MASTERCLAS MASTERC LASSS BO BOOKLET OKLET
Luca Mantovanelli
MAPPING THE MODES: VOL.3 AD A DVANCED INTRODUCTION Hey folks, thanks for buying my modes masterclass! My intention here is not to give you the usual u sual guide to the modal system, with lots lot s of boring scale diagrams and stuff. Instead, I’m going to show you how you can create cool licks using outside notes, but in all positions, all over the fretboard. This is w hy this masterclass is called Mapping the Modes… we want to to be able to find the important target notes wherever wherever we are on the fretboard. This is how you become a fluent improviser. In this volume I’ll be showing you patterns, approaches, 7th 7 th chord arpeggios, mode switching and how to create a good phrasing vocabulary. For a basic guide to the modal system, sys tem, check out Volume 1. Let’s move on to our new practice routines…
MAPPING THE MODES: VOL.3 ADVANCED LUCA MANTOVANELLI
6 NOTE APPROACH STARTING WITH INDEX
(Tab files: 6notes_index) Once again we’re creating little “melodic cells” (like (like mini phrases) where we approach a target note in different ways. A “target note” is a strong melodic note which can be held over a chord. Normally,, the root, 3rd and 5th are the most powerful target notes. Over a G major chord, Normally these would be the notes G, B and D. The idea here is to take these simple melodic cells and work them through all our scale shapes, increasing fretboard knowledge and melodic flexibility. This time, we’ll start on the index finger and running through six notes, ending on a target note. Using the intrinsic layout of the five CAGED scale shapes (see Vol 1), we only have three possible fingerings on a single string: 1-2-4, 1-3-4 and 1-3. For example, if you look at the first scale shape (Tab file modes_5shapes_shape1_ modes_5shapes _shape1_tab) tab) you’ll you’ll see that we’re using 1-2-4 1-2-4 on the low E and A strings, 1-3-4 on the D and G strings, 1-3 on the B string and then 1-2-4 on the high E string. Each of these fingerings has its it s own pattern of scale notes and chromatic passing notes, leading to the eventual target note. This is essentially the same as the 5-note (index) pattern, but we’re we’re adding an extra note at the start… star t… a semitone below, on an upbeat. Use your index finger for the first two notes. You can connect them with a slide, if you like. 1-2-4 = 1-1-4-3-1-2 1-3-4 = 1-1-4-11-1-4 -1-2-3 2-3 1-3 = 1-1-3-1-2-3 The easiest thing is to play p lay through the exercises, referring back to the 5 mode shapes in Volume Volum e 1 to see how they relate to the five-note melodic cells. ARPEGGIOS IN THE SHAPES
(Tab files: arpeggios_8ths, arpeggios_triplets) For each shape we can c an build triads from all notes, but we’re we’re just going to take one set of shapes, using the highest note on each string as the root. In volume 1 we played ascending triads, in volume 2 we played descending and “walking” triads, so this time we’l we’lll add a note to each triad, creating 7th and 6th arpeggios. Remember, we’re in G major here, so our diatonic triads are… G major, A minor, B minor, C major, D major, E minor, F# diminished. Adding a note gives us the diatonic 7th arpeggios… Gmaj7, Am7, Bm7, Cmaj7, D7, Em7, F#m7b5
MAPPING THE MODES: VOL.3 ADVANCED LUCA MANTOVANELLI
I decided to add the 6th to the G major triad, instead of the 7th. This means I’m always playing a G6 arpeggio. It just seemed to fit the patterns pat terns better. These are the triads for each of the CAGED shapes… Shape 1: Am7, D7, G6, Bm7 (Diagrams: 1, 2, 3, 4) Shape 2: Bm7, 2: Bm7, Em7, Am7, D7 (Diagrams: 5, 6, 7, 8) Shape 3: D7, 3: D7, G6, Bm7, Em7 (Diagrams: 9, 10, 11, 12) Shape 4: Em7, 4: Em7, Am7, D7, G6 (Diagrams: 13, 14, 15, 16) Shape 5: G6, 5: G6, Bm7, Em7, Am7 (Diagrams: 17, 18, 19, 20) How to practise that stuff? Let’s look at the picking first. When ascending through the arpeggios, I pick down-down-down-up, but you could use hybrid picking and go down-downfingerpick-hammer. When descending through the arpeggios, I just reverse everything: up-upup-down. updown. You You could hybrid pick it too: fingerpick-pulloff-up-up. Work on these arpeggio patterns through all five shapes, using a variety of rhythms. MODE CONNECTIONS THROUGH ARPEGGIOS
(Tab (Ta b files: mode_connections_arps) Shape 1 to Shape 2: Cmaj7 arpeggio to connect the shapes. (Diagram 21) Shape 2 to Shape 3: D7 3: D7 arpeggio (Diagram 22) Shape 3 to Shape 4: F#m7b5 4: F#m7b5 arpeggio (Diagram 23) Shape 4 to Shape 5: Gmaj7 5: Gmaj7 arpeggio (Diagram 24) 24) Shape 5 to Shape 1: 1: Am9 arpeggio (Diagram 25) If you look at the tab t ab files, you’ll see what I played. The first time, I go straight s traight up and down through the scale shape, but on the repeat, I ascend the scale to the start of the arpeggio, play through the arpeggio and then the n descend through the scale. MODE CONNECTIONS
(Tab (Ta b files: mode_connections) This is the 2nd way to connect the modes, this time with a different rule… Start on the 1st string, play a 5-note approach (starting index finger) then the ascending triad, a quick chromatic descent (with a ghost note on the 2nd string), then a 4-note approach starting with pinky on the 2nd string. In the Tab files, you’ll you’ll see how I’ve applied that concept to every pair of shapes, moving down through the strings. You could vary the pattern in many ways… for instance, choose your own approach lines (4, 5, 6 notes, index or pinky, pink y, upbeat or downbeat).
MAPPING THE MODES: VOL.3 ADVANCED LUCA MANTOVANELLI
MODE CONNECTIONS OVER ALL THE FRETBOARD
(Tab file: mode_connections_allover) This is the same concept as above but to connect all the shapes in one long phrase. It’s the same basic pattern as the regular mode connection lines, but without that ghost note or the chromatic descent - we’re staying in one position here. I recorded just one example, starting on shape 1 on the 1st string and going through all the shapes. Your job is to start in other shapes, on other strings and practise joining the shapes together. 10 LICKS
This is the same process as before… two different backing tracks, and licks 1-5 focus on individual shapes. Lick 1: The first five licks are in G Mixolydian (G A B C D E F) which is relative to C major. This lick uses shape 4 and starts with ascending arpeggios: Fmaj7, Dm7, G7, C6. After a chromatic line, some descending arpeggios: C, G7, Dm7. Lick 2: Using shape 5, I play the 6-note approach on the 2nd string, a 5-note approach (pinky) on the 1st string and then a 4-note approach (pinky) on the 2nd string. These are all connected with scale fragments. After a mixture of chromatic and Mixolydian scale fragments, we have descending arpeggios: Dm7, Am7, Em7. Lick 3: In shape 1, this is all about arpeggios. We ascend through Dm7, G7, C6, Em7, then descend and ascend again through the same sequence. Lick 4: This lick uses shape 2, and starts with a 6-note approach on the 1st string followed by a chromatic line on the 2nd string. After an ascending Dm triad and a short Mixolydian phrase, I end with a descending D minor pentatonic (D F G A C) pattern, using quick grace-note slides. Lick 5: Here we have some little chromatic patterns around shape 3. The lick ends with a slide up to the major 3rd (B) and then the root (G). Lick 6: The second backing track is in E Dorian (E F# G A B C# D) which is relative to D major. We’re now moving all over the fretboard. At the end of bar 1, I move from shape 5 to shape 4 just as we did in the “Mode connections through arpeggios” exercises. The arpeggio here is E minor. At the end, I return to shape 5 via an E minor pentatonic (E G A B D) line and the lick ends with an Em9 chord. Lick 7: Starting in shape 2, I used a couple of parallel 3rd intervals on the 2nd and 3rd strings. After the B minor triad I slide down to shape 1. After the ascending scale we have a sequence of descending arpeggios: A7, Em6, Bm7, F#m7, C#m7b5.
MAPPING THE MODES: VOL.3 ADVANCED LUCA MANTOVANELLI
Lick 8: Starting at shape 3 on the 1st string, we have 6-note approach (pinky) followed by a 4-note approach on the 2nd string. The Bm triad and chromatic descent takes us into shape 2. We then have a series of ascending triad patterns, moving back through the diatonic sequence: Bm, A major, G major, F#m, Em, D major. Lick 9: This one is built around shape 4, and is an example of how you can create a pattern with legato over a single shape. It’s an easy concept! I play the same pattern on each string while descending and then I simply ascend through the scale. Lick 10: This one starts at shape 1, using a 6-note approach on the 1st string and I use a cool jazzy pattern to drop to shape 5. After the Bm7 triad, I use a chromatic pattern to move down to shape 4 where I play an Em triad. FINAL WORDS
And there we have it, you’ve made it to the end! As with the previous two volumes i’ve also included a full solo for you to learn and extrac t ideas from. Take it slow and try to see where I have used the concepts behind the exercises/licks in this volume in my own soloing. Try to create your own licks with the concepts I’ve shown you so far, in different keys and over different backing styles. I hope you have fun working through this masterclass. There’s a lot of exercises here and a lot of patterns to learn. This systematic approach can really help you to understand the structure of the modes… with regard to the notes and arpeggios they contain, and the patterns they make on the guitar fretboard. Take your time and try to apply these phrase ideas in your own playing!
Thank you, I hope you’ve had fun and learned a lot! Luca Mantovanelli P.S Please scroll down to find the TABs!
6 NOTE APPROACH, STARTING WITH INDEX FINGER - SHAPE 1 As recorded by jamtrackcentral.com
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Ig 44
1
(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
j
= 100
k
cfV
T A B
c g c k k k I V gV fV eVc V V gV V fV eV V V V fV gV gV V V V eV fV k gVu V V 1
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V gV V fV k gV V V V eV fV k c V V V eV fV k c g f V V V e V f V V V k I gV u eV u 2
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g I V V V fV gV
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k c V eV V gV V fV 1
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k c fV V V gV V fW 1
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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6 NOTE APPROACH, STARTING WITH INDEX FINGER - SHAPE 2 As recorded by jamtrackcentral.com
P
Ig 44
1
(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
j
= 100
k
cgV
T A B
4
g c k k c I V V V eV fV gV V V V eV fV fV V V gV V fV k eVu V V gV V fV k eVu
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V V V eV fV k eV V V V fV gV k eV V V gV V fV k c V g V g f V g V V V k I u fV u u 5
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g I V V gV V fV
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k c V V V eV fV gV 4
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k c gV V V V eV fW 4
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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6 NOTE APPROACH, STARTING WITH INDEX FINGER - SHAPE 3 As recorded by jamtrackcentral.com
P
Ig 44
1
(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
j
= 100
k
ceV
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c g f V c V e V f V k k k V V k V g V e V f V V V I V V gV V fV eV V V V fV gV gV u u 6
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V g V f V e V V V V V g V f V g V f V c g V V f V V V V e V f V k k k V V k g V u I gV u u 7 10
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g I V V V eV fV
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k eVc V V V fV gV 6
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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6 NOTE APPROACH, STARTING WITH INDEX FINGER - SHAPE 4 As recorded by jamtrackcentral.com
P
Ig 44
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(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
j
= 100
k
cgV
T A B
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V g V g c f V g V e V V V k k V k k g V f V I V V V eV fV fV V V gV V fV eVu V V u u
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V e V f V V V V g V V e V f V e V f V V V V V g V V g f V g V e V V V k k k k u eVu I u u 10 12 10 11 12
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g I V V gV V fV
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k fVc V V gV V fV 8
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k c V V V eV fW gV 9
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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6 NOTE APPROACH, STARTING WITH INDEX FINGER - SHAPE 5 As recorded by jamtrackcentral.com
P
Ig 44
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(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
j
= 100
ceV
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e V V c g V f V g f V V V V e V f V ku ku I V V V fV gV k gV V V V eV fV k gVu V V 11
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12 15 12 13 14
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V V fV gV eV V V gV V fV e V V V g V f V V V V V g V f V g f V V u k k k k gVu u I u 12 15 12 13 14
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g V e V f V V V I
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k gVc V V V eV fV 11
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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ARPEGGIOS IN SHAPES, 8TH NOTES, SHAPE 1 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P g I 44 V V V V V V V V = 100
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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ARPEGGIOS IN SHAPES, 8TH NOTES, SHAPE 2 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P g I 44 V V V V V V V V = 100
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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ARPEGGIOS IN SHAPES, 8TH NOTES, SHAPE 3 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P g I 44 V V eV V V fV V V = 100
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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ARPEGGIOS IN SHAPES, 8TH NOTES, SHAPE 4 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V g V 4 V V V V I 4 V V = 100
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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ARPEGGIOS IN SHAPES, 8TH NOTES, SHAPE 5 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V g V V 4 V V V I 4 V V = 100
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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ARPEGGIOS IN SHAPES, TRIPLETS, SHAPE 1 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P g I 44 V V V V V V V V V V V V = 100
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V V V V V V V V V V V V 3
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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ARPEGGIOS IN SHAPES, TRIPLETS, SHAPE 2 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V g V 4 V V V V I 4 V V V V V V = 100
3
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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ARPEGGIOS IN SHAPES, TRIPLETS, SHAPE 3 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V g V V 4 V V V V I 4 V V V V V = 100
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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ARPEGGIOS IN SHAPES, TRIPLETS, SHAPE 4 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V V V g V V V I 44 V V V V V V = 100 3
1
V V V V V V V V V V V V 3
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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ARPEGGIOS IN SHAPES, TRIPLETS, SHAPE 5 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V V V V g V V I 44 V V V V V V = 100
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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MODE CONNECTIONS THROUGH ARPEGGIOS, SHAPE 1 TO SHAPE 2 As recorded by jamtrackcentral.com
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(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
V V V g V V V V 4 V VVVVVVVV V V V I 4 V V V V V V V V VVVV V = 80
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V V V V V V g V V VVVVVVVV V V I V V V V V V VVVV V 2
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JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
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MODE CONNECTIONS THROUGH ARPEGGIOS, SHAPE 2 TO SHAPE 3 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V V V V V V V g V V V V 4 V VVVVVVVV V V V I 4 V V V V V V V VV = 80
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V V V V V V V g V VVVVVVVV V V I V V V V V V VVVVV 5
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9
7
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
10
9
7
10
8
7
8
7
MODE CONNECTIONS THROUGH ARPEGGIOS, SHAPE 3 TO SHAPE 4 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V V V V V V V V V g V V V VVVVVVVV 4 V V V I 4 V V V V V V V VV = 80
1
T A B
7
9 10
7
9 10
7
9
7
8 10
7
8
10
8
7
10
8
7
9
7
10
9
7
10
9
7
V V V V V V V V V V g V V V VVVVVVVV V V I V V V V V V 7
8
10
10
3
T A B
7
8
10
7
9
12
10
9
11
10
8
12 14 12 10
13
12 10
12 11
9
12 10
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
9
12 10
9
12 10
8
MODE CONNECTIONS THROUGH ARPEGGIOS, SHAPE 4 TO SHAPE 5 As recorded by jamtrackcentral.com
P
g I 44
1
(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
j
= 80
k
dV
T A B
V V V V V V V V V V V g V V V VVVVVVVVVVV V V V V I V V V 10
2
T A B
9
10 12
9
10 12
9
11 12
10 12 13
10 12 10
13 12 10
12 11
9
12 10
9
12 10
9
V V V V V V V V V V V V g V V VVVVVVVW V V I V 12
12 10 12
4
T A B
10
14
12
11
12
12
10
14
15
14
12
15
13
12
14
12
11
14
12
15
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
14
12
15
14
12
9
MODE CONNECTIONS THROUGH ARPEGGIOS, SHAPE 5 TO SHAPE 1 As recorded by jamtrackcentral.com
P
V V V V V V V V V V V V V V V V V V V V V V VVVVV V V V VV
g I 44 T A B
g I T A B
= 80
8va
1
3
(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
12 14 15
12 14 15
12 14
11 12 14
12 13 15
12 14
15 14 12
15 13 12
14 12 11
14 12
15 14 12
8va
15 14
V V V V V V V V V V V V V V V V V V V VVVVVV V V V V
12 14 15
12 15
14
12 16
13
12 15 17 15 14
17 15
17 16 14
17 16 14
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
17 15 14
17 15 14
MODE CONNECTIONS: SHAPE 1 TO SHAPE 5, EX1 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V gV V fV V V V fV gV V V V V fV V V gV V fV V V V fV gV V V V V fV g V 4 I 4 = 80
8va
1
T A B
14 17 16 14 15 16
15
14 13
14
12
15 14 12 13
14 17 16 14 15 16
15
14 13
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
14
12
15 14 12 13
MODE CONNECTIONS: SHAPE 1 TO SHAPE 5, EX2 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V V eV fV V gV fV V e V f V V V V V g V f V V e V V e V V V gV V fV V g V f V V g V 4 I 4 = 80
1
T A B
15 17 15 16 17 17
16
15 14
15
13
14 13 11 12
15 17 15 16 17 17
16
15 14
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
15
13
14 13 11 12
MODE CONNECTIONS: SHAPE 1 TO SHAPE 5, EX3 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
PV V V eV fV V V e V f V V V V gV V fV V V eV fV g V f V g V V V V e V f V 4 V V V I 4 = 80
1
T A B
14 17 14 15 16 17
16
14 13
14
12
14 12 13 14
14 17 14 15 16 17
16
14 13
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
14
12
14 12 13 14
MODE CONNECTIONS: SHAPE 1 TO SHAPE 5, EX4 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
PV V g f V g V f V g V V V V e V V V V e V 4 V V V V V V V V V eV fV e V f V V V V I 4 = 80
1
T A B
14 17 14 15 16 17
15
14 13
15
12
15 12 13 14
14 17 14 15 16 17
15
14 13
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
15
12
15 12 13 14
MODE CONNECTIONS: SHAPE 2 TO SHAPE 1, EX1 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
PV V V eV fV V V e V f V V V V gV V fV V V eV fV g V f V g V V V V e V f V 4 V V V I 4 = 80
1
T A B
5
8
5
6
7 7
7
5
4
5
3
5
3
4
5
5
8
5
6
7 7
7
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
5
4
5
3
5
3
4
5
MODE CONNECTIONS: SHAPE 2 TO SHAPE 1, EX2 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
PV V g f V g V f V g V V V V e V V V V e V 4 V V V V V V V V V eV fV e V f V V V V I 4 = 80
1
T A B
5
8
5
6
7 7
5
5
4
5
3
5
2
3
4
5
8
5
6
7 7
5
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
5
4
5
3
5
2
3
4
MODE CONNECTIONS: SHAPE 2 TO SHAPE 1, EX3 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P g I 44 V V gV V fV V V V eV V V V V fV gV V V gV V fV V V V eV V V V V fV gV = 80
1
T A B
4
7
6
4
5 7
5
4
3
5
2
5
2
3
4
4
7
6
4
5 7
5
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
4
3
5
2
5
2
3
4
MODE CONNECTIONS: SHAPE 2 TO SHAPE 1, EX4 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P g I 44 V V gV V fV V V V fV gV V V V V fV V V gV V fV V V V fV gV V V V V fV = 80
1
T A B
4
7
6
4
5 7
5
4
3
4
2
5
4
2
3
4
7
6
4
5 7
5
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
4
3
4
2
5
4
2
3
MODE CONNECTIONS: SHAPE 3 TO SHAPE 2, EX1 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
PV V gV V fV V eV V g V f V V V V eV V V V V fV gV V V V V g V f V g V V V V 4 I 4 = 80
1
T A B
7
10
9
7
8 9
8
7
6
7
5
8
5
6
7
7
10
9
7
8 9
8
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
7
6
7
5
8
5
6
7
MODE CONNECTIONS: SHAPE 3 TO SHAPE 2, EX2 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V gV V fV V V V fV V V V gV V fV V V gV V fV V V V fV V V V gV V fV g V 4 I 4 = 80
1
T A B
7
10
9
7
8 9
7
7
6
7
5
7
6
4
5
7
10
9
7
8 9
7
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
7
6
7
5
7
6
4
5
MODE CONNECTIONS: SHAPE 3 TO SHAPE 2, EX3 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V eV fV g I 44 V V V V V gV V fV V gV V fV V V V eV fV V V V gV V fV V gV V fV = 80
1
T A B
7
9
7
8
9 10
9
7
6
7
5
7
6
4
5
7
9
7
8
9 10
9
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
7
6
7
5
7
6
4
5
MODE CONNECTIONS: SHAPE 3 TO SHAPE 2, EX4 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P g I 44 V V V eV fV V V V gV V fV V V eV fV V V V eV fV V V V gV V fV V V eV fV = 80
1
T A B
7
10
7
8
9 10
9
7
6
7
5
7
5
6
7
7
10
7
8
9 10
9
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
7
6
7
5
7
5
6
7
MODE CONNECTIONS: SHAPE 4 TO SHAPE 3, EX1 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V V eV fV V gV fV V e V f V V V V V g V f V V V V V V V gV V fV V g V f V V g V 4 I 4 = 80
1
T A B
10 12 10 11 12 12
12
10
9
10
8
10
9
7
8
10 12 10 11 12 12
12
10
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
9
10
8
10
9
7
8
MODE CONNECTIONS: SHAPE 4 TO SHAPE 3, EX2 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
PV V V eV fV V V e V f V V V V gV V fV V V eV fV g V f V g V V V V e V f V 4 V V V I 4 = 80
1
T A B
10 13 10 11 12 12
11
10
9
9
8
9
7
8
9
10 13 10 11 12 12
11
10
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
9
9
8
9
7
8
9
MODE CONNECTIONS: SHAPE 4 TO SHAPE 3, EX3 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
PV V g f V g V f V g V V V V e V V V V e V 4 V V V V V e V f V V V V V eV fV V V V I 4 = 80
1
T A B
9
12
9
10 11 12
10
9
8
9
7
10
7
8
9
9
12
9
10 11 12
10
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
9
8
9
7
10
7
8
9
MODE CONNECTIONS: SHAPE 4 TO SHAPE 3, EX4 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P g I 44 V V gV V fV V V V eV V V V V fV gV V V gV V fV V V V eV V V V V fV gV = 80
1
T A B
9
12 11
9
10 12
10
9
8
10
7
10
7
8
9
9
12 11
9
10 12
10
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
9
8
10
7
10
7
8
9
MODE CONNECTIONS: SHAPE 5 TO SHAPE 4, EX1 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V V g f V g V f V g V V V V e V V V 4 V V V V e V f V V V V V V eV V V V V eV fV I 4 = 80
8va
1
T A B
12 15 12 13 14 14
13
12 11
12
10
13 10 11 12
12 15 12 13 14 14
13
12 11
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
12
10
13 10 11 12
MODE CONNECTIONS: SHAPE 5 TO SHAPE 4, EX2 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
PV V gV V fV V eV V g V f V V V V eV V V V V fV gV V V V V V g f V g V V V V 4 I 4 = 80
1
T A B
12 15 14 12 13 14
12
12 11
12
10
12
9
10 11
12 15 14 12 13 14
12
12 11
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
12
10
12
9
10 11
MODE CONNECTIONS: SHAPE 5 TO SHAPE 4, EX3 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V gV V fV V V V fV V V V gV V fV V V gV V fV V V V fV V V V gV V fV g V 4 I 4 = 80
1
T A B
11 14 13 11 12 14
12
11 10
12
9
12 11
9
10
11 14 13 11 12 14
12
11 10
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
12
9
12 11
9
10
MODE CONNECTIONS: SHAPE 5 TO SHAPE 4, EX4 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V eV fV g I 44 V V V V V gV V fV V gV V fV V V V eV fV V V V gV V fV V gV V fV = 80
1
T A B
12 14 12 13 14 15
14
12 11
12
10
12 11
9
10
12 14 12 13 14 15
14
12 11
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
12
10
12 11
9
10
MODE CONNECTIONS: ALL OVER THE FRETBOARD, EX1 As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V V e V f V V V g V V g f V g V V V V e V V V eV fV V V gV fV V gV V fV fV 4 V V V I 4 VV = 80
8va
1
T A B
Ig
3
T A B
12 15 12 13 14 14
V 2
13
11 10
13 10 11 12 12
11
9
8
9
7
8
9 10
V
gV
V
fV
5
4
2
3
V
9
6
W
5
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
5
7
6
4
5 7
5
3
LICK 1 (SHAPE 4) As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V V V g V V f V V V V V 4 l V V V V V V V V PR V V V V V V I 4 V V V V V V V V = 110
(G7)
3
1
T A B
1
5
3
2
5
3
5
2
5
5
4
3
5
5
5
3
5
4
5
4
c l R I P V k V V eV fV V V V V eV V
3
3
5
5 sl.
5
5
6
P
H
T A B
3
sl.
5
3
4 H
5
5
3
3 5
5
3
P
V bPR fV V j 6
(5) sl.
5 sl.
3 P
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
4
5
5
2 P
3
3
5
5 sl.
LICK 2 (SHAPE 5) As recorded by jamtrackcentral.com
P
I 44
1
(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
j
= 110
eVv
k
T A B
4
sl.
V V V eV fV eV V V gV V V V eV V gV V fV V V V V V V fV V V V g V f V V V I V (G7)
2
T A B
5
8
7
5
6
8
5
8
5
6
7
6
5
8
7
5
6
5
8
7
V V V V V V V V V V V V l PR V l V I P
sl.
P
H
P
P
P
P
P
4
3
T A B
8
5
P
6
7
8
5
P
5
7
7
4 P
5
7
5
7
5
6
5
7
7
P
4
5
7 H
W (5)
sl.
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
4
5 H
7 H
cV k j (5) sl.
5
6
H
LICK 3 (SHAPE 1) As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V V V V V V V V V V V V V V V 4 l V VVVVVVV V V V V V I 4 V V V V = 110
(G7)
3
1
T A B
7 10
7 10
8
10
7
9
10
10
9
8 10
9
8
7
10
7
8
P
V V V V V V l V l V V V I V V V V V H
3
3
T A B
7
10 H
8
7
10
10
9
7
10
10
9
8
10
12
8
9
10
8
9
P
W (8)
sl.
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
10
10
7
9
10
P
10
7 P
V j (8)
sl.
8
10
LICK 4 (SHAPE 2) As recorded by jamtrackcentral.com
P
I 44
(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
gVv
= 110
j
1
k
9
T A B
sl.
V V V eV fV eV V V gV V fV eV fV V eV gV V V V V V V V V V V V V V V V gV I (G7)
2
10 13 10 11 12 11 10
T A B
13 14 12 13 11 12 10 11
9
10 12
10
10
12 10
9
12
9
11 12
9
10 12
10 13
V Pz V V V `Pz V V bPz fV V bP fV V `P V V V bP fV `P V bP fV fV V z z I z Vz V z P
sl.
P
sl.
H
sl.
4
T A B
12 13 12 10 (10) 11 10
sl.
sl.
sl.
sl.
12 13 12 10 11 10 sl.
sl.
sl.
sl.
12 13 12 10 sl.
sl.
(10) 11 10 sl.
sl.
12 13 12 sl.
sl.
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
10 11 10 sl.
sl.
9
(9) sl.
LICK 5 (SHAPE 3) As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V V V g V f V b P f V V g V f V e V f V V e V 4 V V V V V g V f V V g V g V f V b P f V e V f V z V V I 4 z = 110
(G7) 8va
1
let ring
T A B
15 14 13 11 12 13 14 15
U I
3
sl.
11 12 15 14 13 15
sl.
sl.
15
14 13 14 13
V
sl.
sl.
14 13 12 13 12
j
sl.
let ring
T A B
(12) sl.
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
sl.
14 13 12
12 12 14 sl.
LICK 6 (FULL FRETBOARD) As recorded by jamtrackcentral.com
P
g I g 44
(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3) = 150
j
1
evV
k
6
T A B
sl.
V V fV gV fV V V gV V fV V V V eV V V V V fV gV V V fV V V V g VVVVVV I g (Em)
2
7
T A B
10
sl.
7
8
9
8
P
7
10
P
9
P
7
8
7
8
9
6
5
8
8
sl.
P
5
P
6
H
H
g V V V V V V V V g V V V V I V V V V
4
5
7
7
6
5
7
6
V W V V Pz V P
P
P
let ring
T A B
7
5 P
7
5
5
7
9 sl.
7
9
9
7 P
9
7 P
10
9
9
7 H
11 sl.
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
8
12
7
4
7
5 P
7
LICK 7 (FULL FRETBOARD) As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V V V V V V V V V V V V V V V V V V g V f V V V g V V V V V V V 4 V V g V I 4 = 150
(Em)
1
T A B
14
12
12 15 14
14
12
12 11
12
14 13 12 14
12
sl.
3
7
7
9
9
6 P
7
9
9 11 sl.
g V V V g V V V V V V V V V I V T A B
11
9
5 P
7
9
5 P
7
H
8
10 12
H
9 10 12
H
H
H
9
10
9
7
11
P
8
9
P
sl.
3
V V V eV V V V V V V V (7)
5
7
8 sl.
7 sl.
5 P
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
7
8 sl.
7 sl.
5 P
10
7
LICK 8 (FULL FRETBOARD) As recorded by jamtrackcentral.com
P
g I g 44
(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3) = 150
j
1
fvV
8va
k
13
T A B
sl.
(Em)
V V V f V g V V f V V V V V g V f V g V f V g V V V f V g V f V V V e V V V V V g V V V V I 8va
2
14 17 16 14 15 14 13
T A B sl.
P
17 16 14 15
sl.
P
P
16
15
14 13
12
15
sl.
P
15 12 13 14
P
12
14 13 12
H
P
14 13 P
g V VVVVVVVVVVVVVV VVV VVVtq V g I V
4
N.H.
T A B
12
11
9 12 sl.
11
9
7 10 sl.
9
7
6 9 sl.
7
6
4 7 sl.
5
4
2 5
4
sl.
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
2
0 P
[7]
14
12
11 14
14
LICK 9 (FULL FRETBOARD) As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P e V f V e V V VVVVVVVVVVVV VVVVVVVVVVVVV VV g 4 g I 4 V = 150
(Em)
1
5
T A B
6
7
6
5
8
5
8
5
7
5
8
8
7
5
7
7
5
7
6
5
7
7
6
4
7
6
4
7
5
4
7
V V g V V V g V I V V V V V V V V V V V V V V V V V V V V V V V V V V H
H
P
P
P
H
H
P
H
P
H
3
T A B
7
5
4
7
P
g W P g I z
5
5
7
4
5
7 H
4
7
5
4 P
7
5
7
V V
4
5
7
4
5 H
7 H
V V j M H
4
5 H
Full
T A B
7
9 sl.
(9)
12
(12)
sl.
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
7 H
4
6 H
7 H
5
7
H
8
H
5
LICK 10 (SHAPE 4) As recorded by jamtrackcentral.com
P
g I g 44
(From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
fvV
= 150
j
1
k
8
T A B
sl.
V e V V V V V V f V e V f V e V V V g V f V V g V V V e V V V V V V fV V V V V V g V I (Em)
2
9
T A B
12 11
9
10
9
8
11 12 11 10
8
10
7
10
8
7
9 P
sl.
P
sl.
g I g PR V V V V W
4
T A B
9
5
7 sl.
5
7
sl.
7
P
9
8
j
V
7 P
(7) sl.
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
9
6
5 7
4 7
7
5
4
EXAMPLE SOLO As recorded by jamtrackcentral.com (From the 2017 Album LUCA MANTOVANELLI: MAPPING THE MODES VOL3)
P V V V V V V V V V VV g V V V V V 4 k k g I 4 = 150
(Em)
k V V V V k VV V VV VV V V
1
0 14
T A B
0 14
15
0 12
H
0 12
14
0 10
H
0 10
12
0 8
0 8
10
H
0 7
H
0 7
8
0
0 9
H
V V V V V V V V g V V V V V V V V V V V V V V V V V V V V V I g \\\\\\
3
T A B
0
7
0
9
9
H
0
11
7
H
0
9
9
H
0
11
0
11 12
H
9
H
11
0 14
15
0 12
0 12
14
H
0 10
H
0 10
12
0
12 14
14 16
H
H
H
16
k V V V V k VV V VV VV V V
5
0 14
0
11 12
H
V V V V V V V V V VV g V V V V V k k g I T A B
0
0 8
H
0 8
10
0 7
H
0 7
8
0
0 9
H
g I g V V V V V V V V V V V V V V V V V V V V V V V V V
k
7
T A B
0
7
0
9
6
H
0
7
7
H
0
9
6
H
7
0
4
H
6
0
2
4
H
2
H
0
2
P
0
2
P
0
3
P
V V V V V V V V V V V V g V V f V V e V f V V V V g f V g V VVVV V V I
9
T A B
8
9
7
10
9
10
9
7
7
8
10
7
10
8
7
9 P
7
6
5
8
7
sl.
P
4 P
5 H
5
6
6
sl.
7
5
7
P
V V V V V g V V V V V V V V V V V g V V V V I V V V V V V V V V V V V
11
T A B
7
5 P
7
5 P
5
7
9 sl.
7
10
9
7 P
7 10
7 P
9
11 sl.
9
12
12
9 P
12
9
9
P
JamTrackCentral Ltd 2017 Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
12 14 sl.
12
14
14 12 P
14 12 P
12
EXAMPLE SOLO - jamtrackcentral.com
Page 2 of 3
V V V V V V V V V V V V V V V V V V g V f V V V g V V V V V V V V V V I g
13
T A B
14
12 15 14
12
14
12
12 11
12
14 13 12 14
sl.
P
11
12
9
11
sl.
P
H
g V g I V V V V V V V V V V V V 7
7
9
9
6
7
9
9
P
5
7
P
9
7
5
7
9
7
5
7
7
8
11
9
10
sl.
P
8
7 sl.
5
7
8 sl.
P
7 sl.
5
7
P
8
7
9
7
sl. 8va
9
8
8va
V V V V V V V l fV
19
9
9
10
P
9
(7)
V V V V V V V g V I g 7
9
RP V V V V V V V V
sl.
T A B
10 12
H
7
7
5
7
H
sl.
g R g P I V V V V V V V V 5
H
(7)
17
T A B
9
10 12
V V V eV V V V V V V V
15
T A B
8
10
10
12
12
13
14
sl.
V V V f V g V V f V V V V V g V f V g V f V g V V V f V g V f V V V e V V V V V V g V V V I 8va
21
14 17 16 14 15 14 13
T A B sl.
P
17 16 14 15
sl.
P
P
16
15
14 13
12
15
sl.
P
15 12 13 14
P
H
12
14 13 12
H
P
14 13
14
12
14
11 14
P
e V g V V V I g V V V V V V V V V V V V V V V V V V V V t t } l
23
N.H.
T A B
6 12
11
9 12 sl.
11
9
7 10 sl.
9
7
6 9 sl.
7
6
4 7 sl.
5
4
2 5
4
sl.
Generated using the Power Tab Editor by Brad Larsen. http://powert ab.guitarne twork.org
2
0 P
[7] x sl.
sl.
