Original Composition by Ephraim MillerFull description
sybFull description
Description : This book is a journey into the world of bebop and modern jazz for trombone and other bass clef instruments. 7 pages of sheet music from the book "10 Jazz Etudes For Trombone" with written solos ba...
This book is a journey into the world of bebop and modern jazz for trombone and other bass clef instruments. 7 pages of sheet music from the book "10 Jazz Etudes For Trombone" with written solos ba...
This book is a journey into the world of bebop and modern jazz for trombone and other bass clef instruments. 7 pages of sheet music from the book "10 Jazz Etudes For Trombone" with written s…Full description
This book is a journey into the world of bebop and modern jazz for trombone and other bass clef instruments. 7 pages of sheet music from the book "10 Jazz Etudes For Trombone" with written s…Descrição completa
Alxs Sukhikh_The Trombone in Jazz
1 sheet from Sindero Jazz method, used as excerpt.Descripción completa
JAZZ DUETS for Trombone Bob MartinFull description
JAZZ DUETS for Trombone Bob MartinFull description
1 sheet from Sindero Jazz method, used as excerpt.Descrição completa
1 sheet from Sindero Jazz method, used as excerpt.
Full description
TromboneFull description
Full description
Descrição completa
CZARDAS TROMBONE - Trombone
CZARDAS TROMBONE - Trombone
TromboneFull description
brass 5
CZARDAS TROMBONE - Trombone
Jazz Area Trombone Audition Materials (loosely based on materials from Perc from Percolating olating , composed by Russell Schmidt) A
Additional audition requirements for participation in Jazz Ensemble and Jazz Repertory Ensemble may include the following: 1) Major and minor scale performance (ascending/descending, two octaves where possible for most instruments) 2) Range demonstration (for brass instruments) 3) Doubles discussion and/or demonstration (for saxophones) 4) Groove/feel demonstration (for rhythm section instruments) 5) OPTIONAL AUDITION COMPONENT --- Improvisation on one of the basic chord progressions shown below. [With the approval of the Director of Jazz Studies, more experienced players may substitute a different piece for their improvisation audition, particularly if they are also auditioning for the Jazz Combo program.] Please note that if you are a horn player who does not yet feel comfortable improvising, you should not let that stop you from auditioning for Jazz Area ensembles. Again, any demonstration of improvisation skills is a strictly optional portion of the overall audition process. Improvisation Option #1: B Blues (B concert) B
E
7
E
7
B
7
B
C mi7
F7
B
7
7
7
G7
G7
9
C mi 7
F7
Improvisation Option #2: ii - V7 - I progressions (based on materials from Tune Up by Miles Davis) E min 7
