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Microtonality as an expressive device: An approach for the contemporary saxophonist Submitted in partial fulfillment of the requirements for the Masters of Music degree Dublin Institute of Technology Technology Conservatory of Music and Drama
Supervisor: Michael Nielsen
September 2009
Seán Mac Erlaine
Table of Contents Abstract Introduction CHAPTER CHAPTER ONE 1.1 Tuning Theory 1.1.1 Tuning Discrepancies 1.2 Temperament emper ament for Keyboard Instruments Instrum ents 1.3 Non-fixed Intonation Instruments 1.4 Dominance of Equal Temperament 1.5 The Evolution Evolutio n of Equal Temperament: empera ment: Microtonality Microto nality
0 0 1 1 1 2 5 7 9
CHAPTER TWO 2.1 Twentieth wentiet h Century Tradition of Microtonality Microton ality 2.2 Use of Microtonality in Folk Music Traditions 2.2.1 Case Study: The Arabic Maqam Tradition 2.3 Pitch Consideration in Jazz Saxophone Technique 2.3.1 Case Study: Hayden Chisholm - Quarter-Tone Quarter-Tone Jazz
11 11 15 16 18 20
CHAPTER THREE 3.1 The Saxophone as a Microtonal Instrument 3.2 Technical Considerations of Microtonal Production 3.2.1 Developments of Quarter-tone Instrumental Design 3.3 The Quarter-Tone Quarter-Tone Saxophonist 3.4 Quarter-T Quarter -Tone one Technique echniq ue 3.5 Quarter-tone Embellishment 3.6 Split Scales 3.7 Expressive Intonation
24 24 25 26 27 28 30 33 35
CONCLUSION Bibliography Discography Appendix A Quarter-tone fingering chart
38 40 43 44
Appendix B Quarter-tone exercises
46
Appendix C Interview with Hayden Chisholm
48
Appendix D
53
Audio samples
Table of Contents Abstract Introduction CHAPTER CHAPTER ONE 1.1 Tuning Theory 1.1.1 Tuning Discrepancies 1.2 Temperament emper ament for Keyboard Instruments Instrum ents 1.3 Non-fixed Intonation Instruments 1.4 Dominance of Equal Temperament 1.5 The Evolution Evolutio n of Equal Temperament: empera ment: Microtonality Microto nality
0 0 1 1 1 2 5 7 9
CHAPTER TWO 2.1 Twentieth wentiet h Century Tradition of Microtonality Microton ality 2.2 Use of Microtonality in Folk Music Traditions 2.2.1 Case Study: The Arabic Maqam Tradition 2.3 Pitch Consideration in Jazz Saxophone Technique 2.3.1 Case Study: Hayden Chisholm - Quarter-Tone Quarter-Tone Jazz
11 11 15 16 18 20
CHAPTER THREE 3.1 The Saxophone as a Microtonal Instrument 3.2 Technical Considerations of Microtonal Production 3.2.1 Developments of Quarter-tone Instrumental Design 3.3 The Quarter-Tone Quarter-Tone Saxophonist 3.4 Quarter-T Quarter -Tone one Technique echniq ue 3.5 Quarter-tone Embellishment 3.6 Split Scales 3.7 Expressive Intonation
24 24 25 26 27 28 30 33 35
CONCLUSION Bibliography Discography Appendix A Quarter-tone fingering chart
