These are few 8085 programs I prepared during B.E. Hope it might be of some help for beginners learning assembly language. If u like it, do drop in a comment :) Moin
Descripción completa
Primavera LayoutFull description
goodFull description
have gotDescripción completa
Everything Must Change, piano sheet music by Bernard Ighner, 1974Full description
Everything Must Change, piano sheet music by Bernard Ighner, 1974Descrição completa
Full description
Queen
freeFull description
Important information which your family must know...Full description
Everything Must Change, piano sheet music by Bernard Ighner, 1974
sentences + key
despre constiinta
Descripción: this good
COLTREIN
1) The Cmaj7 chord is anticipated anticipated in the second bar.
II V I Lick
1) A lick from Charlie Parker's Donna Lee. Notice the 'Honeysuckle Rose' motif in the first bar.
2) The first bar starts with a m chor! sha"e.
1) The secon! bar of this ma#or lick is "laye! aroun! a Cma#$ chor! sha"e.
2) This is the o"enin% lick from 'Anthro"olo%y'& a stan!ar! written by Charlie 'ir!' Parker an! (ohn 'iy' *illes"ie.
Cma#$.
V-I Licks
1) The first lick starts with a Cmaj7#5 arpeggio (E7b1) and contin!es in an " melodic minor scale.
) The first bar of the ne$t lick !ses a %m7b5 arpeggio& which gi'es an altered tpe of so!nd o'er E7 b7& b*& and b1. +n the second bar ,eorge plas a "bmaj7 arpeggio & b1& 7 and #*. The !se of a major 7 on a dominant chord is a bit !n!s!al& b!t so!nds ok here beca!se it is part of a series of arpeggios that are !sed to b!ild tension. "fter the "bmaj7 arpeggio follows an "b#5 triad arpeggio & b1 and 1 going to the * of "min. -o! can hear this lick on the standard /tella b /tarlight on the C% Tenderl.
II-V-I Licks
1) The 0m7 chord here is s!bstit!ted b "bmaj7 with a bit of chromatism.
) This 'er nice lick also comes o!t of /tella b /tarlight from the C% Tenderl.
Minor II-V-I Lick
1) This lick !ses the C minor pentatonic scale.
Minor Lick
1) This one !ses the "b minor bl!es scale.
/hapes -o! "re
1) This lick was transcribed from the song here or hen from the e$cellent 2im 3all 4 Tom 3arrell alb!m These rooms (which is !nfort!natel hard to find). The licks works o'er an 0 pedal bass note and is basicall a simple th inter'al pattern transposed down the scale& a tpical 2im 3all techni6!e that also inspired at 8ethen& who !ses similar kind of ideas.
Minor II-V-I Lick
1) This lick works o+er a minor ,, - , an! is base! on the harmonic minor scale. The harmonic minor scale is a natural minor scale with a raise! $th note C/ in this case) which %i+es us the 0r! for the !ominant chor! A$) of the minor key. Playe! o+er the !ominant chor! the harmonic minor scale %i+es us tensions b en b10. The harmonic minor scale is a +ery common soun! in #a.
V I Lick
1) 2oe ass plas a %b diminished scale o'er the C7 chord here. This is another wa to create tension on the dominant chord pla a diminished scale that is a half step higher then the root of the dominant chord. +t gi'es !s the following f!nctions on C7 b*& #*& & b5& 5& 1& b7 and 1. 9otes of the %b diminished scale %b %# E 0# , " :b C (to create a diminished scale& alternate between whole steps and half steps). The diminished scale is a smmetrical scale& what means that it comes back e'er minor third %b diminished is the same as E diminished is the same as , diminished is the same as :b diminished. -o! can hear this lick on the standard 2o /pring on 2oe asss C% 2o /pring& a m!st ha'e C% for e'er ja;; g!itarist. The lick is the pick !p for the first solo chor!s.
V I Minor Lick
1) 2oe ass plas a % minor triad arpeggio with an added * on the :m7b5 chord& what gi'es !s the following f!nctions b& <& b5& b7. =n the E7 he plas an " harmonic minor scale.
II V I Lick
1) This lick is transcribed from the 2oe ass composition 2o /pring from the alb!m 2o /pring. Check it o!t if this C% is not part of o!r collection et& its a m!st ha'e alb!m for ja;; plaers. The lick starts j!st before the first : part of the solo.
