"Technique, Propaganda, the Puppeteer & The Truth"

“TECHNIQUE”… …means FAR MORE than machine technology. “Technique” refers to any complex of standardized means for attaining predetermined results (or outcomes). Excerpt from, “The Technological Society” by Jacques Ellul

Schools & Social Control - John Taylor Gatto The Scientific Management of Children - John Taylor Gatto Soviet Subversion (1984) - G. Edward Griffin interviews Yuri Bezmenov

“the TECHNETRONIC ERA”… …nation state as a fundamental unit of man's organized life has ceased to be the principal creative force: International banks and multinational corporations are acting and planning in terms that are far in advance of the political concepts of the nation-state. In the technotronic society the trend would seem to be towards the aggregation of the individual support of millions of uncoordinated citizens, easily within the reach of magnetic and attractive personalities effectively exploiting the latest communications techniques to manipulate emotions and control reason. Excerpts from, “Between Two Ages: America's Role in the Technetronic Era” by Zbigniew Brzezinski

CNN (1985) Radiofrequency Weapons Video 1

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“PROPAGANDA”

by E. Bernays

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“The Century Of The Self” { Edward Bernays } by Adam Curtis _1_

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“the PUPPETEER” A “puppeteer” is a person who manipulates (seemingly) inanimate objects —puppets—in real time to create the illusion of life. The puppeteer may be visible to or hidden from the audience. A puppeteer operates a puppet indirectly by the use of strings, rods, wires, electronics (technica) or direct internal control by his or her own hands or manipulating it with external control(s). Some puppet styles require puppeteers to work together as a team to create a single puppet character. There are a wide range of styles of puppetry but whatever the style or purpose, the puppeteer's primary role is to manipulate the physical object in such a manner that the audience believes the object is imbued with life and free will. In some instances the persona of the puppeteer is also an important feature. The relationship between the puppeteer and the puppet-maker is often assumed to be similar to that between an actor and a playwright. This may be so, but one of the characteristics of puppetry is that very often the puppeteer assumes the joint roles of puppet-maker, director, designer, writer and performer.

“and The Truth” “...two great merits rarely found in alternate discussions of human problems where most writers oversimplify. He insists on the principle of multiple, interlocking causation and where most assume that facts will speak for themselves. He makes it clear that facts are mere ventriloquists, dummy-made to justify any cause of action that appeals to the socially conditioned passions of the individuals (or masses) concerned. These two truths are sufficiently obvious but they are seldom recognized and for the good reason that they are very depressing to recognize. The first is to recognize the fact that there are no panaceas. Therefore, most of the golden promises made by political reformers and revolutionaries are illusory. Two, to recognize the truth and the facts do no speak for themselves but only as man’s socially conditioned passions dictate is to recognize that our current educational processes can do very little to ameliorate the state of the world. …”

Foreword(s) by Aldous Huxley, from “Man’s Most Dangerous Myth” by Dr.

M. F. Ashley Montagu

RAND - CyberDeterrence and CyberWarfare RAND - A Stability Police Force for the U.S.