Marco Minnemann - Extreme Drumming

EXTREME DRUMMING

1

SOLO EXCERPTS Note: Marco improvizes with various hand

and foot placements throughout these patterns. The patterns have been written to accomodate accomodate a basic drum setup. Experiment with your own ideas!

Transcriptions by Rick Gratton

Extreme Practice Routine 1.

7 Note Foot Ostinato

7 16

7 note ostinato phrased as 16th notes

4 4

5 Note Hand Ostinato

5 16 5 note ostinato phrased as 16th notes

4 4

2

9 Note Hand Ostinato Note: Marco plays this 9 note cymbal ostinato on the toms. Experiment with your own hand placement ideas!

9 16


4 4

Putting It All Together

4 4

ETC.

3

7 Note Hand & Foot Ostinato

2.

7 16

L

L

L


4 4

Add 2 & 4 on snare snare and 1 & 3 on bass bass drum

R

R

R

R

R

R

R

R

R

R

R

R

R

R

Hi-Hat Ostinato

3. L

L

L

L

L

L

L

4 4 Bass Drum Ostinato

4 4

L

L

L

4

Combine both ostinatos and improvize around the set with your right hand

4 4 4.

Left Hand- Left Foot Ostinato L

L

L

L

4 4 Right Hand- Right Foot Ostinato

4 4

R

R

R

R

R

R

R

R

Putting It All Together L

4 4

R

L

R

L

R

R

L

R

R

R

R

Right Hand- Right Foot Ostinato 6

4 4

R R

R R

R R

R R

R R

R R

Putting It All Together 6

L

4 4

L

R R

L

R R

R R

L

R R

R R

5 Note Hand Ostinato

5.

5 16

L

R

L

R

R

Hi-Hat & Bass Drum Ostinato

4 4

R R

5

Putting It All Together 5 note ostinato phrased as 16th notes

4 4

5 Note Hand & Foot Ostinato 6.

5 16

L

L


4 4

Add 2 & 4 on snare snare and 1 & 3 on bass bass drum

4 4

R

R

R

R

R

R

R

R

R

R

6

The following ostinatos played between the hi-hat and bass drum allows for infinite applications applicati ons between the hands on other sound sources! 7.

4 4 8.

Experiment with other sticking combinations and sound sources. R

L

R

L

R

L

R

L et etc.

4 4

9.

Note: Marco applies this snare and cymbal

pattern around his unique drum setup with & even sound placements as in a single odd & note sticking voiced with the left hand played on three differnt differnt sound sources while the right hand improvises around the drumset. Experiment with your own hand placement ideas!

3 4

Threesome - Song Pattern Breakdown

EXTREME DRUMMING GROOVES Isn't It 01

1. 1

Note: Marco improvizes with these

selected basic grooves on other "groove oriented" oriented" sound sources. The patterns have been written to accomodate a basic drum setup. Experiment with your own ideas!

2

2

1

2

3

Overloaded 1

song structure for "STREETS" is broken down for you on pages 97 & 98 in the EXTREME INTERDEPENDENCE book. CHECK IT OUT!

1

17 16 2.

Note: The drum parts and

3

2

3

1

2

3

R

L

15 16 3.

Motor R

L

R

L

L

L

R L

4 4 4.

Traincheck

3 4

4 4

Traincheck Rythmical Run- Feel free to improvise around the drumset. 6

6

6

3 4

4 4

3 4

4 4 Marco applies polyrhythms to this piece to imply a sense of SPEEDING UP and SLOWING DOWN. 5

3 4

5

4 4

7

Minnemann-Kelly Intro

A 7

B Fill

12

Fill

18

C 22

Fill

27

A 32

Fill

B 37

Fill

2

Fill

43

C Fill

48

D Fill

52

Guitar Solo 56

C

Repeat 3 X

61

Fill

65

Repeat & Fade... 70

Fill

Marco Minnemann Intro Repeat 3 X

Repeat 3 X 3

Fill

6

Repeat 3 X 13

16

20

5

5

5

5

26

3

Fill

30

3 34

3

3

5

3

Fill

2

Fill

37

42

Fill

Fill

Solo

Solo Over Rhythmical Vamp

(4)

(8)

(12)

50

57

60

3 5

5

3

3

3

63

5

5

5

5

67

Repeat 4 X 70

Repeat & Fade 73

5

5

3

3

3

Marco Minnemann Repeat 4 X

Repeat 4 X 6

Fill

Fill

11

Fill

17

Repeat 8 X

Fill

25

Repeat 4 X Fill

31

Fill

37

Repeat 7 X Extreme Fill 44

Repeat & Fill until Modulation 49

2

Modulation 53

61

69

Repeat until Extreme Drum Fill 77

83

Marco Minnemann - Extreme Drumming

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