Pantera - Guitar Anthology Series - Authentic Guitar Tab Edition

PANTERA ANTHOLOGY GUITAR TABLATURE EDITION

13 STEPS TO NOWHERE

5

BECOMING

10

DRAG THE WATERS

15

COWBOYS FROM HELL

26

HERESY

36

THE GREAT SOUTHERN TRENDKILL

46

I'M BROKEN

53

I CAN'T HIDE

62

SHEDDING SKIN

70

MOUTH FOR WAR

80

STRENGTH BEYOND STRENGTH

89

SUICIDE NOTE PT. I

96

SUICIDE NOTE PT. II

100

THIS LOVE

108

THE UNDERGROUND IN AMERICA

117

WALK

128

WAR NERVE

136

WHERE YOU COME FROM

143

5

13 STEPS TO NOWHERE Words and Music by VINCENT ABBOTT, DARRELL ABBOTT, PHILIP ANSELMO and REX BROWN ...All gtrs. tuned down approx. 1~ steps:

@=CI@=E @=FI ~=GI @=B
Moderately slow: Tempo I (J = 84) lntro:

"

~ E5

Drums

B~5

B~5

E5

Whores!

"

4-

Whores!

**Gtr.l

~

.s-:

I> '1:1_

(~)~

f

"Pitch falls somewherebetween 1 & 1~ steps down.

~-.f,

'",

• ...Twogtrs.art; for one. B~5

E5

I> '?1_

~

B~5

E5

" Whores!

Whores!

" (~)~

~

I> '1:1_

_-.f,

(~)~

3

3

:

I> '1:1_

_-.f,

N.C.

E5

"

• 3

"

~

.......(q)...

3

*#* ... ...

~

.~.

3

3

slight P.M.' .... --------... --------.... ----_.'--.- ..... --~

13Steps to Nowhere ~ 5 - 1 0223B © 1996WARNER-TAMERLANE PUBLISHINGCORP., METAL MAGIC MUSIC, RESS MUSIC

DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC. INC. All Rights Administered by WARNER-TAMERLANE PUBLISHINGCORP. All Rights Reserved

3

3

6 Verses 1 & 2: E5

•

8.5

A

•

E5

fl-

fl-

fl-

fl-

1. Your win - dows board 2. SeeadduionalIyrics

- ed

8.5

A

A

up.

your

fI-

fl-

fl-

pri - vate

ex - posed.

lives

...--...--.. --... --...--...---_.---_ ..__ ..._--- ..---..---.---..---..--- ..---.----_ ..-._ .. --_.---_ .._-_.----------.------_.-----.----.---- ..--.. --- .. ---...-._.-- ..........

RIlfA

»

rJ-,

..=

I> '..~Y <,

~

3

3

'~Y

3

I> 'Y <,

.I>t-# ~ (q)~

3

3

# ##q-;.-;

·ff·

slight P.M. -.••--------_.---_.--_ •. --_ •. ---------. ---~

'f The talk shows pump it

out - break of

up,

lab rats

'f

dis- eased for show.

We're doomed to

A church burned to the ground,

drug rou-Jette.

Dot

Chorus:

•

fl-

•

Thir-teen!

»

•

fI-

fl-

s--: 3 --,

fl-

Thir-teen!

r-" 3.....,

•,

. 1>.

fl-

fl-

fl-

fl-

fl-

Thir-teen!

Thir-teen!

•

-s

.

•" • •

fl-

Thir-teen!

r-r- 3 --, r--: 3 ---, r-r- 3 ---; r--: 3....., ,.... 3 --, r-r- 3 ---,

~.

fl-

, .,.

Thir-teen

r-r- 3 ---, r-r- 3 ---, r-: 3 ---,

•

1>•

r--' 3

• .,.

(.

the slang,

yet._ D.S. lti a/ Coda

----

N.C.

A

,C

steps!

Ah!

fl-

use

DO- ticed

e - yen

To Coda •

E'51B' r-3---,

-,

~"',

Gtr.Z 3

'~

'-..Y

3

'J

3

,

-0,./

''If w/wah wah

~

••

Coda

a

,

Bridge: N.C.(8'5)

N.C.

'"

'"

'"

Leads

to

no

Gtr.l

114 I

13 Stepsto Nowhere- 5 - 2

",,"'at

~

'A

fl-

Your back

where!

-

fl-

fI-

lash

dis

fI-

-

fl-

10 - cates,

.. an

t

y4

1>#

'" -

q~

•

-; 114 I

,

3

q~ 1>#

q# 1>-;,

~ 1># q#

-;,

~I>#q* Y,

~I>#q#

Y,

r

7

tI I

! r, t

,. ,.

~~

"

•

-

un

time

ly

reign

11,

~

,. of

N.C.

doom!

"

•

q~

~

I>J ~ 1rW,

~

I>J

I>J

~

~

11,

~

I>J

q~

~:j:

11,

(~)11

•

f

~I

I f

I r I

The wolf

poked

with

a - waits

the stick,

with can

-

cer- ous breath!

I

I

~~

,.

Out .

sid

N.C.

" f'"

•

Leads

If'

"

•

f'"

to

no

q~

j,:j: 1/.

•

-

where!

p~~

q~

I>J

~ 1rW,

~

,. ,. -

I>J

ers

~

11,

,.

still

~

sup

I>J Ij*

~

-

pose,

~

11,

1>* Ij*

T,

-

there's

"

f'"

v :

,~

"

•

f'"

,. -

ho

,. ,.

,.

ly

to

streets

N.C. ,~

roam!

(ISma) .

q~

I>J

~ 1rW,

~

I>J

~

11,

~

I>J

~

11,

~ ~

Ij*

T,

j,:j:

q.

(q'1I) A.H.

13Stepsto Nowhere- 5 - 3 02238

8

N,C.(B'S)

b The truth

should not

sur - prise,

your homes

on

were built

lies!

_

Slower: Tempo II (J, = 48) N,C,

b",'~

"~

Interlude:

-.,

~:',

Yeah!

Lies!

~lJ, 8va

Gtr.Z u

~t ~f

,

,

I

,

*Gtr. :1

r

r r

r

r

b~'

Gtr.1

b

~f

~

•

-of'

../-

'·"1

CJi,J, b~'

-

w/wah wah

,.,

~~,

• )-

"Iwo gtrs. arr. for one,

--.

..

-

~

~

"',

-t~

rn

~~

/L~'"

u

Bva---,

8va ._, '

b~'

~~,

,.'

b~'

L=..

-

~~,

.'

.UbJ, b~'

1

~~,

.'

1

1

.....-'~

1 j~

~

8va -----, 8va---------··,

;{'::~~

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,..~,..,

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~

r

1],

~,

-,,-,

r

, 1

~

13 Steps to Nowhere- 5 - 4 0223B

J"''',

b~'

~~,

,.,

.rr

I.

• ~2

~

9 Tempol( J =84)

Outro: B~5

E5

N.C.(E5)

Pp.·, ~

"

•

We'll 15ma .. ----, GIr.1

..J

~

3

3

3

3

3

3

:

•

-

~~.

~''11

~

V

q~~. 1

,

D

I

B~5

E5

B~5

~.

~~

~Ii"

kill,

I

E5

"

•

:-----.-..

~.n

"3-'

3

" •

-

~

(~)~

~ ''II

3

3

"J

ab!

3

~

U

J

know,

I> ''II

3

3

.J

3

'(q)~

I> ''II

3

3

U

'-"

'-../

Chorus: E~51B~ ~r-3---'

" P~

• .

~

t'-

Thir-teen! r-r s r-v

~

•

.

~-j

~

t'-

Thir-teen! r-rr s r-rv

-j

'"

r-r s-r-

•

-j

~3-.

~

fI.

Thir-teen! r-r-s-r-v

'>

'>

r-r s-rv

-j

r--3--,

,

fI.

fI.

fI.

Thir-teen!

Thir- teen

,......,

r-r s r-v

r-r s-rv

c-3-,

•

-j

Verse 2:

13 Steps to Nowhere - 5 - 5

fI.

Thir-teen!

A backwards swastika, The black skin riddled in lead. A nazi gangster Jew, It beats a dog that's dead. It's in to use the slang, Outbreak of gun roulette. The cross slants to the side, Will prove the damnedest yet. (To Chorus:) 0223B

'fi.

,.......,

I>-j

•

A steps!

,......,

•

-j

~

,

10

BECOMING Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO

All gtrs. tune down 1 step:

@=D Q)=F (2)=G @=A

®=C (j)=D Moderately

J = 120

Intro: D5IA

" ~

.

"Otr 1

.: f

..

.:.

.:=~

~

o

~

wlRhy. Fig. lA (Gtr. 2) Play 4 times No Chord(ES) Rhy Fig 1

-

':

.:.!

•.

<.

-

~~~ i = #~~~

• "=

.'<

"

P.M. . _.-. __ .. - .. --... _------- .. _.---_.,--_ ... -

0

0

Verse:

Half-time feel FjS

G5

N.C.(ES)

" r

~

~

........

I

a - go _ _ time 2. See additional lyrics

long

-

nev

I

er

.

-

= ~

#~~~ ~ R~ ,

:;

_... _--". . _-_ ...... ..

_--_ ...

" PM.

---",--1

.••• --1

b~:i: :

~

~/ b~ ~

PM.

P.M .

FjS

N.c.(ES)

GS

r

knew_

my

-

self._

'J ~ R~ , PM. ----,

N.C.(ES)

~r--.

~

r---...

........

~

=t

=

-.J •

PM ...... -1

b~Y ~ ~

~Y b~ ~

PM.

P.M.

Otr.2 8'"'····-Rhy. Fig. lA ~

.

"

f

Becoming ~ 5 - 1 0223B

o -

Then the mem

~-

~

.----

end Rhy. Fig. 1

-

.

FIS GS

~

I

(Lasttime)l. A

"

rr>;

~l ~ R~ , PM ..

---1

= =I "P.M....." ,

.

c-

blj'

end Rhy Fig. lA

w/Gtr. synth. effect

© 1994COTA MUSIC, INC. and POWER METAL MUSIC, INC.

All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

of

ry_~

~

P.M.

shame.,

V

11

N.C(ES)

GS

FlS

P ffi

~.

birthed.L;

gift._

its

F#S G5

-

~

"

•

I>~

l

~}

l

P.M.

~~

P.M. ··---1

,

U

I>:.y: l

l .

P.M. ____ oj

P.M.

'

1

1>,

,

~~ ~~

~

P.M.-----<

Double-time

"

N.C'5'71.. '1 - -"' G-

Y
No

more.

~

~

1.A- (&-T"-- 2.)

The

small

(4 ';-"'':05) one,

FlS

,

the

weak

the

one,

G5

,

3

ened

fright

one.

" •

PM --- . _--.- ...

"---

~ ~~ ~

.... ---

---._-- .. _-.- ...

~

#~ ~~ .. _- ~

... _--- ... -- ._-- .... -_ ..

~

#~ ~~ ~

--._.--- ._--._.----

---- ......

--- ..

N.C.(ES)

•

ning

Run

beat - ings.

from

flat - ed,

de

3

-

com

•

..= - ..=

PM. --

----. __

..

._--- ...

_--

N.C(ES) jj

•

,

3

more

than

~~ ---- ..

~~. _-------.= =......... ---._------#~ ..~~------ =.. ..

---

----

---

--

,

_ ..

..= _-

--.----"

---

#~ ~~ ~ .. _--- ._-_._----

FlS

,

More

man.

~~

than

you

= .. =..

P.M. -_ .... _---- .. _--

= ~

--- .. _ ..

_-

--

~4

.. ---"

~ v

Becoming - 5 - 2 0223B

= ..

.....

'--

#~ ~~ ~

.. "-- ._-- ..... _---- ..

--_ ...

.= .-.-----

ev

---._ ..

#~

-

~4

~

G5 3

,

er

jj

•

ing

---.- •.. ----1

---3

a

-

,

"

,

•

•

be

I'm

GS

F#S

, •

3

jj

e

~~

------ --_·------1

~~

_-- -----_._---------------_ .. ---------~

,

were.

12

N.C.(E5)

u

•

,

3

and

en

Driv

~---3---'

-

burn

ing

•

•

10

rise

FI5

..

•

.~

beyond

Je

sus! _ _

•

,

"

•

=

~

P.M.

~. ~~ 11=

=

~

--._. .-------" ..

=

~~ ~~

=

~

= ~

11

G5

~~

~~ ~~ ~

_----. __ .------------_.----_ .. ----------. .----.. ----- .. -------.-----_ .. ---.----- .. -------.-----·_-------------··------------·---1

Chorus:

%

Half-time feel B5 AS

w/Fil11 (GIr. 2) (85) (AS)

DSJA

"~

.-

fl-

fl-

.--------«:

-

I'm

born

a

gain

• "

•

•

=

~::.

11

P.M, .

,---.,

.~~:

B5

"

~

•

with

snake's

~----

~

AS

•

D5/A

~.-----

1> •

:j'

= = ~ ~

P.M. ----_.,

DSIA

~

eyes.

.-

fl-

Be

corn

•:::=:::

• .

ing _ _

U

•

v~

v

~

•

Becoming ~ 5 - 3 02238

Fill 1 Glr.2

:i:-=::

= ~ P.M.

= ~ -------1

~'"

~

.

:j'.....-

13 w/Filll (Gtr. 2) (US)

DS/A

(AS)

Double-time

God

P.M.-

-

size.

"'1

w/Rhy. Fig. lA (Gtr. 2, 4 times) N.c.(ES)

G5

FIS

Err!

P.M

._---_ .. -------_ .... --------_._---,

.

N,C,(ES)

FIS G5

N,c.(ES)

P.M

P.M.......

FIS

GS

FIS

N.c.(ES)

q ---- •• - •• ------- •• -- •• ---- •• --"-1

Becoming - 5 - 4 02238

..

P.M. -.. -------... ------ ... -

..

~

q

---------_ .. --------_ ... ---_ .. -_.... ---- _.-_... -------_..

~

G5

14

J

2. Double-time

To Coda •

D5IA

II

•

--

-

•

•

Yeah!

:

~

~

~.

~

:

'.

~

• :

~

~

~

~

:;

~

•

Interlude:

Play 4 times N.c.(ES) (Bass gtr imitates Rhy Fig 1)

• •

FjS G5

D5IA

•

Coda

:

:;

w/Gtr. synth sound effects

D.S.

:;

~

Play 4 times N.c.(ES)

:

Fj5 G5

l\S

:;

(2nd ending) at Coda.

~

~

ES

II

•

r

I

(2nd time) God

-

I

size._

II

•

=l =

7i

~M.

•

•

~

:

--------- --------.

=iq=i ~ i

..

----_ ...... _-----

~ ._---_ .. _-----

~=iq.

FjS

G5

ES

H~

~

~

.. <

~ ~

~M.

:

: :

:

~

~

Fj5

G5

H~

~

._-_._----_ ....__ ._---_ ....--------- -.------------ ... ------- ....... --.-------.... ---------··i

Additional Lyrics I found my life was slipping through my hands.

Perhaps through death my life won't be so bad. I can see you, can fuck you, inside of you. Staring through your eyes. Belittle your friends to serve me, to suck me, to realize my saving grasp. I of suicide. I the unlord.

Becoming- 5 - 5

~

P.M.............•••.....................

Verse2:

02238

:

: :

~=iq=i ~ H~ ,

------------- ••• --------- ••••• --------- •• ---------- ••• ---------- •••• ---1

15

DRAG THE WATERS Words and Music by VINCENT ABBOTI, DARRELL ABBOTI, PHILIP ANSELMO and REX BROWN

All gtrs. tuned down 1~ steps:

@'cl
Moderately; = 126 Intra: N.C. *Gtr.l

~' f

wlheavy dist.

-Otr. 1 doubled.

F5

F5

E5

E5

N.C.

"'"

"'"

"

wah!

Blah,

u

.....

Rhy.Ftg.l················································.......... ~ ......................................

~

·---------i

q~

U

:

1

1

, , ~I

~

1

wlRhy. 1'111' 1 (Gtr. 1) 3 times F5 E5 F5 E5

N.C.

F5

E5

~.

:

~M.

---------1

F5

...

,

E5

~ 1

N.C.

Drag the Waters- II - I 0223B © 1996 WARNER·TAMERLANE PUBLISHING CORP .• METAL MAGIC MUSIC, RESS MUSIC, DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC, INC. All Rights Administered by WARNER- TAMERLANE PUBLISHING CORP.

All Rights Reserved

....,

1

16 FS ES

Verses 1 &: 2: FS ES N.C.

N.C.

FS ES

-.

-

• l.A

.

-------- -

-

smack on the wrists 2. See additional lyrics

words;

is

the

~

~ ~

-

-

from the mouth

-~

out·

of

the

~'

'l!' 'l!'

Gtr.l Rh~ Fig. 2

•

q~

.~.

-

.

.~.

sid - ers,

law

-

.,...--..

•

~'

;

.

•

yefs, po - lice._

~

FS

ES N.C.

fI-

~

-

e

'l!"

t 'l!' 'l!'

'l!' 'l!'

=Lit •

•

~-.J

-.J

q~

-

·. .

-

small price to

A

•

~

,

~

-

.~. pay_

for

'l!"

~

the

'l!' 'l!'

'l!"

CS

,fI-

'

fI-

dope.c,

~~

B5

-~-

e guns_

and the

-

it should

and the rape,

all_

be

•

Your

o - kay._

/.

end Rby.Fig. 2

e

~' ~

~'

~

~

~

~'

~

~'

~

~

~

'bit •

~-.J

-.J

w/Rhy.Fig. 2 (Gtr.1)

F5

E5

N.C.

'I fa - ther

tH·

is

rich,

'I

If

Drag the Waters - 11 ·2 0223B

he's the

But

in

the

judge.L;

back

of

he's the

his

man.c;

mind.L

he's the

he

well

god_

that got your sen- tenee re - duced.L

knows.c, what he'd

find.L,

if

he

jookedc,

17 Chorus: F5 E5 ~

•

a~

4

•

-

'----'

IiI - tie

deep - er

in

Gtr.I

a

you/_

In

you.

....-/

«.»

= .,. 1

F5 jj

v

t

E5 N.C, v

1

~' ~

;

fore.c:

~ ~~

'------'

1

P.M. ·······-i

1

~

!

"..

= ~

~'

be

-

.::>

;

i<-

v

nev - er

Like

~~

(G5)

a

¥-'

'..,

~

Ah!_ _

Whoa!

•

J~ 1

~ 1>.... ~~~ ~• P.M..... -------,

!

nowt.:

,

./

a

'"

---------- v

4

P.M.-··'···_·---i

1

1

1

)

__________!? ~ ".... ~~~ ~ , ~_

u

~,-----,~y ~ 1>-.' -.' ~~~ ••'

~

1

1

P.M.• ----------i

1

(A5) ~

Howl _ _

Yeah!_

Yeah!. J

jj

..~.. 1

1Y ~ .... ~ 1 1

Drag the Waters - 11 - 3 02238

P.M. ---------1

'-J

1

j

P.M.",.

~

------1

~!

I

wa - ters some more.:-:

U

,

~' ~

v

= ~

t

~~

v

Drag the jj

,

,

'~'-----'~~ ~ 1

••

~ ~.

P.M. ----------1

18

• •

---------

~

-

•• :J ~

'-.-/

~~~-]

1

1

"* •• "* ~ :;:

F5 E5

N.C.

F5 E5

~

t

Drag the

wa - ters some

. ::::.

• 1>..

F5 E5

It

more.L

r

nev • er

Like

Drag the wa - ters some more.

•

GIr.2 v

v

~~~~.

F5 E5

be - fore.

112.

N.C.

N.C.

_

r-------·-------------------~

f:(+),'1- f:

,'I-

'!:

,'I-

f:

F5

E5

~~ *~* _____

v

~e~ 3

f

grad. bend w/flanging & echo effects, & wah as filter effects 1,_____________ hold ... _______ . _____ 1

•

•

,

Drag the Waters

0223B

~

Glr.l

q~

q' ,

~

11 - 4

F5 E5

~- -

11.

Interlude: F5 E5

F5 E5

N.C.

-

t

F5 E5

N.C.

times

P.M. -----·----·--i

P.M... _----------1

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26

COWBOYS FROM HELL Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO x

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HERESY Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO

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e 1990 COTAMUSIC. INC. and POWERMETAL MUSIC.INC. All Rights Administered by WARNER~TAMERLANE PUBLISHING CORP. All RightsReserved

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37

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45 wlRhy. Fig_ 1 (Gtr. 1) 5 times

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46

THE GREAT SOUTHERN TRENDKILL

Words and Music by VINCENT ABBO'IT, DARRELL ABBOT PHILIP ANSELMO and REX BROWN

*AU gtrs. tuneddown approx. lY.1: steps:

@l=C'@=E (2}=F' (6)=GI @=B
= 224 )

N.C.(ES) II

-

-

-

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(Scream) Blah!

"''''Gtr.! (w/heavy dist.)

"

end Rhy Fla- 1

Rby. Flg.1

• • • • •= ..= .= .= .= .= .= ..= • •

1 1 1 1 f

1 1

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1 1 = •1

• • •

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P.M.-----------------··········.------------------------.-............... --.-----.-------------------------------------------------.. --.......-...........................

*Pitch falls somewhere between1 & Ilhstepsdown. ··Slide left hand finger upanddown@st. wllightpressure, not enoughto fret,producing artificial harmonics.

"',n------------....------------n------------n----------II

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= =

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------ ....... __ ._---------------_.---- ..... _------------------------.-.-- ...... __ ....._-_ .. _-----------_._----------------------------------------------------------------------------- .....,

TheGreat Southern Trendkill - 7 - 1 0223B

e

1996 WARNER- TAMERLANE PUBLISHING CORP., METAL MAGIC MUSIC, KESS MUSIC, DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC. INC.

All RightsAdministered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

47 HaIf·time: Tempo II (J = 112) !""\F5 E5

~

•

FS F#S

G

G

FS

--

.D.

-

F'S

j

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Blah!

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IT, I

---------,

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tc«

1) 4 times

FS

G

~

F'S

G

'I I'm

2. Seeadditional lyrics

FS

G

my

speak - ing

Fis

G

FIS

'I

'I 1

rob a dead.. man's Double-time: Tempo I (J = 224 ) wlRhy. Fig.!

#~,

.

Verses1 & 2: wlRiff A

q'

grave.c

flaunt

then

it

like

did

you

ere - ate.L;

tc». 1)

ES

If

I

hit

bot - tom

and

ev -

'ry - thing's gone

in

the

great

Mis - sis . sip - pi,

please

Half·time: Tempo II (J = 112 ) wlRifI' A (Gtr. 1) 2 times FSF'S

G

b

G

Fis

FS

r ~ 'I ~3~~,§t~~~~ drown me

and

run.

Double·time: Tempo I wOOy. Fig-I to« 1)

It's

dig - ging time.,

Those with the heart and the brain to Half·time: Tempo II (J

Gtr.!

get past this can

FS

your

the weak - est

trend.c,

spot

a

pa - thet . ic

with - out

e - ven ask - ing.

= 112 )

G

Fuck

you're nur - tur - ing

a - gain.L,

(J = 224 )

mag- a

zine.c,

Fls

G

and

fuck

Fls

the

long

dead

plas - tic

(I5ma)

scene.L,

48

· •

G

-~

FS

-- -----------.

3

Piercec,

a new

F'S

hole,_

FS I'-

I'- I'-

soul

to the

G

if

hell

was

"in", you'd

give your

(15ma)

" ~ ~ 7 :;<1~.

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A.H.

Chorus: E5

I'-

"

•

fI-

south - em

great

"

•

I'-

1'-'

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~y I

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• f'right!

-

trend

,

~

~

~'

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that'

fI-

The

great

south

~/

I

~

~

~

•

trend

-

,

~

fI-

1'-'

..

kill,

fuck

yeah!

Blah!

~

~/

I

.. TheGreat Southern Trendkill - 7 - 3 02238

~/---

I'-

"

• , J, ,

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ern

To Coda.

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kill.

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D.C.

49 Slower: Tempo ill (J = 72) Coda.

E5

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.

Interlude: N C (ES) ~A·

~

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RUrD

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•

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114 )

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It's

the great southern trend - kill. 114 )

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end Kifi'D

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(i5ma)

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A.H.

A.H.

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HI

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1 /---------------------------'----..

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/

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(Otr. 1)

(05)

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i

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wltrem. bar

The Great Southern Trendkill • 7 - 5 0223B

1 r \/2

;~

:

fdbk,

J

51 wIRllrB (E5)

to«

I)

GIr.3 8va --------------- ..

.. _

I

===- --

--=

1"

I"

wIRJlrC

ta« I)

-,,"_~D5

Gtr. 3 tacet

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---

..

*25fretis approx. Playw/slidejust past24 fret.

52 8va·.··---.-----------,

Gtr.2

~t: ~.~

• "'.

,~

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o

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Gtr.1 (Bva,

114

to'

J

~

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0

= ~-

114

-~

A.I-:

*Otr.3 wlslight variation on repeats. Use these 2 meas. as a model for improv.

• t

t: t:

r iii

fl-

t:

Repeat

F fI-

fI-

•

fI-

L

".----.---- .. --.- .. -- ----- ----_.. --_. ---_. --_. -_. -- _. -_. _. -------------------- ---------.'- -_."----- --_." --------- --_." --_." --.---_.------------- -_... ----- --..---..--

~

114

(8va)

~"';

10:"

r 1/4

r

-

~~

~

~~

Verse 2: Buy it at a store, from MTV to on the floor. You look just like a star, It's proof you don't know who you are. If I hit bottom and everything's gone, in the Great Mississippi please drown me and run. It's bullshit time again, You'll save the world within your trend. Those with the heart and the brains to get Past this can spot a pathetic without even asking. Politically relieved, you're product sold and well received. The right words spoken gold, if I was God. You'd sell your soul. (To Chorus:) The Great Southern Trendkill • 7 ·7 0'223B

I

AR

53

I'M BROKEN Moderately

Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO

J = 148

Half-time feel Intro: ~

H.

No Chord (E5) "Guitar I ~

•

~

~

•

~

mf

Qq~ : ,-,~~~) .

~

Feedback

~

•

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t-~q~ ',--,~~~). Feedback

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-

-

*2 guitars arranged for 1 with harmonizer effects set 8,'a

" H

~

~

- - .

•

-.c~ q~ :~~'----"~~~ . Feedback

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-

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P.M. ---------------------------,

TImingfor all guitars: ® = C#, ® = F#, ® = B.@= G.@= G#. CD = I'mBroken - 9 - I 0223B

C#

© 1994 COTA MUSIC, INC. and POWER METAL MUSIC,INC. All Rights Administered hy WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

54 Verses 1 & 2:

N.C. ~

-

H

•

.

won

,

i

-

-

-

in _ _<-

der

,

'-

our

if we'll smile

2. See additional lyrics

i

-

-

loved

ones

.

;".

ab day,

mourn the

cof - fins while

o ~

•

, l

cJ./'--.I, cJ. /'--.1 ~

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i

4

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II..

e sence

liv our

of

4

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es

~.

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,

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laugh

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I

cJ./'-~ cJ./'-.I, ~.

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~

P.M...........,

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ing,

cJ..

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wake._

a

Is

o ~

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o ~

•

too

this

h.

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much

for

tbem

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.

A

(E5)

take? _

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1

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young

(+l7'y--J. :J -J. #;;

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I'm Broken - 9 - 2 02238

9"

1

1

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style

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val

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your

son.

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That's

I

P.M.---- •. ------~

V

Bridge: N.C.(E5)

J\ Look

how! That's

how!

That's

at

me

how!

Choruses 1 & 2: N.C.(E5)

1. I'm


I'mBroken - 9 - 3 0223B

beak

-

en, _ _

in - her- it

my.L,

56

· • ·

a-:

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life.

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fII-

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brok

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p..

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Additional Lyrics

Verse 2: One day we all die, A cliched fact of life. Force-fed, to make us heed, Inbred to sponge our bleed. Every warning, a leaking rubber, A poison apple for mingled blood. Too young for one's delucion, The lifestyle cost. Venereal mother embrace the loss. That's how.

Bridge 2: Look at you now, Chorus 2: You're broken. Inherit YOUT life.

(To Interlude)

I'm Broken - 9 - 9 02238

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62

I

I CAN'T HIDE Words and Music by VINCENT PAUL ABBOTT, DARRELLLANCE ABBOTT, PHILIP HANSEN ANSELMO and REX ROBERT BROWN All gtrs. tune@ down to D.

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------------70

SHEDDING SKIN Slowly

Words and Music by VINCENT PAUL ABBOTT. DARRELL LANCE ABBOTT. REX ROBERT BROWN and PHILIP HANSEN ANSELMO

J = 72

Intra: Play 4 times No Chord Gtrs.l & 2

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© 1994 COTA MUSIC. INC. and POWER METAL MUSIC. INC. All Rights Administered by W ARNER- TAMERLANE PUBLISHING CORP. All Rights Reserved

have

you

watch

me.

71 Em7

r,

o

Em7(maj7)+5

Eo 7

N.C.

Em7addA

I feel you'd steal my skin to try and wear me.

was

Gtr.l

be - trayed.,

one

more

day

Gtrs. 1 & 2

Gtr.2

f

grad. bends 1/2112

p-==

of

my short

life._

1/2

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suf - fi

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be - ing.

was

had

no shame.

1/2

me,_

but you were- n't

you.~_

1/2

1/2

me.. like a scab.c,

1/2

Shedding Skin- 10· 2 02238

a - way._

1/2

1/2

1/2

You were stick - ing to

You were car- ried

1/2

So I peeled you

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72

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73

ere - at - ed the end.c,

(P.M.)

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kill- ing a friend.,

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skin.

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ASaddD Af,SaddD

-----

Bridge: N.C.

You're fuck

.

ing

P.M... --.- ...-.".- .. --.--.-

You're friend· less,

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_

and suck

P.M. ·-----------------··--------i

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has sour - ed. __

Your flow . er_ _

P.M. .

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P.M.: -----------------------1

Double-time feel

It's end - less,_ _

you're friend- less.

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er,

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P.M.---------------.-------i

74

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3

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3

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Verse 3: N.C.(ES)

•

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• •

nev - er love.

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" P.M.-----_·.. -------,


•

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B'SIF

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Blood - y touch. ~

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75 B~S/F

(ES)

Chok - ing throat.

Swal- lowed teeth.

Head

P.M. ·-----------------i

(Fls)

CS/G

my_

skin---

(ES)

B~5/F

me.

You've got

CS/G

_

to

Bbs/F

(ES)

to

love

P.M..---

mel

_

peel_ you

off

of

-------i

Guitar Solo I:

3

P.M. ---- •..• ---------.------------------------------.---- •••. ----- •.......•.• ,

N.C.

Yeah.

N.C.(ES)


peace.

P.M. ------··_-------i

P.M. ---------------i

P.M. ·-----------i

No

tuck.

PM.-----------------,

(Fls)

I'm shed ~ ding

B~S/F

(ES)

3

76 8'"---- ------- ------------------ ----- ------ ------ --- --------II

b:

#-

,(FIS)

q"-

II.

3

,..bjl.#-b~

3

.

8'" ---------

WC~

W..l,'"

I'

- .#-,

,

•

3

7

3

3

-

-

-

5

-

1

semi - harm.

~

grad. bend

;:::~

:: ~b ~ bjl.[q~

;:::~ ~::

;:::~

y

I' c

jI.

-

1/2

~

(ES)

;:::~

V._--------- ---------,

#~ #(' #~

»<.

;:::~

3

./

----------------, loco

II

3

3

~b.

~

•

tC-----

-'

~p

2

~

»<

-

. . . . Verse 4:

Bbs/F

(ES)

H. • •

II

•

Om .

3-

•

ment.

~ ~ ~ ~

"1>-.. ./

(ES) ~_

~~

'-'

~

PM. ----------- .. ----1

Shedding Skin - 10 - 7

02238

--------I>~

/'

'-'

Snake strike.

toy.

~

~ ~ ~ ~

'I>~f/

1/

~~

~ ~

Bbs/F

~Drenched

~

Soaked me.

me.

"

""'" ~~

"""'"

(ES)

Syph - il - lis.

II

-

PM ... --- .. ---------,

---

Poi - son - ous.

~ ~ ~ ~

~ ~

BbS/F

--

•

"""'"

P.M. ----------------1

•

Play

'\

•

II

H.

• •

Shrunk - en head.

•

BbS/F

(ES)

~

~

~ ~ ~ ~

PM. ----------------,

'I>~

"""" 1/

~~

~ ~

77

(F#5)

C5/G

(F15)

C5/G

u

-.

7 I'm

Y shed . ding

"

my_

-

I

~ ~ ~ ~

~./

= ~

LJ

""--' drain

to

"

•

r

I

skin,

~

~ ~ ~ ~

P.M.........

P.M. ----------- .. ----1

me._

of

== ~

~

."..

~

------,

N.C.

(E5)

(E5)

out

.".

• ~

you

u

I

7

..... 1>.. / •=~:::j i = .. P.M. ------------,

I

to

hate

I

r

me!

Yich!

-

~

"

•

........

You've got

-

~~

-..

"

~ ~ ~~~~ P.M. ...

•••

-,1>.

~~

~ ~

~

;

~

;

---oj

Interlude: N.C. Gtr . .:,1_ _""",,=

semi . harm.------ .--------.--.----------.---.---.--------.----------. ------- .. --------.-.------

Gtr.2

Shedding Skin - 10· 8 02238

-----------------.------------------ ---.----- .. ---,

78 8- ----------------------------------------

"

J

Glr.3

"

~mf

t)

"

•

3

•

...........

-

~ semi - harm.------------··--- .. ---------------------- -.'- _._ .... _--

; ;

;

.

~3

; ;

i

-r< 3

3

PM. --------1

••••••• -1

-

•

'---= .......

3

3

P.M.

Gtrs. 1 & 2

•

-

J

-

------ ----------i With bar (dive)

1

~

i___.

Guitar Solo II: N.C-

.. .

IS",1 .......•........................................................•......•...•........................................................•............................... 3

3

3

3

" •

~

L

---------

--------3

3 P.M.

PM.·'·'i

"--i

PM. ---,

3 P.M. ...

3

,

s

."

'-~

'-

'''iii~"

,.

..

,.

3

r----.

-

rr>.

rr:-;

.. -------.----.------------------------- .. --.".--.. --------------------.---- ----------1 ~.

PM. ---------------- .. -------1

(ES)

" •

~ ~

q'J 'J

PM. ___________ ,

Shedding Skin - 10 - 9

0223B

(ES)

B'S/F

(ES)

B'S/F

B'S/F

Gtrs. 1 & 2

'P~

;; ;

~

~ ~ q'J PM.

'J

··---------i

7~

~

;

~ ~' ~ ~ q'J

'J

PM. ___________ -1

p~

~ ~ ~ ~'

79 Outro: BbS/F

(ES)

P.M. --

(ES)

(ES)

---------1

----,

Bbs/F

P.M. - --- -._._---1

(ES)

P.M.-----------------------

Bbs/F

BbS/F

(ES)

------,

P.M.----··----------------------_·_------i

Bbs/F

P.M. ------ ------,

(ES)

PM:----------········------------------,

Bbs/F

Verse2.I don't think you belong in here, I feel I'm sick. Don't ask because you know damn well where I've been. I've kept a simple woman through the thick and thin. But I've found the guts to severe from my Siamese twin. I throw you away. Every day. A dead part of life. Strangling back. Seething black. In between my longing for fortune. Blood on my face that came from your face. The mix of kissing and bleeding. I put you away. I shut you away. I pissed you away. I threw you away.

80

MOUTH FOR WAR Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOn: REX ROBERT BROWN and PHILIP HANSEN ANSELMC

Slow rock Intra:

J = 80 B5

N.C.

Gtr.1

B5

N.C.

..

B5

N.C.

B5

N.C.

Rhy. Fi 1

"

•

~...... ~ .. . q:i'#:i''' .. P.M.

II

P.M.----······---------------i

---------------1

B5

N.C.

•

.. q:i'#:i' • •

~

..

.. q:i'#* ..

B5

N.C.

• q:i'#:i''' •

P.M.-----------------"!

P.M.

P.M.

N.C.

G5

05

B5

N.C.

05

B5

N.C.

05

N.C.

B5

~ .. ;~' :d

~

•

,

!' .. !

P.M.

P.M.

~

..

/~,

05

=

'-'

B5

N.C.

05

N.C.

.

~'

!

~.

; ...--

~~

'-'

05

•

'---'

"

.

J = 160

E5

E5

~

B5

N.C.

~...... ~.

~

..

P.M.----------·--·· .. ·---------i

P.M.---------------i

P.M.

end Rhy. Fig. 1

•

~

~...... ~ . ..

!,,,~

P.M.

P.M.-------------···-·_---------i

P.M.-···--------------i

.

B5

N.C.

~ ...... ~ ..

Double time

~

05

B5

N.C.

•:.::;j • ~

'----"

05

B5

; »>..

~~

'-'

N.C.

OS

•= !

, E5

<::»

MouthFor War- 9 - 1 0223B © 1992 COTA MUSIC, INC. and POWER METAL MUSIC, INC. All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

B5

N.C.

05

N.C.

'd

~'

!

~'

05

~

'-'

81 E5 end Rhy.Fig. 2

8va·---------------,

G5

B5 N.C. G5

B5 N.C. G5

G5

E5

B5

N.C. G5

'" -:=-

N.C.

::>

:;>

loco

(8va)

c-

T,

o

harm.

*

"'Fret top 2 stgs. against front edge of neck pickup.

N.C. E5 end Rhy. Fig. 3 Bva..••------"

Half time J = 80

B'5

B5 C5

A5

G5

B'5

B5 C5

F#5 G5

AS

A5

B'5

>

G5

>

>

Rhy. Fig. 3

P.M.

P.M.

P.M.

P.M.

B5 C5

A5

B'5

P.M.

P.M.

A5

G5

P.M.

P.M.

F#5 G5

P.M.

B5 C5

A5 B'5

P.M.

G5

P.M.

N.C.

E5

Re . venget: Rhy. FiliI .--.. ---.--- .. -.--- .. -----.---.--.------------.-------------._------ .. ------ .. --_.- .. ---- .. ----- ... ------ ... -------------··------8va---.-.---,·-------1

loco

P.M.

P.M.

P.M,

P.M.

P.M.

P.M.

P.M.

P.M.

P.M. PM.

P.M.

Verse 1: wlRby. Fig. 3 to« 1) 3lh times

B'5

B5 C5

A5 B'5

G5

A5

F#5 G5

---------

r

B '5

G5

N.C.

E5

~~8.~§~

~-

,

A5

B5 C5

B'5

B5 C5

A5 B'5

("

-r

,

G5

A5

F#5 G5

L

C5

A5 B'5

G5

A5

F#5 G5

gain._

G5

A5 B'5

N.C.

E5

gggt==.=igt~~~~~r~'

I've been B5

B5 C5

B'5

Iq

Wrong.

B'5

venge_ a

I'm scream - ing re

wrong

B'5

for

B5

farC5

too

long._ _

A5 B'5

G5 N.C.

E5

, ~~~.~~~~.~gg Been.: con-stant-ly

so.s: frus - trat - ed,

I've moved

moun~

loins with

less.c:

82 wlRhy. Fill' (Gtr. 1)

Fls

GS

B'S

hate-:-: to pro - due - live,_

When I chan- net my

BS CS

I don't

find

GS

AS B'S

it

N.C.

hard to im - press:.:

~ Pre-Chorus:

wlRhy. Fig. 1 (Gtr: 1)

N.C.

BS

N.C. BS

in

hands break

trac - lion,

to

hold__

raw

en - er - gy._

w/Rhy. Fig-1A (Gtr.l)

N.C.

BS

N.C.

~\ Bold Double time Chorus:

N.C.

BS

BS

N.C.

BS

hear

what you say

ES

GS BS N.C. GS N.C.

~.

_

and

di - sos

-

GS

BS

tTaus,

my

ears

can't

to

me._

J = 160

wfRhy.Fig. 2 (Gtr.1)

ES

GS BS N.C. GS N.C.

r=C' GS

BS N.C. GS

N.C.

GS

Hold your mouth for

the

war. _ _

BS

N.C.

GS

GS BS N.C. GS

BS N.C. GS

r¥~ it

GS

I~

~

Use

N.C.

for._ _

for what it's

Rhy. Fill 2

8va-----------------------,

" /

J

ee i i

-

= .. I> '-,/~ =. ~"~_. ~'--' ..= ~-I»' ~ ~ PM.

P.M.

U'

PM.

'--"

PM.

,:

(Fretagainstpickup)

P.M.

'"--'

Rhy. Fig.1A

Gtr.! u

~ -.f P,M'--'''---'1

Mouth For War - 9 - 3 0223B

-.f

-.f

~

BS N.C. OS

Speak the truth

Gtr.!

• /'

BS N.C. GS

-.f

-.f

~ ~~#~ -.f P.M;---------l

..

!.

, ,

-.f ,/

-,

a - bout

me.c;

83 To Coda. E5

Substitute wOOy. Fill 3 (Gtr. 1) 2nd time only

E5

G5

B5

N.C.

N.C.

G5

Half time

mined.

ter

De

_

J = 80

w/Rhy. Fig. 3 (GIr. 1)

B~5

A5 B~5

B5 C5

G5

pl5

A5

B~5

G5

A5 B~5

B5 C5

G5

N.C.

E5

•

wlRhy.FiU 1 (Gtr. 1)

B~5

B5 C5

A5 B~5

G5

A5

B~5

pI5 G5

B5 C5

A5 B~5

G5

N.C.

----1'§==B

E5

~ Po,

sessed.:-:

Verse 2: wlRhy. Fig.3 (Gtr. 1) 3lh times

B~5

A5 B~5

B5 C5

r=a"

G5

pl5

A5

G5

B~5

B5

A5 B~5

C5

G5

N.C.

'I I feel a con ~ quer - ing will_ down in - side _

The strength of man - y

pl5

A5

~c My strength is

in

nurn· ber;

G5 E5 B~5

_

and my

to

crush.s: who might

B5 C5

soul lies in

AS B~5

G5

-

'rv -

A5 B~5

G5

ev

stop

N.C.

-

ger-

_

B~5

,

G5

B5 C5

can

bet- ter an - y med - i-cine

un· der the sun._

"',:::..}' =..

=

Gtr.!

Mouth ForWar- 9 • 4

:d

~'

;

~'

E5

D.S. l\l al Coda

pl5

Rhy. Fill 3

II

me. _ _

one. _

w/Rhy. Fill 2 (Gld)

A5

The re-leas-ing of an

me._

E5

A5

"I223B

E5

: ___ 'fI ~

..

,

N.C.

84

•

Half lime

J = 80 wlFilll (Gld)

Guitar Solo:

BS

GIS

Coda

ES

N.C.

'"'

GIr.3

Gtrs.l & 2 Rhy. Fig. 4.. ----- ---- ---_... --- ---- -- ------- ----- ••... -- --- --- ---- --_•.• _-_.-- ---- -".- ----- .••. _•. --------. _..•.. ------ ----- ---- _..••. ----- ----- -_••..•• --------- ...... 1

wlFilll to« 2)

wlRhy. Fig. 4 (Gtrs. 1 & 2) llh times

ES

BS

GIS

N.C.

8va-----····--------········-----······--------······· ------

/;;:--._-!

2

)------j

II ~.

FiUl Glr.2

f

MouthFor War- 9 - 5 0223B

--------

.

85

loco

1

1

~12

1

1

I-~

1

.J-~

(rem. bar

1

1

------------------.,112:

J

,

BS

P.M. __ •

•

•·. __ •

•

o. __ •••

•

•

•

•

•

•

•• _._ •• _._ •• _. __ • __ ._. __

·------·-----------------------_·----·-i

wfRhy. FiU4 (G" 1) &4A (Gtr. 2)

ES

DS

Sva -----.-----------------------------------_._--_ .•------------------_.-.--.-.--.-.--.--.-.--.-.--.----.------._----------------.-_.-.- •. -.-_.-.--.----.----.----------_.- •. "

2. •

./---------------,1'""""

Bridge:

FISGIS

BS

DS C#S BS

Fis ES

D#S DS

There comes

a

time _

with - in_ .....~(~15.,m~)

G.... 1&2

harm.

<:» 1

.

X trem. bar 3 th

'-' *w/delay.

Rhy.FlII4 GIro! II

ev - 'rv - one_

Rhy.FlII4A Gtr.2

~.

II

n: U-

trem. bar

•

,

~

'-

-it ~ =; ~ "'"","

,"

..

P.M.-·-'!

.,

-

86 pis GiS

~ ~

BS GiS

Dis DS cis BS

pis

ES

DS

~i'-..J

~ ~

•

close

to

.~.

~

!3'~"~

#

..

..

.•

~

..

your

..-----..

eyes_

to what's real._ _

., ~<:»:

Jt

_

~

---"

P.M,·'--oj

'---"

Double time

· •

J = 160 pis

GiS

~

pis

GiS

pis

GiS

pis

GiS

t!

::---..

/'

Yeah!

~ ~

•

~

,

~:::~

~~

~

¥

'--'

'---"

~ ~.

B ¥

~

pis GiS

pis

pis GiS

t=' Ow!

·

~

•

,

¥

,

~J ~

;:::! "--'

'--'

,

~

;:::! "--'

,

~

<:»

'--"

·

~

GiS

I

, v

3. No

· , •

BmID

~

com 4. Like_

3

~

J

-

pre a

-

hen knife

~

~

~

~

I

~

-

sian in

~

to to

-

/z.aif. (wldelay) esh, (wldelay)

~

~

~

~

~

~

~

~

~

~

~

P.M. --------- ........ ---------- ..... -.-------- ....... -.------······---------····-------······--------·····----1

Mouth ForWar - 9 - 7

0223B

;:1 "--' '--"

Verses 3 & 4:

•

~ '--"

'--"

'---"

pis GiS

GiS

~

¥

,

I

1

.

----~

ots 3

~

3

vae

I

3

uum af

the ter

---,~,I my to

for

wind

life

is

•

5

Gis

AmIC II ~

I I

.r--.,

v.

y"-.'\(

v

~

sail. death. _ _

. •

Can't

be_ ing_

.

Pull

the and

~

.

~ ~::c

'J,--",,1 1

~

~

P.M.. -.-. ---- ---. --

J 3

rest,

push

let

oth ing

the

ers

waste rest

my of

time.

du

ra

~

~

I I

BmJD

, J

~

c' - - .-.- -----.- _._--- -.-

I I I I I

lion,

I I ..... --_. _••••••• _--- - --- ._ •• -.-. _•• - .- ... ------- ••• - ""'-1

I I

l 88

11.

·

015

·

Own no

, - - - 3 - - - -, -

~

,

3

cess piss

is on

----

AmlC

,

3---~

t

-

-

sue can

ing one

the

bot

tom

0

line._

this

~ ~J~

·

~

•

·

~

~

~

~

~

~

~

~

~

~

~

~

~

-

-

~

~

P.M. -------------- .. -.- .. -.. ----.------------------- ... --------------------------- .... ------------------1

015

------v

" .

Fis

015

Fis

~ :::&

t

·

I

·

;:::::~

'----"

;

!

~~

2.

DmIF

,

3

~

•

;

!

de

-

ter

, -

mi

0

no

0

Fls

015

,

3

tion.

~.

•

;

~~J!

;c;! <:»

Play 14 times

·

~

rts 015

015

Fis

>'-,

Fis

015

015

t

· •

Uhf

~

!

;

;:::! ! \...j

'-' Mouth ForWar - 9 - 9 02238

;

;::::~ "--/

'"----'

!

;

;:::~ '-.)

<:»

! >

89

STRENGTH BEYOND STRENGTH j

All gtrs. tune down 1/2 step:

@loEb ®=G~
Moderately

Words and Music by VINCENT PAUL ABBOTT, DARRELL LANCE ABBOTT, REX ROBERT BROWN and PHILIP HANSEN ANSELMO

J = 112

Verses 1 & 2: AS

G#S

.

GS

~

..

. .. ..

AS

1. There's

W

Doth- ing. 2.See additional lyrics

ed

No

0

CS rr>;

* '* * *

u - ca

tion.

0

No

Gtr.l

:Oi~' f

~

,

, '-b"

,~~,

Gis

*

*

*

*

*

*

tam

'Iy

life_

to

o -

~

~

~-#~,

~.

~.

CS

*

*

*

job's

to - day,_

yet

gone

•

•

Strength BeyondStrength - 7 - 1

0223B

~

.

* pen

GS

AS

* * * * * my

arms.cc;

,

'_~9'

~

.

~

~

~,

~

to.

You'd

,

*

*

say

my

~.

'-b"

~

row,

to - mar

~

* * *

~.

I'll

'j

.

..

AS Jli,s

* * *

*

•

*

'j

AS

~

*

~

...

AS

•

~.

* *

* * *

be

broke

in

a

~

-.J

-.J

~

© 1994 COTA MUSIC, INC. and POWER METAL MUSIC, INC. All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

AS Jli,s

gut - ter.

-.J

-.J

~

-.J

-.J

90

FS

Gbs

FS ~

• •

know the

I

~

~v~ PM.

~

-------------1

~ ~ ~

~ '--'~

op

ion.

in

~ ~ ::;•

A

~ ~ ~ ~ ~

~'~

~

FS

No Chord

•

•

bro

•

ree - ord.

ken

~

~

:

•

,

3

~

-.J

... _-_._------ .. _-----------_ .. _.. _-------_._----_ ..

Fuck

,

r----3~

v·

"------------- ._-_ ..

~~ ., ..

•

~v~ ~ ~ _---------------_._----- ._-_ ... _------------------,

FS

AJ,s

you and your

col- lege

dream._

~,'---'.~

~

~

~

PM.----·----···-----··

ES

.--3---,

---------

•

~ ~ ~ ~'--'~ PM.---··-----------

~

PM. _____ .. ____ . ____ . __ . ___________________ . __ . __________ .-----_._.--- ... -- ... -----------_._.------1

Fact

is,

strong - er

we're

than

all.

.--3---,

•

~ ~ ~ ~ ~ ~ ~ ~

~'~ ~ ~

------------.---------------_.------._---- •• ----1

: '-'~

~ ~ ~

~ ~

P.M.·---··---··----··-----··

~

:

•._

..

q.,

_----------_ ..

., .,

q.,

-----._----1

11 2. N.C

GS

"

• •

2. You're

~ _#~"

Strength Beyond Strength

02238

,_~~"

~

7-2

,_~v,

= = :• = = • = : U U «:

~L~ ~ ~ L~ ~ ~

91 Interlude I:

Half-tnne reel Play 3 times

Play 3 times

Ver.se 3:

AS G#5

G5

G~5

G'5

F5

Sad

pled

Crip

F5

A

.

mer - i

- ca.

Pipe r--3~

r--3~

~ ~ ~'-)

1~

~ ~ ~ ~ ~ ~

•

~~

v·

dream

.-

~~~ b" "~) P.M.-------··---

P.M.----------------·-----------------------------------------------------------------i

E5

F5

•

v

N.C.

F5

• n

stale of af fairs.:

butt . lucked

,.--3----,

1m

mune.

Strong- er

than

all.

,.--3----,

~ ~ ~ ~ ~ ~ ~ ~

--------.------------------------------------1

Strength Beyond Strength - 7 - 3 0223B

~.~ ~ fi ~'J~ ~ ~ ~

~ ~ ~

~~,

,

,

P.M. ··-----------------·-------------··----·--··.. -----··i

~,

92 wlFilll (Gtr, 2, 2nd time)

Half-time FS C/E FS

FS C/E FS

FS C/E FS

- --

,

-----.

FSC/E FS

--

G'S

.

,

•

We've (end Rhy. Fig. !)

(2nd time)Rrrr! Rhy. Fig.!

•

~b'~:

~ ~ ~

.

..~

~

~

~

~ ~ ~.

b"':

~

bV~:

~ ~ ~

bV~:

•~

Bridge I:

FS C/E

Gbs

FS

FS C/E

~~

I

•

grown in See additional lyrics

•

~

,

a

to

man

~. bV~:

~.

-

FS

FS C/E

FS I

~

.~

ster.

An

~ ~

~'bv~:

~.

~

ar -

fO -

~

i

gant,

ex - plo

~

~

sive

bV~:

. 11.- 3.

1/4.

w/Fill! (Gtr. 2) FS C/E FS

,----3--~

• •

moth

FS

•

FS

.-----...

fuck. _ _ _

er

,

~

Interlude II: Play 3 times

Far

A.H.

late!

b

~

He<

~

~

bV~:

FS

-

~

~

1 H.

~I~b~:

~

With bar (dive)

•

•~ ..--vb·· ~, ...

Strength Beyond Strength - 7 - 4

r f

./

-

-

&

/'

Fill! Otr.2

-

r:::b; :

~

FS

/'

02238

100

~

~grad. dive

9 Guitar Solo: wlRhy. Fig. 1 (Gtr. 1, 4 limes) GbS FS FS CIE FS

e)

...

Gtr.2

FS C/E FS

FS C/E FS

GbS

FS CIE FS

--------~

1/2

w/harmonirer effect

..-/Y

'J

I Gtr.3

\ f

w/harmonizer effect

1/2

FS ClEFS

FS CIE FS

FS ClEFS

FS

GbS

""

FS ClEFS GbS

FS

ClEFS

.........

1/2

.F--.

....

..

..--3---.

..--3---.

w/trem. bar -112

FS C/E FS (8"').-.-.

GbS

FS

.......

C/E FS

... ...

FS

CIE

FS

FS

C/E

FS

GbS

.._-_._-_._---- ._----_."."-_ ... "._--_._------------------ ._---------------_._----.-----------.-.-.-.-.-.-.-.-.-----------_ .. _----_._--------------------, ~3----.,

Strength BeyondStrength ~ 7 - 5 O223B

, 94 FS

C/E

FS

.~,.

Gtr.3

,

3

1 3

~2

BrIdge II: FS C/E FS

""""i

Hail

---~

b,. _ ,.~... ~ ... ~ ~~ ~

,

3

C/E FS

Gbs

FS

The

C/E FS

, i• •~ ..~ -b'~:.

~

...r ;-;.

3

3

3

C/E FS

kings.

,---- 3 -----.

P.M..-------------1

b~,.r-;.,.

FS

new

,---- 3----,

i• ..~ ..~ - b'~:.

GbS 8w - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ,

b

&...

kings.

PM,·------_·_·-i

FS

C/E

~12

FS

r-r--r- 3----,

•

FS

G'S

~

i

,,

,---- 3 ----,

. ~

PM:····-----···-j

-b '~:.

..~ -b '~:.

~

PM .. ············i

Double-time FS

C/E

FS

N.C.

,------ 3----,

-.

Strong - er

than

all.

,------ 3----,

-.

1"';\

-'"1

~ I P.M.·------------··---····---j

TI~ )J J

--rn 1" bi ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ J

<:.

'--'

J

J

J

AS GIS

FS

•

GS

FS

A

sim - pie

pro

-

gress

to

(See additional lyrics)

--.

-,- 1"} ~~~ 1" 1" 1" 1" 1" ~

---,~ PM.------------i

Strength Beyond Strength - 7 - 6

02238

'-.../

~ ~

PM.-----·_------······--··----··----------------···---_·---··----------1

b'~ ~ ~1 ~ ~ ~ ~ P.M.-------- .•• -1

'---"

P.M.-------------.-

r,

N.c.

FS

gal - ize. __

Ie

There

~--3----'

._--,----.---------_ .. -.-.--.---------- ----- ---_._------_.--_._._ .. _._._-------------. --------_.,

not

be

choice _ _

a

II AS GIS

but

P.M.----···-

---_.----------_._--_ ... _-_ .... -_._--- ---_._ .. _---_._--- ..... ;

P.M.··················

1.

FS

AJ,s

would

P.M,---- ----- .....,

.----~

to

take

our

P.M. ---.------.-- .... --•... --. --.-.-- ... ---.-- .. -.. ,

2

GS

ev

er

stronger

than

.- .. --_ ..... _------.-._._ .. -. __ .-.- ....

an.

-.-~

Strong - er than

all.

P.M.---·--·--···--·-·--"!

Additional Lyrics Verse 2: You're working for perfect bodies, perfect minds and perfect neighbors. But I'm helping to legalize dope on your pristine streets and I'm making a fortune. You're muscle and gall. Naive at best I'm bone, brain and cock. Deep down stronger than all. (To Interlude I J

Bridge I: Hard as a rock. Shut like a lock. Finally, the president in submission. He holds out his hand on your television and draws back a stump. It's too late for some. (To Interlude II) Verse 4: Be there no question of certain strenghths. Know this intention. Forever stronger than all. (To End)

Strength BeyondStrength - 7 • 7 02238

sides.:

96

SUICIDE NOTE PT. I

Words and Music by VINCENT ABBOTT, DARRELL ABBOTT, PHILIP ANSELMO and REX BROWN

All gtrs. in drop D tuning:

@:D @:G (2):A ~:B

@:D {j):E

Moderately slow Intro:

10:00·1<121

N.C.(Dm) GILl (Acoustic 12

N.C.

J = 62

wstring)

RilfA

end Rift' A

= ~

mp hold throughout

"w/miscellaneous backwards gutter and synth. effects. wlRilt A (GtT. 1)

Gtr.2. (Acoustic 12-string)

•

•

•

Verses 1 & 2: 0(#11)

•

~

G

G

G(#ll)

- --'-...'-

~ ~~~.

1. Cheap co - caine.; 2. See additional lyrics

dry

_ the

..

• pills

-"-../-

that kill_

;

~

;

;

~

;

G

G(#1l)

•

~

aod

G

keep.; the

'---'

•

pain.;

a

=--

=-

•

~

i

in - hale.c,

Gtn. 1 & 2. Rhy. Fig. 1

•

G(#11)

;

;

1

;~

;

;

;

~

1

•

N.C.(D)

• •

<,

I

I

i

~r

-

---

way.

•

•

.. (Take the pain

.:»

~

:,

a· way.)

end Rhy. Fla..

-.

~'--'

--..::::;,.

.

= ~

~

-..J

Suicide Note Pt. I - 4 - 1 0223B

e

1996 WARNER·TAMERLANE PUBLISHING CORP., METAL MAGIC MUSIC, RESS MUSIC, DIAMOND DARRELL MUSIC, ABADABA MUSIC and COTA MUSIC, INC. All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP, All Rights Reserved

~-..../-

. -u· .

97 wlRh~

FOg. 1 (Gtrs. 1 & 2)

G(#II)

G

~ ffTT=J ' ---Di . et

of

G(#11)

G

.

G(#I1)

=t

~ 50 ~ J

life.c;

shel- ter without.L,

the

G

G(#I1)

G

dJ----b r fkffiij ,

I~

face that can (Aah.)

see_

not

. In

-

~d 51 e__

N.C.(D)

~ Ef§fL yours

and

mine .

Pre-Chorus: G5/F

"

3

.....::==========::::::._ (Yours

mine.]

and

_ N.C.(D)

,

-

'---'

'-'

hid

0

when 1_

ing,

t

let's.c.;

11~

~ breath.

me

~

r0-

~

~.

G5/F

~~~

need.; it

Gtn.1 & 2

"

-

,..

~

When I'm

j

•

'-'

11

•

.

~

~

.11 '-'

11

-

~

. ::

~

'-../

= ~

== 11 '-'~

.:::::

~

'--/

~

N.C.(D)

~

" •

r ~

~

For our

han

0

die

'-'~ '-'~

~

~

~ ~

:.I

I

don't_

.'

~

~ he

0

= :' ~~~

~ ~

lieve.c,

this time.

-----

""

"

life_

on this,

•

.

----

.~

~

~

~

~/~ :0 1-

<::»

"-....-

..

11

•

,. Chorus: D

G5/F

G5/E

G5/E

D

i

; Would you look Rhy. Fig.2

at

me

now?_ (Would you

G5/F

Can you

look at me

now?

reu.,

98 D

G51F

•

D

G5tE

•

•

- - ,-

I

~U

L.

L

-- -

i ~* -

J

- - I'm a man? tell I'm a

Can you

With these scars man?

on

my wrists

•

'----=----

q~

~ ;I

~

~;I

~

a - gain.c; end Rby. Pil.t

1"'""1

~ ;I

tryc,

prove I'll

to

I="'"

•

G51F

G5tE 3

F""""

L

q~

~

~ ;I

~

11wlRiff A (Gtrs. 1 & 2) ~(D;)

--

)l

'I

~

Try

to

a - gain. _ _

die _ _

=--

~

•

,

~

_ _ through this Gtrs.l & 2

•

night.

«» - "li.:J*

~

~

~

• I2

~

Try to

die __

to

Try

live.;

D

•

----

q~'

a - gain. _ _ _

2. For

-

•

•• -

= ~

wlRhy. Fig. 2 (Gtrs. 1 & 2)

D

GtE

GIF

~~

D

Would you Iook.,.. try ~

a - gain. _ _

D

_

I'm a

man? _ Can you

tell

I'm a

at me

With these scars on my manv..

;)~dJ3

~

now?__ Would you

D

GtE

GIF

GIF

; ~ Er \p

~

~~u...L..r~t I'll

GtE

wrist to With these

Can you tell, look at me

nowj ,

~ -------

prove I'll

scars on

a - gain.__ try my wrist to prove., c,

Outro: wlRiff A (Gtrs.l & 2) 2 times

N.C.(Dm)

-~ G~~~J ~ ~.L-----,I

~r'

Try

I'll

try

Suicide Note Pt. I - 4 - 3 02238

a - gain.)

_

to

die

a - gain.

_

Try

to

llve.,

99

~ __ through this night.

y

~: die _ _

to

Try

~~~ a

-

i

gain.

(Die_

wOOD' A (GtTS. 1 & 2) 3) 3rd time

1WFIU 1

«s«

Dm

•

Dm

Play 4 limes

a - gain.)

GIr.l

r.-.

«Sung 1st time only.

FlUl Glr.3 (Elec.)

-k

~

""

1/2

rake.~A.H.

-. ~

I

I

'Hlp w/dist.

1/2

r>:

r-;

A.H. Pitch: D

(8va)---------"

1" Il

Il

A.H,

I~I';'\

..

~.;r:_--

'-----------"

I

I~

-

-

i/"""'fi. : I

Tit.

D

Forever fooling, free and using, Sliding down the slide that breaks a will. Mother's angel, getting smarter, How smart are you to regress unfulfilled? It's a damn shame, but Who's 10 blame? (To Pre-Chorus.) Suicide Note Pt. I - 4 ~ 4 02238

harm.---·---~

·trem. bar. 1~

L------

-Depress bar one wholestep before strikingnote.

Verse 2:

hi

100

SUICIDE NOTE PT. II Words and Music by VINCENT ABBOTT. DARRELL ABBOTT. PHILIP ANSELMO and REX BROWN

All gtrs. tune down 1 whole step:

@l=D @=F <2}=G @=A @=C (1)=D

Fosl rock

Verses 1 & 3: Double-time feel N.C.(E5)

J = 114

Intra:

LOut of 2. See additionallyrics

my

mind,

--

6

6

Gin. 1 & 2

6

J;teady gltss.

6

===--i/

-

--

6

•

6

r--.--==i/' /"

6

6

6

6

/

/

/

iIOw/Digitech whammy pedal at octave setting (throughout).

gun t P

to

the

mouth,

no

pre - ten

6 /"

/"

sian,

ex - e - cu - tion, 6 /"

6

r--==i/

==~/

6

Verses 2, 4 & 5:

live and

leam.:-:

2. Fret not, fam 4.5. See additional lyrics

rape and turn._

'ly,

----

6

nor

Rby. Fig. 1 6

/'

6

steady gliss.

_

end llhy. FIg.I 6

6

/'

6 /'

Suicide Note PI. II - 8 - 1

0223B © 1996 WARNER-TAMERLANE PUBLISHINGCORP., METAL MAGIC MUSIC,RESS MUSIC, DIAMONDDARRELLMUSIC.ABADABA MUSICand COTA MUSIC,INC. All Rights Administered hy WARNER-TAMERLANEPUBLISHING CORP. All Rights Reserved

6

101 wlRhy. Fig. 1 (Gtrs. 1 & 2) 3 times

end double-time feel

p,e~

judged ar . my, __

this

is

for

me__

and

me

on - ly,

cow - ards

on - /y

Chorus: ES

try

it.

Don't you try

die,

to

Gtrs.l & 2

_ end Rhy. Flg. 2

Rhy. Fig. 2

CS

AS

ots

OS

yeah,

me._

like

harm.

wOOy.Fig. 2 (Gtrs. 1 & 2)

ES

To Coda ~

u

I

I

p

§'

F==I'

It's

liv

and

-

id

it's

II. AS

CS

OS

r

I

lies

and

makes

graves.

Eat shit dick.

Not 6

ti

----...!

Gln.l & 2

• ~t~ ~ ~ ~ =i .'-..... =i

~.=

i

.'-..... = = i i

~.

*-*

:, ~

"em. bar

~

Lb,.r'

"steadygJiss. 6

6

---

"Dlgitech whammy pedal at octave aetttng.

102 1

2.

A5

C5

Interlude: E5 F5 E5

G5

graves

_

to send you

F5

down.

E5

_

Rhy. fig. 3

6 '--'

grad. dive wlbar

F5

E5

P.M.-----~

P.M.----"'

E5

P.M. ·------i

r=r

F5

ead Rhy.f1I..)

N.C.

P.M. ············-----i

""/Rhy. Fig. 3 (Gtrs. 1 & 2) 3 bars only

E5

E5

E5

wlf1ll1 (Gtrs. 1 & 2) wlRhy. Fig. 3 (GIl'S. 1 & 2) ll' limes

F5 E5

E5

E5

F5 E5

F5

E5

~ Why would you help an - y - one who

Woah.

E5

P.M.··········-·"'

F5

E5

E5

F5

E5

~8'. does - n " want it,

E5

F5 E5

does - n't want your shit ad - vice when mind's made up to go a - head and die?_

does - n " need it,

E5

F5

E5

E5

wlFlU 1 (Gtrs. 1 & 2)

F5 E5

What's done is

done and gone, so why_

FlU 1

Glrs.l&Z

Suicide Note Pt. II - 8 - 3 0223B

cry?__

~I

I" Ah.

_

103 GuitarSolo: Double-time feel

Sva ~-----------------------------\

.•..

•..

••...

• 1\-\

_

1\-\

.---: .

--------------------------

.•..•

.---: .

t trem. bar

1/2

t

t

1\-\

1\-\

t

1\-\

t

t

1\-\

1\-\

·wlharmonizer set one octave higher. tDepress bar llh steps before striking note.

Gtr.2

1/2

(8va)

slack

(15ma) (15ma)------,

.-harm.

trem. bar

vib. wlbar

Gtr. 2 out

slack

tTem. bar

slack harm.

grad. dive wlbar

~

"Grad. depress bar while hammering on/pulling off.

slack

slack

-...

~-

104

8va---··----··---···-----------.··--··------------.··. ------.. ---------------- .. -- .. -- .. --._----.----------- .. --- .. ---.---- .. ----- .. --- .......... -... ---- ......... --- __ ".". ________.

::.-J.--

'GI'} ,~"J-.-~

_I

J---

~.

~.

:1

J-~

I'

I'

I'

4Vi

41h

4Vi

410

4!0

.~~~.~.~.~.--..

trem. bar

(rem. bar

.~

J-.-

J-

J....

~

.I~

J---

I'

410

I'

"Discontinue harmonizer effect.

(8va)

.. _-_ .. -..... __ .... __ .. _--_ .. _-_. __ ._---_ .. _------_._----- ...... ........ __ .. __ ..

~~~

210 2V, 210 ~ #te~r--te~te~te~r--te 210

u

(rem. bar

-

_0 __ -

......... _-_ .. _----_. __ ... _-_ .. _--_. __ .......

1

:e~

~

~3

(rem. bar

210

210

210

»--:

------:10

D.s.lIS at Coda ---- ----'---'---1

~

<,

'"'--!

•

Coda"

A5

C5

--.

graves.

as

Freely

'---J

(To

send you

"

--.

i

~~

....

u.

~ ~--,-~--,-~~-

_u

_u

-

vib. w/bar

• •

fdbk:~~···~~~~~~~~~~~~~~~~~~~~~~~~~~~~·~~·~·~~~~~~~~~~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

....

~~~~~~~~~~~,

(8vo).-- ... --------.------- •.... ---------------- ...... _.---------------00--.. ---------1

u

~

7

~

~

i ~-,~--'-,-----,~)

.0--·_0-_0_------.0_-._.-

~

~

~

~

~

.. __ .-_0_0--.-__ 0.------------_0 ____ -.-0-

:\~i-

~

-r, .)

vib. wlbar

•

Suicide Note Pt. II - 8 ~ 5 02238

~.

•

dowo.)

105 Slower Dutro;

J = 78

E5

D5

Gtr.l

b"" ""

E5

D5

E5

D5

~ 6

Rhy.Fig. 4

•

~

*

P.M.. ---.-----.--.--.--~

6

6

6

6

6

»<;

""

6

6

6

6

--

6

6

b"" "" ""

6

PM ...-.... ----.---.---~

"" "" "" ""

6

--

6

P.M. ,------------ •. ---.-----~

6

"" "" ""

6

6

6

6

6

6

b"" "" ""

GIn. 1 & 2

"" "" ""

--

6

--

6

ia *wIDigitech whammy pedJset at octave setting. wlRhy. Fig. 4 (GtTS. 1 & 2)

E5

D5

E5

D5

E5

D5

D5

E5

D5

E5

-----

(Sung 1sf time:) Woah. end Rhy. Fig. 4 6 6 -<;

~

...

,

6 »<;

-

-

6

6

/'-

I

a tempo

Freely

D5

E5

"

•

D5

E5

Ab. 6

6

jj

Gin. 1 & 2

6

b-;-

br;

~

~

w/misc. fdbk.

~

6

/

~

I

6

6

»<;

/'-

6

»<;

6

,, ,

6

PM.·--·---------····--···,

6 /'-

",

E5

D5

E5

D5

6

6 6 ....--.. ....--..

/

6

vib. w/bar 6

P.M.·-----··········--·····---···-·,

6

6

P.M......•--.----.-------------.---,

6

....--.. ....--.. ....--..

6

6

6

Lb~ ~ ~

6

~

~

P.M.·-···-------·--·-----·~

6 »<

~

/

6

»<:

6

6

/'-

6

,.., 106

•

E5

D5

E5

D5

~ 6

{(-

• ~

~

~

~

E5

•

~

/'

•

::~---

~

6

~

~

~

P.M.··--------------------·---------1

6

6

6

7

• bp-

~---

6

j/

6

Lb~

~

--

6

6

6

D5

,, ,

if'"

---- ---- ----

E5

,

~

-.:--

./(-

E5 6

J7 7

•

6

P.M. -----------------------1

-,

D5 6

P.M.----·---------------------------1

6

6

6

~

~

6

6

6

---

6

---- ---- ---- ---

D5

E5

D5

-¥-,

bp

-¥-'

Ab.

Ab. 6

Lb7'

• ~

~

~

P.M.. __ ...••• _ •••• _-_•• --- .......... --1

SuicideNote Pt.II - 8 - 7

0223B

D5

-¥-,

-11--

/'

E5

~

6

Ab.

,,, ~

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Begin fade

G5

-

1/4 J

e grad raise bar

1/4 J

q

1/4

---'

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vib. w/bar

1/4

1/4

1/4

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slack 1/4

1/4

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slack

Verse 3: It's not worth the time to try To replenish a rolling life. I'll end the problem, facing nothing, Fuck you off, fuck you all. Verse 4: Tortured history, addict of misery,

Thisexposesme forweakness is a magnet Watch me do it, do it. (To Chorus:)

-,

---

108

THIS LOVE Words and Music by VINCENT PAUL ABBOTI, DARRELL LANCE ABBOT!, REX ROBERT BROWN and PHILIP HANSEN ANSELMO

All gtrs. tune down 1/2 step:

@=E' @=O' 0)=A' ®=8' @=D' (j)=E' Moderate rock

J = 102

Intro:

Flm/G

Flm

Flm

Flm/G

Flm

Flm/G

Flm

Flm/G

Gtr.l Jl

•

Rhy. F;g. 1

:i1

*

Bm

Bm/C

-.J

9*

A/CI

C

*

9*

*~

• *

*~

• *

:i1*

Bm

Bm/C

-.J

9*

*~

i *

:i1*

Flm/G

Flm

Fim

* ~

i *

:i1*

Flm/G

Jl

•

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*

~ *

Aid

C

A/CI

i

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*

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C

*

i

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*

Am

FlGI

u

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9*

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Verse:

Flm Jl

•

-

Flm/G

Flm

I

1. If 2.I'd

ev been.,

er the

Flm/G

Flm

,

.------

I

words; were tempt - ing

spa ~ ken, one.c;

Jl

•

~&

:i1 •

i

•

Flm/G

• ~ :i1 •

•

pain - luI stole her

.

~

This Love - 9-1

0223B © 1992 COTA MUSIC, INC. andPOWER METAL MUSIC, INC. All RightsAdministered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

:i1 •

and.L, from.;

•

un her

- true.c, - self.c,

.

~

109 Flm

Flm/G

Bm

Bm/C

Bm

"

~

o

-

" ~

Y

I

I

T,

Bm/C

#

Flm

:;

#

#

:;t

,

I

said I

This

gift in

..

Y r I loved, __ but I pain, _ _ her pain; was

~#

#

)

A/CI

-

my__

In And

:;

#

#

#

:;t

C

.- .-

~

•

~

#

C

"

.------

lied. life.

~#

"

Flm/G

~

""' c,

Ad

Flm/G

Flm

some -

life, times

I

I

all so

feel

r want sor

-

I

ed ry,

"

•

~

:;

#

A/CI

#

:;t

the re

M

keep - ing gret.c; this,

C

deep- er with - in_ me, so un - hap - py

#

~#

#

C

was I

Alci

#

Am

ElGI

of the

some- one hurt - ing

Alci

like of

twist -

I'd take my _

~#

A/CI

ElGI

ed life

Am

and point-ed at you._} and leave it with you.L,

#

#

C

As it But you

you._ you,_

C

love was

\~)#

turns.c;

out,

make.c,

me

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Flm

~ ~

FlmlG

Flm

ending

(Spoken:) Never

~ ~

pain,

Ik~

"'Gtro 2

FlmlG

.~~

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ending

quickly

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life. (15",.)

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3

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l'S

FlmlG

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II-

II-

II-

You keep this love,

<

Gtr.3 (E/ee. wldist)

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thing,

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love,

love,

child,

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Cm

8m Am

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love,

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love,

scar,

Cm

r

Bm

You

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keep

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keep

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IT

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i

1

~

II wlRhy. Fig. 1 (Gtr. J) 4 limes

Flm

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-&

.Q-

:&

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..

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2.

GS

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N.C.

&

"love.

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FS

Fis GS GISAS Ais

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J

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~---- - - _.. . -.-&-..... dive w/bar

Original tempo

J = 102

Flm7 Flm7/G Gtr.! (Clean)

Flm7

Flm7/G

Fim7

Flm7

Flm7/G

Flm7/G

Guitar Solo:

Flm7

Flm7/G

Flm7

Flm7

Flm7/G

Flm7/G

Flm7

Flm7/G

wlRhy. Fig. 1 (Gtr. 1) 4 times

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)

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hold bend

3

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I

r- ..............•...................... ~

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Bm7/C

Flm7

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8va-----------------------------------_. ------_ .••• ---------------------------------------------- •••••••••••• ------ ••••

3

hold bend

../I

This Love - 9 - 5 02238

,

1

112

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---- ------_ -.-------- -. -

------ ---- ------ ---------

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A.H.

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Flm7/G

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'-------' A.H.

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P.M.

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114

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FS GS

FS GS

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This Love - 9-7 02238

,

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,

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ss G5

f5 G5

F5 GS

FS G5

f5 Gi5

f5

G5

F5 GS

F5 G5

ss

GiS

f5

Ig.1

""Studio cross-fade": Gtr. 2 fades out as Otrs. 1 & 3 fade in (see Fill 2).

J = 102

Original tempo

Outro Solo: wlRhy. Fig. 1 (Gtr. 3)

fim7 Fim71G

till end Fim7

Fim7/G

Fim7

,..-... r-..

'5

~m7

-'.7!Q. •

Fim7/G

Fim7

Fim71G

:--.. :--,

hold bend

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Fim7

Fim7/G 1/4

1/4

-/=~ 1/4

114

FUll

Originallempo ; •

Fim7

Fim7 Fim7/G

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112

112

112

=102

.-

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Flm7/G

8va ----114

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./

(Bva)

.

.

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.

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I 3

1/.

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---------.-------------._--_ ---------.---------- .. ---.--1/4 lf4 1/4

3

1/.

1/4

1/.

I

I

I

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,-...,

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Fim7/G

.................................................. ···..··..·..·······..·······..·..···..··..····..·..·7....

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------.

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3

.-/

1V4 ~

I .h

/'

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,

.............................................................................................. ·.. ·· .. ·· .. ·· .. ··

wlbar

.

"Depress bar and strike harmonic, then steadily back to pitch. This Love . 9 - 9

02238

.....

, ·1

117

THE UNDERGROUND IN AMERICA

Words and Music by VINCENT ABBOTI, DARRELL ABBOTI, PHILIP ANSELMO and REX BROWN

All gtrs. tune down 1 whole step:

'(2)"G ®"F iJ)"G @"A @"C
® one octave lower than ®. Moderate rock J = 90 Intro: N.C(A5) GlIs.l & 2

-

"Studio fade in. (8va)

(8va)

_# h

[

(8va)············ .....,

(8va)·····,

A

A

(8va)·····,

q

semi.-harm.. -_." -_._. - --. ----_. --_. ---".... ~ A.H.

A.H. pitch: C#

A.H.- --- ---- - iii"";

ci

G

GI

A.H,--------------.. i

A.H,·---~

112

G

ct

G

GI

G

ct

G

A.H.-·--·-;

ct

G

Rhy. Fig. 1

eDd Rh)l. Fig. 1

......I

© 1996 WARNER·TAMERLANE PUBLISHING CORP.. METAL MAGIC MUSIC. RESS MUSIC. DIAMOND DARRELL MUSIC. ABADABA MUSIC and COTA MUSIC. INC. All Rights Administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved

118

•

Wah.

Rhy....... J

:

:

~

ii

-

•

end Rhy. Flg.:Z J

= = ~ ~

J

J

J

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~

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ii

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= ~

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=

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P.M. ------------------------------------------------------------------------------------ .. ----------------------------------.--- .. ------------------------------- .. -------------------- .. -

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= = ~

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b. • • • • •

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J

J

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ii

= • i

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i bi

J

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= = -.: .

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Chorus: J

J

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in

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fig. 3

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:j TheUnderground in America - 11- 2 02238

112

112

af - fair

com- man

for

the

are juiced.

ones who

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119 w/Rb~ Fig. 3 (Gtr.

it

If

1)

is weak - ness that grants

us

the pow - er,

we

~ thrive on what's strong - er than most of

the world.

Verses 1 & 2: B~m

3

l.Glass breaks»2. See additional lyric!

lights._

the dim - ming

Sweat,

heat

pro - fane

and

de - bate.

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Gtn.

1&2 Rhy. Fla. 4

end Rhy. Fig. 4

P.M.

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120

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es

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~ Put

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teen - age may

.~8~\~ If

it

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we

thrive on what's strong> er

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1.

Of Gtn.l&2

the

world. 3

p.M:··········---------------·1

The Underground in America - 11 - 4 0223B

121

12.Slower J =80

Faster

J, = 136

Interlude: N.C.(AS)

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The Underground in America - 11 - 6 0223B

j

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Give

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GIrs.l&2

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.

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grad. release 1/2

1/2

1/2

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124

N.C.

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1

-

mit

that you

:

:

ii

ii

: 1

mim

: 1

-

ic

the

=i

..:

weak- lings.

~

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P.M.·························· _•.. _____________ •.. ____________________ ..••••.• ____ •. ______________ ..••••••. _____ .__________________ •.•..•• +-+---+---------------------- ••· ••••.

0 ___ .0.+.0

(8va) ............•......................................... ······1

• 1

1

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(8va)

Gtr.3

....... _--------------- ................. _-----------_ ......... _-_ ........ _------------_._--_._- .............. _--_ .._------------------ ............... _--- ....

~r

•

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1

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The Underground in America- ll- 8 0223B

,

125

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picks!

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114

G.....

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{1//2

Guitar Solo: N.c. (8va)

----------------------------------------------------------------------------------------------------------------------------------------------------------------------------1

/rl

GI, • ..../

5

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5

strem. bar

.,

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1/2

1

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126

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wlRhy. Flg.l (Otrs. 1 & 2) N,c'(A5)

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.

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.

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-

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-

*Gtr.6 (Dist.)

*_v

•

I

pick sl. steady gliss. -------.------......----.----•..•.........

*1\vogtrs. arr. for one. Filii

Glr.3 (Bva)

-: •

The Underground in America - 11 - 10 02238

j

--.------------_ ........ ---------------_ ....... ----...

~- ~ j

1

J

----,

Gtr. 3 out

~: )

~

...

------------~ 127 wlRhy.Fig.2 (Gtrst & 2) 4 times

(Wah.)

--

pick sl: steady gliss. . _--.---.

----------------.---.---.---.---.---.--.--'.-.'----------------------------------------1

OtT.6 out

------.---.---.---.- '.---.---.--..---.--.-.'.-. --.'.-.'.---- ..'.---------.'.------.--.-.---.--.--.---------.--.'.---.---.--.'.-.-.-.-- .. --.. ---.---.---.---•.--_.---.-----------------1

"Freely

fPlay 7 times

J The

trend

is

dead.

Gln.l & Z

..

-, .. n-

tPlay repeats simile; segue into "Reprise Sandblasted Skin."

*w/ad lib. sound effects. ...·Strike chord 1sr time only.

Verse 2: Show's on, dates cancelled, Kicked out for reasons that seem so unfair. Skin crusts against the cops. A foregone conclusion that's tired and beat. Ring worm, crabs and lice, V:D., ecstasy, speed and horse. A heaven of unmatched importance, An honor of sex to be stuck by the punk. We are the ones who must sport the position. Rich homes, money and food, Abandoned for the bums on the street. A lifestyle that's unexplainable. Don't try and save what is all meant to be. (To Chorus:)

128

WALK Words and Music by VINCENT PAULABBOTT, DARRELL LANCE ABBOTI, REX ROBERT BROWN and PHILIP HANSEN ANSELMO

Tune down:

@oD

Moderate rock

J = 116

lntro: Band tacet N.C. Gtr.!

~

~

~~ ~

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f

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sim.

1/2

112

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D,S

N.C.

A,S

N.C.

r-,

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1/2

<,

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r>,

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1/2

N.C.

• •

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----...

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•

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Bass and drums fade in ~

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r---..

~

r-.

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1/2

~; P~'

•

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'1

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1/2

. N.C.

E,S

FS

F#S

FS

E,S

Rhy. filii· ------------------ ._.... ------ ----- ----- ---- -----.. --.-- ---- ---- ----- _._. ---,

N.C.

E'S

Walk-B-I 0223B

e 1992

COTA MUSIC, INC. and POWER METAL MUSIC, INC.

All Rights Administered by WARNER·TAMERLANE PUBLISHINGCORP. All Rights Reserved

FS

F#S

FS

E,S

129

.

Verse 1:

N.C.

1b>. b. 1'-----'1'---..

•

..--.- .

Can't you see _ _

I'm

eas - i - Iy_ _

Rhy.Fig.l

:

•

.,

,

~

a - both - ered

-

per - sis

by

tence.Lc;

r--...

r<,

r<,

------:; 'ii

~

(~:;:)q i

bit ~

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~'(~:;:)q!-..l~ ~

~

1/2

... One

1/2

1/2

"

.

.. lash

from

•

-

ing

out

-

r--...

~'(I:;:)qi-.3 ~ p ~

~. (I:;:) q~-..J~ ~

1/2

1/2

~

"

~

------(I:;:)qi~~ ~

~'(~:;:)q~~l

D'5

"

"

step

~

~(~:;:)q~~

1/2

~ ~

~

~

at

you.

.

r ~

P.M.

1/2

N.C. I'-

I'-

I'-

><.

1'---..

~

•

, You want in_ _

to get un - der my

r--...

•

: 'ii ~

.,

to

call

r--...

• (~:;:)q~ ~~ ~

~'(~:;:)ql b~ c-~

:;

~'-.-/

skin,

~'-...I

o-

1/2

your

-

self

a

friend.c.

r--...

----~' (~:;:) qi bi ~ '---'

~. (~:;:)qi~

1/2

D'5 C5

I've

got

more

friends

like

you;__

~

1/2

1/2

what do

I

D'5

b .J do? end Rhy. Fig.1

Walk-8-2 02238

--

~

130

~ Pre-Chorus: C5

•

.fO.~~

.. ..

..

ffO.

Is

no

stan - dard an- y. more?

there

N.C.

AS

A'5

•

•

><

What

Gtr.Z..--,

•

e'

I>~

u·

>

>

.

'q~ >

.

it

takes,_

~~

>

= -= i =fb:;:)qW ~

Gtr.!

who

• e

I

am.c,

>~

>

p<>:;:)qrn ~

>

t/2

C5

•

I

•

sim.

•

been.c,

where I've

•

,~

can't

You

be - long?

,~

I

some - thing you're

be

'---'

~

1/2

1/2

-~

• Be

r Gtr.!

Walk-8-3 0223B

self.

~~

Gtr.2

•

-

your

"

i

=fb:;:)qf

~F

by

your

-

self,

r

p f,:;:)qf ~f

stay

-

a

way_

~

,~

r

>

c-

>

N.C.

•

'q< .

1>< .

u·

pfb:;:)qW

p<>:;:)qW

not.

Both gtrs.

e'

sim.

A5

A'5

.. .. ..

>

1/2

pfb:;:)qf ~E

'----'

'-"'

'---'

1/2

1/2

1/2

•

r

'<

from

me.

'Npfb:;:)qE ~F '----' 1/2

r

131 C5

A

F5

A'5

•

E5

E'5

)r

-

les

learned

son

in

know

life,

from

the

dawn

of

time.

Both gin.

eu-

ee-

e~

~

~

~

~

"Next four bars.vocal doubled two octaves lower.

Chorus: N.C.

N.C.

(Shout:) Re

speet!

Rhy. Fig. 2

'1

'1 112

N.C.

F5

N.C.

D'5

F5

F#5

r;

00, what did

Walk!

you

say?_ end Rhy.Fig. 2

112

,

wtRhy. Fig. 2 (Gtrs. 1 & 2)

N.C.

B'5

1--

.Re

Walk-8-4 0223B

To Coda ..-

N.C.

,.

A'5

N.C.

t I'spect!

D'5

,- t Walk!

N.C.

E'5

I,-

'I

F5

F#5

F5 E'5

~,. Are you talk - ing

to me?

132 N.C.

FS

-

•

E~S

FS

Fis

~

,

" *

Are you talk - ing

N.C.

...J

me?_

to

...........

.~

•= = •= ~~

~

•

= #~~ = ~ q~ =

•

r--~

•

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1/2

---....

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112

~

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1/2

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1/2

-

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•

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~. (.~)~l~i ~

1/2

~

•

-

r'<,

~~~~~8 ~ /~~~ 112

112

Verse 2: w/Rhy. Fig-1 (Gtrs. 1 & 2) simile

N.C.

Run your

mouthc,

when I'm

not

a - round,__

it's

¥

tir' You

to weak

cry

friends

to

a - chieve.

_

N.C.

~ ~~~

~'

~g¢f'

~

y

eas

D~S

~'

, it"

~

'f

Can you hear_the

sym-pa - thize.c,

that

vi -

0

lins_

-

D.S.

D~S CS D~S

III 01Co,",

~~'~~~~~~' g~ play - ing your

•

Coda

=f

B~S

N.C.

A~S

N.C.

$9-'

~'

e'

B~S

~'

A~S

N.C.

~.,

wlRhy.Filll (Gtr. 1) 3 times E~S FS

D~S

N.C.

~'

speet!

r

~'

Re N.C.

your ev - 'ry

me

rts

FS

E~S

to

me?_

~ ~'

D~S

N.C.

I·'

~'

word. _ _

r

N.C.

E~S

FS

Fis

E~S

I ~'

'f

E~S

~ way,_

E~S

~ FS

Fis

N.C.

~

E~5

FS

~">\ Are you talk - ing

FS

FS

00, what did you say?_

N.C.

.

No

rts

FS

~

Walk!

~ Are you talk - in'

E~S

N.C.

Walk!

spect!

'f

0223B

tell

friends

8=1"

~'

Re

e'

Walk-8~5

same

wlRhy. Fig. 2 (Gtrs. 1 & 2) 2 times, simile

N.C.

=f

Those

song?_

E~S

@, punk;:

to me?

FS Fis

'f

.'

FS

E~5

133 Guitar Solo:

D5

e:=

---- -::-------.. .

~~~. +f--

J

.ll

A

•

A~. ~ f:.......

.:r::.

.ll:..

t

t

• grad. bend

".ll.~

.:

~ ~.

J

~ .(~

•

# ./ ~ ~(~ ~

.-/:":~.-

~~ ~ !~~f:~ ~ ~ f, ~1!: f: ~ f: .t7'.

L3-' 1

~-

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i

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.,

.

rr-;

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grad. bend

4

134

~--, I

,

./~

,

-------..

•

.....

I

.....

-j

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I""

::

I

steady glisses.

•

•

- ~J

~~"""f2.'~

F F F F '"'A t ~ ~~t: C't #~r:,"ct~~~~ t/t: ~ ~-"j:::: ~ f- f-

•

-1'-.------1'loc· loc

(~) z-

f-~I=

-

h-

f-

x

~~

Irem. bar (slight descent)

llfz hold bend

~

.J

Band tacet

N.C.

•

: ;;

~

~

• (>~)~~~~ ~

~'(~~)~~~~ ~

'I ~

~

1/2

---

r<,

sim.

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1/2 r-,

1/2

1/2

"

Bass and drums fade in

--...

•

--...

~

l

~. (~~)~.~~ ~

~.(~~)~.~~ ~ 1/2

-..

(~~)~i~~ ~

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)

I

1112

1/2

1/2

I

Chorus: wlRhy. Fig.2 (Gtrs.L & 2) 4 times

N.C.

B'5

f~

(Shout:) Re Walk-B·? 0223B

N.C.

i'

A'5

N.C.

f

I -'

speet!

0,5

i'

f Walk!

135

~

N.C.

E'5

~.

~

F5

F#5

E'5 N.C.

F5

~_.

D

00, what did

you

say?_

D'5

N.C.

E'5

N.C.

B'5

t''',

~.

A'5

1-'

t'

~.

Re

spect!

wlRhy. Fill1 (Glr.l)

N.C.

~

-'

r

~.

F5

,

I ~.

F#5

F5

~('

Walk!

Are you talk - in'

N.C.

E'5

F5

E'5

H'

F5

E'5

~

'I

me?

10

F#5

Are you talk - in'

10

me?_

Outro:

N.C.

E'5 D5

E5

E5

.-

•

D5

E'5

I

=

=;

:0

:0

•

q '~I>'

~

,.. . . !

• :0= ~ ~q P.M. -----------.,

:0

P.M.·- _______ . __ ,

E5

= ;;

c

• P.M.,·------ ..

= ;; --i

N.C.

E'5

,~pi

,

~

'--"'

E5

E'5

D5

,~I>~

'

.

~ :0= •

~ ~q ::::~I>~ '--'

P.M,--·_·------i

E5

D5

•

= = ~q :0 :0 ~

•

E'5

D5

~ :0

= :0= = :0

:0

N.C.

~

=;

~

P.M.,--·------··-j

,~p~ " ~

E5

...

"I>i ~ ~p ~~

P.M.-··-------·_,

E'5

~ ~q ::::~I>~

~

•

= = :0 ;;

n

D5

~

E'5

~

:0

D5

, ;~

q ,~p~ ~

P.M.-·_---------i

E'5 D5

q "I>~

"'---"'

E5

E'5 D5

E5

P.M.-----.. ------,

D5

E5

~ :0= :0=

----

P.M.,···-----··-.j

E'5

D5

boy.L,

= = q ::::~I>~ :0 ;; :0=

~

~

'--'

E5

E'5

,

I

home. _ _

on

Walk

E5

.,.--

E5

~ ~

;;

E'5 D5

~ ~\..:::~I>_~

~

P.M.------'·--i

P.M.-----·------i

Play 7 times and fade

N.C.

E5

E'5

q '~ 1>" ;; :0= = = " '---"

:0

P.M.

Walk-S-S 0223B

------------1

E5

D5

•• = :0

E'5 D5

= ~ ~q :::~I>~

:0

P.M.··---------i

'----'

••

N.C.

;; =

E5

= ;; •=

P.M.. -.--

--------1

,~pi

'

E5

E'5 D5

, •~

'--"'

E'5 D5

; = :0= = :0 ~q. ::::~p~ ~

:0

P.M. ------------1

'--'

1 136

WAR NERVE

Words and Music by VINCENT ABBOTT, DARRELL ABBOTT, PHILIP ANSELMO and REX BROWN

-All gus. tuneddown approx. lYisteps:

@=cl ®=E @=FI (6)=GI @=B (j)=CI Moderately: Tempo I (J. = 100) Intro:

•

N.C.

ES

/' -;/ 1>...

:i .

"''''Gtn.l&2

.

• r

. :0

1

,.

j

_1

1>1

•

j

j.

i

.. ·_________1

/':;' 1>1 '--"'. ..

1/2

:0

i

:0

i

1/2

I

*Pitchfallssomewherebetween 1 & lYisteps down. ··1\\'0 gtrs. an. forone. Rhy.F1.. 1

•

•

i·

;j

_1

"-

1>..

:0

j

j.

1

1 ._______..

=1>.. '---'~... »:"

:;;

1

1~

i·

~.

.

~ _

-

1>..

FS

• •

. ~:t

j .

1 ._____...__.. /

1>1

,1 . '-'

:0

i

i· ~

.

~

!.

1>..

:0

i

_~. ~~

i· ~

.

~

1/2

Tempo n (J = 100)

•

•

CS

GIB

AS

6-

d

~

FS

~~

,,, ,,,, ES

~

~

P.M.--------········-------·····-------·········-----···.....

War Nerve -7 ~ 1 0223B © 1996 WARNER- TAMERLANE PUBLISH1NG CORP .. METAL MAGIC MUSIC. RESS MUSIC.

DIAMOND DARRELL MUSIC. ABADABA MUSIC and COTA MUSIC, INC. All Rights Administered hy WARNER-TAMERLANE PUBLISHING CORP.

All Rights Reserved

,

i~j 1/4

137 ES

Bbs

os

ES

j'S

"

.

"'~"'~~ ,

P.M.- --------- -----------

. -s

.

• \>.

----- ...

1/2

ES

-,

1/4

BS

"~I~ ~I~~~I~~~

,

P.M.•..------------------------- ..•. ~

-;

,.~,

P.M. --- ... _----_.---_._--_ ..

"

E5

~i~!~t~

J

J

"'~ "'~~ FS

~l~

""

P.M.----··-------_·-

,'"

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---- ...

;

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:

,

P.M.--

•• ---- •. ----1

WarNerve-7-2

1/2

_;T"

'~

P.M..--··--·-----···· .. ····-----------,

ES

~. 1/4

1/4

"

;~

n~~~~~~ '~--'.

,m snss

,

FS

~

Gtr.2 (right)

"

:Hln:

-j .....

:;

1/2

1/2

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1

1/2

: ~~: ~ ~ :!: ,~ ~ /'.

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0223B

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1/4

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P.M.---------------i

~~ 1/4

l

138

"

•

F5

E5

1. Tru

-

Iy, 2. Ex

-

-

tru

pect;

Iy, ex

-

-

tru

pect,

Iy,

tru

-

ex

E5

peet,

-

ly. ex

~ ~ ~

::

~ ~ ~ ~ ~

~

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P,M.·-----·······------·······-------······----------·-I

0

~

,

ly, ex

-

,,, ,,,

1/4

0

•

-

tru - Iy, tru - ly. tru - ly. pect, ex - peet, ex - peet, ex Rhy. Fl&- Z ...... ---------_ ....--------_ ....-._-------_ ....... -------_ ....... -----_ ..-,

tru pea,

-

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.

/

~

;

P.M.----------·····------------··------------···--------l

1/4

1/2

1/4

J /

~

~~

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P.M.--------·-------i

~ ~ ~ ~

/,'

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all

for

s:

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worth,

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inch_

of

plan - et

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out, don't

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face

first.

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(ES)

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(B~5)

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Tempo I (J. = 100) Interlude 1:

To Coda"

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For ev- 'ry fuck-in'

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112

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Noth- ing is worth the sleep that I've lost.

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re - venge

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------------------141 Tempo II (J = 100) Interlude 3: N.C.(E5)

Wow!

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Verse 2:

Pre-Chorus: But it's still alive. And it's in me now. And it lives and breathes,

(To Chorus:) Where You ComeFrom ~ 13 - 13

02238

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A remedy to the curse, On harder waves control. Look at what's around, I just can't lie around, Feeling sorry for myself.

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Pantera - Guitar Anthology Series - Authentic Guitar Tab Edition

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