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Transcibed by Danny Begelman and Jefl Jacobson Specarthanks ro Gayle Bou ewarc ol The Fim
Poj€cl ManageBi Aabn Srang and Jeannelle Delisa Music Edilor Colcan Bryan M u sic EnFnainm€ Pholog€phy: Kevin KeBlak€
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TRASH All gtrs.
are 7-sring gtrs. tuned down 1 whole step:
Chord frames for slash notation
c5
cil5 D5 H+]+l H+iii Hiiii
@=a @=n @=o @=e @=c @=o @=c
Intro:
r 33
Moderately slow .l =88 B5 Rhy. Fig.
Elec.
ddee,@hil Riff
mf
C5
I
end Rhy. Fig.
0
I
end Riff A
---\
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Elec.
Gtr.3 (lefi) Rhy. Fig.lA
mf
end Rhy. Fig. 1A
cleantone
hold- - - - - {
*Music sounds a whole step lower than written.
Verse: N.C.
1. How
2. I *Elec.
Gtr.4 (left)
did
it
don't know
start? Well, why I'm
I don't so f**-in
I I
just feel don't know why
Riff B
mf
w/whammy pedal
Elec.
Gtr.5 (righr) Riff C
mf
w/whammy pedal
*Elec. Gtr 4 sounds one octave higher due to whammy pedal.
Trash-4-
{ffe
1
@ 1999 GOATI{EAD?
MUSIC (All Rights Administered by ZOMBA ENTERPRISES INC.)
All Rights Reserved
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!
IT'S GONNA GO AWAY All gtrs. are 7-string gtrs. tuned down 1 whole step.
@=a @=r @=o @=e @=c @=o @=c
ModeratelY slow -Intro: w/ad lib. vocal
.l
=76
p*s
Play 3 times E5
Elec.
Gtr.
I nfw/dist.
A fdbk.
*Chords implied by bass gtr.
Verse:
**Music sounds
lv/RiffA
Ffs
(Elec. Gtr.
whole step lower than written
8 times
Es
don't
Elec. Gtr.2
I)
a
want
this to
B5
go
F#s
Bkgd.VocalFig.l-
(Go
a- way.
-
I'm It's
so
-
gon-
scared,
na_
____r
.)ll'l}v l-
l-l
go
a- way. _
4w/dist.
ilBkgd. Vocal Fig. l, 13 times 85
E5 I
can't take what's go-ing
We all
crum-ble,
we
crum-ble
grave -
1------
nt's Gonna Go Away
:IP
-2-
1
@ 1999 GOATHEAD?
MUSIC (All Rights Administered by ZOMBA ENTERPRISES INC.)
All Rights Reserved
26
€
-\=-#/
: '' 11
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]
$
2
2
1 .
1- ,
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27
WAKEUP Chord frames for slash notation
!5
vPz
gtrs. are 7-string gtrs. tuned down I whole step:
Ff,5
ffi
EffiiT
All
g
@=e @=r
@=r
@=e @=o
@=c @=c
Moderately Intro:
) = fi2
B5 Rhy. Fig. 1Elec.
*Elec. Gtr.
I
*Music sounds
Ri11
a
Gtr.2
lrl
"t // ml J
a
whole step lower than written.
Pre-chorus: rv/RiffA (Elec. Gtr. Rhy. Fig.
I
l) &
(Elec. Gtr. 2)
B5
Interlude
Wake
l:
the
-
f** _
F#s
D5
Rhy. Fig.2 Elec. Gtr. 1 Elec. Gtr.2
Elec.
Wake
up!
)-"j
)
the
-
f** -
cf5
)
Riff B
Gtr.3
WakeUp-5-1
o
-.
1999 GOATIIEAD? MUSIC
,p!
(All Rights Administered by zoMBA ENTERpRISES INC.) All Rights Reserved
)-)
B5
)
r_1 type2 l
28
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GUITAR TAB GLOSSARY ** TABLATU RE EXPLAI{ATIOII UN.
UNISON BENDr Play both notes and immediately bend the lower note to the same pitch as the higher
READING TABLATURE: Tablature illustrates the six strings ol the guitar. Notes and chords are indicated by the placement of fret numbers on a given string(s).
SPECIFIED INTERVAI-: The pitch of a note or a chord is lowered to an
unspecitied interval.
note.
HARTONICS
DOUBLE NOTE BENO: Play both notes and immediately bend both strings
BENDI]IG ]IOTES
NATURAL HARMONIC: A finger ol the fret hand lightly touches the note or notes indicated in the bb and is play€d by the pick hand.
simultaneously.
PREBEND (Ghosl Bend): Bend to ihe specitied note, belore the string is picked.
HALF STEP: Play the note and bend string one halt step.*
WHOLE STEP: Play the note and bend string one whole step.
WHOLE STEP AND A HALF: Play the note and bend string a whole step and a half.
ffi
E
PREBEND AND RELEASE: Bend the string, play it, then release to the original note.
(Microlone): PIay the note and bend string slighlly to the equivalent ot half a fret.
*A half step is the smallest interval in Western music; it is equal to one fret. A whole step equals two frets.
MORE THAN ONE STRING: Play the note and bend string while playing an additional note (or notes) on another string(s). Upon release, relieve pressure from additional note(s), causing original nole to sound alone.
A,H,
t
ARTIFICIAL HARMONIC: The lirst tab number is lretled, then the pick hand produces the harmonic by using a linger to lightly touch the same string at the second tab number (in parenthesis) and is then picked by another tinger.
BENDS
REVERSE BEND: Play the already-
bent string, then immediately drop it down to the fretled note.
INVOLVING STATIONARY NOTES: Play notes and bend lower pitch, then hold until release begins (indicated at the point where line becomes solid)
A.H, (lsna)
A,H,
(6ya)
A,H.
(8w)
ARTIFICIAL
.PINCH'
HARMONIC: A note is fretted as
indicated by
TRETOLO BAR
t-\ u_-:-.,^f SLIGHT BEND
BENDS INVOLVING
BEND AND RELEASE: Play the note
and gradually bend to the next pitch, then release to the original note. Only the first note is attacked
SPECIFIED INTERVAL: The pitch ot a note or chord is lowered to a specified interval and then may or may not return to the original pitch. The activity of the tremolo bar is graphically represented by peaks and valleys.
o 1990 Beam Me Up Music eio CPP/Belwin, lnc, Miami, Florida 33014 lnternational Copyright Secured Made in U.S.A. All Righls Reseruod
the tab, then the pick hand produces the harmonic by squeezing the pick firmly while using the tip of the index finger in the pick attack. It parenthesis are found around the fiened note, it does not sound. No parenthesis means bolh the fretted note and A.H. are heard simultaneously.
"By
Kenn Chipkin and Aaron Stang
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