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Kurt Rosenwinkel Guitar Licks Kurt Rosenwinkel studied in Berklee, Berklee, but dropped out after 2 and a half years to go on tour with Gary Burton. Burton. With the help of Burton Burton he soon became one of the most successful jazz guitarists of the East Coast. He toured with people like Paul Motion, Motion , Joe Henderson and Henderson and Joe Lovano and Lovano and earned the praise of jazz guitarists like John Scofield and Scofield and Pat Metheny . He featured on many many albums with people like Gary Burton, Seamus Blake and Paul Motion. In 1995 he won the Composer's Award Award from from the National Endowment for the Arts. In 2000 he released the album 'Intuit' 'Intuit',, a collection of jazz of jazz standards standards..

Recommended listening : 'The Next Step'

Minor Lick

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notified of new guitar lessons. All guitar lessons lessons here are organized into into 9 categories: scales, arpeggios arpeggios and patterns, jazz styles, guitar technique, how to improvise over..., jazz standards, music music theory, beginner guitar lessons and miscellaneous lessons.

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If you have any questions or feedback about a certain guitar lesson, lesso n, please open a thread in this part of the forum... Guitar Scales The Modes

What are modes, how do you play them on guitar and how can they help you to improvise over a chord progression? Part 1: Guitar Modes Part 2: Guitar Scale Charts

The Bebop Scale

The bebop scale, a technique first used by Charlie Parker and other pioneer bebop musicians, is a good first step to a jazz sound. In this lesson you'll learn the theory and application of the bebop scale + examples with guitar tabs.

The Lydian Dominant Scale Tritone substitution is a common substitution for dominant chords. The lydian dominant scale is the scale you can use to improvise over such chords. Learn how i n this guitar lesson + examples.


The Pentatonic Scale for Jazz Guitar

The pentatonic scale (or blues scale) is usually the first scale you learn on the guitar. Pentatonic scales are often used to do a guitar solo in blues, rock and pop music, but they are also very useful in jazz, although in a less common way.

The Altered Scale

The altered scale is used to improvise over dominant chords with altered extensions. You will learn how and when to use the altered scale + examples (with guitar tablature).

Chromatics Put some jazz into your guitar scales . In this lesson you'll learn how to add chromatic notes to your improvisations.

Chromatic Scale Exercise

Here's a powerful exercise that combines scales and chromatic notes. This results in an instant jazz flavor.

Melodic Minor Modes Scale charts for the modes of the melodic minor scale + the chords on which you can use them.

Minor Blues Guitar Scales

In this guitar lesson you'll learn which scales you can use to improvise over a basic minor blues...

Exotic Guitar Scales


Add some colors to your sound by learning some exotic scales from all over the world: Arabian, Japanese, Oriental, Jewish, Indian, Gypsy, ...

Guitar Scales: Playing Horizontally

Another way of playing guitar scales that adds new perspectives: the horizontal approach

Dissononace, Resolution & Note Enclosure

How to use dissonance and resolution to bring life into your guitar solos ...

Guitar Scales: the Suspended Sound

Sometimes less is more: bring some variety to the way you play pentatonic scales by omitting notes.

Guitar Arpeggios & Jazz Patterns Jazz Guitar 101: Arpeggios

In this beginner lesson you will learn how to use jazz guitar arpeggios and how to play them on guitar. Part 1: Using Arpeggios To Play Over Chord Changes Part 2: Guitar Arpeggio Diagrams

The Never Ending Jazz Guitar Lick

This guitar lick is a good exercise to get some common chromatic patterns into your fingers. Learn the never ending jazz guitar lick and amaze your friends :-)


Voice Leading for Guitar

Use voice leading to give your solos meaning and structure. Let your chords and phrases flow smoothly into each other.

Jazz Guitar Patterns

Patterns are small melodic or rhythmic building blocks for your guitar solos and phrases.

Triads Over Minor Chords

Create interesting melodic phrases on minor chords by alternating triads.

Jazz Styles Latin Guitar

An introduction to guitar techniques used in Latin music: bossa nova chord patterns, montunos, the clave.

Jazz Blues Guitar

In this guitar lesson you'll learn how to play blues the jazzy way : blues scales and the blue note, blues chords and chord progressions, double stops.

Bebop

Every jazz musician should be familiar with the bebop language. In this lesson you'll learn some


Rhythm Changes

A guide to rhythm changes on the guitar : chord progressions, techniques and examples.

Guitar Technique Guitar Technique & Warm Up Exercises

Doing these exercises daily are a guaranteed way to gain fluency, speed and accuracy on your guitar.

Finger Stretching Exercises

These technique exercises will increase the reach and fluidity of your fingers.

Bach Classical Guitar Bach for guitar : a good and fun way to improve you jazz guitar technique is to play Bach compositions. This is Bach's sonata for solo violin no.1 in G minor (with guitar tabs).

Timing Drills

These timing exercises are a guaranteed way to improve your timing: fun with a metronome.

How To Improvise Over...


Major Chords

14 ways to play over major chords.

Minor Chords

13 ways to play over minor chords.

Half Diminished Chords

13 ways to play over half diminished chords (m7b5).

Jazz Guitar Chords

All about jazz guitar chords, from beginner to advanced players...

Playing Jazz Standards Stella By Starlight

In this video guitar lesson you will learn how to play the melody of Stella by Starlight in a guitar trio, chord/melody style.

There Will Never Be Another You

Learn how to do jazz guitar comping over the standard There Will Never Be Another You (video lesson).


All The Things You Are

The harmonic analysis of the ever popular standard All The Things You Are + guitar examples (w guitar tabs).

Autumn Leaves in 5/4

An arrangement of the classic jazz standard Autumn Leaves in an odd meter: 5/4.

Giant Steps (John Coltrane)

In this guitar lesson you will learn how to improvise over Giant Steps' chord changes.

Jazz Guitar Sheet Music Sheet music for jazz standards and originals can be found here.

Jazz Guitar Endings

How to end a song is just as important as how to begin one. Here are 10 classic ways to end a song.

Music Theory Lessons Jazz Guitar Chords Theory

In this theory tutorial you'll learn about the anatomy of (jazz) guitar chords. Learn how guitar


Part Part Part Part Part

1: Basic Guitar Chord Theory 2: Constructing Jazz Guitar Chords 3: Chord Extensions 4: Chord Construction System 2 5: How to Play Guitar Chords

Upper Structure Triads

A music theory lesson about upper structure triads + a list of the ones that work best.

Beginner Guitar & Theory Lessons How To Read Guitar Tabs

In this guitar lesson for beginners you'll learn how to read guitar tabs .

The Major Scale

The first in a series of basic music theory lessons: you'll learn how to construct major scales.

Guitar Improvisation

Learn how to improvise over the most common jazz chord progression: the 2 5 1. In this lesson we use the Ionian mode.

Miscellaneous Guitar Lessons


Jazz Guitar Tips

A list of miscellaneous short jazz guitar tips...

How to Get a Jazz Guitar Tone

Besides your fingers and ears you also need the gear: guitars, guitar amps and other musical equipment that help shape your jazz guitar sound.

Jazz Guitar Chords | Guitar Chord Charts | Lessons

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What makes a guitar chord a jazz guitar chord?

Most people define jazz guitar chords as seventh chords with or without tensions as opposed to more basic chords like triads.


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I suggest beginning and intermediate jazz guitar players download this free ebook that contains the most important guitar chord charts and explains you how jazz guitar Links & Downloads chords work. The guitar chords chart shows you all the basic chords you need to get started playing jazz guitar. Guitar Forum

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Jazz Guitar Chord Theory

This music theory lesson teaches you how jazz guitar chords are built and how you can find your own. I can hear you thinking "I just want to play...", but this is a very important lesson that will save you a lot of time and give you a deeper understanding about guitar chords. Part 1: Basic Guitar Chord Theory Part 2: Constructing Jazz Chords Part 3: Chord Tensions Part 4: Chord Construction System 2 Part 5: How to Play Guitar Chords Part 6: Solutions to the Exercises

Basic Jazz Guitar Chords

Here you can find the basic guitar chord charts for major, minor, dominant, diminished, shell & other guitar chords. You'll learn all jazz guitar chords that every jazz guitar player should know.

Advanced Jazz Guitar Chords


Here you'll find the chord charts for more complicated jazz guitar chords and voicings.

Drop 2 Chords

Here you'll learn what drop 2 chords and voicings are and how you can build them.

Guitar Chord Finder

Very comprehensive guitar chord finder you can use to find chords by name or by inputting notes on the guitar neck. Please allow some time to load...

Chord & Neck Chart

2 charts that will help you in constructing your own chord voicings. The 1st chord chart tells you the notes of a certain type of chord, the 2nd chart lets you see where the notes lie on the guitar neck.

Jazz Chord Progressions

Here you'll find a list of the most popular chord progressions in jazz , the songs that use them and the guitar players who play them.


20 Ways To Comp a II V I

In this lesson you'll learn 20 ways to comp over a II V I VI chord progression , the most frequently used chord progression in jazz.

Blues Chord Progressions & Variations

An overview of the most popular variations of the 12 bar blues chord progression, going from the basic original blues to the Charlie Parker blues.

Minor Blues Chord Progressions & Variations

In this guitar lesson you'll learn the most common variations for the minor blues chord progression. We start with the basic minor blues and add substitutions step-by-step...

There Will Never Be Another You

This video guitar lesson teaches you how to comp on the jazz standard There Will Never Be Another You.

How to Play Walking Bass Guitar | Basic

In this guitar lesson you'll learn to walk on your guitar . Playing chords and walking bass


at the same time is fun and very useful when accompanying in duos. This tutorial shows you step by step how to play walking bass guitar.

How to Play Fingerstyle Walking Bass

This guitar lesson continues from the previous lesson about walking bass guitar . This one is a bit more advanced, with different rhythms and chord voicings.

Rhythm Changes

A guide to Rhythm Changes for guitar players. You'll learn more about the chord progressions and techniques you can use to play these popular and fast standards. With examples...

Jazz Guitar Chord Inversions

Here you'll learn what chord inversions are. We'll have a look at a certain kind of basic chord voicings (I call them Bach chords) that make it easier for you to memorize more complicated guitar chord inversions.

Coltrane Changes: Comping Over Giant Steps

In this guitar lesson you'll learn how to play the chords of giant steps in a creative way. We'll also have a look at the harmonization of the melody


All The Things You Are: Chord Analysis

This music theory lesson with practical guitar examples will teach you how the famous jazz standard All The Things You Are is harmonically built.

Quartal Guitar Chords

Learn how to play quartal voicings on guitar. These kind of chords, pioneered by McCoy Tyner, are very useful in modal tunes.

Tritone Chord Substitution

Tritone substitution is a very common chord substitution in jazz music. Learn the theory and play some examples.

Steely Dan Chords

A short lesson about the mu major chord , characteristic for Steely Dan's signature sound.

Jazz Guitar Comping

In this guitar lesson you'll learn a method of comping that is similar to how piano players


play chords.

Guitar Chord Charts

An eBook for beginning and intermediate jazz guitar players with music theory and chord dictionary. Learn how guitar chords really work!

Jazz Guitar Tabs: Jazz Guitar Licks

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The transcriptions are written in guitar tabs


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and standard notation.

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Guitar Licks are

musical phrases, parts of a melody or an improvised solo. 

Riffs are short melodic phrases that are often repeated (in a solo or as accompaniment). The

most well known guitar riff is probably Deep Purple's 'Smoke on the Water'. 

Patterns are even shorter musical phrases.

You can compare licks, riffs and patterns to paragraphs , sentences and words of a conversation. So be careful how you use the licks, you don't want to sound like someone else or talk nonsense. Just copying the licks is not the way to go because you'll sound unnatural. Use the material in a creative way. Try to understand the thinking behind a lick and incorporate the concept in your improvisations rather then just copying the lick. Play with the different aspects of a lick: try changing the rhythm, the tonality or the position . You'll learn more and it makes it easier for you to get a lick in your fingers.

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Al Di Meola Licks

Al Di Meola is a fusion guitarist who mixes jazz with Latin and flamenco. He is known for his technical mastery and his extremely fast guitar solos. His picking technique is very staccato, he picks almost every note and only sporadically uses hammer ons of pull offs.

Baden Powell Licks


Baden Powell de Aquino is an acoustic guitar player from Brazil and one of the key figures of the bossa nova music. His playing style is a mix of a classical guitar technique with jazz harmonies and a Latin right hand technique.

Bill Frisell Licks

Bill Frisell is a jazz guitar player with a unique sound and guitar technique. His music is a mix of jazz, country, folk and classical music. He uses guitar effects quiet a lot, especially delay, distortion and a volume pedal.

Bireli Lagrene Licks

Biréli Lagrène is a guitarist from France who started as a manouche jazz guitar player (gypsy jazz) and sounded like a copy of Django Reinhardt. Later he explored other playing styles and ventured into jazz fusion with Jaco Pastorius.

Barney Kessel Licks

Barney Kessel was a great bebop guitar player and one of the busiest session guitarists of the 1960s (you can hear him on hundreds of famous pop albums). His most popular works are i n a trio setting, "The Poll Winners" being his most popular album.

Charlie Christian Guitar Licks

Charlie Christian was the first electric guitarist . He started by playing in swing bands and became one of the key figures of the bebop and modern jazz. He had a lot of influence on jazz guitar players and other musicians (such as Charlie Parker, Thelonious Monk and Dizzy Gillespie) as well.

Charlie Parker for Guitar

Charlie Parker, aka Bird, was a saxophone player and composer and one of the greatest and most influential jazz musicians of all time. He is one of the founders of the bebop. His playing style is very


interesting material for jazz guitarists.

Chuck Loeb Licks

Chuck Loeb is one of the top producers of smooth jazz music. He studied under Jim Hall and Pat Metheny and played in the Stan Getz's band and Steps Ahead. He also played with Gary Burton and Larry Coryell.

Django Reinhardt Guitar Licks

Django Reinhardt was born in Belgium and already played professionally when he was 12. Loosing 2 fingers of his left hand didn't stop him from becoming the world's most famous gypsy jazz guitar player.

Emily Remler Licks

Emily Remler was one of the few female jazz guitar players around, but unfortunately died too soon at the age of 24. Her style of guitar playing was very much influenced by Wes Montgomery.

Fingerstyle Guitar

Here are some short solo arrangements for fingerstyle jazz guitar, i ncluding Nardis, The Shadow of Your Smile and a jazz blues. Ideal for those times when aunt Betty asks you to "play something"...

Frank Gambale Licks

Frank Gambale is known for his speed. He is the master of shred guitar and sweep picking. His excellent technique enables him to produce very fast guitar solos.

Gabor Szabo Licks

Gabor Szabo is an Hungarian acoustic guitarist who's had a great influence on Carlos Santana. He


played many styles of music, like pop, rock, manouche , jazz and Indian music.

George Benson Guitar Licks

George Benson is the master of smooth jazz guitar. Many people don't realize how good he plays the guitar, knowing him only as a soul singer. His chops and swing feel are amazing, as well as his musical ideas...

Herb Ellis Licks

Herb Ellis is a bebop guitar player with a big influence from Charlie Christian. His fame started when he joined the Oscar Peterson Trio. Check out this great II V lick from the jazz standard "Look For The Silver Lining".

Jim Hall Licks

Jim Hall is a jazz guitarist with a very intimate tone. He is a big influence on many jazz players, including Pat Metheny and Bill Frisell. Speed is not his thing, but beautiful melodies and advanced harmonies certainly are!

Jimmy Bruno Guitar Licks

Jimmy Bruno is a hard bop guitar player, inspired by Joe Pass and Kenny Burrell. Besides being an excellent musician, he's also an excellent teacher.

Jimmy Raney Licks

Jimmy Raney was a bebop influenced guitar player with a cool j azz tone. His most famous work was with Stan Getz and his son Doug Raney.


Joe Diorio used to be a very busy studio guitarist in the 70s who later focused his attention on guitar education, teaching at the GIT and writing guitar instructional books.

Joe Pass Licks

Joe Pass was the master of solo jazz guitar. He started playing professionally when he was 14, but unfortunately got on the wrong track and became an heroin addict. Luckily he recovered and became one of the most famous jazz guitar players.

John Abercrombie Licks

John Abercrombie is a subtle and lyrical jazz guitarist, who is at is best in trio or duo settings. Check out these 2 minor licks...

John Coltrane for Guitar

John Coltrane was a saxophone player and one of the most important figures in jazz music. In his short career he played with people l ike Miles Davis, Thelonious Monk and Ornette Coleman.

John McLaughlin Guitar Licks

John McLaughlin is an acoustic guitarist who blends jazz, rock and Indian music. He was the guitarist of the Mahavishnu Orchestra and also played with Miles Davis. John McLaughlin has a very impressive guitar technique.

John Scofield Licks

John Scofield is arguably one of the big 3 of modern jazz guitarists. He played with big names like Chet Baker and Miles Davis. Scofield has a very personal style and sound and some interesting techniques...


Duke Ellington once called Kenny Burrell his favorite guitar player, so, what more is there to say? His style has blues, latin and bebop influences, a blend that makes him a master of smooth jazz guitar.

Kevin Eubanks Guitar Licks

Kevin Eubanks is widely known as the leader of Jay Leno's Tonight Show Band. He usually plays acoustic and has a special interest for odd meters.

Kurt Rosenwinkel Licks

Kurt Rosenwinkel is one of the most respected jazz guitarists of the East Coast. He played with jazz greats like Paul Motion and Joe Henderson.

Larry Carlton Guitar Licks

Larry Carlton is a very successful studio musician. He played on many famous albums from people and bands like Joni Mitchell, Steely Dan, Michael Jackson, Lee Ritenour and many more. He is influenced by Wes Montgomery, Joe Pass and B.B. King.

Larry Coryell Licks

Larry Coryell is a man with a very impressive guitar technique and a very eclectic style of music.

Lee Ritenour Licks

Lee Ritenour is a popular studio and session guitarist with an impressive solo career. He is the pioneer of the style called smooth jazz (a mixture of pop jazz and latin).

Lenny Breau Licks

Lenny Breau was an outstanding fingerpicking guitarist. He


single note lines and chord accompaniment. He's big influence on many finger picking jazz guitarists.

Les Paul Guitar Licks

Les Paul is a famous guitar builder and player, developer of the Gibson Les Paul guitar and the first 8track recorder.

Mike Stern Licks

Mike Stern is another one of those guitarists that were discovered by Miles Davis. He's a versatile jazz/ fusion player with a very personal sound.

Miles Davis Licks for Guitar

Miles Davis was a trumpet player on top of almost every important innovation in jazz. Here's the theme of So What, a famous modal composition.

Pat Martino Licks

Pat Martino learned how to play superb jazz guitar twice. He forgot how to play guitar after brain surgery, but that didn't stop him from being an innovative jazz guitarist with an impressive technique.

Pat Metheny Licks

Pat Metheny must be one of the most versatile musicians alive. His technique and timing are incredible and he seems to master every style. Here are 6 Pat Metheny licks for you...

Ralph Towner Licks

Ralph Towner is one of the few guitarists specialized in acoustic guitar. The music styles he plays go from jazz to classical to folk and world.


Robben Ford Jazz Licks

Robben is a well known blues guitarist, but he has a jazzy side as well. He toured with Miles Davis, Joni Mitchell and the Yellowjackets.

Scott Henderson Guitar Licks

Scott Henderson is a blues and fusion guitar player best known for his work with the band Tribal Tech.

Steve Khan

Steve Khan is a producer and jazz guitarist who gained his initial reputation as a fusion guitar player.

Steve Masakowski Licks

Steve Masakowski is a jazz guitar player from New Orleans and the inventor of the key-tar, a guitar synth.

Stevie Ray Vaughan Licks

Stevie Ray Vaughan was an incredible blues guitar player, who was taken from us way too soon. This guitar lick shows the jazzy side of SRV.

Stochelo Rosenberg Gypsy Guitar

Stochelo Rosenberg is a gypsy jazz guitar player and lead guitarist of the Rosenberg trio.

Tal Farlow Licks


Tal Farlow was a bebop pl ayer who was as famous for his reluctance to perform as for his great gui tar playing. Here are 2 II V I guitar licks for you...

Wes Montgomery Licks

Wes Montgomery is without any doubt the most influential jazz guitarist ever, and it is easy to hear why. Here are 8 guitar licks in the style of Wes Montgomery for you...

The Never Ending Jazz Guitar Lick

Here's a guitar lick that is a good exercise to learn common chromatic patterns in the Dorian scale. Jazz Guitar Patterns

Guitar Patterns are small melodic or rhythmic building blocks for your guitar solos. They are easy to memorize and very useable in your improvisations.

Various Jazz Guitar Licks

Here are a bunch of jazz guitar licks for various chord progressions and chords (with guitar tabs).

Jazz Guitar Solo Transcriptions

Jazz Guitar Solo Transcriptions

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Jazz Guitar Gazette

Here you'll find a collection of transcribed jazz guitar solos. Some transcriptions are written in standard notation, some in both guitar tablature and note script. Don't just copy the solos, but use them to discover the way the musician in question thinks. Try to find the concepts used in the guitar solo and give these concepts a place in your own improvisation. A studied solo is easy to forget after some time. Learning how other (more advanced) musicians think on the other hand will be a lot more beneficial for your guitar playing. John Scofield Transcriptions 1) Guitar solo transcription of 'So You Say'

Pat Metheny Transcriptions 1) Guitar solo transcription of 'Falling Grace' 2) Guitar solo transcription of 'Waltz for Ruth' 3) Transcription of the outro solo of 'Two for the Road'

Free Jazz Guitar Sheet Music (Guitar Tablature)

Jazz Guitar Sheet Music

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Jazz Guitar Gazette

welcome to the jazz guitar sheet music page, a collection of transcriptions of jazz themes. Some pages are written in standard notation, some have both guitar tabs and note script. Charlie Byrd Sheet Music 'Bamba Samba' theme with guitar tabs.

Charlie Parker Sheet Music The head of 'Billie's Bounce' with guitar tablature.

Pat Metheny Sheet Music The head of 'Two for the Road' with or without guitar tablature

Scott Henderson

Free Jazz Guitar Sheet Music (Guitar Tablature)

Jaco Pastorius : The Chicken Sheet music with guitar tabs, chords and bass line for The Chicken, written by Pee Wee Ellis, as played by Jaco Pastorius.

You can find more sheet music at Sheet Music Plus. If you are new to guitar tab, I suggest you have a look at how to read guitar tabs.

Recommended Jazz Guitar Resources

Recommended Jazz Guitar Resources

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Jazz Guitar Gazette

These pages contain short reviews of resources that I find useful to improve your guitar playing.

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Chris Bergson

Chris Bergson is a guitarist, vocalist, songwriter and a hugely talented artist. He ranges from James Brown to James Taylor. Jazz, blues, soul, folk and funk come together in a pleasant mix. According to Jim Hall, Chris Bergson is among the best of young jazz guitarists today. [with interview]


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Chris Standring

One of the most lyrical guitarists in contemporary jazz. Smooth jazz guitar player with a funky, retro jazz and soul sound. Chris Standring also wrote an excellent guitar course called "Play "Play What Your Hear " [with interview]

Christopher Woitach

Christopher Woitach is a jazz guitarist and composer who has had a 24 year career of composition and teaching, working with many innovative players. Has been influenced by Jerry Garcia, Jim Hall, Bill Evans and Chet Baker. [with interview and sheet music]

Daniel Martina

Daniel Martina is a smooth latin jazz guitar player, composer and producer from Argentina. His main influences are Wes Montgomery, Pat Metheny, Earl Klugh and Larry Carlton. [with interview] 

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Levon Ichkhanian plays contemporary jazz with world beat overtones. Besides the guitar he also plays world string instruments such as the oud an bouzouki. Levon played with people like John Patitucci and Bernard Purdie.

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Intuit Kurt Rosenwinkel

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Audio CD (February 12, 1999)

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Original Release Date: February 12, 1999

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Number of Discs: 1

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Label: Criss Cross

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ASIN: B00000I052

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Average Customer Review: 4.0 out of 5 stars See all reviews (5 customer reviews )

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Amazon.com Sales Rank: #115,177 in Music (See Bestsellers in Music )

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Most Helpful Customer Reviews 2 of 2 people found the following review helpful: 5.0 out of 5 stars AMAZING and CUTTING EDGE! , January 2, 2000 By David Rothblatt (lake bluff, IL) - See all my reviews This is with out a doubt, one of my favorite albums. Kurt's playing is fresh and inventive. I was impressed with his treatment of standards and his unique improvisational approach. Comment Comment | Permalink | Was this review helpful to you? Yes No (Report this)

1 of 1 people found the following review helpful: 4.0 out of 5 stars Tasty, November 29, 2004 By Kenneth James Michael MacLean (Ann Arbor, MI USA) - See all my reviews In this recording of all jazz standards, Kurt Rosenwinkle provides a number of fresh, tasty solos which make listening to this CD a pleasure. Unfortunately, the piano player isn't quite up to speed on this date, playing a little behind the beat and struggling a bit on his solos. Most people probably won't even notice, however, as the guitarist more than makes up for this slight deficiency with his distinctive sound and deft playing. KR excels especially on the last track, "Conception," which is worth the price of the disk all on its own. All in all, a date which is sure to please straight-ahead jazz lovers and, perhaps, may influence cross-over audiences to delve further into the rich, century-old tradition of jazz music.

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4.0 out of 5 stars the early step, September 9, 2001

5.0 out of 5 stars If everyone was crazy,then . . . well they wouldn't be crazy I believe that it is every jazz artist's obligation to release a disc in the vein of traditional jazz to display that his/her talent doesn't lie merely within the boundaries of a... Read more

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"The Next Step" was my first KR album. KR does stand out from the rests as he chooses his notes to speak, rather than just going over some chord changes. In this (mostly) standard songs, he and the band managed to bring the music up the average jam session by their ability and mastery on their respective instruments. It still has the jam session feeling, enough balance of relax-tension to make it a good album. Comment Comment | Permalink | Was this review helpful to you? Yes No (Report this) Share your thoughts with other customers: Create your own review

2.0 out of 5 stars Dissapointed I saw K.R. live a few years ago with Ben Street and it sounded great....very fun jazz...like Marc Johnson or Bill Frisell. This album was not at all what I expected. Read more Published on June 6, 1999

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Guitar Equipment | Bill Frisell Guitars, Amps & Effects

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Bill Frisell's Guitar Rig This page is about the guitars, amps, effects and other guitar equipment that Bill Frisell likes to use.

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Bi Guitars

Klein Electric Guitars Bill Frisell has 2 Klein electric guitars. The one he uses the most has a chambered spruce body and a rosewood neck. The guitar has 4 pickups: a Seymour Duncan JB pickup in bridge position, a Bartolini 5J floating pickup in the middle, a Telecaster pickup at the neck and a piezo pickup in the bridge. The piezo pickup has a separate output so he can mix 'fuzzedout' sound with 'almost acoustic' sounds. Bill uses the bridge pickup most of the time with the tone not rolled off.


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Bill Frisell uses D'Addario EXL115 strings, amongst other D'Addario strings. Other guitarists that use Klein guitars: Joni Mitchell, Andy Summers, Stanley Clark and Sting.

Andersen Guitars Frisell owns 3 guitars built by Steven Andersen. The first one was given to 

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that he asked Steven to build a model 17 archtop for him and later a small model 14 archtop for on the road (nicknamed 'Little Archie').

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Yanuziello Guitars

Joseph Yanuziello is a luthier based in Toronto. He makes these sort of oddball like electric mandolins. His guitars are based on really cheap guitars from the late 50s or early 60s, like Harmony guitars.

Other guitarists that use Yanuziello Guitars: Lee Alexander (Norah Jones), Kevin Breit (Norah Jones)

Other Guitars -1975 Fender Stratocaster reissue -1974 Fender Telecaster -Gibson SG -Gibson J-45 (1961) -Gibson 446 -Collings D-1 dreadnought -Gibson 446 semi–hollow-body electric -Martin mahogany 12-fret 000-15S (with a Seymor Duncan Mag Mic pick up) -J.W. Black-built Jazzmaster with Seymour Duncan P-90 -Tacoma Papoose -and many more...

Guitar Amps


Fender Princeton Reverb Amp This Fender amp is a 22W single-channel tube/valve guitar amplifier combo designed by Paul Rivera. It has a 10 inch speaker.

Mesa Boogie Subway Blues A 20 watt guitar amp with a spring reverb and a 10 inch speaker.


Gibson GA-18 and GA-50 Bill Frisell has 2 Gibson amps from the early 50s: the GA-18 and GA-50. Pictured here is the GA-50, which has 2 speakers, a 12 inch and an 8 inch. Jim Hall used the same amp.

Other Guitar Amps -Mesa Boogie Blue Angel -to amplify his acoustic guitars, Bill uses an external microphone

Bi Guitar Effects

ProCo RAT Distortion Pedal The RAT is a distortion pedal designed by Scott Richard Burnham who started ProCo in 1975. More information about the ProCo Rat reissue


Ibanez Tube Screamer An overdrive/distortion pedal that allows the true sound of the guitar to come through. The most popular use of a tube screamer is to push a tube amp to make it overdrive more.

Line 6 Delay Modeler A digital modeling pedal based on 15 vintage delay and echo effects. Bill uses it for loops and stuff. More information about the Line 6 DL-4 Delay Modeler pedal


Other Guitar Effects -Volume pedal! -Boss DD1 digital delay pedal (for ambience) -Lexicon MPX-100 (Bill likes to use the reverb of this (cheap) multi-fx processor) -TC electronic compressor -Electro Harmonix 16 second delay -Digitech 8 second delay -Alesis Microverb Bi

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Bill Frisell uses Gibson flatpicks (teardrop shaped)

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The Next Step Kurt Rosenwinkel

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Audio CD (January 9, 2001)

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Original Release Date: 2001

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Number of Discs: 1

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Label: Polygram Records

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ASIN: B000053U8U

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In-Print Editions: MP3 Download

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Average Customer Review: 4.7 out of 5 stars See all reviews (16 customer reviews )

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Amazon.com Sales Rank: #82,441 in Music (See Bestsellers in Music )

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Listen to Samples and Buy MP3s Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

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1. Zhivago

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2. Minor Blues

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3. A Shifting Design

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4. Path Of The Heart

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5. Filters

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6. Use Of Light 7. The Next Step 8. A Life Unfolds

9:17

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10:01

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6:31

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Editorial Reviews Amazon.com This rising jazz guitar star writes unlikely music. Equally mysterious, eerie, contemplative, serene, buoyant, and forlorn, Kurt Rosenwinkel's music follows no discernible fashion. Though he's influenced by Pat Metheny and Bill Frisell, Rosenwinkel's second Verve release (the follow-up to 2000's Enemies of Energy ) more aptly recalls the early ECM recordings of guitarist John Abercrombie and drummer Jack DeJohnette's Special Edition band. Steeped in unusual tunings, zigzagging melodies, and a highly sensitive and loosely


The intricate "Zhivago" and "A Shifting Design" show Rosenwinkel's unique guitar and compositional personality--his fingers and his mind seem as one, almost as if he doesn't really need a band to consummate his music. And when he sings ( wordlessly) along with his probing guitar designs, he rides high over the band while seeming deep in his own head. The ballads--"Paths of the Heart," "Use o f Light," and the beginning of "A Shifting Design"--perfectly capture some sci-fi deep space silence, where abandoned crafts drift in the darkness of a black vacuum. But Rosenwinkel also bumps and boogies like mad on "Filters," dedicated to Wes Montgomery, which features dynamite Turner-Rosenwinkel interplay and a gripping, hot-as-coals melody. For the title track, Rosenwinkel is on piano, and he sounds for all the world like a Chick Corea composition before it blasts off into a hardy, free-blues shuffle. Quixotic, cerebral, and a bit magical, The Next Step plots the unusual path of this freethinking guitarist. --Ken Micallef

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Most Helpful Customer Reviews 11 of 11 people found the following review helpful: 5.0 out of 5 stars behold the axe of rosenwinkel!!!, April 7, 2001 By James H. Timber-Giboyeaux (Puerto Rico) - See all my reviews The happy-hat rumbero looks of the CD stirred my curiosity about what was in there to look for. I just bought this cd and casually began to listen the music within. The casual scenario did not last. The music of Kurt Rosenwinkel commands attention. I have not heard music of this kind since the early Abercrombie ECM recordings, specifically Characters, the Abercrombie Quartet, Dejohnette's Directions and the New Directions band. I thought this kind of jazz artistry was long gone history. Rosenwinkell's fond of experimentation and beautiful melodies are important attributes of this young musician to which we can add outstanding composition skills. I am quite interested in the musical career of this guy which I believe would have a long and fruitful future. Comment Comment | Permalink | Was this review helpful to you? Yes No (Report this)

8 of 8 people found the following review helpful: 5.0 out of 5 stars Continued growth for a great artist., January 12, 2001 By John S. (Long Island, NY USA) - See all my reviews I first got into Kurt's music through finding an advanced promo copy of the Enemies of Energy. It totally knocked me out with it's compositional originality and with the very strong solo voices of the quintet. I really felt a depth and vision in this music that is all too rare among the many highly competent jazz artists that record nowadays. It's a quartet date, so Scott Kinsey's keyboard work from Enemies is no longer part of the sound, but that is not a problem. Kurt's brilliant guitar playing is more prominent that it was on Enemies, and on the title track he plays piano (also brilliantly), rather than guitar. The quartet is rounded out by Mark Turner on sax, Jeff Ballard on drums, and Ben Street on bass. All I can say to a prospective buyer of the Next Step is that it is music of a very high order, and its well worth getting into. The only other relative newcomer (as a leader)on the scene that turns me on this much is Avishai Cohen. Buy this disc! Comment Comment | Permalink | Was this review helpful to you? Yes No (Report this)

Most Recent Customer Reviews 5.0 out of 5 stars One of the most important new voices in modern jazz Kurt Rosenwinkel has a well earned reputation as one of the most talented of the current generation of post bop guitarists. Read more Published 4 months ago by bluesdoc05 5.0 out of 5 stars A TRUE REPRESENTATIVE OF MODERN JAZZ EVOLUTION The only thing you can expect from this serious and brilliant jazz guitarist is constant evolution in creativity and improvisation with careful steps . Read more


7 of 7 people f ound the following review helpful: 5.0 out of 5 stars New Blood, November 29, 2002 By Tom Freeman (Concord, Ma) - See all my reviews This follow up album to "Enemies" shows that a new guitar hero is in the making. Kurt's use of phrasing, sound, lines and tunes are a true personal thing , not to mention the whole bands subtle interaction and vibe. I recently saw him in Boston in a different context and he just really has his own sound happening, no matter what group he's in.

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5.0 out of 5 stars Excellent representative CD I hosted some friends to Kurt at the Jazz Bakery last week. Thought it was important for them to see this rising composer and player. Read more Published on June 17, 2006 by John C. Thornton 5.0 out of 5 stars awesome I didn't think Rosenwinkel could top "Deep Song" but this album proved me wrong. This is his best album yet. Read more Published on February 21, 2006 by John Jackson

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5.0 out of 5 stars The new century rocks One simple soul like me should be granted the right to give an album six stars. For people have the tendency to give five stars for mediocrity and that leaves me embarrassed... Read more Published on September 18, 2005 by A.J.H. Woodcount 5.0 out of 5 stars Anyone Who Gives This Album A Bad Rating Is Crazy!!!!!! Simply put......this album blows my mind! It's a very exciting album, especially if you're a guitarist. Rosenwinkel's got a fantastic sense of melody, harmony, and rhythm. Read more Published on February 28, 2005 by J. Rich 4.0 out of 5 stars very good tihs is a very good CD and i recommend it. the pieces are pretty interesting and some are even beautiful. Read more Published on May 14, 2004 by clarnibass 1.0 out of 5 stars Dissapointing I purchased this CD after reading the review by Ken Micallef. His high praise for the cd intrigued me. So I went ahead and ordered it. Read more Published on April 15, 2004 by Darcy Tucjker 5.0 out of 5 stars the one to watch.... Rosenwinkle is the man! Great compositions, killer technique; an inspiring creative explorer. This recording and his "Intuit" are never far from my CD player. Published on February 27, 2002 by S. Guernsey 5.0 out of 5 stars A New Voice This is the freshest group I have heard in years. The first 3 cuts on this CD are amazing -- melodic, swinging, but brash and original. Read more Published on December 24, 2001 by Kenneth James Michael MacLean Search Customer Reviews I 

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What Do Customers Ultimately Buy After Viewing This Item? 72% buy the item featured on this page: The Next Step 4.7 out of 5 stars (16) $14.98 9% buy Deep Song 4.6 out of 5 stars (16) $18.98 7% buy Heartcore 4.3 out of 5 stars (15) $18.98 4% buy East Coast Love Affair 5.0 out of 5 stars (3) $22.98 Explore similar items

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Guitar Chords & Scales | Tritone Chord Substitution

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A very common chord substitution in jazz is the tritone substitution. Tritone = #4 (or b5) interval

A tritone substitution is the use of a dominant chord that is 6 half steps higher or lower


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from the original dominant chord . Tritone substitutes are useful for both chordal playing and

single note improvisation. Take for example the G7 chord: G B D F The 2 most important notes of this chord are the 3 (B) and the b7 (F) (if you didn't know this already I suggest you read the guitar chord tutorial first). The 3 and the b7 of a dominant chord are a tritone apart. A tritone is a symmetrical interval, it is precisely in the middle of the chromatic scale. This being the case we change the 3 for the b7 and the b7 for the 3 and fill in the 1 and 5 to get a new dominant chord. This chord would be Db7: Db F Ab B

(more precisely: Db F Ab Cb)

So compared to the G7 chord the B and F changed places. Knowing that the F is the 3 and the B is the b7, it's easy to fill in the 1 and 5 (again if you don't agree with me about this being easy, read the guitar chord tutorial first). 

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The 1 is Db and the 5 is Ab. Relative to the G7 this is a b5 and a b9, so this means that the Db7

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can substitute an altered G7 chord.

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What scale would you play on the Db7. The first dominant scale that comes to mind is the

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mixolydian scale (if this scale sounds like Chinese to you, read the tutorial about guitar scales).

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Problem here is the 4 of the Db mixolydian scale: the Gb or F#. This note is the major 7 of G, while we need a b7 for G dominant. The solution: raise the 4 (F#) with a half step to the #4 (G). A mixolydian scale with a #4 is called a 'lydian dominant' scale. It's actually the 4th degree of an Ab melodic scale or the 5th degree of a G altered scale. Db Lydian Dominant

Db

Eb

F

G

Ab

Bb

Cb


1 Relative to G (G altered scale)

b5

2 b13

3 b7

#4 1

5 b9

6 #9

b7 3

In the diagram above you can see that Db lydian dominant = G altered = Ab melodic. Here's the lydian dominant scale on the guitar neck:

The orange dots are the chord roots. If you have troubles finding the other positions of this guitar scale, try the guitar scale finder . Here are some lydian dominant ideas:


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Jazz Guitar Transcriptions : John Scofield

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John Scofield Solo Transcriptions Guitar Solo Transcription of 'So You Say'

Jazz Guitar Transcriptions : John Scofield : So You Say

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John Scofield Solo: So You Say » Home


This is the transcription of John Scofield's solo on his composition 'So You Say', as heard on the album 'Grace Under Pressure'. The transcription consists of 1 scanned page and is written in standard notation. Unfortunately it does not include guitar tablature. «« Back to John Scofield transcriptions

Jazz Guitar Transcriptions : John Scofield : So You Say

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Jimmy Raney Jazz Guitar Tabs

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Jimmy Raney was born in 1927 in Kentucky. His first big job was in 1948 with Woody Herman. Jimmy Raney has a relaxed and confident guitar style and a quiet tone. His phrases are bop influenced, but his sound is in the tradition of the cool jazz. His best work is together with Stan Getz with whom he worked in 1951-1952 and 1962-1963 and in the Red Norvo Trio (1953-1954). After his last work with Stan Getz he disappeared from the music scene, but had a revival in the 70s. Jimmy Raney has a guitar playing son, Doug Raney , whom he made several recordings with. Jimmy died in 1995.

Recommended listening: Jimmy Raney: A


Here's the Sibelius file:

The Sibelius Score

Scott Henderson Guitar Tabs and Sheet Music

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Scott Henderson: Dolemite

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Here's the sheet music with guitar tabs for the theme of 'Dolemite', written by Scott Henderson and recorded on the album Tore Down House.

Scott Henderson, born in 1954, was originally influenced by rock guitarists like Jimmy Page and Jimy Hendrix, but also by blues greats like Albert King and Buddy Guy. In 1980 he started studying guitar with Joe Diorio at the Guitar Institute of Technology, where he later became a teacher himself. In 1984 Scott Henderson formed a band called Tribal Tech, together with bass player Gary Willis. In 1985 he started touring and recording with Chick Corea's Elektric Band. He also played with violinist Jean-Luc Ponty and Joe Zawinul.

Scott Henderson Guitar Tabs and Sheet Music

Free Jazz Guitar Sheet Music (Guitar Tablature) : Pat Metheny

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Pat Metheny Sheet Music

Ja The head of 'Two for the Road' with guitar tablature Ja The head of 'Two for the Road' without guitar tablature

Free Jazz Guitar Sheet Music (w. Guitar Tablature) : Pat Metheny : Two for the Road

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You are here : Home » Sheet Music » Pat Metheny Sheet Music » Two for the Road 1

Pat Metheny : Two for the Road This is the transcription of the head of Henry Mancini's composition 'Two for the Road', as played by Pat Metheny and as heard on the album 'Beyond the Missouri Sky '. This is the guitar tablature version. For a lead sheet version click here. For more Pat Metheny sheet music, have a look at Sheet Music Plus. «« Back to Pat Metheny sheet music



» Home


You are here : Home » Sheet Music » Pat Metheny Sheet Music » Two for the Road 2

Pat Metheny : Two for the Road

This is the transcription of the head of Henry Mancini's composition 'Two for the Road', as played by Pat Metheny and as heard on the album 'Beyond the Missouri Sky '. This is the guitar tablature version. For a lead sheet version click here. For more Pat Metheny sheet music, have a look at Sheet Music Plus.

«« Back to Pat Metheny sheet music


Jazz Guitar Chords For Beginners: The Basics

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Here you'll find the guitar chords that chords that every aspiring jazz guitar player should have as a foundation to foundation to play jazz music. The chords are categorized according to chord type: major, minor, dominant and diminished. You can also download the download the basic jazz guitar chord charts bundled charts bundled together with a tutorial about the theory behind chords in a free e-book. It's important for a jazz musician to have a

Jazz Guitar Chords For Beginners: The Basics

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Shell Guitar Chords

Shell guitar chords are the most basic jazz guitar chords and contain only the most important notes of a chord. Major Jazz Guitar Chords

The major chords that are essential knowledge for every jazz guitar player. Minor Jazz Guitar Chords

All minor chords chords you need to know to get started playing jazz.. jazz.. Dominant Jazz Guitar Chords

All the basic dominant dominant chords you should know to be able to play standards. standards. Diminished & Other Jazz Guitar Chords

The chord charts for the most important half-diminished, diminished and m/maj7 chords. 

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The Basic Jazz Guitar Chord Book

All the basic guitar guitar chord charts grouped together with an explantation explantation about how chords are made.

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The majority of these basic chords are of the moveable type : you can slide them up or down the neck. For example:

Jazzguitar Be Kurt Rosenwinkel Licks 2

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