Q: You You should design a print-ready logo using RGB colors. A: False Q: True or False? It is generally recommended to use to or less type!aces in a logo. A: True Q: "sing golden ratio hile designing a logo is an old practice and it#s not important anymore. A: False Q: A $ogo should appeal to its target mar%et. A: True Q: &hen an empty part o! a logo creates another shape' it is commonly called... A: negati(e space Q: )Google) logo is made in hich o! these styles? A: ºar% Q: &hat special use cases should *e considered hen designing a logo? A: All o! these Q: &hat is the gestalt principle o! closure? A: &hen an o*+ect isn#t completely closed' *ut closed enough that e percei(e it as *eing closed Q: &hat is the nati(e ,le !ormat o! Ado*e Illustrator? A: AI Q: It is help!ul to do industry competiti(e research hile designing a logo' in order to: A: All o! these Q: $ogos should initially *e made using . A: ectors Q: &hich logo color mode is used in &e* media? A: RGB
Q: &hat is a /antone? A: A color-matching system to ensure color 0uality remains consistent hen printing Q: It1s not a good practice to ha(e in the main logo? A: 2lipart and Free 3toc%s Q: 2ommon ays to ensure logo reada*ility include A: 4igh contrast colors' clear and easy to read typography' minimal and crisp icon Q: &hich o! these is a gestalt principle o! design? A: All o! these Q: &hat are ,(e principles !or an e5ecti(e logo design? A: 3implicity' 6emora*ility' 7ura*ility' ersatility' and Rele(ance Q: True True or !alse: A logo should *e designed to *e (isi*le outdoors' at a distance' or on a mo(ie screen' e(en i! the client says they only ant to use it online. A: True Q: &hat is the main *ene,t o! using a (ector ,letype o(er a raster ,letype? A: In,nite 3cala*ility Q: True True or !alse: /hotoshop is the th e *est so!tare !or creating pro!essional logos. A: False Q: 8 Good goals !or a logo design are A: 3imple' (ersatile' memora*le' rele(ant Q: 7esigning a logo !or a product or ser(ice: A: Both are true Q: &hen designing a logo' you should generally start in A: Blac% 9 &hite Q: 7uotone is A: &hen to in% colors are used in the reproduction o! an image. It is a common and cost e5ect method o! printing. Q: An logotype should con!orm to hich o! these maims?
A: To To *e memora*le' instantaneously recogni;a*le and ha(e clarity hen reproduced reproduced in small si;es. Q: &hich o! these is a (ector ,letype? A: 2
A: False Q: True True or !alse: 26Y is the same as RGB' +ust dar%er onscreen. A: False Q: The use o! di5erent color in a logo ill a5ect certain mood !rom audience. A: True Q: A non-eclusi(e logo is a logo that is resold and can ha(e multiple oners. A: True Q: &hich o! these should you CT do hen designing a logo A: "se stoc% art as icons !or the logo Q: &hat is an outline? A: Tracing o! the outer edge o! tet or a graphic image. Q: $ogos generally or% *est hen they: A: 4a(e one clear idea and aesthetic Q: &hich o! these is a classi,cation o! type!aces? A: All o! these Q: &hat !ormat should a logo *e designed !or? A: There is not a speci,c !ormat a logo should *e designed !or. Q: True or False? Cnly *ig *usinesses *ene,t !rom ha(ing a logo. A: False Q: True or False? $ogos should only eist !or products and ne(er ser(ices. A: False Q: It#s o%ay to copy another logo design i!... i!... A: It is ne(er o%ay to copy another logo design Q: &hat are the to primary color modes !or print and !or e*' in that order@? A: 26Y' RGB Q: &hat is a possi*le reason !or redesigning a companies logo
A: All o! these Q: &hen reducing a logo#s si;e' you should ma%e sure A: All o! these Q: True or False? Branding is the same thing as logo design. A: False Q: Cne o! the ad(antages o! designing a logo !or a e*site is that you can use as many colors as you ant *ecause it ill only *e used in one place A: False Q: &hat is hal!-toning used !or? A: To To create the appearance o! a gradient in limited-color situations Q: 3ome logos may need a secondary (ersion created !or: A: All o! these Q: &hat !ormats should deli(er to the client hen logo is ,nally appro(ed A: .AI' .
Q: &hen designing a logo it#s good practice to: A: design multiple moc%ups and (ersions !or (arious logo applications applications Q: &hat elements should *e considered hen designing a logo#s *rand standards? A: All o! these Q: &hich o! these is a lossless raster ,letype? A: TIFF Q: A logo should ne(er *e smaller than: A: the si;e it *egins to *e illegi*le Q: &hat is a gradient? A: A color that shi!ts to a di5erent color o(er a set amount o! space Q: &hat is a *e;ier cur(e? A: 3mooth cur(es made in (ector graphics so!tare Q: &hat is a ligature? A: To letters designed to seamlessly connect Q: A 3la* seri! is the type o! seri! !ont that e(ol(ed !rom the 6odern style and it is characteri;ed *y: A: thic%' *loc%-li%e seri!s. Q: &hat is %erning? %erning? A: 2hanging the space *eteen to characters Q: &hen a logo is protected *y the "3/TC' it is called a... A: Trademar% rademar % Q: &hat is a %noc%out? A: something that is re(ersed out o! a dar% *ac%ground Q: &hat is a loc%up? A: A sym*ol and logotype placed together in a speci,c arrangement Q: &hich o! these is not a principle o! design? A: 3hade
Q: A logo is also called... A: a *randmar% Q: &hat is a )logotype)? A: An element o! the logo consisting o! the name or initial characters o! an organi;ation or indi(idual Q: &hat gestalt principle does the Fed< logo ma%e use o!? A: Figure Ground Q: It#s o%ay to copy another logo design i!... i!... A: It is ne(er o%ay to copy another logo design Q: 2olor theory is comple' *ut designers ho understand un derstand the *asics are a*le to use color to their ad(antage. A: True Q: &hat 0uestions should you as% a client in preparation !or designing a logo? A: &ho is your audience' hat is your product or ser(ice' hat is the most important message to get across? Q: An logotype should con!orm to hich o! these maims? A: To To *e memora*le' instantaneously recogni;a*le and ha(e clarity hen reproduced reproduced in small si;es. Q: True True or False' strongly consider a custom !ont !or your design. The more original the !ont' the more it ill distinguish the *rand. A: True Q: 2olors that are so *right that they are hard on the eyes helps logos stand out and *e noticed. A: False Q: &hen designing a logo it#s good practice to: A: design multiple moc%ups and (ersions !or (arious logo applications applications Q: &hat is the *est ay to ,nd out i! a logo has *een e5ecti(ely designed *e!ore alloing a client to put it to use?
A: /resent the logo to a sampling o! potential target audience mem*ers and ha(e them rate the logo#s e5ecti(eness. Q: &hat is the gestalt principle o! closure? A: &hen an o*+ect isn#t completely closed' *ut closed enough that e percei(e it as *eing closed Q: 4o many di5erent colors are there on a )Google) logotype? A: 8 Q: the golden ratio is A: E.EHJKL Q: &hich o! the !olloing is not a %ind o! tet type? A: $ine type Q: &hich o! the !olloing chec%points can *e use!ul *e!ore deli(ering the ,nal product to the client? A: a. It should not change or lose the meaning hen con(erted into grayscale image. *. 2olors should not *e used hich are hard on the eyes. c. Fonts should *e legi*le hen scaled don. d. All o! the A*o(e. Q: There are no rules !or the use o! !onts hile designing the logo *ut hich o! the logos mar%ed as A and B in the image gi(en a*o(e is ideally most accepta*le?
A: a. A *. B Q: &hich o! the !olloing is the *est approach hile creating the logos? A: a. &or%ing ith ectors *. &or%ing ith Raster c. a and * Q: The color heel shon in the image a*o(e represents the right la*els to its corresponding category.
A: a. True *. False Q: &hich o! the !olloing colors !alls in /rimary colors? A: a. Blue *. 2yan c. Blac% d. /urple Q: &hich o! the !olloing elements@ isM are not good to *e used hile creating the logos %eeping in mind the dynamic scope o! implementation? A: a. Fonts *. ectors c. Images d. one o! the a*o(e Q: &hat pro*lems can you !ace i! you ma%e this graphic a part o! the logo?
A: a. It can lose the detail hen trans!ormed to smaller si;e. *. It can *e diNcult to color each segment o! the detail. c. Both a and * d. one o! the a*o(e Q: &hich o! the !olloing colors@ !alls@ in neutral colors? A: a. Grey *. Blac% c. &hite d. All o! the a*o(e. Q: &hat are complementary colors? A:
a. 2olors that are opposite to each other on the color heel. *. 2olors that are net to each other on the color heel. c. 2olors that are e(enly spaced around the color heel. d. 2olors arranged into to complementary pairs. Q: 4o do the !olloing terms de,ne themsel(es in contet to logo ma%ing? 6atch the !olloing E@ Rele(ance E@ It should *e di5erent !rom the others. O@ ersatile O@ It should *e reada*le enough e(en hen scaled to any si;e. @ $egi*le @ It should con(ey the meaning and purpose o! the *usiness. 8@ "ni0ue 8@ It should *e adapta*le to all the mediums ithout losing its meaning. A: a. E and E' O and O' and ' 8 and 8 OPPPPPPPPPPPPPP *. E and ' O and 8' and O' 8 and E c. E and O' O and E' and 8' 8 and d. E and 8' O and ' and E' 8 and O Q: &hat can *e the most accepta*le approach approach !or creating a logo? E. Brainstorm and generate ideas O. 3%etch the ideas . 7e(elop (ector designs 8. 3u*mit it to clients A: a. O'E''8 *. 'E'O'8 c. E'O''8 d. E''O'8 Q: &hich o! the gi(en &rapping styles !ollos !ollos the cur(e o! the o*+ect in 2orel 7ra? A: a. 30uare *. 30uare 3traddle Tet c. 2ontour d. All o! the a*o(e. Q: &hich color model ill you use !or creating a logo %eeping in mind it ill get printed in the end? A: a. RGB *. 2Y6 c. 43B d. a and * Q: &hich o! the !olloing tools lets you design multi-colored ,lled o*+ects ith
maimum =uid color transitions in 2orel 7ra? A: a. Interacti(e Fill *. 3mart Fill c. 6esh Fill d. Fountain Fill Q: In Illustrator' lets you com*ine multiple o*+ects and speci!y ho you ant each o*+ect to interact ith the other o*+ects. A: a. 2ompound shapes *. 2ompound paths c. /ath,nder e5ects d. one o! the a*o(e Q: &hich option gi(es you the result shon in the image a*o(e hile using the
illustrator. A: a. direction points *. direction lines c. direction handles d. segments Q: &hich o! the !olloing isMare the ays@ to manipulate the gradient on a stro%e in Illustrator? A: a. Apply Gradient &ithin 3tro%e *. Apply Gradient Along 3tro%e c. Apply Gradient Across 3tro%e d. All o! the a*o(e Q: &hich o! the !olloing options o! the /encil tool determines determines the range o! the mouse ith respect to an eisting selected path in order to edit the path in Illustrator? A: a. Fidelity *.
d. 4ighlight 3tro%e &hen
shon in the image? A: a. Interacti(e tool -$inear *. Interacti(e tool -Radial c. Interacti(e tool -2onical d. Interacti(e tool -30aure Q: 3tarting cloc%ise !rom the top le!t in the a*o(e-gi(en image' identi!y the types o! sur!ace shading as a(aila*le in the 7 Re(ol(e Cptions dialog *o in Illustrator. Illustrator. A: a.&ire!rame' o 3hading' 7i5use 3hading' /lastic 3hading *.7i5use 3hading' &ire!rame' o 3hading' /lastic 3hading c.o 3hading' /lastic 3hading' &ire!rame' 7i5use 3hading d./lastic 3hading' &ire!rame' o 3hading' 7i5use 3hading Q: &hat tool has *een used to achie(e the result in 2orel 7ra as shon in the image a*o(e? A: a. Blend Tool *. 3mart 7raing c. Angular 7imensions d. 7istort Q: ame the tools o! the 2orel 7ra that ha(e *een shon in the image a*o(e? A: a. 2rop' ni!e'
nodes to *lend seamlessly ith the rest o! the o*+ect. A: a.Yes *.o Q: In 2orel 7ra' tool lets you create smooth cur(es ith !eer nodes than cur(es dran *y any !reehand tool. A: a. Be;ier *. B-spline c. O-point line d. -point cur(e
