Marcha Militar - CONDOR PASA

"EL CONDOR PASA"

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU



    

1º Clarinet in Bb

  

f

          

38



 1.

 



55

 

2.       

       



       

               

2.

   

75

  





 

3



3

  



                  A LA      Y  f

  

62

70

 

        

  

3



3

f



47

 

                

 

  

          

3



    

mf

20

29



             



10

   

 

POR: MILTON CALDERON TORRES

 



  



 

    1.      2.      1.

3



  







     

  

 

 





"EL CONDOR PASA"

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU 2º Clarinet in Bb

  



    

f

     

20







1.

 

            

 



2.        



    

46

3

 

 

   3

f

  

  

     





  

            



 



    

mf

 

29

38



               



10

   

 

POR: MILTON CALDERON TORRES

             A LA                  Y  f

1.                                                  

54

             

61

70



75



  

  

3





  

 



  

  

2.

2.





  

3









1.

  

     

  

 

  



"EL CONDOR PASA"

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU



1º Alto Saxophone

 

9



f



    

   

                

 

 56

 65

 72

1.

2.        



 

 

  

  

3

  



3

                   f

3



 

A LA Y

   

  

             

  

3

  

3

  

f

   

47

    

          

3

29

   

mf

20

38



             



 

  

POR: MILTON CALDERON TORRES

2.                         

1.

   3

        

          

1.

2.

3

   

        

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

2º Alto Saxophone

 



f

9

 

"EL CONDOR PASA"

    

   

         

3

               

29

  1.

56

 65





  

    

  

  

   

  3

   3

                   f

A LA Y

   3

2.                      

1.



  



       

72

3

             

  

3



 

f

2.            

47

  

    

mf

20

38



               



  

  

POR: MILTON CALDERON TORRES

3

  

2.        

   

        

1.

3

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

1º Trumpet in Bb

 

 





  





            







 

 

   3

        

               A LA                            Y  f

                1.         

63

 

          

 

      

56

71

   

3

  

  

3



   

POR: MILTON CALDERON TORRES

      

f

1.

47

 

            

2.               

38



mf

21

29



  

    

f

11

"EL CONDOR PASA"

 





   3

       

   

2.           

2.         

1.

3

        

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

2º Trumpet in Bb

    f

11



"EL CONDOR PASA"

    



  



mf

21

     

29







    

46

3

 

   

3

 

 

 

       3

  

f

1.

     

      

            





 



2.              

38



  

POR: MILTON CALDERON TORRES

      

     



             A LA                       Y  f

1.                                              

55

              

62

70

  

2.

 

75

  

3





  





3

 



  







 







2.      

      

1.

  

 

  



EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

   

1º Trombone

f

10

     

"EL CONDOR PASA"    

    

POR: MILTON CALDERON TORRES

    

     

                      mf

                     

19

          

29

f



  





   1.

  

                                    

39

2.

         

47

55

 

65



    

  

              A LA          Y  f    3





 

 

2.        

2.         

1.

                 

73

1.

   





           

        

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

   

2º Trombone

f

10

     

"EL CONDOR PASA"

    

  



POR: MILTON CALDERON TORRES

    

     

                      mf

                     

19

          

29

f



  





   1.

  

                                         

39

2.

        

47

55

  

65

    

  



  A LA                Y  f    3



 

2.         

1.

                 

73

2.            

1.

   





              

        

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

1º Euphonium

    f

"EL CONDOR PASA"

    

   

POR: MILTON CALDERON TORRES

    

     

                               

 

10

mf

19





  

           

3

   

28

3

       f

2.              

38

1.

3

      

46

      

      

54

63

 

71

 



 

 





  





  



 

 



     

   

 A LA     Y  1.

3

       

f

2.             

   

         

 

2.         

1.

   

3

        

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

2º Euphonium

   

"EL CONDOR PASA"

    

f

   

POR: MILTON CALDERON TORRES

    

     

                                    

 

10

mf

19

  

28



  

               

3

   3

      

1.

3

      

46

      

      

54

63

 



71

 

 





  



 

 



     

  

f

2.               

38

  



  

 A LA     Y  1.

3

 

       

f

2.             

   

         

2.            

1.

  

3

          

"EL CONDOR PASA"

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

Tuba Bb

   f

10



   

        

 

   

 

POR: MILTON CALDERON TORRES

    

         

     

   

mf

   

   

                                   

19

          

29



f

39



48







  

2.

  

                   

    

56

66



73

  



   

 



f

1.

3

2.        

1.

    

    

            

2.            

  





 

A LA Y

       1.

   



 

 

 



        



EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

Drum Set

     f

"EL CONDOR PASA"

   



10

    

     

POR: MILTON CALDERON TORRES

   

    

                mf

20

                                                        f   

29

38

1.

    

47





 2.                             

A LA Y



                    f

2.                                

56

63

      

71

      

1.

         

       

  

2.        

1.

        

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

BOMBO

    f

14





22

       

31

f

39

2.

  

47





57

  

65



72



  

"EL CONDOR PASA" 

            mf

 

 

 

 



 

      

 



 





 

 

  



   





 



 



 

  

  



A LA Y



   

 



POR: MILTON CALDERON TORRES

     f







 

2.



 

 

   

1.

 

   

  

 

         

1.

   

1.

    2.

   

  

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

Cymbals

   

14





22

       

31

f

39

2.

  

47





57

  

65



72



  

"EL CONDOR PASA" 

            mf

 

 

 

 



 

 A LA    Y   

  



   

 







 

 

  



 

POR: MILTON CALDERON TORRES

   





 



 



 

  

  



     f







 

2.



 

 

   

1.

 

   

  

 

         

1.

   

1.

    2.

   

  

"EL CONDOR PASA"

EXPRESION MUSICAL LA NOBEL SUR DE AMERICA LIMA PERU

Xylophone

     

  

f

    

  



   3

   3

36

      3

     

45

f

  

   

mf

    

27



3

                                

9

18

  

POR: MILTON CALDERON TORRES

 

          

             

  

f

2.           

1.

3

        

     

  

      A LA           Y 

                               

53

3

f

1. 2.                            

60

68

 74





1.



       

2.      

   

    3

   

   



  3



        