from Megadeth - Endgame
1,320’ Words and Music by Dave Mustaine
Intro Fast q = 176
µ
*A5
Rhy. Fill 1
Gtr. 1 (dist.) (Dragster)
4 sec.
End Rhy. Fill 1
Riff A
**Gtr. 1
f
7 0
7 0
6
5
7
8 7 5
7
5 7
7 0 0 0 0 0 0 0 0 0 0 0 0 0
*Chord symbols reflect basic harmony. **3rd & 4th times, played by Gtrs. 1 & 2. Composite arrangement
End Riff A
7 0
7 0
5
7
6
8
7
5
7
5
7
0
0
0
0
0
0
0
0
0
0
0
7 0
0
7 0
5
7
6
8
7
5
5
7
7
1., 2., 3.
7
5
7 0
8
7
5
7
6
7
5
***2nd time, Gtr. 2: w/ Rhy. Fill 1
7
7 0
5
7
6
8
7
5
5
7
7 0
0
0
0
0
0
0
0
0
0
0
0
0
7 0
***Gtr. 2 (dist.), played f.
4.
C5 Rhy. Fill 2
7
7 0
6
7
5
8
7
5
7
7 0
Bb5
C5
Bb5
A5
7 0
4 6
5 7
5 5
3 3
5 5
3 3
7 0
C5
F5
G5
F5
A5
End Rhy. Fill 2
0
© 2009 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
6
7
5 5
3 1
5 3
3 1
7 5
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Verse
2nd time, Gtrs. 3 & 4: w/ Fill 1
A5
G5
1. Grind 2. My
hands
A5
Bb5
ing
my hold
C5
7 5
7 5
7 5
P.M.
7 5
Bb5
A5
teeth, tight,
Rhy. Fig. 1
B5
7 5
5 3
7 5
8 6
8 6
8 6
P.M.
8 6
End Rhy. Fig. 1
10 8
9 7
8 6
7 5
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 1/2 times)
white a
A5
-
Bb5
knuck - les
grasp breath
fire
a a
G5
C5
lanche trance,
-
at ing
the stam
B5
Bb5
of
a
C5
Bb5
A5
wheel. pede.
A5
-
B5
dren hold
-
a
-
I I
rush fall
G5
line, my
G5
A5
from in
an -
A5
av to
it’s the
till
Bb5
breath
Bb5
all light
Pre-Chorus
C5
B5
that turns
I
Bb5 F#5
8 6
8 6
10 8
As In
P.M. 8 6
feel. green.
Gtrs. 1 & 2
8 6
9 7
8 6
quick cloud
a
P.M.
2
Fill 1 Gtr. 4
Gtr. 3 divisi
4
2
2
13 14
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bolt ni
2
-
of tro
light meth
-
ning, ane,
a
1/2
2
4
13 14
a of
P.M.
2 2
as
4
2
4
1
3
2 4
rock melt
-
et -
ride ing
rub
-
in ber,
a I
buck say
Riff B
P.M.
4
2
2
It does - n’t get an - y and ma - chine
-
strapped
0
0
0
0
0
A5
2
3
B5 C5
- out
by
2
0
2
End Riff B
4
1
2
3
4
just and
I
feeds my van - ish
fire
spit - ting
for thin
need in
speed. air.
from
the
pipes.
A
End Rhy. Fig. 2
P.M.
3
2
P.M.
2
2
2
P.M.
2 4
2
E5
G5
throw -ing
fu
-
F#5
ry,
eight
3
0
4
2 4
2
B5 A5 B5
the flame
P.M.
2 0
0
2
2
4
5
2 2
1 2
2
End half-time feel
F#5
Half-time feel
burn
It
and scream - ing,
Rhy. Fig. 2
P.M.
in
prayers.
1/2
B5 G5
Gtrs. 1 & 2
2 0
ter than this. ac - cel - er - ate,
B5 C5 B5 A5
Su - per - charged,
seat. my
End half-time feel
A5
2
Chorus Half-time feel
bet
et
2
2
-
4
Gtrs. 1 & 2: w/ Riff B (2 times)
Man
P.M.
2 2
0
0
0
0
0
2
3
2
0
2
0
5 3
P.M.
2
thou - sand
hors
-
es
ig
-
nite.
P.M.
2
2
P.M.
2 4 2
2 4 2
2
2
4
5
2 2
1 2
2
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Half-time feel
End Half-time feel
Gtrs. 1 & 2: w/ Rhy. Fig. 2
A5
B5 C5 B5
Full
throt - tle,
A5 B5 G5
hit
the
F#5
ground
run - ning
with
a
tank
To Coda Half-time feel
A5
-
teen
twen - ty
to
B5
to
the
C5
go
E5
G5
fin - ish
P.M.
2 0
0
0
0
0
0
0
2
3
2
0
2
0
5 3
2
5 3
4 2
4
4
Gtr. 2
3
0
2
3
3
P.M.
2 0
0
0
0
0
5
5
5
3
5 3
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Sorgdal
0
7
5
4
0
2
A5
()
0
7 7
5
4
5
4
2
2
3
5 3
B5
A5
1/2
5 5
2
G5
line.
3
And it’s
F#5
Gtr. 1
3
tro.
-
End half-time feel
B5 A5 B5
ni
thir
of
full
7 5
7
5
7 7
7 7
9
9
9
10
9
7
9
7
4
5
7
7 0
7
7
7
7
8
7
5
7
7 0
loco
Guitar Solo 8va
*Gtr. 3 (dist.)
3
f 17 12
13
12 15 12 15 12
13
12 17 12 17 12
13
12 13
15 13 12
3
3
3
15 13 12 13 15
3
3
12 13 15 13 12
12
13 15 13 12
14 12 10 12 14
12 10 9 10 12 10 10
9
10
7
*Chris Broderick
Gtr. 4 (dist.)
3
5
6
8
7
8
8
7
9
8
10
3
5
7
7
Gtr. 3
Gtrs. 1 & 2: w/ Rhy. Fill 2
9
1
5
8
5
10
8
12
10
3
5
5
7
15
7
14
D.S. al Coda
C5
5
7
Bb5
C5
Bb5
5
6
5
6
8
5
7
5
7
9
A5
7
9
10
10
12
8
8
9
12
12
C5
F5
G5
F5
12
13
12
14
8
9
12
13
A5
13
14
5
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Coda
Faster q = 256
F#5
µ (Drums)
Gtrs. 1 & 2
4 2
4 2
Outro-Guitar Solos
G#5
*Gtr. 5 (dist.)
3
f
3
1
7
1
4
4
7
7
3
1
4
1
4
4
6
7
4
7
6
*Dave Mustaine
6 6
4 4
6
4
4
6
7
6
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
7
4
6
4
3
6
6
5
6
4
5
4
6
6
3
6 6
4 4
4
7
3
6
5
4
5
3
6
4
6
4
4
3
3
3
6
3
4
4
3
4 4
6 6
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 times)
7
End Rhy. Fig. 3
P.M.
4
Gtr. 5
4
P.M.
4
4
P.M.
Sorgdal
Rhy. Fig. 3
Gtrs. 1 & 2
4
6
6
5
4
5
4
6
3
3
7
7
3
6
3
4
6
4
7
6
5
4
5
4
3
6
6
5
3
4
5
4
0
F#5
14
10
Gtr. 3
11
10
14
10
14
9
9
10
14
Gtr. 5
2
9
14
10
10
11
X End Riff C
Riff C
Gtrs. 1 & 2
P.M.
P.M.
4
P.M.
2 2
4
2
P.M.
3
2
2
2
5
2
Gtrs. 1 & 2: w/ Riff C (2 times) Gtr. 5 tacet
Gtr. 3
3
15
12
12
12
15
12
3
15 10 14
15 14 10
15
12
15
12
12
12
16
13
13
14
16
13
14
16
13
16
14
16
16
13
14
13
G5
Gtr. 3
8va
18
14
14
18
14
16
13
14
16
14
13
14
16
*T
T
18
21
18 *
Rhy. Fig. 4
5
5
17
14
16
14
13
14
T
T
T
T
19
22
21
19
16
14
= index finger = middle finger = ring finger
Gtrs. 1 & 2
P.M.
4
P.M.
2 2
2
P.M.
4
2
P.M.
3
2
4 2
5 3
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Gtr. 3 tacet
G#5
16
16
loco
Gtr. 3
Gtr. 5
4
4
6
7
7
5
8
5
7
8
7
5
Gtrs. 1 & 2
P.M.
6 6 4
P.M.
4 4
4
3
8
7
5
7
4
End Rhy. Fig. 4
6 6
4 4
P.M.
4 4
6 6
4
4
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 times)
Gtr. 5
7
10
7
9
8
10
11
8
7
10
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Sorgdal
7
9
10
9
12
3
9
10
11
10
8
11
10
8
6 10
9
12
9
11
12
10
13
10
8
7
9
10
7
7
9
6
11
13
14
14
13
11
14
11 14
13
11
Gtrs. 1 & 2: w/ Riff C (3 times)
F#5 8va
17
19
17
Gtr. 3
8va
Gtr. 4
14
15
17
20
14
14
17
19
20
15
17
21
19
14
17
17
19
19
20
14
15
15
17
Gtr. 5
14
14
Gtr. 5 tacet
Gtr. 3
17
15
8va
loco
3
1 1/2
19
17
19
15 17 15
15
17
15
17
Gtr. 4
8va
14
12 14 12
15
12
14
12
10
12
12
10
10
12
10
12
12
loco
1 1/2
15
14
15
12 14 12
12
14
12
14
10
9 10 9
12
9
10
9
Gtrs. 1 & 2: w/ Rhy. Fig. 4 Gtr. 4 tacet
Gtr. 3
3
F#5
3
7
G5
3
3
15
12
12
15
12
14
12
15
12
15
12
14
Gtr. 5
9
7
1
12 15
9
3
1
7
15
12
15
12
15
9
7
15 12
9
9
G#5
13
13
3
16
17
17
18
18
16
18
16
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Gtr. 3 tacet
Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 times)
Gtr. 5
18
16
18
17
16
19
16
let ring
16 16
16
17
18
17
16
18
18
16 18 16
19
16
16
18
17
16
18
18
18
3
16
18
17
17 16
3
17
17
18
18
16
18
18
18
18
16 18 16
16 18
3
19
16
3
18
16
16
18
18
16
19
3
18
16
16
19
18
19
Gtrs. 1 & 2: w/ Riff C (3 times)
F#5
8va
Gtr. 3
3
3
17
14
17
14
3
17
14
17
14
14
17
17
17
3
14
19
3
14
17
14
19
19
14
19
14
14
17
19
19
14
Gtr. 5
19
19
Gtr. 5 tacet
Gtr. 3
8va
3
20
14
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3
17
14
20
3
14
17
14
20
14
17
14
20
3
3
19
14
17
14
19
3
14
19
14
3
17
14
19
12
loco 3 3 14 16 14 12 11 Gtrs. 1 & 2: w/ Rhy. Fig. 4
8va
14 12 10
12
9
9
11 13 11
9
13 11
9
12 10
7
7
11
9
7
10
7
5 Gtrs. 1 & 2: w/ Rhy. Fig. 3 (3 times)
G5
G#5
8va
Gtr. 5
3
1 1/2
21
21
21
3
3
21 19 16 19 16 19 16
3
19 16 19 16
16
Gtrs. 3 & 4
3
3
3
3
Gtr. 3
Gtr. 4 divisi
14 13
11 10
13 11
14 13
13 11
P.H.
11 10
13
13
Gtrs. 3 & 4 tacet
Gtr. 5
loco
8va
3
16
3
3
19 16 19 16
8va
3
3
3
3
3
19 19 18 16 16 18
16
18 16
18
18 16
18
18 16
18
18 16
18
16
3
3
3
18 16 18 16 18
16
18
3
3
3
16 18 16 18
16 19
3
16 19 16
19 16 19
3
16 19 16
19
Gtrs. 1 & 2: w/ Riff C (7 times)
F#5 8va
Gtr. 5
3
16
Gtr. 3
19 16
19
16 19
16 21 21 19 16 19 19 21
21
21
8va
3
3
19
18
3
19
18
19 18 19
20
3
3
21 20 18 18 21
21
22 20
3
21 21
3
21 22 22 21 22
21 24 21
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8va
Gtr. 5 tacet
Gtr. 3
loco
8va
22
21
21
23
23 22 21 20 18
3
3
3
3
3
16 17 18 19 18 17
20
19 18 17 16 17 19
17
16
14
3 3
3
16
17 14
16
16
17 19
19
17
19
20 17
20 22
20
22
20 23 20
22
23 20
23
14
16 14 16
1
20
19
16
14 17 14
8va
17 20 17
19
X
8va
3
3 12
13 14 16
3
3
16 14 13 14 16
12
3
3
16 14
13 14 16
3
12 14 16 17 16 14
17
16 14
3
3
17
14 16 17
14
3
3
17 16 14 16 17
14
17 16
3 8va
3
3
3
3
14 17 19 17 16
14 16 17
19
3
3
17 16
19
16 17 19
16
3
19 17 16 17 19 19
Gtr. 3 F#5
E5
A5
F#5
E5
B5
loco
1
1
1
10
12
13
14
12
14
15
16
14
1
16 17 16 14
4 2
2 0
12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 0
4 2
2 0
4 2
21 19 17
F#5
21 19 17
20 17
19 16
µ
(Dragster) 5 sec.
17 16
Gtrs. 1 & 2
16 17 20 20
3
16
4 2
4 2
5 sec.
from Megadeth - Endgame
44 Minutes Words and Music by Dave Mustaine E5
F5 7fr
G5 8fr
134
10fr
134
134
Intro Moderately q = 132 * Em
Gtr. 1 (dist.)
D
7
9
7
Riff A
mf
5
7
5
9
9
Em7
A5
2
2
3
4
5
G5
D/F#
4
5
7
*Chord symbols reflect overall harmony.
Em
D/F#
Gtr. 2 (dist.)
G
B('11)
Riff B
mf 4
Gtr. 1
5
7
5
7
9
7
9
9
9
E5 **Gtrs. 3&4 (dist.)
mf
7
9
9
5
7
5
8
9
9
7
9
7
9
10
7
9
9
7
9
2
9
7
7
9
3
2
9
4
5
9
4
5
7
**Composite arrangement
© 2009 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9
9
5
7
5
7
9
8
10
8
7
7
10
13
End Riff B
7
7
9
8
7
9
9
10
9
(cont. in notation)
10
14
12
12
End Riff A
13
13
Gtrs. 1 & 2 tacet
E5
µ
F5
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
10 10 8
9 9 7
µ
F5/C
was was
a an
cool ac
P.M.
1. It 2. This Rhy. Fig. 1
2 0
2 0
2 0
2 0
E5
-
ci
-
win dent
ter’s
9 9 7
9 9 7
9 9 7
9 9 7
2 2 0
2 2
w/ bar
3 3
12 -1
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
-6
µ
morn wait -
ing, ing
5 5 3 3
2 0
2 0
2 0
G5/D
some to
P.M.
Fill 1 Gtr. 5
Sorgdal
9 9 7
C5/G
Verse
E5
µ
2nd time, Gtr. 5: w/ Fill 1
E5
Gtrs. 3 & 4
2 0
2 2 0
hap
-
pen.
2 2
5 5
-
E5
µ
- ly - n’t
past if
where
short was
It
P.M. 2 0
2 0
2 0
2 0
P.M. 2 0
2 0
2 0
they
went pow -
-
P.M. 2 0
2 0
E5
2 0
2 0
-
ed ple
to sab
9 9 7
The The
fate two
9 9 7
9 9 7
er
for an
the un
9 9 7
-
ful most
3 3
du - o vi - o - lent
pen,
it
2 0
was
was - n’t them
2 0
-
com - ing, selves,
-
2 0
2 0
10 10 8
ex
2 0
2 0
2 0
sat men,
-
9 9 7
in it
the seemed,
get
9 9 7
in - stead their
5 5
C5/G
2 2
9 9 7
so ing
9 9 7
-
pense.
9 9 7
2 2
µ
2 2 0
E5
that
ed
0 0
G5/D
2 2 0
P.M.
3 3
µ
-
End Rhy. Fig. 1
call
E5
bank. need
ar - mored
The when.
2 2
2 0
2 2 0
2 0
µ
taged
D5/A
9 9 7
2 0
2 0
F5
-
P.M.
2 2
µ
heist o -
-
F5/C
M. hap
E5
2 0
2 2 0
9 9 7
-
2 2
3 3
µ
fire
2 2 0
E5
µ
P.M.
F5/C
they want cit - y’s peo
The
2 0
2 2
A.
nine would
µ
car
it
2 2 0
E5
E5
F5/C
-
G5
a - way could - n’t be
5 3 3
9 9 7
car, stopped,
12 12 10
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
µ
F5
E5
se - dat - ed with thou is - sue guns po - lice
9 9 9 9 9 9 7 7 7
9 9 9 9 7 7
E5
to - mat - ic set - tled the
weap - ons, fight
rounds. not
9 10 9 10 7 8
9 9 9 9 9 9 9 9 9 9 7 7 7 7 7
E5
be - tween
sands of were just
G5
-
µ
D5
E5
e
-
9 7 9 7 7 5
9 9 9 9 9 9 9 9 9 9 7 7 7 7 7
the bowls of wrath A - K For - ty Sev - en
Ar - mor pierc - ing, But SWAT ar - rived
F5
E5
poured and A
F5
nough.
µ
µ
heav - i - ly stan - dard
µ
out - R
ful - ly
au and
9 10 9 10 7 8
µ
on the ground. Fif - teen.
P.S.
9 9 7
9 9 9 9 9 9 7 7 7
9 9 7
9 12 9 12 7 10
9 9 9 9 9 9 9 9 9 9 7 7 7 7 7
9 10 9 10 7 8
9 9 9 9 9 9 9 9 7 7 7 7
9 9 7
X X
X X
XX
X X
Chorus Gtr. 1: w/ Riff A
E5
Bap - tized in
Rhy. Fig. 2
For - ty four
2 0
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
a fire
2 0
E5
D/F#
-
2 0
min - utes of
tar - get
P.M. 2 0
2 0
5 2
D/F#
fight,
P.M. 2 0
G5
5 2
hot
blood run - ning cold
P.M. 5 2
5 2
5 3
prac - tice,
G5
D/F#
as ice.
5 3
7 5
5 3
5 2
Gtr. 2: w/ Riff B
G5
A5
all
hell’s
B5
break - ing loose. End Rhy. Fig. 2
P.M. 5 2
5 2
5 3
P.M.
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
Gtrs. 3 & 4: w/ Rhy. Fig. 2
E5
D/F#
Out - gunned,
watch - ing “The
Force”
come to
G5
a
fire
-
fight
with
A5
a
G5
D/F#
pock - et - knife.
To Coda
E5
Get - ting schooled un
- til
D/F#
they shot
G5
A - chil - les’
B5
heel
and
brought
down the
beast.
Interlude Gtrs. 1 & 2 tacet
E5
Gtrs. 3 &4
*Gtr. 5 (dist.)
8va
F5
E5
19
22
20
19
G5
21
24
22
21
f w/ multi-tap reverb
T
20 17 19 20 19 17
16
T
19 16 17 19 22 19 17
22 18 21 22 21 18 17 21 17 18 21 24 21 18
*Chris Broderick
E5
8va
loco
1/2
21
18
17
20
18
17
20
16
D.S. al Coda
P.M. P.M. F5
16
16
E5
14
13
14
15
12
14
15
12
13 14
14
14
11
(cont. in notation)
w/ bar steady dive
12
12
Coda Guitar Solo E5
Gtr. 5
3
5
0
5
D5/A
E5
5
7
G5/D
E5
7
9
7
7
9
7
9
0 7
7
5
G5/D
9
7
Rhy. Fig. 3 Gtrs. 3 & 4
0
0
P.M.
P.M.
2 2
0
0
0
0
P.M.
0 0
2 2
0
0
P.M.
5 5
2 2
5 5
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
9
E5
9
11
10
A5/E
9
0
0
P.M.
10
0
0
P.M.
7 7
Gtrs. 3 & 4: w/ Rhy. Fig. 3 (2 1/2 times)
E5
Gtr. 5
A5/E
9
11
16
12
11
12
12
12
5 5
7 7
12
13
0
0
P.M.
14
C5/G
15
X X X
14
15
14
19
15
10 10
0
12
B5/F#
A5/E
16
14
16
14
16
B5/F#
0
16
14
15
17
15
14
17
14 15 14 15
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
17
3
15
12
E5
15 17
D5/G
14
10
16
14
E5
3 15
A5/E E5
15
17
17
10
7
9 9
A5/E E5
13
20 19 20
End Rhy. Fig. 3
G5/D A5/E
G5/D A5/E
E5
12
8
14
16
G5/D
14
16
B5/F# A5/E B5/F#
8
5
1/2 hold bend
16
12
X X
16
16
E5
15
E5
13
15
9
G5/D
3 12
15
14
3 10
C5/G E5
1/2
X
15
D5/A
16
16
3 14
7 7
E5
14
9 9
14
19 15
G5/D
17
E5
E5
15
19 21 19
19 17 19
16
G5/D
12
Sorgdal
15
14
6
1/2
19
6
19
B5/F#
G5/D
E5
19
A5/E
15 19 15
12
13
11
E5
B5/F#
P.M.
14
E5
12
G5/D E5
11
E5
D5/A E5
12
C5/G
E5
6
17
G5/D
3 8
10
7
3 10
7
3
7
E5
A5/E
E5
G5/D
A5/E
C5/G
3
3
3
3
P.M.
8
7
5
7
5
*Gtr. 6 (dist.)
8
5
7
5
7
5
B5/F#
Gtr. 5
6
12 8
5
10
9
6 10
12
12
12
10
9
A5/E
6
8 14 11
10
B5/F#
12
11
13
14
6
14
14
13
11
11
12
3
f
11
12
11
*Dave Mustaine
Gtrs. 3 & 4
0
0
P.M.
0
0
P.M.
7 7
Guitar Solo
Eb5/Bb
E5
D5/A
5 5
7 7
A5
w/ bar
10
10
10
13
10
13
P.M.
1 1
0
10
14
0
10 10
10 10
10 10
10 10
9 9
7 7
9 9
9 9
E5
D5/A
-1 1/2
10
13
10
13
P.M.
0 0
0
A5
C5/G
D5/A
Eb5/Bb
F5/C
10
14
-2 1/2
steady dive
_ 1
10
Eb5/Bb
_1
0
0
10
14
10
13
0
0
0
10
-6
17
10
13
10
13
P.M.
1 1
0
10
17
10
13
10
13
0
17
3 3
5 5
6 6
P.M.
0 0
10
10
13
10
3 3
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 5 tacet
Eb5/Bb
E5
D5/A
A5
Gtr. 6 16
10
13
10
13
10
16
10
13
10
10
13
16
10
10
13
Eb5/Bb
E5
D5/A
A5
F5/C
15
10
13
10
10
13
15
10
Gtrs. 3 & 4
P.M.
1 1
0 0
E5
0
D5/A
0
0
P.M.
0
Eb5/Bb
0
0
0
1 1
0
A5
6
6
11 11 11 11 11 11 10 10 10 10 10 10
P.M.
1 1
0 0
Eb5/Bb
E5
0
D5/A
0
0
0
0
0
E5
D5/A
A5
C5/G
10
10
13
3 3
3 3
D5/A Eb5/Bb
5
5
10 11 10 11 10 8 10 8 10 8
P.M.
1 1
0
A5
3 3
0
5
15
F5/C
13 13 13 13 13 13 11 11 11 11 11 11
0 0
Eb5/Bb
10
13
P.M.
0
6
P.M.
0
10
P.M.
6
13
Eb5/Bb
8
7
8
7
8 10 8 10 8
3 3
5 5
6 6
P.M.
0 0
0
E5
7
5
D5/A
0
A5
F5/C
3 3
E5/B
G5/D
7
8
7
10
8
P.M.
1 1
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
10
7
8
7
8
7
8
7
8
10
P.M.
0 0
0
0
0
0
0
0
0
8
6
10
8
7
10
P.M.
1 1
0
8
7
8
8
2 2
3 3
7
8
7
7
8
7
P.M.
0 0
0
2 2
5 5
10
Guitar Solo Gtr. 6 tacet
F5/C
E5
F5/C
E5
Gtr. 5
10
9
12
9
10
12
11 12
10 10
9
10
9
9
9 10
12
9
9
10
10
9
F5/C
12
10
9
G5/D
P.M.
13 10
Gtr. 6
E5/B
P.M.
9
D5/A
13
9
10
9
9
9
9
Gtrs. 3 & 4
P.M.
3 3
E5
10
9
2 0
2 0
2 0
P.M.
2 2
0
F5/C
2 0
2 0
2 0
P.M.
3 3
2 0
F5/C
0 0
2 2
3 3
P.M.
2 2
0
0
E5
5 5
G5/D
6 P.M. Gtr. 5
12
10
12
9
10
12
11
9
9
9
12
9
13 8 9
9
10
10 10
10
10 12
9
10
9
Gtrs. 3 & 4
P.M.
3 3
0
2 0
2 0
2 0
P.M.
2 2
2 0
2 0
2 0
2 0
P.M.
3 3
0
10
9 13
10 12
13
10
12
13
5 5
5 5
5 5
10
P.M.
2 2
0
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5/C
E5
6
17 13
15
14
15
E5
D5/A
3
13 16
F5/C
E5/B
F5/C
3 w/ bar
17
G5/D
13
16
17
13
15
w/ bar
17
17 15
13
16
13
14
16
-1
P.M.
3 3
2 0
2 0
2 0
P.M.
2 2
0
2 0
2 0
2 0
3 3
0 0
2 2
3 3
P.M.
2 2
0
14
-1
P.M.
2 0
16
0
5 5
F5/C
E5
Em
G5
F#5
C6
G/B
F
8va
3
14
13
15
13
14 15 14
9 10 12
Gtr. 3
P.M.
P.M.
Gtr. 4 divisi
9
12 10 9 10 12
9 11 13
P.M.
P.M.
3 3
0
2 2
2 0
2 0
2 0
2 0
2 0
2 0
2 0
6
6
6
10 12 13
6
10 12 14 19 16
17
16
17
16
*
5
5 3
0
4 2
7 3
5 2
3 7 *Gtr. 4 to left of slash in tab.
Chorus Gtr. 1: w/ Riff A Gtrs. 3 & 4: w/ Rhy. Fig. 2 (2 times)
Gtr. 5 tacet
E5
D/F#
Bap - tized in
a
fire
G5
-
fight,
hot
blood run - ning cold
A5
G5
D/F#
as ice.
8va
Gtr. 5
1
22
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
22
E5
four
E5
min - utes
of
watch - ing “The
schooled
un
-
-
tice,
Force”
come to
til
all
hell’s
break - ing
-
A5
a
and
G5
D/F#
pock - et - knife.
B5
heel
loose.
with
fight
G5
they shot A - chil - les’
fire
B5
G5
a
D/F#
prac
E5
Get - ting
tar - get
Gtr. 2: w/ Riff B
G5
D/F#
Out - gunned,
For - ty
D/F#
brought
down the
beast.
Interlude Gtr. 4: w/ Rhy. Fig. 1
E5
F5/C
Riff C
Gtr. 3
P.M.
5
7
0
0
P.M.
5
0
7
0
0
0
E5
G5/D
P.M.
2 2
E5
F5/C
End Riff C
3 3
5
7
0
0
P.M.
5
0
7
0
0
P.M.
2 2
0
5 5
5
7
0
0
P.M.
5
0
7
0
0
2 2
0
3 3
Gtr. 4: w/ Riff C
E5
D5/A
P.M.
5
D5
7
0
0
5
0
7
E5
P.M. 0
0
D5
Gtr. 3
0
9
0
9 0
0
0 0
9
10
0
0
0
F5/C
P.M.
9
10
0
D5
0
9 0
0
0
0
0
0
2 2
0
2 2
3 3
7
3 3
9
10
D5
9
0
0
0
3 3
7
9 0
0
9
10
0
0
0
2 2
5 5
C5/G
0
0
0
2 2
5 3 3
P.M.
7 0
P.M.
9
P.M.
2 2
0
G5/D
P.M.
0
E5
7 0
D Em E5
P.M.
P.M.
P.M.
9
D Em E5
E5
P.M.
7 0
P.M.
P.M.
7
0
Gtr. 4
F5/C
7 0
D Em E5
E5
P.M.
7
2 2
D Em E5
9 0
0
0
2 2
5 3 3
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro-Guitar Solo D5 E5
D5 E5
D5
12 7
8
9
8
3
7 12 7 12 10 8
E5
12 7
12 10 8
11 9 7
10 9
D5
E5
6 6
Gtr. 5
8
7 8 10 8
8
9
12 14 15 14 12
7
15 13 12
14 12 11
10
14 12 10
14 12 10
Riff D Gtrs. 3 & 4
P.M.
5
7
0
0
0
D5 E5
P.M.
5
0
6
7
0
0
0
0
0
0
0
5
0 0 0
D5 E5
0
0
P.M.
D5
7
0
0
E5
6
P.M.
5
D5
7
0
0
0
0
E5
0 0 0 0 0 0
C5
6 6 6 6 12 8
10
9
10
8 12 8 12 10 8
7
12 8 11 9
7
10 9
10
7
10
9
8 10 12
13 15 17 15 14
8
17 15 13
16 14 12
End Riff D
0
0
0
6
P.M.
P.M.
5
12 10 8
5
0
7
0
0
0
0
0 0
0
0 0
0
0
0
P.M.
5
0
7
P.M.
5
0
7
0
0
0
0
16 14 12
15 14 12
5 3
Gtr. 4: w/ Riff D
D Em E5
D Em E5
D
Em E5
6 6
Gtr. 5
14 10
12
11
12
10 14 10 14 12 10
13 12 10
14 10 12 11 9
12
12 10 9
11
12
D Em E5
3
6
6
10 12 14
10
15 17 19 17 15
19 17 15
17 16 14
17 16 14
17 15 14
Gtr. 3
P.M.
9
10
0
12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
0
0
6
P.M.
9
10
0
0
0
0
0
0
0
0
0
0
0
0
0
P.M.
9
10
0
6
P.M.
9
10
0
0
0
0
0
0
0
0
0
0
D Em E5
D Em E5
G5/D E5 E5/B
Gtr. 5
17 12
13
14
13
6
6
12 17 12 15 14 12
15 13 12
19 14 14 12 11
3
16
C6
3
16
14 12 10
E5
16
18
19
18
E5
F/A
E5
B5 E5 G5 E5 C5/G E5 B5/F#
16
16
16
6
6
14 15 17 15 14
Gtr. 3
P.M.
9 10
0
0
0
P.M.
9 10
0
6
0
0
0
0
P.M.
7
0
P.M.
10
0 0 0 0 0 0
P.M.
12
0
0
17 16 13
P.M.
9
16 14 12
P.M.
14
0
0
16 14 13
P.M.
10
0
15 14
13
P.M.
15
0
14
Gtr. 4
P.M.
9 10
0
0
0
0
E5
14
9 9 7
9 9 7
9 9 7
P.M.
9 10
0
0
0
µ
0
0 0 0 0 0 0
E5 F5
9 9 7
9 9 7
6
P.M.
5
0
P.M.
2
P.M.
3
0
0
E5
P.M.
0
P.M.
2
0
0
P.M.
3
0
P.M.
3
0
2
µ
14
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
10 10 8
9 9 7
10 10 8
P.M. 0
0
0
0
0
0
0
2 2 0
P.M. 0
2 2 0
13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - United Abominations
Amerikhastan Words and Music by Dave Mustaine
E5
F#5
A5
C5
B5 3fr
1
13
1
2fr
13
13
Verse
Moderately q = 115 2nd time, Gtrs. 1, 4 & 6 tacet 2nd time, Gtr. 3: w/ Rhy. Fig. 1 (7 1/2 times)
1. Recruiting 2. See additional lyrics
*F#m7
the ill - fated
Riff A
Gtr. 1 (clean) (Synth)
4 sec.
mf
for “The War.”
let ring throughout
0
11
9
Gtr. 2 (dist.) 4 sec.
11
10
11
11
11
9
9
Riff B
End Riff B
mf P.M. 0
2
0
2
5
2
0
2
0
2
0
2
3
5
3
0
0
2
0
2
5
2
0
2
0
2
0
2
3
5
3
0
*Chord symbols reflect implied harmony.
Gtr. 2: w/ Riff B (7 times)
A
Gtr. 1
A6
legion
of
uneducated,
0 12
11
7
11
11
11
12
7
souls
with
Badd4
9
11
answering
bankrupt
the call
from New
F#m7
9
12
Yorqatar
0 8
9
9
11
11
10
11 9
lust
7
8
to
a
0
for revenge,
7 9
Califarabia.
11
11
End Riff A
9
© 2007 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff A 2nd time, Gtr. 5: w/ Fill 2 (3 1/2 times)
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
Desperation
E5
F#5
Rhy. Fig. 1 *Gtr. 3 (dist.)
0
4 2
provides
A5
F5 F#5
P.M.
2 2 0
0
fertile ground for religious extremism.
E5
X X X
0
1
2
2
E5
This glorious brainwashing
F5
E5 F#5
A5
E5
where
F5 F#5
End Rhy. Fig. 1
X X X
X X X
2 2 0
3 1
*Doubled throughout
prejudice lies like a crouching tiger
E5
tormenting peasants
F5
E5
F#5
A5
till they erect an army under everyone’s nose.
E5
F5
F#5
To Coda 1 In the end, propaganda
E5
F#5
F5
Guitar Solo
destroys their DNA.
A5
**Gtr. 4 (dist.)
E5
God
help
them.
E5 F5 F#5
D5 E5
mf
3
w/ wah-wah
14
12 14
D5 E5
12
14
**Glen Drover
Fill 1
Gtr. 3
0
4 2
P.M.
0
2 2 0
X X X
2
0
1
2
Fill 2
6
7
Gtr. 5
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
End Fill 1
6
4
3
2
0
Rhy. Fig. 2
0 0
2
2 2
2 2
0 0
2 2
2 2
D5 E5
D5 E5
G5
12
14
2 2
0 0
2 2
2 2
Gtr. 3: w/ Rhy. Fig. 2
Gtr. 4
15
14
15
15
14
14
12
0 0
2 2
2 2
0 0
2 2
X
15
0 0
G5
2 2
D5 E5
D5 E5
3
15
15
14
2 2
0 0
2 2
D5 E5
End Rhy. Fig. 2
2 2
grad. release 1 1/2
2
12
A5
2
1
14
14
14
14
D5 E5 D5 E5
15
1/2
5 5
D5 E5
3/4
12
14
8va loco P.H. 1
D5 E5
D5 E5
hold bend
3/4
14
2 2
D5 E5
3/4
D5 E5
3
14 14
0 0
D5 E5
2 2
D5 E5
2 2
A5
1/2
17
7
16
17
17 16
15 14
15
14 12
14 13
16
16
Pitch: B
Guitar Solo
A5 F#5 E5
1
F#5
1
f
16
Riff C
P.M. 5
2
F#5
A5 F#5
G5
1/2
16
A5 F#5 E5
16
*Gtr. 5 (dist.)
Gtr. 3
F#5
16
16
*Dave Mustaine
A5 F#5 E5
Gtr. 4
Gtr. 4 tacet
0
14 14
1/2
16
P.M. 2
5
16
2
0
16 16
16
1/4
14
17 17
14
P.M. 2
5
2
0
16 16 16
14 14
16
14
16
15
14
17
14 End Riff C
2
P.M.
5
2
2
2
2
3
3
3
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Riff C (1 1/2 times)
A5 F#5 E5
F#5 A5 F#5 E5
F#5
Gtr. 5
A5 F#5 E5
16
A5 F#5 E5
X
15
17
17 14
17 14
A5
F#5 E5
F#5
X
4
Bb5 Ab5 F5
6
6
string noise
X X
16
6
6
1
14 17 17
17 14
19 14 17
17
17 14
13 16 13
17 13 16
16
18 13
16 13
16
16
Rhy. Fig. 3
P.M. P.M. 5
grad. bend
14
16
P.S.
4
F#5 A5 F#5 E5 F#5
16
17 14
A5 F#5 E5
1
14
16
G5
2 4
Gtr. 3
16 14
A5 F#5
steady gliss.
1
16 16
16
F#5
Gtr. 5
16
G5
3
1
14
3
1
14 14
A5 F#5
3
1/4
16
F#5
2
0
2
5
2
A5 G5 E5
2
2
2
3
3
3
5
2
0
Ab5 Gb5Eb5
2
6
4
A5 G5 D5
3 1
3 1
Bb5 G5 Db5
P.M.
1. Oo,
6
6
12 15
12 15 12
P.M.
5
3
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 2 0
15
17 12
15
2 2 0
6
6
15 12
15 11 14
11 14 11
P.M.
4
2
1 1
14
16 11
14
1 1
6
6
14 11
14
10 13
10 13 10
P.M.
5
3
0 0
13
15 10
13
0 0
6
6
13 10
13
9 12 9
9 12
12
14 9
12
12 9
12
End Rhy. Fig. 3
P.M.
6
3
4 4
4 4
Chorus
2nd time, Gtr. 5: w/ Fill 3
2nd time, Gtr. 3: w/ Fill 4
F#5
all all
that that
they en you en
-
vi vi
-
sioned sion
of of
what what
16
16
14
4
come come
to to
be be
5
2
X X
X X
3
2
4
4
2
0
X X
16
P.M. 3
would will
P.S.
17
0
things things
1
2
1/2
4
3
2
2
0
2
X X
X X
3
2
4
4
2
0
2
0
Gtr. 5 tacet
in in
-
to to
pink death
a a
mess knell
when when
they you
blew look
G5
turned turns
E5 F#5 A5 F#5
A5
to smith - er be - hind the
-
eens. scenes.
P.S.
X X
Riff D
End Riff D
2
3
4
5
2
X X
X X
3
2
4
4
2
0
2
0
Fill 3
Fill 4
Gtr. 5
Gtr. 3
7
2
0
2
5
2
X X X
X X X
5 3
7 5
3
7 4
3
2
0
2
X X X X
3
4
2
4
3
2 0
2
0
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
We
are
just
a
war
a - way
from A
-
mer
-
stan,
when
i - kha
-
Riff E
End Riff E
Gtr. 3
2
3
4
5
2
X X
X X
3
4
2
4
2
4
0
2
3
0
2
0
2
X X
X X
3
2
4
4
2
0
2
To Coda 2 Gtr. 3: w/ Riff D
God
ver
Interlude E5
F#5
Rhy. Fig. 4
Gtr. 3
-
sus
E5
F#5
god;
the
un
A5
E5
F#5
E5 F#5
do
E5
F#5
-
C5 B5
P.M.
Prom
-
is
-
ing
a
Gtr. 6 (dist.)
mf
12 11 12
11
9
11
14 13 14
G5
va
16
14
14
E5
9
7
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9
12 11 12
11 10 11
man.
F#5
E5
11 12
11
11
F#5
A5
P.M.
- por,
11
Gtr. 4
wah-wah off
of
14
A5
ing
P.M.
-
A5 F#5
11
12
7
9
12
12
7
9
9
X X
Gtr. 3: w/ Rhy. Fig. 4
E5
F#5
E5
F#5
E5
F#5
E5
F#5
P.M.
11
12
7
9
12
9
9
9
the
end
11
6
8
9
9
12
11
11
12
10
11
6
16
9
in
11
A5
End Rhy. Fig. 4
6
15
14
16
13
14
14
13
14
D.S. al Coda 1
E5
F#5
they
E5
F#5
be - come
C5 B5
E5
15
16
19
18
19
A5
E5
F#5
E5
F#5
E5
14
17
19
16
21
10
14
14
16
14
F#5
one.
16
E5
11
F#5
14
14
15
19
14
18
18
16
19
16
18
19
19
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda 1
Guitar Solo
Gtr. 3: w/ Fill 1
We’re
Gtr. 3: w/ Rhy. Fig. 2 (2 times)
coming to
get you!
D5 E5
Gtr. 4
1
w/ wah-wah
1/2
17
14
7
D5 E5
1 20
1
1/2
1
17
D5 E5
rake
1
1/2
1/2
17
1
17
loco 1 1/2 rake 1
D5 E5
1 1/2
19
20
G5
1
17
17
20
1
D5 E5
16 14
D5 E5
8va
D5 E5
D5 E5
8va
1 1/2 19
A5
D5 E5
D5
E5
1
19
15
X
15
15
15
15
X X
D5
12
E5
D5 E5
12
15 14 15
15
12
14
G5
12
15
12
14
D5 E5
D5 E5
D5 E5
D5 E5
A5
3
12
15
12
15 12
15
12
15
12 14
12 14 15 14 12 14 12
12 15 14
12 14
Guitar Solo
Gtr. 3: w/ Riff C (3 times)
A5 F#5 E5
Gtr. 4
F#5
1
1
17
Gtr. 4 tacet
A5 F#5 E5
F#5
X
12
let ring 1
14
16
16
F#5
Gtr. 5
E5
F#5
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1 hold bend
1
Sorgdal
F#5
A5 F#5
G5
17
Gtr. 5
A5
A5 F#5 E5
14 14
14
16
16
14
A5 F#5 E5
15
14
16
16
F#5
16
A5 F#5 E5
let ring 1
14
16
1
16
14
17
F#5
A5 F#5
G5
17
17
A5
F#5
E5
16
17
16
14
A5
F#5
E5
F#5
A5
F#5
14
17
19
17
14
18
F#5
6
17
16
14
A5
E5
18
F#5
6
18
14
17
17
19
17
14
14
16
F#5
17
16
14
G5
6
18
17
16
6
14
14
14
19
F5
Bb5 Ab5
17
14
17
16
14
19
17
14
Gtr. 3: w/ Rhy. Fig. 3
A5
F#5
E5
6
9
A5
12
9
G5
12
9
E5
9
12
12
13
8
Ab5
11
8
Gb5
10
7
G5
11
8
Eb5
10
7
T
12
7
12
10
T
7
10
11
13
8
Bb5
6
9
6
G5
9
6
11
8
11
8
5
10
5
9
11
6
9
10
8
9
7
2. Oo,
T
T
4
9
6
T
5
6
D.S.S. al Coda 2
6
T
T
5
T
11
Db5
6
T
8
13
T
6
5
T
T
6
D5
6
T
9
6
7
A5
10
14
14
6
T
6
T
12
T
T
6
6
T
14
F#5
4
7
4
9
4
7
9
4
7
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda 2
Guitar Solo Gtr. 3: w/ Riff E
E5 F#5
un
-
Gtr. 4
A5 F#5
do
G5
-
A5
ing
F#5
of
man.
1
1/2
2
4
4
2
4
3/4
semi-harm. 1
4
2
4
4
Gtr. 3: w/ Riff D
4
P.M. P.M. P.M. steady gliss. P.M.
3
4
3
4
4
2
2
4
4
4
4
2
4
9
4
9
11
7
7
9
6
6
7
6
7
5
Guitar Solo Gtr. 3: w/ Riff E Gtr. 4 tacet
E5 F#5 A5 F#5
G5
A5
3
P.M.
6
P.M.
5
4
P.M.
4
5
4
5
2
17
14
17
1
16
Gtr. 4
14
3
4
4
5
4
2
17 16 14
4
16
14 16 17 16 14
14
17
14
16
14 16 17 16 14 19 17 14 17 16 14 16
6
17
14
14
14
17
14
16
16
6
14
E5 F#5 A5 F#5
17
14
17
17
16
G5
14
A5
6
1/2
16
14
6
6
6
Gtr. 3: w/ Riff D
Gtr. 5
6
1/2
P.M.
6
19
F#5
1/2
16
16
16
16
14
14
16
X
14 14
16 16
X
14 14
6
16 16
16 16
X X
14 14
X X
X X
X X
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
X X
3
X
10
X X
X
X
Guitar Solo
F#5
Gtr. 4
12
7
6
14
12
10
12
14
10
7
7
12
14
12
10
12
14
11
12
14
12
11
12
14
11
13
14
13
11
13
14
Gtr. 5
14 14
Gtr. 3
P.M.
2
2
3
4
5
12 14
2
2
2
3
4
2
4
2
0
2
0
9
15
14
12
14
10
3
13
12
13
14
14
17
15
14
17
16
14
17
19
19
17
19
18
17
14
15
16
15
17
14
16
17
16
14
17
14 14
4
3
2
0
2
X X
4
X X
3
2
4
2
0
2
X X
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
11
1/2
16
17
16
14
17
16
14
17
14
16
17
16
14
17
16
17
16
14
16
17
17
16
14
17
16
14 16
14 14
2
2
3
4
5
P.M.
2
2
2
3
4
2
4
2
0
2
0
Outro-Guitar Solo Gtr. 5 tacet
Gtr. 4 tacet
E5 F#5 A5 F#5
G5
A5
F#5
16
16
16
14
16
F#5
Gtr. 4
G5 G#5 A5
Gtr. 5
6
6
6
6
P.S.
X X X
17 14
14
17
14
14
17 14
14
17 14
14
19 14
15
19 14
15
19 14
15
19 14
15
Gtr. 3
6
6
6
6
6
6
2
2 2 2
P.M.
2
0
2
5
2
G5 G#5 A5
2
2
3 3 3 3 3 3 5 5 5 5 5 5
3
F#5
4
5 5 5 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
G5 G#5 A5
F#5
G5 G#5 A5
F#5
6
17 14
16
6
17 14
6
16
17 14
16
6
17 14
16
19 14
6
6
15
19 14
6
15
19 14
15
6
19 14
15
14 17
6
14 17 14
6
6
17 14 17
6
14 17 14
15 14 15
6
14 17 14
6
6
15 14 15
14 17 14
15
6
P.M.
2 2
12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2
3
4
5 5 5 2 2 2 2 2 2
2 2 2 2 2 2 2 2 2 2
2 2 2
3
4
5 5 5 2 2 2 2 2 2 2
3
4
5 5 5 2 2 2 2
G5 G#5 A5
F#5
6
14 16
14 17 14
6
6
16 14 16
14 17 14
16
17 18
17
18 17 16 17 18
19
17 16
19
3
P.M.
2
2
2
3
6
4
5
5
5
2
2
2
6
6
6
µ
2
3
4
2
4
3
2
3
4
4
3
2
16
16
4 2
4 2
Additional Lyrics
2. No rules of engagement, this enemy hides Amongst women and children. And to beat violence, you must ignore the focus groups. You must send in the Mossad, turn off the BBC, CNN And don’t look back. Rest assured there’ll be no more Middle Eastern crisis, hell! There’ll be no more Middle East! These are your people, Lady Liberty, Pull up your dress today. And tattooed is “property of the USA A subsidiary of Halliburton”. Surprise?! But a roaring lion is about to be unleashed on earth. Hey, Jihad Joe? Guess what? We’re coming to get you?
13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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from Megadeth - United Abominations
A Tout Le Monde (Set Me Free)
Words and Music by Dave Mustaine, Dave Ellefson, Nick Menza and Martin Friedman F#5
E5
B5
A5
C#5
Dsus2
E6
G5
4fr 13 Verse Moderately q = 113
* F#m
1
13
**
1. Male: Don’t re - mem - ber
Gtr. 1 (clean)
11
I
13
1
where
4fr
13
E6sus4
A5 V 5fr
13
13
B7[no3rd]
was,
oh, I
re - al
-
ized
life
was a
4
2
game.
Riff A
mf
let ring throughout
2
2
4
2
2
2
4
4
2
0
2
4
4
0
0
2
4
2
4
2
4 2
*Chord symbols reflect implied harmony. **Dave Mustaine
Gtr. 1: w/ Riff A (3 times)
Gsus2
A5
G5
F#m
The more
se - ri - ous - ly
End Riff A
2
0 3
er
the rules
B7[no3rd]
A5
life
took things,
the
hard -
G5 F#m
be - came.
my
Gsus2
I
3
B7[no3rd]
2
2
0
3
E6sus4
I
passed
Gsus2
had
no
A5
be - fore
my
eyes.
G5
E6sus4
i - dea
F#m
what
Oo,
I
found
out
how
it
cost,
lit - tle
© 1994 MUSTAINE MUSIC, VULGARIAN MUSIC, MENZA MUSIC and ADAM MARTIN MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E6sus4
B7[no3rd]
I
Pre-Chorus
ac - com
1. So
as you 2. Mov - ing
F#5
-
this, know,
mf
P.M.
4 4
2 2
all
my
Gsus2
plans
de - nied.
F#5
2 2
smile the sleep
-
4 4
2
B5
bod - y’s liv - ing
gone,
D5
that’s
with you is
4 4
4 4
all. hard.
P.M.
2 2
4 4
A5
when ing
you feel
think no
of more
2 2
4 4
4 2
me, pain,
my and the
P.M.
2 2
4 2
scarred.
P.M.
2 2
all.
are
2 2
P.M.
P.M.
4 4
**As before
G5
P.M.
4
Please You know
P.M.
4 4
*Bass plays F#.
I’d love to stay what it leaves be - hind
A5
** B5/F#
my friends, is a sim - ple thing,
*A5/F#
Gtrs. 2 & 3 (dist.)
plished,
read on
2 2
P.M. (cont. in slashes)
4 4
2
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7 0
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
F#5 *Gtrs. 2&3
Oh, a
tout
le monde.
Riff B
B5
3
A
Gtr. 1
E5
Rhy. Fig. 1
Je vous aime.
A
tout mes a - mis.
open
w/ slight dist. let ring throughout
9
10
9
9
10
9
7
9
9
7
9
9
7
7
8
7
7
8
*Composite arrangement
F#5
Je
dois
6
A5
par
5
7
-
tir.
These
5
7
C#5
6
6
are the last
5
5
words
5
5
5
6
T o Coda
B5
A
set
me
and they’ll
Rhy. Fig. 2
Gtr. 2 P.M. P.M. (1st time, Gtr. 3 cont. in notation)
2
2
2
2 4
if
my
heart
** Female: End Riff B
Riff C Gtr. 3
2
4 6
Gtr. 1 tacet
P.M.
4
4
open
End Rhy. Fig. 1
5
F#5
2. Oo,
Verse
free.
E
speak,
4
5
6
ev - er
I’ll
5
Dsus2
open
5 5 7 0
P.M.
2 2
4
(If
my
P.M.
2 2
4
2
4
**Cristina Scabbia (Lacuna Coil)
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
E6
E5
E6
E5
E6
B5
P.M.
heart
P.M.
I
know it would sure - ly
G5 End Rhy. Fig. 2
break.
was still a - live.)
P.M.
2
P.M.
4
0
4
0
P.M.
2
4
0
A5V
G5
3 3
was still a - live
F#5
P.M.
2
4
2
P.M.
2
4
2
P.M.
4
P.M.
2
0 2
End Riff C
3
3
0
2
2
3
D.S. al Coda Gtr. 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Riff C
F#5
Female: And my mem -’ries
left
E5
E6
E5
E6
E5 E6
with you.
left
16
16
f 10
A5
G5
say.
E5
Rhy. Fig. 3
G5
Gtr. 1 tacet
F#5
*Gtr. 4 (dist.)
F#5
with you.)
Guitar Solo
Gtrs. 2&3
Male: There’s noth - ing more to
Male: (Ooh, and my mem -’ries
Coda
B5
14
17
14
1
17
1
17
rake
17
1/2
1/2
16
16
14
16
17
X
16
X
*Glen Drover
B5
17
15
14
14
15
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
19
14
F#5
6
G5
A5V
G5 End Rhy. Fig. 3
14
17
14
13
15
13
11
14
11
9
12
9
6
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (2 times)
F#5
E5
Gtr. 4
7
10
5
7
5
7 4
6
4
4
2
4
P.M. 1 B5
5
5
4
4
4
4
4
2
6
4
let ring
11
10
11
10 11
X X
4
5
E5
4
7
4
2
4
2
4
5
G5
4
2
4
4
2
2
F#
rake
12
10
10
7
A5
1 hold bend
1
4
G5
Pitch: E
F#5
2
4
15ma 3 loco 3 P.M. P.H. P.H.
F#5
5
4
10
10
9
P.M.
9
10
9
X
11
9
X
B5
F#5
G5
A5
G5
6
Gtr. 5 (dist.)
6
mf
16 18 19
P.M. Gtr. 4
7
9
7
7 7
9 9
7 7
7 7
16 18 20 16 18 20
17 19 21
3 6 6
13 14 13
16
13
14
16
13
14
13 14 16
13 14 16 13 14 16
14 16 17
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus Gtrs. 4 & 5 tacet
G#5
Female: So
Gtr. 5
*
as
you
read
B5/G#
this,
know,
19
Gtr. 4
my
friends,
I’d
love
to
stay
with you
all.
19
16
16
Gtrs. 2 & 3
P.M. 4 4
6 4
6 6
G#5
4 4
Gtrs. 2 & 3
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6 6
4
P.M.
6 6
4 4
**As before
B5
smile,
smile
when you think
a - bout
me.
all.)
P.M.
6 6
P.M.
4 4
6
Please (With you
P.M.
*Bass plays G#.
Sorgdal
** C#5/G#
4 4
6 6
P.M.
4 4
6 6
4 4
P.M.
6
C#5
E5
My
bod - y’s
gone,
that’s
all. (That’s all.)
(Uh.)
P.M.
4 4
6 6
4 4
P.M.
6 6
4 4
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9 0
Chorus Gtr. 1: w/ Riff B (2 times) Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)
F#5
E5
A tout le monde.
A
tout mes
a
-
mis.
(A tout le monde.
B5
Je vous aime. A tout mes a
-
mis.
Je vous aime.
A5
* Voc. Fig. 1
*Refers to upstemmed voc. only.
F#5
A5
Je
dois
par
-
tir. Je dois
par
-
These are tir.)
the
last
End Voc. Fig. 1
C#5
words
I’ll
ev - er
speak,
Bkgd. Voc.: w/ Voc. Fig. 1
B5
and they’ll
E5
set
me
free.
A
tout mes
a
-
mis.
Dsus2
F#5
A
B5
Je vous
aime.
A5
tout
F#5
le
monde.
Je
dois
par
-
tir.
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
These are
the
last
C#5
words
I’ll
speak,
ev
- er
B5
and they’ll set
me
free.
Outro Gtrs. 2 & 3: w/ Rhy. Fig. 3 (1 3/4 times)
F#5
E5
Dsus2
Gtr. 5
14
Gtr. 4
12
14
14
14
12
14
14
13
14
14
12
14
rake
14
13
14
14
16
13
14
14
14
13
16
13
13
16
X
14
16
X
B5
F#5 G5
A5
G5
F#5
15
14
15
12
15 14
15
14
14 9
7
8
12
12
10
12
11
14
12
14
14
14
12
14
16
14
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
16
16
16 14
16
16
17
16
14
15
14
14
16
16
14
14
13
14
16
14
13
14
16
E5
14
14
13
14 12
rake
13 14 13
16
X
F#5
14
15 14
15 12
15 14
14
16
15 12
P.M. rit.
µ
15 14
13
Gtr. 4 tacet
B5
16
16
16 14
16
16
16
14 12
14 12
11
12
14
rit. P.M.
Gtrs. 2 & 3
16 14
14
X
14 13
7
16
6
7
6
7
5
7
5
4
5
7
Slower q = 96 Gtr. 5 tacet
Gtr. 1: w/ Riff A
F#5
F#m
E6sus4
Spoken: These are
the
last
words
3
Gtrs. 2 & 3
42
B7[no3rd]
I’ll
ev
Gtrs. 2 & 3 tacet
- er
Gsus2
rit.
speak,
A5
and
they’ll
set
me
free.
G5
rit.
ppp
4 2
F#5¨6
F#m
2
4
0
4
0
4
2
4
2
4
0
4
0
4
2
mp
Gtr. 1
4
2 2 2 4 4 2
2 w/ bar
2 2 4 4 2
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - The System Has Failed
Back in the Day Words and Music by Dave Mustaine C5
Ab5
G5
C5 type2
D5
Eb5
4fr 134
5fr
134
134
13
6fr
13
13
1.– 7.
Intro Fast q = 216 ** D5
8.
1. Oo,
*Gtr. 1 (dist.)
Riff A
mf
10
0
0
8
0
0
7
0
0
End Riff A
0
0
8
7
0
7
0
0
8
0
0
7
0
7
0
*Doubled throughout **Chord symbols reflect implied harmony.
Verse Gtr. 1: w/ Riff A (8 times)
D5
where were
you
when it hap
or
York back to
Chorus
pened?
Uh, where could you
of the stage,
-
Dm
L
A5
in
-
Bb5
the world
of met
- al
the
Dm
6 7 7 5
7 7 5
7 7 5
8 8 6
P.M.
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
-
A5
F
out
to
8 8 6
6 7 7 5
er
back
Bb5
7 7 5
Old
the
front
Bridge,
New
in the day.
7 7 5
8 8 6
© 2004 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
And
at
day.
Rhy. Fig. 1
S
changed for - ev
Well, that was back in
Gtr. 1
From
Were you
der - ground?
found?
A,
the un
be
if,
C5
uh, you weren’t End Rhy. Fig. 1
P.M.
8 8 6
8 8 6
8 8 6
10 10 8
10 10 8
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Rhy. Fig. 1
Dm
A5
Bb5
there
it
does - n’t mat - ter
T o Coda
Dm
A5
Bb5
an - y - way
D5
D5
2. Eh,
die
to
play.
a
path
Coda
of
2
0
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
day
and
live
to
die
2
and
place
leave
’cross
the
world
from
stage
to
stage.
A5 B5 A5 G5 F#5
E5
F5
C5
B5 C5 B5 G5 F#5
1 1/2 1
14
D.S. al Coda
met - al
12
12
’ry
2
Riff B
1
-
B5
f
Gtr. 1
stand. Gtr. 2 (dist.)
E5
Ev
Guitar Solo
Sorgdal
un - der -
Gtr. 1: w/ Riff A (4 times)
stand.
Verse
Gtr. 1: w/ Riff A (4 times)
be - cause you would - n’t
Interlude
C5
12
14
12
12
10
12
14
12
0
1
1
2
0
14
12
12
3
3
2
0
12
12
12
15
15
12
End Riff B
3
2
3
2
3
2
Gtr. 1: w/ Riff B
E5
Gtr. 2
B5
A5
B5 A5 G5 F#5
E5
F5
C5
B5 C5 B5 G5 F#5
8v a
In
P.H. 1/2
15
12
12
15
12
15
14
12
12
14
1
15
14
14
12
14
14
12
12
14
14
w/ bar
1 1/2
15
15
14
loco
12
slack
Bridge Gtr. 1: w/ Riff B (2 times) Gtr. 2 tacet
E5
Riff C Gtr. 3 (dist.)
and
leath - er
den - im
B5
A5
B5
A5 G5 F#5
E5
we were
all
F5
of
one
part
C5
B5
C5
B5
force.
G5 F#5
Knocked End Riff C
mf
4
4
2
2
Gtr. 3: w/ Riff C
E5
B5
rock and
roll
on
its
4
5
4
and
5
2
A5 B5 A5 G5 F#5 E5
put
met - al
5
2
ass
F5
on
4
C5
the
5
4
5
4
B5 C5 B5 G5 F#5
course.
Guitar Solo Gtr. 2 tacet
A5
Voc. Fig. 1
(High - er.) Gtr. 2
0
4
Gtr. 1 Riff D
0
0
7
4
0
0
0
7
5
5
1/2
0
0
0
7
7
9
10
7
0
9
7
5
7
0
0
0
5
7
7
End Voc. Fig. 1
8
7
0
End Riff D
P.M.
5
7
7 8
5
6
7
5
6
7
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bkgd. Voc.: w/ Voc. Fig. 1 (3 times) Gtr. 1: w/ Riff D (3 times)
Gtr. 4 (dist.)
mf
7
7
7
7
5
7 0
7
7
1/4
7
Gtr. 2
Gtr. 4 tacet
7
5 5
7
5 5
7 7
5
6
1
5
5
5
5
5
7
5
5
8
7
5
1
5
7
fdbk.
8
8
7
7
5
7
7
5
0
Pitch: A
Gtr. 2 tacet
let ring Gtr. 4
20
17
17 17
3
1/2
19 19
19 19
3
3
3
3
1
19 17 19 19 17 19
20 20
17 17
19
19
19 17
19
20 19 17
19
20 19 17
19
20 19 17
19
20 19 17
19
17
Interlude Gtr. 4 tacet
C5 Rhy. Fig. 2
Gtr. 1
Ab5
(cont. innotation)
* Voc. Fig. 2
G5
F5
G5
C5
Uh,
back
Ab5
G5
in
the
Eb5
D5
End Voc. Fig. 2
End Rhy. Fig. 2
day,
(Ah.)
17
17
*Applies to Bkgd. Voc. only.
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 5 3
3 3 1
Gtr. 1
5 5 3
5 5 3
6 6 4
5 5 3
8 8 6
7 7 5
Bkgd. Voc.: w/ Voc. Fig. 2 (3 times) Gtr. 1: w/ Rhy. Fig. 2 (3 times)
C5
Ab5
G5
F5
G5
C5
uh,
16
17
15
15
17
C5
16
Ab5
16
15
17
13
16
F5
It does
16
16
C5
16
15
16
13
Ab5
15
G5
11
13 11
15
F5
11
13
15
n’t
mat
12
you
3
16
15
Ab5
13 12
13
Eb5
D5
there.
-
12
13
12
Eb5
D5
12
un
-
der
G5
Eb5
D5
- stand.
This
13
12
10
12
16
ter
3
13
G5
12
Ab5
would - n’t
15
15
C5
C5
13
weren’t
-
G5
’cause
15
16
20
G5
G5
13 15 13
G5
you
Gtr. 4
Ab5
13
10
12
13
10
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro
C5
is
our way
of
10
a
Riff E1 10 10 10
life,
Gtr. 4
10
D5 Eb5
10 10 10
C5
life
that was born
free,
Eb5 D5
and
to
10
10
10
10 10 10
10
10
10
10 10 10
10
10 10 10
10 10 10
10
10
10
Gtr. 1
Riff E
3
3
3
3
3
3
C5
3
3
3
3
fol
-
low
3
or
-
ders
10
10 10 10
10
10 10 10
3
3
3
3
3
3
3
3
3
3
how
to
3
3
5
6
D5 Eb5
C5
live
was
nev
3
3
er meant to
be,
3
3
3
3
6
5
Eb5 D5
10
10
10
10 10 10
10
10
10
10 10 10
10
10 10 10
10 10 10
10
10
10
3
3
3
3
3
3
3
5
6
3
3
3
3
3
3
3
3
3
3
6
5
Db
3
oh.
5
5
5
5
5
5
5
Sorgdal
3
uh,
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
-
3
6
3
Dm
6
3
Eb
5
3
6
6
6
6
6
6
6
5
3
3
5
5
5
5
5
5
3
3
3
3
3
3
3
6
5
6
6
6
6
6
6
5
5
5
5
5
5
5
3
3
3
3
3
3
4
4
4
4
4
4
4
C5
D5 Eb5
C5
Eb5 D5
Peals of
10
10 10 10
10
10 10 10
10
10
10
10 10 10
10
10 10 10
10
10 10 10
10 10 10
10
10
10
End Riff E
3
3
3
3
3
3
C5
thun
-
C5
mu
3
3
3
3
3
-
der,
sheets
of
light
sic
was
ex
Eb
3
3
3
3
-
cit
-
D5 Eb5
C5
the
pow
-
C5
the
ma
ing,
3
3
3
3
3
er
hits
the
stage.
-
ni
-
3
3
a
3
6
Eb5 D5
Eb5 D5
raged,
C5
5
The
3
3
Db
3
D5 Eb5
Dm
D5 Eb5
oh.
C5
C5
start - ed
to
ring.
ears
C5
sum
6
-
5
ning,
uh,
10
Gtr. 1: w/ Riff E (3 times) Gtr. 4: w/ Riff E1 (2 5/8 times)
10
End Riff E1
-
ing
ev
’ry
-
C5
We
all
had
the
fe
Eb5 D5
C5
thing,
Feed
-
Eb5 D5
Eb5 D5
-
ing
Eb
-
D5 Eb5
ver.
this
wild
-
Our
D5 Eb5
fire,
con -
uh,
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Dm
Db
C5
D5 Eb5 C5
Eb5 D5
oh.
C5
Met - al’s
king
back
chal - lenge
D5 Eb5
C5
and
still
is
then
D5
Eb5
C5
but
it
nev - er
D
goes
a
to
this
-
C5
Oth - ers
im - i - tate
Eb5 D5
Eb
or
uh,
C5
D5 Eb5
day.
way,
Db
Eb5 D5
oh,
Gtr. 4
4
4
4
4
4
4
4
4
3
3
3
C5
3
3
Eb5 D5
3
3
10
10
10 10 10
C5
10
10 10 10
10 10 10
10
12
13
D5
Eb5
10 10 10 10 10 10 10 10 10 10 10 10
10
10
ah.
Gtr. 4
10
10 10 10
10
10 10 10
10
10 10 10
10
13
12
Riff F
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10 10 10 10 10 10 10
Riff G Gtr. 1
3
8
End Riff F
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
5
5
6
6
Gtr. 1: w/ Riff G (2 3/4 times)
Gtr. 4: w/ Riff F (3 times)
C5
Eb5
D5
C5
D5 Eb5
Gtr. 1
End Riff G
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
C5
3
3
3
Eb5 D5
3
6
6
5
Gtr. 4
10 10 10 10 10 10 10
5
C5
10
Eb5
10
D5
10 10 10 10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 13 12
C5
Eb5
10 10 10 10 10 10 10 10 10 10 10 10
D5
10 10 10 10 10 10 10 10 10 10 10 10
C5
Eb5
D5
10 10 10 10 10 10 10 10 10 10 10 10
10 10 10 10 10 10 10 10 10 10 10 10
C5
C
Eb5 D5
3fr Gtr. 1
10 10 10 10 10 10 10 10 10 10 10 10
6fr
5fr
10 10 10 10 10 10 10 10 10 10 10 10
C5 type2
10
10
10
10
10 10 10 10 10 10 10
Eb5 D5
C5 type2
13
12
10 10 10 10 10 10 10 10 10 10 10 10
C5 type2
D5 Eb5
10
10
10
10
10
D5 Eb5
10
C5 type2
10
10
10
10
13
12
10
10
10
10
10
10
10
10
12
13
10
10
10
12
13
10
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - Endgame
Bite the Hand That Feeds Words and Music by Dave Mustaine
Intro Fast q = 226 Half-time feel ** F#5
E5 F#5 G5 F#5
*Gtrs. 1 & 2 (dist.)
mf
2
0
E5
F#5
E5 F#5 G5 F#5
2
0
2
2
0
E5 F#5 G5
2
2
P.M.
2
2
3
2
0
0
0
2
3
2
0
2
3
*Composite arrangement **Chord symbols reflect implied harmony.
F#5
E5 F#5 G5 F#5
2
0
E5
F#5
E5 F#5 G5 F#5
2
0
2
2
0
E5 F#5 G5
P.M.
2
2
3
2
0
0
0
2
3
2
2
2
0
2
5 3
2nd time, end half-time feel
F#5
E5 F#5 G5 F#5
Rhy. Fig. 1
E5
P.M.
4 2
4 2
0
2
3
2
2
F#5
2
4 2
0
0
0
E5 F#5 G5 F#5
E5 F#5 G5
P.M.
4 2
0
2
3
2
© 2009 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
2
End Rhy. Fig. 1
2
0
2
5 3
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Verse
3rd time, Gtr. 3: w/ Fill 1
Am7
la - dy a
1. They ball gagged 2. The de - pres - sion of 3., 4. See additional lyrics
Riff A
0
-
P.M.
7
fold
P.M.
5 5
0
0
P.M.
0
0
5
0
0
The e by
- ro the
0
5
0
P.M.
jus -
pres
0
3
8
7
so -
she can’t cide
5
7
5 5
3
0
7
8
7
5
7
5 5
P.M.
0
P.M.
5
0
0
0
con
-
X X
X X
5 5
X X
caused
sion of di - a - lec
P.M.
5 5
0
0
P.M.
7
0
0
Fill 1 Gtr. 3
5
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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0
0
P.M.
7
3
0
P.M.
7 0
peo - ple’s cha - os
8
7
5
7
5 5
5
0
0
5 5
7 7
7 7
5 5
of
P.M.
P.M.
7 7
7 7
0
0
7
0
steady gliss.
13
7
5
0
0
0
0
7 7
what will when the
P.M.
7
5 5
3
7 8 7
13
7
trust
5 5
P.M.
13
2
P.M.
the tic
-
Gtr. 2
X X
o - my
0
5 5
P.M.
7
0
P.M.
C5 A5 D5 C5 A5 D5 C5 A5
-
Gtr. 1: w/ Riff A (2 times)
Am7
and
7
0
P.M.
0
sion,
see. the e
tice
for
-
P.M.
0
0
P.M.
7
7
7
her su - i
P.M.
P.M.
ed world - wide
7
0
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blind
0
End Riff A
P.M.
5 5
de
0
5
7
come mob
to
be on
Wall
an
F.
Street
P.M.
5 5
0
P.M.
7
0
0
5
0
P.M.
0
0
P.M.
7
P.M.
P.M.
P.M.
0
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7
0
0
5
P.M.
0
0
7
0
P.M.
8
7
5
7
5 5
3
0
8
7
5
7
5 5
0
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0
C. the
as peo
P.M.
7
0
P.M.
7
5 5
D. I. “We
0
Gtr. 2
took
3
7 0
Gtr. 1
G5
0
5
0
P.M.
7
0
0
5
-
sist
- ed ple”
-
P.M.
0
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P.M.
0
0
7
7
su - i for a
-
P.M. 0
0
5 3
P.M. 0
0
5 3
Interlude Half-time feel Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
F#5
E5 F#5 G5 F#5
E5
F#5
E5 F#5 G5 F#5
E5 F#5 G5
cide. ride.
End half-time feel
F#5
E5 F#5 G5 F#5
Chorus Am
E5
F#5
E5 F#5 G5 F#5
Bm
When it’s
dog
eat
dog,
you
are
E5 F#5 G5
G5
what
you
eat
Gtrs. 1 & 2
5
5
7
7
0
7
8
5
0
7
8
0
7
8
5
0
7
8
0
9
10
7
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10
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5 3
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Half-time feel
End half-time feel
F#5
E5 E#5 F#5 G5
Rhy. Fig. 2
4 2
0
1
5 5 3
2
E5 G5 G#5 G5
5 3
6 4
just
like
the
mad
0
0
2
6 4
0
3
Bm
dog
5
7
that
bites
0
7
8
5
0
7
8
0
7
8
5
0
7
8
0
9
10
P.M.
5 3
7
0
9
6 4
5 3
that
3
feeds.
3
7 5
0
µ
the hand
5 3
4
End Rhy. Fig. 2
P.M.
4 5
A5 Ab5 G5
P.M.
5 3
Am
G#5
P.M.
4 2
E5 F#5 G5
2
0
4
3
2
0
4
10
2
3
0
4
2
0
Half-time feel Gtrs. 1 & 2: w/ Rhy. Fig. 2
F#5
E5 E#5 F#5 G5
*Voc. Fig. 1
E5 F#5 G5
(Like
the
mad
G#5
E5 G5 G#5 G5
dog
that
A5 Ab5 G5
bites
the
hand
that
feeds.)
*Refers to downstemmed vocs. only.
To Coda
1st time, end half-time feel
F#5
E5 E#5 F#5 G5
1. Just
End Voc. Fig. 1
like the 2. When it’s
Gtrs. 1 & 2
4 2
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Sorgdal
4 2
P.M. 0
1
2
5 5 3
E5 F#5 G5
mad dog
dog eat
5 3
G#5
dog,
P.M.
5 3
6 4
0
0
2
E5 G5 G#5 A5
that you
bites are
0
the hand what
P.M.
6 4
Ab5 G5
3
4
7 5
that you
feeds. eat.
P.M.
7 5
0
7 5
6 4
5 3
Guitar Solo
*Gtr. 3 (dist.)
Gtrs. 1 & 2: w/ Riff B (2 1/2 times)
Em7
f 1
12
3
5
3
1/2
12 13 12
15
11
15
11
12
12 14 12 11 12 14
14
15 13 15
15 17 15
14
*Chris Broderick
Gtrs. 1 & 2
Riff B
End Riff B
P.M.
5 5
0
0
P.M.
7
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P.M.
5
0
P.M.
7
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Gtr. 3
19
15
17
16
19
20
16
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17
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19
17
16
17
20
16
19
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17
19
12
13
12
16
F5
19
15
17
3
16
17
19
16
Gtrs. 1 & 2
P.M.
0
0
3 1
P.M.
7
0
3
3
15
13
14
1
Gtr. 3
3
19
mf
Gtr. 4 tacet
0
1/2
12
15
Gtr. 4 (dist.)
0
13
13
16
12
14
12
12
14
15
15
12
19
11
F#m7 8va
1
16
12
1 1/2
1 1/2 19
19
19
Riff C
End Riff C
P.M. P.M. P.M.
2 2 2
2
4 4
2
2
2 2
2
P.M. 2
4 4
2
2
2
2
2
2
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Sorgdal
Gtrs. 1 & 2: w/ Riff C (1 1/2 times)
loco
8va
Gtr. 3
3
19
19
3
3
16
18
14 19
16
3
11
13
18
14
11
11
14
11
D.S. al Coda (take repeat)
Gtr. 3
G5
3
3
3
3
3
P.M. 11
G#5
12
12
14
11
14 11
12
14 11
13
11 14 11
12 13
3
11 12 14 16
13 12 14
3
3
12 14 16
12
3
3
12 14 16
16 14 12 14 16
Gtrs. 1 & 2
P.M.
2
P.M.
P.M. P.M. P.M.
2 2
4 4
Coda
2
2
2
2
2
2
2
4 4
2
2
2 2
2
P.M.
2
4 4
2
2
5 3
2
6 4
Bkgd. Voc.: w/ Voc. Fig. 1 Gtrs. 1 & 2: w/ Rhy. Fig. 2
F#5
E5 E#5 F#5 G5
E5 F#5 G5
G#5
E5 G5 G#5 G5
A5 Ab5 G5
End half-time feel
F#5
Just
4 2
4 2
E5 E#5 F#5 G5
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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like
the
mad
Gtrs. 1 & 2
6
E5 F#5 G5
P.M. 0
1
2
5 5 3
G#5
dog,
5 3
E5 G5 G#5 A5
you
bite
P.M.
5 3
6 4
6 4
0
0
2
0
the hand
P.M. 3
4
7 5
Ab5 G5 F#5 F5
that
feeds.
P.M. 7 5
7 5
7 5
6 4
5 3
4 2
3 1
Interlude q. = 166 Em
Riff D
Gtr. 3
12
0
8
12
0
8
12
8
0
12
0
8
12
0
8
12
0
12
8
0
12
0
8
0
Gtrs. 1 & 2
7
12
7
0
Riff E
5
7
5
7
8
12
7
5
7
0
7
8
12
5
5
7
0
7
8
8
12
7
0
7
8
12
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0
7
15
7
5
7
7
7
5
12
13
7
7
8
7
7
5
12
7
0
5
7
7
12
5
14
7
0
5
15
7
5
0
14
7
0
End Riff E
7
5
7
5
7
5
7
Gtrs. 1 & 2: w/ Riff E (2 times)
Gtr. 3
15
0
12
15
0
12
13
0
12
13
0
0
12
13
0
13
14
0
12
0
14
0
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Sorgdal
19
0
15
19
0
15
19
Interlude Em
Gtr. 3
0
Bb5
14
16
17
18
1/2
12
14
14
19
0
17
A5
19
0
17
13
0
Em
Bb5
14
17
0
A5
End Riff D
13
0
G5
1/2
17
14
16
18
18
18
16
1/2
14
9
8 6
7 5
5
Bb5
A5
7
5
7
7
7
Gtrs. 1 & 2: w/ Riff F (3 times)
Gtr. 3
18
1/2
16
20
18
Gtr. 4
14
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Sorgdal
17
9
14
12
14
14
14
12
End Riff F
Em
0
Riff F
5
19
14
14
Gtrs. 1 & 2
15
18
18
12
1/2
Gtr. 4
1/2
12 12
15
14
7
5
7
7
Em
7 5
5 3
Bb5
A5
G5
1/2
16
20
18
14
8 6
17
17
7
17
17
19
1/2
12 12
15
14
14
12
Em
19
20
17
20
X
20
17
15
21
22
19
15
17
18
15
17
17
17
Bb5
15
A5
G5
1/2
19
17
17
20
19
21
21
21
21
1/2
17
16
20
Em
21
21
20
1/2
22
G5
1/2
17
A5
18
Bb5
22
19
17
A5
17
8va
Bb5
1
1/2
15
Em
20
Em
A5
1
Bb5
19
1/2
15
15
17
17
17
17
15
Interlude Gtrs. 1 & 2: w/ Riff E (4 times) Gtr. 3: w/ Riff D
Gtr. 4 tacet
Em
Gtr. 4
17
Riff G Gtr. 5 (dist.)
End Riff G
5
4
5
5
4
mf
4
5
5
4
5
5
7
5
5
5
4
5
5
7
5
5
7
5
7
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Sorgdal
Gtr. 5: w/ Riff G (3 times)
Gtr. 6 (dist.)
9
10
9
9
10
10
10
mf
7
9
7
9
9
7
9
7
9
9
9
9
10
9
9
9
9
Gtr. 6 tacet
7
7
9
9
7
9
9
9
9
7
9
9
Outro Gtrs. 1 & 2: w/ Riff F (4 times)
4th time, Gtr. 5 tacet
Em
Bb5
A5
Gtr. 5
12
14
14
12
14
A5
G5
Gtrs. 1 & 2
7 5
5 3
Em
14
12
F5
E5
3 1
14
14
2 0
Additional Lyrics 3. They took everything and anything As long as it once belonged to me. The rats got all the money. The roaches licked the cupboards Clean of T.V. dinners and beer. 4. This never-ending nightmare Of the dreams I’ll never, ever get to see. And just one silver bullet to your head. It will set me free from all the life I wasted trusting you.
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12
14
Bb5
A5
G5
Play 4 times
14
µ
from Megadeth - The System Has Failed
Blackmail the Universe Words and Music by Dave Mustaine Intro Fast Rock q. = 180
(Sound effects) 15 sec.
µ
Spoken: This
is
firing
*Gtr. 1 (dist.)
a
breaking missile.
Stinger
*Doubled throughout
Force
0
0
0
3
2
0
0
0
0
5
3
0
0
0
0
3
2
0
5
3
0
3
2
0
One are
was unaccounted
shot
down for.
somewhere over the The President’s
Middle East whereabouts
this are
morning presently
by a unknown,
P.M. P.M. 0
0
3
2
0
0
0
0
5
3
0
cell and
0
0
0
3
2
0
5
3
0
3
2
0
2
2
2
4
4
4
2
2
2
3
3
3
sleeper
P.M.
0
appears and all
that Air passengers
It The pilot
f
news.
he
of rogue is
terrorists presumed
P.M. P.M.
2
2
2
2
2
2
2
2
2
missing.
The
Vice President,
Secretary
of
State
and
P.M.
3
3
3
0
0
0
3
2
0
0
0
0
5
3
0
0
© 2004 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
0
0
3
2
0
5
3
0
3
2
0
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Sorgdal
principals
P.M.
2
2
of
the
military
4
2
4
P.M.
4
2
2
are
assembling.
P.M. P.M. P.M.
3
2
3
3
2
2
Our
2
2
2
2
nation
2
2
stands
3
2
3
3
0
at
0
0
DEFCON
3
2
0
three.
0
0
0
5
3
0
Verse
F#5
P.M. 0
0
0
3
2
0
5
4 2
bod
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3
2
2
0
y
is
2
3
de - tained.
5
cri
2
will some - one come for
me?
-
sis,
P.M. 4 2
blew
4 2
0
2
0
2
3
5
3
2
4 2
0
P.M. 4 2
2
it.
0
2
3
2
5
3
4
Un - leashed
End Riff A
X X
X X
X X
X X
X X
X X
X X
re - venge,
my
4 2
Gtr. 1: w/ Riff A
and
3
1. The great -est
4 2
0
white
Riff A
P.M.
-
0
red,
4 2
3
I
Sorgdal
X X
How
could an - y - bod - y
do
this?
Be -
tray
Gtr. 1
- al,
I peel a - way the
Med - als
4 2
4 2
2
0
2
4 2
4 2
4 2
X X
X X
God
X X
not
X X
X X
im
X X
get
me
X X
X X
out
P.M. 2
0
bat - tle
2
3
5
-
3
2
4 2
0
fields
-
4 2
4 2
X X
X X
X X
X X
X X
X X
X X
X X
no
one
2
0
2
of
hell.
this
3
5
will
3
2
3
2
5
3
2
come.
4
3
2
3
-
2
3
5
I’ll nev
2
0
-
er
be
2
0
2
3
2
5
4
-
3
cle
-
ar
P.M.
6 4
4
- er
0
P.M.
Nu
en
4 2
4 2
-
G#5
4
4 2
for
P.M.
ev - er
0
Un - cle Sam’s
End Riff B
4 2
- less,
P.M. 4 2
use
tant,
are
4 2
0
por
4 2
2
-
found.
3
I’m
5
got -ten me.
3
days.
P.M.
Riff B
4 2
6 4
4
2
4
5
2
5
4
2
gized.
P.M. P.M. 6 4
6 4
4
2
4
5
7
4
5
6
6 4
6 4
4
2
4
5
2
5
4
2
6 4
6 4
X X X X X X X X X X X X X X X X
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Sorgdal
Cold
wars
are
heat
- ing
A#5
up
a
-
gain.
P.M. P.M. P.M. 8 6
8 6
6
4
6
4
7
7
6
8 6
4
8 6
6
4
6
7
6
9
7
8
8 6
8 6
6
ten
-
sion’s
4
6
4
7
7
6
4
Verse Gtr. 1: w/ Riff B
F#5
2. The
8 6
8 6
-
X X
X X
X X
X X
X X
-
ing;
X X
mount
ple,
lift
up
fists
in
re - venge.
your
peo
X X
X X
Interlude Rubato
F#5
P.M. 4 2
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Sorgdal
A5
Gtr. 1
0
4 2
P.M.
0
4 2
2 0
F#5
C5
B5
G5
P.M.
4 2
4 2
0
5 3
4 2
5 3
F#5
A5
P.M. 4 2
0
4 2
P.M.
0
4 2
2 0
Bridge A tempo
F#5
C5
E5
The
F#5
stage
is
5 3
4 2
0
F#5
0
0
4 2
0
E5
0
4 2
4 2
0
go
to
F#5
C5
0
E5
0
F#5
C5
Bang!
E5
Weak
5 3
4 2
4 2
0
A5
F#5 C5
4 2
first
to
5 3
4 2
0
A5
blink?
P.M.
P.M.
B5 G5
4 2
0
F#5
4 2
2 0
A5
Re - mem - ber
F#5
F#5
that
“Vi - et - nam
thing”?
0
Peace at
2 0
war.
End Rhy. Fig. 1
5 3
4 2
P.M. P.M. 2 0
G5
P.M. P.M.
4 2
F#5
We can’t
B5
Gtr. 1: w/ Rhy. Fig. 1 (3 times)
C5
0
C5
Who’ll be the
P.M. P.M. P.M. 4 2
F#5
set.
Rhy. Fig. 1
2 0
A5
an - y
A5
-
A5
ness
runs
C5
B5
G5
with
a
price,
F#5
F#5
F#5
in your fam - i - ly,
C5
F#5
gun
B5 G5
but what runs
to
your
F#5
in
head.
Bang!
mine
A5
is
A5
death!
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
F#5
C5
E5
* G#5
F#5
G#5
3
4
6
4
6
4
8
6
8 11 8
G#5 F#5
D5
8 11 13
11
11
8v a
1/2
1 1/2
13
11 13
11 12 14
11 12
14
13
13
P.M.
4
2
C#5 A5
Gtr. 1
B5
f
6
G#5
Gtr. 2 (dist.)
F#5
P.M.
4
2
2
4
P.M. 4
4
2
16
5
4
5
*Chord symbols reflect implied harmony.
G#5 F#5 G#5
14
G#5 F#5
4
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
F#5
G#5
F#5
G#5 B5
6 12
12
2
G#5
1
P.M. 4
F#5
3
1 14
2
D5
P.M.
Sorgdal
1
16
F#5 G#5 B5 loco
8v a
4
2
P.M.
2
14 12
11
14 12 11
13 11
13 11
14 13 11 14 13 11
5
14 11
14 12 11 11
11
P.M.
4
4
11
2
2
2
4
2
4
P.M.
2
4
2
G#5
F#5
D5
C#5 A5
G#5 F#5 G#5
F#5 G#5 B5
µ
This
1
1
16 11
16
17
2
P.M.
4
2
5
4
16
18
4
16
18
P.M. P.M.
5
4
2
4
1
14
2
4
18
2
5
3
3
4
2
5
3
3
Bridge Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2 tacet
F#5
is
your
A5
F#5
five
-
min - ute warn
C5
B5 G5
-
Burn
F#5
all
your
clas
C5
-
si - fied
F#5
E5
doc - u - ments.
Oh.
And
A5
ing.
(Oh.
F#5
if
A5
cool
F#5
C5
-
heads
er
B5
G5
don’t pre - vail,
F#5
first
strike
A5
F#5
C5
E5
from
a
po - lit - i - cal
Oh.)
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude
E5
D5/E
F5
F#5/E
E5
F#5/E
G5
E5
dead
man.
Gtr. 1
7 7
0
5 5
0
G#5/E
0
5 5
0
F#5/E
0
0
0
F#5
0
11 11
G5
0
4
one
0
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
let ring
5
2
1.
P.M.
Bb5
G
language:
Action!
3
4 2
0
0
B5
0
C5 B5
7 7
0
No time
4 2
3
0
10 10
G5
9 9
8 6
8 6
0
0
He sign
P.M.
4
8 6
8 6
2
Bb5
0
6 6
9 9
0
8 8
E5
only stopping. and
let ring
5
2
5
3
0
G
invasions!
P.M.
understands of them strikes
10 10
B5 A#5
G5
No Air
5 3
9 9
0
0
F#5
back channel 3
0
G#5/E
8 8
9 9
A#5/E
3.
for
P.M.
5 3
4 2
7 7
0
0
P.M.
P.M.
Bb5
5
9 9
P.M.
2.
2
C5
2 0
P.M. 8 6
10 10
7 7
0
A5/E
P.M.
makes the aggressor aggressive. more one word: Force! We need all the help we can get
P.M.
0
0
B5/E
F#5
5
2
8 6
11 11
A5
communiqués.
9 9
P.M.
0
Appeasement only And he respects only
8 8
P.M.
P.M.
9 9
0
7 7
0
C#5 C5
P.M.
9 9
7 7
G#5/E
P.M.
11 11
P.M. P.M.
P.M.
Retaliate,
I
P.M. 8 6
8 6
3
2
5
F#5
G5
say!
A5
The
P.M.
let ring
4
5
2
of
war.
good
B5
men
2 0
0
C5
G5
cannot
4 2
4 2
0
5 3
4 2
F#5
12
12
11
12
14
14
4
5
A5
3
let ring
P.M.
P.M.
let ring
2 3
2
14
3
5
P.M.
2
F5 8v a
14
5
4
2
14
12
12
10
P.M.
2 0
3
F#5
2
2 0
3
3
15
17
15
17
1
1
15
17
17
1
17
17
1
17
2
1 1/2
15
P.M.
A5
1
w/ bar
let ring
4
1
E5
12
3
0
0
14
12
14
Gtr. 1
let ring
5
2
1
12
P.M. let ring
2
E5
terrible
the
5 3
11
G5
counter
12
F#5
P.M.
F5
Gtr. 2
of
P.M.
5
2
Guitar Solo
strain
will
F#5
1
20
12 -2 1/2
Riff C
let ring
P.M.
let ring
2 0
P.M.
let ring
3 3
2
1
P.M.
End Riff C
4 3
5
2
5
4
2
3
2 0
P.M.
2
3
2 0
P.M.
3
2
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff C (2 times)
E5
F5
8v a
Gtr. 2
20
1/2
F#5
1/2
17 15
17
17
16
1
A5
5 5
1 1/2
17
E5
loco
17
15
15
12
12
15
F5
12
15
F#5
12
15 13 12
A5
5
1/2
12
14
12 14 15
12 13 14
12 13 12
15 14 12 15 14 12
E
1
15
15 12 15
3
9
6
7
12
7
5
5
15 12 15
4
5
1 1/2
12
12 15
3
5
15
13
12
14
12
3
1
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
14
12
13
0
15
15
17
1
0
15 12 15
12
12
17
17
15
5
2
3
3
2
Gb
3
12
12
1
12
15
C
Ab
8v a
12 15
5
7
12
1
12
Bb
3
15 12 15
15
14
1
12 10 12
1
12
12 10
1
15
Gtr. 1
15 14 12 10
D
3
15 12 15
14 12
12 14 12
12
13 12
15
14 12
Gtr. 2
12
14
1
17
20
6 4
3
4
3
2
4
1
2
1
Guitar Solo Gtr. 2 tacet
E5 8v a
Gtr. 2
1 22
f P.M. Gtr. 3 (dist.)
5 7
7
7
10 10 10
8
8
8
7
7
7
10
10
8
7
11
8
7
10
8
7
11
5
5
7
7
6
7
6
6
5
5
7
8
Gtr. 1
Riff D
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Gtr. 1: w/ Riff D (3 times)
µ
E5
Gtr. 3
5
7
6
5
9
6
5
7
6
5
9
6
Gtr. 1
End Riff D
P.M. 2
3
5
2
3
5
3
2
5
4
3
9
6
9
7
9
6
9
6
9
7
9
6
12
9
10
9
10
9
12
9
10
9
10
9
2
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3
10
7
9
8
9
7
µ
10
7
9
8
9
7
13
10
12
12
11
10
13
10
12
11
12
10
E5
*
*T
T
T
T
T
T
T
T
T
T
T
T
T
17 12 17 12 17 12 17 12 17 12 17 12 17 12 17 12 17 12 17 12 17 12 17 12
T
T
T
T
T
T
T
T
T
T
T
18 12 18 12 18 12 18 12 18 12 18 12 18 12 18 12 18 12 18 12 18 12 18 12
*Tap w/ edge of pick (next 6 meas.).
µ
T
T
T
T
T
T
T
T
T
T
T
T
T
17 12 17 12 17 12 17 12 17 12 17 12 17 12 17 12 17 12 17 12 17 12 17 12
T
T
T
T
T
T
T
T
T
T
T
18 12 18 12 18 12 18 12 18 12 18 12 18 12 18 12 18 12 18 12 18 12 18 12
E5
T
T
T
T
T
T
T
T
T
T
T
T
T
17 12 17 12 17 12 17 12 17 12 17 12 18 12 18 12 18 12 18 12 18 12 18 12
14 14
12 12
T
T
T
T
T
T
T
T
T
µ
12 12
14 14
12 12
12 12
14 14
14 14
12 12
12 12
14 14
1/4
12
12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
14
14
12
12
14
T
T
17 12 17 12 17 12 17 12 17 12 17 12 18 12 18 12 18 12 18 12 18 12 18 12
14 14
Chorus
2nd time, Gtr. 3: w/ Fill 1 2nd time, Gtr. 4: w/ Riff G (3 times)
E5
Black Ter
-
Gtr. 3 tacet
F5
mail ror
the and
u ug
-
ni li
-
Gtr. 1
with
the great - est of re - veal what
ca - lam - i - ties. death real - ly
12 12
verse ness
Gtr. 3
F#5
12 12
Riff E
P.M.
0
0
0
0
0
0
0
0
µ
0
0
3
2
1
1
1
1
1
1
P.M.
2
3
5
2
3
5
3
2
Fill 1 Gtr. 3
5
4
3
1
1
3
-
2
2
2
en tred
those
2
2
F5
sleep - ing you
2
2
2
2
2
gi see
ants
End Riff E
1
Gtr. 1: w/ Riff E (2 times)
E5
A - wak in ha
And
Gtr. 1
1
means.
1
-
5
3
2
1 15
Riff G Gtr. 4 (dist.)
mf
let ring
7
9
let ring
8
10
let ring
9
11
10
12
12 10
13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
in men as
the they
dust real - ly
of the are.
F5
un earth Ah!
G#5
Law - ful Oo!
Gtr. 1
pos
to have
-
stroyed, o - ver heav - en, Ah!
T o Coda
them Ah!
A5
skin de cho - sen (Oo!
µ
in - no - cence. been for Oo!
- ses Ah!
With their If
F#5
ground.
just will
E5
Oo!
µ
Oo!
sor Oo!
Ah!
F5
of the world’s Oo!
Ah!
last
twen - ty Ah!
-
Riff F
four
End Riff F
P.M. 4
4
4
4
4
4
4
4
4
4
7
6
5
5
5
5
8
5
7
8
5
8
7
5
1
1
1
1
4
1
3
4
4
4
3
1
Guitar Solo Gtr. 1: w/ Riff D (2 times)
E5
Gtr. 3
ho Ah!)
-
1
15
12
14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12
urs.
12
15
12
1
12
12 12
14
4
1
12
15
15
12
13
12
12 14
14
12
11
10
13 12 11 10
12
11
10
9
µ
E5
7 4
14
13
12
11
12
12
12
+1 1/2
13 10
13
10
12
13
16 13
4
6
7
7
10 7
10
7
9
10
12
w/ bar
10
16
13
15
16
16
16
+1 1/2
18 16
D.S. al Coda
µ
16
17
12
16
Coda
Gtr. 1: w/ Riff F
G#5
all Oo!
a
-
long
on Ah!
Gtr. 4
A5
-
13
Gtr. 1
Free time
re Ah!
let ring
8
10
10
gion
of
let ring
14
oth - er Oo!
Gtr. 1 tacet
E
-
Ah!
12
open
an Oo!
F5
ly
let ring
11
hell. Ah!)
w/ multiple delays & effects
w/ echo repeats
9 7
15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - United Abominations
Blessed Are the Dead Words and Music by Dave Mustaine Intro Moderately q = 137 *
D5
E5
mf
Gtr. 1 (dist.)
let ring
5
0
9 7
0
X X
9
0 0 4 2 2 0
*Chord symbols reflect implied harmony.
D5
let ring
5
Verse
D5
1. A
great
7 5
5
Sounds
of
gal
-
un - der the
9 9 7
C5
sign ap - peared
let ring
0
0
lop - ing
stars
and the
0
hors
-
es
5
0
0
2 2 0
A5
moon.
5
0
E5
9 9 7
D5
5 3
D5
0 0 4 2 2 0
E5
0
on
clouds
of
7 5
0
light -
© 2007 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
-
ning
and
thun
-
E5
der.
Gtr. 1
5
0
A
dark
0
to
scorch
f
gath
-
er
5
0
- ing
C5
storm
5
0
0
5 3
let ring
0
the
9 9 7
for
man
earth
D5
- y
A5
gen - er
- a
-
tions.
A
nu -
Rhy. Fig. 2
5
9 9 7
Gtr. 2: w/ Rhy. Fig. 1 (last 3 meas.)
-
cle - ar
win
D5
E5
-
ter
0
5
0
let ring
9 9 7
0
worse
an
than
7 5
0
End Rhy. Fig. 1
let ring
-
y
cold
or
7 5
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
ho
D5
-
ly
E5
war. End Rhy. Fig. 2
Gtr. 1
Sorgdal
Rhy. Fig. 1
and
5 3
9 9 7
Gtr. 2 (dist.)
let ring
2 2 0
D5
5
0
0
2 2 0
Verse
E5
D5
E5
2., 3. A white horse on the
clouds
of
a
9 9 7
5
0
D5
death,
let ring
E5
Gtr. 2
D5
red
E5
war - horse to
D5
end
all
5
2 2 0
5
0
2 2 0
0
X X X
A
and pes
-
D5
pale
E5
horse
*Gtrs. 1 & 2
let ring
9 9 7
D5
0
0
E5
ti - lence led
let ring
5
by
a
9 9 7
black
let ring
5
0
0
9 9 7
P.M.
0
0
X X X
5
0
D5
horse
with fam
E5
5
0
0
5
-
ine and
0
0
G5 F5
0
F#5
0
0
0
9 9 7
scales.
P.M.
9 9 7
9 9 7
let ring
2 2 0
0
0
Gtr. 1
wars.
9 9 7
0
E5
0
3 3
3
4 2
*Composite arrangement
Pre-Chorus
E5
G5
F5
1. The doc - trine of ha 2. The ser - pent god fat 8va
F#5
-
tred, ed,
4 2
4 2
2 0
1.4
E5
na
G5
- tion will
F5
F#5
D5
rise
E5
a - gainst na - tion.
loco
**Harm. P.M. 4 2
E5 G5 F5 F#5
5 3
3 1
4 2
P.M. P.M. 4 2
4 2
2 0
5 3
3 1
4 2
4 2
4 2
2 0
5 3
3 1
4 2
P.M.
4 2
4 2
5
0
7 5
0
9 7
**Harm. located approx. 4/10 the distance between the 1st & 2nd frets.
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
E5
Wash
P.M.
9 7
0
me in
P.M.
5
0 0 0
0
E5
and
let
blood
0
G5 A5 D5 C5
A crowned rid - er with ar
5
0 0 0
Am
5
3
5
3
5
5
G
Am Dm
Plagues come from the
D5 C5 B5
0
9 7 0
0
0
rows and
C
one
bow,
5
3
2
Dm C Bm
3
0
3
Gtrs. 1 & 2
3
3
3
G Em G
3
2
5
5
3
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
5
5
3
3
2
5
5
3
2
5
3
3
G Am Dm C
3
3
0
3
a - poc
3
3
2
P.M.
and
2
5
3
3
2
5
5
3
3
5
5
3
5
0 0 0
D5 C5 B5
fi - ’ry
3
-
0
3
G5 E5 G5
P.M.
2
Dm C
0
sword.
5
dead.
C5
hor - ror
2
0
rid - er with a great
5
the
P.M.
9 7 0
5
Am
P.M.
2
0
born of
col - ored death,
0
G5 A5 D5
a red
Gtr. 3 (dist.)
mf
5
0 0 0
C5
the first
A5
P.M.
3
D5 A5
G5 E5 G5
-
E5
me be
Pre-Chorus
A5
D5
P.M. P.M. P.M. P.M.
9 7
0
D5
C#5
3
D5
0
D#5
3
a - lypse fol - lows.
3
2
5
3
6 4
7 5
8 6
Chorus
D5
E5
Won’t
D5
A5
you four
horse
-
men
Gtr. 3 tacet
E5
ride
Bb5 A5 E5 A5
a - gain
G5 E5
be - fore this king - dom’s
blown
D5
to
E5
king - dom come?
(Ride.
Gtrs. 1 & 2
Ride.)
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
9 7
0
5
0 0 0
0
0
2 2 0
0
5
0 0 0
0
7 5
0
8 6
7 5
7 5
0
5 3
0
2 2 0
To Coda
D5
I hold
9 7
Interlude E5 µ
dead,
Gtr. 2
2 0
Gtr. 1
2 0
fast to
P.M.
0
E5
0 0 0
P.M.
0
what
5
D5
0
I
A5
0
E5
5
0 0 0
0
0
D5
till
see my
they
8 6
may
name
P.M. noise (2nd time, cont. in slashes)
7 5
I
7 5
7 5
0
5 3
X X
5
0 0 0
E5
string
C5
(Spoken:) that
be - lieve
P.M. P.M.
2 2 0
Bb5 A5 E5 A5 G5
0
0
9 7
0
D5
in stone.
E5
Bless - ed are the
P.M. P.M.
22 0
0
5
0 0 0
0
D5
7
0
A5
rest.
let ring
9 9 7
5
9 9 7
5
0
0
5 3
0
5
0
0
0
9 9 7
7 5
D.S. al Coda Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Rhy. Fig. 1
D5
E5
D5
E5
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
in
stone.
C5
f
F5
21
10 10
7 7
7 7
7
1
F#5
2 2 0
21
21
P.M.
0
0
7 5
5 3
1/2
0
0
E5 G5
F#5
21
12
4 2
4 2
2 0
5 3
3 1
19
21
F#5
F5
19
17
14
16
14
16
14
15
16
21
P.M.
4 2
4 2
2 0
14
16
19
19 21
20 21
19 21 22
21
5 3
3 1
G5
16
P.M.
4 2
4 2
2 0
E5
15
17
19
16
P.M.
4 2
4 2
4 2
5 3
4 2
3 1
9 7 0
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
19 21 19
6
Sorgdal
16
14
4 2
4 2
G5
15
E5
21
F#5
16
F5
P.M.
4 2
F5
3 1
21
14
F5
21
Gtrs. 1 & 2
G5
3
21
*Glen Drover
E5
dead.
1
21
F#5
the
Guitar Solo
G5
Bless - ing
*Gtr. 4 (dist.)
A5
15
17
16
17
16
17
16
3 1
D5
w/ bar
13
15
5 3
Interlude E5
16
17
E5
13
-1 1/2
P.M.
0
0
0
0
5
0
P.M.
0
2 2 0
Gtr. 4 tacet
D5
Gtrs. 1 & 2
P.M.
2 2 0
0
0
0
A5
Bb5
G5
5
0
0
P.M.
7 5
0
8 6
7 5
7 5
0
E5
P.M.
5 3
P.M.
0
2 2 0
1.
µ
C5
3
P.M. 6
5
3
0
5
0
6
5
3
0
5
0
6
5
3
0
2.
C5
*Gtr. 5 (dist.)
A5
mf
6
5
3
0
5
0
6
5
3
0
5
5 3
0
5 3
5 3
Guitar Solo E5
12
12
12
XX XX
P.S.
X X
12
14
12
15
12
12
12
12
12
*Dave Mustaine
Riff A
Gtrs. 1 & 2
3
P.M.
6
5
3
0
12
12
9
0
6
5
3
0
G5
A5
15
5
7
12
12
12
12
12
P.M. 0
0
0
5 3
7 5
5
5 3
0
5 3
5 3
7
Bb5
C
12
13
12
14
12
9
7 5
8 6
7
P.M.
7
7
7
0
0
15 12
7
0
9
P.M. 7
8
8
8
9
10
X
15 12
P.M.
P.M.
7 5
0
X
7
10
9
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5 A5
Bb5
8va loco
A/C#
loco
P.H.
14
15
14
12
14
12
7
5
4 5 7
0
10
9
7
8
15
12
5 3
0
14
14
8
12
15
12
7 5
7
7
7 5
8 6
Bb5
10
11
11
16
0
0
5 3
7 5
14
3
14
A5
0
12
P.M.
7 5
G5
13
P.M.
7
0
3
12
P.M.
9
14
14 13 13
14
9
12
14
7 5
7
9
7
9
10
9
12
1/2 1
14 14
14 14
X
P.M.
8 6
rake
14
7 0
9
P.M.
7 5
9
3
14
P.M.
12
14
9
C
3
semi-harm.
8
8
8
End Riff A
7
10
0
9
Guitar Solo Gtrs. 1 & 2: w/ Riff A
Gtr. 4
E5
21
Gtr. 5
14
13
13
12
12
14
14
9
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
19
13
12
10
0
0
6
5
3
0
5
0
5
0
12
22 19
P.M. 0
21
12
Gtrs. 1 & 2
19
19
19
22
21 19
12
12
19
19
19
21 19
19
Gtr. 5 tacet
19
19
Gtr. 4
19
19
19
19
19
19
17
19
19
17
C
16
19
19
3
16
17
17 15
16
17
6 6 6 6 let ring 1/2 A
15 16 17 15 16 17
14
17 15 14 15 17
18
16
14
16
16
14
16
13
16
15 17 18 15 17 18 19 17 15 17 19
12
13
14
18
18
18
16
18
18
20
1/2
14
14
14
12
13
12
18
20
C
1/2
12
14
18
16
12
12
12
13
Outro
Gtr. 4
6
10 12 14 12
7
13 10
12
Gtrs. 1 & 2
9
Gtrs. 1 & 2
13 12 10
3
12 12 10
12 11 12
10
12
13 12 10
0
12 12 10
12 12 10
12 12 10
0
0
C5
5 5 3
6
5
13 12 11
13 14 15 14 12
0
5
0
D5
5
7 7 5
7 7 5
7 7 5
3
9 9 7
A5
0
3
14
14
3
G5
7
P.M.
7
Gtr. 4 tacet
E5
2 2 0
9 9 7
9 9 7
9 9 7
B5
E5 3
4 4 2
12 12 10
4 4 2
4 4 2
2 2 0
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - Endgame
Bodies Left Behind Words and Music by Dave Mustaine
A5
C5
E5
Eb5 7fr
1
13
B5
Bb5
6fr
13
13
13
13
Verse Moderately q = 145
E5
G5 E5 F5
1. This
E5
Bb5
F5
thing called
life
E5 D5 E5
µ
goes
by so
quick
-
0
5 3
0
0
ly.
*Gtr. 1 (dist.)
mf P.M. P.M.
P.M.
3 1
2 0
0
E5 C5 E5
P.M.
3 1
3 1
X X
3 1
2 0
0 0
2 2
0
5 3
2 0
*Two gtrs. arr. for one.
G5 E5 F5
0
day you’re
here
5 3
0
3 1
2 0
0
C5 A5 Bb5 F/A
and
This
is
3 1
the
mo
0
5 3
0
3 1
3 0
0
3 1
E5 G5 E5
then
gone.
you’re
X X
3 1
2 0
5 3
ment I’ve
lived
3 1
3 0
5 3
0
µ
life
2 0
© 2009 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
5 3
2 0
A5 F5 E5
for.
P.M.
0
P.M.
my whole
3 1
E5 C5 A5
2 0
Bb5 A5 Bb5 F/A G5 A5
-
µ
3 1
P.M. P.M. P.M. 0
Eb5
F5
P.M. P.M. P.M. 0
Bb5
One
E5
And I’ll
P.M. 0
5 3
2 0
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5 E5 F5 E5
Bb5
nev - er give up,
I’ve
P.M. P.M. P.M.
E
(2.) blink.
5 3
0
3 1
0
D# E
2 0
B
3 1
0
3 1
A# B E5
F
5 6
6 7
0
6 7
B
F5
F#5 E5
F#5 F5 E5 C5 E5
long.
5 6
6 7
0
A# B E5
F
6 7
5 6
6 7
Chorus Em
0
E
D/F#
all
Riff A
let ring
10
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6 7
And
5 6
9 0
a
Em
-
let ring
9
7
0
9
0
-
0
wait
P.M.
7 8
6 7
7 8
0
let ring
3 1
0
4 2
A# B E5
0
F
4 2
0
E
F
3 1
E5
6 7
F
E
5 6
6 7
0
D# E
F5 G5 G#5 3
P.M.
6 7
B
5 6
6 7
0
A# B E5
0
too
3
P.M.
7 8
6 7
7 8
0
Bb
3 1
0
A5
5 3
6 4
G5
long.
7 8
P.M.
6 7
D
too
0
wait - ed
P.M.
7 8
5 3
0
9 10
0
B
5 6
6 7
0
P.M.
6 7
C/E
5 6
6 7
5 6
0
D
road,
7
3 1
D# E
ed
0
the
E
2 0
0
ed,
G
-
0
F
9 10
0
0
long
G
F E5
P.M.
6 7
P.M. P.M. P.M. P.M.
2 2 0
7 8
P.M.
6 7
E5
P.M.
7 8
0 0
2 0
wait
I’ve
Sorgdal
ed too
3 1
long.
0
F
P.M.
E D# E
E
X X
P.M.
-
I’ve
6 7
wait
F5 E5
End Rhy. Fig. 1
Pre-Chorus
E5 D5 E5
Rhy. Fig. 1
0
F5
E5
6
6
5
5
5
3
3
G5 G#5 A5 Bb5 A5 G#5 G5
all
the bod
-
left
be - hind
ies
End Riff A
5 0
let ring
5
4
5
0
let ring
3
2 0
let ring
5
4
5
P.M.
0
5 3
6 4
7 5
8 6
7 5
6 4
5 3
To Coda 1st time, Gtr. 1: w/ Riff A 2nd time, Gtr. 1: w/ Riff A (1st 3 meas.)
Em
Verse E5
may
all have
D/F#
G5 E5 F5
been
E5
been kicked
good
Bb5
2. Oo, I’ve
Em
D
C/E
D
friends,
F5
out
and
just
not good
E5 D5 E5
said
I
E5
G5 G#5 A5 Bb5 A5 G#5 G5
friends
F5 E5
F5
of mine.
F#5 E5
F#5 F5 E5 C5 E5
quit.
Then I said,
Gtr. 1
0
0
5 3
0
0
-
2 0
e
3 1
0
Bb5
-
5 3
0
3 1
2 0
0
C5 A5 Bb5 F/A
Eb5
was just
0
0
0
3 1
3 0
0
3 1
X X
3 1
0 0
2 0
“This is
3 1
2 0
5 3
0
2 0
more
show
P.M.
0
3 1
0
3 1
0
F5 E5
F5
4 2
0
0
F#5 E5
4 2
3 1
3 1
3 0
5 3
2 0
0
5 3
2 0
F#5 F5 E5 C5 A5
All
I want -
P.M. P.M. P.M. P.M. 0
0
0
2 0
0
0
Bb5 A5
3 1
3 1
4 2
Bb5
B5 A5
0
0
4 2
3 1
0
5 3
2 0
B5 Bb5 A5 Eb5 E5
for the road.
3 1
2 0
0
Bb5 A5 Bb5 F/A G5 A5
X X
0
it.”
3 1
P.M. P.M. P.M. P.M.
2 2
E5 G5 E5
and
one
P.M. P.M. P.M. 5 3
F5
3 1
ed
3 1
nough”
P.M. P.M. P.M. 0
had
“I’ve
3 1
P.M.
G5 E5 F5 E5
P.M. P.M.
’Cause it was
P.M. P.M. P.M. P.M. 0
0
0
2 0
3 1
0
0
3 1
4 2
0
0
4 2
3 1
0
4 3 1
2 0
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda Gtr. 1: w/ Rhy. Fig. 1
G5 E5
E5
Bb5
F5
-
fore
F5
o - ver
last
time
be
E5
I
Coda
of
D5 E5
could
F5 E5
F5
F#5 E5
F#5 F5
oo,
D
E5
left
E5
I
could
G5 G#5 A5 Bb5 A5 G#5 G5
Their bod - ies
E5 C5
blink,
C
mine.
be - hind.
Gtr. 1
let ring
Interlude Half-time feel A5 Riff B Gtr. 2 (dist.)
13
14
12
Riff B1 Gtr. 3 (dist.)
4
5
7
5
4
5
0
13
14
5
7
4
5
5
5 3
0
14
12
12
7
5
5
6 4
7 5
8 6
E/G#
7 5
6 4
5 3
G#5
12
12
mf
let ring
P.M.
G#5
mf
12
2
3
0
14
12
13
14
12
13
14
12
12
14
12
13
7
4
5
7
4
5
7
5
5
7
4
5
Rhy. Fig. 2 Gtr. 1
P.M. 7 5
7 5
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 5
7 5
P.M.
7 5
7 5
7 5
7 5
7 5
7 5
P.M. 7 5
7 5
7 5
P.M. 6 4
6 4
7 4
7 4
6 4
P.M.
6 4
6 4
G5
F#5
15
13
12
12
4
4
5 3
5 3
12
13
4
7
P.M. 5 3
5 3
F5
14
5
12
13
14
12
P.M. 5 3
13
7
5
5
7
5
P.M.
5 3
4 2
4 2
4 2
4 2
12
13
12
14
5
7
4
5
12
7
5
P.M.
4 2
4 2
4 2
E5
4 2
13
15
13
12
5
7
5
4
3 1
2 0
2 0
2 0
2 0
13
12
14
5
7
4 2
14
4
5
7
P.M.
4 2
4 2
C5
End Riff B
14
12
4 2
4 2
G5
13
12
5
4
14
12
7
5
14
12
7
5
4
5
12
7
5
3 1
3 1
12
14
End Riff B1
P.M.
3 1
12
14
3 1
5
4
7
7
12
4
11
4
End Rhy. Fig. 2
P.M.
3 1
14
3 1
5 3
5 3
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Rhy. Fig. 2 Gtrs. 2 & 3: w/ Riffs B & B1
A5
G#5
Gtr. 4 (dist.)
mf 3
5
5
4
3
5
5
4
5
5
4
F#5
3
4
4
3
5
3
5
5
3
5
5
5
4
5
4
3
5
4
5
4
G#5
4
5
5
5
5
3
5
5
Gtr. 2 E5
C5
G5
15 13
12
14
13 12
14 12
Gtr. 4
5
8
6
5
8
6
5
4
15 13 12 15 13 12
6
5
7
6
5
7
5
5
3
3
5
4
5
5
3
5
Am
Riff C
13 12
3
G5
F5
5
E/G#
7
5
13
13
17
17
15
Riff C1
17
13
17 15
17
12
13
10
1/2
10
1
13
13
13 12
9
Riff D
Gtr. 3
7
7
7
P.M.
6
5
7
5
5
7
5
9
7
5
9
7
5
Gtr. 1
2 0
2 0
P.M.
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 0
2 0
9
7
5
7
5
7
7
7
7
5
P.M.
5 3
5 3
5
3
5
0
5
5
3
7
5
5
0
5
7
5
3
5
G#+
13
13
17
C/G
1
17
15
17
18 17
18
9
9
13
13
12
13
17
18
15 13
15
10
12
13
15
End Riff D
5
6
7
6
6
5
6
6
7
5
6
6
5
P.M.
3
4
4
0
Gtr. 3 tacet
4
20
4
0
4
20
3
3
3
C5
5
7
0
3
Gtr. 1
P.M.
3 1
3 1
3 1
17
End Riff C
17
15
13
3
0
17
18
15
End Riff C1
3 1
2 0
2 0
13
2 0
15
12
3
15
15
13
12
10
5
17
5
3
3
3
13
17
10
13
3 1
20
5
3 1
5
7
Gtr. 3: w/ Riff D
18
P.M.
18
15 17
Am
20
13
5
3
3
G5
20
17
17
5
5
4
E5
5
1/2
3 1
3
4
5
1
Gtr. 4
3
F5
Gtr. 2
4
18 20
P.M.
6
17
1
13
13
P.M.
5 3
5 3
3
2
3
0
3
3
2
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 4: w/ Riffs C & C1
G#+ Gtr. 1
P.M.
3
0
3
3
2
C
3
3
2
3
3
4
2
3
3
4
3
2
3
3
3
2
3
3
3
3
2
End half-time feel Gtr. 3 tacet
C5 Gtr. 3
P.M. 5
7
3
C5
G5
5
3
P.M. 3
E5
Gtr. 1
F5
5 5 3
3
5 5 3
P.M.
5 5 3
3 1
3 1
3 1
3 1
3 1
2 0
P.M.
3 1
3 1
2 0
(cont. in slashes)
5 3
2 0
5 3
Free time Gtr. 1
A5
Gtr. 5 (dist.)
C5
mp 1 1/2
1
E5
Eb5
C5
1/2
1
12 15
Gtr. 2
15
12
15
1
15
13
14
15
16
15
14
13
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
13
8
Bb5
10
Sorgdal
15
12
13
Gtr. 4
15
Gtrs. 2 & 4 tacet
B5
10
Fast q = 318
8va
Gtr. 5
17
15
18
19
18
Guitar Solo
Gtr. 5 tacet
A5
*Gtr. 6 (dist.)
f
1
12
Ab5
3
3 3
1/2
12
13
P.M.
12
G5
12
13
12
12
14
13
12
12
13
*Dave Mustaine Gtr. 1
Rhy. Fig. 3
P.M. 5
5
5
5
7 5
P.M.
5
5
5
5
7 5
5
P.M.
7 5
5
4
F#5
1
10
4
4
3
3
P.M.
6 4
F5
3
14
5 3
3
5 3
3
C5
G5
1
12
3
P.M.
E5
3
12
13
13
4
14
14
14
End Rhy. Fig. 3
P.M. 2
2
2
2
Gtr. 1: w/ Rhy. Fig. 3
A5 Gtr. 6
grad. bend
4 2
P.M. 2
4 2
2
2
2
P.M. 2
1 rake
15
15 X
P.M.
4 2
2
1
1
1
Ab5
13
12 13 12
3
15
12 13
15
0
0
0
0
0
0
5 3
5 3
G5
3
P.M.
3 1
1
P.M.
12
9
9
10
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
1
13
13
E5
C5
G5
3
1
13
F5
1/2
9
10
1/2
12
12
12
12 13 12
Guitar Solo
A5
*Gtr. 7 (dist.)
Gtr. 6 tacet
B5
3
3
f
14
14
14
14
17
13
17 14
12
14
12
13
17 12
13
13
14
16
12
12
12 12
17
12
13
12
15
10
12
10
15 10
12
12
12
*Chris Broderick
Gtr. 6
10
Gtr. 1
Rhy. Fig. 4
P.M. 0
0
0
0
0
0
P.M.
2 0
0
C5
Gtr. 7
14
10
10
10
10
12
0
0
2 0
2
2
2
2
3
3
3
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
5 3
P.M.
3
3
2
10
7
3
3
5 3
9 10 8 10 12
8 10 12
P.M. 3
2
2
P.M.
4 2
2
4 2
2
Eb5
3
3
3
11
P.M.
4 2
2
14
10
10
10 10
15
Gtr. 1
P.M.
D5
10 11
2 0
0
P.M.
P.M.
3
5 3
P.M. 5
5
5
5
7 5
10
10
10
12
7
9
P.M. 5
5
6
6
8 6
12
17
13
16
13
17
End Rhy. Fig. 4
P.M. 6
6
8 6
Gtr. 1: w/ Rhy. Fig. 4
A5 Gtr. 7
grad. bend
B5
3
12
12
Gtr. 7
3
19
Outro
3
19
17
16
3
3
1/2
19
C5
12
17
13
13
14
15
15
10
D5
12
12
12
9
Eb5
17
17
15
14
15
14
10
10
12
11
11
13
13
12
15
13
Ab5
C5
Eb5
D5
Bb5
A5
Ab5
C5
Eb5
D5
Bb5
A5
14
16
Gtr. 1
3
5 3
6 4
8 6
7 5
3
3
8 6
7 5
6 4
5 3
8 6
7 5
3
8 6
7 5
Ab5
C5
Eb5
D5
Bb5
A5
Ab5
C5
Eb5
D5
Bb5
A5
Ab5
rit.
16
6 4
3
rit.
5 3
8 6
7 5
3
3
8 6
7 5
6 4
5 3
8 6
7 5
3
8 6
7 5
6 4
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - United Abominations
Burnt Ice
Words and Music by Dave Mustaine F#5
Intro Moderately q = 94
13
*** F#5
µ
F#5
µ
*Gtr. 1 (dist.) 6
f T
17 0 15
6
6
T
T
17 0 15
17 0 15
T
T
17 0 15
17 0 15
6 T
T
17 0 15
17 0 15
6 T
T
17 0 15
18 0 15
6 T
T
17 0 15
18 0 15
4 4 2
4 4 2
mf
2
2
T
T
17 0 15
18 0 15
*Dave Mustaine **Gtr. 2 (dist.)
6
6 T
T
17 0 15
T
18 0 15
17 0 15
4 2
**Doubled throughout ***Chord symbols reflect implied harmony.
E5
F# G
E5
B
C
F#5
E5
G5
1. He
6 T
19 0 15
P.M.
0
6 T
T
19 0 15
0
19 0 15
6 T
T
19 0 15
20 0 15
P.M.
8 9
9 10
6 T
T
19 0 15
20 0
0
T
19 0 15
T
21 0 15
6 T
T
22 0 15
21 0 15
6 T
T
22 0 15
22 0 15
9 10
9 10
4 4 2
6 T
22 0 15
4 4 2
0
P.M.
8 9 0
15
6
X X X
X X X
X X X
X X X
0
T
22 0 15
T
22 0 15
0
5 5 3
© 2007 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
µ
said he’d
try
just a
lit - tle
bit.
8va
1
loco
f 1 1/2
6
3
w/ wah-wah grad. release 1/2
1
24
14
14
14
16
16
14
14 16
16
Riff A
14
16 14
End Riff A
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
2
1
0
0
2
1
0
0
2
1
0
0
2
1
0
0
Gtr. 2: w/ Riff A (2 times)
He did - n’t want
2
1
0
0
2
to
end
up
like
0
0
2
16
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
16
2
1
X X X
X X X
17
1 17
17
17 14
17
3
0
0
3
1 1/2
1
17
17
*Glen Drover
0
0
them.
1
Gtr. 1
1
f
1
Gtr. 1 tacet
*Gtr. 3 (dist.)
Sorgdal
17 16 14 16 14
16
14 17
17
17 14
16
And now
he blames
Gtr. 3
Gtr. 3 tacet
the voic
won
-
-
es
of
a
tooth - less
Pound -
1
14
3
3
14
der.
Gtr. 1
14
16
16
14
16
grad. bend 1 1/2
14
14
Gtr. 1 tacet
-
ing on the door
to
make
Gtr. 3
the next
score.
*w/ wah-wah 1
P.S.
Gtr. 4 (dist.)
4
4
*
P.H.
3/4 1/2
X X X
8va
4
4
1/2
4
4
4
4
= closed (toe down); = open (toe up).
2
4
Pitch: B
mf
5
7
Gtr. 2
P.M. P.M. P.M. P.M.
P.M. P.M. P.M. P.M.
2
2
1
0
0
2
1
0
0
2
1
0
0
2
1
0
0
2
1
0
0
2
1
0
0
2
1
0
0
2
1
4
0
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtr. 3 tacet
loco F#m
B5 Bb5 A5 G#5 G5
8va
4
wah-wah off
0
P.M.
7
5
6
4
6
4
7
4
P.M.
7
7
4
4
7
7
4
5
P.M.
4
2
4
2
4
0
P.M.
2
4
4
2
2
2
4
0
P.M.
2
2
6
6
2
2
0
0
2
1
0
4
3
3
3
3
3
3
3
3
3
6
3
3
3
6
0
0
2
0
2
1
0
4
3
3
3
3
3
3
3
3
3
3
3
3
Pre-Chorus
G5
E5
F#5
for (An
Gtr. 4
5
-
y
-
thing...
2
4
4
3
5 3
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 0
4 2
F#5
E5
hit.
to
An
-
5
Gtr. 2
a
G5
5 3
2
y
pay
for
0
0 0
sin...
4
6
7
7
4 2
2 0
4
it.
Gtr. 4 tacet
F#5 G5 F#5
E5
For
8va
F5 F#5 A5 F#5
that
G5 F#5
next
bowl,
E5 F#5 A5 F#5
E5 F#5 A5
he’d
sell
**Gtr. 5
his
soul.
mf
Harm.
w/ slide *
0 0
3
3.1
Pitch: A *Harm. located approx. 1/10 the distance between the 3rd & 4th frets.
2
3
**Two gtrs. arr. for one.
P.M.
2
0
1
0
2
P.M.
2
2
3
P.M.
2
0
0
2
P.M.
2
0
0
2
Chorus
E5
Spi - ral
7
to de
-
struc - tion, it’s too
late
to break the
spell.
He
wants the ride to
stop
on the
7
7
6
7
7
7
7
6
6
6
6
6
6
3
3
3
3
3
3
5
5
5
5
5
3
7
7
7
7
7
6
6
6
6
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
7 0
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
freight
train straight
With
- out
the
truth
he’ll
nev - er
12
12
12
12
7 0
7 0
7 0
7 0
7 0
7 0
3
3
7 0
7 0
7 0
3
7 0
7 0
a dun - geon
11 8 8
7 0
7 0
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
in
hell.
A5
to
6
3
3
7 0
7 0
7 0
5
7 0
5
0
7 0
0
7 0
3
7 0
7 0
of his lies
8
5
8 8 8 10
10
his cause of
10
8 8 8 8
12
7 0
12
7 0
11
11
death...
11
7 0
find
11
7 0
11
11
high speed on burnt
12 12 12 12 12 12
11 11 11
11 8 8
8
7 0
11 11 11
11
8 8 8 10 10
10
ice.
8
7 0
7 7 0 0
7 0
7 0
7 7 7 0 0 0
7 7 7 0 0 0
7 0
7 0
7 7 7 0 0 0
7 7 0 0
7 7 0 0
7 7 7 0 0 0
7 0
7 7 7 0 0 0
7 7 7 7 0 0 0 0
7 7 7 0 0 0
Guitar Solo
E5
Gtr. 1
G5
F#5
E5
G5 F#5 E5
G5
G5 F#5
7
7
7
6
6
15 12 15 12 15 12 15 12 15 12 16 13 16 13 16 13 16 14 17 14 17 14 17 14 17 14 18
6
5
6
15 18 15 19 15 18 15 18 15 17 14 16 13 16 13 16 13 15 12 15 12 16 12
Gtr. 5
B5 A5
steady gliss.
16
Gtr. 2
11
Rhy. Fig. 1
2 2 0
End Rhy. Fig. 1
3
P.M.
0
0
0
5 3
P.M.
4 2
0
0
5 3
4 2
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
E5
Gtr. 1
0 0
5 3
0
P.M. 5 3
5 3
5 3
B5
A5
9 7
7 5
P.M. 7 5
7 5
7 5
5 3
4 2
Gtr. 5 tacet
G5 F#5
E5
G5 F#5 E5
G5
G5 F#5
6 6 3 6
6
1/2
12 12
X X X X
Gtr. 5
14 14
14 14
12 15 14
12
15 12
14 X 14 12 13 12
14 X 14 12 13 12
15 X X 15 14 X 14 14 12 10
*
7 0 *String bumped w/ slide.
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
G5 F#5
E5
G5 F#5 E5
Gtr. 1
G5
steady gliss.
12
12
E5
G5 F#5
7
12 12 14 15
E5
12 13 15 15
15
19
6 7 6 P.M. 6
G5 F#5
B5 A5
G5 F#5 E5
12 13 13 15 15
X 13 13 15
G5
12 13 14
12 13 14 X
B5 A5
G5 A5
Gtr. 1 6 6 6 6 6
14 12
16
12 14 12 14 12
16
12 14 12 15 12
16
12 15 12 15 12
16
3
12
16
0
14 12
16
3
12 15 12
16
14 12
17
15 12
17
14 12
16
15 12
14 12
17
17
12
16
14 12
Gtr. 2
P.M.
2 2 0
0
0
0
B5
3
5 3
4 2
B[b5]
0
P.M.
5 3
0
4 2
0 0 0
P.M.
5 3
5 3
5 3
Bsus4
5 3
9 7
7 5
C5
X X
Bsus4
X X
C5
5 3
7 5
B5
7
7
5
17
9 *
17
17
14
15
14
17
15
17
14
15
14
17
15
17
14
14
15
14
17
*Trem. pick while sliding.
P.M.
9 7
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
X X
X X
X X
8 7
X X
X X
7 7
X X
8
7 7
10 8
9 7
15
17
9
C5
B5
19
20
P.M.
7 7
10 8
9 7
9
17
19
15 17 19
15
15
17
19
15
17
15 17
19
19
15 17
15
19
17
9 7
X X
X X
8 7
X X
X X
7 7
X X
X X
17 19
20
Bsus4
5
15
B[b5]
17
19
20
B[b5]
19
15
17
Bsus4
C5
17
19
20
17
19
20
17
20
20
20
17
20
17
19
B5
8va
5
9
20
20
17
19
17
20
19
20
9 7
X X
X X
8 7
X X
X X
7 7
X X
X X
22
19
20
19
22
20
22
P.M.
7 7
10 8
9 7
19
20
8va
22
9 7
19
20
22
20
22
24
20
22
24
20
22
24
20
22
24
24
20
22
24
20
22
24
20
22
24
20
22
24
9 7
9 7
9 7
9 7
9 7
9 7
9 7
* P.M.
24
*Gradually lift P.M.
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
F#m
2. Al
-
ways
G5
look - ing
at
F#m
the
ground;
a
bro
-
ken,
beat - en
E5
man.
1
24
24
24
Riff B
P.M.
2
A5
8va
C5
4
5
4
4
5
5 3
2
5 3
5 3
End Riff B
P.M.
5 3
2
5
4
4
4
5
2 2 0
2
2 2 0
2 2 0
2 2 0
Gtr. 1 tacet Gtr. 2: w/ Riff B (2 times)
F#m
Mem - ’ries
C5
G5
of
fam
are
his
Gtr. 4
-
’ly
F#m
call - ing
af
-
E5
ter
He
A5
him.
w/ bar
can
grad. dive
0
0
-2 slack
slack
Gtr. 4 tacet
F#m
hard
- ly
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
think,
C5
hard
- ly
walk.
G5
F#m
Phone
keeps
ring - ing,
he
A5
can’t
G5
talk.
With
F#m
just
one
C5
hit
the
pain
P.M. 4
4
5
4
5
would go
5 3
-
5 3
A5 E5 E#5 F#5 D5 C#5
3 P.M. 10
10
Gtr. 2
5 3
10
2
3
5
6
5
3
9
10
5
4
3
3
5
8
7
8
8
4
4
3 1
7 5
4 2
6 4
Am7b5
3
8
2 0
3
steady gliss.
8
10
10
8
8
5
6
5
3
3
5
4
10
6
17
15
9
3
3
Cm
loco 8va
P.H.
Pitch: C
2 0
2
6
10
5
Ab
P.H.
8
4
3
3
3
4
4
5
10
3
P.M.
3
7
he
P.M.
does.
8
But he’s dead if
Ab
3
3
3
5 3
Gtr. 3
7
way.
5 3
F#m
a
2
Guitar Solo Double-time feel Cm
Gtr. 2
2
G5
P.H.
15
13
15
13
13
12
13
12
10
12
10
8
10
8
7
8
F
5
3
5
6
5
3
5
5
3
3
4
4
3
5
6
5
3
5
4
3
3
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
rake
8
7
5
Ab
8
7
7
5
3
5
3
µ
6
5
5
3
3
6
5
8
6
3
6
8
9
6
8
6
8
7
8
5
3
5
6
3
5
3
6
5
5
6
7
8
5
5
3
Am7b5
10
8
7
6
5
3
P.M.
8
5
3
6
7
8
3
6
8
9
5
6
8
10
5
3
7
10
P.M.
3
7
10
4
5
3
5
7
7
8
10
3
5
8
X
6
7
5
8
Interlude Gtr. 3 tacet
F#5
C#
E5
B5
D5
Gtr. 4
A
Bb5 A5 G5 E5
0 0
0
let ring
7 6
Gtr. 2
7 6
6 6
6 6
6 6
6 6
P.M. 2
4
12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 6
4
3
4
6 6
5 4
5 4
5 4
4 4
4 4
5 4
P.M. 0
2
2
1
2
5 4
3 2
P.M.
5
3 2
3 2
3 2
2 2
2 2
2 2
2 2
5
7
7
6
7
1
0
3
0
let ring
0 0 1
0
3
0
0
F#5
C#
E5
B
D5
7 6
7 6
7 6
6 6
6 6
6 6
6 6
6 6
P.M. 4
4
2
3
5 4
5 4
5 4
4 4
4 4
5 4
5 4
2
2
0
1
Bb5 A5 G5 E5
3 2
3 2
3 2
3 2
2 2
2 2
2 2
2 2
P.M.
P.M.
4
A
2
7
7
5
6
G5 A5 C5
P.S. X X X 0 1 0 0
0
7
1
0
3
5 5
0
5 5
7 7
Guitar Solo Gtr. 4 tacet
E5
F#5 G5 F#5
G5 A5 C5
E5
F#5 G[#4] F#5
G5 A5 C5
Gtr. 1 6
17 14
14
6
17 14
14
5 5
14
17 14
14
17 14
6
17 14
14
14
17 14
14
6
17 14
19 14
14
14
6
19 14
P.M. P.M.
7
0
4 2
5 3
4 2
2 2 2 2 2 2 2
E5
F#5
5 5
G5
5 5
7 7
5 5
6
14
14
0
F#5
5 5
14
21
14
14
21
14
14
21
14
14
21
11
19 14
11 10
14
19 14
14
19 14
14
11 9
19 14
11 9 9 9 9 9 9 9
G5
6
14
19 14
14
A5
5 5
C5
6
21
14
7 7
6
14
5 5
14
21
14
14
14
21
14
14
End Rhy. Fig. 2
0
4 2
5 3
P.M.
5 5
19 14
6
P.M. P.M.
7
21
14
6
Rhy. Fig. 2
Gtr. 2
5 5
17 14
6
7
4 2
5 5
7 7
P.M.
2
2
2
2
2
2
2
5 5
13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo Quadruple-time feel
End double-time feel
Gtr. 1
E5
F#5 G5 F#5
6
µ
C5
6
6
E5
F#5 G5 F#5
G5 A5 C5
6
steady gliss.
22 14
14
22 14
14
22 14
14
22 14
14
24 14
14
24 14
14
24 14
14
Gtr. 3
24 14 14 14
14 14
14
5 5
7
X X
19
18
16
4
Gtr. 1 tacet Gtr. 2: w/ Rhy. Fig. 2
Gtr. 3
16
Gtr. 2
Gtr. 2
21
5
4
2
4
E5
19
18
2
X X
5
F#5
19
E5
5 5
G[#4]
17
17
19
G5
19
21 17
21
19
19
18
19
21 24 21 17
7
0
4 2
5 3
4 2
F#5
19
17
2 2 2
2
2
20
20
14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
21 17
G5
5 5
7 7
A5
19
5 5
C5
20
5 5
X
F#5
G5
A5
C5
9
14 16 17 16 14 17 16 14 16 17
19
9
14 16 17 16 14 17
18
2 2
10
19
6
5
P.M. P.M.
18
F#5
18
3
21
19
5 5
7
17
3
14 16 17 16 14 17 16 14 16 17
17 16 14
13
13
14
14
13
16
14
Gtr. 3
E5
F#5
G5
5
F#5
µ
steady gliss.
13
14
13
Gtr. 2
16
14
16
5 5
14
16
15
14
17
5 5
14
14
17
4
14
7
14
5
4
P.H.
2
4
3
2
0
P.M.
2
0
Pitch: C#
Bridge Gtr. 3 tacet
E5 F#5
Shad -ow peo - ple
fol - low
him
14 14
G5 F#5
A5/E F#5
Gtr. 4
Gtr. 2
E5
14 14
X X
X X
ev
E5 F#5
-
A5/EF#5
’ry -where
he
E5 G5 F#5
goes.
16 16
X X
Rhy. Fig. 3
4 2
4 2
4 2
P.M.
4 2
4 2
0
4 2
4 2
Gtr. 2: w/ Rhy. Fig. 3
A5/E F#5
E5 F#5
17 17
17 17
o
-
ver
his
shoul
P.M.
5 3
1
4 2
4 2
E5 G5 F#5
- der,
0 0
4 2
4 2
4 2
P.M.
4 2
0
A5/E F#5
4 2
19 19
4 2
4 2
E5 F#5
par - a
-
noi
-
a
20 20
0
5 3
4 2
4 2
E5 G5 F#5
the
4 2
P.M.
grows.
Look - ing
4 2
Gtr. 4
X X
End Rhy. Fig. 3
P.M. 0 0
X X
19 19
15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro-Guitar Solo Gtr 2: w/ Rhy. Fig. 3 (9 times) Gtr. 4 tacet
A5/E
F#5
E5
F#5
E5
G5
F#5
Gtr. 1
17
14
17
14
17
14
17
14
17
14
17
14
17
14
14
17
17
14
17
14
17
14
17
14
14
17
17
14
17
14
17
14
A5/E
19
F#5
14
17
E5
14
19
14
19
14
17
14
19
14
19
F#5
14
E5
14
17
19
14
17
14
19
14
19
14
G5
14
17
F#5
19
14
19
14
17
14
A5/E
17
F#5
14
17
E5
14
17
14
17
14
17
14
17
14
17
F#5
14
E5
14
17
17
14
17
14
17
14
17
14
G5
14
17
F#5
17
14
17
14
17
14
1/4
14 14
16 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
16
14 14
X X
14 14
14 14
16
14
19
14
16
19
14
17
14 14
1/4
14 14
X X
A5/E F#5
3
1/4
16
14 14
14 14
14 14
E5
1/4
14 14
14 14
16
14 14
14 14
16
14 14
16
G5 F#5
P.M. 1/4
16
17 17 16 14
16
14 14
E5
1/4
14 14
X X
1/4
E5 F#5
1/4
X X
3
1/4
X X
17
P.M.
G5 F#5
17 17 16 14
14
17
E5 F#5
1/4
1/4
19
14
F#5
A5/E F#5
E5
16
17
P.M.
17 17 16 14
X X
F#5
14
14
G5 F#5
1/4
1/4 1/2
14 14
19
G5
G5 F#5
14
17
E5
14
1/4
14 14
E5
16
19
1/4
1/4
14 14
14
16
14 14
19
3
P.M. 1/4
14 14
14
16
17
E5 F#5
P.M.
A5/E F#5
14
1/4
14 14
19
14
E5
19
14
F#5
A5/E F#5
17
14
E5
19
F#5
A5/E
1/4
16
14 14
3 0 14
16
17 16 14 16
A5/E
F#5
17
14
A5/E
E5
G5
F#5
14
17
14
17
14
17
14
14
17
17
14
14
17
E5
17
14
17
14
17
14
17
14
17
F#5
14
17
E5
14
17
14
G5
17
14
F#5
14
17
14
19
14
17
14
19
14
14
17
F#5
19
E5
14
17
14
19
14
17
14
19
14
17
F#5
14
19
E5
14
17
G5
14
19
F#5
17
14
A5/E
17
14
17
14
17
14
17
14
17
14
F#5
17
14
E5
17
14
17
14
17
14
17
14
17
14
F#5
17
14
E5
17
14
G5
17
14
17
14
F#5
19
14
A5/E
17
F#5
A5/E
F#5
19
E5
17
14
19
14
17
14
19
14
17
14
F#5
19
14
E5
17
14
19
14
17
14
19
14
17
14
F#5
19
14
E5
17
14
G5
19
14
17
14
F#5
19
14
17
14
17
14
19
14
17
14
17
14
19
14
17
14
17
14
19
14
17
14
17
14
19
14
17
14
17
14
19
14
17 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5/E
F#5
14
A5/E
17
14
19
14
17
14
17
14
19
14
F#5
14
A5/E
17
14
E5
19
14
17
14
17
14
19
14
17
14
F#5
14
A5/E
17
14
19
14
17
14
17
14
19
14
17
F#5
17
14
E5
17
14
14
17
19
14
17
14
14
14
F#5
14
A5/E
14
E5
19
14
17
14
14
14
19
14
17
14
F#5
14
E5
19
14
E5
17
14
17
14
19
14
17
14
17
14
14
19
14
17
14
F#5
19
14
G5
19
F#5
14
E5
14
14
19
14
F#5
17
14
14
14
E5
19
14
17
14
17
14
19
14
F#5
17
E5
14
17
G5
14
19
14
17
14
17
14
F#5
17
14
G5
17
F#5
17
14
19
14
F#5
14
14 19 14 17 14
18 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
17
14 19 14 17 14 14 14 19 14 17 14
17
14 19 14 17 14
17
14 19 14 17 14
17
14
F#5
17
Sorgdal
14
G5
17
Gtr. 2
F#5
17
Gtr. 1
G5
19
E5
17
F#5
17
E5
17
14
19
14
0 0
17
14
from Megadeth - Endgame
Dialectic Chaos By Dave Mustaine
A
__ = 3
Moderately fast q = 168
A5
G5 C5/G
G5
A5
G5 C5/G
G5
A5
G5 C5/G
G5
F5
G5
5 3
5 3 3
5 3
5 3 3
5 3
5 3 3
5 3
3 1
5 3
*Gtr. 1 (dist.)
f
20
2 0
5 3
2 0
5 3
*Doubled throughout
B
A5
G5
C5
G5
A5
G5
Gtrs. 2 & 3 (dist.)
3
3
5
0
7
5
7
0
5
0
7
5
3
f
0
3
3
7
0
5
0
7
3
5
7
0
5
7
0
5
7
3
3
3
0
5
7
0
5
3
7
0
5
7
0
5
7
Rhy. Fig. 1
Gtr. 1
0
0
P.M.
2 0
0
2 0
0
C5
5 3
D5
0
5
7
P.M.
5 3
3
0
5
3
7
0
5
0
7
3
7 5
5 3
3
3
3
3
5
7 5
3
3
3
5 3
3
7
G5 3
0
2 0
5
7
0
5
3
7
0
0
0
P.M.
3
0
0
2 0
5
7
0
5 3
0
0
3
0
0
2 0
5 3
C5 3
3
P.M.
2 0
5 3
A5
3
3
3
P.M.
5 3
D5 3
3
C5
3
3
5
7
G5 3
3
3
0
5
7
P.M.
5 3
3
© 2009 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
0
5
3
7
0
3
3
3
3
5 3
5
7
0
5
7
5 3
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5
G5
Gtr. 2
3
3
3
5
3
3
3
5
3
5
Gtr. 3
4
5
4
2
4
2
4
5
3
3
4
2
4
2
2
5
5
3
5
3
2
5
3
3
3
5
3
2
2
3
2
5
2
3
5
2
2
5
3
2
3
3
2
3
3
5
3
3
3
5
3
3
2
3
2
0
End Rhy. Fig. 1
Gtr. 1
3
P.M.
3 1
1
1
1
3
P.M.
3 1
1
1
1
1
3
P.M.
5 3
1
3
3
3
P.M.
5 3
3
3
3
3
3
3
C Gtrs. 2 & 3 tacet ** F#5
*Gtr. 4 (dist.)
3
3
3
3
3 3
f 1
17 14
14 16
14
17
14
16
14
16
17
14
17
14
17
16
14
16
16
16
14
3
1
16
14
16
*Dave Mustaine
Rhy. Fig. 2
Gtr. 1
3
P.M.
4 4 2
2
2
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2
3
3
4 4
2 2
4 4
2 2
4 4
3
3
P.M.
2 2
**Chord symbols reflect basic harmony.
2
2
2
2
2 2
4 4
2 2
4 4
3
2 2
4 4
8va
3
1/4
1/4
1/2
14 14
16
3 2 2
14
3
16 16
16
6
16 17 16 14 17 19 17 14 16
14
3
3
P.M. 2
2
2 2
2
6
4 4
2 2
16 18 16 14 17 19 17 14 16 18 16 14
17 19 17 14
16
3
4 4
6
6
1/2
4 4
3
P.M.
2 2
4 4
2
2
2
3
2 2
4 4
3
2 2
4 4
2 2
4 4
G#5
8va
6
1 21
21
21
3
4 4
6 6
3
21 19 16 16
21 19 16
4
4
4 4
4
4 4
6 6
6 6
4 4
16
19
P.M.
6 6
4
4
4
21 21 19 16
3
4 4
6 6
19 19 19
18
16
3
4 4
6 6
4 4
18
6 6
B5
6
22 20 17 17
3
7 7
6
22 20 17 20 17 17 20
17
20 17
20 19 17 19
3
5
5
5
17
3
3
P.M.
5 5
16
3
19
3
P.M. 3
A5 8va
6
1
19 22 24
3
19 22 24 22 19 19
3
7 7
5 5
7 7
5 5
7 7
7 7
9 9
7
7
6
6
19
P.M.
5 5
7
19 22 24
3
6 19 22 24 22 19 19
19
End Rhy. Fig. 2
3
7 7
9 9
7 7
9 9
7 7
9 9
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D Gtr. 4 tacet
Gtr. 1: w/ Rhy. Fig. 2
F#5 8va
Gtr. 4
1
24
steady gliss.
24
8va 3 6
*Gtr. 5 (dist.)
f
9
3
14
10
11
17
14
19
14
18
16 17 16 14
19
5
14
14
16
16
17 16 14 16 17
6
16
14
16
3
14 16 17 19
14
21 20 19 17 16
19
16 17
*Chris Broderick
Gtr. 5
8va
loco
17
3
3
16
18
19
18
16
13
14
13
18
11
13
19
14
11
12
3
18
17 14
17
11 11
3
14
16
17
14
15
3
16
16
3
11
P.M.
18
3
3
3
3
G#5
15
3
14
3
w/ bar
11
11
12
14
11
12
13
14
13
-1
A5
Gtr. 5
3
3
14
14
13
12
13
3
12
17
17
17
17
3
15
3
14
16
3
3
15
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9
10
8
10
8
12
13
14
13
12
17
14
12
12
15
14
3
3 12
14
14
3
3
12
10 11
9
12
10
8
3
12
10
12
3
10
Sorgdal
3
19 17
f
3
Gtr. 6 (dist.)
3
B5
8 11
E Gtr. 1: w/ Rhy. Fig. 1 (2 times)
A5
G5
*Gtr. 7 (dist.)
C5
G5
A5
G5
C5
D5
C5
D5
3
f 1/2 10
*Chris Broderick
Gtr. 5
1/2
12
Gtr. 6
Gtrs. 5 & 6 tacet
A5
Gtr. 7
12
12
12
12
1
12
13
1/2
12
G5
C5
G5
F5
G5
fdbk. 1
12
A5
G5
C5
G5
3
G5
P.H.
10
A5
C5
D5
P.H. 1 13
12
13
10
13
12
10
10
1/2
10
12
9
C5
D5
9
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
G5
C5
P.H.
10
G5
10
13
1/2
1
12
12
13
13
G5
1
12
Gtr. 4
F5
12
10 10
F Gtr. 7 tacet
D5 Gtr. 4
C5
3
3
13 10 12 10
13
3
F5
3
10 13 10 12 10
13
C5
3
10
3
13 10 12 10
3
13
10
D5
13 12 10 12 10
C5
3
3
3
13 10
12 10
12
3
13
3
10 13 10 12 10
13
10
Gtr. 1
P.M.
7 5
5
3
7 5
5 3
5
5
5
F5
C5
3
3
3
P.M.
3 1
1
1
1
P.M.
5 3
3 1
1
D5
7 5
C5
5
3
7 5
5 3
5
5
5
F5
C5
3
3
3
3
3
3
3
3
3 13 12 10 12 10
3 1
13
10
13 12 13 12 10
3
P.M. 3
1
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
1
1
1
3 1
5 3
5 3
13 10 12 10
7 5
13
10 13 10 12 10
P.M.
7 5
5 3
3
5
5
5
5
13 10
10
13 10
3 1
12 10
13
10
13 12 10 12 10
3
1
1
P.M.
1
1
3 1
5 3
12
Bb5
C5
8va
3
15
13
10
15
10
13
3
P.M.
3 1
1
1
3
3
10
1
1
13
10
17
10
13
3
P.M.
3 1
1
1
1
13
15
13
15
3
13
19
P.M.
3
3
3
3
3
5 3
1
3
3
10
3
15
17
15
15
17
3
3
3
3
P.M.
5 3
3
3
G E5 8va
Gtr. 5
Gtr. 4
3
20
Gtr. 4 tacet
D5/A
19
20
3
3
17
17
19 17
20
G5
19
20
3
3
17
D5/A
17
20
3
3
3
17
19
20
17
23 17
19
20
22
19
20
loco
17
17
Gtr. 1
2 0
3
0
0
0
0
P.M.
3
3
3
3
P.M.
2 2
0 0
5 3
3
5 3
0 0
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
D5/A
8va
Gtr. 5
3
3
G5
D5/A
3
3
19
20
3 1
22
19
20
19
21
19
21
19
19
21
20
19
20
20
Gtr. 1
0
0
0
0
P.M.
2 0
3
2 2
0 0
5 3
D5/A
9
3
3
10
9
3
0
0
0
0
P.M.
2 0
12
9
3
13
12
12
15
3
3
2 2
12
12
0 0
5 3
3
13
12
13
3
12
13
3
3
3
3
11
11
0 0
5 3
D5
8va
3
12
0 0
5 3
D5/A
P.M.
3
13
3
1/2
*T
12
1/2
3
12
3
3
3
12
9
C5
G5
P.M.
14
3
P.M.
E5
loco
14
12
15
17
22
17
loco
3
3
15
14
15
17
3
14
16
17
15
14
*Slide tap finger.
P.M.
5 3
3
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
3
3
3
5 3
3
P.M.
3
3
3
3
3
P.M.
7 5
5
5
5
5
3
P.M.
7 5
5
5
5
5
H Gtr. 1: w/ Rhy. Fig. 2
loco
F#5 8va
Gtr. 5
P.H.
16
Gtr. 4
8va
16
loco
1
19 17
19 17
1/2
17 14
17
16
3
3
3
1
3
6
19
3
3
1/2
1
16 14
16
14
16
14
14
16
16
16
14
16
16 16
16
1
/1414 0
14 14
Gtr. 5 tacet
Gtr. 4
3
14
16
14
3
14
17
3
14 14
16
14
3
3
17
16
14
3
16 16
16
14
3
16
14
16
3
15
14
14
16
16
15
14
14
G#5
3
P.H.
13
12
13
12
11
A5
let ring
P.H.
13
8va
3
P.H.
16
22
21
19
B5
8va
17
3
20
17
17 19
20
17
19
17
20
17
17 19
20
17
19
6
19
22
19
19 21
22 19
19 21
19 22
19
19 21
22
19
19 21
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
I Gtr. 1: w/ Rhy. Fig. 2 (1st 7 meas.)
Gtr. 4 tacet
F#5
Gtr. 4
8va
steady gliss.
19
Gtr. 5
19
7
3
17
17
3
1
14 17
17
8va
19
6
3
16
18 17
17
19
17
16
19
19
19
8va 8va loco loco
Gtr. 5
6
22
6
19 22 19
22 19
21 17
19
19 18
19 16
G#5
17
18 19
16 19
16 17
19
17
3
21 17
6
19
22
19
22 21
3
19
21 19 18
21 20 18
13
14
A5
8va
8va
-1/4
3
3
3
w/ bar -1/4
16 16 16 16 16 16 16
B5/F# 8va
Gtr. 5
17 16
17 16
16
15
B5/F#
16 18 14
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
1/2
3
w/ bar
1
19
19
22
22
22
22
3
4 2 2
4 2 2
5 3 3
17 16 15
E
3
1
Gtr. 1
4 2 2
3
A5/E
3
22
3
3
3
C5/G
1 22
_
loco
_ 1/2
16
Sorgdal
6
6
19
18 14 13
17
18 17 18 17
17
F#5
19
4 2 2
0 0
2 2 0
3
17
3
3
4 4 2
from Megadeth - The System Has Failed
Die Dead Enough Words and Music by Dave Mustaine E5
1
Intro Moderate Rock q = 134 * Bm G/B
Gtr. 1 (dist.)
G#º/B
mf w/ amp tremolo fdbk.
Bm
4
4 D
G/B
G
G6
1/2
Pitch: C#
G/B
1/2
4
4
C#
4
D
Riff A
End Riff A
Gtr. 2 (dist.)
mf let ring throughout
2
3
2
3
4
3
3
4
4
3
4
3
4
3
3
4
2
3
2
3
4
3
4
3 5
4
3
4
5
3
4
5
*Chord symbols reflect implied harmony.
**Gtr. 2: w/ Riff A (3 times)
Bm
Gtr. 3 (dist.)
_ 1/2
G/B
f
G/B
_ 1/2
Bm
G/B
_ 1/2
_ 1/2
12
12
14
15
Gtr. 1
f
4 **3rd time, Gtr. 2 fade out. ***Next 11 meas.
2
5
_ 1/2
***w/ bar
12
G#º/B
14
_ 1/2
_ 1/2
_ 1/2
_ 1/2
_ 1/2
_ 1/2
14
14
14
15
2
G6
_ 1/2
4
G
2
© 2004 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
3
17
5
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bm
G/B
G#º/B
17
19
Bm
20
19
_ 1/2
_ 1/2
15
G/B
8v a _ 1/2
19
4
Bm
15
15
loco
4
G#º/B
5
3
20
3
G/B
16 14
16 14
2
2
2
2
4
2
G
5
-2 1/2
5
5
5
4
G6
T
6
T
6
T
16 10 16 10
9
7
10 11 10
7
10 11 10
2
7
2
2
9
7
10
7
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
5
2
2
5
2
w/ bar
9
9
7
9
7 7 -2
3
Sorgdal
2
7
4
1
10 16 10
µ
T
9
3
T
9
2
5
6
17
5
Bm
-2 1/2
19
15
-1 1/2
2
15
19
G/B
G6
19
2
G/B
G
_ 1/2
17
2
G/B
3
2
2
2
2
0
1
2
3
Verse Slightly faster q = 140 Gtr. 3 tacet 2nd time, Gtr. 4 tacet
Gtr. 1: w/ Riff B (3 times)
Em
1. It’s twi 2. The air
- light and is thick,
I wake up hot. but the ox - y - gen’s thin.
Riff B P.M. 0 1 2
My bod - y’s soaked in a cold, My heart is beat - ing like a
Gtr. 1
0
0
0
0
I re - en - act And ice is flow - ing
Gtr. 3
P.M. 0
0
the
lu - rid through my
0
0
0
1
sweat. (Boom!)
3
scenes veins,
2
cold drum.
End Riff B
3
and clawed en - grav ex - plo -sives on my lips
ings and
in in
head. lungs.
my my
Oh,
9
12
Chorus
B5
A6
I
can’t
hard
e - nough.
punch
Gmaj7
(And I
Gtr. 3
Gtr. 1
12
I run.
11
11
9
9
9
9
12
Riff C
2
4
4
2
5
4
2
0
4
4
0
5
4
4 0
3
B5
can’t
high
e - nough.
kick
And I
11
Esus2
Riff C1
11
14
14
12
9
12
5
4
4
3
I run.
12
4 3
0
11
11
End Riff C
5
4
4
0
End Riff C1
0
2
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A6
can’t
straight
shoot
11
2
4
12
11
4
2
5
4
e - nough.
11
11
12
4
0
9
4
0
9
5
can’t
on
e - nough.
14
12
14
12 11
9
9
hold
Oh, And I run.
run.
9
E5
I I
2
And
Gmaj7
12
4 0
3
4
5
4
3
2 0
3
0
0
12
P.M.
4
9
0
0
0
0
0
Gtrs. 1 & 3: w/ Riffs C & C1
B5
I
A6
can’t
stay
can’t
Gtr. 3
11
2
4
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
down
12
Gtr. 1
Gmaj7
And
I
I run.
e - nough.
A6
4
2
5
11
11
11
9
9
bleed
4
fast
2
0
e - nough.
4
Esus2
can’t
pain
take
Gmaj7
I
can’t
And
I
e - nough.
die
dead
B5
5
I
run.)
G5
e - nough.
9
4
0
9
4 0
5 3
4
4
3
P.M.
0
2
5
5 3
Gtr. 4 (dist.)
1.
f 0
0
0
0
0
0
P.H.
0
2.
µ
P.H.
0
0
0
0
0
Pitch: F#
Gtr. 3
P.S. steady gliss.
X X X X X X X X
9
P.M.
3
3
3
3
3
3
X X
XX XX XX
P.M. 5 5 5 5 5 5 5 5 5 5 5 5 0 1 2
Gtr. 1
5 3
P.S. steady gliss.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Bridge Gtrs. 3 & 4 tacet
Em
Bm
I
don’t
know
what
Riff D Gtr. 5 (dist.)
I’m
Dsus2
run
- ning
from,
and
A
I
don’t
know
where
I’m
run -ning
Em
to.
End Riff D
mf *w/ DigiTech Whammy Pedal
12 14
10
12
12
12
14
12
10
12
11
12
9
10
9
9
11
10
9
9
*Set for one octave higher.
Gtr. 1
P.M.
7
9
9
7
10
9
7
7
9
9
7
10
9
0
P.M.
5
7
7
5
9
7
5
5
7
5
P.M.
9
5
P.M.
10
0
7
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 5: w/ Riff D (2 times)
There’s
Gtr. 1
Bm
some - thing
deep
strange
and
Dsus2
in
-
side
me
I
of
A
9
9
7
10
9
I
don’t
7
9
7
9
7
Bm
know
what
10
9
I’m
run
-
7
5
9
7
5
from,
and
I
don’t
know
9
10
9
7
Some
-
com
9
7
thing’s
Gtr. 3
7
10
9
G5
- pel
-
9
7
ling
1
Gtr. 1
7
9
to
1
7
5
run
P.M.
10
7
0
C5
I’m
- ning
to.
7
5
5
5
P.M.
9
P.M.
10
5
0
3
C5 B5
C5
B5 C5 B5 C5 µ
run
in - to
the
dark.
9
10
10
9
5 3
5 3
1
12
12
12
12
14
14
14
14
7
5
B5
me
9
P.M.
5
0
9
P.M.
5
where
P.M.
7
7
5
A
7
5
Dsus2
ning
P.M.
0
see.
P.M.
7
Em
9
10
9
10
7
8
9
10
P.M.
3
5
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
3
7
5
3
3
5
5
3
7
5
0
4 2
4 2
4 2
5 3
4 2
5 3
0
1
2
3
Slower q = 130 Half-time feel
E5
G5 F#5
E5
I
Rhy. Fig. 1
2 0
X X
5 3
am
more driv - en
4 2
than
G5 F#5
be - fore.
5
P.M.
X X
5 3
I
µ
live
4 2
5
2
2 0
X X
5 3
to
set - tle
1
just
2 0
E5
And now
7
E5
And now
G5 F#5
4 2
5
End Rhy. Fig. 1
2 0
X X
0
3
1
2
3
Gtr. 1: w/ Rhy. Fig. 1
E5
G5 F#5
score.
And now
Gtr. 3
E5
G5 F#5
I
E5
feel
the near - ness
of
G5 F#5
your breath.
And now
E5
µ
I
in
-
tro - duce you
to
your
12 15
Guitar Solo Gtr. 1: w/ Riff E (3 times)
µ
death.
Gtr. 3
2
15
Gtr. 1
8v a 6 3
1 1/2
15
1
15
15 12 15 12 15
12 14 12 14
Riff E
2 1 2
1 1/2
1
12
15
15
6
6
6
1
12
14 12 14
12
14 12 14 16 14
17
14 16 17
14 16
15 17
17
17
End Riff E
2
3
2
0
3
2
1
2
3
4
5
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8v a
Gtr. 3
1 1/2
1
1 1/2 1
1
1/2
17
17
17
15
15
17
17
17
17
17
17
2 1
15
17
15
15
15
12
12
8v a
3 1
12
15
6
6
3
17 15 12 15 12
15
15
12 15 16 17 16 15 12 12
6
6
16 15 12 16 15 12 16 15 12 16 15 12 16 15 12 16 15 12 16 15 12 16 15 12
End half-time feel
8v a
Gtr. 3
6
6
16
15
12
6
16 15
12 16
15 12
6
16 15
12
16
15
12
3
16
15
12 16
1/2
15 12
15
16
17
19
1/2
21
21
21
Gtr. 1
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Gtr. 3 tacet
µ
8v a
Gtr. 4
1
Gtr. 1
1
1
22
22
22
19
17
16 18 17 15
17
17 15
17 15
15
loco
17
17
17
17
12 15
Riff F 6
P.M. let ring 0 0 0 0 0 0 0
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
22
3
2
5
6
P.M. 0 0 0 0 0 0 0
3
let ring
2
5
let ring
2
0 0 0 0 0 0 0
P.M.
1
6
3
2
5
Gtr. 1: w/ Riff F
6
3
3
15
12
15
12
15
12
15
12
12
0
0
0
0
0
0
3
15
12
15
12
15
12
14
1
1
17 14
14
0
1
2
12
14
End Riff F
0
12
6
P.M.
Gtr. 4
15
3 1
12
3
6
6
5
6
3
1
1
15 12
15 12 17 15 12 14
15 12 17 12 14
14
12
12 15 12
15 15
13 16 13
16 16
14 14 17 14
17
14 15 15 18 15
18
15 16
Gtr.1: w/ Riff E (4 times)
Gtr. 3
8v a
µ
1
1
20
8v a
Gtr. 4
6
6
5
20
1
19
17
19
17
17
20
17
21
17
17
18
21
18
21
1
20
20
19
17
3
24
16
19
19
23
19
1 24
1 24
1 24
1 24
1 24
19
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8v a
5
8v a
1/2 1
17
17
15
17
16
1
24
16
16
1
24
1/2
1/2
16
16
1
24
1
24
loco
15
15
13
12
12
14 12
15
15
12
12
15
1
24
12
1
12
24
24
24
Gtr. 3
1
24
Gtr. 4 tacet
1
1
12
15
8v a
15
3 3
1/2
17
6
6
6
1
12
14
14
14
12
11 10
13 15 13 12 10 10 12 11 10
11 10
9
10
9
10
9 8
9 8
10
3 6 6 3 3 6
w/ bar
7
10
7
8
10
8
7
7
10
7
8 10
7
9
7
10
9
8
10
9
8
10
9
7
10
9
7
15 10
9
7
10
7
9
7
15
5 -1/2
Outro-Chorus Gtr. 1: w/ Riff F (6 times)
µ
I
am
more driv
-
en than be - fore.
I
live
P.S.
X
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
X
to
set - tle
15
15
10
just
score.
I
feel
the near
-
ness of your breath.
I
in
-
tro - duce
w/ bar
you
to your
w/ bar
14
14
15
-1
death.
I
can’t
punch
hard
e - nough.
1
12
15
12
12
15
e - nough. 8v a
17
17
1
3 1
I
can’t
I
can’t
I
can’t
straight
15
hold
on
e
-
nough.
kick
high
e - nough.
19
19
1 1/2
17
15
shoot
1/2 17
I
can’t
stay
down
8v a
19
19
15
15
w/ bar
-1 1/2
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
e - nough.
(Die
dead
I
can’t
take
pain
e - nough. (Die
e - nough.)
dead
e - nough.)
8v a
w/ bar
15
I
can’t
bleed
fast
e - nough. (Die
dead
17
I
can’t
15
e (Die
-
dead
6
15
14
12
12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12
15
12
15
nough.
8v a
Gtr. 1
dead
6
15
die
1
15
E5
e - nough.)
w/ bar
8v a
12
14
12
e
-
nough.)
6 6 6
loco
15
13
12
14
12
13
15
12
10
12
11
9
12
10
9
12
10
9
12
12
15
12
from Megadeth - Endgame
Endgame Words and Music by Dave Mustaine Intro Free time
Moderately fast q = 170 Half-time feel Spoken: Attention!
µ
Gtr. 1 (dist.)
Attention now!
(Sound effects) 4 sec.
All citizens
* F#5 Riff A
are
ordered
G5
F#5 E5 F#5 G5 F#5
4 4
5 5
mf
2
Gtrs. 2 & 3 (dist.) 4 sec.
Riff A1
mf
their district Detention
P.M. 2
0
2
3
4 4
2
P.M.
5
4
2
to report to
2
0
2
3
4
2
*Chord symbols reflect implied harmony.
Centers.
Do not return
G5 F#5 E5
to your homes.
Do not contact anyone.
F#5
G5
Do not
F#5 E5 F#5 G5 F#5
use any cellular or G.P.S.
G5 F#5 E5 G5 F#5 E5 End Riff A
3
P.M.
4
5 3
4 2
2 0
2
4 4
5 5
P.M. 2
0
2
3
3
P.M.
4 4
2
3
5 3
4 2
2 0
5 3
4 2
2 0
End Riff A1
3
P.M.
4
5 3
4 2
2 0
P.M.
5
4
2
3
2
0
2
3
P.M.
4
2
3
5 3
4 2
2 0
5 3
4 2
2 0
F#5
E5
Gtr. 1: w/ Riff A Gtrs. 2 & 3: w/ Riff A1
F#5
G5
devices.
Surrender
F#5
G5
This
way
to the
F#5 E5 F#5 G5 F#5
all
weapons
F#5 E5 F#5 G5 F#5
G5
at once.
Attention!
camps.
© 2009 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
G5
F#5
E5
G5
F#5
E5
1. I
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
F#5
woke
in
black
up
2
Gtrs. 2 & 3
a
F#5 E5 F#5 G5 F#5
FE - MA
E5 F#5 G5 F#5
box.
4 4
5 5
P.M. 2
0
2
3
2
4 4
4
2
G5
P.M.
2
was
0
3
2
3
2
a - round
4
4
2
2
G5
F#5
E5
0
2
G5
3
2
F#5
E5
me.
My Spoken: (In my
cof
-
fin.) End Riff B
4 4
2
0
P.M.
F#5 E5 F#5 G5 F#5
all
2
5
4
Dark - ness
P.M.
Riff B1
2
G5
Riff B
Gtr. 1
P.M.
5 5
2
0
2
3
P.M.
4 4
2
5 3
3
4 2
2 0
3
5 3
4 2
2 0 End Riff B1
2
0
2
3
P.M.
5
4
2
P.M.
4
2
5 3
3
4 2
2 0
3
5 3
4 2
2 0
Gtr. 1: w/ Riff B Gtrs. 2 & 3: w/ Riff B1
F#5
G5
dreams
are
all
and this
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
is
what
I
night
F#5 E5 F#5 G5 F#5
-
dream
mares
G5
E5 F#5 G5 F#5
an - y - more
F#5 E5 F#5 G5 F#5
ev - ’ry
night.
G5 F#5 E5 G5 F#5
E5
2. The
Verse F#5
lead
Gtrs. 2 & 3
-
G5
er
F#5 E5 F#5 G5 F#5
of the New
World
Or
-
der,
2
P.M.
2
2
P.M.
2
2
2
G5
P.M. 2
2
P.M.
0
2
3
2
2
P.M.
now re - sid
-
ing
in
-
2
2
0
2
3
2
2
2
P.M.
2
0
G5
F#5
E5
G5
3
side
of the
U.
S.
of
A.
3
2
F#5
E5
End Riff C
3
P.M. P.M.
P.M. P.M.
2
States,
4
4
2
5 2
F#5 E5 F#5 G5 F#5
an - y - one
4
2
P.M. P.M.
F#5 G5 F#5
5
4
has de - clared
E5
the Pres - i - dent of the U - nit - ed
Riff C
2
4
2
2
5 3
2
4 2
3
2 0
5 3
4 2
2 0
Gtrs. 2 & 3: w/ Riff C
F#5
with - out
Gtr. 4 (dist.)
mf
9
9
9
the
P.M.
G5
R.
P.M.
F#5 E5 F#5 G5 F#5
F.
I.
D.
chip,
you’re
9
just an
il - le - gal
P.M. P.M.
12
11
9
9
9
12
10
9
9
9
P.M.
an
en - e
P.M. 9
9
9
11
-
my
P.M.
com
F#5 E5 F#5 G5 F#5
- bat
- ant of
9
9
9
9
12
9
10
9
9
9
11
a - li
-
en,
10
9
P.M. 9
F#5
A - mer - i - ca.
12 9
G5
P.M. P.M.
11
11
Gtr. 4 tacet
G5
E5 F#5 G5 F#5
Wel - come
P.M. 9
12
9
E5
G5
F#5 E5
to the New World
9
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus C#5
Or
C5
-
A5
6 4
This
is
the
4 2
6 4
G5
F#5
end
of the
road.
E5
*
F#5
G5
End Rhy. Fig. 1
5 3
G#5
der.
Rhy. Fig. 1
Gtrs. 2 & 3
B5
7 5
6 4
5 3
P.M.
P.M. 4 2
2
2
2
2 0
2
4 2
4 2
4 2
4 2
4 2
5 3
*w/ echo set for half-note regeneration w/ 1 repeat ( p ). Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)
C#5
C5
B5
A5
G#5
This
G5
F#5
is
the
E5
end
of
F#5
**
the
G5
line. **As before
*** C#m
Cm
Bm
A5
Riff D
Gtr. 4
G#5
This
9 X 7
8 X 6
7 X 5
G5
is
the
8 X 6
7 X 5
9 X 7
F#5
E5
F#5
†
end
of your
life.
G5
End Riff D
6 X 4
***Chord symbols reflect combined harmony, next 6 meas.
†As before
End half-time feel Gtr. 4 tacet
C#5
B5
Gtr. 4
13 X 11
Gtrs. 2 & 3
6 4
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
Am
This
12 X 10
5 3
11 X 9
4 2
17 X 15
6 4
7 5
G#m
is
Gm µ F#5
the...
3. A
16 X 14
G5
15 X 13
P.M. 6 4
so -
5 3
4 2
2 2 2
2 2 2
2 2 2
2 2
2
2 2 2
2 2 2
5 3
Verse
E5
B5
ci - e - ty 4. Oo, I
A#5
E5
in a learned my
P.M. 2 0
0 0 0
3 1
B5
A#5
to
0 0 0
E5
stops. bleed
They in
P.M. 0 0 0
4 2
0 0 0
F#5
G5
E5
side Ev -
the ’ry
fence, scar
In
-
way.
0 0 0
4 2
3 1
B5
A#5
-
got side
2 0
their the
3 1
0 0 0
0 0 0
4 2
4 2
E5
3 1
con
-
as earned
you
P.M. 0 0 0
and
know had
I
0 0
0 0
0
E5
duct
E5
life I
2 0
G5
D5/A
2 2 0
D5/A
of yard,
5 3
F#5
rules day
P.M.
Riff E
2 2 0
E5
P.M.
it
4 2
0 0 0
A#5
so - ci - e - ty. les - sons the hard
Gtrs. 2 & 3
B5
we got
E5
ours. a
2 0
4 2
End Riff E
5 3
sys -
P.M.
2 0
0 0 0
0 0 0
0 0
2 2 0
Gtrs. 2 & 3: w/ Riff E
B5
Mm, be quick or be - tem of con -
slow
is
*Gtr. 5 (dist.)
E5
ly long
B5
dead. trolled
up
and like
B5
so much you’re not
A#5
can in
E5
You crum - ble move - ment
and Now
A#5
A#5
time.
B5
E5
F#5
G5
E5
D5/A
a
die. gi -
The clock is tick ant farm.
ant
G5
E5
hap - pen in charge of your time
-
To Coda 1
F#5
ing so An - y - time
D5/A
E5
an hour. an - y - more.
E5
A#5
f
15
w/ bar
*Chris Broderick
Gtrs. 2 & 3
P.M. 2 2 0
0 0 0
0 0 0
4 2
3 1
P.M. 0 0 0
0 0 0
4 2
3 1
2 0
4 2
5 3
2 0
Fill 1
P.M. 0 0 0
0 0 0
0 0
End Fill 1
0
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
F#5 G5 F#5
G5
F#5
15 19
15 19
15 19
19
15
15 19
-2 1/2
Riff F
P.M. 2
3
P.M.
4 2
2
2 2 2
P.M.
2 2 2
End Riff F
P.M. 2
2
2
Gtr. 5
G5
F#5
w/ bar let ring
15 19
15 19
P.M.
4 2
2
E5
F#5 G5 F#5
3
2
P.M.
4
4
P.M. 2 2 2
2 2 2
w/ bar
**Harm.
grad. dive
(2.3 )
slack -1/2 Pitch: D **Harm. located approx. three-tenths the distance between the 2nd & 3rd frets.
0
E5
2.3
15 19
slack
*Gtr. 6 (dist.)
19
8va
w/ bar
15 19
2 2 2
15
15 19
0
Gtrs. 2 & 3: w/ Riff F (3 times)
F#5 G5 F#5
E5
slack
5
4
w/ bar let ring 15 15
w/ bar
15
15 19
F#5G5 F#5
w/ bar let ring
E5
slack
f 14 15
*Chris Broderick Gtr. 5 tacet
F#5
G5
F#5
G5
Gtr. 6
F#5
3
18
15
14
17
15
14
17
15
14
17
15
14
17
15
3
14
17
15
14
16
15
14
F#5 G5 F#5
3
16
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
16
15
16
12 14 12 11
11 12
14
12 11
14
12 11
14 12
11
16
15
14
16
15
17
14
9
F#5 G5 F#5
3
15 12 11
14
E5
1
E5
14 12 11
9
9
G5
3
10
F#5
F#5
G5
F#5
3 3 3 3 3 P.M. 9 10 9 9 10 13 11
12
12
9
2nd time, Gtrs. 5 & 6 tacet
C#5
C5
Gtr. 6
A5
This
is
the
1/2
13
14
11
12
G#5
E5
12
Gtr. 6 tacet
B5
10
11
11
9
Chorus
E5
G5
F#5
E5
end
of the
F#5
*
G5
road.
14
Rhy. Fig. 2
Gtrs. 2 & 3
6 4
5 3
End Rhy. Fig. 2
4 2
6 4
7 5
P.M.
6 4
4 2
5 3
2 2 2
2 2 2
P.M.
2 0
4 2
2 2 2
2 2 2
5 3
*w/ echo set for half-note regeneration w/ 1 repeat. Gtr. 2: w/ Rhy. Fig. 2 (2 times) Gtr. 3: w/ Rhy. Fig. 2 Gtr. 4: w/ Riff D
C#5
C5
B5
A5
G#5
This
G5
F#5
is
the
end
E5
of
the
F#5
**
G5
line. **As before
C#5
C5
B5
A5
G#5
This
Gtr. 3
P.M.
4
6
6 3
5
5 2
4
G5
is
the
F#5
end
4 5
7
7 4
6
3
5
E5
of
your
F#5 ***
G5
life.
P.M.
P.M.
4 2
4 2
2 2 2
2 2 2
2 0
2 2 2
2 2 2
5 3
***As before
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
To Coda 2
D.S. al Coda 1 Gtr. 4 tacet
C#5
C5
B5
A5
G#5
G5
This
is
the
Gtr. 4
P.M.
8
Gtr. 3
6
6 6 7
6 6
6
6
4 4
4
6
6
6
Gtr. 2
3
5
5
2
6 4
5 3
4 2
6 4
Gtr. 5
end
game.
4 5
7 4
6
3
5
4 2
2 2 2
2 2 2
2 2 2
2 2
2
2 2 2
2 2 2
P.M.
6 4
4 2
7 5
5 3
2 2 2
2 2 2
2 2 2
2 2
F#5
E5
2
2 2 2
2 2 2
F#5 G5 F#5
15
18
G5
w/ bar 15 15 15 18 18
F#5 G5 F#5
18
w/ bar 15 15 18 18 14
slack
w/ bar let ring 15 18 14 14 E5
w/ bar 15 15 15 18 18
F#5 G5 F#5
G5
F#5
slack
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 3
Gtrs. 2 & 3: w/ Riff F (4 times)
D5/A E5
w/ bar let ring
8
5 3
Guitar Solo
Gtrs. 2 & 3: w/ Fill 1
7
5
4 6
4
4
G5
P.M.
Coda 1
6
7
P.M.
4
F#5
slack
E5
15ma
F#5 G5 F#5
P.H.
w/ bar
18
15 18
15 18
14 slack
E5
15ma
F#5
G5
grad. dive w/ bar +2 1/2
G5
F#5
13 12
14
15 12 15 12
13 12
17 12 17 12
15 12
13 12
13 12
15 12
12
E5
3
14 12 14
F#5
loco
15
3
17 19 17 15
17 15
17 16 17
slack
F#5
G5
F#5
E5
3
F#5 G5 F#5
3 w/ bar
1 14
1 1/2
1 1/2
1 1/2
15 14
1
17 17
17 16
16
17
19 17
15 17
17
17
17
22
22
22
20
19 20 19
21
17 15 14 -2 1/2
D.S.S. al Coda 2
G5
3
F#5
3
1
19 20 22
20
E5
F#5
G5
F#5
E5
20
19 17 15
17 16 14
17 16 14
16
3
1
19 17 15
3
1
16
1
16
16
1
16
1
16
1
16
Coda 2
Guitar Solo Faster q = 251 Gtr. 4 tacet
F#5
C5 B5 A5
F#5
B5 C5 B5 A5
G5
A5 G5 E5
end.
8va
Gtr. 5
1
14
17
20 19 17
17
17 16 14
Gtrs. 2 & 3
20
loco
19 15
19
15
19 15
16
15
16 17 16
Riff G
End Riff G
4
2
3
2
0
4
2
2
3
2
0
5 3
3
3
5
3
3
3
3
5
3
0
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 3: w/ Riff G (3 times)
F#5
C5 B5 A5 F#5
B5 C5 B5 A5
G5
A5 G5 E5
8va Gtr. 5 loco 3 3 3 3 3 3 3 3 P.M. 3 *T T T T
19 18 19
19 15
17 19 17
19 18
17 15 17
15 17 14
15
16
15
14
17 19 17 14 17 23 21
*
19 17 14
15
16
11
C5 B5 A5 F#5
9
11
12
F#5
B5 C5 B5 A5
11
10
C5 B5 A5 F#5
B5 C5 B5 A5
14 12 10
9
G5
12
16 12
= index finger = middle finger = ring finger
P.M. P.M. P.M. F#5
14
10
11
9
G5
9
12
11
A5 G5 E5
9
11
9
12
A5 G5 E5
5. The 8va
1/2
10
9
14 11
10
14
10
15 12
12
14
11
19 16
15
19
15
21 18
17
19
16
1/2
21
19
21
19
Verse Half-time feel
C#5
C5
bill
Ex - Spoken: Pres 8va
Gtr. 5
21
Gtrs. 2 & 3
i - dent
signed
a
se
-
cret
21
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
P.M. X X
X X
5 3
4 2
P.M. X X
X X
7 5
9 7
G5
E5
that
can
steady gliss.
21
Rhy. Fig. 3
6 4
Sorgdal
C#5
1/2
-
E5
B5
D5
Gtr. 5 tacet
C5
B5
10
End Rhy. Fig. 3
6 4
P.M. X X
X X
5 3
4 2
P.M. X X
X X
5 3
2 0
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (3 times)
C#5
C5
B5
Spoken: land
a
Spoken: Pa
B5
tri - ot
stripped
Act
Spoken: say
a
Con
C#5
B5
-
cen
B5
in
jail.
cit - i
E5
-
zen
a - way
con
- tion
E5
camp
just
B5
popped
up.
C5
E5
rights.
B5
the
G5
- sti - tu - tion - al
C#5
E5
And
our
G5
C5
D5
tra
C5
C#5
-
C#5
S.
D5
C5
E5
U.
C5 3
-
le - gal
C#5
D5
G5
Yeah,
They
E5
right!
Guitar Solo Gtrs. 2 &3: w/ Riff G (4 times)
F#5
*Gtr. 7 (dist.)
C5 B5 A5 F#5
B5 C5 B5 A5
G5
3
f
grad. bend
A5 G5 E5
14
14
1
1
1/2
16
16
14
16
14
14
16
14
16
14
16
16 14
16
16
*Dave Mustaine
F#5
C5 B5 A5 F#5
3
1/4
14
1/2
14
12 14
14
17
16
14
17
14
17
16
C5 B5 A5 F#5
12 14
G5
14
16
16
16
14
B5 C5 B5 A5
16
14
14
16
15 16
14 15 14
16
14 15 16
16
16
14
16
16
15
14
16
G5
3
14 16
14
16
15
14
17
17
16
15
A5 G5 E5
3
14
A5 G5 E5
F#5
B5 C5 B5 A5
14 16 14
16
14 16 17
3
14 16 14
3
17
14 16 17 16 14
3
17
14
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
C5
B5
A5 F#5
B5
C5 B5 A5 G5
A5 G5 E5
6. Spoken: Re
14
5
14
17 14 14
14 14
3
3
8va
3
3
3
14
17 14 14
14
3
1/2
3
3
19 17 14 17 14
17 14
3
3
3
1
14
-
1/2
19 19 17 14
14
14
14
17 14
14 17 14 17 19
16
14 17 20
16
Verse Gtrs. 2 & 3: w/ Rhy. Fig. 3 (4 times)
C#5
fuse
8va
21
Gtr. 7 tacet
C5
B5
the
D5
chip?
21
21
tyr - an - ny
of
mind
C5
B5
you’re
pun - ished,
C#5
rights
C#5
re - moved,
me
Gtr. 1
C5
when
I
per
-
B5
se - cute
G5
and
beat
by
E5
the
B5
D5
con
-
E5
trol
D5
E5
for
the
cap
D5
say,
E5
“This
C#5
-
C#5
B5
the
beast.
mark
C#5
C5
of
C5
tured
and
C5
is
en
G5
B5
G5
E5
slaved.
B5
the
end
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
All
-
E5
G5
-
Be - lieve
E5
game.”
2
12
14
B5
C5
steady gliss.
C5
C#5
Get
C#5
Ha!
E5
4
Interlude
F#5
Gtr. 1
2 2
4 4
4 4
2
Riff H
Gtrs. 2 & 3
End Riff H
2
2
2
2
P.M.
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1.
2 2
4 4
2 2
4 4
5 5
4 4
2
4 4
4 4
6 6
6 6
2
2
2
2
4
6
4
Riff I
Gtrs. 2 & 3
2
Gtr. 1
4
G#5
2
6
End Riff I
4
4
4
P.M.
4
2.
Gtrs. 2 & 3: w/ Riff H
Gtr. 1
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
1. Gtrs. 2 & 3: w/ Riff I
Gtr. 1
4 4
6 6
4
6 6
7 7
6 6
4
6
13
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2.
Gtr. 7
X X X
X X X
*w/ wah-wah
1
4
4
X X
20
*Used as filter
3
Gtr. 1
6 6
2
4
Outro-Guitar Solo Gtrs. 2 & 3: w/ Riff H (till fade)
F#5
3
grad. release
**T
1
3/4
1/2 1/2
4
9
4
4
4
Riff J
2 2
4 4
4 4
2
2 2
4
5 5
4 4
4
2
4
End Riff J
**Tap note while holding bend.
4
4 4
2
4
Gtr. 1: w/ Riff J (till fade)
Gtr. 7
2
2
2
14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
P.M.
4
4
1 2 2
2
4
4 4
4 4 4
2
4
3
16 0
14 17 14
3
17
14
14
17 14
17
17 14
17
14
17 16 14
14
16
14
14
17
14
16
14
14
16
16
15
14
16
17
17
14
16
15
14
17
14
14
14
16
17
16
14
16
14
1
1/2
1
16
16
16
14
3 grad. release
grad. release 1 1/2
1
16
16
16
16
16
8va
1/2
16
16
14
17
14
16
14
16
16
16
16
16 14
8va
loco
1
1/2
16
16
1
17
16
16
17
14
16
16
14
14
14
14
16
14
Fade out
1
17
14
1/4
16
16
16
16
loco
grad. release
17
16
1/2
P.H. 1
14
16
5
P.H.
grad. release 1 1/2
1/2
16
1/4
16
16
1/2
16
P.H. 1/2
3
grad. release
1
1/2
16
grad. release
grad. release 1
16
16
grad. release
16
1
16
grad. release
17
16
+1
Begin fade
16
w/ bar
14
14
1/2
17 16
16
14
16
14
15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - United Abominations
Gears of War Words and Music by Dave Mustaine E5 Intro Moderately slow q = 77 ** E5
Gtr. 1 (dist.)
11
D#5/A#
C5
mf 12
14
15
11
12
14
15
11
8
5
7
8
mf 9 7 0
12
12
12
11
12 12
dist. off let ring
4
5 5 3
8 6 6
4 4 2
3
2
let ring
8 9
9
mf 3 5 5 4 5 4 5 4 X9
*Gtr. 3 (dist.)
4
Eº
9
Gtr. 4 (slight dist.)
mf 7
10
13
5
E5
Play 4 times
Gtr. 2 (dist.)
Gtr. 2 tacet
G5 F#5
B5
7
9 X 7
9 X 7
8
7
0
8
8 X 6
8 X 6
8 X 6
7
0
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
*Doubled throughout **Chord symbols reflect overall harmony.
Ab(no3rd)/E
let ring
Eº
let ring
7 7
8 7
7
8
7 X 5
7 X 5
0
8 X 6
8
8 X 6
A6(no3rd)/E
7
7 X 5
Moderately q = 128
3.
1., 2.
8 X 6
0
let ring
Em
let ring
7 7
5 7
7
5
5
4
5 5 5 4 X7 X7 X7 X X X X
5
5
5
0
3
3
E5
3
2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
D5 D#5 E5
9 9 7
2 2 0
P.M. P.M. 2 2
Gtr. 1 tacet
0
9
0 0
1 1
2 2
© 2007 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOK MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 4 tacet
D5 D#5 E5
D5 D#5 E5
Whispered: (Gears of war.
D5 E5 F5
Gears of war.
Gears of war.)
P.M. End Rhy. Fig. 1
P.M.
2 2
Gears of war.
Rhy. Fig. 1
Gtr. 3
D5 D#5 E5
0
0
0 0
0
1 1
P.M.
2 2
0
0
0 0
0
1 1
P.M.
2 2
0
0
0 0
0
2 2
3 3
3 1
3 1
0 0
3 1
1 1
2 2
Verse Gtr. 3: w/ Rhy. Fig. 1
D5 D#5 E5
1. Eth
of
0
0 0
0
-
1 1
2 2
-
with
D5 D#5 E5
o
-
no
-
fend
de
D5
-
ing,
these
E5 F5
E5 E#5 F#5
cide.
E5 E#5 F#5
tal
2
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2 2
A
2 2
3 3
4 4
0
0 0
0
1 1
-
2 2
0
4 2
0 0
0
with
no
sur
ing
4 2
0
E5 E#5 F#5
P.M. 4 2
P.M.
end
2 2
P.M. 0
P.M. 4 4
Sorgdal
gen
P.M. 0
fa
ing
D5 D#5 E5
Rhy. Fig. 2
2 2
-
D5 E5 F5
cleans
D5 D#5 E5
acts
Gtr. 3
nic
D5 D#5 E5
-
2 2
3 3
4 4
2 2
3 3
3 3
E5 F#5 G5
-
4 2
4 2
2 2
4 4
3 1
3 1
3 1
2 2
3 3
5 5
4 4
D5 D#5 E5
ren - der - ing
P.M. 4 2
P.M.
to
P.M. 5 3
5 3
5 3
0 0
1 1
2 2
cov
2 2
-
er
D5
D#5
E5
up
0 0
2 2
P.M.
0
0
0
E5
3 1
3 1
3 1
3 1
3 1
3 1
E5
D5
0 0
2 2
0
0
0
F5
1 1
E5
F5 B5
bombs,
0
0
0
C5
P.M.
pre - ci - sion guid - ed
and
lie.
0 0
2 2
3 3 1
C5 E5
arm
B5
F5
crimes
E5
- a - ment:
Rhy. Fig. 3
P.M. P.M. P.M.
P.M. 3 3 1
D#5
Smart End Rhy. Fig. 2
D5
P.M.
1 1
the
Chorus
9 9 7
3 1
X X X
X X X
9 9 7
10 10 8
X X X
X X X
9 9 7
X X X
X X X
9 9 7
10 10 8
P.M. P.M. P.M.
9 9 7
X X X
X X X
9 9 7
10 X 10 X 8 X
X X X
9 9 7
X X X
X X X
9 10 9 10 7 8
9 9 7
Gtr. 3: w/ Rhy. Fig. 3
a
F5
E5
more
F5 B5
so - phis - ti
- cat
- ed way
X X X
X X X
9 9 7
10 10 8
X X X
X X X
9 9 7
X X X
X X X
9 9 7
10 10 8
to
B5 Bb5 A5 G5
F5
E5
end
E5
up dead.
Still we
search
and
F5 B5
in - vent
End Rhy. Fig. 3
P.M. P.M. P.M. 9 9 7
C5
P.M. P.M.
9 9 7
X X X
X X X
9 9 7
10 X 10 X 8 X
X X X
9 9 7
8 8 6
7 7 5
5 5 3
To Coda
such
C5
B5
in - tel - li - gent
C5 E5
weap
-
ons
F5
E5
that
kill
each
F5 B5
oth
-
C5
B5
er
like
the
Bb5 A5
gears
G5
of
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Bkgd. Voc.: w/ Voc. Fig. 1 (3 times)
E5
D5 D#5 E5
D5 E5 F5
End Voc. Fig. 1
war.
D5 D#5 E5
D5 D#5 E5
* Voc. Fig. 1
Hoo - rah!!
(Gears of war.)
Gtr. 3
P.M.
2 2 0
0
0
0 0
0
1 1
P.M.
2 2
0
0
0 0
0
1 1
2 2
P.M.
0
0
0 0
0
2 2
P.M.
3 3 1
3 1
3 1
3 1
0 0
3 1
1 1
2 2
*Refers to downstemmed voc. only.
Gtr. 2: w/ Rhy. Fig. 1
D5 D#5 E5
D5 D#5 E5
D5 E5 F5
D5 D#5 E5
2. If
you
ride
Verse Gtr. 3: w/ Rhy. Fig. 1
with (If
you
D5
thieves,
then
D#5
you
E5
die
D5
D5 D#5 E5
with
ride...
...then
you
E5
F5
thieves.
die.
Gtr. 3: w/ Rhy. Fig. 2
Cross
E5
my
heart
...that
you
F5
E5
my
E5
the
E#5
F#5
dev - il’s
E5
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E#5
the
E5
D5
D#5
E5
that
you
die!
hope
F#5
dev - il’s...
When
the
F#5
the
E5 E#5 F#5
smoke
in ...the
4
has
die.
heart...
When
and Cross
D5
D5 D#5 E5
D#5
D5
G5
mir
-
ror
cleared,
smoke...
D5
D#5
E5
and
you
see
D.S. al Coda
his and you
D5 D#5
war
-
E5
heads
paint
D5
the
sky.
E5
F5
Now you Now you
see...
D5 D#5 E5
die! die!)
Coda
Interlude
C#m
A
war.
Gtr. 2
2
4
4
1/4
2 4
2
4
4
2 4
4
2 2 4
F#m
2
5
7
1/4 4
4
7 9
Gtr. 3
7 5
2 4
2
4
4
2 2 4
Gtr. 2
9
9
1/4 4
2 4
2
4
1/4 4
2 4
4
2 2 4
2
4
4
6
6
4 6
4
6
11 12
9 11 12
9
*Glen Drover
6
5
f
11
11
2
*Gtr. 5 (dist.) divisi
4
4
G#7(no3rd)
9
2 4
4 6
6
4 7 9
7
10 9
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo Gtr. 2 tacet
F#m
13
13
14
14
13
11
9
9
11
Gtr. 3
7
9
9
9
11 12
1/4
7
11
9
9
7
9
9
7 7
9
7
10
16
14 16
9
9
7
9
9
7 7
7
9
10
14
16
13
13
14 13
16
9
9
1/4
7
7
9
9
15
17
15 14
14
14
9
9
14 15
16
16
13 14 16
11 13
14
Bm
11
16
D
Gtr. 5
14
15 15
9
7
16 14 14
15 14
16
7
9
15
1/4
7
9
7
9
9
7
9
7
9
Guitar Solo
B5
Bb5
Gtr. 5 tacet
A5
G#5
steady dive
9
11
14
16 14
16
14 13
15
14 13
13 12
16
11
*fdbk.
1/4
9
11
9
-2
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
14
**Dave Mustaine
Riff A
10
9
8
7
6
7
1/4
14 14
12
14
7
14
1/4
X 11
*Microphonic fdbk., not caused by string vibration.
6
mf
w/ bar
14
Em
**Gtr. 6 (dist.)
C5
C#7(no3rd)
5
7
5
7
noise 12 X 12 14 X
C
8va
string
14
7
5
7
7
P.H.
14 14
5 5
5
7
12 12
14
14
7
8
14 14
7
12
14
X
14
12 12
14
X
5
7
5
End Riff A
7
7
5
7
7
14 14
X
1/4
7
14
5 5
5
7
8
Gtr. 3: w/ Riff A
Am
Gtr. 6
10
8
7
10
7
8
7
10
7
10
8
7
10
8
7
7
9
8
7
7
9
9
7
5
5
7
5
4
5
7
5
4
Em
5
4
7
5
4
7
5
4
5
7
5
4
5
4
5
7
7
5
4
5
4
7
4
7
5
7
5
5
8
8
Interlude Gtr. 3: w/ Riff A (3 times)
Gtr. 6 tacet
Em
C
10
Gtr. 6
7
10
1/4
9 10
9
10
10
9 10
10
9
string noise 7
8 10
X X
6
9
12
10
Gtr. 2
Riff B
10
End Riff B
1/4
9 10
9
10
10
9 10
10
9 8 10
9
12
12 10
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Riff B
Am
Gtr. 3
7
7
7
5
7
7
5
7
7
5 5
Free time
E5
Gtr. 5
5
(cont. in slashes) Eb5
7
6
8
D5
Db5
C5
B5
5
4
3
2
6
Outro
Gtr. 3
7
E5
1/4
5
Em
3
3
6
6
1/2
17
17
15
12
15
15
12
12
15
12
15
15
15
12
15
12
15
12
12
12 15 12
15
12
12
12 15 12
6 6 7
12 12
12 15 12
6
15
12
12
12 15 12
15 12 15 14 12
14
14 14 12 14 12
15
12
13
12
14
12
14
13
12
10
steady dive w/ bar
12
14
12 -1/2 -4 1/2
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12
15
12
Hangar 18 Words and Music by Dave Mustaine
Intro Moderately fast q = 160 Dm
Bb/D
f w/ dist.
1 3 2
1 3 2
1 3 2
1 3 2
1 3 2
1 3 2
1 3 2
1 3 2
1 3 2
1 3 2
1 3 2
1 3 2
1 3 2
1 3 2
1 3 2
1 3 2
1 3 3
1 3 3
1 3 3
1 3 3
1 3 3
1 3 3
1 3 3
1 3 3
1 3 3
1 3 3
1 3 3
1 3 3
1 3 3
1 3 3
1 3 3
1 3 3
D7(no3rd) Bº/D
1 3 4
1 3 4
1 3 4
1 3 4
1 3 4
1 3 4
1 3 4
1 3 4
1 3 4
1 3 4
1 3 4
1 3 4
1 3 4
1 3 4
1 3 4
1 3 4
5 3 5
5 3 5
5 3 5
5 3 5
5 3 5
5 3 5
5 3 5
5 3 5
5 3 5
5 3 5
5 3 5
5 3 5
5 3 5
5 3 5
5 3 5
5 3 5
Bb/D Dm
5 6 7
5 6 7
5 6 7
5 6 7
5 6 7
5 6 7
5 6 7
5 6 7
5 6 7
5 6 7
5 6 7
5 6 7
5 6 7
5 6 7
5 6 7
5 6 7
6 6 7
6 6 7
6 6 7
6 6 7
6 6 7
6 6 7
6 6 7
6 6 7
6 6 7
6 6 7
6 6 7
6 6 7
6 6 7
6 6 7
6 6 7
6 6 7
C/D Bº/D
7 6 7
7 6 7
7 6 7
7 6 7
7 6 7
7 6 7
7 6 7
7 6 7
7 6 7
7 6 7
7 6 7
7 6 7
7 6 7
7 6 7
7 6 7
7 6 7
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
© 1990 MUSTAINE MUSIC and THEORY MUSIC All Rights for MUSTAINE MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
let ring let ring
Dm/A
1
3
2
5
6
2
7
Bb
Bº
1
3
4
7
6
7
4
7
0
1
3
5
6
2
7
1
3
7
4
Dm
2
0
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
7
6
7
7
0
0
5
8
3
3
0
0
7
5
6 3
0
9
8 9
4
0
0
8
0
9
7
0
µ(Dm)
let ring
6
5
3
0
7
6
7
let ring
Bº/D
0
let ring
1
3
5
8
9
C/D
5
0
0
Bb/D
let ring
let ring
let ring
C
Bb/D
3
3
Bº/D
4
0
let ring let ring Bº
5
Bb
7
Dm
2
let ring
5
let ring let ring Dm/A
6
7
C
6 3
let ring
1
3
3
0
let ring let ring
let ring
5
Cadd9/D
0
0
5
0
0
3
2
7
5
3
0
0
Verse Dm
for
1. Wel - come to 2. See additional lyrics
2
0
0
our
Bb/D
-
7
0
3
0
Cadd9/D
5
0
a - round.
0
Im
-
7
0
4
0
Bb/D
0
7
0
0
7
In - stru
0
7
4
-
0
0
0
3
0
0
0
Com
7
-
put - er
0
2
0
ments
sight
to
0
0
0
0
Cadd9/D
7
Dm
0
5
0
0
walls,
for you
7
0
banks
to
7
0
rule
0
stars.
0
0
the
show
7
0
break these
to
Bb/D
strong.
Bº/D
0
to
0
4
0
ble
5
0
too
0
0
0
some time
0
0
Take
Cadd9/D
much
world.
2
0
is
the
3
steel
-
the
pos - si
7
0
Bº/D
see
0
tall.
Dm
you
tress
Bº/D
0
Pos - si -
P.M. 7
0
0
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
To Coda
Chorus Dm
bly
I’ve
seen
P.M.
7
7
Dm
2
C
know too
Bº
een.
1
P.M.
7
4
0
16
16
20
17 20 17
P.M.
12 10
10
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
14
17
14
Dm/A
20
grad. release 1/2
20 18
20
19
19
19
19
P.M.
10
P.M.
12 10
10
Bº
P.M.
12 10
P.M.
10 8
8
P.M.
10 8
8
Cadd9
P.M.
10 8
7
P.M.
10 8
7
P.M.
9 7
P.M.
8
9 7
10 8
P.M.
0
hold bend
15
loco
17
Gm/Bb
I
Bb
-
7
0
Bb
1 17
15
3
15 17
0
1
5
8va
3
Interlude D5/A
5
7
Bº/D
eight
7
Hang - ar
P.M.
0
much.
much.
7
0
Dm
too
Bb/D
9 7
D5/A
Bb
8va
17 13
15
14
14
15
15
13 17 13
13 17 13
15
13
15
18 13
15
14
15
Bº
Bb
13 17 13 15
15
14
13
17
17 15 13
Dm/A
8va
1/2
17 13
15
16 13
15
16
1
16
20
1 1/2
1 1/2
20 17 22
22
P.M.
P.M.
P.M.
12 10
10
10
2
0
0
Bº
P.M.
P.M.
12
10
7
10
8
0
0
C
3
0
7
0
much.
5
5
C5
8
P.M.
10
8
8
10
8
8
µ
6
5 3
5
5
3
5
3
3
5 3
2
5
3 2
0
8
Bº/D
0
0
Interlude D5/A
4
0
0
7
Cadd9/D
0
5
0
0
17
16
0
7
0
0
1/2 hold bend
1
15
2nd time, D.S. al Coda
Bb
1
13
7
10 8
know too
P.M.
8
Bb/D
10
Coda Dm
P.M.
10
12
Dm
22 8
Gm/Bb
loco
16
17
17
15
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bº 8va
1
3
1
18
18
Bb
18
15 18 15
17
Dm/A
P.M.
P.M.
P.M.
Bº
P.M.
P.M.
P.M.
P.M.
17
17
10
8
8
P.M.
10
8
8
1/2 P.M.
Cadd9
8va
P.M.
P.M.
10 8
Gm/Bb
loco
16
12 10
10
12 10
12
10
10
8
D5/A
1/2
13
17
17 15
1/2
1
1/2
1
20
20
20
20
P.M.
P.M.
10 8
8
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
P.M.
10 8
8
P.M.
7
7
3
7
13 15 17
P.M.
10 8
9
19 16
18
19 16
16
18
16 19 19
18
3
8
P.M.
10
8
P.M.
10 8
10
10
12 10
10
3 3 P.M. P.M. P.M. 9 7
7
9 7
9
8
11
9 11
10
12
10
9 12
P.M.
3
9
P.M.
C#7b9
7
20
12
8
Cadd9
7
1
Gm/Bb
10 8
7
Dm/A
X X
8
3
13 15 17
pick
9
17
don’t
8
10
Bº
loco
Bº
8
14
Bb 8va
8
10
Bb
8va
16
10
9
3
13
9
11
Guitar Solo Slower q = 113 µ
D5 Eb5 µ
D5 Eb5 µ
15
13 12
12
10
10
8va
14 17 14
16
17
15
12
9
15
17
10 15 11
13
12
10
11
12
12
11
10 13
12
D5 Eb5 µ
7
10
14
12 13
13
12
11 15 14
13 16 15
14 17 16
16
D5 Eb5
µ
D5 Eb5 µ
loco
8va
3
1
18 14 14 14 15 11 11 14 10 10 10 11 8
8 10
6
6
6
8
5
5
6
5 6 5
5
8
8
8
1
8
8
D5 Eb5 µ
8va
6
7 8 10 8 7
8
7 8 7
Interlude µ
loco
6
10 11 13 11 10
12
10 11 10
0
1
2
2
2
5
2
2
3
5
5
15
15 13
15
13 15 16
14 15 17
1
2
2
17
P.M.
4 0
1 1/2
13 15 16 15 13
P.M.
4
6
2
5
2
2
P.M.
3
2
0
0
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1
2
2
2
5
2
2
Guitar Solo µ
3
P.M.
4 0
5
5
4 0
D5 Eb5
µ
8va
1
2
7
2
loco
10
9
7
8
11 10
8
X
D5 Eb5 µ
5
5
1/2
12
11 12
10 13 10 15 14 15 10 13
10 14 15 14 10
13 10
22
14 10 13 10
7
8
7 8 7
3
3
5
D5 Eb5
µ
8va
6
7
7
8
10 9 10
7
8
7
15 11 8
7
13
14 11
13 14
13 16
13 14
13 16 15 16
17
D5 Eb5 µ
16 15
12 9
17 16
D5 Eb5
µ
6 3 loco
8va
3
10 13 13 13 13 12 12 12 12 20 20 20 20
19 19 19
19 13 13 13 13 15 13
14
13 15 12 13 12
14
12 13 12 10 12 10
13
10 12 10
6 6 D5
6
8
10
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8
Eb5
µ
3
11
8
10
12
8
10
12
10
8
10
8
12
10
8
12
10
12
8
12
10
8
7
Interlude µ
3
10 10
10
7
9
10 7
7
9
7
9
9
grad. release 3/4
7
P.M.
0
1
2
2
2
1
2
2
2
2
0
10
7
2
9
7
11 10
8
P.M.
8
2
2
2
5
2
2
0
0
X
1
2
3
P.M.
2
2
5
2
2
accel. P.M.
2
0
2
3
5
3
2
3
4 2
5 3
4 2
5 3
G5
5
5
µ
3
5
5
4
4 0
5
3
1
P.M.
4
4 0
Play 4 times
5 3
4 2
Guitar Solo Slightly faster q = 124 µ
8va
7
17
17
17
7
17
17
16
14
17
17
17
7
17
17
16
14
17
17
17
17
6
17
16
14
17
17
17
17
16
14
8va loco
6
6
7
7 17
17
17
17
16
14
17
17
17
17
16
14
14
16
16
16
15
14
14
16
16
16
14 15
14 15
15
14
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
6
14 14
14 14
6
14 14
16 16
16
14
16
16 16
16
16 16
16 16
14
8va
7
14
16
17
µ
G5
P.M.
3
8va
2
0
2
3
5
3
2
4 2
5 3
19
4 2
17 14
5 3
4 2
17
14
14
14
G5
4 2
5 3
4 2
5 3
4 2
5 3
loco
19
Guitar Solo µ 8va
Play 3 times
19
5 3
1 1/2
19
19
18
21
18
8va loco
21 21
21
7
20
13 15 10
20
X
14 10 19
13 11
8va
3
6
3
14 17 14
6
P.H. 1
17
17 14
17 14 17
14 17 14
17
17 14
X
14
14
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
13 10
13
10 13 10 13 10 13 10
Interlude µ
P.M. 2
9
10
G5
loco
3
Sorgdal
17
1/2
1 1/2
17
14
1
19
loco
17
6
17 14 14 17 14 14 17 17 19 17 14 14 14
16
Interlude µ
1/2
14
17
0
2
3
5
3
2
4 2
5 3
4 2
5 3
4 2
5 3
Play 4 times
Guitar Solo µ
loco
8va
6
6
21
17
14
6 17
14
21
21
17
6
14
17
14
14
21
17
14
17
14
21
21
17
14
17
14
14
6
21
17
14
6
17
14
21
21
17
6
14
17
14
14
21
17
14
6
17
14
21
21
17
14
17
14
14
5 5 5
5
12
14
21
14
17
8va
21
5
14 21 14 17 21
14 21
14
21
14
17
22
11
14
17
14
21
21
loco steady accel. gliss. 1 P.M. 14 16 5
Guitar Solo Slightly faster q = 130 µ
10 9
21
21
Interlude µ
7
9 12 10 9
14
10 9 11 9
12 10 9
14 10
3
2
G5
0
2
3
5
3
2
4 2
3
13
17
21
4 2
5 3
Play 4 times
4 2
5 3
8va
5 12
14
14
10
13
13 14 10
13
16 14
6
14 18 14 18 14 18 14 18 14 18 14
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
loco
6
3
5 3
1
1
14 17
1
14
17 14
14 17 14 19 14
16
Interlude µ
P.M.
2
16 14
0
2
3
5
3
2
4 2
5 3
1
14
17 14
G5
3
16
1
14 17 14 19 14
16
16 14
16
µ
5 3
4 2
5 3
4 2
P.M.
14
17
17
G5
Play 3 times
14 17
3
2
3
2
0
2
3
5
3
2
4 2
5 3
5 3
4 2
5 3
4 2
Guitar Solo µ
6
6
5
4
2
6
6 4
2
5
5
4
2
4
7
5
8
7
5
7
5
8
8
7
5
7
10
8
6
11
10
8
6
6
10
8
11
11
10
8
10
13
11
14
13
11
6
13
11
14
14
13
11
13
16
14
8va
6
6
17
12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
16
14
6
6 16
14
17
17
16
14
16
19
17
20
19
17
19
17
20
20
19
17
19
22
20
6
8va
6
6
3
1/2
steady gliss.
23
22
8va
20
21
1
23
1
24
8va
20
22
1
24
7
9
1
24
6
5
11
1
24
24
11
1
24
1 24
18
20
1 24
22
24
1 24
24
1 24
loco
1
16
24
1
24
G5
14
1
24
13
24
24
5 3
P.M.
3
2
0
2
3
5
3
2
F#5
4 2
5 3
4 2
5 3
4 2
5 3
4 2
4 2
Additional Lyrics 2. Foreign life forms inventory. Suspended state of cryogenics. Selective amnesia’s the story. Believed foretold but who’d suspect... The military intelligence? Two words combined that can’t make sense.
13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - Endgame
Head Crusher Words and Music by Dave Mustaine and Shawn Drover
Intro Fast q = 151 * Em
8va
Gtr. 1 (dist.)
f 19
12
12
18
12
12
17
12
15
12
17
12
12
12
18
12
19
12
12
18
12
17
12
12
15
12
12
17
12
12
15
12
Riff A Gtrs. 2 & 3 (dist.)
f
P.M.
7
0
0
6
0
0
5
0
3
0
0
0
0
0
0
0
7
0
0
6
0
0
5
0
3
0
0
0
0
0
0
0
*Chord symbols reflect implied harmony.
G5
8va
19
12
12
18
12
12
17
12
15
12
12
17
12
12
18
12
loco
12
15
12
15
15
12
15
14
12
15
14
12
15 15 12
End Riff A
P.M. 7
0
0
6
0
0
5
0
3
0
0
0
0
0
0
0
7
0
0
6
0
0
5
0
3
0
© 2009 MUSTAINE MUSIC and SHAWN DROVER PUBLISHING DESIGNEE All Rights for MUSTAINE MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
0
0
5 3
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 3: w/ Riff A
Em
Gtr. 1
8va
19
12
12
18
12
17
12
12
12
18
12
17
12
17
12
12
18
12
12
12
15
12
12
12
17
15
12
19
12
12
18
12
17
12
12
15
12
17
12
12
15
12
12
G5
8va
12
12
loco
19
15
15
15
12
15
12
12
15
14
12
15
14
12
14
14
12
14
X
Verse Double-time feel 2nd time, Gtr. 1 tacet
Gtr. 1 tacet
F#5
A5
1. It’s
time 2. The
to hor
-
take rif
Gtr. 1
11
your ic
last tor
-
walk ture
in
this de - vice
world
11
P.M.
P.M. P.M. 3
2
2
2
2
2
2
2
5
2
2
2
2
2
2
2
2
X
2
2
2
2
2
be for
-
fore those
your who
jour fail
-
ney
be
-
gins in
un ter
-
-
der ro
2 0
2
F#5
C5
Riff B
Gtrs. 2 & 3
-
B5
4 2
E5
A5 G5
-
tion.
-
ground. ga
5 3
Gtrs. 2 & 3
P.M. P.M. P.M. 3
2
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2
2
2
2
2
2
5
2
2
2
2
2
2
2
2
X
2
2
2
2
2
2
3
2
0
0
5
5 3
F#5
But The
not most
be
-
fore pain
we ful
-
tor tech
-
ment nique
you ev
-
B5
er
known.
2
2
2
2
2
2
2
5
2
F#5
cell thirst
P.M.
2
2
to worst:
2
2
tween. gra - tion.
2
2
dle ju
Beg - ging Beat - en,
the ry.
pres
-
G5
Now
F#5
let
4 2
C5
the
5 3
E5
Gtrs. 2 & 3
4 2
2
2
X
2
2
with
a
2
for
2 0
He
B5
4 2
A5
G5
-
A5
be
2 0
you’re all in
cants,
from Peo
2 0
2
4 2
B5
tour in
-
in te
6 4
4 2
5 3
C5
-
-
lone. y
mor much
ti too
fi late.
A5
Un - a Add - ing in
rags.
-
be -
-
5 3
F#5
5 3
G5
de dis
B5
a blood
2
your ple End Riff B
2
Be - fore it’s but it’s
G#5
-
2
F#5
sure. re
2
mer - cy, bro - ken,
4 2
2
-
ble sult
to to
A5
ca
-
B5
tion...
B5
C5
End double-time feel G5
gin!
5 3
2
2
short skull’s
A5
tor - ture
2
2
C5
5
2
C#5
han in -
E5
2
the
F#5
2
hell
Gtrs. 2 & 3: w/ Riff B
2
P.M.
3
2
straight for the
2
C5
P.M. P.M. P.M. 3
A5
6 6 4
7 5
9 7
7
0
5 3
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
E5 F#5
E5
F#5
E5
F#5
Death
Riff C
0
2
2
2
2
0
F#5
0
2
E5
2
2
2
by
0
2
E5
2
2
2
the
0
F#5
E5
crush
-
er.
0
2
2
E5
2
2
0
G5
E5
head
0
F#5
F#5
Head
0
2
2
2
2
0
0
2
2
2
2
0
0
2
E5
F#5
E5
crush - er!
Spoken: On your
knees,
F#5
E5
E5
F#5
E5
F#5
E5
F#5
E5
G5
2
5 3
2.
F#5
E5
G5
F#5
E5
G5
mf let ring P.M.
E5
pris -’ner,
and take
your po - si - tion.
let ring P.M. 0
0 3 1
F5
E5
Bb5
E5
G5
E5
F5
2 0
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
P.M.
let ring
0
0 5 3
0
let ring P.M. 0
0 3 1
0
let ring P.M. 0
0 3 1
0
P.M.
let ring
0
0 5 3
0
0 3 1
0
End Rhy. Fig. 1
P.M. 2 0
Wow.
Rhy. Fig. 1 Gtrs. 2 & 3
Sorgdal
0
End Riff D
0
0
Riff D
0
2
Death by the head crush - er.
Bridge Half-time feel E5 Bb5
Gtr. 4 (dist.)
2
1.
Gtrs. 2 & 3: w/ Riff C
E5 F#5
2
End Riff C
2 0
3 1
P.M.
2 0
2 0
2 0
5 3
P.M. 2 0
2 0
2 0
3 1
P.M. 2 0
2 0
2 0
3 1
P.M.
2 0
2 0
2 0
5 3
P.M. 2 0
2 0
2 0
3 1
End half-time feel Gtrs. 2 & 3: w/ Rhy. Fig. 1 Gtr. 4: w/ Riff D
E5
Bb5
Place your
F#5
E5
chin
head
for - ward
in - to the re - straint.
F#5
slow - ly caves
in
let ring P.M. 2
E5
Bb5
E5
G5
E5
G5
F#5
C5
F#5
A
F#5
4 2
from the com - pres - sion.
let ring P.M. 2
let ring
P.M.
2 4 5
You’ll
2
2
P.M. let ring 2
2 5 3
2
let ring P.M. 2
2 5 3
2
End Riff E
P.M.
let ring
2
2 4 5
2
2 5 3
2
End Rhy. Fig. 2
P.M. 4 2
G5
Rhy. Fig. 2
Gtrs. 2 & 3
F5
Your
5 3
F5
F#5
2
2
A
Riff E
Gtr. 4
E5
C5
G5
P.M.
5 3
4 2
4 2
4 2
4 2
P.M.
P.M.
4 5
4 2
4 2
4 2
5 3
4 2
4 2
P.M.
5 3
4 2
4 2
4 2
4 2
P.M.
4 5
4 2
4 2
4 2
5 3
Gtrs. 2 & 3: w/ Rhy. Fig. 2 Gtr. 4: w/ Riff E
F#5
faint
C5
to the black
-
F#5
A
out
F#5
from
in
G5
-
fer
-
nal
F#5
C5
F#5
A
F#5
G5
pain.
E5
Ah!
Riff F Gtrs. 2, 3 & 4
End Riff F
0
0
0
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 3: w/ Riff F (2 times)
Gtr. 4
Bb5 E5
A5 Bb5 A5
E5
Rhy. Fig. 3
P.M.
0
End Rhy. Fig. 3
9 7
0
P.M. P.M. P.M. P.M. 0
3 1
0
Gtr. 4: w/ Rhy. Fig. 3
G5
0
2 0
0
0
5 3
0
Bb5 E5
7 5
0
0
A5 Bb5 A5
E5
7 5
0
G5
8 6
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 3 (1st 2 meas., 2 times)
Bb5 E5
G5
E5
Bb5 E5
G5
Bridge E5
A5 Bb5 A5
-
D#5
ing,
0
0
P.M.
14 12
E5
0
0
0
14 12
0
-
ing
the
gi
C#5
break
-
ing
0
0
0
0
0
E5
are
0
11 9
0
0
0
D5
screw,
0
13 11
12 10
0
C#5
C5
loose,
0
0
P.M.
12 10
ant
0
teeth
-
0
your
D#5
0
0
0
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
13 11
D5
0
P.M.
6
Sorgdal
0
E5
P.M.
12 10
0
A5 Bb5 A5
0
G5
E5
turn
Rhy. Fig. 4 Gtrs. 2 & 3
Bb5 E5
Twist
E5
Gtrs. 2, 3 & 4: w/ Rhy. Fig. 3
A5 Bb5 A5
0
0
0
0
0
0
0
11 9
10 8
E5
crushed
and
-
ter
splin
-
0
0
P.M.
10 8
0
0
Em
0
0
0
0
0
Bb5
C5
B5
E5
ing
in
-
to
your
Bb5
A5
G5
mouth.
End Rhy. Fig. 4
P.M.
10 8
9 7
0
Em
0
0
8 6
7 5
5 3
0
0
G5
Em
F5
Oo,
Gtr. 2
P.M.
3 3 1
Gtr. 3
let ring
P.M.
0
3 5 3
0 3 1
0 3 1
0
let ring
P.M.
0
0
0
0
P.M.
0
0
P.M.
3
let ring
P.M.
0
0 5 3
0
0 3 1
0
Gtrs. 2 & 3: w/ Rhy. Fig. 4
E5
wind - ing
D#5
E5
D#5 D5
down,
cut - ting
E5
like
bro - ken
through
D5 C#5
E5
glass
frag - ment
-
ed skull
and
E5
Bb5 A5 G5
shat - ter
-
ing
bones.
E5
Bb5
E5
There’s noth - ing
you
chewed,
your
G5
can
A5 Bb5 A5
C5 B5
be - ing
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (1st 2 meas.)
E5
C#5 C5
do.
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro-Guitar Solo E5
Gtr. 4
F5
E5
D5
8va
E5
D5
11
8
8
Rhy. Fig. 5 Gtrs. 2 & 3
P.M.
0
0
0
0
0
P.M.
9 7
0
0
E5 8va
0
0
0
P.M.
10 8
0
0
0
P.M.
0
0
0
7 5
6 4
3
3
6 4
5 3
F5
24
23
20
Bb5
3
24 19
20
0
18
7 5
0
G5
3
17
15
Ab5
3
3
1/2
22
22
18
17
15
3
1/2
11
9
3
3
9
Db5
20
17
22
21
17
18
18
21
17 18 17
17
21
18
21
End Rhy. Fig. 5
P.M.
0
0
0
0
0
0
5
7
P.M.
0
0
0
0
P.M.
8
5
0
0
0
0
P.M.
5
7
0
0
0
0
6
6
6
6
8
8
8
8
Gtrs. 2 & 3: w/ Rhy. Fig. 5 (2 1/2 times)
E5
F5
8va
Gtr. 4
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
D5
Db5
Ab5
G5
17
D5
loco
1/2 17
E5
18 17
19
6
6
17 18 20
17
20 18 17 18 20
6
17 18 21 18 17
20 18 17
6
19 18 15 14
17 15 14
1
15
E5
Bb5
15
16
E5
16
F5
16
F5
8va
3
19
20
19
22
16
E5
D5
E5
D5
Db5
Ab5
G5
8va
6
3
6
6
6
6
3 24 24 24 24 24 24 24 24 24 24 24 22 24 22 20 22 20 19 20 19 20 22 20 19
22 17 17 18
15 17
19
20 20 20 20 20 20 20 20 20 20 20 20 19 20 19 17 19 17
loco 3 3 6 6 6
E5
Bb5
F5
8va
15 15 17 17 15
15 17 19 17 15
18 17 14
17
11
16
17 15 14
8va
E5
17 17 17
F5
1
1
15
15
E5
16
17
15
19
17 15 14
17 15 14
D5
17 15 14
E5
D5
17
18
16
17
18
Db5
17
17
18
17
16
E5
Bb5
14 13 16 14 13
14 13
15
15 14
13
15 14 12 14 15
F5
E5
14
P.M.
0
0
0
0
0
0
P.M.
5
7
0
0
0
0
P.M.
8
5
0
0
0
Ab5
G5
18
17
16
14
17
16
µ
14
Gtrs. 2 & 3
12
16
15
loco
Gtr. 4
P.M.
17
11
0
5
7
P.M. 0
0
0
0
3 1
3 1
2 0
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - Endgame
How the Story Ends Words and Music by Dave Mustaine
Intro Moderately q = 148 ** E5
B5
E5
C5
E5
B5
Rhy. Fig. 1 *Gtrs. 1 & 2 (elec.)
mf
2
w/ dist.
P.M.
0
0
P.M.
4 2
0
2 0
0 0
0
P.M.
5 3
0
0 0
A5
G5 F#5
P.M.
E5
P.M.
2 0
P.M.
4 2
0
2 0
2 0
5 3
4 2
4 2
4 2
4 2
4 2
*Composite arrangement **Chord symbols reflect implied harmony.
1.
E5
B5
E5
C5
E5
B5
End Rhy. Fig. 1
P.M.
P.M.
2 0
4 2
0
0
0
2 0
0
2 0
2 0
0
0
0
A5
G5 F#5
P.M.
5 3
E5
P.M.
2 0
0
4 2
2 0
2 0
5 3
P.M.
4 2
4 2
4 2
4 2
4 2
2.
G5 F#5
D5 E5
D5
1. Far
5 3
4 2
Verse E5
D5 E5
off ring
D5
on
ho
the
E5
D5 E5
-
ri of
-
zon clash
-
ing
D5
you can steel
bare -
Riff A
P.M. 4 2
4 2
5
7
5
*** P.M. P.M.
7
0
0
0
0
2 0
0
5
7
5
7
0
0
0
0
2 0
0
5
7
5
***2nd time, pick beat 1.
© 2009 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
-
ly
see raise
they
7
the
D5
torch flags
the
E5
-
B5 C5
But rest war,
of
C5
sured a
sign
es.
B5
as
-
E5
G5
they’re
out all
to
C5 D5 C5
there the
and war -
End Riff A
let ring P.M. P.M. P.M. 0
0
0
D5 E5
0
A5
they’re ri - ors
com
Gtr. 3 (elec.)
2 0
5
0
7
5
7
0
0
0
D5 E5 D5 E5
0
2 0
D5 E5 D5 E5
- ing. who can - not
2
0
3
B5
2
Bb5
3
0
A5
0
5 3
5 3
3
E5
5
3
D Em D6
If you A - midst
0
*Em
hear.
0
D5 E5
lis - ten smoke
mf
w/ dist.
10
9
9 10
Gtrs. 1 & 2
5
P.M. P.M. P.M. 7 0 0 0 0 5
7 5
5 7
5
7
2 0 0 0 0 0
0
5 7
5
7
0
9 7
8 6
7 5
7
P.M. 0 0 0 0
2 0
0
5 7
5
*Chord symbols reflect combined harmony.
Gtrs. 1 & 2: w/ Riff A
Em
E5
the
sound is can - non - balls,
of
Gtr. 3
10
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D Em
D6
grow
10
9
E5
D Em
-
9
Em
ing they
10
near bang
-
er the
D6
of drums
9
10
9
Em
E5
Bm C
in - fan - try of
10
Bm
death
and
5
7
5
C E5
G5
march - ing pound a
out a ca - dence
Gtr. 3
C
hyp out
D E5
A5
-
7 9
7
D Em D6 Em E5
no
for
tiz those
7
C D
ing
D Em D6 Em E5
Bb
A
rhy - thm. who can - not see.
B
9
9 10
9
10
9 10
9
10
6
5
4
Gtrs. 1 & 2
3
P.M. P.M. P.M. P.M. 5 0 0 0 0 3
Chorus
De
- stroy - ing
Gtr. 3 tacet
E5
Riff B Gtr. 4 (elec.)
5 3
3 5
3
B5 C5
ev
5
7 0 0 0 0 5
-
7 5
5
7
G5 D/F#
’ry
5
7
2 0 0 0 0 0
light it
5 7
F5
town,
0
up and
5
7
5 6
4 5
G5 E5
burn
6 7
0 0
it
down. End Riff B
mf
w/ slight dist. let ring throughout
0
Gtrs. 1 & 2
0
0
P.M.
P.M.
0 0
2 0
2 0
2 0
4 2
2 0
0
0
5 3
5 3
5 3
5 3
5 3
5 3
0
0
0
Rhy. Fill 1
P.M.
5 2
5 2
5 2
5 2
5 2
5 2
End Rhy. Fill 1
P.M.
3 1
3 1
3 1
3 1
3 1
5 3
2 0
To Coda 1
Gtr. 4: w/ Riff B
You
may not
B5 C5
G5 D/F#
like
it
now,
but
this is
how
2 0
F5
the
Rhy. Fig. 2 Gtrs. 1 & 2
To Coda 2
2nd & 3rd times, Gtrs. 1 & 2: w/ Rhy. Fill 1
sto - ry
ends.
D5 E5 D5
End Rhy. Fig. 2
P.M. 2 0
2 0
2 0
2 0
4 2
5 3
P.M. 5 3
5 3
5 3
5 3
5 3
5 2
P.M. 5 2
5 2
5 2
5 2
5 2
3 1
P.M.
3 1
3 1
3 1
0 0 5
7
5
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude E5
D5 E5
D5
E5
D5 E5
D5
E5
D5 E5
D5
E5
B5
Bb5
A5
9 7
8 6
7 5
9 7
8 6
7 5
Gtr. 1
P.M.
7
Gtr. 2
0
0
0
0
P.M.
5 7
0
5
7
0
0
0
0
P.M.
5 7
0
5
7
0
0
0
0
P.M.
5 7
0
5
7
0
7
Gtr. 3
w/ bar grad. ascent
0
0
0
-1 1/2
-3 1/2
slack
w/ bar
D.S. al Coda 1 Gtr. 3 tacet
E5
D5 E5 D5
E5
D5 E5 D5
E5
D5 E5 D5
E5
C#5/G# D5/A D#5/A#
2. Oo,
a
-
bove
the
Gtrs. 1 & 2
P.M.
7
0
0
0
0
0
P.M.
5
7
5
7
0
0
0
0
0
P.M.
5
7
5
7
0
0
0
0
0
P.M.
5
7
5
7
Coda 1
Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 4: w/ Riff B (2 times)
E5
Poi - son
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
the
6 4 4
0
7 5 5
8 6 6
Gtrs. 1 & 2: w/ Rhy. Fill 1
B5 C5
well
and
scorch
G5 D/F#
the earth,
ev
F5
- ’ry - thing’s slashed
and
burned.
G5 E5
B5 C5
You
may not
like
it
now,
but
F5
G5 D/F#
this is
how
the
sto - ry
Gtrs. 1 & 2
P.M.
2 0
2 0
2 0
2 0
Guitar Solo Half-time feel Em
4 2
2 0
Esus2
5 3
Em
B+
5 3
5 3
5 2
5 2
P.M. 5 2
Em
5 2
5 2
5 2
3 1
Em
0
0
0
7
4
7 5
7 5
4
7 5
0 0 9 7 0
0
7 8
7 8
7
End Rhy. Fill 2
P.M.
3 1
3 1
5 X 3
3 1
C
7
ends.
3 1
Esus2
let ring
mf 3 5
5 3
*Gtr. 5 (acous.)
5 3
Rhy. Fill 2
P.M.
5 3
G5
10
8
7
10
7
*Dave Mustaine
Gtrs. 1 & 2
P.M. P.M. let ring P.M. P.M. P.M. P.M. 0
2
4
4
0
0
2
0
0
0
0
1
2
1
2 0
Esus2
**
Em
B+
10
8
7
8
4
4 0
C
0
2 0
D'4
C
0
0
2
3
G
let ring let ring let ring
7 5 7
let ring P.M. P.M. 2
End half-time feel
Em
0
10 2
0
0 4
2
0 5
5
D/F#
F5
let ring
0 9
7
let ring let ring
0
7 7
8 8
**Played behind the beat.
P.M.
2 0
P.M.
0
4 0
P.M.
4
2 0
P.M.
let ring P.M. P.M. P.M. let ring P.M.
0 0
2
1
0
1
3
2
0 5
4
0 3
2
0
0 3
0
0 2
1
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
E5
E5
*Gtr. 6 (elec.)
Gtr. 5 tacet
D#5
B5
mf w/ dist. w/ bar
12
12
E5
C5
15
12
G5
13
13
E5
12
F#5
11
13
-1/4
E5
w/ bar
-1/2 *Chris Broderick
C5
15
Gtr. 5
B5
12 12 12
Gtrs. 1 & 2
0
0
P.M.
7
6
F5
Gtr. 6
7
F#5
E5
7
0
E5
B5
13
14
11
A#5
2
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
0
P.M.
1
2
P.M.
8
0
12
8
B5
0
0
P.M.
D#5
14 11 14
3
0
2
C5
B5
E5
12
6
11 14 17
14
17 14
16
17
6
7
6
5
14
17
7
P.M.
Gtrs. 1 & 2
9
14 11 11
7
3/4
13
Sorgdal
8
5 3/4
P.M.
C5
8
7
16
14 17 20
7
18
D#5
E5
B5
19
19
15
7
F5
0
0
P.M.
6
7
F#5
16
16
E5
13
C5
1
2
0
B5
B5
C5
E5
G5
19 16
E5
15
15
18
E5
F#5
3
15
17
15
14
7
C5
0
12 14
P.M.
8
7
E5
13
14
13 16
14 16 14
16
14 16
9 7
G5
9 7
E5
9 7
0
0
16
9 7
9 7
F5
0
2
P.M.
3
E5
B5
14 17
9 7
D#5
E5
C5
F#5
P.M.
E5
9 7
8
P.M.
9 7
0
16
8
17
17
B5
16
0
P.M.
13
P.M. 2
19
17
P.M. 15
C5
19
E5
19 15
17
15 12 16
9 7
F#5
8 6
12
12
14
16 12
14
16 12
14 16
P.M. P.M.
9 7
0
E5
0
C5
9 7
10 8
0
E5
B5
17
12
14
12 15
9
10
9 10
10
10
7
10
10
9
12
11
7
9
11
8
9
8
11
9
7
11
9
12
14
Rhy. Fill 3
10 8
12
9
End Rhy. Fill 3
9 7
10 8
P.M.
0
0
0
4 2
P.M.
5 3
3 1
4 2
P.M.
0
0
P.M.
10 8
0
9 7
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A#5
B5
D#5
C5
B5
E5
14 11
12
14
11 14 11
12
6
6
17 14
14
17 14
E5
6
17
16
D#5
18
17
15 19
20 17
19 15
19
17
16
17
19
19
19
16
16
9 7
8 6
8 6
9 7
10 8
9 7
8 6
F#5
F5
9 7
9 7
E5
C5
6
15 24 19
0
0
P.M.
B5
6
17
20
21
3
20
19 24 19
3
20
19 22 19
19
P.M.
9 7
0
C5
E5
10 8
Gtrs. 1 & 2: w/ Rhy. Fill 3
Gtr. 6
B5
C5
Gtr. 6
17
17
E5
Gtrs. 1 & 2
17
19
20
19
6
17
17
17
19
20
19
6
17
17
17
3
15 20 15
E5
17
19 15
17
18 14
14
15 16
13
15
17
15
19
17
steady gliss.
9 7
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
18
16
9 7
15
16
15
B5
14
14 18 14
14
14
6
19
17
15
17
16
15
6
15
14
14
17
15
13
14 12
14 16
16 14
6
15
G5
6 6
20 15
E5
14
12
15
14
14
12 14
Interlude Gtr. 6 tacet
F#5 E5
B
14 X 12
14
F#5 E5 F#5 G5 F#5 E5
P.M. 0
0
0
0
B
P.M. 0
0
0
2
0
2
3
2
0
0
0
0
F#5 E5
0
0
P.M.
8
G5
2
0
F#5
2
3
2
0
F5 End Riff C
2
2
5 3
4 2
3 1
P.M.
6 7
0
2
F#5 E5 F#5 G5 F#5 E5
0
P.M.
6 7
0
F#5 E5
2
F#5 E5 F#5 G5 F#5 E5
12
Gtrs. 1 & 2
C5
Riff C
2
F#5 E5
0
2
3
2
0
0
0
0
Gtrs. 1 & 2: w/ Riff C (3 times)
F#5 E5
B
F#5 E5 F#5 G5 F#5 E5
F#5 E5
C5
F#5 E5 F#5 G5 F#5 E5
3rd time, D.S.S. al Coda 2
F#5 E5
B
F#5 E5 F#5 G5 F#5 E5
F#5 E5
G5
F#5
E5
Poi - son
the
Play 3 times
Coda 2
Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 4: w/ Riff B (2 times)
F5
Gtrs. 1 & 2: w/ Rhy. Fill 1
B5 C5
well
and
scorch
G5 D/F#
the earth,
F5
ev - ’ry - thing’s slashed
and
G5 E5
burned.
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 2
B5 C5
You
may not
Interlude E5
C5/G
but
F#5/C# G5/D A5/E
E5
4 4
C5/G
4 4
G5/D
how
C5/G
4 4
5 5
7 7
0 0
the
sto
B5/F#
- ry
G5/D
F#5/C# G5/D A5/E
4 4
5 5
E5
7 7
7 7
5 5
2 0
4 4
C5/G
4 4
2 0
0 0
B5/F#
G5
ends.
P.M.
4 4
7 7
F#5/C# G5/D A5/E
5 5
4 4
E5
P.M.
2 0
is
F5
0 0
B5/F#
this
Gtrs. 1 & 2: w/ Rhy. Fill 2
5 5
4 4
now,
P.M.
2 0
it
G5/D
like
B5/F#
Gtrs. 1 & 2
G5 D/F#
4 4
5 5
G5/D
4 4
7 7
F#5
5 5
7 7
F5
P.M.
0 0
5 5
4 4
3 3
Outro
Gtrs. 1 & 2: w/ Rhy. Fig. 1
E5
B5
E5
C5
E5
B5
E5
1.
B5
Gtrs. 1 & 2
A5
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
4 2
2 0
2 0
G5 F#5
E5
B5
E5
C5
2.
G5 F#5
P.M.
2 0
Sorgdal
E5
A5
5 3
4 2
G5 F#5
P.M. 4 4 4 4 5 4 2
2
2
2
3
2
G5
F#5
E5
5 3
2 0
4 2
µ
E5
from Megadeth - The System Has Failed
I Know Jack Words and Music by Dave Mustaine E5
C5 7fr
134
134
Intro Moderately q = 140
Verse Gtr. 1: w/ Riff A (4 times)
µ(E5)
E5
Play 4 times
Spoken:
Riff A
End Riff A
served
with
Jack
Rhy. Fig. 1 *Gtr. 2 (dist.)
3 3 3 3 mf Gtr. 1 (dist.)
I
mf
3
3 3 3
P.M.
5
3
0
5
3
3
0
0
0
5
3
0
2 2 0
2 2 0
2 2 0
0
0
0
0
0
2
3
*Doubled throughout
Kennedy,
Gtr. 2
3
Jack
Kennedy.
I
knew Jack
3 3 3
3
Kennedy,
Jack
Kennedy.
Jack
Kennedy
was a
friend
3
3 3 3
2 2 0
0
3
3
3
P.M.
2 2 0
2 2 0
2 2 0
0
0
0
0
0
2
3
2 2 0
2 2 0
0
0
0
0
2
3
2 2 0
© 2004 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
2 2 0
2 2 0
0
0
0
0
0
2
3
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
F#5
of
Gtr. 1
Riff B
3
5
mine.
3
3
3
0
3
Kennedy
Gtr. 2
Jack
0
3
5
5
was
a friend of
mine.
0
0
you’re no
3
3
5
7
5
3
3
5 5 3
3
3
3
4 4 2
you’re
no
3
Senator
3
Jack
3
3
F5
3
3
0
0
0
0
3
Kennedy.
7
3
5
0
0
0
3
2
3
P.M.
5 5 3
3
3
3
3
4 4 2
2
2
1
1
1
1
1
1
E5
You’re no, you’re no
3
3
5
3
3
Jack.
Senator
3
3
0
5
3
3
0
3
Jack
Kennedy.
3
0
5
3
0
5
3
3
2 2 0
0
0
0
2
2 2 0
3
3
0
5
3
0
3
3
3
0
3
End Riff B
3
0
0
5
3
0
3
2 2 0
0
0
0
2
End Rhy. Fig. 1 3
3
P.M.
2 2 0
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 2 0
0
0
3
2 2 0
0
0
3
Outro Gtr. 1: w/ Riff A (4 times) Gtr. 2: w/ Rhy. Fig. 1
Gtr. 3: w/ Riff C (3 times)
E5 Riff C
End Riff C
Gtrs. 3 & 4 (dist.)
3
7
Gtr. 4
5
5
3
0
7
5
7
0
0
7
5
3
2
5
5
3
8
7
5
7
3
3
3
0
3
5
3
3
End Riff D
3
3
7
3
3
8
3
mf 8
Riff D Gtr. 4
3
2
8
5
7
0
7
0
5
5
3
2
3
3
3
0
7
3
3
3
7
0
5
5
3
2
Gtr. 1: w/ Riff B
G5
Gtr. 4
3
F#5
3
3
8
7
5
Gtr. 3
3
0
7
5
0
3
3
8
7
5
0
3
3
3
10
8
3
Gtr. 3: w/ Riff C (5 times) Gtr. 4: w/ Riff D (5 times)
8
7
5
0
3
3
10
8
F5
0
0
8
10
0
5
8
10
7
8
3
0
0
8
10
3
0
E5 Gtr. 2
3
Gtr. 1: w/ Riff A (3 times) Gtr. 2: w/ Rhy. Fig. 1 (1st 3 meas.)
E5
10
3
0
3
3
3
3
3
3
3
3
8
0
5
7
C5
5
5
Gtrs. 1, 3 & 4
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - The System Has Failed
Kick the Chair Words and Music by Dave Mustaine A5
Bb5 5fr
E5
G5
G#5
C5
6fr
13
D5
D#5
4fr
13
1
13
5fr
13
13
F#5 6fr
13
13
13
Intro Moderately fast Rock q = 146
*Gtr. 1 (dist.)
µ
C(b5)
Rhy. Fig. 1
f P.M. 2
2
0
0
2
2
2
0
0
0
2
2
P.M.
3
2
2
0
0
2
2
2
0
0
0
2
2
4 3
*Two gtrs. arr. for one. 2nd & 4th times, Gtr. 2: w/ Fill1
µ
P.M.
2
D5
2
0
0
2
2
2
0
0
0
2
A5
G5
G#5
A5 Play 4 times End Rhy. Fig. 1
7 5
2
G#5
7 5
6 4
5 3
6 4
7 5
µ Play 3 times
2
P.M.
P.M.
3
3
3
3
2
0
2
2
0
P.M.
3
3
0
4 2
2
2
0
2
5 3
µ
P.M.
P.M.
2
3
3
3
3
2
0
2
2
5
0
4
3
2
5
4
3
2
0
1
2
3
0
1
2
3
Fill 1 Gtr. 2 (dist.)
mp
7
6
5
6
7
© 2004 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
µ
Rhy. Fig. 2
2
P.M.
P.M.
3
3
3
3
2
0
2
2
0
P.M.
3
3
0
4 2
2
2
0
2
C5
P.M.
2
3
3
2
0
P.M.
2
3
3
2
0
P.M.
2
G5
3
3
2
0
5 3
2
End Rhy. Fig. 2
5 3
5 3
Verse Double-time feel * E5
F#5
G5
E5
F#5
E5
F#5
G5
µ
1. Dawn court’s
Rhy. Fill 1
End Rhy. Fill 1
P.M.
4 2
0
5 3
4 2
0
P.M.
4 2
0
breaks wrong
e when
ven it
- ly
to keeps
-
Riff A
P.M.
5 3
2
0
3
2
0
3
3
2
2
3
2
0
*Chord symbols reflect implied harmony.
track
µ
day
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
3
on of
P.M.
2
End Riff A
2
Sorgdal
F#5
2
0
3
4 2
P.M.
0
0
0
3
3
3
2
vic
-
the truth to - ries
and and
the de
-
Riff B
P.M. 2
0
3
2
0
3
2
3
2
3
2
0
Gtr. 1: w/ Riff A (3 times)
lie. feats.
All press
The
rise, that
3
2
0
3
5
2
4
3
2
5
4
3
in waits
ses - sion. for some - bod - y’s
P.M. 0
F#5 µ
court’s rests
nev - er
End Riff B
2
2
2nd time, Gtr. 1: w/ Fill 2
We’re hang - ing can eat.
soul they
from the men or
Jus Jus -
now now
that that
the the
not,
u;
pick a
courts ju -
are ry’s
for for
sen the
tence and ver - dict’s
noth - ing noth - ing
to - day, to - day,
sale. sale.
Pick
a
crime
µ
you de - fend lie. a
means means
F#5
tice tice
Gtr. 1: w/ Riff B
Guil - ty
high.
Gtr. 1: w/ Riff A (1 1/2 times)
F#5 µ
some - one
F#5 µ
and You’re
pay the go - ing
down pay - ment to jail.
called
End double-time feel
F#5 G5
bail.
Gtr. 1
P.M. 2
0
3
2
0
3
2
0
4 2
5 3
E5
F#5
The The
sys sys
0
4 2
P.M.
E5
-
tem’s tem
P.M.
0
F#5
for has
sale. failed.
F#5 G5
w/ reverse reverb effects
4 2
4 2
5 3
Fill 2 Gtr. 1
P.M. 2
0
3
2
0
3
2
0
1
2
3
0
1
2
3
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus 1st time, Gtr. 1: w/ Rhy. Fig. 2 (2 times) 2nd time, Gtr. 1: w/ Rhy. Fig. 2 (1 1/2 times)
µ Kick
the
chair,
C5
tooth
is
the
tight.
G5
µ
out.
Friend
rope’s
or
foe,
Just
like
one
quick
I
wrench,
the
you
got - ta got - ta
hang hang
’em ’em
dead dead or
F#5 G5
1.
or
they’ll come
back
a
Gtr. 1: w/ Rhy. Fill 1
C5
G5
E5
F#5
G5
E5
F#5
E5
- round.
2. The (Kick it!)
they’ll
come
A5
G#5
G5
G#5
2.
back.
Gtr. 1
2
3
P.M.
3
2
0
2
3
2
0
2
P.M.
3
Interlude Double-time feel A5
7 5
6 4
5 3
6 4
Bb5
Riff C
Gtr. 2
f 7
5
5
5
7
5
8
5
5
5
10
0
8
5
7
5
8
5
6
5
8
5
10
5
6
5
10
5
8
5
7
5
Gtr. 1 Rhy. Fig. 3
7 5
P.M. 5
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
5
5
5
5
5
5
5
5
5
5
5
5
8 6
P.M. 6
6
6
6
6
6
6
6
6
6
6
6
6
6
F5
6
3
3
6
3
5
3
6
5
3
7
5
5
3
7 5
4
3 1
1
P.M.
1
1
1
1
1
1
1
1
1
1
1
1
1
Gtr. 1: w/ Rhy. Fig. 3 (3 times)
A5 Gtr. 2
7
5
5
5
7
5
8
5
5
5
10
5
8
5
7
5
F5
5
4
6
4
5
4
7
5
4
4
P.M.
2 0
0
0
0
0
0
0
6
5
4
6
5
P.M.
5 3
3
3
3
3
6 4
8
5
6
5
8
5
10
5
6
5
10
5
8
5
G5
7
5
G#5
Bb5
E5
Gtr. 3 (dist.)
f 10
Gtr. 2
6
3
3
6
3
5
3
6
5
3
7
5
5
3
8
10
10
10
8
12
8
10
8
13
8
12
8
10
7
5
4
4
Gtr. 2: w/ Riff C
10
8
8
10
8
7
10
9
7
10
9
10
10
9
10
9
End Riff C
7 5
A5
G#5
End Rhy. Fig. 3
Gtr. 3
G5
E5
6
5
4
6
5
4
6
5
7
6
5
7
5
Bb5
13
10
10
10
13
10
15
10
10
10
15
10
13
10
12
10
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5
10
6
7
6
10
6
8
6
10
8
6
9
8
9
7
10
8
10
8
10
8
12
8
10
8
13
8
12
8
10
8
F5
10
6
7
6
10
6
8
6
10
8
6
9
8
G5
9
7
9
7
9
9
7
10
8
7
7
8
10
7
10
9
Bb5
13
10
10
10
13
10
15
10
E5
10
10
15
10
13
10
G5
12
10
G#5
10
6
G#5
10
6
A5
E5
8
7
10
7
8
7
10
9
7
10
9
10
10
9
10
9
End double-time feel Gtr. 1: w/ Rhy. Fig. 3 (last 2 meas.)
F5
E5
G5
G#5
A5
Bb5
Gtr. 1
Gtr. 3
10
8
7
8 10
Gtr. 2
6
5
7 Pitch: A
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
G5
G#5 End Rhy. Fig. 4
10
9
10
5
4
P.H.
5 7
Sorgdal
E5
Rhy. Fig. 4
7
Gtr. 1: w/ Rhy. Fig. 4 (7 times)
A5
Bb5
E5
G5
G#5
A5
Bb5
E5
G5
G#5 A5
X X
5
A5 Gtr. 2
7
Bb5
17
17
19
G5
18
9
8
E5
20
G#5
Gtr. 3 tacet
A5 Bb5
E5 G5 G#5
XX XX XX
steady gliss.
X X
A5 Bb5
19 XX XX XX
E5 G5 G#5 A5
Bb5
E5
G5
G#5
17
19
20
22
24
8v a
1/2
18
G5
P.S.
9
G#5
E5
P.S. steady gliss.
10
Bb5
17
24
22
Double-time feel Gtr. 1: w/ Rhy. Fig. 3 (2 times)
Gtr. 2 tacet
A5
Bb5
F5
E5
G5
G#5
8v a
Gtr. 2
24
24
Riff D Gtr. 4 (dist.)
f
5 7
6
7
7
5 6
7
5
5
7
7
5 5
7
8
7
8
End Riff D
5
7 7
8
7
6
7
7 6
7
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 4: w/ Riff D
A5
Bb5
Gtr. 3
8 10
9
8
10
10
9
10
10
10
10
F5
9
8
10
10
9
10
9
10
9
10
End double-time feel
E5
G5
G#5
Gtr. 3
Gtr. 4 F#5
E5
Gtr. 3
divisi
8 9
Gtrs. 3 & 4 tacet
8
10
9
8
9
10 8
F#5 G5 E5 F#5
E5
F#5 G5
*
8 5 9 7
10 7
10 8
9 7
10 8
*Gtr. 3 to left of slash in tab.
Gtr. 1
P.M. P.M. P.M. 3 1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
4 2
0
5 3
4 2
0
0
0
4 2
5 3
Outro-Guitar solo Gtr. 1: w/ Rhy. Fig. 1 (4 times)
µ
C(b5)
Gtr. 5 (dist.)
f
4
A5
7
G#5
G5
4
8
7
G#5
4
8
7
A5
4
3
7
4
3
P.H.
Pitch: B
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8
9
16
1/2
9
9
1
16
7
3
D5
9 9
9
9 9
C(b5)
8
5
µ
9
7
µ
1
14
14
1
16 14
16
µ
hold bend
1/2
T
1
16
loco
D5
A5
G#5
G#5
A5
µ
15ma
21
17
16
P.H.
1
14
G#5
10
16
16
11
14
G5
15
14
G#5
11
16
14
A5
8
7
8
µ
D5
17
17
8v a
G#5
17
19
A5
16
14
17
µ 8v a
17
19
C(b5)
14
1
14
17
14
G5
9
14
17
D5
17
C(b5)
2
1 1/2 1
17
17
17
14
G#5
G5
G#5
A5 Gtr. 1
G#5
G5
G#5
C5
19
G#5
10
17
µ
16
loco
D5
11
14
9
9
A5
17
12
16 9
14
16
12
A5
G5
9
8
A5
7
G#5
11
7
G5
G#5
13
12
13
9
D#5
14
10
9
F#5
1
14
17
17
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - The System Has Failed
My Kingdom Come Words and Music by Dave Mustaine Intro Moderately slow Rock q = 68 **F5 E5
*Gtr. 1 (dist.)
f P.M.
1
0
0
0
0
0
0
0
0
0
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0
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Play 3 times
P.M. 0
0
0
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0
0
0
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0
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0
*Doubled throughout **Chord symbols reflect implied harmony.
Verse
2nd & 3rd times, Gtr. 2: w/ Fill 1 3rd time, Gtr. 3: w/ Fill 2
E5
A#5 B5 E5
F#5 G5 E5
1. The flag that I once had plant 2. A fight - ing man sworn to the quest, it 3. No man who is false can win
Rhy. Fig. 1
P.M.
0
0
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0
***Gtr. 2
ed in
0
8 6
0
9 7
0
0
4 2
5 3
0
0
E5
as a king, is the doom com - bat
P.M. P.M. P.M.
9 7
Fill 1
F5
2 0
A#5 B5 µ
I a - ban - doned. man that they for - got. a - gainst the truth.
of
P.M.
3 1
0
0
End Rhy. Fig. 1
P.M. P.M.
9 7
0
0
8 6
9 7
0
1
2
3
4
1
2
Play 3 times
mf 19 17
15
19 17
***Keyboard arr. for gtr.
Fill 2 Gtr. 3
8v a
P.H.
w/ bar
14
14
-1
-1 1/2
© 2004 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Gtr. 1: w/ Rhy. Fig. 1 (3 times)
E5
A#5 B5 E5
And now have a - wok When he lies,
I
F#5
E5
I -
E5
F#5 G5
E5
blood, Al I
A#5
bone, ways there nev - er knew
and I
where how
E5
B5
E5
E5
G5
E5
F5
in ex - pect my
A#5 B5 µ
A#5
my it, soul
yet
and all his broth - er. done.
E5
A#5
veins,
and it un - til
was
B5 µ
3
met - al skin oth - er, I was not
the me,
F#5
cour - age least emp - ty
F5
with - in this is one with - out were not for
E5
God, my sword and my name; a - round me the mist of his breath. the world; we must find what was lost.
in a truce, sealed by blood Good and e - vil, there nev - er Hearth and home, wife and child
F5
re - claim this ban - ner by en the drag - on, and all he mur - ders some part of
A#5 B5
G5 E5
that
I
B5
µ
own:
the heart that pumps it. will burn me to cin - ders. Spoken: The it was re - filled.
T o Coda Chorus
E5 F#5 G5 E5 F#5 G5 E5 F#5 G5 E5 F#5 G5
E5 F#5 G5 F#5 E5 F#5 G5 E5 F#5 G5 E5 F#5
G5 E5 F#5 G5 E5 F#5 G5 F#5
Spoken: Drink from the chal - ice and be re - born, and the land with me, it will change fu - ture’s tak - en root in the pres - ent sun. Don’t look heart, least in - to my Spoken: Mad dis - tem - per strikes beg -gars and kings. The Nec - ro - man - cer’s hard both teach - ings of war
Gtr. 1
2
3
0
2
Guitar Solo Moderately fast q = 160 µ
and trans - form. of all your and quest.
3
0
2
0
2
3
0
2
3
2
0
2
3
0
2
3
0
2
3
0
2
3
0
2
3
2
= 3
3
own.
Riff B
3
3
3
0
0
0
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End Riff A
0
Riff A
P.M.
5
7
6
5
7
6
3
3
5
6
7
3
3
0
0
0
5
6
5
7
7
6
3
6
7
5
3
3
0
0
0
5
3
6
5
7
3
6
7
_ 1/2
6
12
12
11
11
3
3
1/2
1
14
14
3
3
6
7
6
14
5
3
3
12
12
12
13
14
12
12
14
14
14
12
14
3
3
14
14
12
14
12
12
14
12
14
12
3
14
semi-harm.
12
12
3
12
14
semi-harm. 1 1/2
15
12
12 14
14
3
3
1/2
12
14
12
14
12
14
12
14
13
12
10
14
14
w/ bar
14
14
3
1
14
7
3
12
3
-1
14
14
8
3
14
14
-1 1/2
End Riff B
9
_ 1/2
6
7
f w/ wah-wah w/ bar
Gtr. 1: w/ Riff B (4 3/4 times) Gtr. 3 (dist.)
5
3
14
12 -1
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Sorgdal
3
3
3
3 3
3
3
3
1
14
14
12
12
14
3
13
14
12
15
14
13
12
14
14
12
3
14
14
14
12
14
13
12
10
3
P.M.
12
14
12
10
12
12
10
12
12
14
3
*w/ DigiTech Whammy Pedal
14 12
10
3
1/2
14
12
12
12
3
12
1/2
12
12
14
15
1/2
12
15
14
14
11
10
*Set for an octave higher.
3
12
17
17
_1
3
3
w/ bar
0
0
_1
17
15
14
16
15
17
_1
3
w/ bar
3
3
1 1/2
_1
1
15
15
15
15
12
15
12
15
12
15
12
-1/2 -1
Gtr. 3 3 3
3
15
12
15
12
15 12
14
12
14
12
14
14 12
14 12 14
14 0
Sorgdal
15
14
3 3 3
6
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Gtr. 1
4
3 (Whammy Pedal off)
12
D.S. al Coda (a tempo)
9
8
7
6
0
1
1
2
1/2
0
3
2
1
1
Coda
Interlude Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Fill 1 (1st meas.)
E5
A#5 B5 E5
F#5 G5
E5
F5
I
to
am
giv - en
the
right
bear
E5
arms and the
pow - er
to meet
A#5 B5 µ
jus
-
tice.
Outro-Chorus Gtr. 1: w/ Riff A
E5
F#5
G5
E5
F#5
G5
E5
F#5
G5
E5
have
lived
through
oth
ers
for
far
Spoken: I
-
ried my
guilt,
my
caus - es, my
sin.
G5
E5
F#5
too
E5 F#5 G5 E5 F#5 G5 E5 F#5 G5 E5 F#5 G5 E5 F#5 G5 F#5
F#5
long
G5
F#5
and
car
-
E5 F#5 G5 E5 F#5 G5 E5 F#5 G5 E5 F#5 G5 E5 F#5 G5 F#5
I
hope
in
the here - af
-
ter,
when
I
owe no
Gtr. 1
P.M.
0
E5
F#5
more
G5
E5
to
the
2
3
F#5
G5
E5
F#5
G5
E5
fu - ture, that
0
2
3
I
0
2
3
F#5
G5
E5
can
be
0
2
3
2
F#5
3
0
3
0
G5
F#5
just
a
man.
2
3
0
2
3
0
2
3
2
E5
0
2
3
2
0
P.M.
0
2
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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from Megadeth - United Abominations
Never Walk Alone...Call to Arms Words and Music by Dave Mustaine and Glen Drover B5
C5
C#5 4fr
Intro Very fast q = 174 B5 Gtr. 2 (elec.)
134
mf
134
134
C5
w/ dist. Riff A
Gtr. 1 (elec.)
End Riff A
w/ dist. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. mf
4
0
3
2
0
2
2
0
2
3
2
0
2
0
4
3
0
3
2
0
2
2
0
2
3
2
0
2
0
4
Gtr. 2 tacet
C#5
4
Fill 1
Gtr. 1
* B5
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 0
2
3
0
2
2
0
2
3
2
0
Gtr. 3 (elec.)
w/ dist. P.M.
mf
4
End Fill 1
0
2
3
0
2
0
2
4
2
0
3
2
0
2
2
0
2
3
2
0
2
0
2
2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 0
2
2
0
2
3
2
0
4
3
0
3
2
0
2
2
0
2
3
2
0
2
0
2
2
*Chord symbols reflect overall harmony.
Verse
B5
1. Hid - ing
in
an
-
y
Gmaj7
door - way,
in
an
-
y
shad
E5
-
ow,
Riff B Gtrs. 1 & 3
4
End Riff B
P.M. P.M. P.M. P.M. 0
2
3
0
2
2
2
0
3
2
0
2
0
2
2
4
P.M. P.M. P.M. P.M. 0
2
3
0
2
2
2
0
3
2
0
2
0
2
2
© 2007 MUSTAINE MUSIC and GLEN DROVER PUBLISHING All Rights for MUSTAINE MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Gtrs. 1 & 3: w/ Riff B (3 times)
B5
an - y
place
B5 who
B5
where
lies
in
wait
as
sure
dan
-
F#5
F5
E5
as
you
live
and
B5
D5
time.
kill
my
seal
F#5
and
F5
E5
one
A5
die,
E5
is
fate
E5
There
your
Gmaj7
A5
B5
live
and
D5
E5
die. End Rhy. Fig. 1
P.M.
4 4
to
live
Gmaj7
die, Rhy. Fig. 1 Gtrs. 1 & 3
waits
to
ger
Pre-Chorus
Gmaj7
3 3
2 2
2 2
0 0
2 2
P.M.
4 4
3 3
2 2
2 2
0 0
2 2
Chorus
3rd time, Gtr. 4 tacet
B5
A5
P.M.
G5
When you feel that some -thing’s
Riff C
7
5
9
7
5
3
E5
A5
I’ll
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Sorgdal
nev - er
let
you
walk
D
warm.
End Riff C
2
G5
C#
I’ll shel - ter you and keep you
3
5
5
2
5
7
P.M.
0
7 0
F#5
E5
I
loved
you
a - lone.
P.M.
Gtrs. 1 & 3: w/ Riff C (3 times)
B5
wrong
P.M.
F#5
5
and you
7
9
still
8
7
9
C#
9
10
hat - ed
9
D
8
me.
B5
A5
I’m com - ing
and
it
won’t be
B5
Nev - er,
ev - er
let
G5
you
E5
long.
Time to
a - lone.
know
your
E5
I
reap what
To Coda 2
en - e
I
sown.
C#
F#5
walk
To Coda 1
F#5
A5
G5
have
-
it
once
was
C#
my,
D
Guitar Solo Gtrs. 1 & 3: w/ Riff A (1 1/2 times)
G5
E5
C5
B5
C5
me.
C#5
*Gtr. 4 (elec.)
D
Gtrs. 1 & 3
5 3
mf
w/ dist.
16
5 3
2 0
15
3 rake
3 1
17
17
17
17
X
X
15
16
17
18
*Glen Drover
Verse
Gtrs. 1 & 3: w/ Fill 1
Gtrs. 1 & 3: w/ Riff B (4 times)
C5
B5
2. Let me
1
rake
19
19
X
1
X
19
18
1
rake
17
X
round
A5
E5
B5
you.
I
will
take
B5
your
19 16 19
Suf - fer
the
pain
arms
all
a -
steady gliss.
16
16
Gtr. 4 tacet
Gmaj7
my
1
19
19
X
wrap
a - way,
tres - pass
-
for - ev
Gmaj7
es
that
Gmaj7
you’ve
made.
-
and
er
a
day,
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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E5
B5
if you’d
just
Gmaj7
call
out
my
A5
name.
If you’d
just
Pre-Chorus Gtrs. 1 & 3: w/ Rhy. Fig. 1
F#5
F5
E5
B5
D5
E5
F#5
call
my
name.
call,
F5
E5
B5
If
D5
E5
you’d
just
D.S. al Coda 1
F#5
F5
B5
D5
E5
E5
µ
call,
Gtr. 1
3 3
2 2
8v a
P.M.
4 4
F#5
2 2
0 0
2 2
Harm.
2
(Spoken:) e
-
ven
whis - per
loco
it.
2 2 0
4 4 2
2
A5
Pitch: C#
Gtr. 3
P.M.
4 4
3 3
2 2
Coda 1
2 2
0 0
2 2
P.M.
X X
X X
2 2 0
4 4 2
Guitar Solo Gtrs. 1 & 3: w/ Riff D (3 times)
E5
Gtr. 4
C5
F#5
Harm.
w/ bar
grad. ascent
w/ bar
+1/2
12
12
slack
Gtrs. 1 & 3
2 0
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5 3
Riff D
2
X X X X X X
End Riff D
P.M. P.M. P.M. P.M. 0
2
4
2
0
2
0
2
3
2
0
2
0
3
0
string noise
-1 1/2
-5
12
1/2
4
4 2
P.H.
4
4
P.M.
2
2
3
6
4
4
7 4
7
4
7
4
7
6
4
4
6
4
7
4
7
4
7
6
4
4
7
7
4
4
7
6
4
4
6
7
Pitch: D#
P.M.
11
9
11
11
X
9
11
9
9
11
11
9
11
9
11
11
14
11
14
X
14
11
14
11
16
14
1
16
16
16
14
14
Guitar Solo Gtrs. 1 & 3: w/ Riff D (3 times)
Gtr. 4 tacet
F#5
*Gtr. 5 (elec.)
mf
w/ dist. P.M.
13
14
12
14
14
14
15
14
14
14
13
11
14
16
16
16
16
16
16
17
17
16
16
16
16
14
16
14
16
*Dave Mustaine Gtr. 4
16
16
Gtr. 5
14
16
16
16
16
16
17
17
16
16
17
15
16
15
17
3
15
16
18
16
18
20
17
19
17
19
20
19
22
22
22
3
14
14
6
14
17
14
14
14
14
14
17 14
14
19 18 17 14 14 14
14
14
14
14
17 14
14
14
14
14
17
17
14
17
16
14
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D5
Gtr. 5 14 14 14 14
14 14 14 14
17 14
17
14 19 19 17 14
14 14 14 14
14
17 14
14 14 14 14
17 14
14 14
2
0
2
4
2
0
2
0
2
3
2
0
2
0
3
6 4
7 5
0
3
19 17 14
17 14 14
G
3
Gtrs. 1 & 3
A
17
14
17 14
16 14
4 5
2 3
Interlude Slower q = 137 Gtrs. 1, 3 & 5 tacet
Em(add9)
Cmaj7#4/E
Gtr. 6 (elec.)
mf
12
12
14
Gtr. 7 (elec.)
mf
w/ dist.
7
8
9
w/ dist.
11
Em(add9)
Cmaj7#4/E
12
12
14
11
14
11 16
7 9
9
10
7
7
12
11
Riff E Gtr. 8 (acous.)
End Riff E
mf
let ring throughout
0
2
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Sorgdal
4
0
4
2
0
3
4
0
0 4
3
0 0
4
3
0
2
4
0
4
2
0
3
4
0
4
3
0
0
4
Gtr. 8: w/ Riff E (3 times)
Em(add9)
Gtr. 6
15
13
Cmaj7#4/E
12
rake
12
14
Em(add9)
Cmaj7#4/E
13
Em(add9)
12
15
15
13
12
X
14
Cmaj7#4/E
12
12
14
12
X
Gtr. 7
rake
7
9
8
12
10
10
7
8
7
10
8
7
8
9
X
7 9
X
Em(add9)
Cmaj7#4/E
Em(add9)
Cmaj7#4/E
Gtr. 4
20
Gtr. 6
14
12
11
rake
14
19
14
12
20
1
11 16
22
20
14
13
13
15
Cmaj7#4/E
22
12
Em(add9)
8v a
22
22
20 19
22
rake
13
24
12
15
10
13 12 10
X
X
X
X
Gtr. 7
10
9
7
1/2
7
12
11
11
9
7
8
10
10
12
rake
10
12 X
13
12
14 12 11
X
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Sorgdal
Faster q = 174 B5
A5
loco
Gtr. 4
5
5
5
5
5
19 20 19 17 16 17 19 20 19 17 16 17 19 20 19 17 16 17 19 20
Gtr. 6
5
19 17 16 17 19 17 16
5
5
17 16 14 16 17 16 14
17 16 14 16 17
14
Gtr. 7 divisi
steady gliss.
16 16
12 12
16 16
Gtrs. 1 & 3
3
X X
X X
X X
P.M.
9 7
X X
X X
X X
9 7
P.M.
9 7
3
Harm. P.M.
7
3
7
9 7
7 5
7
D.S. al Coda 2
5 5 steady gliss. B5
16
17
Gtr. 6
16
14
17
14
17
16
14
13
14
16
14
13
15
14
12
14
Gtrs. 6 & 7 tacet
C5
11
11
5
Gtr. 7
9
Gtrs. 1 & 3
9 7
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Sorgdal
Harm. P.M.
7
3
7
7
9 7
Harm. P.M.
7
3
7
7
9 7
Harm. P.M.
7
3
7
7
9 7
10 8
10 8
Coda 2
Gtr. 1: w/ Riff C
it
once
C#
D
was
B5
me.
G5
some - thing’s
3
2
I’ll
Gtr. 3
E5
5
3
P.M.
9
2
7
P.M.
5
7
10
9
10 0
nev - er
let
you
walk
a
- lone.
9
9
0
P.M.
5
7
P.M.
5
P.M.
5
3
3
2
2
you
and
9
10
keep
When
you
feel
that
3
3
5
5
C#
12
11
I
loved
you
2
10
13
10
and
9
7
9
8
7
you
0
still
9
10
5
7
P.M.
5 0
10
0
P.M.
P.M.
5
12
P.M.
9
D
2
5
warm.
E5
F#5
9
you
P.M.
Gtr. 1
7
shel - ter
G5
End Fill 2
5
P.M.
Fill 2
6
A5
B
F#5
I’ll
wrong
P.M.
Gtr. 3
7
A5
7 0
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C#
D
hat - ed
12
11
9
8
8
13
Gtr. 3
Time
to
9
walk
G5
me,
a
-
9
lone.
com - ing
and
it
won’t
9
7
I
have
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
P.M.
5
3
10
12
11
2
5
3
2
10
13
Nev - er,
12
E5
I
know
your
en
C5
B
A5
ev - er
let
you
End Riff F
F#5
D
sown.
9
8
-
7
6
e
-
P.M.
5
my,
7
9
5
it
once
was
C#
B5
µ
oh.
5 3
4 2
4 2
Gtrs. 1 & 3
5 3
E5
C#
reap what
0
Gtr. 3: w/ Riff F
G5
long.
10
0
be
F#5
Riff F
5
P.M.
9
10
G5
P.M.
I’m
A5
10
E5
P.M. 7
9
9
10
9
B5
me.
Gtr. 1: w/ Riff C (2 times)
µ
2 0
D
from Megadeth - The System Has Failed
Of Mice and Men Words and Music by Dave Mustaine Intro Moderately q = 76 µ
The
fire
burns
on
and
me
on.
the sim
plans
of
-
ple
*Gtr. 1 (dist.)
That
drives
mice
and
on
f P.M.
0
*Doubled throughout
D5
5
1
B5
P.M. 5
P.M.
7 5
5
5
till
gone
all
is
2
ex - cept
F#5
Rhy. Fig. 1
P.M. 2
4 2
2
0
P.M.
4 2
2
0
2
3
2
0
2
End Rhy. Fig. 1
P.M.
F#5
2
men.
2
2
P.M.
4 2
0
1
Verse Gtr. 1: w/ Rhy. Fig. 1 (3 3/4 times) 2nd time, Gtr. 3: w/ Fill 3
F#5
1. Back 2. At
when I twen - ty
Fill 3 Gtr. 3
P.S.
X
was five
just I was
D5
sev - en - teen, sur - prised
that was
I e
-
knew ven
I thought that I
ev half
4
© 2004 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B5
’ry a
- thing. - live.
Some
be
I how
could I
to
-
a I
ris felt
-
make man
-
star bod
it aged
in to
that y’s
-
on do
-
a - greed dred knives
I was And now, as
with from
the my
le Gab
-
gal r’el
ques friends,
now, sounds
at my
B5
should run. would sell,
My a
God, just look year or two
- ly - ing
D5
hav - ing fun. live it well.
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
There’s
Looked not
for much
friends, left
-
tions at
held twen
D5
twen - ty warn - ing
But and
-
for ty
knew buy
but of
I me
the your
swers a
way life
the if
world you
Sim - ply drunk So live your life
found none. to tell.
dis hun -
B5
an back
me. five.
had done. com - pelled.
the my
I I’d
all in
one. bell,
scene, vive.
-
F#5
gleamed. time,
F#5
what I if less
this sur
B5
D5
ing my
F#5
I just
got
All
a - lone back up
and and
at each
Interlude Double-time feel
F#5
twen - ty time I
µ
one. fell.
Gtr. 2 (dist.)
f 1/2
11
11
Gtr. 1
P.M.
2
2
4 2
9
11
Riff A
11
4
4
End Riff A
4
4
2
3
4
4
4
4
2
3
4
2
4
3
4
End double-time feel
Gtr. 1: w/ Riff A (2 times)
2nd time, Gtr. 3: w/ Fill 4
Gtr. 2
1/2 11
Gtr. 3 (dist.)
1/2
11
11
12
11
The
fire
burns
X
11
11
9
f 2
Fill 4
Gtr. 3
P.S. steady gliss.
2
X X X
2
4
on
8v a
P.H.
1/2
X
Fill 1
2
4
10
End Fill 1
2
2
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus µ
and on.
That
drives
me on
till all
is
gone
ex
-
cept
8v a
Gtr. 2
1
10
Riff B1
Gtr. 3
2
Gtr. 1
2
2
2
5
2
3
2
2
5
3
4
2
4
4
2
3
3
3
3
3
3
4
4
3
2
5
2
the sim
plans
of
-
ple
4
4
4
2
3
2
2
5
3
4
2
4
4
2
4
3
mice
2
5
5
2nd time, Gtr. 2: w/ Fill 5
4
2
Gtr. 3
and men.
The fire
burns
on
End Riff B1
4
4
2
2
2
2
4
End Riff B
2
5
Fill 5 Gtr. 2
2
3
2
2
5
3
4
2
16
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4
2
4
3
2
5
2
5
2
3
2
2
5
3
4
2
4
14 14
4
4
1
Sorgdal
2
Gtr. 2 tacet
Riff B
2
Gtr. 1
14 14
14 15
15 15
15 15
15 16
16
4
2
2
4
4
2
1st time, Gtr. 1: w/ Riff B Gtr. 3: w/ Riff B1 (1st 3 meas.) 2nd time, Gtr. 1: w/ Riff B (1st 3 meas.)
and
on.
That
drives
the
sim
-
ple
plans
me
on
1.
of
mice
till
all
and
is
gone
ex
-
men.
Fill 2 Gtr. 3
cept
End Fill 2
2
2.
Guitar Solo Double-time feel Gtr. 3: w/ Fill 2
µ
and men.
Gtr. 2
6
1
16
Gtr. 1
2
5
2
3
2
5
2
3
4
2
2
4
2
2
4
17 16 14
4 2
16
14 16 17 16 14
16
14 16
4
2
6
3
2
4
2
4
3
2
5
2
5
4
3
2
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
14
14
13
22
13
4
3
2
4
2
4
3
2
5
5
4
3
3
21
19
21
19
17
21
19
17
19
17
21 19 17
4
2
19
2
3
14
16
14
8v a
3
3
3
12
3
2
3
2
2
4
2
4
3
2
2
5
5
4
3
2
Outro-Chorus End double-time feel Gtr. 3: w/ Fill 1
Gtrs. 1 & 3: w/ Riffs B & B1 (3 3/4 times)
The
fire
burns
on
and on.
19 17 16 17 16
19
16
3
2
2
Gtr. 2 tacet
6
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
19 17 19 17 15 15 17 19
4
till
all
4
6
6
6
2
4
2
is
gone
16 17
19
17 19 21
2
me on
19
3
3
5
ex
drives
17 19 21
That
8v a
6
µ
-
cept
3
3
2
the
sim
-
ple
plans
of
mice
and
men.
The
fire
burns
on
and
on.
Gtr. 2
1
That
loco
drives
14
14
me
on
14
15
14
14
16
all
till
is
gone
-
ple
plans
ex
-
and
15
15
men.
1
15
fire
burns
17
all
is
gone
ex
of
mice
8v a
and
on.
15
15
15
That
loco
drives
14
14
me
on
14
15
14
14
-
ple
plans
16
14
the
sim
15
1 19
cept
16
on
17
-
16
1
17
15
16
17
till
15
The
1
19
15
sim
w/ bar
8v a
the
15
cept
15
8v a
of
mice
1
19
16
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
and
men.
8v a
1
The
burns
17
17
on
1
19
fire
and
on.
That
loco
1
17
17
drives
me
on
1
17
14
14
15
16
till
all
is
gone
15
15
ex
-
cept
the
sim
-
ple
plans
15
15
15
16
of
mice
17
1
1/2
19
17
17
14 16
Gtr. 3: w/ Fill 2
and
F#5
F#5
men.
16
E5
Gtr. 2
14
6
17
14 16
14
1
14
16
14
16
14
2
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
2
2
3
4 2
2 0
3
2
5
4
14
Gtr. 1
3 1
16
4 2
from Megadeth - Peace Sells...But Who’s Buying?
Peace Sells Words and Music by Dave Mustaine Tune down 1/4 step Intro Moderate Rock q = 140 µ (Em)
Bass
f
7
Verse E5
1. What 2. What
5
do do
7
7
0
you you
mean mean
I I
don’t
7
5
8
G#5
E5
be - lieve hurt
your
5
7
0
in
7
5
6
G5
God? feel
- ings?
0
0
0
0
0
0
0
0
0
0
0
0
0
0
3
Bb5
A5
E5
I
7
Bass Fig. 1
5 5
Play 4 times
Talk did - n’t know
to you
G#5
E5
ev - ’ry an - y
Him had
4
day. feel - ings. End Bass Fig. 1
0
0
0
0
0
0
0
0
0
0
0
0
0
5
4
6
Bass: w/ Bass Fig. 1 (3 times) E5
G#5
What do you mean What do you mean
I I
E5
don’t sup - port your ain’t kind?
sys - tem?
G5
E5
I
go to Just
not
court your
© 1986 DAVE MUSTAINE MUSIC and THEORY MUSIC All Rights for DAVE MUSTAINE MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
when I kind.
G#5
have
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
Bb5 A5
E5
to.
What do What do
E5
mean mean
I I
E5
my
to of
G5
Chorus E5
D5
E5
G5
D5
get be
Bb5 A5
to the
E5
I’m
broke?
7
5
7
7
don’t pay
Bb5 A5
Huh?
5
new
D5
E5
G5
F#5
way,
5 7
I
right?
E5
time?
G#5
G5
work on Pres - i - dent
E5
G#5
you think Peo - ple,”
What do you mean Tell me some - thing,
If there’s a
ca?
Why do The
E5
E5
bills? still “We
it’s
do. A - mer - i -
G#5
can’t could - n’t
E5
Got noth - ing bet - ter of the U - nit - ed States
G#5
you you
5
0
0
7
7
7
5
7
0
0
2
1.
G5
well, I’ll
be the
3
3
Interlude Bass: w/ Bass Fig. 1 E5
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
first
in
F#5 G5
F#5
3
E5
F#5
But it
G#5
G5
line.
D5
3
2
3
0
G5
E5
5
0
2
bet - ter
F5
work this
C5
time.
3
3
3
3
G#5
E5
2
1
3
Bb5 A5
2. Interlude
G5
F#5
But it
bet - ter
3
3
F5
C5
E5 *
work this
time.
3 0 0 0 0 0 0 0 0 3 2 1
3
0
0
0
0
0
0
0
0
*Sing 1st time only.
1.
2.
G#5
G5
Oh.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
3
2
3
0
0
0
0
0
0
4
3
Guitar Solo
F#5 **
G5
F#5
G5
F#5
E5
2 2 2 2 2 2 2 3
3
0
10
3
3
2
2
2
3
2
9
10
9
0
0
7
9
0
**Sing 1st time only.
0
0
7
5
7
G#5 G5 F#5 Play 3 times
G5
F#5
D5
D#5
5
6
0
3
0
4
3
2
2
2
2
2
2
2
3
3
3
2
2
0
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Faster q = 158 Free time
E5
E5
(Spoken:)
Can
you
put a price
on
peace?
0
1. E5
G5/E
F#5/E
B5/E
7
7
0
0
0
7 7 7 7 7 7
7
7
0
0
0
7 7 7 7 7 7
7
0
7
0
7 7 7 7 7 7
0
7
0
7
0 0
7 7 7 7 7 7
2.
Bridge B5/E
* E5
G5
Peace,
7
Bass Fig. 2
14 14 14 14 14
7
0
F#5
peace
0
0
0 0 0 0 0 0 0 0 0 *Chord symbols reflect implied harmony.
0
0
3
B5
3
3
3
3
3
3
3
3
Peace,
2
2
2
2
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
E5
sells.
3
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
0
0
0
0
0
0
0
0
0
0
0
G5
F#5
peace
B5
sells.
End Bass Fig. 2
3
3
3
3
3
3
3
3
3
3
3
2
2
2
2
2
2
2
2
2
2
2
2
Bass: w/ Bass Fig. 2 E5
Peace
G5
sells,
but who’s
F#5
buy - ing?
Peace
2
2
2
3
2
3
2
3
B5
sells,
but who’s
buy - ing?
Bass: w/ Fill 1 E5
Peace
sells,
G5
but who’s
F#5
buy - ing?
Peace
B5
sells,
but who’s
buy - ing?
Guitar Solo E5
G5
F#5
Bass Fig. 3
0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2
Fill 1 Bass
4 2
2
2
2
2
2
2
4
4
4 4
4
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1.
2. B5
B5
End Bass Fig. 3
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
4
2
4
4
4
4
4
Bridge Bass: w/ Bass Fig. 3 (1 3/4 times) E5
Peace
E5
sells,
Peace
sells,
G5
buy - ing?
but who’s
F#5
G5
Peace
1.
who’s
buy -
B5
sells,
but
but who’s
F#5
ing?
Peace
sells,
buy - ing?
2. Outro B5
but
who’s
B5
buy - ing?
but
who’s
G#5 G5
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2
3 3 2 2
3 3
buy - ing?
2 2 2 2 2 2 2 2 2
2
2 2
No,
2 2 2 2 2 2 2 2 2
F#5 F5 E5 F5 F#5 F5 E5 F#5
4
3
Bass Fig. 4
2
1
0
1
2
1
0
2
G5
F#5
G5 F#5
G#5 G5
3 no,
E5
no,
no,
no.
Peace End Bass Fig. 4
3
3
3
3
2
2
3
2
0 0 0 0 0 0 0 0 0 0 0 0 0 0 5
6
0 0 0 0 0 0 0 0 0 0 0 0
4
3
Bass: w/ Bass Fig. 4 (2 times) F#5
E5
F5
F#5
F5
E5
F#5
G5
F#5
F5
G5 F#5
sells.
E5
(Ah.)
F#5
F5
E5
F5
F#5
F5
E5
F#5
G5
F#5
G#5 G5
E5
G5
F#5
G#5
G5
Peace
F#5
F5
F#5
F5
E5
F#5
G5
F#5
G5
F#5
sells.
E5
E5
F5
Ah!
2
3
1
0
1
2
1
0
2
3
3
3
2
2
3
2
0
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Peace Sells Words and Music by Dave Mustaine
Intro Moderately fast q = 138
(Bass & drums)
D5 D#5
f
w/ dist.
7 5
8 6
E5
µ
9 7
9 7
2 0
D5
loco
8va
3 1/2
1/2
17
17
3
3
3
1/2
17
17
17
17
12 16 12
15
11 11 15 11
Bb5
14
10 10 14 10
Verse µ
A5
13
9
3
8 12 8
3
11
7
7
11 7
3
10
6
6 10 6
13 9
12
8
3 G#5
1. What do you mean
9
I
don’t
be -
3
9
6
6
9
6
5
0
5
© 1986 DAVE MUSTAINE MUSIC and THEORY MUSIC All Rights for DAVE MUSTAINE MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
µ
G5
lieve in
µ
3
God?
Talk to
G#5
µ
Bb5 A5
him ev -’ry day.
P.M.
P.M.
5 5 5 3
µ
G#5
0
0
0
µ
0
0
µ
0
0
0
0
Bb5 A5
0
G#5
µ
Got noth - in’ bet -ter to
do.
0
0
0
µ
P.M.
0
0
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
0
0
0
0
0
6 6 4
µ
0
I go
0
5 5 3
0
0
8 8 6
0
0
0
0
7 7 5
G#5
court when I
0
get to
to
can’t
0
0
P.M.
What do you mean I
0
0
µ
0
0
P.M.
0
0
G5
0
G#5
7 7 5
0
8 8 6
0
µ
P.M.
6 6 4
0
sys - tem?
0
to.
0
P.M.
6 6 4
0
0
What do you mean I don’t sup - port your
P.M.
0
have
0
0
0
G5
work on
6 6 4
time?
P.M.
6 6 4
5 5 3
0
0
0
0
Bb5 A5
0
0
µ
0
0
0
0
0
G#5
What do you mean I don’t pay
P.M. 0
0
0
0
0
0
8 8 6
7 7 5
P.M.
0
0
0
0
0
0
0
6 6 4
µ
my
0
0
0
D5
E5
0
0
0
0
D5
E5
G5
0
0
0
P.M.
9 7
7 5
9 7
0
12 10
well, I’ll be the first
0
0
new
0
in
G5
0
D5
E5
0
0
G5
F#5 G5
D5
F#5
9 7
4 2
5 3
0
F#5
0
12 10
4 2
0
bet - ter work this
time.
P.M.
5 5 3
4 2
G#5 µ
0
P.M.
F#5 F5 C5
P.M.
7 5
9 7
But it
5 3
7 5
G5
line.
0
7 7 5
9 7
5 3
0
E5
9 9 7
7 5
5 5 3
0
8 8 6
way,
P.M.
Guitar Solo µ
0
P.M.
µ
P.M.
P.M.
G5
Huh?
6 6 4
3
If there’s a
broke?
µ
Bb5 A5
P.M.
5 5 3
µ
Why do you think I’m
9 7
G#5
Chorus E5
µ
bills?
P.M.
0
G5
5 3
4 2
3 1
5 3
G5
5
5
5
6
1
9 12
12
9
12
9
12
9
10 12
8
12 10
9
12 10
9
12
9
12 10
9
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3 5
12
10
Verse µ
9
12 10
12 10
9
0
µ
0
0
hurt
0
0
Bb5 A5
0
0
0
0
0
µ
0
G#5
12
0
0
0
G#5
I did -n’t know you had an - y
0
0
0
P.M.
5 5 3
0
0
6 6 4
0
G5
0
Bb5 A5
µ
0
0
0
0
0
5 5 3
0
-2 1/2
µ
your kind.
What do you mean I
G#5
could - n’t
8va
15
0
0
0
0
0
0
0 -1
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
w/ bar P.M. Just not
feel -
P.M.
6 6 4
0 -1
12
G#5 µ
µ
w/ bar
2
14
What do you mean I ain’t kind?
0
12
1/4
µ
feel - ings?
ings.
2
G5
P.M.
6 6 4
0
15
A5
12 10
your
Bb5
1/4
0
9
P.M.
0
12 10
G#5 µ
2. What do you mean I
1/4
12
15
9
5
µ
G#5
µ
19
-1/2
19
loco
19
15
-1
-1/2
6 6 4
µ
be
the
Pres
0
0
0
0
0
0
µ
P.M. 0
µ
P.M.
14
0
0
0
G#5
-
mer -
6 6 4
0
µ
14
Peo - ple,”
G#5
µ
it’s still
0
0
D5
E5
0
0
0
G5
1/2
“We
14
Bb5
A5
1
14
12
14
14
13
14
12
0
D5
3
E5
µ
new
E5
D5
14
0
12
E5
10
G5
9 9 7
12
F#5
way,
P.M.
7 5
12
P.M.
12 10
G5
right?
If there’s a
10
0
A
5 5 3
0
14
Chorus E5
0
some - thing,
15 0
14
1/2
12
13
of
3
13
States
3
U - nit - ed
the
µ
P.M.
5 5 3
Tell me
the
G#5
0
0
Bb5 A5
12 0
of
i - ca?
µ
i - dent
P.M.
-
G5
9 7
9 7
7 5
9 7
0
P.M.
12 10
0
4 2
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
µ
well, I’ll be the first
in
G5
F#5 G5
D5
5 3
P.M.
0
0
4 2
5 3
10 9 10
0
4
5
0
0
P.M.
9
7
0
3
2
7 5
0
5 5 3
4 2
0
9
0
P.M.
0
0
P.M.
7
0
3
5
7
0
P.M.
0
0
5 3
4
5
0
9
P.M. P.M. P.M. P.M.
7
9
0
4
0
0
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
0
0
0
5
4 5
0
0
6 6 4
5 5 3
2
4
0
5
7
2
0
P.M.
7
0
0
0
0
2
5
4
5
G5
3
3
3 1/2
12 15
1/2
12 14
2 0 2
5 3
3 1
Guitar Break F#5 µ
11 4 2 4
4 2
P.M.
0
P.M.
P.M.
5
0
10 9 10
time.
Oh.
P.M.
P.M.
G#5 G5
P.M.
5
5 3
P.M. P.M. 0
0
F#5 F5 C5
But it bet - ter work this
5 5 3
G5
line.
P.M.
Interlude µ
F#5
14
3 1/4
14 12
14
14
14
F#5 µ
G5 F#5
µ
G#5 G5
µ
1/4
12
12 14
12
14
5
12
1/2
14 12 10
10 9 10
F#5 µ
G5
0
9
0
7
9
0
µ
0
F#5
7
5
7
P.M. 0
µ
6 6 4
0
G5
5 5 3
F#5
3
0
2
0
2
0
3
2
0
4
µ
0
G#5
2
3
8va
2
4
G5
2
4
2
4
3
2
5 4
3
4
F#5
2
µ
3
4
4
2
4
0
2
G5
3
hold bend 1/4
1/2
3/4
19 19
4
µ
F#5
µ
1
F#5
µ
loco
1 1/2
1
1 1/4
19
19
19
19
19
17
22
G#5 G5
F#5
20
18
17
3
1
1
20
3 18
19
G5
3
20
3/4
2
8va
19
1/2
19
1
17
19
19
16
µ
19
G5
8va
3
6
3
3
grad. bend 1/2
14 17 14
17
14
19 14
17
14 17 14
17
14
19 14
17
14 17 14
17
14
17
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
µ
F#5
µ
D5
Free time E5
D#5
Can
you put a
loco
19 14
17
3
14 17 14
14 19 14
17
Interlude Faster q = 162 µ
7
5
7
5
7
7
0
G5/E
14 17 14
17
7
5
8
17
17
14 17 14 19 17 14
7
5
7
16
E5
5 0
7
5
5
6
7
5
5
7
7
0
7
5
8
F#5/E
5 0
7
5
5
6
Bridge µ(E5)
6
5
7
3
on peace?
8va
6
price
7
B5/E
5
7
5
7
0
5
(G5)
7
8
7
7
7
0
(F#5)
5
5
5
5
6
Peace,
7
peace
5
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
5 0
7
5
7
8
7
5
7
5 0
7
5
sells.
7
8
7
5
7
5 0
7
5
7
8
(B5)
(E5)
(G5)
Peace,
7
5
5
7
0
7
7
5
8
(F#5)
7
5
5
7
0
(B5)
7
7
5
8
7
5
5
7
7
0
5
7
8
(E5)
peace
5 7 8 5 7 8 7 8 7 5 7 5 7 5 7 7 5 7 5 7 7 5 7 5 sells.
Peace
0
0
(G5)
sells,
(F#5)
0
1. (B5)
5 7 8 5 7 8 5 7 8 7 5 7 7 5 7 5 7 7 5 7 5 7 7 5 but who’s
buy - ing?
Peace
sells,
0
but who’s
buy - ing?
0
0
2.
(B5)
Guitar Solo µ(E5)
but
who’s
buy - ing?
5
7
5 0
7
5
7
1
8 7
(G5)
1
10
1
13
1 15
15
8
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
(F#5)
8va
(B5)
3 1
12
15
1
1
12
12
12
1
15
15
12
12
14
14
14
14
1
15
1/2
15
15
12
(E5)
(G5)
8va
5
5
5
1
12 13 12
12 15
(F#5)
15 12 15
12 13 12
(B5)
1
17
1
20
loco
but who’s
5
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
Bridge µ(E5)
1/2
22 22
22 19
(F#5)
21
19 22
22
Peace
sells,
1
20
20
20
(B5)
17 20
17
15
1
20
12
12 13 15
14 12 14
1
(G5)
7
15 13 12
8va
12 13 12
15 12 15
buy - ing?
5 0
7
Peace
5
7
8
7
5
7
sells,
5 0
but who’s
7
5
7
8
7
5
7
buy - ing?
5 0
7
5
7
8
(E5)
(G5)
(F#5)
7 8 5 7 8 5 7 8 7 5 7 5 7 5 7 5 7 7 5 7 5 7 7 5 Peace
sells,
but who’s
buy - ing?
0
sells,
0
1., 2.
0
3.
but who’s
7
G#5 G5
Outro-Guitar Solo F#5 F5 E5 F5 F#5 F5 E5 F#5
5
but who’s
buy - ing?
0
No,
11 9
0
G5
F#5
F#5
no,
no,
no,
µ
10 8
9 7
10 8
11 9
10 8
9 7
11 9
G5
3
P.M. 7 8 5 13 12 7 5 7 5 7 7 11 10
buy - ing?
5
(B5)
(B5)
7
Peace
no.
5
5
5
12 10
12 10
12 10
12 10
1 1/2
Peace
12 10
11 9
7
F#5 F5 E5
11
F5
7
11
9
7
F#5 F5
11
7
E5 F#5
9
7
11
9
7
G5
7
11
F#5
9
G5 F#5
3
3
3
1/2 12
12 10
12
11
Ah.
3
grad. release 1/2
11
sells.
9 12
9
9 10 12
11 9
G#5 G5
11 9
10 14
1/4
14
12
14
14
12 14
12
12
12
12
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
µ
5
13
14
F#5
G5
G#5
F5
12 13 12
E5
14 13 14
F5
12 13 12
F#5
5
F5
5
12 13 12
14 13 14
E5
14 13 14
F#5
12 15 12
3
14 13 14
G5
12 15 12
14 13 14
F#5
5
G5
12 13 15
F#5
12
grad. release 1
1
15
2
15
15
µ
12
15
15
15
12
G#5
G5
Peace
8va
5
15
12
15 12 15
15 12 15
E5 F5 F#5 F5 E5 F#5
5
5
12 14 12
15 12 15
12 14
12
15 12 16
G5
F#5
sells.
3
*
1
17 15 17 15
15
17
1
hold bend 17
15
20
1/2
1
20
17 15 17
F#5
Ah.
8va
G5
15 16 15
1/2
15 16 15
17
17 15
E5
hold bend
15
22
*Tap & bend w/ index finger while holding pick between thumb & middle finger, then pick while holding tapped note and pull off to 15th fret. Assist bends w/ fret hand till end.
12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5 F5
12 14 12
5
1
PEACE SELLS
Words and Music by DAVE MUSTAINE
Hard Rock
µ
f
E5
D/E
E5
(Spoken:) What do you mean (Spoken:) What do you mean
I don’t believe in God? I talk to Him every day. I hurt your feelings? I didn’t know you had any feelings.
© 1986 DAVE MUSTAINE MUSIC and THEORY MUSIC All Rights for DAVE MUSTAINE MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Sorgdal
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
What do you mean I don’t support your system? I go to court What do you mean I ain’t kind? I’m just not your kind.
when I have to. What do you mean I can’t get to work on time? What do you mean I couldn’t be the President
I got nothing better to do. What do you mean of the United States of America? Tell me something,
I don’t pay my bills? Why do you think I’m broke? Huh? it’s still “We, the people,” right?
Sorgdal
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
E5
D5
E5
G5
5fr
E5
If there’s a
µ first in
F#5 3fr
G5
D5 3fr
F#5
G5
5fr
But it bet - ter
3fr
line.
F#5 3fr
way,
G5
G5
E5 5fr
3fr
be the
new
D5
G5
I’ll
E5
µ
3fr
work this
time.
1 E5
2 E5
Sorgdal
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
Oh.
F#5
G5
F#5
Guitar solo
F#5
Sorgdal
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
G5
E5
Play 3 times
3fr
F#5 3fr
5
E5
Faster
G5/E
F#5/E
4fr
Esus2
E5
G5
3fr
Peace,
F#5
B5
Sorgdal
E5
G5 3fr
sells.
peace
Peace,
peace
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
F#5
B5
E5
3fr
sells.
F#5
Peace
sells,
but who’s
G5
but who’s buy - ing?
buy - ing?
Guitar solo
B5
E5
F#5 3fr
B5
Peace sells,
G5
E5
Peace sells,
3fr
Sorgdal
G5
but who’s
buy - ing?
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
F#5
B5
Peace
sells,
but who’s
buy - ing?
7
E5
G5
Peace
sells,
3fr
but who’s
buy - ing?
but who’s
B5
buy - ing?
but who’s
G5
Peace
sells,
µ
buy - ing?
No,
F#5 3fr
E5
3
no,
no,
no,
no. Lead vocal ad lib.
G5
F#5
E5
µ
Sorgdal
2 B5
1
F#5
3fr
Play 3 times
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Peace Sells Words and Music by Dave Mustaine F 5
F5
E5
G5
D5
13
13
1
13
E5 VII
D 5 5 fr
6 fr
13
7 fr
13
13
Tune down 1/4 step:
Intro Moderate Rock N.C.
* Gtr. 1
= 140
Riff A
End Riff A
7
5
5
7
7
0
7
5
8
7
5
5
7
7
0
5
6
* Bass arr. for gtr.
Gtr. 1: w/ Riff A (3 times)
E5
D5 8va
Gtr. 2 (dist.)
1/2
6
7
2 0
5
6
7
2 0
1/2
17
(17) 17
(17)
17
5
1/2
(17)
Gtrs. 3 & 4 (dist.)
7 5
loco
N.C.
3
12 16 12
3
15
12
11 15 11
3
14
11
10 14 10
3
13
10
9 13 9
3
12
9
8 12 8
3
11
8
7 11 7
3
10
7
6 10 6
9
6 9
P.M.
7 5
184 Sorgdal
5
5
5
5
5
5
5
7 5
7 5
7 5
7 5
7 5
© 1986 DAVE MUSTAINE MUSIC and THEORY MUSIC All Rights for DAVE MUSTAINE MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
7 5
8 X 6
7 X 5
Verse N.C.(E5)
G 5 N.C.(E5)
1. What do you mean I don’t be
G5 N.C.(E5)
lieve in God?
G 5 N.C.(E5)
B 5 A5
Talk to him ev ’ry day.
(9)
Rhy. Fig. 1
End Rhy. Fig. 1
P.M.
P.M.
0
0
0
0
0
0
6 6 4
0
P.M.
0
0
0
0
0
0
5 5 3
0
0
P.M.
0
0
0
0
0
0
6 6 4
0
0
0
0
0
0
8 8 6
7 7 5
Gtrs. 3 & 4: w/ Rhy. Fig. 1 (3 times) Gtr. 2 tacet
N.C.(E5)
G 5
What do you mean
N.C.(E5)
I
N.C.(E5)
don’t sup
G5
port your
sys
I
tem?
B 5 A5 N.C.(E5)
to.
What do you
G 5
N.C.(E5)
Got
noth
ing
bet ter
G5
N.C.(E5)
my
bills?
Chorus E5
D5
to
G5
mean
I
N.C.(E5)
go
N.C.(E5)
can’t
get
to
have
to
work
on
time?
G 5
I’m
I
don’t
pay
B 5 A5
broke?
Huh?
E5
new
mean
N.C.(E5)
G 5
If there’s a
when I
G5
What do you
think
court
B 5 A5 N.C.(E5)
N.C.(E5)
D5
G 5
G 5
do.
Why do you
E5
N.C.(E5)
D5
E5
G5
F 5
7 5
9 7
12 10
4 4 2
way,
Gtrs. 3 & 4 Rhy. Fig. 2
9 7
9 7
7 5
9 7
12 10
7 5
9 7
9 7
9 7
9 7
185 Sorgdal
G5
F 5 G5
well, I’ll
be the
first
in
D5
F 5
G5
F 5
But it
line.
bet ter
F5
C5
work this
time. End Rhy. Fig. 2
P.M.
5 5 3
5 5 3
5 5 3
5 5 3
4 4 2
5 5 3
7 5
4 4 2
5 5 3
5 5 3
5 3
4 2
5 3
3 1
Interlude Gtrs. 3 & 4: w/ Rhy. Fig. 1
N.C.(E5)
G 5
N.C.(E5)
G5
Gtr. 5 (dist.)
3
3
6
3
1
13
12
12
13
12
N.C.(E5)
9
12
G 5
13
14
12
13
12
10
9
12
10
12
N.C.(E5)
13
12
B 5
10
13
A5
6 1/2
12
10
12
12
15
10
14
12
10
14
12
10
14
12
15
12
14
12
(12)
10
Verse Gtrs. 3 & 4: w/ Rhy. Fig. 1 (4 times) Gtr. 5 tacet
N.C.(E5)
2. What do you mean
I
N.C.(E5)
G 5
N.C.(E5)
hurt
your
G5
feel
ings?
G 5
What do you
Gtr. 5
steady gliss. w/ bar
P.H.
pitch: G
186 Sorgdal
0
2
0
0
0 -1
G 5
I did n’t know you
B 5 A5 N.C.(E5)
ings.
2
N.C.(E5)
-1 1/2
mean
I
ain’t
kind?
N.C.(E5)
had
an y
feel
G5
N.C.(E5)
G 5
Just
not
N.C.(E5)
B 5 A5
N.C.(E5)
G 5
What do you mean
your kind.
I
could n’t
8va
w/ bar
(19)
19
-1/2
N.C.(E5)
(19)
19
(19)
19
-1/2
-1/2
-1 1/2
G5 N.C.(E5)
be the Pres
i dent
(19)
19
of the U nit ed
States of A
G 5
N.C.(E5)
mer
i ca?
B 5
loco
A5
8va loco
P.H.
12 16 14
N.C.(E5)
G 5 N.C.(E5)
Tell me some thing,
it’s
G5
still
12
13
N.C.(E5)
“We
G 5
The
Peo ple,”
right?
-1/2
w/ bar -1/2
P.H.
15
(15)
(15)
0 0 pitch: D
Chorus Gtrs. 3 & 4: w/ Rhy. Fig. 2
N.C.(E5)
B 5
A5
E5
D5 E5
Gtr. 5 tacet
G5
D5
E5
If
1/2
P.H.
0 0
14
12
14
14
13
14
12
14 12
there’s a
new
way,
1/2
12 15
(15)
187 Sorgdal
D5 E5
G5 F 5 G5
F 5 G5
well, I’ll
be the
first
in
F 5 F5 C5
D5 F 5 G5
line.
But it
bet ter
work this
time.
Interlude N.C.
Gtrs. 3 & 4
P.M.
0
P.M.
0
10 9 10
0
P.M.
0
9
7
9
0
P.M.
7
0
5
7
P.M.
0
5
0
4
5
P.M.
0
4
0
2
4
0
0
7
5
7
4 5
5 4
4 5
Gtr. 3
P.M.
0
Gtr. 4 divisi * P.M.
P.M.
0
5
4
5
0
0
3
2
3
0
P.M.
0
9 10
8 9 9 10
P.M.
0
7 9
0
5 7
7 9
P.M.
0
5 7
0
4 5
5 7
0
0
* P.M. applies to both gtrs., next 4 meas.
G 5 G5
Guitar Solo F 5
G5
Oh. Gtr. 5
3
3
3
3
fdbk. 1/2
(0)
11 12 15 11 12
14 12
14
Gtrs. 3 & 4
0
188 Sorgdal
P.M.
0
2 4
0 2
2 4
0
14
14
Rhy. Fig. 3
P.M.
P.M. P.M.
14
P.M.
0
5 7
4 5
5 7
0
0
4 5
2 4
4 5
0
4
6 4
5 3
4 2
2
2
2
2
2
2
5 3
F 5
G5 F 5
Gtr. 5 tacet
N.C.
G 5 G5
3
1/2
12 14
12
12
14
12
14
12
10
End Rhy. Fig. 3 Gtr. 3
P.M.
Gtrs. 3 & 4
Gtr. 4 divisi
P.M.
P.M. * P.M.
3
3
4 2
3
2
5 3
2
4 2
0
P.M.
9 10
0
8 9 9 10
0
P.M.
7 9
0
5 7
7 9
0
5 7
0
4 5
5 7
0
6 4
4
5 3
* P.M. applies to both gtrs., next 2 meas.
Gtrs. 3 & 4: w/ Rhy. Fig. 3 (2 times) Gtr. 2
F 5
G5
F 5
G5
F 5
6
0
2
2
2
0
2
0
0
2
0
3
2
4
N.C.
2
4
2
G 5 G5
4
3 3
2
2
4
5
4
2
4
4
2
4
F 5
2
G5
8va
Gtr. 5
3
3 P.S.
1/2
19
20
19
20
20
19
20
20
20
20
X
Gtr. 2
15ma
fdbk.
4
2
(2)
189 Sorgdal
F 5
G5
F 5
N.C.
G 5 G5
8va
loco
3
2
3
1 1/2 1
1
20
20
20
17
20
20
1/2
17
18
19
19
16
19
17
15ma
fdbk.
(2)
Gtr. 5 tacet
F 5 Gtr. 2
G5
F 5
D5
D 5
8va
6
3
14 17 14
17
3
14 19 14 14 14 17 14
17
14 19 14
6
3
17
14 17 14
17
14
3
19 14 14 14 17 14
17
14 19 14
3
6
14 17 14
17
14 17 14
17
14
17 14
Gtrs. 3 & 4
P.M.
4 2
2
P.M.
2
2
2
2
2
5 3
P.M.
3
3
4 2
3
2
7 5
2
8 6
Interlude Faster = 158 Free time E5
Spoken: Can you
put a price
on
Gtr. 2 tacet
Gtrs. 3 & 4 tacet
E5
N.C.
peace?
loco Gtr. 6 (dist.)
16 7
5 7
Riff B
5 0
7
fdbk.
9 7
190 Sorgdal
(7)
9 7
5
7
8
7
End Riff B
5 7
5 0
7
5
5
6
Gtr. 6: w/ Riff B (10 times) Gtrs. 3 & 4
E5
G5
F 5
B5
P.M.
P.M.
P.M.
P.M.
0
9 9
2 2
0
3
3
5 5
2
4 4
2
7
E5
G5
F 5
B5
P.M.
P.M.
P.M.
P.M.
7
9 7
7
3
5 5
3
2
4 4
2
7
7
9 9
7
Bridge Gtr. 6 tacet *
N.C.(E5)
(G5)
Peace,
peace
Riff C Gtrs. 3 & 4
sells.
End Riff C
P.M.
7
(B5)
(F 5)
5 7
5 0
P.M.
7
5
7 8
7
5 7
P.M.
5
7
0
7 8
5
7
5 7
5 0
P.M.
7
5
7 8
7
5 7
5 0
7
5
7 8
* Chord symbols implied by bass, till Outro.
Gtr. 3: w/ Riff C (4 times) Gtr. 4: w/ Riff C (12 times)
(E5)
(G5)
(F 5)
Peace,
peace
(E5)
Gtr. 3
(F 5)
but who’s
sells,
Riff D
buy ing?
(B5)
Peace
sells,
but who’s
buy ing?
End Riff D
P.M.
9
sells.
(G5)
Peace
(B5)
7 9
7
P.M.
9 0
7
9 10
9
7 9
7
P.M.
9 0
7
9 10
9
7 9
7
P.M.
9 0
7
9 10
9
7 9
7
9
7
9 10
0
191 Sorgdal
Gtr. 3: w/ Riff D (4 times)
(E5)
(G5)
Peace
(F 5)
but who’s
sells,
(B5)
buy ing?
Peace
sells,
but who’s
buy ing?
Guitar Solo Gtrs. 3 & 4: w/ Riff C (8 times)
N.C.(E5) Gtr. 5
(G5)
-1
w/ bar -1
-1
-1
12
15
14
(F 5)
(B5)
-1
-1
1 1
1
12
15 12
(15)
1
1
1/2
1
12
12
15 12
14
14
(E5)
15
12
15
15
15
(14) 12
14
(G5)
8va
5
5
3 1
12
15
12
13
12
15
12
15
12
13
12
15
12
15
12
13
12
15
13
12
14
12
14
12
13 15
17
12 15
Bridge (F 5)
(B5)
Gtr. 3: w/ Riff D (8 times) Gtr. 4: w/ Riff C (14 times)
Gtr. 5 tacet
(E5)
(G5)
Peace
sells,
but who’s
buy ing?
8va
1
1
1 1
(17)
20
(20)
(F 5)
22 19 22 19
22
22
21
22 20
(B5)
Peace
sells,
1
20
20
(E5)
but who’s
(G5)
Peace
buy ing?
(20)
sells,
but who’s
buy ing?
but who’s
buy ing?
Gtr. 3: w/ Riff C (6 times)
(F 5)
(B5)
Peace
192 Sorgdal
sells,
(E5)
but who’s
buy
ing?
(G5)
Peace
sells
(F 5)
(B5)
Peace
(E5)
but who’s
sells,
(F 5)
(G5)
Peace
buy ing?
(B5)
but who’s
sells
Outro F 5 F5
G 5 G5
E5
F5
F 5
buy ing?
F5
E5
F 5
10 8
9 7
11 9
Rhy. Fig. 5A
P.M.
Peace
sells,
but
who’s
buy ing?
Rhy. Fig. 4
Gtr. 3
End Rhy. Fig. 4
P.M.
7
5
7
Rhy. Fig. 5
P.M.
5
7
0
7
5
8
7
5
5
7
13 11
7
0
Rhy. Fig. 4A
Gtr. 4
No,
12 10
11 9
10 8
9 7
10 8
11 9
End Rhy. Fig. 4A
P.M.
P.M. (cont. in slashes)
7
5
7
5
7
0
7
5
8
7
5
5
7
0
7
6 4
5 3
Gtrs. 3 & 4: w/ Rhy. Figs. 4 & 4A
G5
F 5
G5 F 5
N.C.(F 5)
(B5)
G 5 G5
End Rhy. Fig. 5A Gtr. 4 P.M.
3
no,
no,
no,
no.
Peace 8va
Gtr. 5
6
Gtr. 5
Gtr. 3 P.M. divisi
12 10
3
3 P.H.
End Rhy. Fig. 5
12 10
12 10
12 10
11 9
11 9
12 10
11 9
12
12 14
11 12 11
14 12
11 12 14
11 12 11
14 12
11 12 14
11 13
14
12 14 12 15
193 Sorgdal
Gtrs. 3 & 4: w/ Rhy. Figs. 5 & 5A
F 5 F5 E5 F5 F 5
Gtrs. 3 & 4: w/ Rhy. Figs. 4 & 4A
F5
E5
F 5
G5
F 5
G5 F 5 N.C.(F 5)
sells. (Ah.)
8va
loco
6 P.H. w/ bar
1/2
(15)
14 12 14
14
12
14
14
12
12 14
12
14
12 13 12
14 13 14
12 13 12
14 13 14
12 13 12
-1 1/2 Gtrs. 3 & 4: w/ Rhy. Figs. 5 & 5A
(B5)
G 5
3
3
G5
F 5 F5 E5
F5
F 5 F5 E5
12 15 12
G5
3
14 13 14
12 16 12
14 13 14
F 5
G5
2 1
14 13 14
F 5
12 13 15
F 5
1
1
12 15
(15) 12 15
(15)
(15) (15) 15
12
Gtrs. 3 & 4: w/ Rhy. Figs. 4 & 4A
N.C.(F 5)
(B5)
G 5
G5
Peace 8va
5
5
3
(12)
15
12
15 12 15
12 14 12
15 12 15
3
12 14 12
15
12
15
12
14
12
15 12
3
15
16
15
1/2
17 15 17
14
Gtr. 3: w/ Rhy. Fig. 5
F 5
F5
E5
F5
F 5
F5
E5
F 5
G5
F 5
D5
E5 VII
D 5 Gtrs. 3&4
Gtr. 4 P.M.
sells.
Ah!
8va
-1/2
Gtr. 5
3 w/ bar -1/2
1
17
194 Sorgdal
15
17 15
(15)
19
22
22
24
15
16
15
17
15
17
from Megadeth - United Abominations
Play for Blood Words and Music by Dave Mustaine Intro Moderately q = 125 ***F#5
E5 F#5
E5 F#5
E5 F#5
E5 F#5
E5 F#5
E5
*Gtr. 1 (dist.) mf
X X X
w/ bar
string noise
14
14
17
*Dave Mustaine
-1/2
**Gtr. 2 (dist.)
2
0
p
2
2
0
2
2
0
E5
F#5
2
2
0
2
2
0
2
0
F#5
E5
**Two gtrs. arr. for one. ***Chord symbols reflect implied harmony.
F#5
E5
F#5
E5
F#5
E5
F#5
E5
grad. dive +1 1/2 +1/2 +1 1/2
14
14
-1
-1 -1 1/2
-3
2
0
mp
2
2
0
2
2
0
2
2
0
2
2
0
2
0
© 2007 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
E5
F#5
E5 F#5
E5 F#5
E5
F#5
D5 A#5
C#5 A5
3
3
3
3
3
+1 1/2
+1 1/2
+1 1/2
+1/2
+1 1/2
+1/2
+1 1/2
+1/2
+1/2
14
-1
-1
Fill 1
2
0
mf
-1
2
-1
-1
2
0
2
E5
F#5
-1
2
0
2
E5
F#5
-1
-1
2
0
-1
End Fill 1
f
7 5
2
6 4
8 6
7 5
Gtr. 1 tacet
F#5
Gtr. 2
E5
F#5
E5
F#5
E5
F#5
E5
Riff A
End Riff A
2
0
2
2
0
2
2
0
2
2
0
2
2
0
2
0
Verse F#5
E5 F#5
E5 F#5
1. An - y - bod - y search - ing 2. In - side the ab - at
2
0
E5 F#5
2
0
-
E5 F#5
for ac - tion, toir
an - y - thing to the cov - er charge
2
0
E5 F#5 µ
2
0
fill the emp is some - bod - y’s
ti - ness gon
2
0
-
in na
-
4
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2
2
2
2
2
F#5
A5
B5
A5
side. die.
heavy P.M. 4
5
4
2
E5 F#5
2
0
4
2
3
E5 F#5
An - y - place you scream
hear
2
F#5
4
that streets loud
2
2
0
4
3
2
5
2
2
4 2
2
E5 F#5
are emp for mer
-
2
ty, -
2
0
2 0
4 2
2
2
0
B5
2
A5
4
2
4
2
4
A5 F#5 µ
E5
D5
E5
With Too
G5
fire late,
E5
and light I
P.M.
Rhy. Fig. 1
2 2
0 0
2 2
5 5
µ
4
3
2
5
2
2
4 2
2
2 2
E5
-
ning your
see
P.M.
2
2 0
4 2
E5
2
2
G5
E5
shoot - ing ze - ro
end
P.M.
3
D5
X
out wins
2
0
their the
4 2
A5
F5
3
2
0
2 2
P.M. 0 0
2 2
5 5
2 2
2 0
D5
from in
4 2
Pre-Chorus
2 0
2
3
2 0
B5
heavy P.M. 5
tak - ers wan - na pour man that’s stand - ing
I
4 2
lives. fight.
4
Now,
an - y Last
cy.
E5 F#5
F#5
E5
my on
3 1
D#5
hand, you. End Rhy. Fig. 1
X X
X X
0 0
1 1
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
D5 E5 G5 E5
µ
and des - o E - ven mor - tal
la en - e - mies,
P.M. 2 2
0 0
2 2
5 5
wings
E5 F#5
An itch - y fin - ger on of God sur -
2
0
E5 F#5
2
0
3
2
0
2 2
-
2 2
5 5
2
ger,
2
0
2
2
0
F#5
2
4
2
4
3
2
4
3
2
5
To Coda
F#5
A5
B5
X X
0 0
2
2 2
A5 F#5 µ
tak nev
2
0
-
en er
4
2
B5
A5
E5
heavy P.M.
4
X X
5
B5
A5
The
my tem - per’s hot and my pa - tience’s I live to play be - cause I know I’ll
flight. die.
4
2 2
my eyes. a - gain.
up
E5 F#5
’cross
E5
P.M. 0 0
trig
D5
E5 F#5
a hair - pin round me,
2
D5 E5 G5 E5
writ ten Let me help you
de - ny.
2
2
P.M.
3
2
F#5
P.M.
X
tion they can’t
2 2
E5
A5
E5
2
2
4 2
2
F#5
A5
2 0
4 2
B5
4 2
E5
2 0
2 0
G5
*Gtr. 3 (dist.)
f
10 *Glen Drover
Gtr. 2
4 2
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 0
4 2
Rhy. Fill 1
4 2
2 0
2 0
4 2
End Rhy. Fill 1
2 0
4 2
2 2
4 4
5 5
Guitar Solo Gtr. 2: w/ Rhy. Fig. 1 (2 times)
E5
D5
E5
G5
E5
14
E5
16
15
D5 E5 G5 E5
µ
D5
E5
G5
E5
D5
D#5
14
15
15
16
X X X
16
E5
D5 E5 G5 E5
D5
12
13
15
12
15
14
15
12
15
14
12
15
12
14
15
12
15
15
12
13
14
D#5
1
12
14
1/2
12
1/2
14
µ
Gtr. 3
E5
14
17
15
12
Guitar Solo
F#5
E5
F#5 A5 F#5
Gtr. 3
1
1
14
C5
B5
A5
F#5
E5 F#5 A5
F#5
C5
17
3
3
3
3
3
grad. release 1
16
16
16
Rhy. Fig. 2
Gtr. 2
P.M.
4 4
2 2
B5 A5
steady gliss.
17
17
Gtr. 1
Gtr. 3 tacet
16
16
16
4 4
2 2
4 4
16
16
16
16
3/4
1/2
16
16
X X
2
3
3
5
3
1/4
16
16
4 4
16
16
P.M. 2 2
4 4
2 2
16
16
16
16
16
4 4
X X
3
3
2
5
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
Gtr. 1
E5 F#5 A5 F#5
6
6
14 16 17
14 16 14
17 16 14
C5
F#5
E5 F#5 A5 F#5
D5 A#5
C#5 A5
6
14 16 17
Gtr. 4 (dist.)
B5 A5
14 16 14
6
6
17 16
14 16 17
6
6
14 16 14
17
14 16 17
14 16 14
17 16 14
14 16 17
14 16 14
17 16 14
3
14 16 17
14 15
mp
X
8
Gtr. 2
4 4
4 4
2 2
X
8
6
8
P.M. 2 2
9
4 4
X X
3
3
2
4 4
5
P.M. 2 2
4 4
2 2
4 4
End Rhy. Fig. 2
7 5
6 4
8 6
7 5
Interlude Gtr. 2: w/ Fill 1 Gtr. 4 tacet
Gtr. 1 tacet
F#5
E5 F#5
E5 F#5
E5 F#5
E5 F#5
D5 A#5
C#5 A5
Gtr. 1
16
16
D.S. al Coda Gtr. 2: w/ Riff A
F#5
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5 F#5
E5 F#5
E5 F#5
E5 F#5
E5 F#5
E5
Coda
Guitar Solo
Gtr. 2: w/ Rhy. Fill 1
F#5
A5
Gtr. 3
B5
Gtr. 2: w/ Rhy. Fig. 1 (2 times)
E5
G5
E5 D5 E5 G5 E5
4
16
17
16
15
D5 E5 G5 E5
19
17
15
19
17
µ
15
17
D5 E5 G5 E5
D5
1/2
17
17
D#5
17
17
17
17
16
16
17
21
E5
E5
1/2
steady gliss.
7
µ
20
15
17
19
17
15
17
15
E5
D5 E5 G5 E5
D5
D#5
17
14
15
14
14
15
14
15
14
16
14
15
16
14
16
14
16
Guitar Solo Gtr. 2: w/ Rhy. Fig. 2
Gtr. 3 tacet
Gtr. 3 F#5
E5 F#5 A5 F#5
C5
B5 A5
F#5
E5 F#5 A5 F#5
C5
18
18
Gtr. 1
14
B5 A5
14
17
F#5
16
14
15
14
16
E5 F#5 A5 F#5
16
C5
16
14
16
B5 A5
Gtr. 1
14 16
14
16
15
14
F#5
17
14
16
14
3
16
14
15
E5 F#5 A5 F#5
16
14
16
16
D5 A#5
14
17
17 14
14 14
17
14
16
15
14
16
14
C#5 A5
6 6 6
3
1
14 16 17
14
18
18 14 18 17 14 14
17 14 17 16 14
14
17 14
17 16 14
17 16 14
16 14
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
G#5
A5 G#5 F#5 D5 C#5
Gtr. 3
A5
G#5
1
rake
A5
3
1/2
19
18
A5 G#5 F#5 D5 C#5
18
18
16
16
Gtr. 1
19
18
X
18
16
16
19
16
16
6 4
6 4
Gtr. 2
P.M.
5
4
2
5
4
0 0
6 4
6 4
7 5
P.M.
5
4
5
2
4
0 0
7 5
Gtr. 1 tacet
G#5
Gtr. 3
A5 G#5 F#5 D5 C#5
A5
6
3
5
D5 A#5
rake 1
19 16
16 19
6 4
6 4
1
1
16 19
G#5
19 16 19
16
19 16 19
16
19 16 19
16
X
19
Gtr. 2
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
P.M.
5
4
2
5
4
0 0
7 5
6 4
6 4
X X X P.S.
1
16
19
19 17
C#5 A5
7 5
8 6
6 4
7 5
Guitar Solo Gtr. 3 tacet
A#5
Gtr. 1
P.S.
B5 A#5 G#5 E5 D#5
X X X
8 6
8 6
A#5
8 8 6
E5
0
8
8
8
6
7
8
6
8
B5 A#5 G#5 E5 D#5
8 8
6 6
E5
6
7
8
6
7
8
6
Gtr. 2
P.M.
7
A#5
6
7
4
6
X X
7
B5 A#5 G#5 E5 D#5
E5
8 6
8 6
P.M.
7
A#5
6
7
4
D5 A#5
6
1
8
6
8
I
7
C#5 A5
If
X X
w/ bar
18
8
18
18
18 18
18
-1/2 -1
-1 -1 1/2 -2
8 6
8 6
P.M.
7
6
4
7
6
X X
7
8 6
8 6
7 5
8 6
6 4
7 5
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus Gtr. 1 tacet
F#5
G5
win
a
-
F#5
w/ bar
F#5
E5
A5
I’m
still
the
cham
gain,
E5
-
pi
-
F#5
A5
on.
And
if
you
grad. dive
18
-2 slack
Rhy. Fig. 3
4 2
4 2
X X
5 5
4 4
2 2
4 4
2 2 0
2 2 0
2 0
X X
4 2
X X X
2 2 0
End Rhy. Fig. 3
Gtr. 2: w/ Rhy. Fig. 3 (2 times)
F#5
win,
ha,
that’s
F#5
play
for
B5
play
4 2
4 2
im
G5 F#5 E5 F#5
I
G5 F#5 E5 F#5 E5
win;
just
I don’t
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
X X
5 3
4 2
0
4 2
0
A5
-
pos
7 5
-
E5
don’t
play
for
your
7 5
A#5
C#5 A5
7 5
8 6
I
E5
6 4
9 7
7 5
F#5
don’t
A5
soul.
all.
A5
si - ble!
it
F#5
A5
play for
D5
Gtr. 2
F#5 E5
keeps;
to
G5 F#5 E5
I
don’t
I
play
for
blood.
P.M.
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
Guitar Solo
Gtr. 1
F#5
E5 A5 F#5
C5
B5
F#5
C5
B5
P.S.
1
16 16
16 16
14
X X
16
XX 00
Riff B
Gtr. 2
P.M.
2
2
F#5
2
2
0
5
2
2
E5
14
16
3
A5 F#5
1/2
E5 A5 F#5
14
17
14
3
3
3
2
2
2
3
2
2
B5
2
2
0
F#5
5
2
2
3
3
3
2
2
2
2
E5 A5 F#5
E5
G5
1/2
14 16
C5
2
16
16
14
16
16
14
16
14
16
14
16
14
16
14
16
15
14
16
14
16
14
17
End Riff B
2
5
2
P.M.
2
2
2
0
2
3
3
3
3
2
2
2
2
2
X X
2
2
0
5
2
Gtr. 2: w/ Riff B
F#5
E5A5 F#5
Gtr. 1
C5
17
14
3
16
14
B5
F#5
3
let ring
17 16
17
16
14
E5
A5 F#5
17 17
3
16
14
2 0
5 3
C5
17 17
B5
3
16
14
17 16 17
14
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
E5
A5
F#5
C5
6
14
17
14
6
14
14
F#5
14
14
E5
17
A5
14
B5
6
14
14
15
14
F#5
18
15
15
15
6
15
15
15
15
15
E5
18
15
G5
6
7
6
3
16
19
16
16
16
16
16
19
16
16
19
16
17
17
20
17
17
17
17
17
20
17
16
16
Guitar Solo
G#5
Gtr. 3
B5 G#5
Gtr. 1 tacet
D5
C#5
22 19
B5 G#5
1
Gtr. 1
G#5
21
19
19
µ
21
20
16
18
18
16
18
16
18
16
18
17
16
15
16 15
steady gliss.
16 16
16 16
9 9
Gtr. 2
4
4
P.M.
4
12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4
4
4
7
4
4
5
5
5
5
4
4
4
4
4
4
4
7
4
4
5
7
4
5
7
4
5
Gtr. 3 G#5
B5 G#5
D5
C#5
G#5
B5 G#5 µ
16 15
7
16
4
6
6
5
7
7
5
7
6
8
7
19
Gtr. 2
6
6
P.M.
4
4
4
4
7
4
4
5
5
5
5
4
4
4
4
4
4
4
4
7
4
4
5
E5
A5
F#5
4
7
5
4
7
5
4
5
4
7
Gtr. 2: w/ Riff B
F#5
E5 A5 F#5
Gtr. 3
grad. bend
C5
B5
E5 A5 F#5
C5
B5
let ring
1/2
16
F#5
1
16
F#5
C5
16
16
16
B5
F#5
14
E5
17
14
16
A5 F#5
14
E5
14
G5
Oo,
I don’t
6
14 16 17
6
6
14
17 16 14 16 17
14
17 16 14 16 17
14 16 17 14 16 17
1
7
6
14
17 16
14 16 17
14
17 14 16 17
15
17 16 17
14 16 17
19
3
19 17
19
17
13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro-Chorus Gtr. 3 tacet
F#5
E5
F#5
C5
B5
play
Gtr. 3
F#5
for
A5
E5
F#5
C5
B5
keeps,
I
A5
play
for
19
19
4 2
X X X
Riff C
Gtr. 2
4 2
F#5
0 0
0
E5
4 2
X X X
3
3
2
F#5
E5
C5
B5
A5
4 2
0
5
F#5
0 0
3
3
E5 F#5
I
P.H.
1
4
4
2
4
4 2
14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
0 0
4 2
3
don’t
2
Pitch: D# Gtr. 2
5
3
semi-harm.
2
8va
3
blood.
Gtr. 1
E
P.M.
0
3
3
2
0
4
4
5
4
2
4
2
4
3
2
4
3
2
X X X
X X X
X X X
X X X
Gtr. 1 tacet
F#5
E5
F#5
C5
play
Gtr. 2
4 2
0
F#5
blood.
Gtr. 3
0 0
E5
4 2
X X X
3
3
2
F#5
C5
F#5
14
19
17
14
17
soul,
4 2
0
5
B5 A5
F#5
19
17
14
17
14
0 0
X X X
4 2
A5
play
for
B5
I
14
C5
3
3
F#5
19
E5
your
17
Gtr. 2
A5
for
B5
2
5
I
don’t
14 17
17 17
16
16
14
14
16
14
17
14
17
14
17
16
14
End Riff C
4 2
0
X X X
4 2
X X X
3
3
2
E5
5
2
4
5
5
2
2 4
4
2
C5
5
4
4
6
4
2
X X
X X
Gtr. 3 tacet
F#5
C5
play
Gtr. 3
16
4
Gtr. 2: w/ Riff C
F#5
3
3
to
B5 A5
win,
F#5
E5
F#5
I
play
B5
A5
for
16
15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
E5 F#5
E5
C5
B5
A5
F#5
E5 F#5
blood.
I don’t
Gtr. 1
17 17
17
14
14
19
14
17 17
14
17
14
14
19
14
1
14
17
17
Gtr. 1 tacet
F#5
E5 F#5
C5
play
F#5
E5
for
it
F#5
all,
I
17
B5 A5
C5
B5 A5
F#5
E5 F#5
play
for
blood.
F#5
Spoken:
16
I
play
for
blood.
16
14
17
6
3
14
14 16 17 16 14
17 16 14
16
6 3
5
16 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2
4
5
2
2 4
5
Gtr. 2
4
3
16
1
17
Gtr. 3
B5 A5
Gtr. 3
C5
4
2
4
4
6
4
2
5
4
2
4 2
µ
16
4 2
16
14
from Megadeth - The System Has Failed
Shadow of Deth Words and Music by Dave Mustaine D5
A5 5fr
13
C5
G5
Eb5
5fr 13
Eb5/Bb
13
B5
13
A5II
13
E5
F5
Ab5
7fr 13
1
13
4fr 13
C5 VIII
6fr 113
Bb5 6fr
13
Bb5
8fr 13
B5
VI
6fr
13
G5
VII
7fr
13
X
10fr
13
13
Intro Moderately q = 104
µ
D5
B5
C5
C#5
D5
B5
C5
C#5
D5
B5
C5
C#5
D5
B5
C5
C#5
Spoken: Auxilium meum a Domino.
*Gtr. 1 (dist.)
Rhy. Fig. 1
P.M.
f
5 3
2 0
End Rhy. Fig. 1
3 1
4 2
5 3
2 0
3 1
4 2
5 3
2 0
3 1
4 2
5 3
2 0
3 1
4 2
*7-str. elec., doubled throughout; 7th str. tuned to low B.
Verse Gtr. 1: w/ Rhy. Fig. 1 (10 times)
D5
The
B5
C5
C#5
D5
Lord
is
my
shepherd;
D5
B5
C5
to
lie
down
C#5
B5
C5
D5
B5
C5
in
green
pastures.
C#5
D5
B5
C5
I
shall
not
want.
C#5
D5
B5
C5
C#5
D5
B5
C5
C#5
He
maketh
me
C#5
D5
B5
C5
C#5
He
leadeth
me
beside
the
© 2004 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5 Gtr. 3 (dist.)
A5
C5
f
still
*Gtr. 2
waters.
He
restoreth my
soul.
10
12
He
leadeth
me
in
the
paths of righteousness
for
His
name’s
f
10
*Synth. arr. for gtr.
G5
D5
A5
sake.
Yea,
though I
walk
10
through the valley of
10
13
the
shadow of death,
13
12
C5
I
will
fear
no
evil:
Eb5
D5
for Thou art
me.
Thy
12
10
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
with
rod
and
thy
staff,
they comfort me.
Thou
11
10
preparest
a
10
table
A5
C5
G5
before me
in
the
presence
of
mine
enemies.
Thou
anointest
my
12
15
head with
oil;
12
10
Bb5
my
cup
runneth
F5
Ab5
over.
Surely
10
goodness
and mercy
shall follow me
11
13
the days
of my
life,
and
Lord
13
C5
the
the
Gtr. 2 tacet
D5
of
will dwell in
11
house
I
Bridge
Eb5/Bb
all
forever.
Gtr. 2
6
5
5
6
Gtr. 4 (dist.) divisi
Gtr. 4
6
5
6
5
f
11
10 7
7
7
7
7
7
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B5
Bb5
A5 II
G
3 fr
7
7
7
6
5
5
7
6
7
7
B5
Bb5
6
8
6
5
6
7
A5 II
6
7
7
5
7
5
6
7
7
7
5
5
7
7
6
5
3 fr
6
7
7
A5
5
C5 VIII
6
6
7
7
Half-time feel E5
G
C5
D5
6
8
6
5
7
6
5
7
5
5
7
Bb5 VI
B5 VII
G5 X
9
9
8
7
9
7
8
E5
8
9
9
7
9
8
7
C5 VIII
9
9
9
8
7
7
9
8
9
9
A5
8
Bb5 VI
10
8
7
B5 VII
8
9
G5 X
9
9
8
7
9
7
8
D5
8
9
9
7
9
8
7
C5
9
9
9
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8
7
9
7
8 9
9
8
10 8
7
9
8
7
9
7
7 19
19
18
17
19
17
18 19
19
18
17
19
18
17
B5
Bb5
G
D5
3 fr
A5 II
Gtr. 5 (dist.)
f
19
19
19
18
17
19
17
Gtr. 4 divisi
18
18
19
19
20
18
17
18
18 19
19 19
*
17 18
18 19
17 17 20 18
17 20 18 19
*Gtr. 4 to left of slashes in tab. (next 3 meas.)
C5
B5
17 18
18 19
19 19
17 18
17 20 18 19
17 18
17 20
Bb5
End half-time feel G
A5 II
3 fr
18 19
18 19
19 19
17 18
17 17 20 18
17 20 18 19
19
19
18
20 18 17
19
18 17
19 17
Outro Gtr. 1: w/ Rhy. Fig. 1 Gtrs. 3 & 5 tacet
Gtr. 4 D5
B5
C5
C#5
D5
B5
C5
C#5
D5
B5
C5
C#5
D5
B5
C5
C#5
C5
B5
19
19
Gtr. 4 tacet
D5
B5
C5
C#5
D5
B5
C5
Gtr. 1
D5
B5
C5
2 0
3 1
C#5
D5
C#5
4 2
5 3
4 2
3 1
2 0
Play 5 times
P.M.
C#5
5 3
2 0
3 1
4 2
5 3
2 0
3 1
4 2
P.M.
5 3
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - United Abominations
Sleepwalker Words and Music by Dave Mustaine Bb5 Intro Moderately q = 120 * Em
6fr
G/B
Gtr. 1 (clean)
w/ chorus let ring
2
0
0
0
0
mf
Cmaj7
134
let ring
0 2
0
0
0
0
0
A7(no3rd)
let ring
3
2
0
0
0
Fsus2
let ring let ring
2
0
2
0
2
0
3
*Chord symbols reflect implied harmony.
Em
G/B
let ring
2
0
0
0
0
let ring
0
G/B
let ring
0 0
2
0
0
0
2
Em
let ring
0
0
0
2
0
0
0
Cmaj7
0
let ring
0
0
2
3
Cmaj7
0
let ring
0
0
2
3
0
0
A7(no3rd)
0
let ring
2
2
0
0
0
2
let ring
3
2
**Csus4
2
0
F#5
2
A7(no3rd)
G5
0
let ring 2
3
0
**Bass plays C.
Em
*** Bsus4b6
let ring
2
0
0
0
0
0
let ring
0
0
0
4
0
C#m7b5
let ring
0
0
0
0
0
Cmaj7
let ring
0
0
4
0
G5
F#5
3
2
0
3
***Bass plays B.
Bb5
†Gtr. 2 (dist.)
mf
P.M.
8 8 6
8 8 6
†Doubled throughout
8 8 6
8 8 6
8 8 6
8 8 6
†† P.M. 8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
8 8 6
††Gradually lift P.M.
© 2007 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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1.
Faster q = 132 E5
P.M. 0
0
0
0
Bb5
0
0
0
0
0
0
0
0
0
0
0
Faster q = 177
2.
3
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
8 8 6
0
= 3
__
( jjq = iiq ) Gtr. 3 (dist.)
mf
Gtr. 4 (dist.)
Bb5
3 Riff A
Gtr. 2
P.M. 0
0
0
0
0
0
0
P.M.
0
0
0
3
0
10
0
P.M.
7
0
0
0
9 7
0
8 6
0
0
0
P.M.
9 7
0
0
0
0
0
0
0
0
0
3
3
3
3
E5 F#5 E5 F#5 G5 F#5 E5 F#5
Gtr. 2
P.M.
2
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
-
3
2
0
2
0
2
3
2
0
lect from jail for the time - ly dis - ap - pear - ance each
3 3
E5 F#5 E5 F#5 G5 F#5 E5
3
1. I should be call - ing col force your un 2. I get to 4., 5., 7. See additional lyrics
Sorgdal
7
3
0
5
7
8 8 6
0
3
0
P.M.
3
0
End Riff A Play 4 times
0
0
8 8 6
0
Verse
F#5
P.M.
5
8 8 6
0
mf
3
3
3
Bb5
Gtrs. 3 & 4 tacet
3
2
2
F#5
E5 F#5 E5 F#5 G5 F#5 E5
things
I
night
in
3 3
3
2
2
0
2
0
2
3
2
0
2
com - mit each night my dreams, when I’m
3 3
3
2
0
2
0
2
3
2
0
F#5
E5 F#5 E5 F#5 G5
fast
P.M.
in a
head. sleep.
my -
2
2
E5 F#5 E5 F#5 G5 F#5 E5
3
I
Like last close my eyes
3
3
2
F#5
0
2
0
2
2
0
in
my and
a - gain, when I’m
2
0
2
3
6
9
7
9
2
7
2
3
to
the
3
9
7
9
7
you,
but soon as I
3 3
3
2
0
2
0
my whole
lit wide
2
3
2
0
tle
bed. world.
3
8
9
F#7(no3rd)
in
7 9
0
3
7
2
I got to snuff just van - ish
3
safe dead
3 3 3
9
sleep you
Gtr. 4
F#6
up head
night
E5 F#5 E5 F#5 G5 F#5 E5
3
3
woke my
3
P.M.
2
F#5
3
F#(b6)
I down
5 3
2
3
then lay
F#5
3
9
9
9
7
9
7
9
9
7
Gtr. 2
3
3
3
3
P.M.
2
0
4
2
2
0
2
0
3
3
1
5
2
3
2
0
2
0
3
2
2
2
0
2
0
2
2
0
Interlude Gtr. 2: w/ Riff A (4 times) Gtr. 4 tacet
E5
No
one
3
E5
is
Bb5
3
I
come
to
take
your
safe
3
when
I
E5
Bb5
close
Bb5
my
eyes.
E5
Bb5
life.
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
F#5
E5 F#5 E5 F#5 G5 F#5 E5 F#5
3
3., 8. And 6. I’m
Gtr. 2
P.M.
2
2
3
then I wake call -ing down the thun
3
up
a - gain der,
-
2
2
2
0
2
3
2
0
G5 A5 G5 A5 Bb5 A5 G5
2
and The
P.M.
3 3
3
3
0
2
0
2
3
2
ev - ’ry - thing an swer
5
5
3
5
3
5
6
5
3
7
G5 A5 G5 A5 Bb5 A5 G5
5
3
all sleep
just with
a the
3 3
3
5
5
3
5
3
5
6
5
3
of
3
same. my
wish
the
3
-
es. (Sleep
-
P.M. 3
7
7
5
7
5
3
7
8
7
*Sung as even eighth-notes.
3
B5
is all
to
0
** Voc. Fig. 1
2 5
3
*
dream, fish - es.
A5 B5 A5 B5 C5 B5 A5
3
3
2
B5
A5
and it was then you’ll
3
0
3
A5
E5 F#5 E5 F#5 G5 F#5 E5
3
3
3
0
2
5
3
0
3
2
3
3
0
2
3
0
**Refers to downstemmed voc. only.
Chorus
F#11
3
1., 3. Did I give you 2. See additional lyrics walk - er.
con
F#11/E
-
crete
F#11
shoes
and
throw you
3
off
of
a
bridge?
When I
Voc. Fig. 2
End Voc. Fig. 2
Rhy. Fig. 1
3
let ring
0 3 4 4 2
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
Sleep -
3
(Sleep - walk - er.
Sorgdal
F#11/E
0
3 4 4 0
Sleep - walk - er.)
3
0 3
3
0
3
0 3
3 4 4 2
0
3
3 4 4 0
3 0 2
0
3
To Coda 2 1st & 2nd times, Bkgd. Voc.: w/ Voc. Fig. 2 3rd time, Bkgd. Voc.: w/ Voc. Fig. 2 (till fade)
F#11
Aadd9
3
lay down
to
3
sleep,
pray your
3
soul’s mine
to
Bsus4
To Coda 1
D%(no3rd)
keep.
I
feel
you’re
near
End Voc. Fig. 1
me.
walk - er.)
3
0
3
3
let ring
0
0
6
7 7 5
End Rhy. Fig. 1
let ring
0
0
3 4 4 2
let ring
3
3
let ring
0
0
9 9 7
0
12 12 10
Guitar Solo Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
F#5
E5 F#5 E5 F#5 G5 F#5 E5 F#5
*Gtr. 5 (dist.)
E5 F#5 E5 F#5 G5 F#5 E5 F#5
1
3
mf
E5 F#5 E5 F#5 G5 F#5 E5
3
3
3
3
let ring
3
3
3
1
17
17
14
11
17
14
17 14 17
17
17
14
17 14
17
14
17
14
16 14
16
16
16
16
14
13
16
*Glen Drover
Gtr. 2
P.M.
2
2
3 3
3
2
2
0
2
0
2
3
2
0
2
Riff B
3 3
3
2
2
0
2
0
2
3
2
0
2
3 3
3
2
0
2
0
2
3
2
0
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
E5 F#5
µ
Spoken: Sleep
3
14
-
2
2
16 15 14
16
16
3
12
16
14
17
2
2
14
17 14
3
3
14
17
16
14
17 14
16
17
14
3
3
2
2
0
2
0
2
3
2
0
2
17
E5
Gtr. 5
3
F#5
E5
3
F#5
G5
F#5
3
E5
F#5
3
3
17
16
17
16
14
17
17
14
17
17
19
3
2
E5
17
19
19
19
14
17
3
3
19
19
1/2
3
1/2
14
3
17
17
Gtr. 2: w/ Riff B
F#5
3
3
P.M.
4 2
0
1 1/2
2
3
3
3
P.M.
E5 F#5 E5 F#5 G5 F#5 E5
Gtr. Riff 2 B End
F#5
walk - er.
14 16 14
E5 F#5 E5 F#5 G5 F#5 E5
3 let ring
F#5
0
2
0
2
3
2
F#5
0
µ
19
19
Interlude Gtr. 3: w/ Riff A (4 times) Gtr. 5 tacet
E5
Spoken: Just Rhy. Fig. 2
Gtr. 2
Bb5
E5
a
stroll.
tak - ing
Bb5
Don’t
go
to End Rhy. Fig. 2
2 2 0
8 8 6
2 2 0
8 8 6
D.S. al Coda 1 (take repeat) Gtr. 2: w/ Rhy. Fig. 2
E5
sleep!
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Here’s some
tooth - picks
Bb5
3
for
your
E5
eyes.
Bb5
Coda 1
Interlude ( iq = iq )
µ
Riff C
End Riff C
P.M.
4
3
2
1
0
3
2
1
3
2
1
0
5
4
3
2
4
3
2
1
0
3
2
1
3
2
1
0
5
4
3
2
Gtr. 2: w/ Riff C (3 times)
Play 3 times
Guitar Solo
F#5
*Gtr. 6 (dist.)
F#5
C5
3 19
14
17 14
17
17
19
14
X X
*Dave Mustaine Riff D Gtr. 2
G5
17
P.M.
0
2
2
0
2
2
0
2
14
19
14
17 14
14
19
14
17
0
3
3
3
2
2
5
3
14 17 16 14
14 17 16 14
14
0
2
0
3
2
2
0
2
14
0
2
5
2
19
0
17 16 14 17 17 16 14 17 17 16 14
P.M.
17
14
14
F#5 G5 6
17
2
0
2
0
3
3
3
0
2
2
0
16
2
17
14
0
2
16
16
0
2
2
0
2
2
16
14
3
3
A5
14 14
0
3
X X
0
14
G5
14
17
F#5
16 16
17
2
5 5 3
16 16
X X
14
End Riff D
7 7 5
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Riff D
F#5
Gtr. 6
G5
F#5
C5
19
19
19
17
14
17
14
17
14
17
17
3
grad. release
1
17
14
17
G5 F#5 G5 A5 F#5
Gtr. 6
3
14
5
3
17 14 17
17 16 14 14 16 17
Gtr. 5
14 16 14
6
17 16 14 16 17 16
16 14 16 15 14
16
14
14 16 15 14 14 15 16
14
16 16 15 14 16
14 16
X X
X X
Guitar Solo
A5 Gtr. 5
1/2
17 18 17
17
Gtr. 6
Gtr. 6 tacet
Bb5
A5
17
16 17 16
C5
18 21
18
A5
Bb5 B5 Bb5
17 18 17
19 18
17
19 18 19
18 18
20 17 20 19
19
steady gliss.
14
14
Gtr. 2
5
5
5 5
5
P.M.
5
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 5 5 5
5 5 5
6 6 6 6
5
5 5
5
5 5 5
8
8 8 8
5
5
5
5 5
6
7
6 6
Gtr. 5 A5
Bb5 C5
A5
Bb5
A5
20 20 19 17 20 19 17 19
16
3
C5
17 19 17
17 16 17 19 20
20 19 20
17 19 20
17 18
17
20 19 20
17 18 19
17
17 17 17 17
20
Gtr. 2
5
5 5 5 5
P.M.
5
8 6
10 8
5
5
5
P.M.
10 8
5
5 5 5 5
5 5 5 5
6
Bb5
7
17 18 17
6
5
5 5 5
5 5 5 8 8 8
A5
6
5
6
20 18
17
A5
20 18 17 20 18 17
19
18 17
G#5
5
19 18
17
19 18
19 18
20
17
18
19
18
18
5
5
5
5
5
5
P.M.
5
5
5
5
5
5
6
20
6
6
6
8
5
5
5
7 5
6 4
D.S. al Coda 2 (no repeat) Interlude Gtr. 5 tacet
µ
F#5 µ
Play 3 times
7. Well,
Gtr. 2
P.M.
4
3 2
1 0 3
2
1 3
2
1 0 5
4
3
2
4
3 2
1 0 3
2
1 3
2
1 0 5
4
3 0
4 4 2
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda 2
Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 2: w/ Rhy. Fig. 1 (last meas.)
D%(no3rd)
F#11
near
Gtr. 2: w/ Rhy. Fig. 1 (till fade)
me.
Or
F#11/E
ly - ing
na - ked
in
did
I
tell you
a
ditch?
was
Aadd9
in
3
mov - ies
an - oth - er
then
dump you
gar -
Bsus4
*
Ev - ’ry - day
F#11 3
I
F#11
3
rot - ed
F#11/E
3
3
way.
I
know you
can
*Sung as even eighth notes.
Bkgd. Voc.: w/ Voc. Fig. 1
D%(no3rd)
hear
F#11
Did
I
buy
you
the
farm?
Riff E
Gtr. 4
3 3
2
F#11
Put
P.M.
2
2
2
2
a
2
2
2
2
2
2
2
0
0
2
2
2
0
3 3
0
When I
0
0
0
lay
down
3
0
0
0
0
0
0
0
0
2
to
2
0
0
3
sleep,
pray your
0
0
3
3 3
3
F#11
3
bed.
0
head in your
3
2
2
3
3
2
2
horse
3
2
F#11/E
3
P.M.
me.
F#11/E
3 3
3
2
2
2
2
2
2
2
2
Bkgd. Voc.: w/ Voc. Fig. 1
Aadd9
3
soul’s mine
to
keep.
D%(no3rd)
I
feel
you
near
me.
End Riff E
P.M.
5
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bsus4
5
3 3
3
5
5
5
5
5
5
5
5
7
7
3
3
7
7
7
7
3
7
7
7
7
10
10
3
3
3
10 10 10 10 10 10 10 10
Gtr. 4: w/ Riff E (till fade)
F#11
F#11/E
F#11
3
Ev - ’ry - day,
ev - ’ry
F#11/E
-
day
an - oth - er
3
way.
When I
Bkgd. Voc.: w/ Voc. Fig. 1
F#11
lay
Aadd9
3
down
to
sleep,
pray your
3
Bsus4
3
soul’s mine
to
keep.
D%(no3rd)
3
I
know
you
can
hear
3
me.
Begin fade
F#11
F#11/E
F#11
F#11/E
Bkgd. Voc.: w/ Voc. Fig. 1
F#11
Aadd9
F#11
Bsus4
F#11/E
F#11
D%(no3rd)
F#11/E
2nd time, Fade out
Bkgd. Voc.: w/ Voc. Fig. 1
F#11
Aadd9
Bsus4
D%(no3rd)
Additional Lyrics
4.
You always make an excellent cadaver. I roll up your body in a carpet to make music in the Trunk of my limousine, wrapped up in a rug. A fitting end is that I send you up the river like a punk.
5.
The angel of death is pissed off at me again Just because I got to put you out of my misery. It doesn’t matter, I am without fear. Now that you’re dead I won’t shed another bloody tear for you.
Chorus 2:
7.
Sleepwalker - Did I tell you I was in movies? Then dump you garroted, lying naked in a ditch. Sleepwalker - Everyday, another way. I know you can hear me. Well, I think you’d look nice in a Columbian necktie. Should stop your tongue from wagging the dog. No more stupidity from you as I pull your tongue through For a smile from ear to ear. Now there’s nothing to hear.
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - The System Has Failed
Something That I’m Not Words and Music by Dave Mustaine
Verse Moderately q = 92
** F#5
1. Your
mind
*Gtr. 1 (dist.)
tells
Riff A
P.M.
mf
you that
you’ve
lost your
P.M.
4 2
*Doubled throughout
2
2
con - fi -dence.
End Riff A
You’re
P.M.
4 2
2
0
0
2
P.M.
4 2
2
2
4
2
2
2
0
0
2
2
**Chord symbols reflect implied harmony.
Gtr. 1: w/ Riff A (5 times)
drift - ing and
left
to be
proud
be - lieve
of.
in an
-
y - one.
do
this
To
lose
what
lit
a - gain,
you have
End Riff B
P.M.
2
P.M.
4 2
tle
ow. Riff B Gtr. 1
-
3
A - fraid you can’t
you don’t
2
P.M.
4 2
2
0
0
2
2
2
2
Gtr. 1: w/ Riff A (5 times)
You
said
that
in
noth
-
ing
come
© 2004 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
be - tween
us
and
the
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff B
way
of
get
-
ting
things we
un - der
its
Gtr. 2 (dist.)
in - flu
-
Gtr. 1: w/ Riff A (3 times)
want - ed
done.
Then
ence
un - til
your
End Fill 1
en - is
-
so - pho - bi - a held you
you com - pro - mised
Fill 1
style.
0 0
0 0
0 0
0 0
0 0
pp
*w/ wah-wah
0 0
0 0
0 0
0 0
*+ = closed (toe down); = open (toe up).
Fill 2 Gtr. 1
End Fill 2
P.M.
P.M.
4 2
4
2
2
2
0
0
2
2
2nd time, Gtr. 3 tacet
E5 F#5
E5 F#5 E5 F#5
E5 F#5 µ
G5 A5 G5 A5 G5 A5
0 0
0 0
0 0
0 0
0 0
0 0
2
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
2
0
2
B5 A5 B5 A5 B5
0 0
0
2
X X X X X X X X X
2
8
4
5
1/2
4
3
A5 B5
1
0 0
0
G5 A5
mf
Sorgdal
let ring
Interlude
2
3
5
3
5
3
5
3 4 3
5
7
5
7
5
7
5
7
5
7
5
6
5
Chorus
C5 D5
C5 D5
E5
2. Un
F#5
-
7
thing
a - bout you no vi - sion
I’m
9
11
11
11
11
10
8
10
10
12
10
10
12
11
4
10
A6[no 3rd]
has been to my -
do
11
now ev - er make
P.M.
2
4
2
11
self,
11
4
2
4
2
that the well’s run met - al, bud - dy;
2
0
2
A6[no 3rd]
P.M.
2
2
3
P.M.
4
2
F#5
What will you You did - n’t
11
2
one big cha - rade. lest you for - get.
Riff C
P.M.
8
11
-
1
9
1. Ev - ’ry you,
like
1
D5 E5
dry? met - al
To To
made you. 1. (Cry?)
Fill 3
End Fill 3
ppp
11 11
11
11
11
11
11
11
11 11
11
11
11
11
11
11
End Riff C 3
11 11
11
11
11
11
11
11
3
3
P.M.
0
4 2
0
P.M.
4 2
0
P.M.
4 2
0
P.M.
4 2
0
P.M.
4 2 0
4 2 2
P.M.
4 2 2
P.M.
4 2 2
4 2
P.M.
P.M.
2
4 2 0 2
0
4
2
0
P.M.
4 2
0
P.M.
4
2
0
P.M.
4 2
0
4 2 0
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
T o Coda Gtr. 2 tacet
sell out crush
F#5
all your friends and run o -
and ev - ’ry
ver
A6[no 3rd]
stab them in the back. one a - long the way.
G#7[no 3rd]
It’s
Gmaj7[no 3rd]
some - thing that
you are,
it’s
Fill 4
Gtr. 1
3
4 2
4 2
P.M.
2
P.M.
4 2
P.M.
4 2
2
2
P.M.
4 2 2
4 2 0 2
0
P.M.
0
End Fill 4
3
P.M.
4 2
0
P.M.
4 2
0
P.M.
4 2
0
P.M.
4 2 0
4 2 4
P.M.
P.M.
4 2
4 2
4
4
3
P.M.
4 2 3
3
Verse Gtr. 1: w/ Riff A
Gtr. 1: w/ Riff B
F#5
some - thing
that I’m
not.
Gtr. 3 (dist.)
Gtr. 1: w/ Riff A (3 times)
F#5
2. When you
forced
me
in
-
to
do - ing
mp 11
Gtr. 1: w/ Riff B
what you loved,
mark my
words,
no
one loves you
ver - y
much.
And when you
(Yeah, mark ’em.)
11
11
9
9
Gtr. 1: w/ Riff A (3 times)
8
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
to
change
me
and
tried
to
8
7
re - place
me,
I,
I
could - n’t
4
help
but end
just
tried
hat -
Gtr. 1: w/ Riff B
ing
you.
Gtr. 1: w/ Riff A (3 times)
Be - ing
a
fraud
can
on
-
ly
last
(Mm.
4
so
long, You should
till know.
what
you
sensed
as
4
4
7
7
Gtr. 1: w/ Riff B
Spoken: You
a
child
re - turns.
Gtr. 1: w/ Riff A (3 times)
lit - tle
ba
-
To
choke
out
7
9
the
voice
that
told
you
by.)
7
9
D.S. al Coda
mon - ey
and,
uh, fame
would fill
the
cra - ter
for
that
you
dug
Gtr. 1: w/ Fill 2 Gtr. 2: w/ Fill 1
your - self. (Yeah.)
10
10
11
11
16
16
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
Gtr. 1: w/ Riff C (3 times)
F#5
that I’m
not.
some - thing
15 ma
A
stran - ger
to
your - self,
you had
to
1
fdbk.
12
Gtr. 3
1/2
12
12
12
Pitch: D#
Gtr. 1
P.M.
P.M.
4 2
2
2
2
2
4 2
2
0
0
2
0
Gtr. 3 tacet
A6[no 3rd]
piss me off
a - gain.
I won’t be
by your
12
needs
Gtr. 2 divisi
1/2
12
driv -en Gtr. 3
Gtr. 3
F#5
pp
12
9
an - y - more.
9
to
do
or
be?
Gtr. 2
mf
9
9
clear
Gtr. 3
11
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
11
11
11
11
11
11
11
to
see
9
9
1
9
12
10
Gtr. 1: w/ Fill 4
A6[no 3rd]
It’s
we come
9
What did
Gtr. 2: w/ Fill 3
F#5
A6[no 3rd]
for me,
it’s
G#7[no 3rd]
some - thing that you are,
1/2
13
Gmaj7[no 3rd]
13
Guitar Solo
F#5
E5
C5
some - thing
that
Gtr. 4 (dist.)
B5 A5 G5
I’m
C5 B5 Bb5
not.
3
X X
X X
X X
5 5
P.S. X X 4 5
mf
Gtr. 3
F5
4 4
3 3
1 1/2 1
12
12
Gtr. 1
3
2
0
G5
P.M. 3
2
2
C5 B5 Bb5
3
3
2
0
3
X
F5
3
1
G5
3
1
P.M.
5 3
C5
4 2
3 1
Bb5
B5
3 1
3 1
1
Bb5
0
4 4
3 3
X X
2 2 0
2
F5
1
P.S.
5 5
1
5 5
1
4 4
3 3
3
5
3
5
5
12
3
1
3
1
5 3
4 2
3 1
Riff D
P.M.
3 1
3 1
1
0
1
2
3
1
3
1
5 3
X X
3 1
4 2
X X
3 1
End Riff D
1
0
1
2
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff D (5 times) Gtr. 3 tacet
3 3 3 G5
C5 B5 Bb5
F5
G5
Gtr. 4
C5 Bb5 B5
Bb5
F5
G5
3
C5 Bb5 B5
Bb5
F5
3
3
P.M.
P.M.
3 3
P.M.
5 5
5
3
G5
X 5 X 5
3
C5
1/4
Bb5 B5
3
3
3
3
5
3 3 X 5 X 5
Bb5
F5
3
3
4 5
5
4
3
Pitch: F
E
Eb
3
3
4 5
5
4
5
5
3
3
4 5
C5
Bb5
3
3
5
5
G5
3
P.H.
5
3 3
5
3
B5
3
4 5
5
3
Bb5
5
4 5
5
3
4 5
F5
6
6
6
3
6
3
6
3
0
6
3
0
6
3
0
6
3
3
0
6
3
0
6
3
0
6
3
0
Gtr. 4 6 6 6 6 6 6 6 3 A5
C5
22 17
17
20 17
20
17 17
17 20 17
20
A5
22 17
20
20 17
19
20
20 17 19 17
19
C5
20 17
19
19 17
19
17
20 17 19 17
19 17 19 17 19 17 19 17 19 17 19 17 19
Gtr. 1
5
2
3
4
5
5
2
4
A5
3
4
5
2
3
4
5
2
3
4
5
5
2
A5
4
3
2
3
C5
6
6
6
6
4
17 17 17
15 19 15
17
19
17
15 19 15
17
20 15
17
3
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
5
2
5
4
3
2
3
4
19 15
5
2
17
15 15 17
2
3
4
3
6 3
2
5
3
5
Sorgdal
2
C5
19 15
3
20 19 17 20 19 17 22 20 17 22 20 17
3
20 19 17 20 19 17 22 20 17 22 20
5
2
3
4
5
2
5
4
4
3
2
3
4
5
0
1
2
G5
Bb5
6
18 15
15
0
G5
18 15
15
18 15
15
6
Bb5
17 15
15
18 15
15
6
20 15
15
18 15
15
6
17 15
16
1
2
3
0
3
2
1
0
1
2
3
0
1
2
18 15
16
6
18 15
16
18 15
16
6
17 15
16
18 15
16
6
20 15
16
18 15
16
17 15
0
1
2
0
3
3
2
G5
1
0
1
2
3
0
1
6
6
2
Bb5
6
17
3
Bb5
6
6
6
6 3
18 15
6
3
G5
17
18 15
17
18 15
17
17 15
17
18 15
17
20 15
17
18 15
17
17 15
16
18 15
3
0
1
2
3
0
3
2
1
0
1
2
3
0
1
2
16
18 15
16
18 15
16
17 15
16
18 15
16
20 15
16
18 15
16
17
3
0
1
2
3
0
3
2
1
0
1
2
3
0
4
3
Gtr. 1: w/ Riff A (4 times)
F#5
Gtr. 4
3
6
6
6
0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0
6
6
6
6
2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0 2 0
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3. It
makes me
6 6 6 6 P.S.
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0
2
0 X X X
X X X XX XX XX
Verse Gtr. 1: w/ Riff A (3 times)
Gtr. 4 tacet
F#5
sick
to
hear
you
say
you
love
me.
I
know you
on - ly
love what I
could do
for
you.
X XX
Gtr. 1: w/ Riff B
Gtr. 1: w/ Riff A (3 times)
Gtr. 2
If
you
were
the one
that was
4 5
5
lead - ing
the
charge,
would you
2
2
w/ bar
4 5
-1
Gtr. 1: w/ Riff B
no - tice
if
I missed a
day
We all
Spoken: (But that’s
or two?
Gtr. 1: w/ Riff A (3 times)
*
im
-
2
*Microphonic fdbk., not caused by string vibration.
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
laughed at
the par - o - dies
pos - si - ble.)
X X
10
that
you’d be - come.
Now
your
pain
1/2
1 12
12 10
12
Gtr. 2 tacet
10
slow - ly paid
back
has
be
Gtr. 1
P.M.
1
-
gun.
So ac
P.M.
-
P.M.
10 4 2
2
4
2
2
2
0
0
2
2
0
0
0
0
Gtr. 1: w/ Riff A (3 times)
cept my
res - ig - na
-
tion, or
in
your
words,
“be - tray - al,”
be - fore it
gets much worse.
End this
Guitar Solo Gtr. 2 tacet
F#5
self
-
sab
-
*let ring
14
14
14
Gtr. 4
XXX XXX
P.S.
1
14
**
X X X
16
o - tage.
Gtr. 2
14 14
E#5
*Applies to strings 1 & 2 only.
2
4
3
4
4
**Aggressively slide pick up and off of strings.
Gtr. 1
P.M.
P.M.
2
4
2
2
2
0
0
E5
2
2
D#5
2
2
2
4
3
2
1
7
7
7
7
let ring
4 2
7
7
7
7
5
6
6
6
4
6
9
9
8
9
9
9
9
9
F#5
7
8
8
8
8
E#5
2
4
2
3
4
4
9
9
8
9
9
9
9
9
7
8
8
8
8
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
D#5
F#5
4
4
2
2
4
4
3
2
4
3
2
2
4
7
7
7
7
7
7
7
E5
5
6
6
D#5
4
6
3
let ring
E#5
10
10
11
2
11
6
9
8
9
9
9
9
9
D5
9
9
7
8
8
11
10
10
8
9
7
10
3
7
9
8
rake
7
8
C#5
3
9
10
11
7
10
7
7
9
6
6
6
8
6
6
9
6
Riff E
7
7
7
7
7
7
7
7
5
6
6
6
6
6
5
5
5
5
5
5
5
5
3
4
4
4
4
4
4
Outro-Chorus
C5
8
5
5
7
5
5
8
B5
F#5
Some
- thing
I’m
not,
2
3
4
End Riff E
P.M.
3
12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
3
3
3
3
3
3
A#5
let ring
A5
0
1
2
P.M. 4
4
4
4
4
0
Riff F
P.M.
P.M.
4 2
2
2
2
2
2
3
4
2
Gtr. 4 tacet
some - thing
that
are.
Gtr. 1
Some - thing
I’m
End Riff F
P.M.
P.M.
4 2
you
2
2
2
2
2
5
2
P.M.
4
5
2
2
2
2
2
E#5
P.M.
P.M.
3
2
2
4
P.M.
4 2
2
2
E5
2
2
2
2
5
5
D#5
not.
Gtr. 4
T
T
17
0
14
T
17
0
14
T
17
0
T
17
0
13
T
17
0
13
T
17
0
T
17
0
12
T
17
0
12
17
T
0
17
T
0
11
17
T
0
11
Riff G
Gtr. 1
17
0
End Riff G
9
8
6
6
9
9
9
9
9
9
9
7
8
8
8
8
7
7
7
7
7
7
7
7
5
6
6
Gtr. 1: w/ Riff G (1 1/2 times)
F#5
Gtr. 4
T
17
T
0
14
17
T
0
14
17
E#5
T
0
17
T
0
13
17
T
0
13
17
E5
T
0
17
T
0
12
17
T
0
12
17
D#5
T
0
17
T
0
11
17
T
0
11
19
0
13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff E
F#5
Gtr. 4
T
17
T
0
14
17
E#5
T
0
14
D5
17
T
0
17
T
0
13
T
17
0
C#5
13
E5
T
17
0
17
T
0
12
0
12
A#5
Some
-
thing
0
T
T
T
T
T
T
9 13 0
9 13 0
some - thing
that
T
12 0
T
T
T
8 12 0
8 12 0
9 12 5
you
are.
9
12 5
11
F#5
I’m
not,
9
T
17
0
11
17
0
7
some - thing
I’m
not,
4
4
some -thing
that
you
4
14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Free time
Gtr. 4 tacet
are.
Some - thing
that
I’m
0
7
Gtr. 1: w/ Riff F (4 times)
B5
T
0
T
Ah,
17
14 0 10 14 0 10 14 0 13 0
T
17
A5
D#5
T
17
C5
not,
yet.
Gtr. 1
4 4 2
4 4 2
Sorgdal
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Sorgdal
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Sorgdal
Sorgdal
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Sorgdal
from Megadeth - Countdown to Extinction
Symphony Of Destruction Words and Music by Dave Mustaine
Moderately fast q = 142
F5
*Gtr. 1
P.M.
f w/ dist.
Fade in pre-recording of orchestra tune-up
1
3
1
E5
3 3 1
2 2 0
2 2 0
F5
E5
3 3 1
2 2 0
2 2 0
P.M.
1
3
1
* Two gtrs. arr. for one.
Verse F5
E5
1. You take 2., 3. See additional lyrics
3 3 1
2 2 0
a
mor
-
tal
man,
2 2 0
F5
E5
3 3 1
2 2 0
Gtrs. 1 & 2: w/ Rhy. Fill 1 (on D.S. only)
F5
E5
3 3 1
2 2 0
F5
2 2 0
E5
1
3
1
P.M.
Rhy. Fill 1 Gtrs. 1 & 2
3 3 1
2 2 0
3 3 1
2 2 0
an’
put
him
in
2 2 0
con
-
trol.
2 2 0
2 2 0
1 2
3 4
1 2
© 1992 MUSTAINE MUSIC and THEORY MUSIC All Rights for MUSTAINE MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fill 2 (on D.S. only)
F5
E5
F5
E5
F5
E5
Watch
3 3 1
2 2 0
him
be - come
a
P.M.
2 2 0
3 3 1
2 2 0
2 2 0
1
3
3 3 1
1
2 2 0
god.
2 2 0
Gtrs. 1 & 2: w/ Rhy. Fill 2 (on D.S. only)
F5
E5
F5
E5
F5
E5
(A), watch
3 3 1
2 2 0
2 2 0
3 3 1
2 2 0
2 2 0
Ab5
G5
A5
ple’s heads
roll,
P.M.
0
7 7
6 6
0
0
G5
(With G bass pedal)
5 5
0
Ab5
1
3
1
3 3 1
P.M.
A5
A5
(With E bass pedal)
a
Ab5
5
7
5
G5
0
0
7
4 5
4 7 7
0
Rhy. Fill 2 Gtrs. 1 & 2
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
6 6
3 3 1
2 2 0
0
5 5
2 2 0
7
a
roll,
*
7
5 7
4 5
4 7 7
* Upper note overdub
G5
A5
roll.
5
6
5
5
5
7
5
7 7
8 6 6
0
** Overdub
4 5
5 5
0
divisi
5 7
Ab5
Gtr. 2
4 5
A5
(With C bass pedal)
** * Gtr. 1 5 5
G5
6 6
0
2 2 0
Ab5
A5
a
6 6
2 2 0
7 7
7
peo -
1 2
3 4
1 2
0
7 5 5
7
5
6
5
5
5
7
5
7 7
Ab5
G5
A5
8 6 6
0
8 6 6
7 5 5
7 5 5
0
Chorus E5
5
6
5
5
5
7
5
7 7
7
Just
7 0
7 0
let ring throughout
9 0
D5
the
streets.
(D6)
through
7 7 5
9
7 7
5
4
C
3 0
sway - in’
to
5
4
3
3
8
0
the
Pied
7 0
7 0
7
E5
We
7
0
0
0
0
5
5
like
the
7 0
8
7
7 0
7 0
D5
1
rats
5 3
mar - i - on
E
0
led
3 0
7
2
C5
7 0
3
4
er
7
5
6
dance
6
-
P.M.
5
Pip
E
Gtrs. 1 & 2
D5
D5
7 5 5
9
5
µ
like
G5
Ab5 (With A bass pedal)
4 3
- ettes,
7
7 5
5
6
7
7
1.
the
Sym - pho - ny
of
P.M. 3
7 5
7 5
7 5
7 5
7 7 5
F5 E5
De - struc
7 7 5
0 0 0
-
2 2 0
F5 E5
tion.
3 3 1
2 2 0
P.M. 3 3 1
2 2 0
2 2 0
1
3
1
3
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2.,3.
D5
E5
Sym - pho - ny.
7 0
Gtrs. 1 & 2
P.M.
7 5
7 5
7 5
9
0
3 0
5
7 7 5
7
7
3
3
7
7
0
4
3
7
0
Sorgdal
5
like
the
8
5
7 0
7 0
7 0
7 0
7
8
through
the
streets.
7 7 5
9
7 7
5
4
6
7
E
Pied
8
7
9
6
7
7
5
5
7
5
7 0
7
0
4 7
6
9
5
7
dance
7
6
9
5
5
We
4
7
7
er
-
5
7
Pip
E5
7
4
7
4
D5
Gtr. 4 w/ Fill 1
(Bm)
7 7 5
Gtr. 4
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
9
9
D5
0
rats
Fill 1
4
led
7 7 5
7 5
C5
Just
Gtr. 3
7
7
like
the
8
5
7 0
7 0
7 0
7 0
7
8
7
D5
mar
-
i
-
7
5
on
-
7 7 0
5
5
D5
6
6
C5
7 7 5
4
7
4
5
7
7
9 0
7
7
3 0
5
Sway - in’
to
the
9
0
7
(Bm)
Sym - pho - ny.
7
7
7
7
D5
9
7 7
5
4
5
7
3 0
5
3
3
4
7
7
3
3
to
the
7
0
4
3
A5
of
De
-
7
Sym - pho - ny
0
P.M.
7 7 5
T o Coda
sway - in’
9
7
C5
ettes,
E
3
7 5
7 5
P.M. 7 5
7 5
7 7 5
0
0
7 7
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
Ab5
3
5
A5
struc
G5
-
G5
tion.
0 5
0 5
A5
0 5
5
3
3
5
5
Ab5
G5
A5
(With G bass pedal)
0 5
Ab5
(With E bass pedal)
1/2
5
3
2
4
1
2
5
3
7
0
*
6 6
0
5 5
0
0
0
7 7
0
6 6
0
5 5
0
0
0
7 7
0
6 6
0
5 5
0
0
0
7 7
0
*Staccato (.) = P.M.
Ab5
G5
A5
1/2
3
P.M.
5
7
5 5
0
0
0
grad. bend
5
7
0
5 5
0
0
7
5
7
7 7
0
A5
0
5
7
6 6
0
9
7
5 5
0
0
7 7
0
8v a 3
Ab5
G5
A5
7
0
G5
1/2
1/2
7
6 6
Ab5
7 7
0
A5
6 6
0
G5
1/2
3
Ab5 (With C bass pedal)
Ab5
G5
A5
(With A bass pedal)
3
10
9
11
0
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
6 6
10
9
0
11
10
5 5
13
12
10
13
12
14
0
0
0
12
13
7 7
12
14
0
17
14 12
6 6
13
14
0
20
17 20 17
5 5
19
17
17
17
0
0
0
7 7
Ab5
G5
A5
Ab5
loco
12
10
10
12
12
8v a
15
10
15
12
10
0
0
0
5 5
0
Ab5
10
G5
14
12
10
17
15
16
20 15
16
15
16
6 6
0
15
5 5
0
Ab5
20
19
20
19
15 21
0
0
0
16
22
17
7 7
6 6
0
G5
14
0
A5
0
0
0
Gtr. 3
13
Gtr. 1
0
12
15
6 6
12
14
0
12
14
5 5
15
12
15
12
15
0
0
0
14
12
7 7
20
15
0
0
0
15
7 7
G5
16 12 14 12
7 7
A5
12 13 12
6 6
0
15
5 5
0
15 12
14
12 15
(With a Blues bass-line)
0
0
0
3
1
15
12
7 7
A5
3
12
12 13 15
G5
12
19
16
1/2
12
16
Ab5
Ab5
Gtr. 2 tacet (With C bass pedal)
5 5
15
(With C bass pedal)
20
5 5
0
17 16 17
15
14
14
17
A5
16
A5
loco
15 19 22 19
15
G5
1
19 15
17
6 6
0
Ab5
15
7 7
A5
(With G bass pedal)
12
6 6
0
10
G5
(With E bass pedal)
3
1
12 15
13
1
12
15 12
15 12
14
14
14
0
6 6
0
5 5
0
0
0
7 7
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
Ab5
F5
3 1
1
12
15
12
12
15 12
12
17 17
17 17
D.S. al Coda (take 3rd ending)
E5
F5
E5
2 2 0
3 3 1
3
14
0
6 6
5 5
0
Coda
D5
(Bm)
0
0
0
0
C5
Sym - pho - ny.
7 5
7 5
7 5
5
4
5
7 7 5
7 7 5
4
7
4
5
3 0
3 3 1
2 2 0
Sway in’
to
0
9 7
7 7 5
7
7
5
4
3
3
D5
the
7
Sym - pho - ny
of
0
7 5
7 5
7 5
7 5
3
7 5
7 5
7 5
7 5
7 7 5
2. Acting like a robot It’s metal brain corrodes Try to take it’s pulse Before the head explodes, explodes, explodes, ah... 3. The earth starts to rumble World powers fall Warring for the heavens A peaceful man stands tall, tall, tall...
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
De - struc
-
3 3 1
2 2 0
2 2 0
3 3 1
2 2 0
2 2 0
7 5
P.M.
0 0
7 7 5
1
F5
P.M.
Additional Lyrics
8
2 2 0
7
2 2 0
tion.
1
from Megadeth - The System Has Failed
Tears in a Vial Words and Music by Dave Mustaine Am(add9) 5fr 31
Intro Free time
Verse Moderately q = 126 **Am
µ (A5)
(sound effects) 1 sec.
Gtr. 1 (elec.) 1 sec.
Gtr. 2 (elec.) divisi
pp
mf
5
5
5
2
2
2
-1/2
mf
5 7
*Composite arrangement
too con
-
E/A
Pitch: B ***Applies to Gtr. 1 only.
P.M.
0
0
P.M.
4 5
4 5
0
0
2 3
I
could walk
a - way
5 2
5 7
5
P.M.
fdbk.
2
4 5
***fdbk.
Riff A
0
A7sus2
How
5
Am
fus - ing.
0
**Chord symbols reflect overall harmony.
F/A
all
P.M.
w/ dist.
seem
w/ bar
*Gtrs. 3 & 4 (elec.)
1. This may
w/ bar
w/ dist.
mf
w/ dist.
pp
A7sus2
P.M.
0
0
2
E
P.M.
2 3
0
1 2
P.M.
0
0
P.M.
1 2
0
5 7
© 2004 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
P.M.
0
0
P.M.
5 7
0
4 5
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Asus4
from some - thing so
A7sus2
But you see
5
Am
rare?
Gtrs. 1 & 2 tacet
E7
it
all
5
2
Pitch: B End Riff A
P.M.
P.M.
P.M.
Fill 1A Gtr. 4
End Fill 1A
0
4 5
0
7 7
0
0
7 7
0
7 6
0
Fill 1 Gtr. 3 divisi
P.M.
End Fill 1
let ring
4 5
Gtrs. 3 & 4
0
7
6
0
7
7
6
5 7
P.M.
0
0
P.M.
5 7
4 5
0
Gtrs. 3 & 4: w/ Riff A
got
F/A
too
-
de - mand
ing,
E/A
Am
yeah,
A7sus2
and
I
just
did - n’t
care.
I
just
Gtrs. 3 & 4: w/ Fills 1 & 1A
did - n’t
-
care,
Sorgdal
if
I
0 0 0
0 0 0
P.M.
5 7
0
want
oo,
-
P.M.
4 5
0 0 0
0 0 0
but
0
I
Late -
Am
not, nn, want -ing you.
0 0 0
Am
cared.
P.M.
2 3
E/A
P.M.
4 5
if
F/A
ing,
E7
cared,
I’ve been left
P.M.
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
A7sus2
ly
2
Gtr. 3 & 4
5 7
Asus4
0 0 0
At - trac -
P.M.
2 3
0
P.M.
1 2
0 0 0
0 0 0
P.M.
1 2
0
5 7
-
tion
that
P.M.
5 7
0 0 0
once
Riff B
A7sus2
was
5 7
0 0 0
0 0 0
A7sus2
P.M.
0
0
0
0
0
tak
5 7
when the
P.M.
1 2
0
0
0
Chorus
0
A5
Now I
1 2
F#5
had
to
walk
7 7
0
0 0 0
F/A
veil
is
0
0
3
0
5
4
0 2
2 3
0
0
a
-
0
F5
A5
way,
give
4
0 1
3
0
2 0
7 7
-
0
0
2 3
ly
-
0
0
P.M.
2 3
0
1 2
0
P.M. 2 0
F#5
some
E/A
air.
up
0
A5
1 2
0
5 7
End Riff B
0
-
7
6
2 3
P.M.
0
7
P.M.
and there’s on
0
ed
0
7
6
for grant
Gtr. 3 divisi let ring
7 6
0
P.M.
drawn
0
sucks
P.M.
E/A
0
And it Gtr. 4
4 5
P.M.
0
0
let ring let ring let ring 2 0
0
F/A
0
0 0 0
Riff C
2 0
P.M.
0
P.M.
0
oo.
P.M.
4 5
Am
thing I
2 0
2 0
2 0
2 0
2 0
2 0
F5
A5
0
E7
there,
P.M.
4 5
0
en
-
0 0 0
P.M.
0
be
long -er
Gtrs. 3 & 4
no
4 5
0
Asus4
P.M.
P.M.
5 7
is
to
love,
let ring let ring let ring 2 0
3
0
5
4
0 2
4
0 1
3
0
2 0
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
uh, for
what I
F5
loved
e - ven
E5
more,
Fill 2 Gtr. 1
and
save my
F5
T o Coda
E5
Gtrs. 3 & 4
let ring let ring let ring let ring 2 0
2 0
3
0
5
4
0
4
2
0
3
1
0
2 2 0
0
tears
for
you.
End Fill 2 Gtr. 1
Gtr. 2 divisi
0 0
Am
0
5
End Riff C
P.M. P.M. 2 2 0
3 3 1
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
5 7 0
2 2 0
Interlude
Am
5
A7sus2
9 7
Am6
Dm6/A
9 10
9
5 10
Am
7 9
5 7
Riff D
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 5 7 0
0 0 0
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 0 0
5 7
0
4 5
0 0 0
0 0 0
4 5
0
5 4
0 0 0
0 0 0
5 4
0
4 3
0 0 0
0 0 0
4 3
0
5 7
Gtr. 2 tacet
A7sus2
Gtr. 1
Gtr. 2
5 7
7
P.M.
5 7
0
0 0
0
0
P.M.
5 7
0
0
0 0
0
P.M.
4 5
0
0
0
P.M.
5 4
0
ev -
Gtr. 1
0 0
P.M.
4 5
Am
2. Oo,
5
End Riff D
Dm6/A
4 5
Gtrs. 3 & 4
Am6
0
0 0
0
0
Gtr. 4
P.M.
5 4
0
P.M.
4 3
0
5 7 3
3
4
4
4
4
Gtr. 3
P.M.
4 3
0
0
0
0
0
5 7
0
Verse Gtrs. 3 & 4: w/ Riff B (1st meas.)
Am
’ry - thing
has
lost
its
Gtr. 1 tacet
mean
-
Am6
ing;
I
Gtr. 1
Dm6/A
had
to
let
it
Gtrs. 3 & 4: w/ Riff D (1st 3 meas.)
A7sus2
go
Am
to
find
0 0
Gtrs. 3 & 4: w/ Riff B
A7sus2
my - self,
too
my - self,
deep
and
in
the
start
A7sus2
mir
-
some - thing new,
ror
Asus4
E7
brand
or
face
new.
F/A
Am
who
Forced
I
E/A
real - ly
am.
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F/A
Now
it’s
just
me
Coda
Gtr. 1: w/ Fill 2 (last meas.)
A5
Gtrs. 3 & 4
I
(For
you.
P.M.
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 0
F#5
loved
e - ven
af
- ford
gave
up
some
-
thing
I
F#5
F5
A5
loved
for
what
and
F5
A5
you.
more,
can’t
I
F#5
saved my
F5
tears
E5
I
D.S. al Coda
I
A5
2 2 0
’cause
So
Gtrs. 3 & 4: w/ Riff C
E/A
for
you
in
a
vi -
Ah.)
Guitar Solo
Gtr. 1: w/ Fill 2
-
F5
E5
al
Gtr. 5 (elec.)
and
I
Am
Am7
walked
a -
way.
9
9
-1/2
2 2 0
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
P.M.
7
mf w/ dist. w/ bar
Gtrs. 3 & 4
Riff E
5
w/ bar
5
9
-1/2
7
5
7
7
5
w/ bar
9
F/A
Am7
3
3
3
let ring
7
10
9
8
7
5
8
7
5
7
5
5
3
let ring
5 3
0
3
1
2
2
-1/2
5
5
7
5
5
Gtrs. 3 & 4: w/ Riff E (2 1/2 times) Gtr. 5
let ring
2
2
2
5
5
4
7
4
4
2
5
4
4
5
5
3
5
3
7
F/A
3
5
2
7
3
End Riff E
3
5
2
Am7
(Uh.
Gtr. 5
Gtr. 1
5
3
6
5
8
6
12
11
10
5
10
5
5
6
5
7
5
5
5
6
5
5
5
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F/A
Gtr. 5 tacet
Am7
10
10
5
5
10
10
6
5
5
7
5
5
10
10
10
10
8
10
6
6
5
5
6
5
5
7
5
5
6
5
5
7
5
Guitar Solo
F5 Gtr. 6 (elec.)
Am
3
mf
w/ dist.
17
19
Gtr. 1
5
5
5
8
6
5
Gtr. 4
7
5
4
3
1/2
4
4
Gtr. 3
4
3
4
3 3 1
5
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4
7
5
4
5 3
1
22
4
P.M.
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
5 3
5 3
5 3
5 3
5 3
P.M.
4
5 3
A7sus2
1 1/2
1
22
22
grad. bend 1 1/2
Am
17
17
Gtrs. 3 & 4: w/ Riff B (1st meas.)
5 7
5 7
Gtrs. 3 & 4: w/ Riff D (1 1/2 times)
Gtr. 1 tacet
Gtr. 6
1 1/2
4
1/2
22
17
18
17
18
Am
_ 1/2
_ 1/2
_ 1/2
_ 1/2
18
18
18
1 hold bend
1
17
17
19
17
17
18
_ 1/2
_ 1/2
w/ bar
1
22
Gtr. 1
Dm6/A
3
22
Am6
18
19
4
A7sus2 Am6 Dm6/A Gtr. 6 6 3 6 18
18
Gtr. 6
12
12
Gtrs. 3 & 4
0
19 17
19
8
P.M.
4 3
0
17 16 14
17
14
17
17
16
17
17
17
23
17 15 13
15 13 12
10
17
12
14
14
12 10
Gtrs. 3 & 4: w/ Riff D (1 1/2 times)
A7sus2
20
12
12
17
16
Am6
3
1/2
17
1/2
19 17
16
19
19
P.M.
4 3
0
1/2
20
15 14
19
X X
4 3
5 7
Dm6/A
17
Gtrs. 3 & 4: w/ Riff B (1st meas.)
17 15 14
3 3
17 15
Am
P.M.
4 3
17 18 17
1 1/2
20
18
18
1 18
17
19
16
19
Am
1/2
19
A7sus2
1
17
17
14 17
19
19
17
17
15
17
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Am6 Gtr. 6
Dm6/A
A5
*hold bend 1/2 1/4
15
13
15
16
1
16
16
1
19
20
19
10
13
12
19
1
Am
12
12
17 *Slide into pre-bend, then slide while holding bend.
Gtrs. 3 & 4
4 3
2 0
P.M.
2 0
2 0
P.M.
2 0
5
7
7
Bridge Gtr. 6 tacet
Am
You were
G
so
beau
Riff F Gtr. 3 & 4
P.M. P.M. 5 7
7
5 7
7
ti - ful
to
Dsus2
5
4 7
5
P.M. P.M.
7
7 7
7
P.M. P.M. 5 7
7
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 7
7
P.M. P.M.
4 7
5
4 7
5
Am
P.M. P.M.
5 7
7
4 7
7
E
5
Am
3 2
Gtr. 3 & 4
Esus4
smile.
Am
up - on.
7
Dm
in your
7
look
P.M. P.M.
light
7
G
I could see the Gtr. 1
-
4
4
5
5
7
7
6
5
9
End Riff F
P.M. P.M.
2 5
3
2 5
3
1
2
2
3
4
5
5
5
Your eyes
Gtr. 1
were the win
-
in - to
soul.
dows
your
Am
P.M.
5
P.M.
5
5
7
5
7
P.M.
3 5
3
4
Your bod
-
6
6
5
7
the
E
5 7
5
P.M.
5 7
5
P.M.
3
3
4
5
5
4
P.M.
3
5
P.M.
7
5
5
A5
sky.
P.M.
Am
7
P.M.
Esus4
5
5
7
Dm
just like
P.M.
y was heav - en - ly
P.M.
4
5
P.M.
G
Dsus2
G
Gtrs. 3 & 4: w/ Riff F
P.M.
1 3
2
P.M.
1
2
3
4
5
5
7
7
6
5
9
Interlude Am Gtr. 1
5
Gtrs. 3 & 4
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
P.M.
5
7
5
4
5
4
7
6
5
7
5
5
6
7
5
7
5
4
7
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E/G#
5
7
5
17
5
15
4
7
6
E7/D
Am/C
13
12
E/B
10
9
10
4
9
4
Am/E
9
Dm/F
9
7
5
7
Slightly faster q = 144 Gtrs. 3 & 4: w/ Rhy. Fig. 1 (3 times)
Gtr. 7: w/ Rhy. Fill 1 (2 times)
Gtr. 7 (acous.) mf
Am[add9)
Am[add9)
End Rhy. Fill 1
Rhy. Fill 1
10
Rhy. Fig. 1
End Rhy. Fig. 1
P.M.
0 0 5 7 0
0
0
0
0
0
0
0
0
0
0
0
0
Gtr. 1
10
Gtr. 2
10
**w/ delay
5 9 19 9 19 5
*P.S.
*Press pick firmly to fretboard while scraping so tones are audible. **Delay set for dotted quarter-note regeneration w/ 4 repeats.
12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro Gtrs. 1 & 2 tacet
A5
Oo,
B5
A5
un - til
all
your
Gtrs. 3 & 4
0
0
A5
0
0
0
0
F#5
0
0
0
0
A5
F5
which
much.
ain’t
good
C5
looks
be
-
0
0
0
0
0
0
0
0
Count - ed
on
your
0
0
0
D#5
0
0
0
2
E5
C5
B5
0
0
A5
0
1
1
D5
G5
1
1
F#5
1
1
E5
1
1
1
B5
1
1
C5
1
1
A5
P.M. 0
0
-
Riff H
0
0
0
er - feit
0
0
smiles
0
0
for
too
0
long.
P.M.
10 8
10 10 10 10 10 10 10 10 10 10 10 10 8 8 8 8 8 8 8 8 8 8 8 8
eyes
emp -
2
Gtrs. 3 & 4
0
8 8 6
9 9 7
P.M. 0
10 10 8
9 9 7
7 7 5
7 7 5
P.M. 5 5 3
4 4 2
2 2 0
4 4 2
5 5 3
2 2 0
0
B5
are
3
E5
Your
Gtr. 1
G5
you,
3
count
0
trayed
P.M. P.M. P.M. 3
A5
P.M.
2
Riff G
P.M. 2 2 0
4
End Riff G
P.M. 0
0
0
0
0
0
0
0
0
0
2
13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 4: w/ Riff G
A5
-
ty
win
Gtr. 1
-
A5
dows,
C5
G5
4
5
5
2
0
0
0
0
0
0
0
0
0
0
3
0
bod - y
may
be
0
0
0
0
0
0
but
the
soul
here
0
0
End Riff H
The
3
P.M. P.M. P.M.
Gtr. 1 tacet
F5
4
P.M.
Gtr. 3
F#5
bro - ken.
A5
0
0
3
0
E5
is
0
0
0
2
D#5 E5
0
0
0
1
C5 B5 A5 D5
gone.
3
Fill 3
P.M. 1
1
1
1
1
1
1
1
1
1
1
1
1
End Fill 3
P.M. P.H.
10 10 10 10 10 10 10 10 10 10 10 10 8 8 8 8 8 8 8 8 8 8 8 8
8
8 8 6
0
9 9 7
P.M. 0
10 10 8
9 9 7
7 7 5
7 7 5
Pitch: A
Gtr. 1: w/ Riff H
G5
F#5 E5
B5
C5 A5
I Gtr. 3
P.M. 5 5 3
14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4 4 2
2 2 0
4 4 2
5 5 3
2 2 0
saved
B5
my
tears
P.M. 0
0
0
0
0
0
0
0
0
0
2
Gtr. 3: w/ Riff G (1st 3 meas.) Gtr. 4: w/ Riff G
A5
for
C5
you
in
a
vi
A5
-
al
G5
Gtr. 3: w/ Fill 3
A5
F#5
A5
F5
from ev
-
’ry
G5 F#5 E5
But
wick
-
send
a
thing
that you
did,
that you
C5
B5
A5 D5
said.
Gtrs. 3 & 4: w/ Riff G (1st 6 meas.)
B5
to
ed
D#5 E5
B5 C5 A5
Gtr. 1
Gtr. 3: w/ Riff G (last 3 meas)
E5
-
C5
A5
way,
A5
uh, bur - ied
with
your
love,
G5
1
18
2
A5
4
F#5
A5
F5
so man - y
1
18
tears
17
1
in
5
a
vi
-
Gtr. 1 tacet
al,
now that
E5
D#5 E5
you’re
gone,
C5 B5 A5 D5
16
Gtrs. 3 & 4: w/ Rhy. Fig. 1 (4 times)
F#5
E5
and Gtrs. 3 & 4
P.M. 5 5 3
4 4 2
2 2 0
B5
C5 Am[add9]
now
that you’re
4 4 2
5 5 3
dead.
0
0 0 5 7 0
0 0 5 7 0
Gtr. 1
0 0 5 7 0
Gtr. 1: w/ Rhy. Fill 1
G5
Gtrs. 1, 2, 3 & 4
0 0 5 7 0
15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - Endgame
The Hardest Part of Letting Go... Sealed with a Kiss Words and Music by Dave Mustaine and Chris Broderick
Intro Moderately q = 150 * Dm Riff A
Gtr. 1 (acous.)
mf
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
let ring throughout
2 0
1 2 0
2 0
1
2 0
1
1
Gtr. 2 (acous.)
mf
0
0
2
3
0
3
2
0
0
4
2
3
0
3
2
4
*Chord symbols reflect implied harmony.
End Riff A
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
1
3
2 0
2 0
2 0
2 0
1
2
3
0
3
2
2 0
2 0
2 0
2 0
1
0
1
2
2
3
3
0
© 2009 MUSTAINE MUSIC and ELEMENT ARTS PUBLISHING All Rights for MUSTAINE MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
3
2
0
4
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtr. 1: w/ Riff A (2 times)
Dm
1. Mm, Riff B Gtr. 3 (acous.)
mf
such a
pret - ty
face,
6
6 7
ra
6
5 6
-
di - ant,
I
saw
let ring throughout
6 7
0
6 7
0
0
6 7
5
0
5
6
0
5
0
6
0
0
Gtr. 2
0
Gtr. 2 tacet
you
Gtr. 3
a - cross
8 0
6
8 6
0
6 7
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
6 7
0
the room.
I
8 6
0
Sorgdal
8 6
8 6
Thus
start - ed the
chase.
6
6 7
7
6
I
had
to
6
6 7
5 6 0
6 8
6 8
8
6 0
knew
6 0
0
you.
0
have
6
I
End Riff B
7 8 0
7
7 8
0
knew
6
I would do
5
5 0
6 0
an - y - thing
8 6
6
8 6
8 6 0
to
Riff C
10
Gtr. 1
0
11
10
11
0 10
11
Rhy. Fig. 1
3 3 1
D5
3 3 1
3 3 1
3 3 1
3 3 1
to
let
it
14
3 2 0
15
0
15
learnd
long
15
and
6
10
11
10
11
0 10
make
7 8
you mine.
6 8
8
Fill 1
7 8
6
0
0 12
11
0 12
11
12
14
0 12
3 3 1
3 3 1
3 3 1
1 3 2 X 3
1 3 2 X 3
1 3 2 X 3
it
15
0
15
17 14
14
1 3 2 X 3
let
15
1 3 2 X 3
go,
14
1 3 2 X 3
it
3 2 0
15
0
15
13 14
you have
2 2 2 0
2 2 2 0
0
14
14
12
2 2 2 0
2 2 2 0
2 2 2 0
go.
14
10
3 3 1
3 3 1
8
some - one
11
0
if you love
12
6
End Fill 1
A
11
0
G6'11
0
a - go,
let
14
hand
go,
13 14
your
0
8 6
3 3 1
0
But I
Gtr. 3
0
Chorus Bb5
take
14
15
C End Riff
14
15
0
15
17 14
14
15
End Rhy. Fig. 1
3
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Rhy. Fig. 1 Gtr. 3: w/ Riff C
Bb5
G6'11
The hard - est
D5
part
of
let
-
ting
A
go
good - bye,
is
say - ing
good - bye,
good - bye.
Interlude Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 3: w/ Riff C (2 times)
Bb5
G6'11
8va
Gtr. 4 (elec.)
mf w/ dist.
1
grad. bend
18
18
mf
** w/ dist.
grad. bend
20
1
20
grad. bend
18 17
3
18 17
*Vol. swell
Gtr. 5 (elec.)
*
A
20
3 grad. bend
20 18
20 18
17
**Vol. swell
D5 8va
1
20
20
1/2
17
17
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
20
17
20
22
18
18
17
18
15
15
20
17
Bb5
8va
Gtr. 4
20
20
Gtr. 5
15
17
20
20
w/ bar
17
17
13
13
15
1
17
17
17
17
Fill 2
15
17
grad. bend
17
17
17 17
-1
-1
+1
17 15
15 12 15
15 13
13
13
13 13
Fill 2A
14
-1/2
-1/2
17 15
1/2
End Fill 2A
1/2
14
grad. bend
9
-1/2
17
Fill 2B
17
End Fill 2
grad. bend
15
18 17
w/ bar
D5
w/ bar
13
18 15 18
3
8va
17
+1
20 18
-1
w/ dist.
A
w/ bar
mf
17 15 14
3
17
1/2
17 15 14
Gtr. 6 (elec.)
1
20 18 17
18
G6'11
End Fill 2B
1/2
9
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
“Sealed with a Kiss” Interlude Gtrs. 4, 5 & 6 tacet
Bb5 A5 G5
Bb5 A5 G5
F5 E5
Bb5 A5 G5
F5 E5
Bb5 A5
Rhy. Fig. 2 *Gtr. 7 (elec.)
mf
w/ dist.
3 1
2 0
F5
End Rhy. Fig. 2
3 1
5 3
2 0
5 3
3 1
3 1
2 0
2 0
5 3
3 1
3 1
2 0
2 0
3 1
*Doubled throughout
D5
Bb/D
D5
P.M. 8 75 5 5 5 5 5 5 75 5
D(b5)
P.M. P.M.
Riff D
5
5
5
5
5
1.
5
5
5
5
5
7 5
5
5
5
5
5
5
7 5
5
6 5
2.
2. Oo,
End Riff D
P.M.
6 5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
P.M.
6 5
5
5
5
5
5
5
5
5
Verse
Gtr. 7: w/ Riff D (2 times) 2nd time, Gtrs. 9 & 10: w/ Fills 3 & 3A
D5
Bb/D
fet - tered a - way I re - turn
-
Gtr. 8 (elec.)
in a make to the mas
D5
shift cell quer - ade ball
be - neath and leave
mf w/ dist. 9
Fill 3 Gtr. 9
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10
15
15
9
10
D(b5)
the ven the lone
om - ous moon fig - ure weep
-
light.
Oo,
-
ing.
12
Fill 3A Gtr. 10
15
D5
I un Stone by
Bb/D
-
leash stone
my im
plan mured
-
9
to watch in the wall,
you
fail, the one for - ev - er left
D(b5)
I held in safe
so keep
-
high. - ing.
10
9
10
D5
10
13
9
10
12
12
13
15
Chorus Gtr. 7: w/ Rhy. Fig. 2
Bb5
Gtr. 8 tacet
A5
G5
Go
to
sleep,
my
Bb5
A5
G5
and
taste
my
sweet
love,
13
F5
re
E5
-
venge
13
To Coda
on
Bb5
your
A5
G5
It’s
sealed
F5
lips.
E5
Bb5
A5
F5
with
a
Guitar Solo Gtr. 7: w/ Riff D (2 times)
D5
Bb/D
*Gtr. 9 (elec.)
f w/ dist. 1
1
3
1
15
13
13
D(b5)
kiss.
D5
15
1
15
1/2
15 17
15
1/2
13
17
17
15 17
17
17
17
17
*Chris Broderick
D5
Bb/D
3 3
13
15
12
13
15
12
13 15
14
D(b5)
3
1
17
D5
15
14
3
15
15 12 13
3
15
12
13
14
12
10
10
15
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 7: w/ Rhy. Fig. 2
Bb5
A5 G5
Bb5
5
1/2
17
17
A5 G5
1/2
15
15 17
6
6
5
13 15 17
14 15 17
14 15 17
14 15 17
14 15 17
15 17 18
F5 E5
15 17
17
15
18
17
D.S. al Coda
Bb5
Gtr. 9
15 12
17
A5
12
14
Gtr. 10 (elec.)
15
E5
Bb5 A5
F5
1/2
17
15
15
14
15
15
14
12 13 15 13 12
f 1
17
17
15
15
14 15 17 15 14
14
17
15
17
Coda “The Hardest Part of Letting Go...” (continued) Interlude Gtr. 1: w/ Riff A Gtr. 3: w/ Riff B
Dm
kiss,
ss.
Gtr. 7
3 2 0 0
3 2 0 0
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
15
F5
3. Oo,
17
13
G5
Gtr. 3: w/ Fill 1
Chorus Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 3: w/ Riff C (2 times) Gtr. 7 tacet
Bb5
But
D5
I learned
to
let
it
G6'11
long
-
go,
a
oo,
let
it
go,
G6'11
The hard
D5
-
est
part
of
let
-
ting
good
-
you
have
go.
A
is
say - ing
some - one
it
love
go
good - bye,
you
let
Bb5
if
go,
A
good - bye,
bye.
Outro Gtr. 1: w/ Rhy. Fig. 1 (till fade) Gtr. 3: w/ Riff C (till fade)
Bb5
Spoken: Good
-
bye.
w/ bar +1
20
20
18
18 15 18
18 17
17
15
15 12 15
15 13
13
-1
-1/2
13
-1/2
13
17
+1
17
13
13
13
15
13
15
15
17
-1/2
2nd time, begin fade
17
w/ bar
Gtrs. 4, 5 & 6: w/ Fills 2, 2A & 2B
-1
17
3
**Vol. swell
D5
17
17
17
-1
mf
** 1/2
A
Let - ting
*Vol. swell
Gtr. 5
3
mf
20
* 1
8va
Gtr. 4
G6'11
Bb5
go. 3rd time, Fade out
G6'11
A
D5
Play 3 times
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - Endgame
The Right to Go Insane Words and Music by Dave Mustaine
Intro Moderately fast q = 184 ** G5
*Gtr. 1 (dist.)
E5 G5 Gb5 F5 E5 G5 E5
(Bass)
G5 Gb5 F5 E5 G5 Gb5 F5 E5
Ab5
Play 4 times
Half-time feel G5
mf
5 3
6 4
*Doubled throughout **Chord symbols implied by bass, 1st 8 meas.
Bb5
F5 G5
8 6
*** D5
3 1
Db5 C5
5
Ab5
4
3
Bb5 Ab5
5 3
3
3
5
F5 G5
5
3
5
6 4
0
Ab5
Bb5
6 4
8 6
Rhy. Fig. 1
6
3 1
4
5 3
***Chord symbols reflect implied harmony.
F5 G5
3 1
5 3
Ab5
Bb5
End Rhy. Fig. 1
3
5
3
5
3
5
6 4
© 2009 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
8 6
8 6
8 6
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse G5 E5 G5 Gb5 F5
E5 G5 E5
1. Oo,
I 2. My
bare - ly stom - ach
G5 Gb5 F5
E5 G5 Gb5 F5 E5
get aches,
G5 E5 G5 Gb5 F5 E5 G5 E5
G5 Gb5 F5 E5 G5 Gb5 F5 E5
to the grave - yard in - suf
shift fi -
-
on cient
time, funds.
af
Riff A
-
End Riff A
3
3
3
P.M.
0
3
2
1
0
3
0
2
1
0
3
2
1
0
3
0
3
2
1
0
3
0
2
1
0
3
2
1
0
Gtr. 1: w/ Riff A (2 times)
G5 E5 G5 Gb5 F5 E5 G5 E5
G5 Gb5 F5 E5 G5 Gb5 F5 E5
-
ter pull - ing an - oth My cheeks are gaunt
G5 E5 G5 Gb5 F5 E5 G5 E5
cred - it
card
hard - ly just, Too much squa -
The Star
-
pa va
- per - tion’s
bare - ly, pres - sure
to five. ver - drawn.
G5
E5 G5 Gb5 F5 E5 G5 E5
whirl me
- ing the
on now
-
I My
live head
from pounds.
G5 Gb5 F5 E5 G5 Gb5 F5 E5
by shakes.
G5 E5 G5 Gb5 F5 E5 G5 E5
and
G5 Gb5 F5 E5 G5 Gb5 F5 E5
mon - ey’s giv - en
G5 Gb5 F5 E5 G5 Gb5 F5 E5
just too much
lor,
nine o -
G5 Gb5 F5 E5 G5 Gb5 F5 E5
G5 Gb5 F5 E5 G5 E5
er gruel - ing and my guts are
to check.
G5 E5 G5 Gb5 F5 E5 G5 E5
G5 E5
and
I
G5 Gb5 F5 E5 G5 Gb5 F5 E5
ly just sur - vive. I’m get - ting pissed.
Gtr. 1
3
3
3
P.M.
0
3
2
1
0
3
0
2
1
0
3
2
1
0
3
0
3
2
1
0
3
0
2
1
0
3
2
1
0
Pre-Chorus
Ab5
Bb/D
Riff B
P.M. 4
4
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bb5
4
4
3
5
C/E
G5 E5 G5 Gb5 F5 E5 G5 E5
Oo,
I’m
liv - ing
on
the
P.M.
3 3 6
6
6
6
5
7
G5 Gb5 F5 E5 G5 Gb5 F5 E5
edge. End Riff B
3
3
P.M.
5 5 0
3
2
1
0
3
0
2
1
0
3
2
1
0
Gtr. 1: w/ Riff B
Ab5
Bb/D
Bb5
G5 E5 G5 Gb5 F5 E5 G5 E5
Re - al - i - ty
tee
is
G5 Gb5 F5 E5 G5 Gb5 F5 E5
*
-
ter
C/E
-
ing.
*w/ echo set for whole-note regeneration w/ 1 repeat. Gtr. 1: w/ Riff A (1st 2 meas.)
G5
E5
G5
Gb5
F5
My
E5
G5
E5
is
on
mind
G5
Gb5
the
brink.
5
4
F5
E5
G5
Gb5
F5
E5
3
2
5
4
3
2
Gtr. 2 (dist.)
mf
5
2
5
4
3
2
5
2
Chorus Gtr. 2 tacet
G5
F6(no3rd)
How
will
I
face
Eb,7(no3rd)
the
day
to
-
mor
-
D5
row
P.M. P.M. P.M. P.M. Gtr. 1
Riff C
5
5
End Riff C
5
5
7
5 8
8
7
5
8
6
6
7
5
6
5
5
7
5
Gtr. 1: w/ Riff C (3 times)
G5
if
I
can’t
Riff D
G5
Gtr. 1
F6(no3rd)
I
got
make
** F6sus2
noth -ing
6
8
it
through
to
lose
Eb,7
6
D5
to - day?
left
Eb,7(no3rd)
8
but
my
Dsus4
san - i
6
8
-
ty
End Riff D
6
8
**Chord symbols reflect overall harmony.
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Riff D
G5
and
Interlude C5/G D5/A
the
F%/A
right
Eb,7/Bb
to
go
in
-
F5/C
noth -ing
left
I
got
6 6
8 8
Gtr. 1
3 3
sane.
Eb5/Bb
Dsus4
5 5
*
to
lose
8 8 *w/ echo set for whole-note regeneration w/ 2 repeats.
C5/G D5/A
Eb5/Bb
but
3 3
5 5
my
F5/C
F#5/C#
mind.
6 6
8 8
9 9
Gtr. 1: w/ Rhy. Fig. 1
F5 G5
Ab5
Ab5
Whispered: so
2.
Bb5
Spoken: go
in
-
G5
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
got
noth - ing
left
Gb5
I
think I’ll
1. Bb5
Spoken: go
in
F5
sane. Gtr. 1
5 3
4
I’ve
F5 G5
Bb5
4 2
3 1
to
-
sane.
choose,
End half-time feel
E5
P.M.
2 0
0
0
Guitar Solo E5
0
0
0
0
B5
0
C5
*Gtr. 3 (dist.)
3
0
0
0
E5
0
0
0
0
0
0
0
0
B5
0
0
C5
0
3
3
3
10 12 10 12 10
12
14
12
14
P.M.
9 7
0
G5
12
12 14
14 12
14
12 14 16
F#5
G5
F#5
15
17
0
0
0
0
0
E5
15 17
16
P.M.
9 7
B5
15
P.M.
5 3
5 3
4 2
5 3
4 2
3 1
0
C5
17
0
0
0
F#5 G5
F#5
15 17
19
19
2 0
0
0
P.M.
9 7
10 8
P.M.
0
0
4 2
P.M. P.M.
P.M.
10 8
E5
5 3
5 3
5 3
4 2
5 3
B5
5 3
5 3
C5
17
16
16
15
17
0
0
0
0
0
P.M.
9 7
10 8
P.M.
0
4 2
F#5
15
Rhy. Fig. 2
1/2 17
F5
delay off
15
P.M.
10 8
0
loco
5 3
0
**Set for half-note regeneration w/ 3 repeats.
Gtr. 1
G5 8va
0
1 1/2
*Chris Broderick
0
**w/ delay
10 12
0
3
f
0
F#5
3
0
17
0
4 2
P.M.
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
F#5
G5
F#5
G5
F#5
F#5
F5
E5
3
3
G5
3 1
17
15
12
15
14
12
14
12
14
12
14
15
12
15
14
12
15
14
15
14
12
14
12
12
End Rhy. Fig. 2
P.M.
5 3
5 3
5 3
Gtr. 1: w/ Rhy. Fig. 2 (1 1/2 times)
B5
4 2
5 3
C5
5 3
5 3
4 2
5 3
B5
C5
5 3
5 3
4 2
5 3
4 2
3 1
P.M.
F#5
G5
F#5
G5
F#5
3 1/2
12
15
12
14
F#5
G5
F#5
F5
15 15
14
14
12
17 18 17 15
12
E5
B5
C5
18
18 15
17
E5
3
17 15
E5
3
2 0
1
G5
12
12
P.M.
E5
Gtr. 3
15
12
1
18 15
17
17
C5
F#5
1 1/2 15
15
17
17
15
12 17
15
17
G5
16
F#5
15
G5
F#5
G5
3
F#5
G5
F#5
F5
E5
3
3
14
14
Gtr. 3
12
12
15
15
1
14
15
12
14
14
16
14
12
14
15
14
14
14
5 3
5 3
4 2
5 3
14
15
17
16
14
17
17
17
15
Gtr. 1
5 3
5 3
P.M.
5 3
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4 2
5 3
P.M.
5 3
5 3
4 2
5 3
4 2
P.M.
3 1
5
7
Interlude
E5
Eb5
D5
Gtr. 3 tacet
B5
E5
Bb5
A5
G5
Bb5
A5 G5 A5
G5
E5
16
P.M.
7
G5
16
A5 E5
0
P.M.
6
0
P.M.
5
0
0
Eb5
D5
P.M.
5
7
0
B5
E5
P.M.
0
6
P.M.
0
5
0
0
3
Bb5
A5 E5
3
0
5
3
A5
G5
Bb5
G5
Gtr. 1
P.M.
7
0
P.M.
6
0
P.M.
5
0
0
P.M.
7
5
0
P.M.
0
6
0
P.M.
5
0
0
3
3
0
5
0
3
6
0
5
3
5
3
5
3
5
7
0
G5 E5 G5
6
P.M.
A5 G5 A5
5
3
0
3
Guitar Solo
E5
B5
C5
E5
*Gtr. 4 (dist.)
3
3
3
B5
C5
F#5
3
3
3
3
G5
F#5
G5
F#5
3
3
3
3
3
f 17 12
12 17 12
15 12 15
12
15 12 15
17 12
12 17 12
15 12 15
12
15 12 15
15 12
12 15 12
15 12 15
12
15 12 15
*Dave Mustaine
Gtr. 1
0
9 7
P.M.
2 0
10 8
0
0
0
0
0
F#5
F5
E5
P.M.
P.M.
0
Gtr. 1: w/ Rhy. Fig. 2 (last meas.)
G5
F#5
3
15 12
3
15 12 15
10 8
0
4 2
5 3
C5
E5
P.M.
9 7
P.M.
0
P.M.
5 3
5 3
4 2
P.M.
5 3
5 3
5 3
4 2
Gtr. 1: w/ Rhy. Fig. 2 (2 1/2 times)
G5
Gtr. 4
3
12 15 12
3
3
15 12 15
B5
12
17 12
3
15
3
12 17 12 17 12
3
3
15 12 15
B5
12
C5
F#5
17 12
3
15 12
3
17 12 17 12
3
15 12 15
12
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
F#5 G5
F#5
G5
F#5 G5 F#5 F5 E5
B5 C5 E5
3 3 3 3 3 3 3
8va
3
G5
3
15 12 15 12
15 12 15
15 12 15
F#5 G5
F#5
15
15 12
G5
15
12 15 12 15 12
F#5 G5 F#5
3
3
3
3
17 12
15
15 12
15
12
15 12 14 12
15 12
14
14
14 12
14
12 10
B5
3
3
17 12
15 12
15
12
15
C5 E5
17 12 15 12
B5
C5
15
F#5
3
1
0 5
F#5
3 3 3 3 3 P.M.
3
1
3
17
F5 E5
3
17
12 15 12
15
C5
grad. release
1 1/2
15 12
B5
loco
5
5 7
5
5 7 5 7
7
9 7 9
9
12 9 12
12
9 12 9 12
10
12
10
Outro Gtr. 4 tacet
G5
F#5 G5
F#5
G5
F#5 G5 F#5 F5
E5
Gtr. 4 3 3 3 3 3 3 3 3 12 10 12 15 12 15
12
15
12 15 12
17 15 12
15
P.M. P.M.
17 15 12 17 15 12
15 14 12
Gtr. 1
5 3
5 3
5 3
G5
4 2
A5
Gtr. 1
3
5 3
3
0
5 3
5 3
G5
3
A5
G5
P.M.
4 2
5 3
Bb
5
0
5 3
A
5 3
G
4 2
A
5 6
5 3
4 2
3 1
G
4 5
2 3
4 5
2 3
A
G
A
G
3
3
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
5
Bb5
3
0
5 6
Eb5
14
9 7
0
E5
7 5
9 7
B5
Bb5
0
8 6
Eb5
7 5
9 7
7 5
D5
0
0
A
G
8 6
7 5
Bb5
A
G E5
4 5
2 3
4 5
2 3
7 5
9 7
4 5
2 3
4 5
0
0
8 6
µ
2 3
2 0
0
0
7 5
0
0
A5 E5
P.M. P.M.
9 7
7 5
8 6
0
B5
P.M. 0
P.M. P.M.
3.
E5
A5 E5
14
P.M.
7 5
D5
1., 2.
G5
E5
2 0
2 0
7 5
0
0
from Megadeth - The System Has Failed
The Scorpion Words and Music by Dave Mustaine
Intro Moderately q = 102
Gtr. 1: w/ Riff A
µ (Em)
Gtr. 1 (dist.)
(Playground noises) 5 sec.
(F#7/E)
(Em)
7
0
Riff A
End Riff A
mf 0
3
0
5
7
3
5
0
7
3
6
2
5
0
6
2
5
0
6
2
w/ clock ticking (next 10 meas.) Gtr. 1: w/ Riff A (5 times)
(F#7/E)
E5
*Gtr. 2 (dist.)
8v a
3
loco
f Harm.
3
F#5
E5
Rhy. Fig. 1
2
2 0
4 2
0
3
2
4 2
9 7
9 7
9 7
Pitch: E *Two gtrs. arr. for one.
Gtr. 2 tacet
F#5 End Rhy. Fig. 1
Gtr. 3 tacet
µ(Em)
(F#7/E)
Riff B
**Gtr. 3
*** C5
mf P.M.
4 2
4 2
14
12
12
15
12
15
12 14
11
11
A5
B5
µ
Play 3 times End Riff B
14
12
14
12
**Pizzicato strings arr. for gtr.
© 2004 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
Gtr. 2
P.M.
3
5
0
2
2
4 3
2
***Chord symbols reflect implied harmony.
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
3rd time, Gtr. 4: w/ Fill 1
E5
F#5
1. My 2. My 3. My
life self. lies,
E5
is I’m to
F#5 G5
ev - ’ry - thing cen - tered in. reach the shore,
that There’s I
feeds my thirst, noth - ing else, ag - gran - dize
2 0
X X
X X
2 0
X X
X X
5 3
X X
X X
4 2
4 2
B
Bb
that there’s and
X X
X X
X X
X X
and the you
sin. been. more.
4 2
5 3
X X
4
X X
X X
I It’s The
wants dream hopes,
to
D
are be to
2 0
X X
E5
F#5 G5
all left steal
X X
X X
X X
I care, a - lone a - way
no all
Bb A
D
with - out a trace. like a bul - let hole. is un - sur -passed.
8v a
1
14 14
14 14
16
16
14 14 16
F#5
Look Look Look
de - ceit as coal I deal
E5
noth - ing there. my own. soon be - tray.
µ
B
1
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Bb A
F#5 E5
sell black pain
4 2
there’s of I’ll
ness, the mad - ness
X X
3
Fill 1 Gtr. 4
2
My I My
B
F#5 G5
my face. my soul. my past.
F#5
End Rhy. Fig. 2
E5
guilt, sad love,
E5
And
4 5
4 5
F#5
µ
caus - es nev - er noth - ing
to to to
D
5 6
shame with that
E5
A
6 7
Sorgdal
F#5 E5
Rhy. Fig. 2
Gtr. 2: w/ Rhy. Fig. 2 (3 times)
deep deep deep
µ
in in in
E5
Fear Fear I’m
F#5
not not, not
-
what get a low - ly
To Coda 1
E5
F#5
G5
I can do, off your knees. scor - pi - on,
un There’s I’m
To Coda 2
F#5 E5
B
you, less no de - fense, so much worse.
Bb
A
D
µ
uh, want it do you’ll Oh, I’m
done to what I the
you. please. fall
of
Guitar solo
µ
Oh.
f Gtr. 4 (dist.)
7
7
Riff C
2
2
2
0
9
7
1/2
7
9
Gtr. 2
2
3
2
0
2
0
2
P.S.
X X
XX
0
2
2
3
0
2
3
2
0
2
End Riff C
3
0
2
3
0
6 6 6 6 6 6 Gtr. 2: w/ Riff C (2 times)
Gtr. 4
10
9
7
10
9
7
10
9 7
9
7
10
9
7
9
7
6
9
7
3
6
8
8
8
8
5
8
7
5
5
7 7
5
5
10 9
5
5
5
5
5
5
7 8
7
5
5
5
5
3
3
3
3
8 9
7
11
10
14
12
8
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
As
I
3 3 3 Gtr. 4
3
11 14 11 14 11
Gtr. 2
8 11 8 11
8
9 13 9 13
9
9 12 9 12
Riff D
2
2
2
9
8
8 6
4
Chorus
Gtr. 4 tacet
E5
climb
2
Rhy. Fig. 3
3
on - to
Gtr. 2
0
2
your
tell
you
what
you
treat
you
E5
you
like
did - n’t
2
I
X X
E5
E5
0
X X
X X
want
a
dog
know
9 7
to
hear,
2
as
I
that
I
2
2
not
0
0
4
2
0
3
2
0
3
2
to sting.
I
will
5 3
3
P.M.
not
mean
C5
3
3
2
ven - om
in.
0
2
3
And
then
I
am
a
scor
-
pi
- on.
2
You
C5
3
- thing.
my
3
an - y
C5
shoot
3
0
pre - tend
* Oh. *w/ echo repeats (next 4 meas.)
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
End Rhy. Fig. 3
3
and
2
0
prom - ise
9 7
2
C5
0
will
3
back,
Gtr. 2: w/ Rhy. Fig. 3 (3 times)
2
4 2
2 0
0
End Riff D
6
D.S. al Coda 1 Interlude Gtr. 1: w/ Riff A (2 times)
Gtr. 2
µ
E5
Rhy. Fig. 4
8v a
2 0
3
Harm.
End Rhy. Fig. 4
loco
3
2
0
3
2
Pitch: E
Coda 1
Guitar Solo Gtr. 2: w/ Riff C (3 times)
µ
Oh.
Gtr. 4
7
6
P.H.
7
6
10
7
8
7
10
10
7
9
7
10
7
9
9
10
7
6
9
10
9
10
7
9
7
9
8
9
5
7
10
9
7
9
7
3
7
7
5
5
5
5
8
11
8
10
11
10
12
8
12
10
5
5
5
5
5
12
10
1/2
8
5
6
12
5
6
8
3
6
8
A#
6
9
1/2
Pitch: A
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Riff D
As
I
8v a
3
11
3
3
8
10
Chorus
11
8
10
11
climb
-
to
your
13
3
14 11
13
14
back,
I
will
17 14 14
17
C5
prom
3
3
16
17 14 17
- ise
not
16
20 17 17
20
to
sting.
3
19
20 17 20
I
will
19
19
8v a
on
14
Gtr. 2: w/ Rhy. Fig. 3 (4 times)
E5
14 11 11
3
20
E5
tell
you
what
you
want
to
hear,
and
not
mean
C5
an - y - thing.
And
then
I
loco
16
Gtr. 4 tacet
E5
treat
you
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
like
a
dog
as
I
shoot
my
C5
ven - om
in.
You
pre - tend
E5
you
did - n’t
that
I
know
Gtr. 4
am
a
scor
-
pi - on.
C5
Oh.
fdbk.
0
Guitar Solo
F#5
Gtr. 4
6
6
6
6
1
16
Gtr. 2
16
16
16
16
16
16
Rhy. Fig. 5
4 2
16
16
16
16
16
16
16
16
16
X X
X X
X X
3
16
6 4
16
16
16
16
14
3
4
3
2
16
16
11 9
11 9
16
3
End Rhy. Fig. 5
2
16
Gtr. 2: w/ Rhy. Fig. 5 (2 times)
1
3
0
16
F#5
16
16
1
16
µ (C5)
16
1/2
14 16
14
17
14
14
14
17
16
14
16
14
17 16 14
16
14
0
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8va µ(C5)
F#5
Gtr. 4
15
15
15
15
15
6
3
6
3
17 14
17 14
14
17 14
17 14
17 14
14
17 14
17 14
17
19 14
17 14
17
14
17
17 14
15
µ(C5)
loco
6
13
14
13
14
13
14
15
6
14
F#5
6
14
15
14
15
16
17
3
16
17
16
µ(C5)
17
15
16
15
16
As
I
8v a
Gtr. 4
6
6
17 14
14
17 14
15
Gtr. 2
4 2
Chorus
E5
climb
on
18 15
15
18 15
8v a
Gtr. 4
19 16
16
19 16
17
20 17
6 4
X X
X X
to
back,
your
X X
17
20 17
18
11 9
I
21 18
19
22 19
19
3
18
11 9
21 18
will
6
6
6
22 19
20
prom - ise
21
23 20
23
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
23
23
23
23
23
4
3
not
to
2
0
23
3
21
24 21
21
sting.
23
2
0
3
23
24 21
C5
20
3
0 2 3
23 20
6
1/2
Sorgdal
-
16
Gtr. 2: w/ Rhy. Fig. 3 (4 times)
6
6
I
1
24
24
will
E5
tell
you
what
you
8v a
want
to
hear,
and
not
mean
C5
an - y - thing.
I
will
*w/ bar
1
24
24
24
*next 5 meas.
E5
treat
you
like
a
dog
as
I
24
E5
shoot
my
ven - om
in,
’cause
you
22
20
C5
19
18
D.S.S. al Coda 2
8v a
knew
8v a
C5
all
a - long
I
am
a
scor
-
pi - on,
ya!
18
17
17
16
16
15
14
13
13
Coda 2
Outro w/ clock ticking (till end) ** Gtr. 1: w/ Riff A (4 times) Gtr. 2: w/ Rhy. Fig. 4
E5
µ
*** man. **4th time, Gtr. 1 fade out. ***w/ echo repeats (next 4 meas.)
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Rhy. Fig. 1
E5
F#5
Spoken: Fighting
broke
out
overnight
between
rival
along
the
guerilla
base,
Israeli - Syrian
border.
F#5
Initial
reports
claim
Israeli
jet
fighters
bombed
* Gtr. 3: w/ Riff B (4 times)
factions
E5
µ(Em)
soldiers and Spoken: A
a
killing
at
least
forty - nine
(F#7/E)
thirteen civilians. forty-nine year
old
unidentified
Damage went
man
to the berserk last
base night,
is said to... opening fire with
a
*4th time, Gtr. 3 fade out.
(Em)
(F#7/E)
twelve - gauge
shotgun
in
a
crowded
downtown
restaurant.
Fourteen
people
are
dead, Spoken: A
(Em)
three down
suffered serious... on animals is expected
to
become
law
today.
have
been
pushing
for
the
bill
for
nine
years,
and
have
taken
part
in
a
the nation. It’s multi - million
expected dollar
the bill will outline... drug smuggling ring.
Twenty - two
pounds
of
along
with
a
small
amount
of
cocaine,
marijuana,
and
mass
rights
demonstrations Spoken: Police
heroin
hashish.
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
crack
(F#7/E)
people have been arrested, and face charges ranging from smuggling to possession for the purpose of trafficking.
Sorgdal
Animal
was
seized,
children. Four other on laboratory experiments
µ
throughout smashed
to
(F#7/E)
(Em)
activists
including bill
Twenty - five
have
These Boots Are Made For Walking Words & Music by Lee Hazlewood
G5
E5 Intro
Em7
E5*
7fr
2fr
K
[E]
f w/dist.
5fr
q = 163 iq = q e
Gtr. 1 (elec.)
D5 Esus2
3fr
7fr
full
full
full
full
12
12
15
15
3
14
14
14
12
12
14 12
5 P.H.
P.H.
12
0
12
12
12
3 P.H.
P.H. 0
0
12
P.H.
12
12
1/2
12
full
15
P.H. full
14
14
12
12
15
3 P.H. 0
12
0
full
14
12 14
P.H.
14
12
X
X
12 12 14 12
3
Sorgdal
15 14 12 15 14 12
3
P.H.
14
14
12
14 15 14 12 14 15 14 12 14 14
14
12
14 14
15 14 12 15 14 12 14
© Copyright 1965 & 1966 Criterion Music Corporation, USA. Marada Music Limited. All Rights Reserved. International Copyright Secured.
15 14 12 12 14 15 14 12 12 14
14
15 14 12 14 15 14 12 14
Gtr. 2 (elec.)
f w/dist.
full
17
3
12 12
14
15 14 12 12 14 15 14 12 12 14
14
15
15 14 12 12 14 15 14 12 12 12 14 14 12
15 14 12 15 14 12
14
1/2
15 14 12 12 15 14 12
14
15 14 12 12 15 14 12
14
12
full full
17 17
17
17
E5
Gtr. 3 (elec.)
Fig. 1
f
Gtrs. 3+4 w/Fig. 1
w/dist.
1/2
16
full
1/2
17
17
16
15
16
12
12 15
15
Gtr. 1 tacet
E5*
G5
E5*
D5
5 3 6
12
12
15 14 12
15
14 12
15 14 12
15
1/2
14 12
15
Sorgdal
2
15 14 12
14 12 14
12 14 15
Gtrs. 3+4 (elec.)
Fig. 2
12
14
2 2 0
P.M.
2 2 0
5 5 3
2 2 0
P.M.
2 2 0
12 14 15
7 5 5
12
P.M.
2 2 0
E5*
3
G5 E5*
D5
E5*
G5
E5*
D5
Gtrs. 3+4 w/Fig. 2 1 1/2
1 1/2
12 16
15
12
15
12
15 14 12 15
16
E5* G5 E5* D5
14
12
12
14
12
16
14
E5
3
14
16 14 12
12
Gtrs. 3+4 w/Fig. 1 1 1/2
12
12
14
15
16
12
16
14
12
15
14
12
15
14
12
10
12
12
17
16 15 16
16 15 16
17
17
16 15 16
17
16 15 16
17
E5*
16 15 16
G5
17
16 15 16
E5*
D5
5 5 5
17
17 15
E5*
Sorgdal
20
Gtrs. 3+4 w/Fig. 2
full
20 19 17
G5 E5*
20
D5
15
19 17 19
19 17
E5*
21
G5
22
20
full
2
12
15 12 15
15
19 18
21 19 17
21 19 17 16
E5*
22
D5
22
19
E5*
3
G5
E5*
D5
2
2
2
2
22
22
22
22
3
Interlude Double time feel = Esus2
Gtrs. 3+4
w/echo
Gtr. 2 tacet
2
22
Gtrs. 3+4
P.S.
X
Em7
7 9 7
7 9 7
7 9 7
7 9 7
Play 4 times
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
µ
P.M.
12 12 12 11 11 11 10 10 10 9
Sorgdal
4
9
1.
2 2 0
8
8
7
7
6
6
6
5
5
5
4
4
4
3
3
3
2
2
1
1
2.
E5*
9
[E]
P.M. Fig. 3
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
P.M.
Verse
7 7 7 7 7 7 7 7
$
9 7 9 7
9
7 7
9 7 9 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7
9 7 9 7
7 7
9
9 7 9 7
Gtrs. 3+4 w/Fig. 3
[E]
1. You 2. You 3. You
P.M.
keep keep keep
say - ing say - ing dress - ing
you got now there ways you
some - thing ain’t no be should - n't be
for me. liev - ing. dress - ing.
[A]
You’ve been kiss - ing Some - thing you call love but I call sex. when you ought to be You keep sam - in’ when you ought to not bet. You keep stay - ing when you ought to be I just found You keep think - ing that you’ll nev - er get burned, ha! me a brand new box spring
Gtrs. 3+4
P.M.
0
screw
Sorgdal
0 0 0 0 0 0 0 0
[E]
0 0 0
0 0 0 0
0
0 0
0
and now some - bo - dy else can kiss your And what’s right is right but you ain't been right Well get up, bitch, you’ve got a lot to
ing leav - ing. mat - tress.
P.M.
0 0 0 0
ass. yet. learn.
These
Gtrs. 3+4 w/Fig. 3 7 5 7 5
7
5 5
7 5 7 5
5
Chorus
G5
boots were made for
E5*
walk - ing
G5
and that’s
E5*
just what they’ll
To Coda Ø
P.M.
And
P.M.
P.M.
0 0
5 5 3
G5
do.
Gtrs. 3+4
one
0
0
of these
0
0
0
these
boots
E5*
days
0
0
0
are
0
0
0
0
0
walk
all
ov
- er
gon - na
0
P.M.
5 5 3
0
5 5 3
0
0
you.
2 2 0
0
1. Interlude E5
Gtr. 2
5
5
7
9
6 7 6
5
5
Gtrs. 3+4 w/Fig. 1
9 7
6
7
6
9
7 6
9 7 6
9 7
6 7
8 9
6 7 9 7 6
5
5
5
full
Sorgdal
6
8
9 10 11
8 8 8
10 9 8 10
9 8
10 9 7
9 10
9 10 12
12 13 15
5
5
15
9
7 9 10
E5*
G5
8
9 8
E5*
15
9
D5
3 Gtrs. 3+4 w/Fig. 2
7
12
15 12 15
2 1/2
E5*
G5 E5*
D5
2 1/2
E5*
2 1/2
D5
15 12
15
12
D5
15 12
14 13
1/2
E5*
12
E5*
Gtr. 4
G5
3
2 1/2
15
E5*
15 15
G5 E5*
13
14
14 12
10
Gtr. 2 tacet
10
Gtr. 3
P.M.
12 12 12 11 11 11 10 10 10 9
9
9
8
8
7
7
6
6
6
5
5
5
4
4
4
3
3
3
2
2
1
1
[E]
Gtrs. 3+4
P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7
P.M. 9 7 9 7
9
7 7
9 7 9 7
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
2.
µ
P.M.
Sorgdal
7
7
7
7
7
7
7
7
9 9
7 7
9
7 7
9 9
7 7
P.M.
12 12 12 11 11 11 10 10 10 9
9
9
8
8
7
7
7
E5*
Gtr. 2
5
5
5
12 10
6
6
6
5
5
5
4
4
4
3
3
5
6 19 15
Sorgdal
8
12 15 12
14 12 14
12 17 12
14 14
12 15
3
2
12 14
P.M.
12 13 12 10
16 14
2
1
1
2 2 0
µ
full
13 17
17
17 13
19
17
(20)
P.M.
12 12 12 11 11 11 10 10 10
9
9
9
8
8
7
7
[E]
6 6 6 5 5 5
4 4 4
3 3 3 2 2
1 1
P.M. Gtr. 2 tacet
P.M.
7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7
7 7 7 7 7 7 7 7
9 7 9 7
9
7 7
9 7 9 7
D.S. al Coda
P.M.
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
9 9
7 7
9
7 7
9 9
7 7
Ø Coda
G5
one
E5*
of these days these
boots
are
gon - na
stomp
all
ov - er
you.
Gtr. 5 (elec.) (2 Gtrs. arr. for one)
fade in mf w/dist.
12 9
Sorgdal
5 5 3
P.M. 0
0
2 2 0
9
µ
P.M. Gtr. 5 tacet
12 12 12 11 11 11 10 10 10 9
E5*
9
9
8
8
7
6
6
6
5
5
5
4
µ
7
4
4
3
3
3
2
2
1
1
Yeah!
P.M.
2 2 0
12
12
12
11
11
11
10
10
10
9
9
9
8
8
7
7
[E]
P.M.
6
6
6
5
5
5
4
4
4
Sorgdal
10
3
3
2
P.M.
3
7
7
7
7
7
7
7
7
2
1
1
7
7
Are you
rea - dy
7
7
7
7
7
7
7
7
7
7
7
7
7
Play 3 times
7
boots?
P.M. 9 9
7 7
9
7 7
9 9
7 7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
Solo
Start
walk -
ing!
Gtr. 2
gradual bend
2
P.M.
P.M.
P.M.
Fig. 4
7
7
7
7
7
7
7
9 9
7
7 7
9
7 7 7
5
6
7
0
Gtrs. 3+4 w/Fig. 4
7
5
6
7
0
7
5
1/2
0
Sorgdal
3
0
3
5
0
3
0
3
0
2
0 0
6
full
3
2
3
0
3
2
0
3
5
3
3
3
18
full
full
12 12
3
14
14
12
14
12 14
12 13 12
14 12 14
12 15 12
14 12 14
12 17 12
14
11
18
13:12
1/2
15
12 14
12 17 12
14 12 14
12 17 12
14 13 16
15 19 15
16
14 16
15 19 15
16 14 16
12 0
16
15 17
16 14
3 17
1 1/2
1 1/2
1 1/2
1 1/2
1 1/2
1 1/2
14
15 19 15
16
17
17
17
17
15 14 15 14 17 14 15 17 15 14 17 14 15 17 15 14 19
17
3
14:12
14 15 17 15 14 19 14 15 17 15 14
full
full
16
15 17 19 17 15
P.M.
17
20
19 17
20
19 17
20 19 17 19 20
17 19 20 22
P.M.
22
Sorgdal
12
7
5
6
7
7
7
5
6
7
7
4
5
6
7
7
4
5
6
6
7
8
P.M.
9
6
6 7
P.M.
8 9
9
8
9
9
9
7
8 9
7
P.M.
12
9
9 10 11 12
9
7 8
9
9
10 11
12
12
12
you think
Sorgdal
10 11 12
17
14 15
I’m
kid - ding,
5
16
7
9 10 11
E5*
6
9
7 8
And
12
9
don’t
ya?
5
7
7
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
13
from Megadeth - Endgame
This Day We Fight! Words and Music by Dave Mustaine F#5
G5
13
A5
13
1
Verse Moderately fast q = 164
* F#5
1. For
this
µ
G5
F#5
G5
B5
F#5
I
G5
F#5
was
cho
E5
-
F#5
A5
sen
Rhy. Fig. 1
Gtrs. 1 & 2 (dist.)
P.M.
f P.M.
2
2
0
3
3
0
2
2
0
3
3
2
0
3
2
0
2
2
0
3
3
0
2
2
0
2 0
4 2
0
*Chord symbols reflect implied harmony.
F#5
G5
F#5
be
G5
-
B5
cause
A5
I
fear
noth
G5
-
F#5
ing.
With End Rhy. Fig. 1
P.M. 2
2
0
3
3
0
2
2
0
3
3
2
0
3
2
7
0
0
8
7
5
7
5
0
3
5
3
0
2
3
2
0
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)
con
G5
F#5
G5
B5
- fi - dence
I
tread
G5
off
F#5
to an - oth
G5
-
F#5
er
B5
war
G5
through
F#5
G5
torn,
F#5 E5 F#5
the
A5
dead
of
F#5 E5 F#5
the
A5
far
F#5 G5 F#5 G5
a - way
B5
A5
B5
A5
G5
F#5
G5
F#5
night,
F#5
bat - tle
G5
F#5
G5
-
field
© 2009 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
F#5
G5
B5
F#5
where - in
lies
a
de - mon
-
G5
F#5 E5 F#5
A5
F#5 G5 F#5 G5
ic
en
-
e
-
my
B5
A5
G5
horde.
Verse Double-time feel
2. On
this
F#5
G5
F#5
G5
B5
F#5
I
de
day
F#5
G5
F#5
-
G5
B5
sire
to
a
-
Rhy. Fig. 2
Gtrs. 1 & 2
P.M. 2
2
0
F#5
3
0
2
G5
2
0
3
F#5
noint
3
my
3
0
2
G5
3
2
0
P.M. 2
B5
2
0
0
3
3
0
F#5
2
2
G5
0
3
3
F#5
2
0
E5
3
2
3
3
0
2
0
G5
fists,
en -
P.M. 2
2
2
0
3
3
0
2
3
2
End Rhy. Fig. 2
P.M.
0
2
2
0
F#5
G5
3
3
0
2
2
P.M.
2 0
0
3
5 3
Gtrs. 1 & 2: w/ Rhy. Fig. 2
F#5
G5
gag - ing
F#5
G5
B5
them
in
the
C5
Stop
-
F#5
ping
at
mode
G5
F#5
G5
B5
of
pow
-
er
F#5
and
G5
B5
noth
-
ing
G5
F#5 E5
G5
war.
F5/C
F#5
C5
that’s
short
of
ful
-
fill
-
ing
my
Rhy. Fig. 3
Gtrs. 1 & 2
5 X 3
5 X 3
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 3 3
5 3 3
5 3 3
5 3 3
5 3 3
5 3 3
5 3 3
5 3 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
F#5
G5
des
F#5
-
G5
B5
F#5
2
0
3
3
0
2
2
-
ing
to
0
3
3
C5
Will
F#5
E5
G5
ti - ny.
2
0
3
2
0
2
2
0
3
3
0
2
F5/C
die
P.M. 2
G5
2
2 0
0
C5
and
I
will,
af
-
ter
5 3
3
you,
for
what
5 X 3
5 X 3
5 X 3
F#5
5 X 3
5 X 3
5 X 3
G5
5 X 3
5 X 3
F#5
*
I
5 X 3
be
-
5 X 3
5 X 3
5 X 3
5 X 3
G5
5 X 3
5 X 3
5 X 3
5 3 3
B5
5 3 3
2
0
3
3
0
5 3 3
F#5
5 3 3
5 3 3
5 3 3
G5
5 3 3
5 5 3
F#5
5 5 3
5 5 3
C5
5 5 3
5 5 3
5 5 3
B5
5 5 3
G5
5 5 3
lieve.
P.M.
P.M. 2
5 3 3
2
2
0
3
3
0
2
3
2
0
2
2
0
3
3
0
2
2
End Rhy. Fig. 3
5 3
4 2
5 3
*w/ echo set for half-note regeneration w/ 1 repeat.
Guitar Solo A5
Bb5
A5
**Gtr. 3 (dist.)
f
1
1
15
16
17
18
Bb5
8va
1
14
15
17
1
1
15
16
17
18
19
**Chris Broderick Riff A Gtrs. 1 & 2
7
5
0
7
5
0
7
5
8
8
8
8
5
6
7
5
7
5
0
7
5
0
7
5
8
8
8
8
5 5
6
7
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
Bb5
A5
1
16
17
18
7
5
7
0
5
Gtr. 3
6
3
6
0
15 17 20 17 15 15 15 17 20 17 15 14 15 17
7
5
Gtrs. 1 & 2: w/ Riff A
A5 8va
1
15
Bb5
8va
8
8
8
5
6
7
5
7
5
7
0
3
7
0
5
20
A5
18
20
18
17
20
18
17
8
8
8
6
1
Bb5
8
20
20
A5
5
1 1/2
20
Bb5
7
1
17
8
Bb5
6
1 1/2
20
5
A5
1
15 17 20 17 15
End Riff A
Bb5
15 17
17
8
17 15
A
8va
fdbk.
17
17
20
19
17
20
17
17
19
20
17 19
17
20
17
19
17
19
17
17
Pre-Chorus Gtr. 3 tacet
D5
des
-
Eb5
p’rate a - veng
-
er
strik
-
ing
fear
in
D5
Riff B Gtrs. 1 & 2
7
5
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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0
7
5
0
7
5
8
8
8
8
5
6
7
5
7
5
0
their
7
Eb5
5
hearts,
in
-
0
7
5
8
8
8
8
6 5
6
7
D5
vad
-
Eb5
ing
their
D5
day
e
dreams
be - fore the
7
5
7
0
5
0
7
5
8
8
8
8
5
6
7
Eb5
-
ven
starts.
End Riff B
5
7
5
7
0
5
7
0
5
8
8
8
8
7
6
5
7
Guitar Solo Gtrs. 1 & 2: w/ Riff A
A5
Bb5
*Gtr. 4 (dist.)
A5
8va
Bb5
loco
3
3
f
3
3
1
22
22
20
22
20 17 20 17
17
20 17 20
17
20 17 20 17
17
20 19 20
*Dave Mustaine
A5
Bb5
3
A5
3
17
19 17 19 20
17 19 17
Bb5
3
20 19 17 19 20 19 17 18 17
19
6
3
19 18 17 19
17
19 19 18 17 19 18 17 18 17
3
19 19 18 17 19
19
Chorus Gtr. 4 tacet
E5
Whet
with
your
blood,
G5
I
sharp
-
A5
Bb5
en
my
sword;
Gtr. 4
no
End Rhy. Fig. 4
P.M. 0
G5
19
Rhy. Fig. 4 Gtrs. 1 & 2
19
A5
0
0
0
2 2 0
P.M. 0
0
0
0
0
0
2 2 0
P.M.
0
0
5 3
7 5
8 6
7 5
5 3
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 4 (2 times)
turn - ing
not
the oth - er
A5
E5
G5
cheek
A5
like
G5
5 3
G5
E5
A5
Come to - mor
- row
I may
G5
A5
Bb5
A5
lay
down
and die,
G5
but
Eb5/Bb
day.
Rhy. Fig. 5 Gtrs. 1 & 2
A5
a cow - ard.
Bb5
this
Bb5
End Rhy. Fig. 5
7 5
5 3
7 5
8 6
8 6 6
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
F#5 G5 F#5
G5
3. Sent
B5
on
F#5 G5
F#5
F#5
un - ho
B5
F#5
to the size
of their
the stran - gle
last
F#5
F#5 G5
-
B5
F#5 G5
of my
C5
is
to
die
F#5
kill - ing my
G5
G5
those
G5
who re - sist
F#5
G5 F#5 E5
like
F#5 G5
F#5 E5
B5
G5
grist.
B5
I
F#5 G5 F#5 E5
neth - er - world
*
life
and scat - ter them
G5
F#5
the
B5
all
F#5
C5
that
G5
up souls
F5/C
holds
F#5
to re - duce
G5
F5/C
re - quest
B5
ly quest
shriv - eled
C5
G5
van - quished
-
G5
Gtrs. 1 & 2: w/ Rhy. Fig. 3
C5
F#5
an
G5
G5
G5
sets for me.
F#5
G5
The
F#5 G5
B5
F#5 G5 F#5 C5 B5
G5
en - e - mies.
*w/ echo set for half-note regeneration w/ 1 repeat.
Guitar Solo Gtrs. 1 & 2: w/ Riff A (2 times)
A5
Bb5
8va
Gtr. 3
1
1 20
19
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
19
17
19
17
A5
Bb5
1
1 20 20
20
17
19
A5
Bb5
A5
22
20
17
20
17
17
19
20
A5
17 20
20
17
19
17
17
19
20
Bb5
1
17
17
19
19
A5
Bb5
8va
Bb5
8va
3 20
17
17
20
17
20
17
17
18
A5
17
17
18
17
17
18
17
20
Bb5
3 3 3 6
18
15 17
15
14
15
20
17
17
20
17
17
A5
8va
15 17 15
17
13 15 17 15 13
17
15 13
15 14
17
22
17
17
22
17
22 17
17
18
Bb5
14
14
Pre-Chorus Gtrs. 1 & 2: w/ Riff B Gtr. 3 tacet
D5
Eb5
Bathed in
blood
Gtr. 4
up to the
D5
Eb5
hors - e’s
bri - dle.
It’s
D5
Eb5
death to re
-
treat,
D5
there’s
no
Eb5
chance of
sur - viv - al.
12
20
Guitar Solo Gtrs. 1 & 2: w/ Riff A
A5
Bb5
A5
Bb5
8va 5
8
5
8
6
9
6
9
7 10 7
10
8
11 8
11
9 12 9
11
11 12
8
11
9 12 9
12
10 13 10
13
11 14 11
14
12 15 12
14
15
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
Bb5
A5
Bb5
8va
3 11 14 11
12 15 12
14
15
13 16 13
16
14 17 14
17
15 18 15
14 17 14
17
15 18 15
17
16 19 16
18
17 20 17
19
18 22 19
19
19
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 4 (3 times)
E5
Whet
with
A5
Bb5
sharp - en
my
sword;
your blood,
I
8va
G5
A5
G5
Gtr. 4 tacet
E5
no
turn - ing
the
oth - er
cheek
1/2
23
23
G5
A5
like
Bb5
a
cow
A5
-
G5
E5
ard.
Come
to - mor
-
G5
A5
Bb5
I
lay
down
and
die,
row
may
A5
G5
but
End double-time feel Gtrs. 1 & 2: w/ Rhy. Fig. 5
A5
Bb5
not
this
G5
A5
Eb5/Bb
day.
This
day
we
Interlude
F#5
Rhy. Fig. 6
Gtr. 2
G5
fight!
This
P.M. 2
2
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
3
3
0
2
2
0
3
3
0
2
3
2
0
day
P.M. 2
2
0
3
3
A5
Gtr. 1
F#5
0
2
2
5 3
4 2
we
2 0
F#5
B5
A5
G5
F#5
End Rhy. Fig. 6
(cont. in notation)
fight!
Gtrs. 1 & 2
P.M. 2
2
0
3
3
0
2
2
0
3
3
0
2
3
2
0
7
0
8
7
5
7
5
0
3
5
3
0
2
3
2
0
Gtr. 2: w/ Rhy. Fig. 6
G5
F#5
G5
B5
F#5
Gtr. 1
2
0
F#5
3
G5
3
0
2
2
F#5
0
3
3
G5
2
0
3
2
B5
F#5
G5
F#5
A5
This
day
we
P.M.
P.M. 2
G5
0
2
2
0
G5
3
3
0
F#5
2
5 3
2
2 0
4 2
E5
D5
fight!
Rhy. Fill 1 Gtrs. 1 & 2
P.M. 2
2
0
3
3
0
2
2
0
3
3
0
2
3
2
0
F#5 E5 F#5
A5
End Rhy. Fill 1
15
17
15
0
14
15
14
0
12
14
12
0
10
12
10
0
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
F#5 G5
G5
4. Strip
the
lect
F#5
G5
the
fall - en
F#5
G5
spoils
of
B5
he
B5
F#5
-
war
G5
F#5 G5
roes,
F#5
F#5
G5
fin - ish
G5
and
F#5 E5 F#5
A5
send
them
back
B5
F#5
off
G5
F#5
G5
the
B5
A5
G5
wound - ed.
A5
F#5
Col -
G5
F#5
dead.
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro-Guitar Solos Double-time feel Gtrs. 1 & 2: w/ Rhy. Fig. 1 (6 times)
F#5
G5
F#5
G5
B5
F#5
G5
F#5
E5
F#5
A5
Gtr. 4
F#5
G5
F#5
G5
B5
3
1/4 1/2
16 16 16 16
16 16 16 16 16 16 16
A5
G5
14 14
16 16 16 16
F#5
1/4 1/2
16 16
G5
F#5
1
16
16 16
F#5
16
14 14
16
G5
16 16
14 14
16
G5
16
B5
14 16 16 16 16
F#5
1
14 14
16
F#5
14 14
16 16
16 16 16 16 16 16 16 16 16 16
G5
F#5
E5 F#5
A5
14
14 14
G5
17 14 17
1
17 17 14 17 14
1
14
16
B5
17 14 17
1
17 17 14 17 14
A5
14 17 14
16
G5
16
F#5
17
16
14
16
16
16
14
14
16
16
15
14
16
15
14
15
16
15
14
16
15
14
16
14
15
16
15
14
16
15
14
Gtr. 4 tacet
G5
F#5
G5
B5
F#5
G5
F#5
E5
(This
8va
Gtr. 3
P.H. 1
18
loco
18
18
Gtr. 4
16
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
16
14
17
F#5
A5
day
15
we
17
16
F#5
G5
F#5
G5
B5
A5
G5
F#5
fight!
Gtr. 3
1
14
17
15
3
14
17
14
16
G5
F#5
G5
B5
F#5
G5
F#5
17
E5
14
F#5
F#5
14
G5
17
G5
day
we
17
22
22
B5
20
19
20
A5
18
14
14
16
15
14
15
F#5
Gtr. 4
15
14
We
1
17
17
G5
fight!
Gtr. 3
14
6
17
F#5
14
17
1/2
14
15
A5
This
14
16
17
17
8va
14
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Gtr. 3 tacet
G5
F#5
G5
B5
F#5
E5
8va
17
14
F#5
19
G5
19
17
F#5
19
G5
14
14
17
17
17
16
B5
fight,
19
14
17
A5
G5
14
17
17
16
14
17
F#5
F#5
G5
F#5
E5
16
17
16
14
16
F#5
we
16
G5
15
14
17
B5
fight,
8va
19 17 14 16 16 15 14
day
G5
16 16 15 14 16 16 15 14
loco
fight,
17 16 14
A5
This
14
14
F#5
fight!
Gtr. 4
F#5
fight,
19
G5
16 15 14
F#5
16 16 15 14
14
A5
16 15 14
17 17
F#5
19 19 17 14
14
19 17 14
14 17 17 16 14
17
G5
F#5
G5
B5
This fight!) 8va
loco
19
17
14
17
17
16
14
17
17
16
14
16
16
15
17
14
17
16
14
16
16
15
Gtrs. 1 & 2: w/ Rhy. Fill 1
A5
G5
F#5
G5
F#5
E5
D5
day
12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
16 14
17 14
8va
15
14
16
16
15
fight!
14
16
17 14
16
I
16 14
16
F#5 Gtrs. 1 & 2
14
16
18
19
21
19
19
14
16
from Megadeth - Rust in Peace
Tornado of Souls Words and Music by Dave Mustaine and Dave Ellefson Guitars: Dave Mustaine Marty Friedman
Intro Fast q = 196 B5 µ
*Gtrs. 1 & 2 (dist.)
f
7
7
7
7
7
Harm. P.M.
5 7
7
Pitch: A
7
7
7
Pitch: A
7
5
7
D
7
7
E5
9
7
5
7
9 7
7
9
10
7
7
8
7
7
7
7
7
7
5
7
B5
5 7
µ
7
9 7
7
9 7
7
10
7
8
Harm. P.M.
9 7
7
7
7
7
7
7
D
µ
7
9
9
9
7
7
9 7
7
9
10
7
8
7
10
7
A
9
7
D5
8
9 7
B5
µ
9
9 7
7
C#5
7
5
4
C5
5
D5
C5
9
B5
3 3 3
7
7
Harm. P.M.
9
7
µ
B5
8
9 7
A
5
9 7
Harm. P.M.
9 7
B5
7
µ
D
A
Harm. P.M.
5
7
µ
5
7
D
7
Pitch: A
B5
B5
5
5
7
*Composite arrangement
5
Harm. P.M.
9 7
4
3
4 2
10
7
8
7
10
7
8
7
9
F#5
9
9
7
7
G5
9
E5
7 5
5 3
F#5
G5
Rhy. Fig. 1
B5
End Rhy. Fig. 1
P.M.
4 2
A5
4 2
4 2
4 2
4 2
5 3
5 3
2 0
2 0
4 2
4 2
© 1990 MUSTAINE MUSIC, ELF MUSIC and THEORY MUSIC All Rights for MUSTAINE MUSIC and ELF MUSIC Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Reprinted by Permission of Hal Leonard Corporation
5 3
0 0 0
4 2
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)
B5
1. This 2. You’ll
E5
morn - ing grow
I to
F#5
F#5
it the
made loathe
F#5
the my
all. same.
G5
E5
F#5
dam - mit, this well’s soon you’ll meet
gone your
4 2
A5
4 2
4 2
2 0
4 2
5 3
for the from the
P.M. 2 0
2 0
2 0
G5
up,
I won’t
A5
2 0
G5
no more self - a -
Not Not
P.M.
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4 2
4 2
4 2
4 2
5 3
A5
5 3
2 0
C5
B5
4 2
5 3
want need
-
2 0
P.M.
3
2 0
5 3
4 2
5 3
4 2
ed your
to
F5
4 2
4 2
5 3
A5
C5
2 0
3
E5
the pow the tears,
4 2
ends just
G5 A5 B5
P.M. 3
G5
ey,
3 1
F#5
cry, breath,
G5
mon years,
2 0
F#5
G5
that me
P.M.
5 3
4 2
F#5
-
5 3
G5 A5 B5
er,
5 3
2 0
2 0
4 2
4 2
0 0 0
5 3
4 2
Chorus
E5
F#5
G5 A5 B5
F#5
But,
5 3
for from
4 2
one hate
4 2
the You’ll
the the
not not
3
E5
for from
2 0
E5
P.M.
2 0
games. buse.
4 2
G5
3 1
4 2
2 0
dry. death.
2 0
F#5
G5
fame, use,
F#5
4 2
5 3
F5
just just
4 2
E5
not not
4 2
F#5
P.M.
B5
Gtrs. 1 & 2
G5 A5
call, name.
Hang - ing You
F#5
but, and
E5
G5 A5 B5
G5
2 0
2 0
4 2
4 2
5 3
0 0 0
4 2
now I’m
G5
5 3
E5
safe
4 2
in
the
eye
P.M. 0
2
3
3
2
1
2 0
G5
of
the
tor
F#5
na
-
2 0
3
the
lies
D5
3
2
let
0
2
3
3
2
7 5
4 2
a
thou
-
sand
3
I
can’t
G5
re
- place
4 2
F#5
5 3
D5
days
F#5
G5
2 0
1
Rhy. Fig. 2
7 5
E5
that
do,
B5
P.M.
5 3
-
go.
3
2
End Rhy. Fig. 2
7 5
7 5
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (1 1/2 times)
B5
No
more
-
ly
die.
-
G5
liv - ing
F#5
F#5
trapped
D5
in
B5
-
F#5
F#5
2 0
3
G5
In
her
way,
I’ll
sure -
of
the
3
2
tor
blow
me
a
-
A,
eye
do.
Gtrs. 1 & 2
G5
the
G5
side.
In
E5
5
4
E5
-
na -
B5
way.
P.M.
0
2
4 2
1. Interlude Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
B5
F#5
G5
E5
F#5
G5 A5 B5
F#5
G5
E5
F#5
G5 A5 B5
3
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2. Bridge B5
F#5
Who’s
to
X X X
say
4 2
5 3
F#5
G5
to
X X X
4 2
E5
X X X
Who’s
to
F5
2 0
X X X
X X X
4 2 2
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
me
what’s
for
4 2
X X X
B5
to
for
me
5 3
-
ing
X X X
it - ’ll
X X X
X X X
7 5
4 2
D5
A5
4 2
5 3
E5
F5
X X X
X X X
7 5
2 0
C5/G
B5/F#
do?
X X X
be
X X X
to
be?
B5
4 2
G5
A5
µ
F#5
µ
G5
noth
5 3
X X X
F#5
big
4 2
4 2
X X X
X X X
B5
say?
D5
2 0
G5
what’s
me
to
X X X
a
X X X
F#5
3 1
X X X
µ
B5
2 0
’Cause
for
X X X
say
5 3
what’s
say
4 2
X X X
Who’s
Sorgdal
G5
4 2
X X X
for
2 0
3 1
F#5
G5
X X X
X X X
5 3 3
4 2 2
D5
B5
me.
4 2
X X X
X X X
4 2
5 3
X X X
X X X
7 5
4 2
µ
Gtr. 1
Interlude µ
B5
Riff A
4 2
7
*Gtr. 3
7
9
mf
7
10
8
7
7
10
4 2 *Bass arr. for gtr.
G5
8
9
7
9
9
7
µ
7 7
E5
7
9
10
7
8
7
10
7
8
7
9
9
9
7
End Riff A
9
7
5 3
µ
2 0
F#5
µ
µ
G5
µ
µ
µ
F#5
4 2
A5
2 0
µ
4 2
E5
2 0
µ
B5
3 1
5 3
A#5
2 0
4 2
2 0
A5
4 2
2 0
Gtrs. 1 & 2: w/ Riff A (5 times) Gtr. 3
2 0
2 0
A5 A#5 B5
2 0
3 1
4 2
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
Rhy. Fig. 3
P.M.
4 2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
E5
P.M.
5 3
3
3
3
3
3
3
F#5
3
3
3
3
3
3
A5
3
2 0
3
A#5
B5
End Rhy. Fig. 3
2 0
0
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
P.M.
4 2
0
2
2
2
2
2
P.M.
2 0
2
0
0
0
3 1
0
4 2
Bridge Gtrs. 1 & 2: w/ Riff A (2 times) Gtr. 3: w/ Rhy. Fig. 3
B5
The
land
of
op
-
por
- tu
-
ni
My
fu - ture
looks
G5
-
ty.
F#5
so
The gold
bright
A5
I
-
chance
en
think
I’ve
E5
for
me.
A#5
B5
seen
the
light.
Interlude Gtr. 3: w/ Rhy. Fig. 3 (2 times)
B5
G5
E5
Riff B
End Riff B
7
7
5
7
7
5
5
7
7
7
7
Gtrs. 1 & 2: w/ Riff B (2 times)
Gtr. 4 (dist.)
7
5
7
7
7
5
7
F#5
7
5
5
7
7
7
7
7
A5
5
A#5
7
7
B5
mf
5
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
5
4
5
P.M.
5
3
5
4
P.M.
5
3
3
5
2
5
5
E5
5
4
5
P.M.
5
3
4
5
F#5
*Gtr. 5 (dist.)
5
P.M. 3
3
5
A5
2
5
5
A#5
5
B5
1
3
*Marty Friedman
Gtrs. 1 & 2
7
7
5
7
7
5
5
7
P.M.
7
7
7
5
7
7
7
5
7
7
7
5
5
7
7
7
7
7
5
4 2
7
Gtr. 4
5
5
4
5
3
5
4
P.M.
P.M.
5
3
3
5
2
5
5
5
4
5
5
3
4
5
P.M.
5
3
3
5
5
5
2
Guitar Solo Gtr. 4 tacet
B5
Gtr. 5
G5
semiharm
4
0
X
6
0
semiharm
1/2
3
E5 +1
7
7
9
w/ bar
w/ bar
+1
+2
9 11
11
11
9
9
9
7
Rhy. Fig. 4 Gtrs. 1 & 2
P.M.
4 2
2
2
2
2
2
2
2
2
2
2
4 2
4 2
X X
5 3
P.M.
3
3
3
3
3
3
3
3
3
3
5 3
5 3
X X
2 0
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
7
7
10
9
7
9
7
6
7
6
9
7
6
6
A5
A#5
+1
7
w/ bar +1/2
F#5
6
6
7
6
9
7
7
9
9
9
P.M.
End Rhy. Fig. 4
P.M.
0
0
P.M.
2 0
0
0
0
0
0
0
0
0
2 0
2 0
X 0
2
2
2
G5
Gtr. 5
2
9
10
11
9
12 11
11
12
9
12
14 12 14
12
12
12
15
+1/2
14
14
F#5
12
14
14
10
14 10 14 10
9
10
12
11
7
9
9
7
7
6
6
1 1/2
16
16
16
14 15
14
15
14
16
14 15
14
19 15 19 15
F#5
8va
loco
3
3 19
16 19 16
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
17
12 16 16
13
14
13 16
12 16 13
14
13 9
0 19
15
loco
3
3
19
8va
E5
3
17
8va
G5
14
B5
9
9
12
A#5
9
12
A5
12
8va
19 15 19 15 14
4 2
w/ bar
1
14
3 1
0
+1/2
14
3
14
0
E5
1
12
0
w/ bar +1/2 1/2
9
2 0
2
+1/2
3
9
P.M.
4 2
Gtrs. 1 & 2: w/ Rhy. Fig. 4 (5 times)
Sorgdal
B5
9
11
17
16
12
11
12
17
16
17
7
15
8
15 19
A5
19 18 19
0
19
A#5
10 7
9
9
B5
9
6
7
7
7
G5
9
9
9
9
7
9
7
9
9
B5
9
9
8
7
7
9
7
7
9
9
3 3 3 F#5
7 9
A#5
grad. release 1/4
8 9
1
7
9
9
7
9
1/2
7
9
E5
7
A5
3
7
7
5
7
7
8
9
9
11
8
11 14
11
12
14 12
14
G5
3
3 14
12
12
11 14
14
14 19 14 10
12
10 14 10
14 10
12
10 14 10 14 10
12
10 14 10 14 10
12
10
15 10
12
10 15 10
12
10 15 10
12
10 14 10
12
10
E5
8va
15 10
12
10 15 10 15 10
12
10 15 10 15 10
10
12
17 10
12
10 15 10
12
10 17 10
12
10 15 10
12
10
16 10
12
10 16 10 16 10
12
10 16 10 16 10
12
10
F#5
A5
A#5
B5
8va
17 10
12
10 16 10
12
10 17 10
12
10 16 10
12 16
8va
17
17
15
14
14
1
14 18 14 18 14 14 18 18 14 14 14 14 14 14
17 12
14
12 17 12 17 12
14
12 17 12
14
12
17
15
G5
3
3 2
13
15
15 16
14
16
15
14
15 17 14
17 21 17
19
18
19
17 19 24 19
22
19
22 19 22
22 17
6
19
18
15 19 15
17 15
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8va
E5
3
3
loco
3
7
3 17
17 12
15
15 14 15
12 14 14 12 14
1
1
7
10 7
F#5
B5
10
3. Can’t
4 5 7
Gtr. 5 tacet
say
what’s
4
6 4
7 10 8 7 8 10 7
G5
on
mind.
my
2
4 4
2
2
4 4
2
2
Can’t Gtrs. 1 & 2
P.M.
0
7
8
7
6
7
6
5
5
7
A#5
B5
8
7
10 12
11
8 10
12 11 10 11 12 11 10 11 12 11 12
E5
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
2
2
2 2
2
2 2
4 4
real
-
4 4 3
3
F#5
ly
0
0
4 4
In
this
4 4 0
0
2 2 0
0
bed
I
2 2
3
what I
P.M. P.M. P.M. P.M. P.M. 3
4 4
4 4 3
3
2 2 3
3
3
A5
2 2
0
A#5
4 4
B5
feel.
P.M. P.M. P.M. P.M.
Gtrs. 1 & 2: w/ Riff C
4 4
do
4 4
Sorgdal
8
End Riff C
P.M. P.M. P.M. P.M. P.M.
0
7
12
Riff C Gtrs. 1 & 2
8
4 2
10
Gtr. 5
12
8
3
10
9
Verse
12
A5
10
11 10 12 10
12
P.M.
4 4
0
P.M. P.M.
4 4 2
2
G5
made
me
for
2
2
4 4
0
0
P.M.
0
4 4
P.M. 0 0
0
1
4 2
E5
Gtrs. 1 & 2
is
where I
P.M.
0
sleep
0
4 4
0
0
ly
2 2
0
0
P.M.
4 4 2
2
A#5
B5
Gtrs. &2 P.M. 1*divisi P.M. P.M. P.M. Gtr. 4
4 4
0
A5
feel.
2 2
0
2
4 4
2
0
0
0
4 4
0 0
0
P.M. Riff D
4 2
2 0
2 0
4 2
4 2
4 2
1
Riff D1
-
P.M. P.M.
4 4
2 0
real
F#5
*Gtrs. 1 & 2 play downstemmed notes, Gtr. 4 plays upstemmed notes. Vibratos pertain to Gtr. 4 only.
Interlude B5
4 2
I
P.M. P.M.
4 4 0
P.M.
2 0
4 2
2 0
2 0
4 2
Gtrs. 1 & 2: w/ Riff D Gtr. 4: w/ Riff D1
4 2
P.M.
2 0
4 2
2 0
4 2
2 0
2 0
4 2
4 2
2 0
End Riff D1
P.M. 4 2
2 0
2 0
4 2
End Riff D
2 0
4 2
4 2
Verse
Gtrs. 1 & 2: w/ Riff D (3 times)
* B5
D5
4. I
warn you of
the
E5
fate,
prov - en
true
too
late.
Your
tongue
twist
G5
per - verse,
*Chord symbols implied by bass, next 4 meas.
A5
come drink now of
My
poi
-
D5
curse.
And now I
son fills
your
fill
G5
your
brain.
I
head
as
A5
I tuck you
spin you ’round
in
E5
a - gain.
C5
this
B5
your
bed.
Gtrs. 1 & 2
P.M. 2
0
2
0
2
0
2
0
2
P.M.
0
2
0
2
0
2
P.M.
0
2
0
2
0
2
0
2
P.M.
0
2
0
2
0
3
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
3
You
feel
my fin
-
0
2
0
0
2
You’ll
feel my
3
0
3
2
0
2
0
-
3
0
tips.
P.M.
0
0
2
cold
3
0
2
0
B5
3
P.M.
0
You
won’t
for - get
0
2
2
3
0
0
2
It’s
0
2
P.M.
breath.
P.M.
0
B5
ger
P.M.
the
2
0
2
0
2
0
my
0
2
0
2
0
2
3
of
death.
P.M.
0
lips.
0
kiss
2
P.M.
P.M.
C5
2
0
0
2
2
0
4 2
Outro
B5
4 2
4 2
12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
G5
X X X
X X X
4 2
F#5
X X X
X X X
4 2
X X X
G5
5 3
X X X
2 0
A5
E5
5 3
A5
2 0
D5
X X X
2 0
7 5
X X X
C5
G5
A5
X X X
2 0
X X X
F#5
5 3
4 2
5 3
E5
X X X
X X X
D5 3
B5
2 0
C#5
4 2
C5 B5
7
8
3
7
5
7
3
5
4
5
4
3
4 2
Train of Consequences Words and Music by Dave Mustaine, Dave Ellefson, Nick Menza and Martin Friedman
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro Moderate Rock q = 114
µ(E5)
(Drumsticks)
mf
w/ dist.
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
2
0 2
0
6 X X X X X X
X X X
X X X X X X X X X
X X X
X X X X X X X X X X X X X X X X X X X X X
1.
X X X X X X
X X X
X X X X X X X X X
X X X
X X X
2
0 2
0
2.
Bb5
Bb5
1. I’m
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
8 8 6
8 8 6
X X X
X X X
X X X
X X X
X X X
X X X
© 1994 MUSTAINE MUSIC, VULGARIAN MUSIC, MENZA MUSIC and ADAM MARTIN MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
X X X
X X X
8 8 6
8 8 6
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
µ(E5)
do -ing you a 2. See additional lyrics
fa - vor,
as
I’m
your
mon - ey.
tak - ing all
I
6
X X X X X X
X X X
guess
I
X X X X X X
X X X
µ(E5)
bad
X X X
feel
X X X X X X X X X
X 2 X X
news creep - ing
2
X X X
sor - ry,
but
X X X X X X
0
I don’t
X X X X X X X X X
X X X
X X X X X X X X X X X X X X X X X X X X X
e
trust
me.
- ven
Bb5
There’s some
X X X
0
should
X X X X X X X X X
up,
X X X
2
0 2
and
you
X X X
0
X X X
feel
a
X X X
X X X X X X X X X
sud - den
X X X
chill.
X X X
8 8 6
8 8 6
How
do
you do?
6 X X X X X X
X X X
X X X X X X X X X
My
X X X
X 2 X X
name is
trou - ble,
0 2
0
X X X X X X
X X X
I’m
com -ing
X X X X X X X X X
X X X
X X X X X X X X X X X X X X X X X X X X X
Bb5
in
for the kill.
X X X
X X X
X X X
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
X X X
X X X
X X X
X X X
X X X
X X X
X X X
2
0 2
0
X X X
X X X
X X X
X X X
X X X
X X X
8 8 6
8 8 6
Pre-Chorus F#5
µ
F#5
In for the See additional lyrics
kill.
P.M.
let ring
µ
let ring
4 4 2
C#5
3
2
0
2
µ
Ooh,
P.M.
4
4 2
B5
and you know I
let ring
µ
2
2
A5
will,
2
let ring
let ring
6 5
4
0
0
µ
2
2 2
4 4
2
ooh.
6 4
3
5
4
2
0
5
4
0
Chorus
E7
Set
the
a - roll
I’ll
be
ball
-
in’,
let ring
9 6 7
7
Dsus2
click - ing
off
miles.
On
the
the
9
7
let ring
9 6
7
9 7
5
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
µ(C) of con
-
se - quenc
-
es,
train
(D)
my box
-
car
(A)
life
(C)
o’
style.
My
7 7
10
8
9
E7
think -ing
I’m
let ring
9
10
4
7
5
Dsus2
de - railed,
7 8
is
12
10
8
tied
up
to
tracks.
9
7
6
The
9
7
7
let ring
9
6
the
7
5
1.
µ(C)
train
of con
-
se - quenc
-
* (C/E)
there
ain’t
no
turn - ing
es,
(A/F#)
(D)
back,
oh!
7 7
10
8
9 8
12
7
10
10
8
4 5
*Notes to right of slashes played by bass.
Interlude µ(E5)
6
X X X X X X
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
X X X
X X X X X X X X X
X X X
X X X
2
0 2
0
X X X X X X
X X X
X X X X X X X X X
X X X
X X X X X X X X X X X X X X X X X X X X X
Bb5
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
2
0 2
2.
ain’t
(A/F#)
no
turn - ing
X X X
X X X
X X X
X X X
back.
0
X X X
X X X
X X X
8 8 6
8 8 6
Interlude µ
(C/E)
X X X
P.M.
7 7
10
4
8
5
7
7
7
8
7
5
7
5
A5
7
3
5
3 0
3
12
15
15
1
7
7
7
7
5
6
5 7
3
X
X
3
2 0
0 3
A5 µ(A)
3
1
15 12
Guitar Solo µ
12 15
7
15
15
E5
G5
A5
5
C
5 7
5 3
2 0
1
12
2 0
14 12 14
14 12 14
14 12 14 12
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5 E5
G5 A5
C
A5
µ(A)
1/2
0 3
2 14
12
12 14
12
10
12
10
12
12
10 12
µ
0
0
8
0 8
let ring
0 5
0 3
0
0 0 5
3
5
12
0
10 8
10
10 10
3
10
3
12
10
10
10
12
11
10
A5
E5
G5
A5
C
A5
6
6
3
1
12 12
µ(A)
12
X
X
12 14 15
12 15 14
12 14 15
15 14 12
14
14 12
14 12
14
12 14
14
8va
µ
6 1
1
1
1
6 1
1
12 12 15 14
12 17 14
12 15 14
A5 E5
1/2 1/2 1/4 8va
14
14
12 15
12 15
A5
loco
12 14
µ(A)
8va 3
14
15 17 15 16 16
Sorgdal
15 14
15
15 12
Oh.
19
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
12 15 14
C
17 19
6
12 15 12
14
14
G5 A5
14
12 17 14
17
15 17 19 17 15 17 19 19
20
22
Chorus 2nd time, substitute Fill 1
E7
1
the
ball
click -ing
off
miles.
On
the
a - roll
-
in’,
I’ll
be
loco
the
9
7
let ring
22
7
train
9 7
5
µ(C)
Dsus2
Set 8va
of con
-
(D)
se - quenc
-
es,
my
box - car
life
o’
(C)
(A)
style.
My
7 7
10
8
E7
think - ing
9 8
12
let ring
9
7
6
I’m
tied
4 5
Dsus2
de - railed,
10
8
is
7
10
up
to
tracks.
the
The
let ring
9
9
6
7
7
7
9 7
5
let ring
Fill 1
9 6
7
9 6
7
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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µ(C)
train
of
con
-
(D)
there
ain’t
no
turn - in’
se - quenc - es,
1. (C/E)
(A/F#)
back.
7 10
7 8
9 8
12
7
10
10
4
8
5
2.
(C/E)
ain’t
no
Outro µ(E5)
(A/F#)
turn - in’
back.
10
4
8
5
X
X
X
X
X
X
X
X X X
X X X X X X X X X
X X X
X X X X X X X X X X X X X X X X X X X X X
X X X X X X
X X X
X X X X X X X X X
X X X
X X X
2
0 2
3.
Bb5
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
8 8 6
Bb5
8 8 6
X X X
X X X
X X X
X X X
X X X
X X X
Additional Lyrics 2. No horse ever ran as fast as the money that you bet. I’m blowing on my cards, and I play them to my chest. Life’s fabric is corrupt, shot through with corroded thread. As for me, I hocked my brains, packed my bags and headed west, ah.
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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X
6
X X X X X X
1., 2.
X X X X X X 2 0 XX XX X X X X X X 2 0
7
7
Pre-Chorus I hocked my brains, Headed west, oh.
X X X
X X X
8 8 6
8 8 6
0
Trust Words and Music by Dave Mustaine and Marty Friedman E5
C5
A5
F5
Bb5
B5
D5
7fr
Bb5 III 5fr
133
13
11
134
13
13
13
C5 VII
6fr
E5 II
8fr
13
13
11
Intro Moderate Rock
(drums)
q = 132
*Gtr. 1 N.C.
**
p
mf
w/ pick & fingers
E5
Gtr. 2 (elec.)
pp
9
9
7
7
12
7
7
5
5
10
*Synth arr. for gtr. ** Vol. swell, 1st time only
C5
A5
F5
E5
p
w/ dist.
Gtr. 3 (elec.)
pp
Gtr. 1
9
9
12
A5
w/ dist.
9
C5
9
9
10
10
12
9
7
7
8
8
10
7
© 1997 EMI BLACKWOOD MUSIC INC., MUSTAINE MUSIC and ADAM MARTIN MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
12
9
9
9
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
mp mf Bb5
12
9
9
9
10 10 10 10
C5
A5
A5
E5
9
9
12
12
9
9
9
9
9
9
12
9
9 12 12
12
7
7
12
9
9
10
12
7
5
5
10
7
7
8
10
C5
9
9
12
5
A5
9
12
F5
f P.M. (cont. in notation)
12
1/2
12 9
9
12
12
12
12
9
9
10
12
14
7
7
8
10
12
12
12
12
9
12
9
p
E5
Interlude
*N.C.(E5) Riff A
0
2
7
(C5)
0
* Harmony implied by bass.
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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8
8
7
0
8
7
1.
2.
f P.M. 7 7 7 7 7 7 5 Gtr. 1 tacet
Gtrs. 2&3
(A5)
0
8
7
(Bb5)
(C5)
(C5)
End Riff A
0
6
5
0
0
6
8
6
5
0
0
6
8
0
Verse
E5
in 2. Time
1. Lost
C5
9 9 7
0
Search smile
0
0
0
ing and
0
0
my say
0
0
0
0
0
µ(E5) B5
head, yes,
0
0
0
0
0
noth - peats,
ing’s
what “Let’s
0
0
0
0
2 0
0
0
0
0
E5
I
P.M.
3 3 1
0
0
F5
that you bends
seems. friends.”
µ(E5)
words truth
0
µ(E5)
it be
0
P.M.
4 2
F5
P.M.
-
2 2 0
0
for the an - oth - er
µ(E5)
A5
P.M.
5 3
A5
re
5 3
P.M.
0
she
C5
P.M.
9 7
0
-
a dream, and a - gain,
P.M.
µ(E5)
0
0
0
µ(E5)
0
0
9 7
E5
mf Gtr. 3 Gtr. 2 divisi (Gtr. 2 cont. in slash) P.M. said. I must
0
0
con
- fess.
3 3 1
0
0
0
I
0
0
0
0
12 12 9 7
open open open Gtr. 2 P.M. P.M. P.M. P.M. E
C5
E
A5
E
F5
E
E5
open
Tears tried
filled to
my let
eyes, go,
but
Gtr. 3
12 12
as I
we said our know we’ll
5
last good nev - er
-
byes. end
This
till we’re
dust.
We
12 12
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
open open open open open open P.M. P.M. P.M. P.M. P.M. P.M. E
C5
sad
re each
plays, oth
-
Chorus Gtrs. 2 & 3: w/ Riff A, 2 times Gtr. 7: w/ Fill 1, 3rd time N.C. bod
-
y
9 X 7
9 X 7
A5
E
you walk gain,
9 X 7
9 X 7
7
7
from
ing but
9 X 7
9 X 7
9 X 7
a I
E
- way. wish I
could trust.
10 10
mis -
9 X 7
-
5
Gtr. 2: w/ Rhy. Fill 1, 2nd time
F5
aches
Gtr. 1 Riff A1
9 X 7
E
of a
er
5
My
D5
12 12
9 X 7
B5 E
scene to
lied
E
takes,
be
-
trayed
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
by
lust.
We
End Riff A1
7 X 5
7 X 5
7 X 5
7 X 5
12 X 10
12 X 10
1.
lied
to
each
oth
4th time, T o Coda
-
er
so
much,
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Rhy. Fill 1 Gtr. 2
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1
1
1
1
1
that in
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
15 X 13
13
14 X 12
we
14 X 12
19 X 17
15 17 X X 13 15
14
trust.
noth - ing
Fill 1 Gtr. 7
3 3 1
9 X 7
14
that in
noth - ing
9 X 7
16 X 14
9 X 7
9 X 7
9 X 7
be
-
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
21
21 X 19
21 X 19
er
21 X 19
so
21 X 19
21 X 19
0 2 2 0
19 X 17
19 X 17
19 X 17
24 X 22
24 X 22
24 X 22
Good - bye
so
21 X 19
21 X 19
21 X 19
21 X 19
21 X 19
much,
me
please
much.)
now
21 X 19
We love.
lied
24 X 22
16 X 14
my
16 X 14
16 X 14
to
each
21 X 19
21 X 19
21 X 19
21 X 19
21 X 19
21 X 19
21 X 19
there’s
noth - ing
15 X 13
16 X 14
knees,
21 X 19
on
16 X 14
16 16 16 X X X 14 14 14
lust.
16 16 16 X X X 14 14 14
(C)
How could
this
be
happening
oth -
trust.
we
14 X 12
(Am)
to
me?
I’m lying
Cmaj7
mp
14 X 12
19 X 17
15 X 13
17 X 15
q = 118
Trust
Gtr. 4 (nylon-str. acous.)
help
16 X 14
by
God
15 X 13
19 X 17
µ(Em)
Em
15 X 13
Gtr. 1 tacet
7 X 5
trayed
trust.
Spoken:
knees.
7 X 5
my
Interlude Slower
7 X 5
(On
-
19
7 X 5
9 X 7
we
9 X 7
Gtrs. 2 & 3: w/ Riff A, 2 times
0 0 2 3
(F)
when
I say trust
C#m7b5
hurts.
Why
does
2.
me.
I can’t believe this is true.
(D)
trust
equal
suffering?
0 0 2 4
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
*Am
Gtr. 4
5 7
Gtr. 5 (nylon-str. acous.)
mf
5
5
1
5
6
5
6
5
1
3
1
3
1
2
2
3 5
2
5
3
3
5
7
3
3
3
3
4
5
3
1
2
1
5
7
3
4
5
7
2
2
6
Gm
3
mf
F7/C
3 2
5
3
5
5
5
* Chord symbols reflect overall harmony.
Bbm
6
6
6
6
6
6
8
6 8
5
6
mf
7
5
0
6
7
5
rit.
7
8
6
7
0
5
3
5
8
8
6
7
5
58 5
6
7
rit.
0
8
11 811 8
9
7
11
A5
Gtr. 6 f divisi ***Gtrs. 2 & 3
Gtr. 6 tacet
N.C.
0
8
6
Gtrs. 2, Slower q = 108 3 & 6** Gtrs. 4 & 5 tacet (elec.)
8
8
A7b9
let ring
5
5
Fmaj7/A
heavy P.M.
Gtrs. 2 & 3
P.M.
2 2 0
0
0
0
0
0
0
1/2
1
0
0 1
0
0
0
11
0
** Gtr. 6: w/ clean tone and reverb (mp)
0 0
0 0 11
0 0
0 0 3
*** next 5 meas.
P.M.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 0
2 2 0
Guitar Solo q = 132 Gtr. 7 (elec.)
Gtrs. 2 & 3: w/ Riff A, 4 times
µ
ff
w/ dist.
9
9
1/2
9
9
9
17
8v a
17
16
17
1 1/2
1
17
17
1/2
18
17
9
18
9
loco
1/2
1 1/2
17
1/2
2
2
1/2
1/2
2
2
2
18 17
*+x
12 9
17
3
18
1 1/2
1 1/2
15
17
16
9
17
1/2
15
9
1 1/2
16
16
17
8v a
9
let ring
9
11
9
8v a
17
16
17
19
15
19
15
19
15
19
loco
3
1 1/2
19
1
19
19 22
1
22
22
22
1 22
1 22
1 22
1 22
22 22
1 1/2
1 **
1 22
* Played ahead of the beat.
22 22
22 22
22 22
22 22
22 22
5
** 2nd string caught under finger.
8v a
w/ slight wah-wah
12
11
12 10 12
6
6
11 12 11
12
14
12 15
12 14 12
3
15 12
14
12 15
12
14 12
6
15 12
14
12
15
15 12
6
14
12 15 12 15 12
14
12
14 12
14 12
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
that in
noth - ing
Gtr. 3
9 X 7
9 X 7
9 X 7
9 X 7
be
Gtr. 7
9 X 7
-
trayed
9 X 7
trust. (In noth - ing
we
7 X 5
7 X 5
7 X 5
7 X 5
12
12 X 10
10
12 X 10
by
lust.
We
lied
now
there’s
(So
much.)
noth - ing
we
to
each
11
from
1
15
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
mis
-
takes,
1
15 12 15
12 15
15
so
much,
My
12 14 12
er
14
by
12 14
lust.
8v a
15
17
bod
-
y
aches
12
1
12 12 15
15
We
1
trust.
12 15
-
be - trayed
1
15 12
12 14
9
12 14
knees,
oth
1
14
my
mf
14 12
on
11
please
1/2
me
mp
9
Sorgdal
help
mf
12 X 10
11
God trust.)
we
1/2
Gtrs. 1, 2 & 3: w/ Riffs A & A1, 5 times
1/2
1
17
17
lied
15 12
to
each
oth -
17
er (We
lied
so to
each
-
oth - er
so
much.
19
help
me
please
17
by
loco
1
lust.
17
lied
to
9 12 9
9
12 9
Ab -
so -
5
5
w/ wah-wah
3
5
3
5
3
5
3
5
5
15
17
17
each
6fr Gtr. 2
17
15
17
17
knees,
17
be - trayed
17
17
lute
12 9
12 9
A
E
D
- ly
-
noth
12 12 9
open
er
12 9 12
VI
E
Bb5
- ing
VIII
C5
we
16
12 9
E5
so
12 10
12
10
much.
12
II
trust.
8
8
mp
9
15
15
oth
open 5fr 5fr
Gtr. 3 tacet
17
We Oh.)
10 12
my please.
17
Bb
17
12
me
17
1
Gtrs. 1, 2 & 3: w/ Riffs A & A1, 1st 3 meas. only
17
17
1
Help
15
10
13
15
17
11
15
17
on
8v a
17
15
1/2
1/2
1/2
19
God
1/2
much.
8v a
2 2 0
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from Megadeth - The System Has Failed
Truth Be Told Words and Music by Dave Mustaine E5
C5
G#5
G5
F#5
F5
E5
1
13
Intro Moderately q. = 80 A5
13
7fr 13
13
** G5
D5
VII
4fr 13
G/B
A5
14
1
5fr
13
13
F#5
F5
E5
3
2
3 1
*Gtr. 1 (elec.)
f
w/ dist.
2 0
*Doubled throughout
9 7
3 1
**Chord symbols reflect implied harmony.
D5
C5
G/B
A5
G/B
5 3
5 2
7 0
5 2
7 5
C5
G5
F#5
5 3
F5
5 3
4 2
3 1
3 1
3 1
Verse Faster q = 120
Am
Am/B
1. This Riff A Gtrs. 1 & 2 (nylon-str. acous.)
mf
0
2
2
2
4
is
the
2
2
2
2
4
first
5
Am/C
tale
of
3
2
2
2
4
death
5
Dm
5
© 2004 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
in
the
world.
0
2
3
2
1
2
1 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Riff A (3 times)
Am
3
1
0
Gtr. 3 (nylon-str. acous.)
3
1
4
2
3
Dm
2
3
- i - ly
2
Gtr. 1
Am
Am/B
Am/B
To
in
Since
then
man
- sult
and
in
G#5
-
G5
do
us
part.
A
-
bel,
a
jure,
Am/C
-
kind’s
dom
Dm
there’s
- i - nat
-
ed
his
no
such
thing
as
peace
F#5
Dm
own
till
F5
(cont. in notation)
Fill 1
f
Gtr. 4 (elec.)
death
Am/C
Am/C
struck down
C5
P.M.
Cain
E5
Rhy. Fig. 1
When
3
kind.
Gtr. 2 tacet
Am/B
2
bro - ken.
Am
End Riff A
Gtrs. 1 & 2
fam
mf 1
Gtr. 3 tacet
End Rhy. Fig. 1
f w/ dist. P.S. steady gliss.
X
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
X X X X X X X X
Chorus Moderate Rock q = 110 Gtr. 4 tacet
F5
E5
G5
Till
E5
A5
(Truth
be
told.
Gtr. 1: w/ Rhy. Fig. 2 (3 times)
E5
Bb5 E5
A5 Bb5
Sin
lies at
E5
the
G5 E5
the last.
F5
Truth
be
told.
door - way.
End Fill 1
Gtr. 4
X
Rhy. Fig. 2 Gtr. 1
3 1
0
X
A5 E5
E5
5 3
X
X
X
A5 Bb5
0
Hell’s
X
7 5
F5
E5
o - pen
busi - ness
for
0
X
X
8 6
X
for
G5 E5
A5 E5
Truth
be
told.)
E5
F5
And
death is
up
G5
A5
Bb5
F5
A5 Bb5
soil
-
G5
cries
out
on
the ground,
A5
Bb5
F5
all
Gtr. 1
G5
E5
told.
A5 Bb5
be
3 1
Bb5
The
now.
re - venge.
Bb5
8 6
E5
7 5
0
A5 E5
Truth
F5
0
G5 E5
X
Bb5
End Rhy. Fig. 2
A5
P.M.
0
P.M.
5 3
Bb5
8 6
3 1
P.M.
7 5
0
F5
0
a - round.
3 1
P.M.
0
P.M.
5 3
0
P.M.
7 5
0
8 6
3 1
P.M.
0
P.M.
5 3
0
P.M.
7 5
0
0
3 1
P.M.
8 6
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Faster q = 120 Gtrs. 1 & 2: w/ Riff A (4 times)
Am
Am/B
2. The
bat
Am
tle
ain’t
Am/B
Just
8
9
10
7
8
Am
Am/C
it
is
7
7
When you
Dm
-
ver
with
-
does
8
dance
the
with
dev
3
5
war.
make
it
so.
-
1
3
1
3
Dm
il,
wait
till
the
song’s
o - ver.
I
ask
Gtr. 3 tacet
Am/B
Am/C
my - self,
Dm
“How
bad
do
Oh,
I
want
you
to
live?”
My
oh.)
10 10
10 10
8 10
8 10
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
of
oh.
Am
spoils
not
(Oh.
out
10
Am/C
ten
Dm
-
Am/C
writ
Am/B
o
’cause
Gtr. 3
-
7 10
Gtr. 1: w. Rhy. Fig. 1
Gtr. 4: w/ Fill 1
E5
C5
-
ger
is
near.
G5
an
G#5
F#5
F5
Chorus Moderate Rock q = 110 Gtr. 1: w/ Rhy. Fig. 2 (8 times)
F5
E5
G5 E5
(Truth
be
told.
Till
the
A5 Bb5
Sin
Bb5
E5
E5
Hell’s
A5 Bb5
F5
E5
o - pen
busi - ness
for
lies
E5
for
G5 E5
Truth
be
told.
E5
A5 Bb5
Sin
lies
at
F5
E5
the
busi - ness
A5 E5
Truth
be
told.
death
is
A5 Bb5
is
up
G5 E5
F5
Bb5
F5
E5
on
the
ground,
-
be
told.
be
soil
cries
out
G5 E5
Truth
be
told.
E5
A5 Bb5
A5 Bb5
F5
E5
cries
out
for
re - venge.
G5
A5
up - on the ground,
all
for
G5 E5
Bb5 F5
o - pen
told.
E5
A5 Bb5
Bb5
soil
A5
Truth
Hell’s
G5
Bb5 E5
A5 E5
The
Bb5 E5
A5 Bb5
told.
E5
now.
And death
be
Bb5 F5
Truth
be
told.)
G5
A5
Bb5
A5 E5
door - way.
door - way.
G5 E5
E5
G5 E5
The
Truth
F5
the
Bb5
And
Bb5
now.
re - venge.
A5 E5
A5 E5
E5
A5 E5
Truth
F5
at
F5
G5 E5
Bb5
last.
A5 E5
A5 E5
a - round.
Gtr. 1
P.M.
3 1
0
P.M.
5 3
0
P.M.
7 5
0
P.M.
8 6
3 1
0
P.M.
5 3
0
P.M.
7 5
0
P.M.
8 6
3 1
0
P.M.
5 3
0
P.M.
7 5
0
8 6
8 6
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo Faster q = 124 E5
µ
8v a
Gtr. 4
6
17
12
6
17
12
17
12
17
12
17
12
17
12
17
6
w/ bar 12
17
5
12
17
12
17
12
17
12
17
-1/2
Gtr. 1 Rhy. Fig. 3
2 0
2
3
2 0
-1
3
5
0
E5
3
µ
8v a
17
12
17
12
17
12
17
17
2 0
2
3
2 0
1
µ
1
1
12 15
E5
14 X 12
12
17
12
17
12
12
17
12
17
12
End Rhy. Fig. 3
1
12 15
12 15
1
12 15
3
5
0
5
6
µ
loco
1
15
15
E5
8v a
-1/2
Gtr. 4
3
12
-1
Gtr. 1: w/ Rhy. Fig. 3 (3 times)
15
12 15 12
µ
15
12 15 12
12 17 12
15
15
12 15 12
E5
15
14 X 12
12 10
12 X 10
14 12
µ
14 X 12
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
6
E5
5
12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
15 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
16 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
17 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
E5
µ
E5
_1
Harm.
_1
14 X 12
_1
12
12
_1
12 12 12
_1
12
w/ bar
12 12 12
µ
_1
_1
12 12
_1
12 12
12 12
µ Gtr. 4
12
w/ bar
12 12
Gtr. 1
P.M.
7
8
0
8
7
P.M.
0
6
P.M.
7
8
0
Gtr. 1
0
8
7
6
Gtr. 4 tacet
3
0
0
0
0
0
0
6
6
7
8
0
8
7
3 6
P.M. 0
6
0
0
0
0
0
0
0
0
0
0
0
7
0
8
3
rit.
0
0
0
0
0
0
0
Bb5
3
Play 5 times
P.M.
0
P.M.
0
3
0
P.M.
8
0
8
7
6
8 6
8 6
8 6
Faster q = 180
µ(Em)
Gtr. 4
8v a
19
Gtr. 1
3
19
19
17
3
0
0
3
3
17
17
Riff B
5
20
3
20
20
19
0
0
19
6
20
3
3
19
19
17
19
3
17
16
17
3
16
16
18
18
17
End Riff B
0
0
0
0
0
0
0
0
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff B (3 times)
Gtr. 4
loco
3
3
3
3
3
17 17 17 15 15 15 18 18 18 17 17 17
3
17
16
14
16
(F#m)
Gtr. 4
13
14
3
13
15
15
14
15
15
3
14
12 14
3
3
17
3
3
17 16 17 16 14
3
12
3
3
3
14 15
14
15
14
3
15
14 12
Gtr. 1
14
14
17
14
16
Riff C
5
Gtr. 4
8v a
2
2
17
16
2
14
17
2
2
16
14
12
14
12
11
12 11
13
16
14
1
14
14
14
17
14
16
16
End Riff C
3
2
2
2
2
2
2
2
2
Gtr. 1: w/ Riff B (2 times)
(Em)
loco
3
3
3
3
1/2 19
19
3
10
13
3
1
16
1 19
7
19
11
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
11
7
19
19
19
19
19
19
10
7
10
11
7
11
12
7
11
11
7
10
8v a 3
3
8
Sorgdal
14
3
3
Gtr. 1: w/ Riff C
15
3
15
3
16 16 16 14 14 14 17 17 17 16 16 16
1
3
3
3 3
3
14
3
18 17 15 17 15
3
3
3
3
3
3
3
0
12
7
11
11
7
10
10
7
11
11
8
12
12
9
13
13 10
3
3
14
14 10
14
15 11
3
3
15
16 12
15
16 12
18
Gtr. 1: w/ Riff C (2 times)
(F#m)
8v a
3
3
19 14
3
17 19 14
3
3
17
14 17 14 19 14
17
3
19 14
3
17 19 14
14 17 14 19 14
17
3
3
17
3
19 14
3
17 19 14
17
3
14 17 14 19 14
17
Gtr. 1: w/ Riff B (2 times)
(Em)
8v a
3
19
3
14
17
8v a
3
19
14
17
3
14
17 14
3
3
19 14
12
12
12
3
15
12
3
12
3
17 12
3
15
15
15
15
15
15
15
15
15 12 12
3
15
15
Moderately q. = 80 E5 VII
12
3
15
15
15
15
17
15 12
3
15
15
12
15 12
15
3
12
14
G/B
14
12
14
14
14
12
14
A5
15
15
15
15
14
14
1
14
15
C5
1/2
14
15
D5
loco
14
12
3
1/2
15
17
3
3
12
1
Gtr. 1
12
12
3
14
14
14
12
G
3 fr
3
3 1 1
1/2
12 14
1/2
12
15
1/4
12
15
12
14
12
15
17
17
1 17
12
14
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#
3
15
12
12
15
12
15
12
3
15 15 12
12
15
15 14 12 15 15 14 12
14
4
17
E5
F5
2 fr
12
12 X 11 0
0
(cont. in notation)
12 11
Outro Fast Rock q = 300 1st time, Gtr. 4 tacet 2nd time, Gtr. 4: w/ Fill 2 3rd time, Gtr. 4: w/ Fill 3 4th time, Gtr. 4: w/ Fill 4
µ
1. Trib - u - la tion pun ish 2. Can’t 3., 4. See additional lyrics
Gtr. 1
and
we’re of
hit hard. ru - in - ing
the
earth,
End Riff D
0
0
0
0
Still, it’s
you su
head
cause
2
3
0
0
0
-
i
-
in
the are
we
Fill 2 Gtr. 4
just cide
0
3
5
go to
on
0
0
2
some
your de
sand, all
ig
-
Fill 3 Gtr. 4
12
12
12
3
0
0
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
2
3
0
0
0
0
5
0
0
0
6
nor guil
Be -
-
0
way, gree.
-
ing
the
ty,
rain, guil
-
ty
as
Fill 4 Gtr. 4
12 12
12 14
10
0
w/ bar
Sorgdal
Riff D
Gtr. 1: w/ Riff D (2 3/4 times)
strikes those
14
just
like There
sin.
Gtr. 4
15
the
flood be
in
will
in for
er
14
12
15
14
12
Gtr. 1
No
- ah’s
0
0
7
5
7
5
7
peace,
Riff E1
14
15
14
5
7
7
Gtrs. 1 & 4: w/ Riffs E & E1 (3 times)
-
15
15
14
12
14
X
8
13
End Riff E1
8
7
X
6
E5
14
12
End Riff E
0
0
0
0
0
0
Gtr. 4
15
Gtrs. 1 & 4: w/ Riffs E & E1 (2 times)
Play 4 times
Gtr. 1
nev
µ
day,
no
Riff E
day. me.
and
his you
14
14
Additional Lyrics 3. Before al Qaeda and Bin Laden, Long before Hitler and Hussein, Ever since the first murder was committed The verdict’s always been the same, been the same, wrong! 4. The cursed future just repeats the past. There’s hell to pay and stones to cast. So, there will be no peace, never be peace Till the last truth be told by you and me.
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Megadeth - United Abominations
United Abominations Words and Music by Dave Mustaine
Intro Free time G5
G5(#11)
*Gtr. 1 (slight dist.)
mf
3 0
2 0
G5
G6(no3rd)
3 0
5 0
**w/ delay let ring throughout
0
0
3
3
*Two gtrs. arr. for one. **Set for eighth-note regeneration w/ 1 repeat.
G5
G5(#11)
5 0
3 0
0
2 0
0
3
Gtr. 2 (dist.)
G5
G6(no3rd)
3 0
5 0
3
G5 G6(no3rd)
G5 G5(#11)
G5 G5(#11)
mf
*
w/ bar grad. dive
0
Gtr. 1
5 0
3 0
5 0
3 0
2 0
3 0
0
*Vol. swell
-1 1/2
2 0
Moderately q = 131 Gtr. 2 tacet
Spoken: Within striking distance from Ground Zero sits a smoldering international cauldron, the “United Abominations” as it were.
G5
Gtr. 1
G5(#11)
Riff A
0
3
3 0
2 0
G5
G6(no3rd)
0
3 0
5 0
End Riff A
3
© 2007 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff A
Born to prevent wars,
G5
mire of
and
stood silent while terrorization
G5
the U.N. ignores Bb A
Bb
And the End Rhy. Fig. 1
3
5 7
5 7
7 8
4 5
In a
C
5 6
world.
and enables terrorism; so in the end it’s failed.
G
mf
took hostage the
G6(no3rd)
sex crimes by its “blue-helmets”
Rhy. Fig. 1 *Gtr. 3 (dist.)
in the face of disaster
hypocrisy,
G
it froze
G5(#11)
3
steady gliss.
5 6
7 8
*Doubled throughout
Gtr. 3: w/ Rhy. Fig. 1 (2 times)
Gtr. 3
U.N. is where our so-called G Bb A
are turned into prostitutes. G Bb A
5 7
4 5
It’s a complete and utter disgrace, G Bb C G
5 7
3
5 6
7 8
7 8
a
enjoy diplomatic immunity Bb C
G
4 5
3
blot on the face of
Bb
living in Manhattan
humanity,
A
and
while their children
they get away with it.
Bb
C
5 7
3
5 6
5 7
5 6
1. Pov - er - ty grave and gath
in their - er - ing
Rhy. Fig. 2
3
P.M.
0
0 0 0
0
0 0 0 0
**Chord symbols reflect implied harmony.
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
kitch dan
-
F5
ens, ger,
the 3
6
0 0 0 0 0 0
0
0 0 0
0
0 0 0 0
7 8
7 8
held hos - tage by de - ci sion
oil to
2. A
Sorgdal
G
Verse
5 6
and we pay twenty-two percent of their tab to host our enemies here at home. Bb C
otherwise known as a catastrophe,
** E5
G
Ambassadors from countries Bb A
G
3
“friends” get to stab us in the back
3
6
P.M.
0 0 0 0 0 0
3 1
1 1 1
1
1 1 1 1
-
6
1 1 1 1 1 1
-
for - food. at - tack.
E5
Yet their Based on
own se
-
plates are full off cret in - tel - li - gence,
the it
fat of ’ll
-
their lands. take years,
3 3 6 6 P.M. P.M.
3 1
1 1 1
1
1 1 1 1
1 1 1 1 1 1
0
0 0 0
0
0 0 0 0
0 0 0 0 0 0
0
0 0 0
There’s I
3
0
no fear, 6
0 0 0 0
0 0 0 0 0 0
Gtr. 3: w/ Rhy. Fig. 2
C5/G
E5
F#5 G5 F#5 E5
D5/A
E5 G5
A5
G5
F#5
E5
They prom - ised to
blood on their hands. to
un - do
(Right, Ko - jo?) - ings in I - raq.
the fail
You may
bur - y
tell
the truth
the bod
-
ies,
(I - ran and Ko - re - a.)
5 3 3
2
P.M.
5 3 3
F5
0
lay
can’t
Gtr. 3
leav - ing bu - ry
a the
End Rhy. Fig. 2
The
U.
N.
7 5 5
2
0
3
5
3
C5/G
vic - tim, No,
fin - ger - print. crimes.
The
is
P.M.
7 5 5
an - oth - er. arms.
Chorus E5
5 3 3
0
way or down their
2
with - out but you
3
They will On - ly
E5
F#5
I not
right:
G5
F#5
you can’t
be
lose fools
F#5
will not
be us, when death
G5
an - y
E5
F#5
F5
the U. stand
N. up
D5/A
F#5
G5
fear, me,
E5
sis - ters lasts
E5
and
one real - ly
G5
A5 G5 F#5
and broth - ers. for - ev - er.
E5
more “un”
than
you
are
right
now.
Riff B
P.M. let ring let ring P.M.
0
0
0
5
7
5
7
7
let ring
5 7
2
3
3
2
3
2
1
0
0
0
5
7
5
7
7
7
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
The
F#5
2
3
U.
A5
N.
is
P.M.
let ring
3
An - oth - er
P.M.
5
0
F#5
is
0
0
mush - room
5
7
real,
the
7
G5
F#5
let ring
F#5
F5
smok - ing
3
2
an - oth - er
G5
P.M.
gun.
5
7
7
G5
cloud,
let ring
5
F#5
A5
Lo - cust King has
2
3
come.
2
3
1
Cmaj7
End Riff B
Don’t
tell
me
the
truth;
Riff C
let ring let ring let ring P.M.
0
0
0
5
7
5
Gtr. 1
5
The threat
7 3
E5
Gtr. 3
un - done.
let ring
5
E5
7
5
7
7
2
7
3
3
3
5
3
5
3
3
5
7
5
7
7
7
Rhy. Fig. 3
mp
delay off
0 2 3
To Coda
Dadd4
I
5
5
7
9
Cmaj7
what they’ve done.
7
9
7
7
It’s
pay - back
3
3
3
5
7
5
7
7
7
0 4 5
0 2 3
0 4 5
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 4 5
0 2 3
0 2 3
4
End Rhy. Fig. 3
5
5
5
7
0 2 3
Gtr. 1 tacet
D5
time
4
Sorgdal
like
5
don’t
0 2 3
C5
B5
A5
C5
B5
at
the
U - nit - ed
A5
C5
A End Riff C
5
3
2
3
5
2
5
3
D.S. al Coda Interlude Gtr. 3: w/ Rhy. Fig. 1
-
na
-
G
Bb C
tions.
Coda
Interlude Gtr. 1 tacet
Cmaj7
It’s
Gtr. 1
bom - i
A
Bb
G
pay - back
w/ misc. French dialogue (next 11 meas.)
D5 C5 B5 A5 C5 B5 A5 C5
Bm
*Gtr. 4 (dist.)
17
17
0 2 3
0 2 3
5
4
5
5
19
3
3
E7/G#
3
G
19
5
7
5
7
7
7
5
3
2
5
3
2
5
1
1
17
16
17 21 22 21 17
19
17 15
17
17
Rhy. Fig. 4
17
19
3
7 *Glen Drover
Gtr. 3
3
f 1
0 2 3
time.
A
P.M.
P.M.
3
5 7
5 7
5 7
5 7
4 5
4 5
4 5
4 5
Gtr. 4 tacet
E5
F5
F#5
G5
G#5
A5
A#5
C5
**Gtr. 5 (dist.)
f
7
8
7 10 7
8
7
8
9
10
9 12 9
10
9
10
**Glen Drover End Rhy. Fig. 4
P.M. P.M. 5 4
5 4
7 4
5 4
2 3
2 3
2 3
2 3
1 2
P.M. P.M. P.M.
2 3
0
3
2 3
2 3
1 2
2 3
2 3
2 3
1 2
2 3
2 3
1
2
4
5
6
8
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Rhy. Fig. 4
Bm
Gtr. 4
A
E7/G#
E5
G
1 hold bend
10
1/2
10
9
10
9
9
7
9 9
9
7 7
1
7 7
9
7
17 14
Bm
Gtr. 4
A
E7/G#
G
14
15
17
19
19
19
Gtr. 5
P.M. P.M. P.M. P.M. 5 7
5 7
5 7
4 5
4 5
4 5
4 5
5 4
5 4
7 4
5 4
2 3
2 3
2 3
2 3
A#5
C5
15
3
14 11
12
14
14
14
10
11
12
Gtr. 4 tacet
D5
C#5 C5 B5 Bb5 A5 Ab5 G5 Gb5
17
A5
10
Gtr. 3
5 7
G#5
12
G5
10
Gtr. 5 tacet
F#5
3
16
Gtr. 5
F5
3 3
Gtr. 3 divisi
2 3
6
7
6
5
4
4
5
4
3
2
8 1
7 0
6
5
4
4
3
2
Guitar Solo
*Gtr. 6
E5
f 12 12
12
14
12
11
14
F5
Gtr. 3: w/ Rhy. Fig. 2 Gtr. 5 tacet
1/4
12 12
14
12
14
12
14
14
14
12
13
14
14
12
11
14
12
*Dave Mustaine
E5
14
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12
12
12
12 11
C5/G
15 14
13
14
12
15
E5 F#5
15
14
G5
F#5
17
12
E5
15
14
Guitar Solo Gtr. 3: w/ Rhy. Fig. 2
D5/A 8va
Gtr. 6
19
E5
G5
A5
G5 F#5
E5
3
3
17 16 16 20
20
19 19 17 22
20 19
24
12
19
19
X
3
1
X
X
22
22
Gtr. 4 3 1 1 19 19 F5
loco
8va
20
20
18
20
18
18
18
17 18 17
X
19
17
19
19
17
X
C5/G
Gtr. 4
24
8va
Gtr. 4
Gtr. 6 tacet
E5
F#5
G5
F#5
E5
19
22 19
22
19 20
22
19
20
19
19
19
E5
17 16
19
D5/A
17 16
19
E5
17 16
G5
19
A5
G5
16
18
F#5
14 17 16 17
14 17 16 17
14 17 16 17 16 19 17 19
17 20 19 20
17 20 19 20
19 22 20 22
19 22 20 22
Gtr. 5
18
3
15 18 15 14
3
17
15 14
10 14 12 14
10 14 12 14
11 14 12 14 12 16 14 16
12 15 13 15
12 15 14 15
14 17 16 17
14 17 16 17
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Chorus Gtr. 3: w/ Riff B (2 times)
E5
G5
U.
The
U.
N.
N.
is
F#5
G5
right,
you can’t
be
an - y
you
can’t
be
The
U.
N.
is
un - done.
G5
real,
an
-
An - oth - er
F#5
F#5
A5
is
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
threat
E5
G5
8
A5
The
Sorgdal
F5
E5
more “un”
than
you
are
right
now.
19
E5
F#5
19
F#5
G5
F#5
24
*8va
F#5
G5
The
24
8va
Gtrs. 4 & 5 tacet
F#5
the
Lo - cust
y
more
is
un - done.
A5
F#5
F5
“un”
has
An - oth - er
G5
F#5
cloud,
than
you
are
mush - room
cloud,
F#5
smok - ing
gun.
The
U.
N.
is
right,
right
F5
G5
F#5
G5
E5
an - oth - er
come.
King
F#5
E5
E5
mush - room
G5
an - oth - er
now.
F#5
G5
F#5
smok - ing
F5
gun.
Gtr. 1: w/ Rhy. Fig. 3 Gtr. 3: w/ Riff C
E5
The
threat
is
Dadd4
I
don’t
like
F#5
real,
what they’ve
G5
the
Lo - cust
Cmaj7
done.
A5
King
has
It’s
Cmaj7
come.
pay - back
D5
Don’t
tell
me
the
truth;
C5
B5
A5
at
the
U - nit - ed
time
C5
B5
A5
C5
A -
Outro Gtr. 3: w/ Rhy. Fig. 1 (1 3/4 times)
Spoken: NATO invaded
G
- na
-
to
end
G
ethnic
Bb
cleansing,
there
was
no
U.N.
C
bom - i
Yugoslavia
A
Bb
tions.
Gtr. 2
w/ bar grad. ascent
3
3
-1/2 -1 -2 1/2
-3
The
S.
invaded
Afghanistan
G
U.
Bb A
fdbk.
w/ bar
3
3 Pitch: B
after
G
9/11,
Bb
C
P.S.
X X X
w/ bar
XX X
3
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
there
was no
U.
N.
Saddam
P.S. X X XX X X X 3 X X Gtr. 3
G
resolutions. G
Bb
–2 1/2
Harm.
–2 1/2
5
5
7 8
3
5 7
The
U. N.
was
to
join
5
the
war G
in
Iraq;
Bb
5 7
5 6
the
U.S. _1
_1
19
19
7 8
8
10 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
w/ bar
15
_1
17
_1
_1
15
8
8
8
3
5 7
5 6
4 5
was
no
U.
N.
C
P.S.
17
P.M. 4 5
5
Bb
5
there
X 17 X X X X X
invaded,
G
_1
P.S.
22
5
A
loco
P.M.
15
Sorgdal
asked
4 5
-2 1/2
w/ bar
5 6
5
3
5
+2
steady gliss.
22
w/ bar
Pitch: G
w/ bar
5
U. N.
w/ bar
steady dive
seventeen
P.M.
C
violated
8va
Hussein
A
8va
Gtr. 2
7 8
Bb
5
5
X
5
5
3
5 7
7 8
5 6
X X
8
8
8
8
P.M.
8
8
Gtr. 2 tacet
Libya
bombed
G
a
discotheque
in
Bb A
G
Spoken: (U.
Berlin
killing
there was no U. N.
Bb C
G
U.
N.,
N.,
Americans,
Bb A
G
And
Bb C
un.
X X X Rhy. Fig. 5
End Rhy. Fig. 5
P.M. P.M. P.M. P.M.
3
5 7
5 6
4 5
5 5 5 5
3
5 7
5 6
7 8
8 8 8 8
5 7
3
5 6
4 5
5 5 5 5
5 7
3
5 6
7 8
8 8 8 8
Gtr. 3: w/ Rhy. Fig. 5 (3 times)
Iran funds
Hamas and attacked
G
Bb
A
G
U.
G
Bb
Bb
U.
seventies,
there was
C
G
U.
N.,
without
A
G
was
G
the
Bb
A
G
Bb C
G
U.
N.,
no
Bb
N.,
A
G
looking
Bb
into
G
Bb
U.
N.,
Bb
-
A
G
C
done.
future.
the
A
G
Bb
C
un.
more
C
U. N.
no
un
end,
N.,
There
in
Bb
War
U.
U. S.
N.,
Facing
the
U.
Bb
C
N.
G5
µ
un - done.)
Gtr. 3
5 3
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Sorgdal
Sorgdal
Sorgdal
Sorgdal
Sorgdal
Sorgdal
from Megadeth - United Abominations
Washington Is Next Words and Music by Dave Mustaine E5
C5
A5
B5
134
11
134
E5
open
D5/A
7fr 134
11
Intro Very fast q = 200 ** E5
C
Riff A Gtr. 1 (dist.)
f
P.M.
3
0
P.M.
5
0
0
0
P.M.
3
0
Rhy. Fig. 1 *Gtr. 2 (dist.)
0
0
P.M.
3
0
2
0
3
0
0
P.M.
5
0
0
P.M.
3
0
9 7
P.M.
2
0
f
0
P.M.
2
0
3
0
0
2
0
10 7
*Doubled throughout **Chord symbols reflect overall harmony.
D5
P.M.
3
0
0
P.M.
5
0
0
P.M.
3
0
0
E5
P.M.
2
0
0
P.M.
3
0
2
0
3
0
0
P.M.
5
0
0
7 5
End Riff A
8
0
P.M.
7
0
P.M.
0
0
7
0
5
0
End Rhy. Fig. 1
9 7
9 7
Gtr. 1: w/ Riff A (2 times)
Gtr. 2
C5
5 3
B5¨9/F#
B5
5 3
5 4 2
4 4 2
© 2007 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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E5
2 2 0
D5
E5
0 0
2 2 0
0
Gtr. 2: w/ Rhy. Fig. 1
E5
C
Riff B Gtr. 3 (dist.)
P.M.
7
0
0
P.M.
8
0
0
7
0
7
0
0
C5
Gtr. 3
P.M.
8
0
0
0
7
0
8
0
P.M.
0
0
P.M.
0
Gtr. 2
5 3
2 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
P.M.
5
0
0
5
0
0
7
0
5
0
7
0
5
0
0
7
0
5
0
7
0
0
0
B5b9/F#
0
5
0
7
0
0
0
0
0
2
5 3
0
0
0
0
0
P.M.
5
0
0
0
0
5
0
P.M.
12
0
10
0
0
8
0
B5
0
End Riff B
P.M.
7
0
0
End Fill 1
P.M.
2
7
0
P.M.
5
0
0
Fill 1
3
0
P.M.
0
5
P.M.
8
P.M.
0
10
0
P.M.
3
0
P.M.
P.M.
7
7
0
0
P.M.
8
0
P.M.
2
0
P.M.
5
0
E5
P.M.
8
0
P.M.
0
0
P.M.
P.M.
3
0
P.M.
P.M.
7
Gtr. 1
3
0
P.M.
P.M.
P.M.
7
0
P.M.
D5
P.M.
0
P.M.
3
0
0
2
5 4 2
4 4 2
2
0
4
steady gliss.
14
Gtr. 3 tacet
E5
B5 E5
D5 E5
Riff C
Gtr. 1
12
0
0
7
0
0
10
A5 E5
B5 E5 G5 E5
A5 E5
F#5 E5
G5 E5
0
0
5
5
0
0
7
0
3
0
0
0
2
0
0
3
F#5 E5 D#5 E5 End Riff C
0
0
5
0
0
2
0
Rhy. Fig. 2
P.M. 0
0
End Rhy. Fig. 2
Gtr. 2
14 14
4
0
9 9
P.M. 0
0
12 12
P.M.
0
0
7 7
P.M. 0
0
P.M.
9 9
P.M.
5 5
0
7 7
0
P.M. 0
0
4 4
P.M. 0
P.M.
0
0
5 5
0
P.M.
2 2
0
P.M.
4 4
0
P.M.
1 1
0
0
Verse Gtr. 1 tacet
E5
1. The
qui - et
has
be
war
C/E
-
Fill 2
G5 F#5 E5 G5
gun
with
si
-
lent
End Fill 2
weap -
ons.
0
Rhy. Fig. 3
9 7
P.M. 0
0
D5 E5
9 7
P.M. 0
0
D5 E5
9 7
P.M.
0
0
D5 E5
9 7
P.M. 0
D5 E5
new - est
P.M.
9 7
0
9 7
0
slav - er
0
-
7 5
P.M. 0
0
7 5
P.M. 0
0
7 5
P.M.
0
0
7 5
P.M. 0
0
P.M.
7 5
0
P.M.
10 7
0
0
0
0
9 7
P.M. 0
0
P.M.
0
0
10 7
0
9 7
P.M. 0
0
keep
0
0
3
2
0
3
the peo
poor
-
ple
0
5
P.M.
9 7
P.M.
10 7
to
A5 B5 E5 G5 A5 E5 F#5 G5
is
P.M.
10 7
P.M.
7 5
y
Gtr. 2
P.M.
D5 E5 D5 E5
And the
P.M.
7
0
P.M.
3
5
0
2
3
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5 E5
C5 E5
0
0
E5
and
stu - pid.
0
P.M.
5 5 3
C5 E5
P.M.
5 5 3
C5 E5
P.M.
5 5 3
0
0
0
D5 E5
B5[¨9] E5
B5[¨9] E5 B5[¨9] C5
“No
P.M.
5 5 3
0
P.M.
5 5 3
0
F5 E5
5 5 3
-
vus
Or
5 4 2
5 4 2
-
B5 A5 G5 F#5
do
Sec
-
2
0
lo
-
3
2
P.M. P.M. P.M.
P.M.
0
5 4 2
0
0
5 4 2
0
D5 E5
C5 E5 C5 E5 B5[¨9] E5
0
0
0
D5 E5
3
F5 E5
rum.”
A5
How
can
there
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 3
2 2
0
0 0
0
0
2 2
0
0
0
3 3
0
2 2
0
0 0
0
2 2
0
0
0 0
0
0
2 2
0
0
3 3
0
0
2 2
0
5
5
Gtr. 2: w/ Rhy. Fig. 3 (1st 8 meas.)
E5
an - y
log
be
D5 E5
D5 E5
know
this
C5 E5
-
D5 E5
wrong
but
the
C5 E5
P.M.
P.M.
P.M.
in
bi - o
-
New
World Or
some - thing
P.M.
P.M.
-
needs
war?
A5
-
beat - ing
der’s
to
done.
all
A5
E5
F#5 G5
the
door.
down
B5[¨9]
be
We
B5 E5 G5
B5[¨9] E5
G5 F#5 E5 G5
i - cal
B5[¨9] E5
log
C5 E5 C5 E5 B5[¨9] E5
Oh, Gtr. 2
D5 E5 D5 E5
C5 E5
C/E
ic
D5 E5
is
C5 E5
D5
P.M. P.M. P.M. P.M. P.M. 3
(cont. in slashes)
5 5 3
0
4 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
5 5 3
0
0
5 5 3
0
0
5 5 3
0
0
5 5 3
0
5 5 3
0
5 4 2
0
0
5 4 2
0
0
5 4 2
0
0
5 4 2
0
0
0 0
0 0
0 0
Chorus
3rd time, Gtr. 7: w/ Fill 4
E5
Rhy. Fig. 4 Gtr. 2
a
king,
1., 3. There was
C5
who dreamt
(An
e
-
vil
the
wick
- ed - est
of
king.)
2. See additional lyrics Riff D Gtr. 4 (dist.)
mf
5
7
7
5
7
5
7
7
7
An an
Gtr. 1
-
cient
mys
-
5
7
7
5
5
7
7
7
5
ter - y
no
proph - et
could
5
5
5
7
7
5
7
-
pret
in - ter
5
7
7
5
7
End Rhy. Fig. 4
5
7
Harm.
5
5
7
C5 B5
End Fill 3
Fill 3
7
Gtr. 1 tacet
dreams.
5
A5
5
Pitch: A
Gtr. 4
5
7
7
5
7
5
7
7
Fill 4
Gtr. 7
8v a
7
5
7
5
7
7
5
7
7
7
7
5
7
5
7
7
End Riff D
7
5
7
5
7
5
6
7
steady gliss.
24
24
24
5 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1st & 2nd times, Gtr. 2: w/ Rhy. Fig. 4 Gtr. 4: w/ Riff D (1 1/2 times) 3rd time, Gtr. 2: w/ Rhy. Fig. 4 (1st 6 meas.)
E5
of
sev
-
3. em
1. years
en
of -
fam
pires
fall
ine. - ing.
To Coda 2 Gtr. 3: w/ Fill 3
dict
- ed
A5
years
The
D5/A
E5
word
the
of
the
world
how
That
that
The
pre - dicts
a - go.
Gtr. 1: w/ Riff A (1 1/4 times) Gtr. 2: w/ Rhy. Fig. 1 (1st 4 meas.) Gtr. 3: w/ Riff B
fu
-
lead
was,
that
and
that
is
the
the
my
C5 B5
is,
tells
hail
at
door
no
more.
a - bout
new
Phar
as
pre -
truth
E5
ers would
is
ture
-
wolf
C
C5
-
the
past
aoh,
the
Riff E
End Riff E
Gtr. 4
5
7
Gtr. 2
7 7 0
6 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
5
7
5
7
7
7
5
7
5
7
7
5
7
7
9 9 7
7
7
5
7
5
7
7
7
5
7
5
7
7
5
9 9 7
7
C5
eighth
false
king
5
7
7
5
5
7
7
to the
Gtr. 1: w/ Fill 1
7
5
throne.
5
7
7
7
5
-
5
7
7
7
5
5
7
7
ing
-
ton
is
7
7
5 4 2
4 4 2
5 5 3
B5
Wash
7
B5[¨9]/F#
5
5
7
7
5
E5
7
P.M. 0
0
0
To Coda 1
Gtr. 1: w/ Riff C Gtr. 2: w/ Rhy. Fig. 2 Gtr. 4 tacet
6
B5 E5
D5
E5
A5 E5
B5 E5 G5
E5 A5 E5
F#5 E5
G5
E5
E5
F#5 E5 D#5
E5
next!
Verse Gtr. 1: w/ Fill 2 Gtr. 2: w/ Rhy. Fig. 3 (1 1/2 times)
E5
2. Dis - en
D5 E5
D5
-
E5
gage
their
D5 E5
C5 E5
C5 E5
E5
C5 E5
Blame
the
par
D5 E5
“An
-
nu
- it
Co
-
sex
and
war
and
vi - o
C5 E5 C5 E5 B5[¨9] E5
ents
-
D5 E5 D5 E5
F5 E5
ep - tis.”
and
teach
-
tage
their
A5 B5 E5
lence
kin
D5 E5
-
B5[¨9] E5
-
sab - o
C5 E5
minds,
D5 E5
Pro - mote
C/E
in
-
G5
A5 E5 F#5 G5
der - gar
-
B5
it’s
tens.
A5
G5 F#5
ers;
D5 E5
E5 G5
health.
B5[¨9] E5 B5[¨9] C5
F#5
the
G5
their
F5
At
fault.
E5
-
tack
A5
the
7 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
church
D5
dy
E5
pub
-
D5
nam
E5
-
D5 E5
-
un
D5 E5
-
ic,
D5 E5 D5 E5
lic
C/E
at - tack
the
dis - ci - plined
till
noth - ing
fam
left
is
G5 F#5 E5 G5
-
’ly.
Keep
the
A5 B5 E5 G5 A5 E5 F#5 G5
sa
-
cred
and the
D.S. al Coda 1
C5 E5
C5
C5 E5
-
nots”
Gtr. 4
C5 E5
get
hooked
“have
E5
C5 E5 C5 E5
and have
B5[¨9] E5
to
go
B5[¨9] E5
B5[¨9] E5
F#º7
to the “haves”
Aº7
just
P.M.
5 5 3
0
5 5 3
0
0
P.M.
P.M.
5 5 3
0
0
P.M.
5 5 3
0
0
0
Coda 1
Gtr. 2
P.M.
5 5 3
0
P.M.
5 5 3
open
to cop
fix.
3
6
a
7
9
3 3 (cont. in slashes) P.M. P.M. P.M. 5 4 2
0
0
5 4 2
0
Interlude
E5
3
4
Gtr. 2
0
0
5 4 2
D5/A
E5
1
2
0
5
4
0
9 7
6
2
open
Gtr. 5 (dist.)
3
3
3
3
3
3
3
3
3
3
3
3
mf 15 12
12
15 12
12
15 12
12
15 12
13
15 12
13
15 12
13
15 12
13
15 12
15
17 14
15
17 14
15
17 14
15
17 14
17
Gtr. 6 (dist.)
mf 7
8 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3 3
3
5
7
3
3
5
7
3
3
3
5
7
3
5
8
3
3
5
8
3
3
5
8
3
3
3
5
8
3
5
10
5
3
7
10
5
3
7
10
5
3
7
10
5
7
D5/A
3
8v a 3
19 15
E5
3
P.M.
open
D5/A
3
17
19 15
3
17
19 15
P.M. (cont. in notation)
3
3
17
19 15
17
3
20 15
17
3
20 15
17
3
20 15
17
20 15
3
19
3
22 17
19
3
3
22 17
19
22 17
19
22 17
20
3
12
7
3
8
12
7
3
8
12
7
3
8
12
3
7
8
12
3
8
12
8
3
8
8
12
3
3
8
8
12
8
8
3
14 10
10
3
14 10
10
14 10
3
10
14 10
10
Guitar Solo
E5
D5
*Gtr. 7 (dist.)
E5
f steady gliss. 3
X
X
10
B5
C5
w/ bar
7
X
9
9
10
10
11
5
*Glen Drover
8v a
Gtr. 5
3
3
3
3
3
3
3
24
24
19
19
3 steady gliss.
24
Gtr. 6
19
20
24
19
20
24
19
20
24
19
20
24
19
20
24
19
20
24
19
20
24
19
20
3
3
3
3
3
3
3
3 steady gliss.
19
15
17
19
15
17
19
15
17
19
15
17
19
15
17
19
15
17
19
15
17
19
15
17
Gtr. 2
2 2 0
3
0 0
0 0
0 0
P.M.
P.M.
2 0
0
0
0
0
0
2
3
9 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 5 & 6 tacet
G5
F#5
B5
C5
E5
B5
3
X
X
G5
12 13 12 11
12
12
13
rake
3
13
17
17
17
16
16
16
19
2
2
0
3
2 0
0
B5
0
0
0
0
0
C5
P.M.
2
0
3
3
G5
18
17
16
18
16
17
0
0
0
0
0
P.M.
0
0
B5
2
0
3
C5
2 0
E5
18
1/2
17
17
18
17
18
17
16
3
13
2
P.M.
P.M.
0
2
0
2
3
2 0
P.M.
2 0
0
0
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
0
0
0
0
14
0
0
13
0
0
0
0
14
0
14
13
0
13
16
16
14
17
16
3
17
16
16
10
Sorgdal
2
1/2
17
2 0
0
P.M.
F#5
X
20
5
X
19
End Riff F
P.M.
P.M.
0
17
E5
13
P.M.
C5
Riff F
B5
w/ bar
Gtr. 2
F#5
3
12
X
Gtr. 7
C5
15
0
0
0
0
13
0
0
0
0
0
0
0
0
0
2 0
Gtr. 2: w/ Riff F (3 times)
B5
3
3
14
16
14
C5
14
17
16
14
16
14
17
16
17
16
B5
17
16
16
18
C5
3
3
16
19
17
17
19
19
20
17
19
20
17
20
22
3
17
16
19
F#5
3
19
16
E5
17
w/ bar
17
C5
3
G5
3
3
B5
3
3
8v a
F#5
3
3
17
G5
Gtr. 7
22
B5
22
C5
19
E5
X X X
-1/2
B5
C5
G5
F#5
B5
C5
E5
5 5 8v a
loco
5
18 20 22 20 18
20 17 19 20 19 17
5
6
5
19 16 18 19
17 19 20 19 17
19
16 18 19 18 16
18 16 18
16 18 19 18 16
18 15 18 17 15
F#5
*Gtr. 8 (dist.)
f 1
17 16
*Dave Mustaine
Gtr. 7
5
5
17 14 16 17
15 18
17
15
13 17
14 16 17 16 14
16
14
15
14
16
16
18
17
17
21
Gtr. 2
P.M.
2 0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
2
11 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
F#5
C#5
D5
w/ bar
A5
G#5
A5 G#5 F#5
C#5
steady ascent
let ring +2 1/2
+1
17 16
17 16
14
0
2
2
D5
5
4
2
4
3 3
-1/2
18
2
2
2
2
2
steady gliss.
18
P.M.
2
1 1/2
18
2
4
2
5
11
P.M.
5
X
4
X
5
4
P.M.
2
2
2
2
2
2
2
2
4
5
Gtr. 7 tacet
µ
G5
E5
F5 F#5
Gtr. 8
6
6
3
0
6
3
0
5
C#5
rake
0
2
3
D5
A5
G#5
A5
G#5 F#5
3
2
5
4
2
X
4
6
3
6
3
0
6
3
0
5
3
X
Gtr. 2
X X X
12 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
X X X
5 3
P.M.
0
1
4 2
P.M.
2
2
2
2
2
2
2
4
5
X
4
P.M.
5
X
4
5
2
Guitar Solo Gtr. 2: w/ Riff F (3 times) Gtr. 8 tacet
µ
A
G#
B
Gtr. 7
A#
D
C#
E
D#
G
F#
A
G#
C
G
E5
P.S.
X X X
P.M.
9
8
11
9
10
8
11
2
5
4
7
G5
Gtr. 7
6
4
F#5
1
1
B5
7
E5
8
5
6
11
4
14
14
9
10
7
5
6
12
17
3
12
15
12
B5
15
15
14
12
4 2 0
C5
3
15
12
14
8
B5
3
15
1
15
15
C5
3
P.M. 5
9
10
Gtr. 2
3
1
XX X
C5
Gtr. 8
B5
15
G5
C5
B5
C5
3
12
F#5
3
3
E5
15
12
15
12
G5
15
12
15
14
F#5
13
12
B5
C5
E5
15
16
17
15
17
17
15
16
17
15
17
18
16
17
18
19
17
16
14
16
17
14
16
17
14
16
17
16
14
14
16
17
13 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda 2
Gtr. 7
3
14
16
17
15
17
17
15
17
15
17
16
17
15
17
15
15
17
15
18
17
15
19
17 18 20 21
19
22
20
19
22
20
22
Gtr. 2
P.M.
(cont. in slashes)
2 0
0
0
0
0
0
Coda 2
0
0
0
A5
was,
that
is,
0
0
0
0
0
0
0
0
that
is
A#5
B5
0
0
0
0
0
0
0
0
0
0
C5
0
0
0
B5
no
more.
Rhy. Fill 1
Gtr. 2
0
End Rhy. Fill 1
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
3 3 1
4 4 2
4 4 2
4 4 2
5 5 3
4 4 2
4 4 2
Gtr. 2: w/ Rhy. Fig. 4 (1 3/4 times)
I
am
a
7
0
0
P.M.
8
0
0
0
Gtr. 1
P.M.
3
0
14 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
P.M.
5
0
0
0
8
0
0
0
0
P.M.
7
0
8
0
7
0
0
0
8
0
P.M.
3
0
5
0
3
0
0
the
P.M.
0
P.M.
5
0
dream
P.M.
P.M.
7
and I
P.M.
10
king
Gtr. 3
P.M.
C5
0
0
wild
10
0
0
-
est
0
0
dreams,
P.M.
8
0
0
7
0
8
0
P.M.
7
P.M.
P.M.
5
E5
P.M.
5
0
0
3
0
5
0
Gtr. 4: w/ Riff E (3 times)
A5
C5
B5
and
no
-
bod - y
could
in - ter -
Gtr. 7
3
3
3
3
3
3
3
3
steady gliss.
17
15
7
0
3
0
Gtr. 3
12
12 17 12
12
15
12
0
0
-
14
0
0
P.M.
5
0
0
14
15
12
0
0
0
2
0
14
12
14
15
15
15
14
14
14
0
7
0
0
3
P.M.
7
0
10
0
P.M.
E5
15
P.M.
5
P.M.
3
0
12
P.M.
7
0
15
P.M.
8
P.M.
12
P.M.
Gtr. 1
15
0
pret.
0
P.M.
8
0
P.M.
3
0
7
Sev - en
em
-
0
0
0
P.M.
5
0
pires
fall
10
0
7
0
0
-
ing.
9
P.M.
0
P.M.
12
0
P.M.
0
0
0
0
P.M.
10
0
8
0
7
0
0
3
0
P.M.
8
0
0
5
0
P.M.
8
0
P.M.
7
0
0
0
P.M.
7
0
3
0
P.M.
5
0
P.M.
5
0
2
0
P.M.
0
0
7
0
5
0
3
0
2
0
P.M.
0
15 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
The
P.S.
X X X
0
P.M.
5
0
0
10
0
2
0
7
5
0
2
0
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
my
door.
7
0
5
0
0
P.M.
0
5
0
7
0
8
0
3
0
2
A#5
B5
0
3
0
7
0
P.M.
0
P.M.
0
P.M.
that
that
0
0
was,
P.M.
7
0
8
0
7
0
P.M.
16
0
P.M.
P.M.
0
8
0
P.M.
Gtr. 1
at
P.M.
0
Ooh,
0
P.M.
0
is
0
P.M.
5
0
0
3
0
0
Gtr. 2: w/ Rhy. Fill 1
0
P.M.
0
P.M.
Gtr. 7 tacet
Gtr. 3
X X X X X X X X XX XX X X XX XX X X X
0
wolf
P.S.
P.M.
3
P.M.
7
A5
0
0
5
0
3
0
0
that
is,
P.M.
5
0
2
0
P.M.
3
0
B5
that
is
P.M.
7
0
P.M.
0
C5
0
0
0
no
5
0
0
0
2
0
0
0
P.M.
3
0
P.M.
3
0
P.M.
3
0
0
Outro
E5
C5
more.
Gtr. 1
w/ heavy reverb
w/ bar steady dive
0
0
-1/2 Riff H
Gtr. 3
7
9
9
7
9
7
9
9
End Riff H
9
7
9
7
9
9
7
9
7
9
9
7
9
7
9
9
9
7
9
7
9
9
Riff H1
7
9
End Riff H1
Gtr. 4
5
7
7
5
7
5
7
7
7
5
7
5
7
7
A5
5
7
7
5
7
5
7
7
7
5
12
12
12
7
5
7
12
0
-2
7
steady dive
12
-1/4 Gtr. 1
5
w/ bar +1/2
12
7
A#5 B5
3 w/ heavy reverb
7
Gtr. 1 tacet
Gtrs. 3 & 4: w/ Riffs H & H1 (7 times)
Gtr. 5
5
-1/2
-2 1/2
-3
0
-2 1/2 -3
17 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 5 tacet
E5
Spoken: There’s
some - thing at
my
C5
door,
Voc. Fig. 1
15 12
15 13
15 13
(Ah.)
Gtr. 6
mp 15 12
15 12
15 12
15 12
15 12
15 12
A5
15 12
15 12
15 12
w/ bar
15 12
15 12
15 13
15 13
15 13
15 13
cient
15 13
15 13
15 13
15 13
15 13
15 13
15 13
A#5 B5
15 13
mys - ter - y. End Voc. Fig. 1
–2
w/ bar
12
w/ bar
Gtr. 6
12 10
18 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
12 10
12 10
12 10
12 10
12 10
12 10
–2
12
12 10
15 13
–2
–2
12
–2
12 10
12 10
12 10
12 10
–2 1/2
–2 1/2
–2
–2 1/2
–2 1/2
12
12
12
-2 1/2
slack
Sorgdal
-
15
15
12 10
an
15 12
0 0
15 12
Gtr. 5
15 12
some
15 12
Bkgd. Voc.: w/ Voc. Fig. 1 (2 times)
Gtr. 5
E5
Gtr. 5 tacet
The fu
-
ture
tells
C5
the
truth
a - bout the
past
15 12
15 12
15 13
15 13
12
Gtr. 6
15 12
15 12
15 12
15 12
15 12
15 12
15 12
15 12
15 12
Gtr. 7
15 12
15 12
15 12
15 12
15 12
let ring
0 12
0 8
12
A5
0 10
and I’m the
15 13
15 13
15 13
15 13
15 13
15 13
Gtr. 7
12 10
12 10
12 10
12 10
12 10
12 10
12 10
12 10
12 10
12 10
12 10
12 10
12 10
eighth
12 10
12 10
15 13
15 13
0 13
12
false
A#5 B5
king
12 10
12 10
12 10
12 10
15 13
15 13
15 13
15
13
to the throne.
12 10
15 13
Gtr. 6
15 13
13 11
13 11
14 12
14 12
14 12
14 14 14 12 12 12
14 14 14 12 12 12
14 12
12 10
12 10
10
19 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
got you in
15 15 15 15 15 15 15 15 15 12 12 12 12 12 12 12 12 12
A5
I’ve
C5
15 12
my
cross - hairs,
15 15 15 15 15 15 15 12 12 12 12 12 12 12
now,
15 15 15 15 15 15 15 15 13 13 13 13 13 13 13 13
15 15 15 15 13 13 13 13
ain’t that a
bitch!
17 15
12 12 12 12 12 12 12 12 10 10 10 10 10 10 10 10
P.S.
X X X
X X X X X X X X XX XX XX XX XX XX XX XX
Gtrs. 6 & 7 tacet
Wash -ing
12 10
12 10
12 10
12 10
A#5 B5
12 10
12 10
12 10
12 10
-
ton,
E5
you’re
next!
12 10
14 12
12 10
12 10
12 10
12 10
13 11
14 12
14 12
14 14 14 12 12 12
14 14 14 12 12 12
14 12
12 10
Gtr. 4
12 10 2 2 0
µ
* fdbk. *
0
*Fdbk. looped Gtr. 3
X X X X X X X X X X X X XX XX XX XX XX XX XX XX XX XX XX XX Additional Lyrics Chorus 2. I am the king, an evil king, Who dreams the wickedest of dreams. An ancient mystery nobody could interpret Of seven empires falling. The wolf is at my door as predicted years ago. That that was, that is, that is no more. The word predicts my future and tells the truth about my past Of how the world leaders are waiting to usher in The eighth world power of modern Rome. Washington is next!
20 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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2 2 0
from Megadeth - United Abominations
You’re Dead Words and Music by Dave Mustaine F5
Intro Moderately fast q = 163 ** E µ
13
Eb
D
Db
C
mf P.M. P.M. P.M. P.M. P.M.
*Gtr. 1 (dist.)
X X
11
12
11
12
11
X X 10
10
11
11
10
X X
9
9
10
X X
8
8
9
9
8
X X
7
8
*Doubled throughout **Chord symbols reflect implied harmony.
Gtr. 2 tacet
B
Gtr. 2 (dist.)
Bb
A
Ab
G
Gb
mf
4
5
7
P.M. P.M. P.M. P.M. P.M. P.M. Gtr. 1
7
8
7
X X
6
6
7
9
X X
5
F
Gtr. 1
7
P.M. 1
2
1
X
X
1
0
1
X
X
6
5
6
5
X X
4
5
4
5
P.M.
1
P.M.
0
1
X
X
1
4
X X 3
4
3
X X
1
3
2
3
2
X X 1
2
E5
P.M.
0
2
0
0
0
0
0
0
0
0
0
0
© 2007 MUSTAINE MUSIC All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Verse
Half-time feel 2nd time, Gtrs. 6 & 7: w/ Fills 1 & 1A
E5
F#5
G5
1. When 2. We’re
mp
E5
all
G5
Gtr. 1: w/ Riff A (5 times)
A5
E5
some - one just
A5
Bb5
be try
-
A5
comes ing
Bb5
E5
A5
noth to hold
Bb5
ing on
A5
E5
F#5
G5
to to
E5
G5
A5
E5
A5
E5
A5
Bb5
A5
try - ing
to
an - y - one, in - no - cence.
Gtr. 3 (dist.)
E5
mf
Gtr. 4 (dist.) divisi
12 9
Gtr. 1
11 8
Riff A
End Riff A
P.M.
0
2
3
0
3
5
0
5
6
0
5
6
0
5
6
5
Bb5
E5
A5
Bb5
E5
A5
Bb5
A5
E5
F#5
G5
E5
G5
A5
E5
A5
Bb5
think
feel - ings they’d
have no
-
all
Gtr. 3
You
E5
A5
died, tice what
Bb5
we’re
Gtr. 4
11 8
10 7
7
Fill 1 Gtr. 6
13
13
Fill 1A Gtr. 7
14
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14
E5
F#5
G5
E5
G5
A5
an - y - one
E5
A5
would
Bb5
E5
A5
Bb5
E5
A5
know
Bb5
A5
E5
F#5
it.
E5
A5
Bb5
and vis - i - ble.
E5
A5
A5
A5
E5
wounds
say those are
A5
sticks in -
G5
I Back
E5
G5
A5
say
I when
then
E5
F#5
G5
G5
A5
they say Un - der - neath
they the
E5
E5
A5
Bb5
E5
crush dirt
A5
my I
Bb5
E5
A5
Bb5
bones. still see
the
scars.
A5
E5
A5
11 8
9
F#5
E5
12 9
E5
Bb5
stones,
G5
12 9
E5
10 14
Bb5
They These
do.
G5
A5
Bb5
E5
don’t things
A5
get got
Bb5
E5
get we
e spread
9
7
I and
Gtr. 3
Bb5
mad, bad
A5
A5
E5
F#5
G5
E5
G5
-
A5
ven our
wings
Gtr. 4
10 7
Gtr. 1
0
3
0
P.M.
2
0
3
5
5
6
0
5
5
0
0
5
6
0
5
6
2
3
3
0
5
3 Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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End half-time feel
Bb5
E5
A5
Bb5
E5
A5
Bb5
E5
be and
A5
Bb5
-
E5
A5
fore fly
Bb5
E5
A5
they a
Bb5
do. way.
-
10 7
P.M.
6
0
5
6
0
5
6
P.M.
7 5
0
8 6
7 5
8 6
P.M.
7 5
0
8 6
0
Pre-Chorus Gtrs. 3 & 4 tacet
F#5
G5
Spoils You’ll
9
9
9
Gtr. 1
11
G5
F#5
F#5
3
2
0
4 2
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
take
E5
F5
go all
to of
vic rich
-
tor es
3
the your
12
a
3
4
Sorgdal
on of
9
dead back
E5
A5
0
time. hearse.
5 3
B5
7
E5
8
G5
A5
3
7
8
7
P.M.
2 0
5 3
7 5
7
7
7
Bb5
3
9 10
Rhy. Fill 1
A5
and in the
8
A5
3
2
0
Ab5
Your
C5 B5
10 10
G5
E5 D5 C5
time
P.M.
8 6
7 5
7 5
6 4
6 4
Chorus Half-time feel 3rd time, Gtr. 9: w/ Fill 2
G5
is
E5 F5
go
-
F#5
E5
3
ing
to
F#5
**
Gmaj7[no3rd]
come. One
day
I’ll
G#5
dance
on
your
A5
grave
Voc. Fig. 1
(Ah.
Riff C
Gtr. 5 (dist.)
mf *w/ slide & octaver
steady gliss.
14
10
14 14
13 13
*Octaver set for one octave above.
P.M.
End Rhy. Fill 1
Gtr. 1
6 4
5 3
3
3
P.M.
Riff B
P.M.
1
1
2
2
2
0
2
2
3
P.M.
4 2
P.M.
4 0
6 3
3
4
7 4
4
5
5
**Sing 1st & 2nd times only.
Fill 2 8va
Gtr. 9
1 24
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To Coda 2
1st & 2nd times, Bkgd. Voc.: w/ Voc. Fig. 1 (1st 2 meas.) 3rd time, Bkgd. Voc.: w/ Voc. Fig. 1 (1st 3 meas.)
E5
F#5
Gmaj7[no3rd]
e - ven
you’re
bur - ied
if
Uh.
E5
F#5
at
sea.
Gmaj7[no3rd]
Till
then,
End Voc. Fig. 1
till
when
Uh.)
F#5
A5
G#5
steady gliss.
12 12
10 10
P.M.
2
4 2
I
ex
G#5
2
6
3
3
3
A5
- act
3
P.M.
4 0
10
my
4
7 X 5
4
14
13
3 P.M.
14
P.M.
4 2
2
0
0
0
2
P.M.
4 2
2
3
3
To Coda 1
Gtr. 5 tacet
Bb5
A5
G#5
A5
3
re - venge,
G#5
G5
G#5
G5
3
I’ll
tell
them,
F#5
E5
E#5
3
“You’re dead
to
End Riff C
12
End Riff B
3
3
P.M.
3
3
(2nd time, cont. in slashes)
6 3
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4
7 4
4
5
5
8 X 6
6
5
4
5
4
3
4
3
2
2 0
3 1
Guitar Solo End half-time feel
F#5
Bb5
E5
A5
me.”
Bb5
E5
A5
Bb5
A5
E5
F#5
G5
E5
Wow!
*Gtr. 6 (dist.)
G5
A5
15
17
E5
A5
mf 15
16
17 *Glen Drover
**Gtr. 7 (dist.)
mf
let ring
P.M.
12
17
12
14
17
12
13
14
14
17
14
**Glen Drover
P.M.
4 2
8 6
P.M.
7 5
0
Riff D
Gtr. 1
8 6
0
2
3
P.M.
7 5
0
8 6
7 5
0
3
5
0
5
Gtr. 1: w/ Riff D
Bb5 E5 A5 Bb5 E5 A5 Bb5 A5
E5 F#5 G5 E5 G5 A5 E5 A5
Bb5 E5 A5 Bb5
17
16
17
16
14
16
14
P.M.
12 14
P.M.
12
14
13
11
12
11
P.M.
6
0
5
6
0
G5 A5 E5 A5
P.M.
15
E5 F#5 G5 E5
5
6
5
15 17
16
15
17
17
17
18
17
18
17
15 17 15
17
let ring 12 12
12
14
13
14
13
2
3
0
3
5
0
15
13
12 13 12
14
0
15
14
5
End Riff D
6
0
5
6
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Bb5
Gtr. 6
Gtr. 7
17
E5 A5 Bb5
19
17
A5
Bb5
16
14
E5
F#5
G5
E5
G5
A5
17
E5
A5
Bb5
19
17
16
18
A5
Bb5
17
15
17
16
14
3 3 3 3 3
14
E5
3 3
3
16
14
D.S. al Coda 1
A5
rake
E5
17
16
13
18
17
15
13
16
14
13
15
X
14
3
12
15
14
12
11
13
12
Coda 1
Interlude Gtr. 1 tacet
F#5 Gtr. 1
G#5
A5
me.”
*Gtr. 8 (dist.)
mf
P.M.
4 2
4 2
4 2
0
5
6 4
4 2
4 2
4 2
0
4
2
3
6 4
6 4
0
P.M.
6 4
6 4
6 4
0
6
4
7
5
*Doubled throughout
A#5
B5
Gtr. 6
C5
B5
Bb5
A5
Ab5
G5
µ
G5
string noise
X X X
Gtr. 8
8 6
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8 6
8 6
0
9
10 8
P.M.
8 6
8 6
8 6
0
6
8
7
3
3
9 7
8 6
7 5
6 4
5 3
X X X
X X X
X X X
5 3
Guitar Solo Double-time feel
F#5
E5 F#5 G5
9
9
E5 F#5 G5
P.H.
11
11
9
12
12
15
15
Riff E
2
0
2
0
P.M.
E5 F#5 G5
1/2
5
F#5
E5 F#5 G5
2
2
2
2
2
2
2
0
F#5
2
3
E5 F#5 G5
2
3
2
E5 F#5 G5
2
2
2
2
2
2
F#5
0
2
3
2
E5
3
G5
21
18
18
21
18
18
15
18
15
12
15
15
12
12
9
12
9
End Riff E
P.M.
2
0
2
2
2
2
2
2
2
0
2
3
2
3
2
2
2
2
2
2
2
2
X X X
2 2 0
X X X
5 3
Gtr. 8: w/ Riff E
F#5
E5 F#5 G5
E5 F#5 G5
Gtr. 6
P.M.
14
13
16
15
16
13
P.M.
16
13
16
15
16
13
F#5
P.M.
14
13
16
15
E5 F#5 G5
E5 F#5 G5
16
13
P.M.
16
13
16
15
16
13
14
13
16
15
16
13
14
13
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F#5
E5 F#5 G5
E5 F#5 G5
16
13
14
14
16
14
14
16
15
14
16
15
17
14
15
17
F#5
E5
G5
8va
14
15
17
14
16
14
17
16
17
14
16
17
19
16
17
19
Guitar Solo Gtr. 6 tacet
A5
G5 A5 Bb5
G5 A5 Bb5
A5
8va
G5 A5 Bb5
*Gtr. 9 (dist.)
G5 A5 Bb5
f 17
20
17
17
20
17
17
17
20
22
20
17
20
17
17
17
20
17
20
17
20
17
17
17
20
19
17
17
17
19
20
17
*Dave Mustaine 8va
Gtr. 6
20
20
5
3
6
5
3
G5 A5 Bb5
Aº7
Gtr. 8
P.M.
5
5
5
5
5
5
5
A5
3
5
6
G5 A5 Bb5
5
loco
Gtr. 9
19
20
19
17
19
17
20
17
19
20
19
17
19
17
19
Gtr. 8
5
5
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5
5
5
5
5
5
3
5
6
3
5
6
5
5
5
5
5
5
3
5
Abº7
6
Gº7
20
17
18
19
16
17
18
15
17
14
5
16
17
13
15
Gtr. 8 divisi
3 5
4 6
2 4
3 5
6
Gtr. 2
P.M.
Sorgdal
17
5
1 3
2 4
17
Gtr. 2 tacet Gtr. 8: w/ Riff E
F#5
E5 F#5 G5
Gtr. 9 16
14
17
14
E5 F#5 G5
14
18
14
16
F#5
14
17
14
E5 F#5 G5
F#5
14
18
14
16
E5 F#5 G5
17
20
14
17
15
14
17
A5
20
14
G5 A5 Bb5
17
16
G5 A5 Bb5
14
18
14
16
14
14
17
E5
3
17
3
14
17
20
14
17
16
14
17
3
20
G5
14
G5
3
A5
14
17
X
D5
X
A5
3 19
20
19
17
20
22
20
17
19
20
19
17
19
17
20
20
Gtr. 8
17
14
14
8va
Gtr. 9
14
E5 F#5 G5
F#5
3 3 3 3 rake X
E5 F#5 G5
22
20
17
20
17
20
17
19
5
3
5
P.M.
5
5
5
5
5
5
5
3
B5
5
6
A5 B5 C5
5
6
A5 B5 C5
8va
21
22
21
19
22
24
22
19
21
22
21
19
21
19
22
7
5
P.M.
7
7
7
7
7
7
7
5
7
8
7
8
19
5
5
5
5
5
5
B5
20
17
7 5
5 3
5
17 19 21
20 21
7 5
End double-time feel E5 B5
A5
3
22
24
22
20
22
19
21
7
7
7
7
7
7
7
7
7 5
23
19
21
23
19 21 24
9 7
9 7
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D.S.S. al Coda 2 Gtr. 8: w/ Rhy. Fill 1
Bb5 8va
Gtr. 9
A5
Ab5
G5
*w/ delay
24
E5
F5
24
21
19
23
3
3
3
19
F#5
21
19
23
21
24
*Set for dotted-eighth note regeneration w/ 1 repeat.
Coda 2 Gtr. 5: w/ Riff C (last meas.)
Gtr. 7
I
ex - act
my
P.S.
(cont. in notation)
re - venge. Fill 3
Gtr. 1
P.M.
6 3
4
End Fill 3
7 4
4
Gtr. 2
5
P.M. P.M. P.M. 3
4
5
0
w/ bar
2
2
2
3
3
3
2
0
3
2
0
4 2
5 3
0
6 4
7 5
grad. dive
3 -1/2
-2 1/2
slack
Bkgd. Voc.: w/ Voc. Fig. 1 (1 1/2 times) Gtr. 1: w/ Riff B Gtr. 2 tacet Gtr. 5: w/ Riff C
E5 F#5
One
day I’ll
Gtr. 7
1
G#5
dance
A5
E5 F#5
on your grave
1
1
1
e - ven
Gmaj7[no3rd]
1
if
G#5
you’re bur - ied
1
1
1
3
4
5
7
8
9
10
4
5
6
7
9
10
11
12
Digital Conversion © 2012 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
A5 F#5 E5
2
12
Sorgdal
Gmaj7[no3rd]
10 12
at
Gtr. 1: w/ Fill 3
F#5
sea.
Gmaj7[no3rd]
G#5
Till then, till when
1
I ex - act
1
3
A5
1
15
16
17
16
17
18
19
G5 C5 B5 A5
my re - venge.
14
1
14
E5 F#5
G5 F#5 E5 F#5 G5
I’ll
tell
them,
G#5 A5 3
“You’re dead
to
15 1
17
3
1
E5
1
16
18
17 1
19
20
Outro-Guitar Solo Bkgd. Voc.: w/ Voc. Fig. 1 (2 times) Gtr. 5: w/ Riff C
E5
Gtr. 7 tacet
F#5
Gmaj7[no3rd]
G#5
A5
me.”
Gtr. 7
17 20
Gtr. 6
6 7
6
5
7 9
7
9 10
7 9 10 7
9 10
8
10 9 7 9 10
8 9 11 8
9
9 13
11 10 11 14
11 12 11
14
11 12 12 X 15 14 12 14 16 15 13 15
Gtr. 1
0
2
P.M.
P.M.
4 2
3
4
5
6 3
P.M.
4 2
3
4
7 4
5
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Gtr. 6 6 E5
16
F#5
14
15
Gmaj7[no3rd]
14
16
15
15
18
15
17
15
14
17
G#5
A5
16
18
1
18
0
2
P.M.
2
2
3
F#5
19
0
2
19
X
19
P.M.
2
2
3
4
E5
F#5
Gtr. 5
X
4
1/2
rake
19
X
4
4
5
P.M.
3
3
4
7
7
6
14
P.M.
4
4
5
5
15
14
16
15
17
7
G#5
X
6
Gmaj7[no3rd]
19
X
X
14
A5
12
6
5
17 15 14
5
6
16
14 15
16 15 14
17
15 16
5
14 15 14
16 15
14
6
17 16 15 14 16 17 16 14
Gtr. 1
0
2
P.M.
2
2
3
4
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P.M.
A5
4
steady gliss.
14 17 14
3
17
Gtr. 6
3
G#5
6
3
Gmaj7[no3rd]
1
19
4
P.M.
4
E5
19
19
Gtr. 1
P.M.
3
3
4
4
17 16 15 16 17
3
14 16 17 16 14
P.M.
4
4
5
6
17 16 14 13
7
13
7 X 5
7 5
Youthanasia Words and Music by Dave Mustaine
E5VII
E5
B5
B 5
7 fr
Tune Down 1/2 Step: 1 =E
11
134
B
G 5 5 fr
4 =D
2 =B
5 =A
3 =G
6 =E
214
D5 5 fr
134
A5
134
G
4 fr
G5
6 fr
134
134
G
A
5 fr
134
Intro Moderate Rock = 134 Half-Time Feel *Gtrs. E5 F 5 1&2
7 fr
3 fr
134
214
214
214
1.,2.,3. G5
4 fr
4. A5
N.C.
A5
A 5
B5
Rhy. Fig. 1
End Rhy. Fig. 1
4 4 2
2 2 0
*w/ dist.
5 5 3
N.C.
7 7 5
5 6
5 5 3
7
1.,2.,3.
8 8 6
7 7 5
9 9 7
4.
Riff A
End Riff A
P.M.
P.M.
2
2
0
2
2
5
2
P.M.
full
5
3
5
6
5
(2) 3
5
3
0
2
5
1
Verse Gtrs. 1 & 2: w/ Riff A
N.C.
1. Who’d be lieve, 2. Luck de sert ed
with the me and the
way truth beat
here, things are out my brains.
we’d
be
go ing Men
an y rise on
Gtrs. 1 & 2: w/ Riff A, 1st 6 meas.
where tell step ping stones
peo ple ing of their selves to
how to high er
Who’d be lieve I’ve stepped o
live? things.
we’d spend more ver lots of
Gtrs. 1 & 2: w/ Riff A1
ship pin’ bod ies
drugs and on my
guns, way.
than
to Thanks
ed for
u cate our the in form
a
sons? tion,
Sor ry, don’t need
that’s what they did. no more an y thing.
Riff A1 Gtrs. 1 & 2
P.M.
2 0
2
2
5
2
2
© 1994 MUSTAINE MUSIC All Rights Controlled and Administered by SCREEN GEMS-EMI MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
Sorgdal
75
Pre-Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 1, 1st 7 meas.
E5 F 5
G5
I can’t
A5
help
N.C.
E5
F 5
think,
but
G5
A5
I can’t
help
but
N.C.
think,
1. Gtrs. 1 & 2: w/ Rhy. Fig. 1, last meas.
F 5
E5
G5
I 2.
can’t
G5
A5
help
N.C.
but
think
Chorus E5
F 5
E5
some
E5 VII
G5
A5
A 5
for sak
en
you and me.
F 5
one’s
B5 B 5
D5
B5
E5VII
E5
Rhy. Fig. 2 Gtrs. 1&2
3
3
en
you and
me.
We
are
the
damned
Riff B *Gtr. 3
Gtrs. 1&2
3
8 7 5
8 7 5
of
all
the
Gtrs. 3 & 4
*Gtr. 4 divisi (cont. in slash)
7 6 4
7 6 4
7 6 4
with
Gtr. 3
3
8 7 5
world,
Gtr. 4 divisi
9 9
7 0
9
8
8
7
(7)
9 9
7 0
*w/ dist.
B5 B 5
G5
E5 VII
E5
B5 B 5
D5
E5 VII
E5
B5 B 5 End Rhy. Fig. 2
sad
ness
in our
hearts.
Gtrs. 3 & 4
The wound
ed of
the world.
Gtrs. 3 & 4
Gtr. 3
Gtr. 3
Gtr. 4 divisi
9
8
8
5
We’ve
been hung out
to dry. End Riff B
Gtrs. 3 & 4
Gtr. 4 divisi
9 9
7 0
9
8
8
7
(7)
9 9
7 0
9
8
Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtrs. 3 & 4: w/ Riff B
E5
B5 B 5
You
76 Sorgdal
did n’t
want
D5
us
an
y
E5
way.
B5 B 5
And
now
we’re
mak
ing
G5
up
our
minds.
B5 B 5
E5
You
tell
us
how
D5
to
run
our
To Coda
B5 B 5
E5
lives.
run
We
for
youth
an
a
5
0
si
a.
Interlude End Half-Time Feel Gtrs. 3 & 4 tacet
Gtrs. 1 & 2
1., 2., 3.
N.C.
P.M.
0
P.M.
0
0
0
6
0
5
0
8
0
7
5
0
0 0
0
0
0
6
0
8
0
7
Guitar Solo Gtr. 2 tacet
G5
G 5
E5
A5
B5
B
G5
G 5
Rhy. Fig. 3
A5 End Rhy. Fig. 3
Gtr. 1
4.
Gtr. 3
P.M.
full
(Gtr. 1 cont. in slash)
17 0 0
0
0
5 5 6 0 3
6 6 4
16
7 7 5
15
15
14
(14) 12 14 12
14
Gtr. 1: w/ Rhy. Fig. 3, 3 times
E5
B5
B
G5
G 5 A5
8va
8va Gtr. 4
w/ bar
15
17
15
18
w/ delay *dive
22
let ring
16
B5
17
19
16
15 17 15
19
15 17
*Gradual dive continues into next meas. as Gtr. 4 enters mix.
-1 1/2
B loco
Gtr. 3 tacet 8va
17
E5
19
14
14
15
14
17
15
G5
14
12
15
G 5
12
A5
14
12
15
10
11
10
13
10
11
17
15
10
11
10
15
17
E5 8va
let ring
12
11
10
12
10
12
14
12
16 10
13
12
10
12
10
17
16
19
15
19
13
77 Sorgdal
B5
B
8va
full
17
19
22
full
22
(22)
22
G5
22
G 5
18
A5
18
15
18
18
18
18
15
18
15
18
13
15
15
11
E 6 open Rhy. Fig. 4 Gtrs. 1 & 2 P.M. loco
8va
*
full *
full
15
15 14
14
full
full
full
full
15
16
16
17
17
14
15
15
16
16
*G
G
A
w/ echo repeats
full
(19)
19
*Vib. bent string only.
E
*A
G
6 open
P.M.
G End Rhy. Fig. 4
P.M.
3
3
1/2
12 12 12
13 13 13
full
14 14 14
14 14 12
14 14
14
12 14
(14)
* Gtr. 2 plays G5, G 5, A5.
11 12 15 12 11
14 12
* Gtr. 2 plays A5, G , G5.
D.S. al Coda
Gtrs. 1 & 2: w/ Rhy. Fig. 4
All Gtrs. tacet
N.C.(E5)
G
G
A
16 16
17 17
N.C.(E5)
AG
G
8va
1/2
(12)
15 15
(12)
17 17
(17)
17 16
Coda Outro-Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtrs. 3 & 4: w/ Riff B
E5
B5 B 5
We
are
E5
Sorgdal
damned of
B5 B 5
The
78
the
wound
D5
all
of
B5 B 5
world,
the
D5
ed
E5
with
E5
the
world.
sad
G5
ness
in our hearts.
B5 B 5 N.C.
We
run
for
youth
an
a
si
a.
