Quarter tone history, relationship to equal temperment, scales, fingerings, excercises, melodic studiesFull description
Quarter tone history, relationship to equal temperment, scales, fingerings, excercises, melodic studies
Quarter tone history, relationship to equal temperment, scales, fingerings, excercises, melodic studiesFull description
registro sobreagudo del saxDescripción completa
Full description
manual
Top Tones for Saxophone Traduzido em portugues. Para todos os tipos de sax.Descrição completa
Complete score of Kalevi Aho's Clarinet Concerto.Full description
Adagio for Strings Clarinet
Complete score of Kalevi Aho's Clarinet Concerto.
Descripción: For clarinet solo
stockhausen complete scoreDescripción completa
Staccato Studies for Clarinet
a
Staccato Studies for Clarinet
a
Sonata for ClarinetDescripción completa
Arreglo del tema de la canción de Disney.Full description
Interludes for solo clarinet
stockhausen complete scoreFull description
Full description
Clarinet Quarter-Tones The following quarter-tone scale extends from A3 to D6; it contains relatively few problems for the clarinettist. However, somewhat somewhat weak conjunct sections of the quarter-tone scale are found across the "break" from the throat register to the clarion register (B-flat 4 to Dsharp 4).32 From B-flat 4 to C4 there are technical problems because of awkward finger placement requirements. requirements. From C4 to D-sharp 4 there are no practical fingerings for quartertones, since virtually the entire length of the instrument is employed. Cross fingerings can not be utilized. This is the same consideration that inhibits quarter-tone production below chalumeau A. Another section of the quarter-tone scale that is weak consists of pitches above B6. The altered air and embouchure pressure necessary necessary to produce these pitches (often on different partials), as well as awkward fingerings make them treacherous, especially if approached quickly by leap.
TABLE #6 - Quarter Tone Scale
The clarinettist should practice tuning these quarter-tones by first playing the half-step, and subsequently adding the quarter-tone. This process will lead to an improved level of quarter-tone intonation.
