Kukishinden Happo Biken Dakentaijutsu Kukishinden Happo Biken Dakentaijutsu (Yoroi Kumi Uchi) katas ----------------------------------------Kihon Kamae Gata (5) (Goho no kamae) Hira no kamae Hira Ichimonji no kamae Seigan no kamae Katate Hicho no kamae Kosei no kamae Shoden Gata (9 Techniques) SeiOn SuiYoku Suisha Kubiwa HoSetsu IsoArashi Fubuki KataHo Tatsumaki Chuden Gata (12 Techniques) Ura Nami Ten Chi Kata Nami Kasumi Gake Tatsu no Se Shio Kaze Yama Arashi Ryu Fu / Yanagi Kaze Tatsu Nami Tora-o / Kobi Ju Gan Shiho Dori Sabaki Gata (12 Techniques) Ara Koma Shika Ashi / Kai Soku Chiku Sei Yume Makura Suso Sabaki Iso Gaeshi Kaze Harai / Fu Shoku Kuruma Dori Kimon Ura Kimon Uki MoUki Ho Ran PuRan Fu Okuden Gata (12 Techniques) Fu Setsu / Fu Un Gon Gi / Ken Gi Kaeshi Waza Oni Otoshi / Ki Raku Iwa Kudaki Setto / Setsu To Goto / Roto Do Fu Page 1
Kukishinden Happo Biken Dakentaijutsu Oni Kudaki / Oni Otoshi Ryu Fu / Yanagi Kaze Tachi Uchi Hane Taoshi Shirabe Moguri Gata (12 counter Techniques) Moguri Dori Sharin Ko Fuki / Ko Fuku Ryu Fuku Tobi Chigai Yama Otoshi Teki Otoshi Heito Musasabi Tama Nage Gyaku Nage Uchi Harai
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KUKISHINDEN RYU DAKENTAIJUTSU GOHO NO KAMAE
1. Hira no kamae Stand naturally facing the opponent. Hands held in lightly closed fists at your hips.
2. Hira ichimonji no kamae Stand facing the opponent with your arms held wide at shoulder height.
3. Seigan no kamae Stand in a basic sideways position and put your lead hand on the opponents eyes and your rear hand in a fist at your hip.
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4. Katate hicho no kamae From a right side forward position, point your right fist at the opponent’s chest and hold your left fist at your left chest.
5. Kosei no kamae From a position with your left side forward, hold your left fist above and in front of your head with your right fist at your chest.
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KUKISHINDEN RYU DAKENTAIJUTSU TEWAZA GATA – OMOTE GYAKU
1. Face your opponent in Seigan no Kamae
2. As he attacks with a right hand strike, evade and catch it in your left hand as you hit to his eyes with your right fist.
3. All in one movement take the opponent down with Omotegyaku, twisting his wrist so he falls to his back. Be sure to practice this on both the left and right sides.
KUKISHINDEN RYU DAKENTAIJUTSU TEWAZA GATA – URA GYAKU
1. Begin by facing your opponent in Seigan no Kamae.
2. As your opponent attacks with a right punch evade it and attack his eyes with your right shuto at the same instant. Also lightly catch his right hand with your left hand.
3. All in one movement-as the opponent is reacting to the strike to his eyes-roll his hand over into Ura-gyaku.
4. Take him down to his face with wrist twisting pressure. Be sure to practice on both the left and right sides.
KUKISHINDEN RYU DAKENTAIJUTSU TEWAZA GATA – TAKE ORI
1. Stand facing your opponent in Shizen no Kamae a natural standing posture.
2. The opponent steps in and grabs your lapel with his right hand. With your left hand, gently cover his hand from beneath.
3. Step in and hit with your right Ura shuto to the opponent’s eyes. On his reaction to that strike…
4. Lift his hand up from beneath with your own left hand folding his wrist into Take-ori to control him or take him down.
KUKISHINDEN RYU DAKENTAIJUTSU TEWAZA GATA – OMOTE ONI-KUDAKI
1. Stand facing the opponent in Seigan no Kamae.
2. He attacks with a right hand strike to your face. You receive and begin to roll his arm into Oni-kudaki without hesitation.
3. Catch his arm with your right arm underneath his upper arm and your left arm in front of his forearm and clasp your palms together (see close-up below).
4. Drop your hips as you lift his elbow and drop his wrist to break the arm and take him to his back.
Close up of arm and hand position
KUKISHINDEN RYU DAKENTAIJUTSU TEWAZA GATA – URA ONI KUDAKI
1. Begin by facing the attacker in Seigan no Kamae.
2. As he evades the attack, the defender receives the opponent’s punch with his left arm to the inside of the attackers right forearm.
3. In the same instant he attacks his eyes in a sweeping motion with his right fist.
4. The defender continues the flow of movement with his right fist to wrap up the right arm.
5. In this detail note how the left hand controls the attackers wrist and also supports the defenders own right hand. In addition the opponents elbow is pulled up high onto the chest.
6. By dropping his hips and pressing down onto the wrist the defender can drop the opponent to his back. Be sure to practice both the left and right sides.
KUKISHINDEN RYU DAKENTAIJUTSU TEWAZA GATA – GOJA DORI
1. Stand facing the opponent in Shizen no Kamae, a natural standing position.
2. The opponent grabs the defenders right lapel with his left hand.
3. Without hesitation the defender drops hips and presses the opponents wrist upward with his right hand while guarding with his left hand.
4. He adjusts his body position to place the opponent’s forearm on his shoulder and catches his elbow with the palms of his hands.
5. The defender presses him down while dropping his hips to take the attacker onto his face and break his elbow.
6. Notice the defenders hand position, the left hand is on top so it is free to receive or strike if the opponent struggles. Be sure to practice both the left and right sides.
KUKISHINDEN RYU DAKENTAIJUTSU TEWAZA GATA – MUSO DORI
1. The defender stands facing his opponent in Seigan no kamae.
2. As the opponent strikes to his face with his right fist he drops his hips and receives with “jumonji no ukeru” (crossposition receiving) with his right hand near the elbow and his left hand near the wrist.
3. The defender catches and rolls his arm so his elbow is propped on his own right hand and the wrist is held in his left hand.
4. By rotating the attackers arm and dropping his own hips the defender will take the attacker onto his back and break his arm.
KUKISHINDEN RYU DAKENTAIJUTSU KEN (part one)
1. Shuto, hold your hand slightly cupped fingers together, hitting with the outer edge (little finger edge) of the hand.
2. Chin ken, hold the hand with the fingers a little bent and hit with the tips fingers.
3. Tsui ken, Hold your hand flat with the fingers extended, hitting or pressing sharply with the tips of the fingers.
4. Oshi ken, closing your fist with the thumb extended on top to hit or press sharply with the tip of the thumb.
5. Ryu ken, clenching your fist with the middle and thumb knuckles extended.
KUKISHINDEN RYU DAKENTAIJUTSU KEN (part two)
1. Fu-ken, clenched fist with three knuckles extended.
2. U-ken, basic clenched fist.
3. Bassoku, kicking with the heel of the foot.
4. Seki soku, using the knee to strike.
KUKISHINDEN RYU DAKENTAIJUTSU SHODEN KATA - SEION
1. The attacker catches the defenders lapel with his right hand and sleeve with his left, the defender responds in the same way.
2. The defender steps away on his left foot and uses the fingers of his right hand to choke the opponent. The defender also pulls with his left hand against the opponent’s right arm.
2 (a). Detail showing the right hand being used to choke the opponent.
3. Using this unbalance the defender steps in with his right foot behind the opponent’s right foot for Osoto-gake.
4. The defender drops his hips to knock the opponent to his back and maintains the choke all the way to the ground.
KUKISHINDEN RYU DAKENTAIJUTSU SHODEN KATA- SUI YOKU
1. The defender faces his opponent in Katate Hicho no Kamae.
2. The attacker punches with his right fist and the defender steps back on his right foot receiving the punch with his left arm.
3. The attacker punches with his left fist and the defender receives with his right arm and catches the attackers sleeve.
4. As the attacker kicks with his right foot, the defender shifts in on his right foot and receives from underneath the kick with his left fist, pulling the kick along.
5. In a smooth movement from the receiving action the defender brings his left fist over to hit the opponent’s kirikasumi (under the cheek-bone at the jaw angle) with his left thumb.
5 (a). Detail showing target point.
6. The defender then kicks just above the opponent’s left ankle with a right toe kick. Note: if your toes are not conditioned you can use the ball of the foot at the base of the big toe.
7. In a smooth and powerful movement from the kick the defender brings his right leg all the way back and gently drops to his knee, applying thumb pressure to the opponent’s face all the way to the ground and pulling with his right hand to drop him to his back.
6 (a). Detail showing target point for kick.
KUKISHINDEN RYU DAKENTAIJUTSU SHODEN KATA- SUISHA
1. The defender faces the opponent in Seigan no Kamae.
2. As the opponent attacks with his right punch the defender steps out on his right foot and receives with his left arm.
3. The attacker then punches with his left fist and the defender receives that punch with his right arm as he steps back on his left foot.
4. As the attacker makes another right punch the defender receives it with his left arm and catches the opponent’s sleeve with his left hand.
5. Shifting in on his left foot the defender catches the opponent’s right collar in his right hand.
6. The defender then kicks the attacker suddenly with his right foot.
7. Turning, the defender kicks back and up to the opponent’s left inner thigh for uchimata nage.
8. From the throw the opponent is flipped over powerfully onto his back and the defender is prepared with zanshin.
7(a). Detail of throwing position showing sleeve and collar grab as well as relative body position.
KUKISHINDEN RYU DAKENTAIJUTSU SHODEN KATA – KUBIWA
1. The defender faces the opponent in Seigan no Kamae.
2. The attacker punches with his right fist and the defender responds by stepping back on his right foot and receiving the punch with his left arm.
3. The attacker then punches with his left fist and the defender responds by stepping back on his left leg and receiving with his right arm.
4. On the last right punch the defender catches the opponent’s right sleeve with his left hand.
5. The attacker then kicks with his left foot and the opponent steps aside on his left foot and hits down to “sai”, the target at the upper thigh/hip joint.
5(a). Detail showing target area for receiving the kick.
6. The defender then hits and presses with his right hand thumb to the side of the opponent’s neck.
7. Going down to his left knee and applying continuous pressure to the opponent’s neck the defender drops the opponent onto his back.
KUKISHINDEN RYU DAKENTAIJUTSU SHODEN KATA- HO SETSU
1. From a natural standing position the defender faces his opponent.
2. The attacker punches with his right fist and the defender steps away on his right foot receiving the punch with his left arm.
3. The attacker then punches with his left fist and the defender receives that punch with his right arm.
4. As the attacker kicks with his right foot the defender turns in to face the leg and hits with his right fist to the opponent’s right “sai” upper thigh/hip joint.
5. The attacker then punches with his right fist to the defender’s abdomen. The defender responds by shifting away on his right leg and slapping the punch down and aside with his left hand.
6. The defender then suddenly catches the opponent’s collar in his left hand to begin a choke and take the opponent’s balance.
7. The attacker drops his hips and knocks the grabbing arm away.
9. By dropping to his right knee for the throw the defender can throw a much larger person and/or control the throw for safety.
8. On that action the defender let’s his arm flow with the hit and turns in smoothly to catch the opponent in Seoinage. Throwing the opponent over his shoulder.
KUKISHINDEN RYU DAKENTAIJUTSU SHODEN KATA- ISO ARASHI
1. The opponent grabs the defenders lapel with his left hand. The defender covers that grab with his right hand.
2. As the attacker strikes with a right punch the defender steps away on his right foot to receive that strike with his left arm.
3. The attacker kicks with his right foot and the defender shifts to the side once more and receives the kick with his left fist.
4. While the opponent is off balance the defender hits with a left thumb strike to the opponent’s right “uko” the side of the neck.
5. The defender twists the attackers hand into Omote-gyaku and steps back on his right leg going to his right knee and applying thumb pressure all the way to the ground, dropping the opponent to his back.
KUKISHINDEN RYU DAKENTAIJUTSU SHODEN KATA- FUBUKI
1. The attacker grabs the opponent’s lapel with his left hand and the opponent covers that grab with his own right hand.
2. The attacker punches with his right fist and the defender receives that with his left arm as he shifts to his right side.
3. As the attacker kicks with his right foot the defender receives that kick with his left fist.
4. The defender catches the underside of the opponent’s sleeve with his left hand and twists the ooponent’s wrist into Omote-gyaku with his right hand.
5. Continuing the elbow and wrist pressure the defender steps in with his left foot and sets the opponent onto his shoulder for Ippon seoi nage.
6. With the throwing action the opponent’s elbow would be broken.
KUKISHINDEN RYU DAKENTAIJUTSU SHODEN KATA- KATA HO
1. The defender stands in a natural position facing his opponent.
2. The attacker punches with his right fist and the defender shifts back and away on his right leg receiving that attack with his left arm.
3. The attacker then punches with his left fist and the defender receives by stepping out on his left leg and using his right arm to guard.
4. The defender receives the attackers right kick by evading to his right on his right leg and hitting across with his right fist to the upper thigh/hip (sai).
5. The attacker kicks with his left foot and the defender evades to the left on his left foot and hits the upper thigh/hip (sai) with his left fist.
6. On the final right punch the defender catches by dropping his hips and crossing his arms to receive the attack (jumonji no ukeru).
7. The defender then shifts forward and rolls this catch into “oni kudaki” a bent arm lock.
8. Stepping behind the opponent’s right leg with his own right leg the defender then drops the opponent with “osoto-nage”.
9. The defender holds the arm lock all the way to the ground.
KUKISHINDEN RYU DAKENTAIJUTSU SHODEN KATA- TATSUMAKI
1. The defender stands in a natural position watching his opponent.
2. The attacker punches with his right fist and the defender evades to the right on his right leg receiving with his left arm.
3. The defender then evades a left punch by shifting to the left on his left leg and receiving with his right arm.
4. As the attacker kicks with his right foot the defender steps to the right on his right foot and punches across with his right fist to the opponent’s right knee (kaku).
5. The attacker then kicks with his left leg and the defender steps to the left on his left foot and punches with his left fist to the hip joint (sai).
6. As the attacker punches with his right fist the defender steps back on his right foot and drops his hips crossing his arms to receive the attack (jumonji no ukeru).
7. The defender captures the opponent’s right sleeve with his left hand and is prepared to receive.
8. As the attacker punches with his left fist the defender drops his hips and counter punches upward to the elbow (hoshi) with his right fist.
9. Without hesitation the defender then strikes into the left side of the opponent’s neck with the thumb of his right hand (boshi-ken) and takes control of his balance.
10. The defender kicks to the opponent’s right knee (kaku) with his right foot without releasing the pressure with his right hand.
11. Directly from the kick, the defender steps to the outside of the opponent’s right leg with his own right leg to set up “osotogake”.
12. The defender has used striking and grappling to unbalance the opponent and take him to the ground onto his back. Notice he applies the thumb pressure all the way to the ground.
KUKISHINDEN RYU DAKENTAIJUTSU CHUDEN KATA- URA NAMI
1. The defender stands in Seigan no kamae facing his opponent.
2. As the attacker punches with his right fist the defender steps out on his right foot and receives with his left arm.
3. The attacker punches with his left fist and the defender steps away on his left foot and receives that attack with his right arm and guides the punch past (uke-nagashi).
4. The defender then receives a right kick hitting the opponent’s knee (kaku) with his left fist. .
5. As the attacker punches with his right fist once more the defender receives that gently with his left arm to set up his technique.
6. The defender then shifts inward and wraps the opponent’s arm up and into “onikudaki”.
7. The defender then kicks with a right foot toe kick to the opponent’s left knee (kaku) to take his balance.
8. The defender steps behind the opponent’s right leg directly from the kick for “osoto gake”.
9. Using both the arm lock and his leg position the defender drops his hips and throws the opponent onto his back.
10. The defender returns to kamae at the end and watches his opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU CHUDEN KATA- TENCHI
1. The defender stands facing his opponent in Shizen no kamae, a natural standing position.
2. The attacker punches with his right fist and the defender steps out on his right leg receiving the attack with his left arm.
3. The attacker punches with his left fist and the defender steps away on his left foot and receives that attack with his right arm
4. As the attacker hits with another right punch the defender receives by moving in and hitting upward to the opponent’s arm.
5. As the attacker kicks with his right foot the defender receives that attack with his left fist striking to the opponent’s knee (kaku).
6. The defender then steps back on his right foot dropping his hips and crosses his arms to catch the next right punch (jumonji no ukeru).
7. The defender then catches the opponent’s arm using his left hand to reverse the wrist and his right hand grabs the elbow (hoshi). He turns the bent arm over into a position like “oni-kudaki”.
8. The defender then kicks up with his right leg to the opponent’s groin (kinteki).
9. The defender pulls his left leg back and drops to his left knee to both break the arm and throw the opponent onto his back.
10. The defender returns to kamae at the end and watches his opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU CHUDEN KATA- KATANAMI
1. In this kata the defender may stand in any kamae, he chooses Kosei no kamae to face his opponent.
2. The attacker punches with his right fist and the defender steps back on his right foot and hits up to the opponent’s elbow (hoshi) with his left fist.
3. The attacker kicks with his right foot and the defender steps to his right side on his right foot and hits the kick down at the knee (kaku) with his right fist.
4. As the attacker punches with his right fist the defender shifts away on his right foot and catches the opponent’s sleeve in his left hand.
5. Reversing our camera angle for a better view we can see the defender shifting in on his left foot and applying a right hand boshi-ken (thumb strike) to kiri-gasumi (jaw angle near the ear). The defender presses with this to take away the opponent’s balance. 6. The defender steps in with his right leg and sweeps the opponent’s hip with his own hip (harai-goshi) while pressing with the thumb of his right hand and pulling the sleeve in his left hand.
7. The attacker is thrown onto his back and the defender watches him while standing in kamae (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU CHUDEN KATA- KASUMI GAKE
1. In this kata the defender may stand in any kamae. H chooses Shizen no kamae to face his opponent.
2. As the attacker punches with his right fist the defender steps away on his right leg and hits up to the opponent’s elbow (hoshi).
3. The attacker then kicks with his right foot and the defender steps to the right on his right foot and punches across to the knee (kaku) with his right fist.
4. As the attacker sets his right foot down and begins to move forward the defender strikes to the opponent’s forehead (menshinso) as a form of metsubushi (blinding) with his right fist.
5. The defender then takes the opponent’s wrist/sleeve in his left hand and pulls the elbow with his right hand.
6. Turning in, the defender puts the attacker onto his back for gyaku seoi nage (reversed [arm] shoulder throw).
7. To allow his training partner to safely perform ukemi (receiving escape) the defender drops to his right knee to throw him over.
8. The defender then returns to kamae and watches his opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU CHUDEN KATA- TATSU NO SE
1. The defender is free to stand in any kamae. He chooses Shizen no kamae a natural position.
2. As the attacker punches with his right fist the defender steps back on his right foot and hits up to the elbow (hoshi) with his left fist.
3. As the attacker kicks with his right foot the defender steps to the right on his right foot and punches across to the knee (kaku) with his right fist.
4. The attacker steps in with another right punch and the defender guards against that with his left arm as he steps aside on his right foot.
5. The attacker then catches the defenders arm and lapel and attempts to come in for a throw.
6. The defender punches with his right hand to the opponent’s left hip (sai) and catches the top of his right shoulder with his left hand.
7. Taking the opponent’s balance the defender steps in on his right leg and uses his right hand to reverse the attackers left wrist.
8. In flow with the previous movement the defender puts his left hip in and has complete control of the attackers balance.
9. The defender throws the opponent onto his back with a hip throw (koshi nage).
10. The defender then steps back into kamae and watches his opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU CHUDEN KATA- SHI O KAZE
1. In this kata the defender is free to use any kamae. He chooses Kosei no kamae to face his opponent.
2. The attacker punches with his right fist and the defender steps out on his right leg and hits upward with his left fist to the elbow (hoshi).
3. As the attacker continues with a right kick, the defender steps to the right on his right foot and punches across with his right fist to the knee (kaku).
4. The attacker punches with his right fist once again and the defender receives it by catching the sleeve.
5. The defender then toe kicks with his right foot to the attackers left knee (kaku). This kick both injures the leg and causes imbalance.
6. In time with the kick the defender catches the opponent’s wrist with his left hand reversing it into ura-gyaku and catches the elbow with his right hand.
7. Pulling back to his left knee the defender takes the opponent face down onto the ground while controlling the wrist and elbow.
8. As always the defender returns to kamae at the end and watches the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU CHUDEN KATA- YAMA ARASHI
1. The attacker grabs the defenders lapel with his left hand. The defender covers and monitors that grab with his own right hand.
2. The attacker then punches with his right fist and the defender shifts out on his right foot and receives that punch with his left arm (uke-nagashi).
3. The defender then uses his right hand to reverse the attackers left hand into uragyaku as he removes it from his lapel.
4. The defender turns in-dropping his hipsand puts the opponent onto his back for Ippon-zeoi nage.
5. The defender throws the opponent over his shoulder and keeps the wrist and elbow reversed the entire time.
6. The defender then steps back into kamae and watches the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU CHUDEN KATA- RYU FU
1. The attacker grabs the defender with his left hand at the lapel and punches with his right fist. The defender lightly covers the grabbing hand with his right hand.
2. The defender receives the punch by stepping back on his right leg and guarding with his left arm.
3. The defender then lifts the hand and circles behind the attacker, reversing the attackers wrist as he goes.
4. Holding the attackers wrist in a reverse the defender then catches the left shoulder with his left hand and kicks with a left toe kick to the lower leg (kobura).
5. Having taken the opponent’s balance with the kick the defender then steps back on his right leg and puts the opponent’s arm on the ground in a way that the opponent’s own body weight will fall against the shoulder joint.
6. The defender hen steps back into kamae and watches the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU CHUDEN KATA- TATSU NAMI
1. The attacker grabs with his left hand and the defender responds by covering that grip with his right hand.
2. The attacker then punches with his right fist and the defender steps out on his right foot and receives that hit with his left arm.
3. The defender then reaches over the opponent’s left arm with his left hand and catches the elbow.
4. Then he hits powerfully to the opponent’s side with his right fist as he pulls across against the elbow to begin to take his balance.
5. The defender then grabs the muscle and flesh of the opponent’s side at the same place he has just struck.
6. Stepping back on his left leg and dropping to his knee, the defender pulls the attacker down onto his face using the movement of his whole body.
7. The defender then steps back and away into kamae to watch the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU CHUDEN KATA- TORA O
1. The attacker grabs the lapel with his left hand and the defender responds by covering that grab with his right hand.
2. As the attacker punches with his right fist the defender steps out on his right foot and receives that punch with his left arm.
3. The defender then begins to apply an outward wrist reverse (omote-gyaku) with his right hand to the opponent’s left hand.
4. The defender then catches the elbow (hoshi) with his left hand and pulls the opponent to the left, to begin taking his balance from him.
5. Staying very close to the opponent the defender reaches through with his right foot placing it under and behind the opponent’s left leg. The feeling of this movement is as if you are drawing a clockwise circle with your toes.
6. The defender then strikes up to the attackers chin (asa-gasumi) with his right fist as he pulls up and forward with his right foot scooping the attackers leg from under him. This leg movement is similar to the kick called “kakushi-keri”.
7. The attacker falls to his back and the defender steps back into kamae to stay aware (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU CHUDEN KATA- JUGAN
1. The attacker grabs with his left hand and the defender responds by covering that grab with his right hand.
2. As the attacker punches with his right fist the defender steps out on his right leg and receives that punch and guides it past (uke-nagashi) with his left arm.
3. The defender then reaches across with his left hand and catches the opponent’s elbow as he presses the hand into take-ori (a wrist fold).
4. The attacker resists and shifts away.
5. By adjusting with his body position and grip the defender regains the lock and pulls the opponent onto his face, using elbow pressure and the reversed wrist.
6. The defender then moves back and into kamae to watch the attacker (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU CHUDEN KATA- SHIHO DORI
1. The attacker grabs with his left hand and the defender covers that catch with his right hand.
2. The defender receives the attackers right punch by stepping away on his right leg and receiving with his left arm.
3. Stepping across deeply to the side the defender catches the punching arm with oni-kudaki (a bent-arm lock) by reaching under the arm with his right hand.
4. The defender then locks the arm once and takes the opponent’s balance from him.
5. The attacker attempts to resist, the defender responds by stepping through with his right foot and keeps the lock on the arm. This puts the attacker onto the defenders back.
6. The defender then throws the opponent over and onto the ground, this would also break the elbow and /or the shoulder.
7. The defender steps back into kamae and watches the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SABAKI GATA- ARA KOMA
1. The attacker grabs the lapel with his left hand and the defender covers that grab with his right hand.
2. As the attacker kicks with his right foot the defender shifts to his right side and receives by hitting to the opponent’s knee (kaku) with his left fist.
3. The attacker then punches with his right fist and the defender receives upward with his left arm to the elbow (hoshi).
4. The defender then shifts in and to his right and hits to the underside of the opponent’s chin (asa-gasumi) with the heel of his left hand. At the same time he removes the grabbing hand and reverses the wrist (ura-gyaku) with his right hand.
5. The defender steps in deeply with his left side and puts his hip in for koshi nage (hip throw) sending the opponent up and over.
6. The end of the throwing action.
7. The defender then steps away into kamae and watches the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SABAKI GATA- KA SOKU
1. The attacker catches the lapel with his left hand and the defender covers that grab with his right hand.
2. As the attacker kicks with his right foot the defender steps out on his right foot and hits to the opponent’s right knee (kaku) with his left fist.
3. The attacker punches with his right fist and the defender receives that attack with his left side. At the same time the defender adjusts his grip with his right hand to set up an inward wrist reverse (ura-gyaku).
4. The defender then kicks with his right foot to the opponent’s right inner knee (kaku) as he applies ura-gyaku to the attackers left hand.
5. The defender then shifts in and begins to wrap the opponent’s left leg from the inside with his right leg.
6. The defender then scoops the attackers leg up and forward while keeping the wrist reversed.
7. To finish knocking the opponent down the defender strikes with a left punch to the attackers chest (kimon).
8. The defender knocks the opponent onto his back with a combination of a joint lock, leg-throw and strike.
9. The defender then steps back and away into kamae and watches the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SABAKI GATA- CHIKU SEI
1. The attacker faces his opponent in Kosei no kamae.
2. The attacker punches with his right fist and the defender steps out to his right, receives and pulls by with a left side ukenagashi.
3. As the attacker punches with his left fist the defender steps away on his left foot to receive and catch with his right hand to the opponent’s sleeve.
4. The attacker then kicks with his right foot and the defender shifts out on his right leg and receives with his left fist to the opponent’s knee (kaku).
5. As the attacker punches with his right fist the defender evades to his right side and catches that wrist with his left hand.
6. The defender then catches the flesh on top of the opponent’s left shoulder and pulls him to the side to take his balance away.
7. The defender then grabs the flesh at the side of the chest as he brings the opponent’s right hand to his left hip.
8. Changing our camera angle we can see the defender steps deeply behind the opponent with his right side, taking his balance.
9. The defender throws using the technique “harai-goshi” which means, “sweeping the hip”.
10 The defender then steps back and resumes kamae to watch the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SABAKI GATA- YUME MAKURA
1. The defender faces his opponent in kosei no kamae.
2. The attacker punches with his right fist and the defender steps out on his right leg and receives with his left arm.
3. The attacker then punches with his left fist and the defender steps out on his left foot and receives with his right arm.
4. As the attacker kicks with his right foot the defender shifts to his right side and punches with his right fist to the hip/upper thigh (sai).
5. As the attacker punches with his right fist once more the defender drops his hips and step back on his right leg crossing his arms to catch (jumonji no ukeru) the opponent’s arm.
6. The defender catches the opponent’s sleeve at the elbow with his right hand and rolls the arm over to a position like onikudaki.
7. The defender then steps in and across with his right foot for “Ippon-seoi” (shoulder throw). At this point the attacker resists.
8. The defender then opens his position up and puts his right hand on the back of his head (temakura).
9. By suddenly changing his direction in response to the resistance and dropping all of his body weight against the arm, the defender easily takes the attacker onto his face.
10. The defender then moves back and away into kamae to watch the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SABAKI GATA- SUSO SABAKI
1. The defender stands in Seigan no kamae facing his opponent.
2. The attacker punches with his right hand and the defender steps out on his right leg and receives that attack with his left arm (uke nagashi).
3. The attacker then punches with his left fist and the defender steps aside on his left foot and receives that attack with his right hand and catches the sleeve.
4. The attacker kicks with his right foot and the defender receives it by punching into the hip (sai).
5. The attacker punches again with his right hand and the defender hits up to hoshi (the elbow) with his left fist as he steps aside on his right foot.
6. The defender catches the sleeve at the opponent’s elbow with his left hand as he shifts aside on his right leg.
7. Then takes the wrist in his right hand and reverses it into ura-gyaku.
8. The defender puts his left hip in and begins taking the opponent’s balance for koshi nage (hip throw).
9. The defender pulls his right leg out and goes down to his right knee to suddenly drop the opponent onto his back.
10. The defender then returns to kamae to face the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SABAKI GATA- ISO GAESHI
1. In this kata the defender can begin in any kamae, he chooses Seigan no kamae.
2. The attacker punches with his right fist and the defender steps out on his right leg and receives wit his left arm (uke nagashi).
3. The attacker punches with his left fist and the defender receives that attack with his right arm as he evades to his left side.
4. As the attacker kicks with his right leg the defender counter strikes to the opponent’s upper thigh/hip (sai).
5. The attacker punches again with his right fist and the defender receives that attack by stepping back on his right leg and crossing his arms (jumonji no ukeru), catching the wrist in a reverse all in one movement.
6. The defender puts his body in and against the elbow with his hip deeply against the opponent to take his balance.
7. The defender turns in and with a joint lock and body pressure the opponent is thrown onto his chest.
8. The defender then returns to kamae and faces his opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SABAKI GATA- FU FUTSU
1. The attacker grabs the defenders lapel with his left hand and the defender responds by catching his sleeve at the elbow with his right hand.
2. The attacker then punches with his right fist and the defender steps out on his right leg and counter punches to the elbow (hoshi).
3. The attacker then kicks with his right foot and the defender hits with his left fist into (sai) at the right hip.
4. The defender then turns the opponent’s hand over into ura-gyaku with his right hand.
5. The defender continues by walking under the opponent’s arm and turning around which adds torque to the wrist reverse.
6. The defender throws the attacker down with a one-hand throw (kata-te nage)
7. The defender returns to kamae at the end to face his attacker (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SABAKI GATA- KURUMA DORI
1. The attacker grabs with his left hand and the defender covers that from beneath with his right hand.
2. The attacker then punches with his right fist and the defender receives that attack by stepping away on his right leg and hitting up to the elbow (hoshi) with his left fist.
3. Then the attacker kicks with his right foot and the defender counter punches into the hip joint (sai) with his left fist as he shifts to the side.
4. The defender then removes the opponent’s grabbing hand and turns it into ura-gyaku as he closes in.
5. The defender catches the flesh at the lower abdomen and begins to take the opponent’s balance.
6. Putting his left hip in deeply the defender throws the attacker down with koshi nage (hip throw).
7. The end of the throw, the attacker has been thrown over like a wheel onto the ground.
8. The defender then returns to kamae to face the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SABAKI GATA- KIMON
1. The defender stands in Shizen no kamae facing his opponent.
2. The attacker strikes with a right punch and the defender steps aside on his right leg and receives that punch with his left arm (uke-nagashi).
3. The attacker then strikes with a left punch and the defender steps aside on his left foot and uses his right arm to receive in the same manner.
4. The attacker kicks with his right leg and the defender steps aside on his right foot and punches to the knee (kaku) with his right hand.
5. Then as the attacker kicks with his left foot, the defender shift to his left side and receives with his right fist to the opponent’s knee (kaku).
6. The attacker punches again, this time with his left fist and the defender receives with a big movement with his right arm circling his arm over as he shifts in and beside the opponent.
7. The defender then catches the attackers arm with musodori by wrapping the arm from above.
8. By sitting back onto his left knee and twisting his body towards the opponent the defender can break the arm and drop the opponent onto his back.
9. The defender then stands and faces the opponent in kamae (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SABAKI GATA- URA KIMON
1. The defender may stand in any kamae, he chooses Seigan no kamae to face the opponent.
2. The attacker punches with his right fist and the defender steps out on his right foot and receives with his left arm (uke-nagashi).
3. The attacker punches with his left fist and the defender steps out on his left leg and receives it in the same way with his right arm.
4. The attacker kicks with his right leg and the defender shifts to the inside and cross punches with his right fist into the opponent’s knee (kaku).
5. The attacker kicks with his left leg and the defender shifts to the left on his left leg and receives it by hitting it away with his right fist to the knee.
6. The defender receives the next right punch by stepping back on his right leg and crossing his arms (jumonji no ukeru).
7. The defender then folds the opponent’s arm into oni kudaki by pulling the sleeve and pressing his reversed wrist.
8. He then kicks to the opponent’s groin (suzu) with his right leg.
9. And steps directly behind the opponent from the kick to throw him back and own with “osoto-gake”.
10. The defender then returns to kamae to face the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SABAKI GATA- UKI MO
1. The defender may stand in any kamae, he chooses Seigan no kamae to face the opponent.
2. The attacker punches with his right fist and the defender steps out on his right foot and receives with his left arm (uke-nagashi).
3. The attacker punches with his left fist and the defender steps out on his left leg and receives it in the same way with his right arm.
4. The attacker kicks with his right leg and the defender shifts to the inside and cross punches with his right fist into the opponent’s knee (kaku).
5. The attacker kicks with his left leg and the defender shifts to the left on his left leg and receives it by hitting it away with his right fist to the knee.
6. The defender receives the next right punch by stepping back on his right leg and crossing his arms (jumonji no ukeru).
7. The defender catches the sleeve and the wrist turning the opponent’s arm over for oni kudaki.
8. The defender turns in against the opponent and props the arm up on his shoulder.
9. By throwing the opponent over his shoulder this way (gyaku seoi nage), the defender would break the opponent’s arm and prevent his ability to accommodate the throw (ukemi).
10. The defender then returns to kamae to face the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SABAKI GATA- RAN PU
1. The defender may stand in any kamae, he chooses Seigan no kamae to face the opponent.
2. The attacker punches with his right fist and the defender steps out on his right foot and receives with his left arm (uke-nagashi).
3. The attacker punches with his left fist and the defender steps out on his left leg and receives it in the same way with his right arm.
4. The attacker kicks with his right leg and the defender shifts to the inside and cross punches with his right fist into the opponent’s knee (kaku).
5. The attacker kicks with his left leg and the defender shifts to the left on his left leg and receives it by hitting it away with his right fist to the knee.
6. The defender receives the next right punch by stepping back on his right leg and crossing his arms (jumonji no ukeru).
7. The defender catches the sleeve and the wrist turning the opponent’s arm over for oni kudaki.
8. The defender then sets the opponent up onto his back for gyaku seoi nage (reverse shoulder throw).
9. As the throw begins, the opponent resists and straightens his arm.
10. The defender drops to his right knee as he re-captures the opponent’s arm and sets it up on his shoulder again.
11. The defender then throws the opponent over breaking his arm and dropping him onto his back.
12. The defender then returns to kamae to face the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU OKUDEN GATA – FU SETSU
1. The Defender may stand in any kamae to face his attacker he chooses Hira no kamae standing naturally.
2. The attacker punches with his right fist and the defender responds by stepping out on his right foot and receiving with uke nagashi with his left arm.
3. The attacker then punches with his left fist and the defender responds by stepping away on his left foot and receiving with uke nagashi using his right arm.
4. The attacker kicks with his right foot and the defender shifts to the inside of the kick and uses his left fist to counter-strike to the opponent’s right knee (kaku).
5. The attacker then kicks with his left foot and the defender shifts aside on his left leg and strikes with his right fist into the opponent’s left hip (sai).
6. The attacker strikes with another right punch, which the defender receives using jumonji no ukeru, by crossing his arms to catch the opponent’s punching arm.
7. The defender applies oni-kudaki leveraging and breaking the opponent’s bent right arm.
8. The defender then lifts that arm and steps underneath it to get behind the opponent extending his arm out behind him.
9. The defender then uses his left foot to kick into the opponent’s hip (sai).
10. The defender pulls the opponent onto his back after the kick.
11. The defender then returns to a watchful position (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU OKUDEN GATA - GONGI
1. The Defender may stand in any kamae to face his attacker he chooses Hira no kamae standing naturally.
2. The attacker punches with his right fist and the defender responds by stepping out on his right foot and receiving with uke nagashi with his left arm.
3. The attacker then punches with his left fist and the defender responds by stepping away on his left foot and receiving with uke nagashi using his right arm.
4. The attacker kicks with his right foot and the defender shifts to the inside of the kick and uses his left fist to counter-strike to the opponent’s right knee (kaku).
5. The attacker then kicks with his left foot and the defender shifts aside on his left leg and strikes with his right fist into the opponent’s left hip (sai).
6. The attacker strikes with another right punch, which the defender receives using jumonji no ukeru, by crossing his arms to catch the opponent’s punching arm.
7. The defender applies oni-kudaki leveraging and breaking the opponent’s bent right arm.
8. The defender then kicks with his right shin to the opponent’s groin (kinteki)
9. From the kick the defender steps in directly behind the opponent dropping his hips and putting the opponent’s arm up onto his shoulder for Seoi nage.
10. For safety the defender drops to his right knee to allow his training partner to apply ukemi.
11. At the end the defender returns to kamae to watch the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU OKUDEN GATA – KAESHI WAZA
1. The Defender may stand in any kamae to face his attacker he chooses Hira no kamae standing naturally.
2. The attacker punches with his right fist and the defender responds by stepping out on his right foot and receiving with uke nagashi with his left arm.
3. The attacker then punches with his left fist and the defender responds by stepping away on his left foot and receiving with uke nagashi using his right arm.
4. The attacker kicks with his right foot and the defender shifts to the inside of the kick and uses his left fist to counter-strike to the opponent’s right knee (kaku).
5. The attacker then kicks with his left foot and the defender shifts aside on his left leg and strikes with his right fist into the opponent’s left hip (sai).
6. The attacker strikes with another right punch, which the defender receives using jumonji no ukeru, by crossing his arms to catch the opponent’s punching arm.
7. The defender grabs the opponent’s elbow (hoshi) with his right hand and the wrist with his left hand and pulls in once.
8. Then the defender slides his left arm down and captures the opponent’s right arm with muso-dori.
9. The defender then kicks with his right foot to the opponent’s groin (suzu).
10. And pulls back on his left leg to drop the opponent onto the ground.
11. At the end the defender returns to kamae facing the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU OKUDEN GATA – ONI OTOSHI
1. The Defender may stand in any kamae to face his attacker he chooses Hira no kamae standing naturally.
2. The attacker punches with his right fist and the defender responds by stepping out on his right foot and receiving with uke nagashi with his left arm.
3. The attacker then punches with his left fist and the defender responds by stepping away on his left foot and receiving with uke nagashi using his right arm.
4. The attacker kicks with his right foot and the defender shifts to the inside of the kick and uses his left fist to counter-strike to the opponent’s right knee (kaku).
5. The attacker then kicks with his left foot and the defender shifts aside on his left leg and strikes with his right fist into the opponent’s left hip (sai).
6. The attacker strikes with another right punch, which the defender receives using jumonji no ukeru, by crossing his arms to catch the opponent’s punching arm.
7. The defender applies oni-kudaki leveraging and breaking the opponent’s bent right arm.
8. The defender then kicks with his right foot to the opponent’s groin (suzu).
9. The defender then steps directly behind the opponent’s right leg with his right side.
10. And drops him onto his back with Osoto-gake.
11. From a different angle you can better see the set-up position of the throw. Notice how the defender has placed his right foot.
12. As the defender drops his hips the opponent falls to his back.
13. After-which both training partners return to kamae (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU OKUDEN GATA – IWA KUDAKI
1. The Defender may stand in any kamae to face his attacker he chooses Hira no kamae standing naturally.
2. The attacker is free to attack with varied punches and kicks. The defender may receive by shifting to the outside and counter punching to hoshi as shown here, or use any of the methods shown in the next series of photos.
3. Receiving by shifting to the outside and counter punching hoshi.
4. Receiving by shifting to the inside and cross punching to hoshi.
5. Receiving by shifting to the inside and counter striking to hoshi.
6. Receiving a kick by shifting to the inside and striking to the knee (kaku).
7. Receiving by shifting to the outside and striking the knee (kaku).
8. When the opponent attacks with a right punch the defender then shifts in deeply to receive and catch it as shown.
9. The defender then hits with his right chin-ken (fingers extended and curved) to the eyes (shinso).
10. As he hits with his right hand the defender steps behind the opponent’s right leg with his own and takes him onto his back with harai-goshi.
11. Both training partners return to kamae at the end to face each other (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU OKUDEN GATA – SET-TO
1. The Defender may stand in any kamae to face his attacker he chooses Hira no kamae standing naturally.
2. The attacker is free to attack with varied punches and kicks. The defender may receive by shifting to the outside and counter punching to hoshi as shown here, or use any of the methods shown in the next series of photos.
3. Receiving by shifting to the inside and cross punching hoshi.
4. Receiving by shifting to the inside and counter striking to hoshi.
5. Receiving a kick by shifting to the inside and striking to the knee (kaku).
6. Receiving by shifting to the outside and striking the knee (kaku).
7. On the last right punch the defender uses his right fist to strike up to the attackers elbow (hoshi).
8. Catching the opponent’s wrist in his left hand the defender twists it into ura-gyaku and grabs the opponent’s left shoulder in his right hand to un-balance him.
9. The defender then kicks up to the opponent’s groin (sozu) with his right foot.
10. The defender then suddenly pulls his right leg back and sits to his right knee to throw the opponent onto his face. The catch with the right hand will automatically turn into a choke against the opponent’s throat.
11. The defender returns to kamae at the end (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU OKUDEN GATA – GOTO
1. The defender may stand in any kamae to face his attacker he chooses Hira no kamae standing naturally.
2. The attacker is free to attack with varied punches and kicks. The defender may receive by shifting to the outside and counter punching to hoshi as shown here, or use any of the methods shown in the next series of photos.
3. Receiving by shifting to the inside and cross punching hoshi.
4. Receiving by shifting to the inside and counter striking to hoshi.
5. Receiving a kick by shifting to the inside and striking to the knee (kaku).
6. Receiving by shifting to the outside and striking the knee (kaku).
7. On the last right punch the defender uses his right fist to strike up to the attackers elbow (hoshi).
8. Catching the opponent’s wrist in his left hand the defender twists it into ura-gyaku and grabs the opponent’s left shoulder in his right hand to un-balance him.
9. Changing our angle for a better view you can see that the defender steps in deeply behind the opponent with his right hip.
10. The defender turns his body to throw with hane-goshi nage, which makes the opponent’s hips lift up before he drops suddenly to the ground.
11. The defender then returns to kamae to face the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU OKUDEN GATA - DOFU
1. The defender may stand in any kamae to face his attacker he chooses Hira no kamae standing naturally.
2. The attacker is free to attack with varied punches and kicks. The defender may receive by shifting to the outside and counter punching to hoshi as shown here, or use any of the methods shown in the next series of photos.
3. Receiving by shifting to the outside and counter punching hoshi.
4. Receiving by shifting to the inside and cross punching to hoshi.
5. Receiving by shifting to the outside and counter striking to the knee (kaku).
6. On the opponent’s final right punch the defender catches it and turns the hand into ura-gyaku with his left hand.
7. The defender then shifts in and strikes with a right hand shuto to the opponent’s temple (kasumi).
8. The defender grabs the opponent’s right shoulder in his left hand as he kicks back and up with his right foot into the opponent’s inner thigh.
9. Dropping the opponent with the throw called “uchi-mata”.
10 At the end the defender returns to kamae to face his opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU OKUDEN GATA – ONI KUDAKI
1. The Defender may stand in any kamae to face his attacker he chooses Hira no kamae standing naturally.
2. The attacker is free to attack with varied punches and kicks. The defender may receive by shifting to the outside and counter punching to hoshi as shown here, or use any of the methods shown in the next series of photos.
3. Receiving by shifting to the outside and counter punching hoshi.
4. Receiving by shifting to the inside and cross punching to hoshi.
5. Receiving by shifting to the inside and counter striking to hoshi.
6. Receiving a kick by shifting to the inside and striking to the knee (kaku).
7. Receiving by shifting to the outside and striking the knee (kaku).
8. On the opponent’s last right punch the defender receives with his arms crossed (jumonji no ukeru).
9. The defender catches the sleeve at the elbow in his right and the wrist in his left hand and pulls it once.
10. The defender then kicks with his right foot to the opponent’s groin (suzu).
11. The defender then sets the opponent’s right arm up onto his left shoulder as shown.
12. And throws him over with gyaku ippon seoi nage, reverse shoulder throw. For safety the defender lowered his position to the knee.
13. The defender returns to kamae to face the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU OKUDEN GATA – RYU-FU
1. The Defender may stand in any kamae to face his attacker he chooses Hira no kamae standing naturally.
2. The attacker is free to attack with varied punches and kicks. The defender may receive by shifting to the outside and counter punching to hoshi as shown here, or use any of the methods shown in the next series of photos.
3. Receiving by shifting to the outside and counter punching hoshi.
4. Receiving by shifting to the inside and cross punching to hoshi.
5. Receiving by shifting to the inside and counter striking to hoshi.
6. Receiving a kick by shifting to the inside and striking to the knee (kaku).
7. Receiving by shifting to the outside and striking the knee (kaku).
8. On the final right punch the defender receives with his left arm.
9. The attacker catches that arm with his right hand and the defender’s shoulder in his left hand.
10. The attacker then turns in to attempt harai-goshi, sweeping hip throw. The defender drops his hips to stop the throwing action.
11. Then he uses his right hand boshi ken (thumb drive) into shichi batsu at the lower back hip juncture to un-balance the attacker.
12. The defender then drops suddenly by throwing his left leg out behind the opponent using his body weight and the unbalanced position of the opponent to…
13. Throw the attacker onto his back.
14. The defender returns to kamae at the end to face his opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU OKUDEN GATA – TACHI UCHI
1. The Defender may stand in any kamae to face his attacker he chooses Hira no kamae standing naturally.
2. The attacker is free to attack with varied punches and kicks. The defender may receive by shifting to the outside and counter punching to hoshi as shown here, or use any of the methods shown in the next series of photos.
3. Receiving by shifting to the outside and counter punching hoshi.
4. Receiving by shifting to the inside and cross punching to hoshi.
5. Receiving by shifting to the inside and counter striking to hoshi.
6. Receiving a kick by shifting to the inside and striking to the knee (kaku).
7. Receiving by shifting to the outside and striking the knee (kaku).
8. On the final right punch the defender receives with his left arm.
9. The attacker catches that arm with his right hand and the defender’s shoulder in his left hand. Turning in for harai-goshi, hip sweeping throw. The defender responds by dropping his hips.
10. The defender then reaches with his right hand to grab the opponent’s right side butsu-metsu (flesh at the ribs). He grabs the other side of the opponent’s body in his left hand as well.
11. The defender then puts his hip in to throw the opponent onto his back with gyaku koshi nage.
12. At the end the defender returns to kamae facing the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU OKUDEN GATA – HANE TAOSHI
1. The Defender may stand in any kamae to face his attacker he chooses Hira no kamae standing naturally.
2. The attacker is free to attack with varied punches and kicks. The defender may receive by shifting to the outside and counter punching to hoshi as shown here, or use any of the methods shown in the next series of photos.
3. Receiving by shifting to the outside and counter punching hoshi.
4. Receiving by shifting to the inside and cross punching to hoshi.
5. Receiving by shifting to the inside and counter striking to hoshi.
6. Receiving a kick by shifting to the inside and striking to the knee (kaku).
7. Receiving by shifting to the outside and striking the knee (kaku).
8. On the last right punch the defender receives with his left arm. The attacker catches that arm in his right hand and the defenders shoulder in his left hand.
9. As the defender steps in hane goshi nage, the defender drops his hips to prevent the throwing action.
10. The defender steps back out to reposition.
11. The defender, using that timing presses with his right open hand into the opponent’s neck (uko) as he shifts deeply to his left side.
12. The defender then puts his right hip in deeply for koshi nage (hip throw).
13. Dropping the opponent onto his back.
14. At the end the defender returns to kamae facing the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SHIRABE MOGURI GATA – MOGURI DORI
1. In this kata the attacker is able to make various free attacks and the defender uses the previously listed methods to receive those attacks. The defender then goes back to kamae (Kosei no kamae is shown) once.
2. The attacker then strikes with a right hand punch. The defender evades that attack and catches the right sleeve in his left hand.
3. The defender shifts in to his left and applies a right hand boshi ken (thumb drive) to any of the following targets.
4. This target is called Ryu-mon. Pressing downward into the flesh behind the collarbone.
5. This target is called Uko. The muscles at the side of the neck.
6. This target is called Gokuraku. To the rear of the muscles at the side of the neck.
7. With that thumb pressure as a disbalance the defender puts his hip in to throw with koshi nage.
8. Taking the opponent onto his back.
9. At the end the defender returns to kamae facing the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SHIRABE MOGURI GATA – SHA-RIN
1. In the first portion of these kata the attacker makes various free attacks and the defender uses the previously listed methods to receive those. We will begin this article from the formal attacks as they are listed for the conclusion of the kata.
2. On a right punch the defender receives that with his left arm. The defender catches that sleeve with his right hand and the shoulder in his left hand.
3. The attacker turns in to attempt Haraigoshi a sweeping hip throw. The defender drops his hips to stop that movement and strikes with his right hand boshi-ken (thumb) to the left side of the opponent’s neck (uko).
4. The defender then uses the fingers of his left hand into the upper part of the hip joint (koe) pressing in to disbalance.
5. The defender then pulls his left leg out and goes to his left knee as he pulls koe and drops the opponent.
6. At the end the defender returns to kamae to face the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SHIRABE MOGURI GATA – KO FUKU
1. In the first portion of these kata the attacker makes various free attacks and the defender uses the previously listed methods to receive those. We will begin this article from the formal attacks as they are listed for the conclusion of the kata.
2. From a right punch the defender receives with his arms in a “T” shape with the right fisted propped under the left forearm.
3. The defender then reverses the opponent’s wrist with his left hand and pulls the elbow with his right hand.
4. The defender then grabs the opponent’s chin (naka-to) as he shifts in and takes his balance.
5. The defender then kicks with his right foot to the opponent’s groin (suzu).
6. The defender then places his right foot to the outside of the attackers right foot while maintaining his grip on the chin and the wrist.
7. By sitting to his left knee the defender takes the opponent onto his back with Osoto-kuzushi.
8. At the end the defender returns to kamae facing his opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SHIRABE MOGURI GATA – RYU FUKU
1. In the first portion of these kata the attacker makes various free attacks and the defender uses the previously listed methods to receive those. We will begin this article from the formal attacks as they are listed for the conclusion of the kata.
2. The defender receives a last right punch after receiving multiple and varied attacks.
3. The attacker catches the defender’s right sleeve and turns in to attempt Seoi-nage. A right side shoulder throw.
4. The defender drops his hips to stop the throwing action and presses with his left hand fingertips into the hip joint (koe).
5. A close up of the pressure (koe) point the defender presses into to prevent the throw. Note: This target point is also sometimes referred to as shichi-batsu.
6. The attacker suddenly turns back to face the defender. The defender moves with that timing and presses into the opponent’s neck (uko) with his right hand to disbalance him.
7. As he keeps the opponent off balance the defender turns and puts his right leg in for uchi-mata (inner-thigh throw) which creates a response from the opponent.
8. On that response the defender suddenly switches direction and catches the opponent’s left shoulder in his right hand and the thumb of his left hand (boshi-ken) presses into the right side of the opponent’s neck. The defender keeps the opponent’s leg trapped with his own right leg.
9. With a combination of twisting pressure and pulling with his right leg the defender sends the opponent to his back.
10. The defender then returns to kamae at the end and is prepared for whatever might happen next (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SHIRABE MOGURI GATA – TOBI CHIGAI
1. In the first portion of these kata the attacker makes various free attacks and the defender uses the previously listed methods to receive those. We will begin this article from the formal attacks as they are listed for the conclusion of the kata.
2. On the last right punch the defender receives with his left arm and the attacker catches that sleeve.
3. The attacker comes in for a left side koshi-nage (hip throw). The defender responds by dropping his hips and hitting with his right fist to butsu-metsu (ribs).
4. The attacker then pulls suddenly away and attacks the opposite side with osotogake (outside leg hook). The defender responds by hitting with his right hand shuto to the opponents neck (uko).
5. The defender then catches naka-do (chin) in his right hand to keep the opponent off balance as he turns in for…
6. Ippon seoi-nage (shoulder throw) over his right shoulder.
7. Care should be taken in practicing this throw, as the landing is very dangerous and difficult.
8. The defender returns to kamae to face his opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SHIRABE MOGURI GATA – YAMA OTOSHI
1. In the first portion of these kata the attacker makes various free attacks and the defender uses the previously listed methods to receive those. We will begin this article from the formal attacks as they are listed for the conclusion of the kata.
2. On the attackers last right punch the defender receives with his left arm and catches the opponent’s sleeve.
3. The defender responds in kind by catching with his right hand and moves in for a left harai-goshi nage (sweeping hip throw). The defender drops his hips to stop that throw.
4. The defender then hits with the fingertips of his right hand (sui-ken) to the opponent’s left temple (kasumi) with his thumb hitting into the base of the nose at the upper lip (jin).
5. As the attacker attempts to regain his position the defender thrusts and presses upwards with the thumb of his right hand (oshi-ken) to the underside of the attackers chin (naka-do) as he reverses the attackers right hand into ura-gyaku with his left hand.
6. With that disbalance the defender puts his right hip in to throw the attacker onto his back.
7. The defender returns to kamae to face the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SHIRABE MOGURI GATA – TEKI OTOSHI
1. In the first portion of these kata the attacker makes various free attacks and the defender uses the previously listed methods to receive those. We will begin this article from the formal attacks as they are listed for the conclusion of the kata.
2. On the last right punch from the attacker the defender receives with his left and catches the opponent’s elbow (hoshi) with his left hand.
3. The defender pulls that arm inward to upset the flow of the opponent’s attack.
4. The attacker then strikes with a left punch, which the defender receives with his right arm catching the sleeve and pressing the arm up.
5. The defender then kicks with his right foot to the inside of the attackers left knee (kaku).
6. Catching the timing of that disbalance the defender then pulls his right leg back powerfully and rolls the attackers arms to pull him down.
7. At the end the defender returns to kamae to face his opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SHIRABE MOGURI GATA – TEKI-TO (HE-TO)
1. In the first portion of these kata the attacker makes various free attacks and the defender uses the previously listed methods to receive those. We will begin this article from the formal attacks as they are listed for the conclusion of the kata.
2. On the opponent’s last right punch the defender receives with his left arm and catches that sleeve.
3. The defender then pulls the attacker to disrupt the flow of the attack.
4. The attacker moves in suddenly and attempts harai-goshi (sweeping hip throw) with his left side. The defender responds by dropping his hips to kill that throw.
5. The attacker jumps out to reposition and the defender sweeps upward with his left arm to knock the attackers right hand free.
6. The defender then uses the thumb of his right hand to attack kasumi (the temple).
7. The defender the reverses the opponent’s wrist (kote gyaku) with his left hand and uses his right hand to strike into butsumetsu (ribs). The defender can use various fists for this strike.
8. With the combination of keeping the opponent off balance by reversing his wrist and striking, the defender knocks the attacker down.
9. The defender returns to kamae at the end to face his opponent (zanshin)
KUKISHINDEN RYU DAKENTAIJUTSU SHIRABE MOGURI GATA - MUSASABI
1. In the first portion of these kata the attacker makes various free attacks and the defender uses the previously listed methods to receive those. We will begin this article from the formal attacks as they are listed for the conclusion of the kata.
2. On the attackers last right punch the defender receives with his left arm and catches the sleeve.
3. The defender pulls with that catch to take the opponent’s balance.
4. The attacker comes in and attempts to throw with a right koshi nage (hip throw).
5. The defender drops his hips and presses into the hip joint with the thumb of his right hand (oshi-ken).
6. The attacker returns to face the defender who follows that movement.
7. The defender catches the attacker’s right hand and reverses his wrist as he kicks with his right foot to the groin (kinteki) and also catches the opponent’s right shoulder in his right hand.
8. The defender places his foot directly behind the opponent and puts his hip in deeply.
9. Throwing the attacker down with harai goshi (sweeping hip).
10. The defender returns to kamae to face his opponent at the end (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SHIRABE MOGURI GATA – TAMA NAGE
1. In the first portion of these kata the attacker makes various free attacks and the defender uses the previously listed methods to receive those. We will begin this article from the formal attacks as they are listed for the conclusion of the kata.
2. The defender receives the last right punch with his left arm.
3. The attacker attempts to catch that arm and come in for a right hip throw (koshinage).
4. The defender responds by dropping his hips to stop the throwing action and hitting to the right hip joint (koe) with his right fist.
5. As the attacker tries to jump out the defender catches his right elbow with his right hand and with his left hand applies omote-gyaku (wrist reverse) pulling the opponent inward.
6. As the attacker tries to pull away the defender follows and grabs, pressing upward with his right hand into naka-do (underside of the chin).
7. With that disbalance the defender puts his right hip in deeply.
8. And throws the attacker down with haraigoshi nage (sweeping hip throw).
9. At the end the defender returns to kamae to face his opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SHIRABE MOGURI GATA – GYAKU NAGE
1. In the first portion of these kata the attacker makes various free attacks and the defender uses the previously listed methods to receive those. We will begin this article from the formal attacks as they are listed for the conclusion of the kata.
2. On the last right punch the defender receives with his left arm.
3. The defender enters and uses his right hand to attack asa-gasumi (base of the chin) and puts his right leg in to attempt uchimata nage (inner thigh catch and throw).
4. The opponent escapes from this counter and strikes with a left punch.
5. The defender receives and catches that punch with his right hand and attacks the opponent’s face with a left hand chin-ken (finger-tips).
6. The attacker evades that counter strike and receives it with his right arm.
7. The defender catches and reverses the opponent’s left hand into ura-gyaku (wrist reverse).
8. And evades the opponent’s right punch receiving it with his left arm.
9. The defender catches the attacker’s right arm and wraps it with his arm as he strikes to the face with a right hand chin-ken.
10. From that position the attacker is off balance and the defender moves in and steps behind the opponent with his right leg. Notice the defender puts his right palm into the opponent’s chin.
11. The defender knocks the attacker down with osoto-nage as he keeps the pressure on with his right hand against the attacker’s chin.
12. At the end the defender returns to kamae to face the opponent (zanshin).
KUKISHINDEN RYU DAKENTAIJUTSU SHIRABE MOGURI GATA – UCHI HARAI
1. In the first portion of these kata the attacker makes various free attacks and the defender uses the previously listed methods to receive those. We will begin this article from the formal attacks as they are listed for the conclusion of the kata.
2. On the last right punch the defender receives with his left arm.
3. The defender strikes suddenly with the finger-tips of his receiving hand to the opponent’s face. The opponent evades and receives this counter attack.
4. The defender then steps in and strikes with a right hand chin-ken to the face. The opponent evades this attack as well.
5. The defender then kicks with his right foot and the attacker steps back and receives that kick with his left fist.
6. The attacker then punches with his right fist and the defender receives that with his left fist.
7. The defender shifts in suddenly and strikes the face with his left chin-ken.
8. With that opening the defender strikes to suigetsu (abdomen) with his right fist and moves into position for..
9. Ganseki nage catching with his right arm and stepping in on his right foot.
10. The opponent falls face down onto the ground.
11. The defender returns to kamae at the end facing his opponent (zanshin).
