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:1:
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Contents
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e
1
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THE BEAT AND ITS DIVISION
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e (
1 Melody Step-wise (/) Triad
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Movement
Plus lntervals in the Tonic
3
Rhythm
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Simple Time (Meter )-tbe Two Parts
(
a. majar
(
keys; treble ele(; notes; intervals octave in tonic triad
!; undotted
e
and
b. c.
(
dotted bass
Beat and its Division into time signatures ¡, of the thi~d. fourth,
'l'
. 1 1
ele(
d. interval
(
e. the holf note and eighth notes as beat units
f.
fifth,
notes
( (
~ and
11
o( the sixth
minar keys
J
'l
e 2
( ( (
Movement
Plus lntervals in the Tonic
18
( ( vii '( l
1#:
1 1
1
Melody Step-wise Triad
¡
í;
(
(
( Rhythm (
a. intervols
Compound Time-the Three Parts
(
a. mejor keys
(
b.
Beat and its Division into
in the IV triad
7
minar keys
( (
of the third in the IV triad
b. other intervols
,,
Melody
3
lntervals in the IV Triad
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( (
(
( ( (
Melody /nterva/s in the V Triad
25
( (
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8
Simple Time a. intervols
ol the third in the V triad
Melody
b. intervols o( fourths ond fifths ·in the V triad c. intervols of rhe sixth in the V triad d. intervals
1. lntervals in Triads Other Than l, IV, and V 2. Other lnterval Problems
in the V1 chord
e (
J.:
intervols
b. chromotic tones not implying modulo/ion
lntervals in the V and V7 Chords
38
Rhythm
9
Compound Time
Melody No New Material
5
\
45
Melody
Jntervals in the IV Triad
viii
Syncopation
10
Melody
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78
Rhythm
6
( 'Rhythm Simple ( (
'il
Simple and Compound Time a. diotonic
( The C Clefs: the Alto and Tenor Clefs
(
~,
\¡
64
Rhythm
4
(
(
:1
Compound Time
Rhythm
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!'
1
( Melody
(
t
Rhythm
( (
60
53
Modu/ation to C/osely Relatad Keys
Rhythm Time
Simple and Compound Time
87
''
1
1
( ( modulo/ion
a.
b. modulotion
.Rhythm
to the key of the dominont to o/her e/ose/y Te/oled
Simple
keys
and Compound Time
a. diatonic
(
intervals
b. chromatic
e
tones
not implying modula/ion
(
14
(
11
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e
Melody ,
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r (
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¡ l
Melody lntervals
105
in the 1, V, V7, and IV Chords
Time -the
. Beat
and
lts Subdivision
(
a. intervo/s
in /he / ond V lriods
b. intervols
in /he V1 chord
c.
in !he IV triad
interva/s
into
1
( (
lntervals
in the
1, V, V7,
(
b. intervals in the IV triad
Melody to Close/y
Related
Keys
142
Simple
and Compound Time
117
and IV Chords
111
B~and
lts Subdivision
into
MORE DIFFICULT MELODIC AND RHYTHMIC PROBLEMS
in the l. V. and V1 chords
16
(
13 Melody Other
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15
Rhythm
(
(
of the beat
Melodv
Six Parts a. intervals
(
within thé subdivision
12
Compound Time-the
(
b. syncopation
with
!Rhythm 1
(
(
a. syncopation in !he divided beal on/y, combined rhythmic problems in the subdivided beat
Madulation
(
(
1
1
Rhythm Four Parts
(
i ,
Syncapation
11
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e
134
.Rhythm
Simple
(
Material
THE BEAT AND ITS SUBDIVIS1
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No New
/nterval
Problems
123
Review of Parts 1 and U..._, Melodies More Difficult but Within the Melodic and Rhythmic Limitations of Parts 1 and II
159
1
j xi
X
! 1.-----:-.J ;--".
( ( (
17
('1odal
Melodies
1
173.
(
(
18
(
(Triplet Division of Undotted.Nore Values ( )uplet ( ( (
Melod
185
Division of Dotted.Note Values
step-wise movement plus intervals in the tonic (I) triad
19
r';hanging
y
Rhythm Time Signatures
simple time (meter) -'- the beat . and its division into two parts
202
( ~ess Common Time Signatures ( (
(
20
( "urther Subdivision of the Beat
The melodies of this chapter contoin a wide variety of intervals. The problem of singing these intervals is mode easy because they are ali reodily recognizoble ports of the tonic triad. In E~ mejor, for example, these intervols are :
217
(..._'heDivided Conductor's Beat (
( (
1
@&\ i
21
( .emote Modulation
*
* Mo:,major,
227
e ( (
Before
22
.omplex Rhythmic Probl~ms ('ombined with Difficult Melodic Lines ( ( "cknowledgments
l
239
263
(
e
0
M 3rd
(
,·~
~
1
5
o
0 le
0
m 3'rd
P Sth
5
1
3
11
1
lo
p 4th
11
m 6th
plan of preporation
5
le
3
a
10
M 6th
11
p 8Va
is recommended
:
Locote
the tonic triad
en the stoff .
Sean the melody for examples Sing the tonic triad. on the following
@&\ x
j
;J
r
IJ
1
r
in the tonic triad.
melody :
-
Ir
of intervals
I~ - • ~
¡J
j
1
1
r·
J IJ
11 3
lt
11
Determine the key. Spell the tonic triad.
Try this procedure
~~~¡, 1~ xii
1 a
5
the following
e (
3
ITI'-"minor, P=perfect.
singing,
1. 2. 3. 4. 5.
3
