Michael_Jackson_Medley.pdf

Saxophone Quartet

Michael Jackson Medley Billie Jean

   

Straight q = 120

Soprano

Alto 1 (sop subst)

Alto 2

Tenor

Baritone

Drums

         



B1

Dms.

                  

B1

Dms.











     

      

            

            





           



             



        

                   



11

T1



7

 

     S      A1          A2



          

6

T1



                          

          

    S          A1        A2

Arr. Philippe Marillia

Billie Jean - Don'T Stop Till You Get Enough - The Girl is Mine - Beat It

          

 





                  



        

          

          

 

               

                    

 

 







                   

        

          



                    

         





                           









Copyright © 2009 Editions PhM - http://www.4a4quartet.com - contact: 4a4@4a4quartet.com



Michael Jackson Medley

      S      A1          16

A2

T1

B1

Dms.

             

  







T1

B1

Dms.

                

  

  



  



T1

B1

Dms.

                



         





 

      



    

27

      

   

  

                      

  

    

 

   

 

   

 

   

  



        

 



                         

 

                                                                         

26

A2

   

  







        S  A1

                

           



21

A2

19

                

            S  A1

        

                  

2



     

  



        

             



  





                                         

  





  



           

  

     

    

                  









  S  31

A1

 

A2



T1

B1

Dms.





       

  



   

  

   







  







            

                      







    S           A1       35

          T1                   B1    A2

Dms.

  

  

3













             



                      



            

             

             

                         Baritone     Tenor



Drums



 



           

 



           



 



             

Don'T Stop Till You Get Enough

Straight q = 120



                



     Soprano          Alto 1 (sop subst)         Alto 2 

         



             





                    



 



 



  

 

                    






  


  S    A1   A2 

43

  

42

               B1            Dms.



   

     





  

                    



                        

      

1.

                   2.



               B1            Dms.





T1

                     

                        

 

            

45

A2

      



 S   A1

            

  

T1

4

 

                    





  





   

           









                             



 

 



The Girl is Mine

          Soprano             Alto 1 (sop subst)  Swing q = 164

                   

                           Tenor                Baritone           Alto 2

Drums

           

    



  

 

  

 



   

  

 

   

   

                    

  

 



    

    


         

 

    







        




   S             A1     

56

            

53

                           T1                B1        A2

Dms.







  S   59

A1

A2

T1

B1

Dms.



 

                  

  S   65

A1



A2



T1

B1

Dms.

    

 

      



 



      

  

 





   

  

 



               

     

  

  



     

  

 

  

  

 



 





    







        











    



         

 

 

       

          



   



    3



   

       

68





 

  



       

     

           



        

 

 



        

  



   

   

                      



       



5



  

  



  

         

 











                                                

 

  

 




   

  

 

    

  


     S       A1    71

A2

T1

B1

Dms.

     

    

  







     

  

  S    A1      A2   84

T1

 

B1     Dms.



   







 



        

 

3          



     

 

     



       



  

     





  

     



  



88

 

   









       







 

   

 

     

   



    

       



           



     

  

 

      

         



3         





  

 



          



                    













        



             

      

 



   





   

                         

80

  

                  B1        



        



 







  





T1







                               A1  

Dms.



 

S







78

A2

76



3

    





  

   



6

     

  

   

 



    


        

    

   

  


  S         A1      90

A2

T1

B1

Dms.

  

    

 



 

96

T1

B1

Dms.



      

  S       A1      A2

   

 



            

 



    S 



 

   

 

   

 

A2

T1

B1

Dms.

   



 

                        

 

     



 

       

    



            

 

 



 





 

 





                  

  

 

 

 







       



 

  



       



 







     



   





 



 



 

 





  





  





    

 

 

 

 

  







 

   

       





     

                 

  

     

     

      

                      

 

 

     

   



 





  

 

     

  

100

A1

 

      

      

   

          

  

7

                                


  

 

  



   




8

Beat It

       Soprano                           Alto 1 (sop subst)   Straight q = 140

             

108

      







  

  

                             Tenor                         Baritone           Alto 2

Drums

              



   S         A1  109

A2

T1

B1

Dms.





  

T1

B1

Dms.



 





 





            

       

 

 

 



        







 

                



 

  

           

                           



           

  

     

     

       



 



 

 

                                            

  S    

A2



                            

  

114

A1

     

           



      







 

116

           



 

     

    



  

         

   

              



 

  

             

  

 


 

 



 



        

            

 



 


  S  119

A1



A2



T1

B1

Dms.

   











 

     

 123

T1

B1

Dms.



 



  

 



  

    



          



  S   A1   A2

                                  

  

9











 



     

 

  

  



 









         

            

  





 









                                         

  

                     

                    

        





            

 

        

                 

     

       

               

   

 

4'17"


Soprano

Saxophone Quartet

Michael Jackson Medley Billie Jean - Don'T Stop Till You Get Enough - The Girl is Mine - Beat It

Billie Jean Straight q = 120




      

      

      

      

         

     

      

     

      

        

      

    

      

      

     

19

    1–2

7

12

          17

           

                              21

            27                         25

                              29

   33



    

          36



      



             


 V.S.


Soprano

Don'T Stop Till You Get Enough Straight q = 120

      



          43

2

   

   





                

                          46

1.



2.

The Girl is Mine Swing q = 164

                                      

                    52

           56

           62

   68

69–70



       

 

     



       

   









                                  76

   80



          







        



Soprano

  

   87

88

       93

       98





    

  

        

                    

100



   

3

   

Beat It Straight q = 140

                 





   

      





108

                                                     112

116

          

         



                    

                               120

  124

     



             


4'17"

Alto 1 (sop subst)

Saxophone Quartet

Michael Jackson Medley Billie Jean Straight q = 120





     

      

     

      

         

      

      

      

      

       

     

      

      

      

        

      

   1–2

7

12

17

           

19

                                     21

                    25

           

27

                            29

33

 



    

         36





     

              


 V.S.

Alto 1 (sop subst)



       



43           

  

2

   







                 

 1.           2.          46




                                         

                  52

     

56

 62



 

68

 

 

     





   









                           





80





69–70



     

  

76



   

     

     







    


Alto 1 (sop subst) 87





  

      93

      98

88





    




   

  

3

        

                   

100

   


             





   

       





                                     108

112



     

      

                                   116

                             121

124



        

     

       


4'17"

Alto 2

Saxophone Quartet



Billie Jean - Don'T Stop Till You Get Enough - The Girl is Mine - Beat It Straight q = 120 Billie Jean



      

      

      

      

        

      

    

      

     

      

      

       

      

      

      

      

19

      

    

   1–2

7

12

17

22

              



  



      

                        27

            33

        36

            



             





Alto 2

       


          43



  



    

 

2

      

1.

2.












                                      53

        

                56



        

              

58

62

              





                           68

74

    80

86

 

              

76



  







 

    

        

88                   



   



Alto 2

            92

              96

3

                      

                                    100


                        108

     

          

                  116

               124

          

    





      



              


4'17"

Tenor

Saxophone Quartet




    1–2



      

     

      7

       12



     17

        22



      

     

                                                

19

    



  

     

    

      

                            27

          33

         36

            



             





Tenor

2


                                                                                   43

42

                                    45

1.



2.


                                                              52

            56

   61

        

        



       

 



                           68

   74

   80

76      



      

 



 

                 



     



Tenor

  

   87

       93

88





 

  

3

        

                      





                                    100


                         108

     

           

                   116

              124

          

     





       



              


4'17"

Baritone

Saxophone Quartet




                                  7

                                 5

                                9

                                 13

17

 21



     

           

19

                         27

                  26

              30

                            34

         37

       





Baritone

2


                                                                              42



43

                                       45



1.

2.


   54

       





       

       

        

       

 

      



68

               84

  



80



  

    

3

             





73

79



        

60

66

        56

     



76





        

3          

       3

  3

  



 

        

        



Baritone

             

88

  93

     96

         100





  

       




 

                 

3



 



  

  



  

   

        

                           

   

108

                                                            112

                                             

                               116

120

   

                               

124

                                      


4'17"

Drums

Saxophone Quartet




          



     



7






















                







11







15





                

19

23





          

27

       

















31





35












   


Drums

2


                      

 

41







            43

45





1.




               

 

2.



               

52











                              

     

56

                                            61

      66

    

            

68

             71

     

 

     




  


Drums

3

                

                

               

               

76

80

                 84

               

                                        

88

                                                    93

                 

100

     

       










                                           

108

                116





           







      

                                     124



      


4'17"

Michael_Jackson_Medley.pdf

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