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^i^i^'>.'>i^^\^\^'>.-^^^',^^^ Schmitt. Op. 16.
PREPARATORY EXERCISES
SCHIRMER'S LIBRARY OF MUSICAL CLASSICS
Vol.
434
SCHMITT Op. 16
Preparatory Exercises For the Piano With Appendix by A.
KNECHT
$1.50
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Piano
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SCHIRMER'S LIBRARY
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OF MUSICAL CLASSICS Vol.
434
ALOYS SC HMITT Op. 16
Preparatory Exercises (Five- Finger Exercises)
For the Piano
NEW AND AUGMENTED
EDITION
With Appendix by A.
G.
KNECHT
SCHIRMER
New York/ London
Copyright, 1922, by G. Schirmer, Inc. Prliit*^ In Ik* U. S.
A.
Preparatory Exercises
9
for
o^-ii\o
k>^\'^
acquiring
the greatest possible independence and evenness of the fingers
ALOYS SCHMITT.
Op. 16
Repeat each Exercise at least ten or twenty times, but omit the closing note until the final repetition. At first, practise each hand separately, then both together, always keeping the hands steady and quiet. Practise each Exercise slowas the fingers acquire the necessary strength and flexibility. ly at first; increase the tempo graduallj' It is advisable to practise these Exercises in the kej-s and without changing the fingering.
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Copyright, 1922, by O. Sehirmer, Inc. Printed
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17
Exercises For passing" the thumb under the fing"ers, preparatory to the practice of the
Scales and Arpeg^g-ios. first, each
At
i
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Appendix Major Scales A. Knecht C major r.
h.
1.
h.
4 on b 4 on d
r.h.
4 on/s
l.h.4 on a
r.h.
l.h.
V. h.
l.h.
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t^^ 55
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4 4
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r.h.
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l.h.
r.h.
4 on
*i>
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4 on
a\,
3
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same keys. 13330
F major
and B, E^,
B^,
F minor,
the thumbs of both hands fall on the
21
major
B'^
3
'1
3
1'
r.h. l.h.
r.h. l.h.
4 on 4 on
e\>
4 on 4 on
g-
b\>
A!,
J''jiJj^J,
^^m Harmonic Minor Scales minor
.A
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l.h.
4 on rf» 4 on /I
minor
^
4 on 4
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4-1 1
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'1
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1,
3
r.h. 1.
h.
l.h.
^
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4 on «« 4 on c«
3
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1
11
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4 on di -y i 4 on /»
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minor
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4 on /* :g
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4
1
1.
3
1'
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J J -#L-^
l
,B r.h. l.h.
q-
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3
1
minor (same as Dt minor) 3
1
^
^
1'
r.h l.h
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r.h. l.h.
4 4 on^^ g^ ^
minor
1,
3
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4'
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•
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J a ; H' 1 -^ ^
3
4
L
^g i^i ,f^n2 3
y
^
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For scales in thirdh and in sixths the fingering given above is followed in all keys:
1
q
^
v=
-d
-^
n 'I"
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,
^ J J J. 1 3
T
"
1=^
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etc.
^3 1.3330
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2
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22 F minor r.h.
4 on
l.h.
4on^
r.h.
4 on*
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l.h.4 on
rf
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G minor
r.h.4on/-« l.h.4 on o
r.
h.
l.h.
4 on 4 on
y J^ i^
^
"^
l
T"
c e"
iSl
Melodic Minor Scales T.
.
r.h.4on^!! l.h.
4 on
*A minor 3 ^
i
i
d
^iallllllWI
o
i
^B minor
; . ^.8rf l.h.4on/|
r.h.
4 on
l.h.4
4 on
ai
4 on
c'n
.E^-
4 on dk 4on^!,
minor
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l.h.
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r.h.
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l.h.
4 on
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4 on
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4 on
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CO
13
r.
h.
1.
h. 5
^
3 5
43
1
major_
1
134
^.5
_
Major Triads
5 5 3 3 1
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5
.
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4^ D major
5
3
5
C major 5
-G
12 4
54
o^
A major
^ E major
3
ti^gip^^ii -3 " 5
5 '
Ts^sa 5
"
5
33
iri-*
.
Where no fing-ering- is g-iven, follow U major as a model. N.B. The arpeg-g-ios are to be practiced also in all keys with *)
the
C
major
fing-ering-.
24 Fff
.5
major
,
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1245 53»1
1245 5421
i235 5421
Minor Triads 1
*4*
^
5*
4
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4
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5^?4
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j]j JJJ 1 #*4 A minor as a
^
^•
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model.
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iji
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4
1
S5 D« minor
.B^
5
5
m
3±
minor
^^m
^F minor
,G minor
.D minor 3
„^1
5
,5
-
.5
5,
z
2
3^
o
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4
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Dominant Seventh- Chords l.
To be played up and down throug^h ,C
3
octaves:
major
ifriJliH:'j3flff'^-'J^^
S. To be played as broken chords, C major i^Tnad) 5
like
C and G
-
ik
major, with the
f2.4_
— 5512^ —4i' it
^'J^ ^
same
fing-ering- in all chords:
sfi'ia'*
G major
1
1
r^m' 5,1424
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e
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m D
m aj
D^ m u majo aj u •"
A major
r
E
«««: tt
F I
A' major
major
B''
4fc4
major —
F
t>
t^
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i
major
W^ %
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E'
g^
F*
t-^rU
j-f#^
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3. (Chord of the Seventh C major ^-—-p Tz 4
B major
major
3l
I
m aj
r
p3
>
5
4
G major etc.
2 and 3 keys with
Nos-
saime fingTering.
2
2
* Fingering- c 1.1330
is
3
12
3
1
1_3_2
1
^4
3
2
not repeated until the third octave. The fingerings a and b are the same in every octave.
27
Chord Passages Major Triad
'
<
5
5
"
'
5
^
Chord of the Dominant Seventh, C major 2
5
4
1
S s
^
4 2 4
>i 5
« 4
15
2 ?
3
1
e
•
-™-
2
3
*
4
k^.
4.1
4 2
15
3
1
2
2^2
, ^ Q
-.4,5132 111 —1524 llaf.S 4 h ^ p— r ^ » ^ ^ sgg^a^
3
I
1
5
23'^l
5
Z
5
1
5
p
1
3 f
h"
I
^r-^
5 3
I
I
I
--.
3 4
2
5
PS^ 1
p 5132425 14
4 2 5
5
-
5
14
2TI f 2
2
3
•5
2
i 2 f
1
5
5
1
4
5
1
4 2 ^ <
1
^
5
T»-
2
1
2 *•
1,
i -
15
5
These Chord Passag-es have the same
4
2
4
5
2
3
14^
fing^ering- in all keys.
Scales in Double Thirds The same
N.B.
fing-eringr is repeated
Cmajot^ 1
f)
l.h.
5 011^ 4 on c
r.h.
5 on
0?
l.h.
Son
rf
r.h.
3I
2 2j-i
^1*4 3 1 2 3 2 12
through each additional octave. A minor
43
^^^3_g
3'
r.h.
5 on d
l.h.
5 on
6"
^li -
>^
3
^
ff
^^ PP
1^1 pT2l?l3*i|3 ^-^L5,34 3 3 4 3,oJt-'
.
4
43,5 33. B minor
D major
ntlniitfiiii
l.h.
5 on a 5 on o
fi ^i ^? t?y 2l*ill2i"^
3 2
.h.5 onw; .h.5 on a 9
1
43 ij 23 34 * "1
4—5? fit? , a l^Laa ^-1
•:
-
.4 'f-r 3 2?^
2 3J31 zT^*•>l?QK4g, flo 1
*3 I:i330
3 d
h.5 on a
I
r.h.
iJisa *-Sb!^
.h.5 on d
J^ •
4
28 A major
4 1 ?
h.5 on e l.h.5 on a
4
12
5
Pi#l
r.h.5 on ft l.h.5 on a
r.
"Ty, 4 3
2
4 Cttminor
?llil?t3i?ify
, r=-~.~^
3X^3 452? f 471 ii o 1 2 3 &^b|i 2
,4
? 2
r.h.5 on d
i^4
,
,
3
r.h.5 on d| l.h.5 on a
l.h.5 on a
llUTiihi I3434j||34 i\)
Bmajor flii r. I.
5 on/s h.5 onal
43fff34 T|3l^(^fl l^llt
«
3^
h.
J'.'".jlmjjll • • 4 1
r.h.5 on /If I.h.5 onaj!
5»
*
i
.1
5
5 a J
2
1
,
r.h.5 on^-i> l.h.5 ouc'l'
•ffliH'fr'a.Hi 4
D^
major 4
3 ,5J* 3
2
43 343|53
?2 343,3434?
2 4
;
f'li'
r.h.5 on/^ I l.h.5 on
|4'3«rT|'JTT;5|
4 B^minor
5 ^~~i
23lfll2lfl2l2*p3
r.h.5 on^!l.h.5 on b^
?
t
?t
3
3liJii3
1
3
3
on^
r.h.5
l.h.Son/
l.h.5
?J4 34 35 34 3?l2 4,34
on^ on/ i 2 3?.u r?435 J 43 343
C minor 5 on ^ l.h.5 on c
r.
„
^
r minor u •
l.h.
5
on
I
r.h.5 on 1
1
3
on^ on/
l.h.5 1
2
^^ 43,54545,11 34
4.-r^3r
3
4
?ty ft3l3|3|y 2 ^l3^ .q4'»34Q 1IT5T212I 3 4^cL4^
3 5
I
1
2
|i34^
3 5,
7~^
r*r-^i
^2
4 3 1
1
i
(1)
430454,. 23 af
43,5-^
.
on^ 3 5 3,4
3
54<», 13330
3 2 ^ 2 3 1 „
2 1
''"'^J°/3
r.h.5 l.h.5
^^3
2
^
on^
12
4 rTi ^ iMI 3^
»';----., major.^ 3„ 481 42 34 3 5 4 1
V45
"J
3
1 ? 2
r^''\ll\liTzJt B^
35
^
3
|_iJ^
on c l.h.5 on c
r.h.5
h.
r.h. 5
54 3 2
r.h.5 on^l" l.h.5 on b^
il34?3j3|lT23| 4
r.h.5
r--? 3^
4
.
D minor o 4 3 t f
'^
*
3434 3
^
4
Tl""? '|~4~-?4 3 I^J 12 3I 32 ll 1^
3
29
Chromatic Scale N.B.
The same
3
on/&
5
Son* &yt
a*
43'*
1
Chromatic Scale
l.h.
Double Major Thirds
in
-f^
^ ^3
4
-
4
3
l1_Z^ Chromatic Scaje in *
r.h. 3 l.h.
on f &
^
& «
3 on e
4
5
3 on
ctt
&
^^t
I.h.3 on
e\>
&
a\>
I
4
3
i^-±_5,
on/&
4
—
""
"
4
2i
Double Minor Sixths
"p
l2 4 4Ifll 3 5
fl 5 4
3,
Chromatic Scale
in
Double Major Sixths
Chromatic Scale
in
Chords of the Sixth f"
r.h. 3
3
3 ,5
r.h.
Double Minor Thirds
repeated throug-h each additional octave.
fing-ering- is
V3 43t
r.h.
in
I
-*
*
3
,
1
2
4 1
2
Al.
^ .
o
«
1
,3
1
u!i.u! l1„3
,
1
2
.
_
-2— >>:
;
;if
r
i
irrJc
Scale in Double Sixths All
major and minor keys with the
2
1
i
.1
•
or the following- fing-ering-: r.h.
3 on:
same
fing-ering"
ScHiRMER's Library of Musical Classics PIANO METHODS, STUDIES, AND EXERCISES SERIES ONE
CRAMER,
BEREINS, H. L.
1070
Op.
61.
L. 504
Op.
70.
508 L. 526
Op. 79. Op. 88.
L. 1031
Op. 89.
School of Velocity. 40 Studies. Complete. The Same. L. 259, Bl<. I; L. 260, Bk. II; L. 262, Bk. III. 50 Pieces without Octaves. For Beginners.
L.
20 Children
— Studies
without Octaves.
Scales, Chords, and Embellishments. 28 Studies. Training of the Left Hand. 40 Exercises and 25 Studies.
The School
of
BERTINI, H. L. 137
Op. 29.
Preparatory to the Cramer Vogrich-Buonamici). 24 Studies. A sequel to Op. 29. (VogrichBuonamici). 25 Easy Studies. (Vogrich-Buonamici). 24 Melodious Pieces. 50 Selected Studies from Op. 100, 29, and 32. (Germer). 24
Studies.
Studies
L. 138
Op. 32.
L. 1.3«
Op. 100. Op. 101.
L. 758 L. 795 L. K91 L. 1588
BIEHL, 530 L. 497 L.
Op. 166.
25 Primary Etudes. (Osterle). 50 Selected Studies from Op. 29, 32, 100, 134 (Buonamici-Cornell). Bk. I; L. 1589, Bk. II. sp. e.
A. Op. 30. Op. 44.
The Elements of Piano-Playing. 25 Easy and Progressive Studies. With special
Bk.
BRAHMS,
Op.
15.
left
hand.
Op. 100.
12 Studies for Development of Velocity.
F. 25
Easy and Progressive Studies. (Oes-
terle).
Complete.
The Same. L. 755
the
F.
BURGMULLER, 500
reference to L. 498, Bk. II.
51 Exercises.
BRAUER, L.
I;
J.
L. 1600
L. 494
(
Op. 105.
12 Brilliant
L. 977, Bk. I;
L. 978, Bk.
II.
and Melodious Studies. (Oes-
terle.
752
Op. 109. CHOPIN, F. L.
18
Characteristic Studies
(Oesterle).
Etudes (Mikuli). Etudes (Friedheim.)
L. 1551 L. 33
CLEMENTI, M. ad Parnassum. 100 Exercises. (Vogrich). Bk. I.; L. 168, Bk. II. Gradus ad Parnassum. 29 Selected Studies. (Tausig).
Gradus
L. 167 L. 780
The Same.
L. 1112 L.
CONCONE, L. 139
sp.
f.
e.
Preludes and Exercises in all the Major and Minor Keys. (Vogrich).
376
G.
L. 141
Op. 24. Op. 25.
L. 140
Op.
L. 1374 L. 226
Op. 31. Op. 37.
L. 1030
Op. 44.
30.
25 Melodic Studies. (Oesterle). 15 Studies in Style and Expression. (Oesterle). 20 Studies on the Singing Touch. (Oesterle). 15 Studies in Style. (Deis). 24 Brilliant Preludes in all the Major
and Minor Keys. For Small Hands. L. 25
15 Studies in Expression, (von Doenhoff) 30 Selected Studies. (Oesterle).
J.
B.
m ScHiRMER's Library of Musical Classics PIANO METHODS, STUDIES, AND EXERCISES S E
L. 651
Op.
24.
L. 1035
Op.
25.
DUVERNOY, 316
Exercises and Studies tave-Playing.
in
Staccato Oc-
Octave Studies.
8
S
TWO
The School
Mechanism.
Studies preparatory to Czerny's "School of Velocity." (Klauser). Complete. The same: Bk. I. Ecole Primaire. 25 Elementary Studies.
1292 .Op. 120. L. 50 Op. 176. I,.
of
15
H.
L. 798 L. 801
C. 24 Easy Melodious Studies. 24 Melodious Studies of Medium
Op. 50. Op. 51.
Difficulty. L. 534
The
Op. 82.
First
Bk. L. 535 L.
536
L. 807 I>.
L.
539 323
L. 324 L. 3.39
206 L. 326 L.
Steps of the
Young
Scales and Exercises. (Vogrich).
L. 1083
The same:
JENSEN, 763 L. 764 L. 765 L.
Studies. The First Lessons. 35 Easy Studies without Octaves. 24 Melodious and Progressive Studies. School of Velocity. 24 Short Studies for
117. 130. 131. 141.
1416
U. 191
Op. Op.
59.
HANDROCK, L.
Etudes- Poesies. (Ruthardt).
318 425 196 480 321
Op. Op. Op. Op. Op.
151. 157. 163.
HANON,
The Virtuoso
L. 1071
1072 L. 1073 L. 1081 L.
HELLER, L. 179 L. 180
L. 176
i
L. 1117 L. 177 L. 1120
L. 178
A
L. 1123
A
L. 748
A A A
A I
L. 1.30
L. 766 L. 24
Pianist in 60 Exercises.
Complete. The same: Bk. I. The same: Bk. II. The same: Bk. III. The same: sp. Complete. S.
Op. Op. Op. Op. Op. Op. Op.
16.
16.
45. 45. 46. 46. 47.
Op. 47 Op. 81. Op. 119. Op. 125.
190.
242.
Op. 249. Op. 300. Op. 300.
KRAUSE, L.
553
Phrasing. 26 Melodious Studies. Bk. I. The same: Bk. II. 25 Melodious Studies. Complete. The same: Bk. I. 30 Progressive Studies. Complete. The same: Bk. I. 25 Studies for Rhythm and Expression. Complete. The same: Bk. I. 24 Preludes. of
32 Preludes. (Ocsterle). 24 Studies for Rhythm and Expression.
(Scharfenberg). 50 Selected Studies from Op. 45, 46, 47. (Oesterle).
First Studies. (Klauser). 20 Studies in Continuous Scale-andChord Passages. 12 Easiest Studies. 12 Easy Studies. (Klauser). 16 Elementary Studies. The Very Easiest Studies. Short School of Velocity without
2.
KULLAK,
KUNZ, L.
939
The same: Bk.
I.
II.
T.
Op.
48.
Op. 48.
The School
of Octave-Playing. Bk. I: Preliminary School. The same: Bk. II: 7 Octave Studies.
K. M. Op.
14.
200 Short Two-Part Canons. For the Beginner.
A
LE COUPPEY, L. 67
I.
10 Trill Studies.
LE CARPENTIER,
L. 430
Bk.
(Oesterle). Bk.
School of Etudes. Bk. I: Lower Elementary Grade. The same: Bk. II. Elementary Grade. The same: Bk. III. Lower Medium Grade.
482
L. 476
sp. e.
Practical Method.
C.
L. 481
475
Metodo Practico.
A.
Op.
L. 1133
The Art
15 Selected Studies. (Deis).
Octaves.
1082 L. 935 L. 936 L.
L.
C. L.
L. 925
60.
L. 483
Mechanical Studies.
299
III.
L. 50.
L.
J.
I.
II.
C.
Op. Op.
KUHNER,
E.
53.
J.
L. 317 L. 543
Beginners.
HABERBIER,
25 Etudes. Bk.
The same: Bk. The same: Bk.
Op. 20.
KOHLER,
L. L. L. L. L.
sp. e.
A.
Op. 32. Op. 32. Op. 32.
Pianist.
I.
The same: Bk. II. Op. 82. The Easiest Studies in Velocity. Op. 83. 24 Studies on Scales and Arpeggios. Op. 85. Op. 100. 24 Octave Studies. Op. 107. Buds and Blossoms. 12 Melodious Op. Op. Op. Op.
12 Characteristic Concert-Studies. (Jonas).
2.
L. 170
L.
GURLITT,
A.
Op.
KESSLER,
Rhythmical Problems.
L. 1279
L. 44
HERZ, H.
B.
J.
Op. 120.
GERMER,
I P:
HENSELT,
C. H.
DORING,
L.
R
Op.
17.
A.
Piano Method for Children,
sp.
e.
F.
The Alphabet. 25 Very Easy
Studies.
(Scharfenberg). L'.Agilite. 25 Progressive Studies for Mechanism and Light Touch. 15 Preparatory Studies to Czerny's "School of Velocity".
Etudes Enfantines. 6
(Scharfenberg).
Grand Etudes after N. Paganini. (Gallico).
12
Etudes d'execution transcendante. (Gallico).
ScHiRMER's Library of Musical Classics PIANO METHODS, STUDIES, AND EXERCISES SERIES THREE
LOESCHHORN, L. 1616
L. 966
Op. 62. Op. 65.
20 Melodious Studies. Studies for the development of Technique and Expression. Part I: For Beginners.
Complete. same: Bk. I. same: Bk. II. same: Bk. III. same: Part 11: For the Intermediate Op. 66. Degree. Complete. The same: Part III: For More Advanced L.968 Op. 67. Pupils. Complete. L.1615 Op. 169, Universal Piano Studies. For Medium Grade. 170. Pianoforte Technics. Daily Exercises. L.254
The The The The
L.310 L.311 L.312 L.967
LOW,
J.
L.913
Op. 281. OcUve-Studies.
MACFARREN, W. L. 1037
Scale and Arpeggio Manual.
MENDELSSOHN, L.1523
I
F.
