Renaissance Revit HP Project Soane

RENAISSANCE REVIT

®

CREATING CLASSICAL ARCHITE C TURE W ITH MODERN SOFTWARE

PAUL F. AUBIN FOREWORD BY

ANDY

MILBURN

Leverage the power of the Revit family editor to create complex forms drawn from classical architecture. T his book brings together three of the author's favorite things: architecture, history and Revit in a hands-on manual like nothing else available!

FROM THE FOREWORD "Paul Aubin has carved out a distinctive niche in the overlapping worlds of SIM, Revit & Education. He offers support to self-directed learners who have caught the BIM bug and are seeking greater fluency & deeper knowledge. To a large extent I think his success is rooted in his own eagerness to explore and learn; plus his ability to share that enthusiasm with others. In this book he has taken that approach to a new level, seizing on one of his long-term interests, embarking on a journey of discovery, and sharing the results with his audience...there is no better way to deepen your insight than to build your own versions of the classical orders using a programme like Revit. I think Paul has hit upon an explosive combination. Let him draw you in and take you on two rides for the price of one. Let the synergy generated by the disparate worlds of software & history drive your learning experience forward. You may well find that, like a child, you learn new skills and knowledge in an effortless riot of exploratory play...so buy the book, make the journey and take your BlM pencil for a walk across the virtual pages of history."

ABOUT THE AUTHOR Paul F. Aubin is the author of many CAD and BIM book titles including the widely acclaimed: The Aubin Academy Mastering Series: Revit Architecture, AutoCAD Architecture, AutoCAD MEP and Revit MEP titles. Paul is also the author of Revit video training for lynda.com (www.lynda.com/paulaubin). Paul is an independent architectural consultant who travels internationally providing Revit® Architecture and AutoCAD® Architecture implementation, training, and support services. Paul's involvement in the architectural profession spans over 20 years, with experience that includes design, production, CAD management, mentoring, coaching and training. He is an active member of the Autodesk user community, and has been a top-rated speaker at Autodesk University (Autodesk's annual user convention) for many years. Paul has also spoken at the Revit Technology Conference (RTC) in both the US and Australia and other regional events such as the Central States Revit Workshop and CAD Americas. His diverse experience in architectural firms. as a CAD manager, and as an educator gives his writing and his classroom instruction a fresh and credible focus. Paul is an associate member of the American Institute of Architects and a member of the Institute of Classical Architecture. He lives in Chicago with his wife and three children.

A AUTODESK. A AUTODESK. Authorized Author

Certified Instructor

ONLINE RESOURCES

VISIT PAULAUBIN.COM Learn more about additional books authored by Paul F. Aubin, as well as services and trainings offered by Paul F. Aubin Consulting Services.

Prepared exclusively for HP, for Project Soane

© 2013 Paul F. Aubin, all rights reserved. Do not copy without permission



Print edition (Color)



A Note to the Project Soane eBook Edition of Renaissance Revit:

To learn more about Project Soane, visit: http://projectsoane.com/


I am thrilled to have been asked to participate in Project Soane. This book explores the creation of classical architectural orders within the Revit family editor environment. For folks like myself who have an interest in the language of classical architecture or who are excited by the challenge of bringing such forms to life with our modern software tools like Revit, Project Soane is the perfect venue for such explorations! And through the generous support of HP, this eBook has been made available to early entrants in the competition! I am very excited and can’t wait to start seeing people’s submissions!


This special edition of Renaissance Revit is made possible by HP exclusively for participants of Project Soane. Autodesk, HP, and NVIDIA® have joined forces with Robert A.M. Stern Architects (RAMSA), CASE, CG Architect, Paul F. Aubin and Sir John Soane Museum to engage the world’s architects to help recreate Soane’s Bank of England in BIM.

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CATCH UP! The completed file has been provided: Sample Family.rfa.


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All classical architecture of the Greco-Roman tradition is composed, or written, in one language of forms. These elements of classical architecture include specific Moldings and assemblages of moldings called an Order. An Order is an accepted way of assembling a column (supporting element) with an entablature (spanning element) while imparting a certain character. In short, an Order orders a design. Orders are never applied after the building is designed, as they are generative. Over time the canon has come to include five Orders: Tuscan, Doric, Ionic, Corinthian, and Composite.



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 © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission


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Left

Right Front

Back


2.000 © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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 © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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4.000

Top

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Height

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CATCH UP! If you get behind, look for these boxes. I have saved versions of the files at various stages of completion. You can open the file completed to this point in the Chapter02 folder named: 02_Box_A.rfa.

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CATCH UP! You can open the file completed to this point named: 02_Box_B.rfa.


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Flex

Family Seed (Instance Based)

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Family Seed (Type Based)

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CATCH UP! Files have been provided completed to this point named: 02_Family Seed (Instance Based)_A.rfa and 02_Family Seed (Type Based)_A.rfa.

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Family Seed (Face Based)



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W © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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CATCH UP! Files have been provided completed to this point named: 02_Family Seed (Face Based).rfa



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CATCH UP! Files have been provided completed to this point: 02_Bracket.rfa and 02_Bracket Finial Profile1.rfa.


Bracket Finial Profile1


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CATCH UP! The final file has been provided completed to this point: 02_Bracket (Finish).rfa

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Proportion (Noun): comparative relation between things or magnitudes as to size, quantity, number, etc.; ratio.


Scale (Verb): to adjust in amount according to a fixed scale or proportion (often followed by down or up): to scale down wages.


Scale (Noun): a series of marks laid down at determinate distances, as along a line, for purposes of measurement or computation: the scale of a thermometer.



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Width * 2 © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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Width * 1.618 © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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Base Diameter

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Family Seed (Type Based)

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CATCH UP! Files have been provided completed to this point. They are in a separate folder in the dataset named: Seed Families. The files in that folder are named: Family Seed (Instance Based).rfa and Family Seed (Type Based).rfa and Family Seed (Face Based).rfa There are also RFT versions provided: Family Seed (Instance Based).rft and Family Seed (Type Based).rft and Family Seed (Face Based).rft.


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CATCH UP! The file has been provided completed to this point: 03_Base (Schematic).rfa.


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CATCH UP! The file has been provided completed to this point: 03_Capital (Schematic).rfa.


Capital Bottom


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CATCH UP! The file has been provided completed to this point: 03_Shaft (Schematic).rfa.

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CATCH UP! The file has been provided completed to this point: 03_Column (Schematic)_A.rfa.


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CATCH UP! The file has been provided completed to this point: 03_Column (Schematic)_B.rfa.



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CATCH UP! The file has been provided completed to this point: 03_Column (Schematic)_C.rfa.



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Column Height

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CATCH UP! The completed file has been provided: 03_Column (Schematic).rfa.


Column Height / 7 © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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Circle

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Depth


R © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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R*2

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 X Width / 2

Y

Depth / 2


CATCH UP! You can open a file completed to this point named: 04_Circle.rfa.


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Circle (Sketch Dims) © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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CATCH UP! You can open a file completed to this point named: 04_Ellipse.rfa.



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CATCH UP! You can open a file completed to this point named: 04_Arc (Centered).rfa.

Door w Variable Swing



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3'-0"



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Door Swing © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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3'-0"

45°

CATCH UP! You can open a file completed to this point named: 04_Door w Variable Swing.rfa.



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A

CATCH UP! You can open files completed to this point named: 04_Rotating Arc (Extrusion).rfa and 04_Rotating Arc (Sweep).rfa


CATCH UP! You can open a file completed to this point named: 04_Rotating Arc (Centered).rfa.


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Rise Arch Top

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CATCH UP! You can open a file completed to this point named: 04_Segmental Arch.rfa.


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Seg Rise

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CATCH UP! You can open a file completed to this point named: 04_Elliptical Arch.rfa.


CATCH UP! You can open a file completed to this point named: 04_Gothic Arch.rfa.



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HD

CATCH UP! You can open a file completed to this point named: 04_Ovolo Profile (Ref Planes).rfa.



D A


CATCH UP! You can open a file completed to this point named: 04_Ovolo Profile.rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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Cavetto Profile

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CATCH UP! You can open a file completed to this point named: 04_Single Curve Rig.rfa.


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Single Curve Rig


CATCH UP! You can open a file completed to this point named: 04_Cavetto Profile (Rig)_A.rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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CATCH UP! You can open a file completed to this point named: 04_Cavetto Profile (Rig).rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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Cyma Profile



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CATCH UP! You can open a file completed to this point named: 04_Cyma Profile.rfa.

CATCH UP! You can open a file completed to this point named: 04_Cyma Reversa Profile.rfa.


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SAMPLE! You can open a sample file named: 04_Corona Profile (Fixed Proportion).rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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SAMPLE! You can open a sample file named: 04_Scotia Profile.rfa.



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Corona Profile (Variable Proportion)

0.030

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Base Diameter * Fillet Projection Mult


Fillet Projection Mult © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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Base Diameter * X Mult

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CATCH UP! You can open a file completed to this point named: 05_Corona Profile (variable Proportion).rfa.

102 A Bézier curve is a parametric curve frequently used in computer graphics and related fields… In vector graphics, Bézier curves are used to model smooth curves that can be scaled indefinitely.



SAMPLE! You can open a sample file named: 04_Traditional Spline.rfa.



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Three Center Arch Profile

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CATCH UP! You can open a file completed to this point named: 04_Three Center Arch Profile (Ref).rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

105

CATCH UP! You can open a file completed to this point named: 04_Three Center Arch Profile.rfa.


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FILE PROVIDED! Please open a sample file named: 04_Door Molding Profile (Rig).rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

107

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CATCH UP! You can open a file completed to this point named: 04_Door w Three Center Arch (01).rfa.


Door w Three Center Arch


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CATCH UP! You can open a file completed to this point named: 04_Door w Three Center Arch.rfa.

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Tuscan Column

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Tuscan Base Tuscan Capital

Tuscan Shaft

CATCH UP! You can open a file completed to this point named: 05_Tuscan Column.rfa.

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Tuscan Capital


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CATCH UP! You can open a file completed to this point named: 05_Tuscan Capital_A.rfa.


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CATCH UP! You can open a file completed to this point named: 05_Corona Profile (Origin).rfa.

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CATCH UP! You can open a file completed to this point named: 05_Tuscan Capital.rfa.


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Plinth

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Torus Torus Rise

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CATCH UP! You can open a file completed to this point named: 05_Tuscan Base_A.rfa.

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Tuscan Pedestal © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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CATCH UP! You can open a file completed to this point named: 05_Tuscan Base.rfa.

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Base Diameter * 2.1 © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

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CATCH UP! You can open a file completed to this point named: 05_Tuscan Pedestal_A.rfa.

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CATCH UP! You can open a file completed to this point named: 05_Tuscan Pedestal_B.rfa.

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CATCH UP! You can open a file completed to this point named: 05_Tuscan Pedestal_C.rfa.



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CATCH UP! You can open a file completed to this point named: 05_Tuscan Pedestal.rfa.



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CATCH UP! You can open a file completed to this point named: 06_Tuscan Shaft_A.rfa.

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CATCH UP! You can open a file completed to this point named: 06_Tuscan Shaft Profile.rfa.



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CATCH UP! You can open a file completed to this point named: 06_Tuscan Shaft.rfa.

Tuscan Column


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CATCH UP! You can open a file completed to this point named: 06_Tuscan Column_A.rfa.

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Pedestal Height


161

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162

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 Without Pedestal


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With Pedestal © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

163

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CATCH UP! You can open a file completed to this point named: 06_Tuscan Column.rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

164


CATCH UP! You can open a file completed to this point named: 06_Sandbox_A.rvt. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

165

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 Entablature Tuscan



167

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Flex

1.000

CATCH UP! You can open a file completed to this point named: 06_Tuscan Entablature_A.rvt.

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P1 Hor P1 Ver

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Base Diameter * -1.355

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171



172  1.000

CATCH UP! You can open a file completed to this point named: 06_Tuscan Entablature_B.rvt.







173









0.090

0.035

0.050 0.150

0.190

0.050

2.000 0.250 0.060

0.500



174









175

1.000

CATCH UP! You can open a file completed to this point named: 06_Tuscan Entablature_C.rvt.



176







1.000





177



1.000



1.000

2.000



2.000 1.500

0.750 1.000

CATCH UP! You can open a file completed to this point named: Tuscan Entablature.rfa.







178



179









CATCH UP! You can open a file completed to this point named: 06_Sandbox_B.rvt.















180



























182








 1.000


183





184 









R






185



186

CATCH UP! You can open a file completed to this point named: 07_Sandbox_Colonnade_A.rvt.



187





188



189



 6.000

CATCH UP! You can open a file completed to this point named: 07_Sandbox_Colonnade_B.rvt.





190



191







192













193



194





 2.600 2.600

CATCH UP! You can open a file completed to this point named: 07_Sandbox_Colonnade_C.rvt.





195

-1.750

10.85

-1.750



 1.371

-2.400



196









197

CATCH UP! You can open a file completed to this point named: 07_Sandbox_Colonnade_D.rvt.







 Tuscan Entablature 1.000





198

 -0.250





199



200

CATCH UP! You can open a file completed to this point named: 07_Sandbox_Sweeps_A.rvt.



201



202















 Flex





203

0







204 





205











 Pedestal Material







Pedestal Material







206

CATCH UP! You can open a file completed to this point named: Tuscan Column_Complete.rfa.



207

stone





208





















209



 Entablature Material

CATCH UP! You can open a file completed to this point named: Tuscan Order_Complete.rvt.


1.000


210





211











212























 Doric Column Doric Entablature

 Doric

Doric

Doric





214



Doric Order Sandbox



 

CATCH UP! The completed file is in the Chapter08 folder named: Doric Capital (Schematic).rfa.







215

216 

CATCH UP! The completed file is in the Chapter08 folder named: Doric Shaft (Schematic).rfa.


 

CATCH UP! The completed file is in the Chapter08 folder named: Doric Pedestal (Schematic).rfa.





217

CATCH UP! You can open a file completed to this point named: Doric Column Schematic_A.rfa.





CATCH UP! The completed file is in the Chapter08 folder named: Doric Column Schematic.rfa.

CATCH UP! You can open a file completed to this point named: Doric Column_A.rfa.



218















 Echinus

Abacus






219

0.115

 0.090








220

0.035







Cavetto Y 0.030

0.020 0.025





Cavetto X





221














CATCH UP! You can open a file completed to this point named: Doric Capital_A.rfa.


222







223









224



225





0.055





180°

0.030

0.085

 0.015







0.015

-0.030



226 





Cyma Reversa X

Cyma Reversa Y

227 Base Diameter * -0.030 Base Diameter * 0.015

1.000

CATCH UP! You can open a file completed to this point named: 08_Doric Capital.rfa.

CATCH UP! You can open a file completed to this point named: Doric Column_B.rfa.

0.570







228   Y2



Doric Shaft Profile


CATCH UP! You can open a file completed to this point in the Moldings folder named: Cyma Reversa Profile.rfa.


Y + Y1



229

 1.000 Base Fillet








H0 © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

230

1.000

CATCH UP! You can open a file completed to this point named: 08_Doric Shaft Profile.rfa.







231



232

1.000

CATCH UP! You can open a file completed to this point named: 08_Doric Shaft.rfa.



CATCH UP! You can open a file completed to this point named: Doric Column_C.rfa.


1.000






 Plinth

X1





233

1.000

Y1





234









235

Base Diameter * 0.250 R

 1.000



236  0.125











0.070 0.350



0.350

-0.340

 Scotia Y


Base Diameter * -0.190 © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

237

CATCH UP! You can open a file completed to this point named: 08_Doric Base.rfa.



CATCH UP! You can open a file completed to this point named: Doric Column_D.rfa.


1.000


238



239

1.000






Cyma X © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

240 



241











242













 Ovolo Molding


 Upper Cavetto


243

244

CATCH UP! You can open a file completed to this point named: 08_Doric Pedestal.rfa.



CATCH UP! You can open a file completed to this point named: Doric Column.rfa.


1.000






245











246



















248



249



250



251



252



253

Doric Entablature Profile









Frieze

Architrave




Face of Column


254

Back of Column

Column Top Diameter



Cornice



255

Architrave Height Cornice Height







Cornice Cyma Bottom

Fillet A

Cornice Cyma Left



256


R1 * sin(75°) © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

257

(sqrt((Cyma Size ^ 2) + (Cyma Size ^ 2))) / 2 R1

R1 * cos(75°)

258 Base Diameter * “value”





CATCH UP! You can open a file completed to this point named: 09_Doric Entablature Profile_A.rfa.



Y2

R3









259

R2



 Y3

R4 (sqrt((Cyma Reversa ^ 2) + (Cyma Reversa ^ 2))) / 2

(R4 * sin(15°)) + Cyma Reversa R4 * cos(15°)


X2


260

CATCH UP! You can open a file completed to this point named: 09_Doric Entablature Profile.rfa.

Doric Entablature


1.00


261













262

Extension

Start Miter











Base Diameter


End Miter © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

263



CATCH UP! You can open a file completed to this point named: 09_Doric Entablature_A.rfa.


 Extension * 0.500


264



 Extension * 0.250


Base Diameter * 2


265







 1.000




CATCH UP! You can open a file completed to this point named: 09_Doric Entablature_B.rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

266




CATCH UP! You can open a file completed to this point named: 09_Sandbox Colonnade_A.rvt. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

267



90



268





Entablature Material













269





0

Triglyph Z

Mutule Z




Triglyph Start © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

270

271 

First Triglyph Offset



0.500



CATCH UP! You can open a file completed to this point named: 09_Doric Entablature_C.rfa.

  

2



1.250

 Triglyph Spacing

Number of Triglyphs





272

Diameter * 1.250 Base

273 

Extra Triglyphs

2.000



6.000 1

8.000

10.000

-1

if(Quantity < 2, 2, Quantity)

4.000

0

CATCH UP! You can open a file completed to this point named: 09_Doric Entablature_D.rfa.





(Length / Triglyph Spacing) + Extra Triglyphs









274



275











45

0

4.000

1.000

CATCH UP! You can open a file completed to this point named: 09_Doric Entablature.rfa.

90



 1.300

1.300





276





CATCH UP! You can open a file completed to this point named: 09_Sandbox Colonnade_B.rvt.


1 © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

277



278



279







280



281















282

















284


“The volute is the most difficult single element in the orders to draw, because the dimensional tolerances are so fine.”


285



286



287



 Ionic Volute Profile









288

1.000

CATCH UP! You can open a file completed to this point named: 10_Ionic Volute Profile_A.rvt.








2.000


289


CATCH UP! You can open a file completed to this point named: 10_Ionic Volute Profile_B.rvt. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

290







291

1.000

0.500 0.750 1.250 1.500

2.000






CATCH UP! You can open a file completed to this point named: 10_Ionic Volute Profile_C.rvt. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

292









293





1.000











294


CATCH UP! You can open a file completed to this point named: 10_Ionic Volute Profile_D.rvt. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

295



 0.500

CATCH UP! You can open a file completed to this point named: 10_Ionic Volute Profile.rvt.





296



















297

Ionic Volute Back Profile




CATCH UP! You can open a file completed to this point named: 10_Ionic Volute Back Profile.rvt. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

298











0.005


Ionic Capital © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

299

Sides

Front and Back







300









 1.000



301























302 

 0.475

1.000

CATCH UP! You can open a file completed to this point named: 10_Ionic Capital_A.rvt.



303









304

2.000





305









306




CATCH UP! You can open a file completed to this point named: 10_Ionic Capital_B.rvt. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

307













308 





 -90

2.000


2.000


309

1.000

1.000



310



311

CATCH UP! You can open a file completed to this point named: 10_Ionic Capital.rvt.















312

























314





315



316





317



318



319









320





 10.000


 1.500 © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

321



322 

Temp

Front

Back

1.000 

Flex


CATCH UP! You can open a file completed to this point named: 11_Family Seed (Adaptive).rfa.






Cyma Reversa GM Profile (w Fillets).rfa







323







324



325





326

 





Generic Model Profiles





CATCH UP! You can open a file completed to this point named: 11_Cyma Reversa GM Profile (w Fillets).rfa.



327









328







329







330

















331



332



333



334 

















335



 Z1







2.000



336





X1













337





1.000

2.000

 

1.000

2.000

CATCH UP! Not so much a “catch-up” file this time as a sample file. I have provided my version of the file used in this chapter so far for you to explore: 11_Massing_General.rfa and 11_Massing_Rig.rfa.





338



339





 Colonnade (Divide and Repeat)



340

341



Doric Column (Adaptive)





8.000


CATCH UP! You can open a file completed to this point named: 11_Colonnade (Divide and Repeat)_A.rfa.












342

Column Height





343 

CATCH UP! You can open a file completed to this point named: 11_Doric Column (Adaptive).rfa.





CATCH UP! You can open a file completed to this point named: 11_Colonnade (Divide and Repeat).rfa.











344





















346

“I have deliberately used the term diminution rather than entasis to describe the curved profile of the column. It is not at all clear whether the two terms are exactly synonymous. The term entasis is derived from the Greek enteino, to stretch, and means a swelling or convexity. This conveys the impression that the greatest diameter of a column is at a height some way above its base.” (Chitham 1985, 2005, 164)



347



348



349

𝑥2 𝑦2 + =1 𝑏 2 𝑎2




𝑎=√


350

𝑦2 𝑥2 1− 2 𝑏






sqrt() © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

351











352



CATCH UP! You can open a file completed to this point named: 12_Corinthian Shaft Profile.rvt.

CATCH UP! You can open a file completed to this point named: 12_Corinthian Shaft.rfa.





353



354



 36





355

 

CATCH UP! You can open a file completed to this point named: 12_Doric Channels Profile.rfa.


CATCH UP! You can open a file completed to this point named: 12_Doric Channels Profile_A.rfa.


356







357



358












CATCH UP! You can open a file completed to this point named: 12_Doric Column (Greek Inspired).rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

359



180





360









361

CATCH UP! You can open a file completed to this point named: 12_Doric Shaft (Segmented Fluted).rfa.


CATCH UP! You can open a file completed to this point named: 12_Doric Column.rfa and 12_Sandbox_Colonnade_Doric.rvt © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

362



363

Corinthian Channels AC Profile













364

0.000001



365









366


CATCH UP! You can open a file completed to this point named: 12_Corinthian Channels AC Profile_A.rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

367



368

192









15

30



369







CATCH UP! You can open a file completed to this point named: 12_Corinthian Channels AC Profile_B.rfa.











370

CATCH UP! You can open a file completed to this point named: 12_Corinthian Channels AC Profile.rfa.



371





372













373





1.000

CATCH UP! You can open a file completed to this point named: 12_ Corinthian Shaft (Fluted)_A.rfa.





374





375





1.000

CATCH UP! You can open a file completed to this point named: 12_Corinthian Shaft (Fluted)_B.rfa.











376





 15.000



377

1.000

CATCH UP! You can open a file completed to this point named: 12_Corinthian Shaft (Fluted).rfa.





378







379

Corinthian Shaft Medium

Corinthian Shaft Medium



380

CATCH UP! You can open a file completed to this point named: 12_Corinthian Shaft Medium.rfa.



381

Corinthian Shaft Medium_Divided







1









382

























384



385




Corinthian Capital Fine © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

386

Abacus and Bell_Fine









387











388 

 1.000

CATCH UP! You can open a file completed to this point named: 13_Abacus and Bell_Fine_A.rfa.





389





390









0.0567

0.0567



391





 0.11867









392



393

 0







CATCH UP! You can open a file completed to this point named: 13_Abacus and Bell_Fine.rfa.








Leaf_Fine © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

394

CATCH UP! You can open a file completed to this point named: 13_Leaf_Fine_A.rfa.



395













396



 0.025







 0.100 -0.100

Profile U1 Pos Profile U1 Neg





397

0.005



Profile V1 Profile V2







398







180


CATCH UP! You can open a file completed to this point named: 13_Leaf_Fine_B.rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

399



0.340 0.650 0.800 0.920





400

0.001

0.999 0.050 0.180 0.230






CATCH UP! You can open a file completed to this point named: 13_Leaf_Fine_C.rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

401



402

















403



404 

CATCH UP! You can open a file completed to this point named: 13_Leaf_Short_Fine.rfa.


CATCH UP! You can open a file completed to this point named: 13_Leaf_Tall_Fine.rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

405






Volutes_Fine © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

406

CATCH UP! You can open a file completed to this point named: 13_Volutes_Fine_A.rfa.



0.250





407









408







0.001

0.480 0.900





409


CATCH UP! You can open a file completed to this point named: 13_Volutes_Fine_B.rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

410

 0.009



 Eye Center






411



412







 152



CATCH UP! You can open a file completed to this point named: 13_Volutes_Fine_C.rfa.



413







414

CATCH UP! You can open a file completed to this point named: 13_Volutes_Fine.rfa.



415

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CATCH UP! You can open a file completed to this point named: 13_Cauliculi.rfa.



416

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Flouret_Fine



417

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418



419

CATCH UP! You can open a file completed to this point named: 13_Flouret_Fine_A.rfa.



420

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0.005

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0.995


CATCH UP! You can open a file completed to this point named: 13_Flouret_Fine_B.rfa. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

421

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0.500

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422



423

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424

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0.020

CATCH UP! You can open a file completed to this point named: 13_Flouret_Fine_C.rfa.



425



426

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CATCH UP! You can open a file completed to this point named: 13_Flouret_Fine.rfa.

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427

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428

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Flouret_Fine_PLNT

429 Flouret_Fine_PLNT_Host

1.000

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CATCH UP! You can open a file completed to this point named: 13_Flouret_Fine_PLNT_Host.rfa.

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430

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431

1.000

CATCH UP! You can open a file completed to this point named: 13_Corinthian Capital Fine_A.rfa.

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432

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CATCH UP! You can open a file completed to this point named: 13_Sandbox_Colonnade_Corinthian_A.rvt.


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433

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434

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436



437



438



439



440

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441

442

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Corinthian 2D Capital 90


CATCH UP! You can open a file completed to this point named: Corinthian Elevation 90.dwg and Corinthian Elevation 45.dwg.


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443

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444

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CATCH UP! You can open a file completed to this point named: 14_Corinthian 2D Capital 90.rfa.

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CATCH UP! You can open a file completed to this point named: 14_Corinthian 2D Capital 45.rfa.


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445

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CATCH UP! You can open a file completed to this point named: 14_Corinthian Capital 2D_PLT.rfa.

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446

Show Medium Capital

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CATCH UP! You can open a file completed to this point named: 14_Corinthian Column (Low Detail).rfa.

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CATCH UP! You can open a file completed to this point named: 14_Sandbox_Colonnade_Corinthian_A.rvt. © 2013 Paul F. Aubin, all rights reserved. Do not copy without permission

447



448



449

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450

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454



455





457

parameter, 55, 203

A abacus, 117, 121, 127, 218, 219, 220, 223, 298, 299, 306, 383, 385, 386, 387, 389, 391, 429 adaptive components. See components: adaptive Architectural Desktop, 1 associate family parameter, 52, 110, 123, 125, 126, 127, 140, 141, 163, 170, 171, 173, 202, 203, 205, 221, 226, 237, 241, 242, 266, 287, 336, 340, 341, 342, 393, 397, 399, 411, 427, 432, 446 astragal. See moldings: astragal AutoCAD Architecture, xiii, 1, 3, 4

B bell, 383, 386, 387, 389, 427 blend, 26


<


458

Bramante, 213, 340 Building Design Suite, xii buildz, 338

C categories: component, 6 cavetto. See moldings: cavetto center mark visible, 66, 72, 78 Chambers, xi, 8, 285 Chitham, Robert, 7, 35, 115, 117, 147, 151, 185, 213, 285, 286, 287, 307, 345, 346, 347, 349, 368, 376 coliculi, 383, 414, 415, 438 components: adaptive, 6, 253, 315, 363, 394, 403, 433, 438 Composite order, 4 Corinthian order, 7, 383, 406 corona. See moldings: corona cyma. See moldings: cyma cyma reversa. See moldings: cyma reversa

459

E echinus, 218, 219 entablature, 2, 3, 4, 95, 147, 148, 165, 166, 167, 178, 179, 180, 181, 191, 192, 193, 194, 195, 196, 197, 198, 207, 208, 213, 214, 247, 248, 249, 250, 251, 252, 253, 254, 261, 266, 267, 268, 270, 273, 276, 277, 278, 280, 281, 295, 296, 455; adaptive components and, 254; alternate approaches, 197; beams and, 247; coarse scale, 210; Corinthian, 455; creating from complex profile, 254; curtain walls and, 250; Doric, 192, 213; height, 194; level of detail and, 200; line based, 250; options, 172; railings and, 251; Tuscan, 147, 165; walls and, 248 entasis, 43, 57, 103, 148, 149, 155, 158, 180, 345, 346, 347, 348, 349, 350, 351, 354, 357, 361, 373, 375, 378, 380, 382 equality dimensions, 290 extrusion: creating, 16; flexing, 46; void, 33

G Gibbs, xi, 8, 35, 117, 151, 285 guttae, 268

I intercolumniation, 4, 185, 192, 266, 340 Ionic order, 283, 284, 312, 383

K Kron, Zach, 338

L leaf: Corinthian, 394, 396, 399, 401, 404, 418; file size, 438; flouret, 420, 423, 424, 426 level of development, 7 LOD. See level of development

F

M

face normal direction, 74 family content, 1, 9, 11, 12, 57, 61, 178, 181, 188, 426, 435 family editor, 4; basic skills, 11; massing, 5, 6, 403; traditional, 4, 6 family types, 16, 19, 38, 53, 95, 99, 107, 178, 227, 248, 286, 322, 340, 386, 404, 406; Flex, 19, 20, 38, 53, 106, 168, 178 Family Types parameters. See parameter file size, 317, 435 fillet. See moldings: fillet flex, 16, 19, 25, 30, 33, 38, 42, 43, 46, 52, 53, 55, 58, 62, 63, 64, 65, 66, 67, 70, 72, 75, 76, 78, 81, 82, 83, 87, 95, 96, 99, 102, 103, 107, 110, 112, 125, 128, 130, 133, 135, 136, 139, 157, 159, 161, 162, 163, 168, 172, 175, 176, 178, 183, 197, 199, 202, 210, 227, 228, 237, 238, 254, 262, 266, 271, 273, 274, 275, 279, 287, 289, 294, 305, 306, 309, 310, 315, 322, 323, 328, 334, 338, 342, 343, 348, 354, 361, 363, 367, 370, 371, 391, 394, 395, 396, 412, 416, 426, 429, 432, 439, 440, 453, 455 Flex. See family types:Flex flexing. See flex flouret, 383, 385, 414, 415; approach, 415; file size, 428, 438; scaling, 427 flower, 383, 431 fluting: adding, 353; in the massing environment, 362; never applied to Tuscan, 148; representing with lines, 380; tops and bottoms, 375

Mackey, Desirée, 349 Maller , Aaron, 106 Mass.rft template: don't use, 5 massing environment. See family editor, massing massing environment, the, 5 Mauch, J. M., 307, 406 metopes, 213, 248, 267, 272, 277, 280 Michelangelo, 3, 4 Milburn, Andy, x, 2, 338 moldings, 2, 4, 7, 39, 83, 95, 102, 111, 117, 119, 121, 134, 135, 141, 149, 168, 175, 177, 179, 197, 199, 201, 202, 204, 220, 223, 233, 234, 238, 241, 242, 243, 247, 248, 250, 254, 256, 269, 298, 349, 351, 375, 380, 387, 453; astragal, 69, 72, 147, 151, 153, 231; beak, 387; cavetto, 83, 87, 147, 153, 216, 218, 221, 239; corona, 95, 96, 97, 101, 117, 124, 125, 126, 221, 257, 258, 387; cyma, 90, 94, 134, 139, 239, 255, 256, 257; cyma reversa, 90, 93, 94, 106, 135, 216, 227, 244, 298, 299; fillet, 95, 97, 106, 120, 128, 132, 133, 135, 147, 151, 168, 227, 228, 256, 258, 260, 286, 289, 290, 292, 293, 296, 353, 368, 387, 408, 409; ovolo, 83, 106, 117, 118, 119, 120, 121, 125, 126, 127, 218, 220, 239, 257, 258, 298, 299, 387; scotia, 96, 235; torus, 69, 72, 128, 130, 132, 133, 147, 151, 228, 235 Munkholm, Klaus, 453 mutules, 248, 249, 252, 267, 270, 271, 274, 275, 277, 278, 343


dentils, 248, 340, 455 die, 134, 216, 239 Die, 216 dimensions: add, 15; automatic sketch, 66, 67, 69, 70, 89, 258, 262, 289, 290, 294, 322, 325, 355, 387; make temporary permanent, 82; temporary, 74 diminution. See entasis displace elements tool, 317 Doric order, 165, 185, 213, 228, 267, 283, 340, 353, 354

formulas, 157, 197, 268, 272, 283, 286, 400, 416; adding, 131, 162, 217, 221; adjusting, 219; and performance, 439; cannot add to system families, 248; do not paste, 323; driving points, 380; driving with adaptive points, 342; editing, 229, 232, 233, 255, 259, 269, 324; elliptical, 350; online resource, 453; reusing, 354; trig cheat sheet, 454; with trig, 376 frieze, 213, 250, 251, 267, 272, 275


D

460

O Orders, understanding, 2 ovolo. See moldings: ovolo

P Palladio, x, xi, 8, 35, 117, 151, 181, 213, 285, 340, 345, 354, 359, 406 parametric, xi, 4, 11, 12, 18, 27, 33, 39, 61, 62, 64, 72, 76, 78, 83, 94, 96, 101, 103, 108, 213, 251, 271, 285, 314, 322, 326, 337, 339, 362, 376, 432, 440, 449 Piazza del Campidoglio, 3 plinth, 128, 130, 131, 239 profiles, 165; can't use in revolves, 120; importing, 117; nested, 128; understanding, 30; using for sweeps and swept blends, 31 project: load into, 17, 32, 56, 89, 126, 156, 164, 176, 182, 184, 205, 215, 216, 218, 227, 231, 232, 238, 244, 245, 266, 276, 343, 353, 359, 416

R reference lines, 5, 61, 62, 328, 330, 371, 389, 398, 401, 406, 415, 421; built in workplanes and, 72; Is Reference setting, 404; profile families and, 83, 88; rotating, 76, 77, 81; sketching on workplanes, 426 reference planes, 4, 18, 19, 23, 47, 52, 61, 62, 67, 71, 73, 78, 82, 84, 87, 91, 94, 107, 117, 129, 133, 134, 138, 149, 151, 153, 160, 165, 166, 188, 208, 224, 229, 265, 268, 270, 285, 303, 306, 307, 310, 317, 322, 323, 354, 361, 376, 387, 389, 395, 415, 444, 448, 455; aligning to, 72; creating, 14; equality dimensions and, 96; flexing, 25, 46, 89; Is Reference setting, 188; locating profiles and, 172; locking endpoints to, 81; pasting, 323; profile families and, 83; resizing, 321; rotation and, 72 reference points, 328, 330; hosted, 335, 365, 370, 385, 396; show reference planes, 413 reload family, 99, 158, 180, 206, 217, 361, 429, 430, 431, 432, 433, 446 reporting parameters, 54 Revit 2012, xii Revit 2013, xii Revit API, 69 Revit LT, xii revolve, 26

scotia. See moldings: scotia seed families, 19, 20, 21, 23, 27, 79, 165, 287; adding Base Diameter, 39; beginning with, 47; choice of, 247; creating, 18; massing, 321; omitting geometry, 25 shaft: channels, 353, 359, 360, 375, 380 shared family, 53, 316 sweep, 26 swept blend, 26

T Tam, Kelvin, 426 Tempietto, 213, 340 template files: adaptive, 314, 315; baluster, 279; beams and braces, 165, 178, 210; column, 47; custom, 21, 23; default settings, 321; default view orientation, 322; detail item, 88, 449; door, 72, 104; face based, 21, 78; family, 13; generic annotation, 286; generic model, 363; levels and, 51; line based, 251; massing, 314; out-of-the-box (OTB), 21, 30; pattern based, 314; planting, 426; profile, 31, 104; project, 12, 182; project settings, 189; renaming, 21; scale in, 26; wall based, 22 temporary dimension, 81 torus. See moldings: torus trig. See trigonometry triglyph: channels, 213, 268 triglyphs, 213, 248, 249, 252, 267, 270, 271, 272, 274, 277, 279, 281, 343 Triglyphs, 273, 275 trigonometry, 83, 84, 87, 90, 91, 94, 97, 258, 286, 453 Tuscan order, 42, 47, 115, 146, 147, 160, 165, 181, 185, 214, 228, 345, 353

U units, xii, 13, 38, 40, 48, 166, 182, 261; imperial, 182; metric, xii

V Vasari, xii Vignola, xi, 35, 147, 285 visibility/graphics, 253 Vitruvius, 8, 35, 181, 185, 345 volute, 410; Corinthian, 405, 412; eye, 290, 411, 413; fillet, 292; Ionic, 285; layout, 286; profile, 295, 310; scroll, 304, 307; spiral, 287, 406; sweeps, 300


necking, 3, 218, 219, 221, 222

S


N



461



462

Renaissance Revit HP Project Soane

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