~ Composer: Jimi Savage CD full mix track 3, backing track 10: Mud Pie
Back by popular demand, we have put Mud Pie, a staple from the RS2K syllabus in Grade 5, into this syllabus at the Gra ~ that, with hindsight, it ought to have been in. This barnstorming southern boogie track, typical of players such as Stevie Ra~ Vaughan, is played more or less as it was before, the only exception being the extended solo section to bring it in line v.i the other tracks in this grade. The performance will need the chops and plenty of confidence to bring off. Composer: Hussein Boon. CD full mix track 4, backing track 11: Musement Park
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A rock piece that showcases the modern way of writing songs: a quiet opening section picked with or without a plectrurr: that is in a more understated mood than the bravura, overdriven guitar part that follows. This is repeated before mming into an irregular time signature section that really drives the piece forward and where the emphasis is on picking hanc accuracy and technique. You should be looking really to rip in the closing sections. Composer: Deirdre Cartwright
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_-in-ana reYol a~ · - :: : music in the early 1990s "ith their fusion of heaY;- me an ~ ge ·as is a fast-paced, guitar . -oL- out played loud. The opening section is played in double stops in// -! time. Them · arpeggio based. The tructure is quite repetitive, so feel free to develop the part in the repeated ections and in Let rip in the guitar solo section. Composers: Noam Lederman & James Creed. CD full mix track 6, backing track 13: September Chill
This funk fusion piece is evocative of players such as Pat Metheney or John Scofield. You should aim for a limpid tone an~ be comfortable with the stabbed chords and the melody line which needs control and accuracy. Much of the perform will be taken up with trying to create the right sort of mood, a matter of feel as much as of technique. Composer: John Parricelli. CD Musicians:
Guitars: Deirdre Cartwright; John Parricelli; Jimi Savage; Keith Airey; Hussein Boon Bass: Henry Thomas Drums: Noam Lederman Keyboards and programming: Alastair Gavin
Guitar Grade 6 Marking Schemes The table below shows the marking scheme for the Guitar Grade 6 exam. ELEMENT
PASS
MERIT
DISTINCTIOK
Piece 1
13 out of20
15 out of20
17+outof 0
Piece 2
13 out of20
15 out of20
17+ out of20
Piece 3
13 out of20
15 out of20
17+ out of20
Technical Exercises
6 out of 10
7-8 out of 10
9+ out of 10
Quick Study Piece
11 out of 15
12- 13 out of 15
14+ out ofl5
Ear Tests
6 out of 10
7-8 out of 10
9+ out of 10
General Musicianship Questions
3 out of 5
4 out of 5
5 out of 5
Total Marks
Pass:65%+
Merit:75%+
Distinction: 85%-
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The table below shows the markings scheme for the Guitar Grade 6 Performance Certificate.
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ELEMENT
PASS
MERIT
DISTINCTIOX
Piece 1
14 out of20
16 out of20
18+ out of 0
Piece 2
14 out of20
16 out of20
18+ out of _o
Piece 3
14 out of20
16 out of20
18+ out of _o
Piece 4
14 out of20
16 out of20
18+ out of _o
Piece 5
14 out of20
16 out of20
1
Total Marks
Pass:70%+
Merit: 80%+
outoc _o
Distinction: 90Gn-
En e · g oc .,. choo Exams Entering a Rockschool exam is easy. Please read through these instructions carefully before filling in the exam entry form. Information on current exam fees can be obtained from Rockschool by ringing 0845 460 4747 or by logging on to our website www.rockschool.co. uk. • You should enter for your exam when you feel ready. • You can enter for any one of three examination periods. These are shown below with their closing dates.
PERIOD
DURATION
CLOSING DATE
Period A
1' 1 February to 15th March
1st December
PeriodB
1'1 May to 31'1 July
1'1 April
PeriodC
23rd
October to 151h December
1'1 October
These dates will apply from 1st September 2006 until further notice lete the form giving the information required. Please fill in the type and level of exam, the instrument, along
,=....::. --" :~ ·od and year. Finally, fill in the fee box with the appropriate amount. You can obtain up to date information on 3.J (p2; would L
• Ap_ ·
~
- ool exam fees from the website: www.rockschool.co.uk. You should send this form with a cheque or postal order - _ ockschool Ltd) to the address shown on the order form. Please also indicate on the form whether or not you - to receive notification via email.
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received after the expiry of the closing date may be accepted subject to the payment of an additional fee.
• vVben :-o enter an exam you will receive from Rockschool an acknowledgement letter or email containing a copy of our ons. • Roc - ool ''ill allocate your entry to a centre and you will receive notification of the exam, showing a date, location and time as ' - as advice of what to bring to the centre. We endeavour to give you four weeks' notice of your exam. ~
• You sho inform Rockschool of any cancellations or alterations to the schedule as soon as you can as it is usually not possible to transfer entries from one centre, or one period, to another without the payment of an additional fee. • Please bring our music book and CD to the exam. You may not use photocopied music, nor the music used by someone else in another exam. The examiner will sign each book during each examination. You may be barred from taking an exam if you use someone else's music. • You should aim to arrive for your Grade 6 exam thirty minutes before the time stated on the schedule. • Each Grade 6 exam is scheduled to last for 30 minutes. You can use a small proportion of this time to tune up and get ready. • Two to three weeks after the exam you will receive a copy of the examiner's mark sheet. Every successful player will receive a Rockschool certificate of achievement.
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