Introduction t to VEDIC C CHANTING
Pandit Ub.Ve Sri Rama Ramanuja Achari srimatham.com 13:09:2013
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I NTR ODUCTIO N PARIS, FRANCE, November 12, 2003: The oral tradition of Vedic chanting has been declared an intangible heritage of humanity by UNESCO. In a meeting of jury members on November 7, 2003, at Paris, Par is, Mr. Koichiro Matsuura, Director-General of UNESCO, declared the chanting of Vedas in India an outstanding example of heritage and form of cultural expressions. The proclamation says that in the age of globalization and modernization when cultural diversity is under pressure, the preservation of oral tradition of Vedic chanting, a unique cultural heritage, has great significance. The jury members included Dr. Richard Kurin, Director of the Center for Folklore and Cultural Heritage of the Smithsonian Institution (United Nations), Mr. Juan Goytisolo, Writer (Spain),
Mr.
Yoshikazu
Hasegawa
(Japan),
Ms.
Olive
W.M.
Lewin.
Pianist,
ethno!usicologist, Director of the Jamaica Orchestra for Youth (Jamaica). The UNESCO declaration will bring international recognition to the excellence of the Vedic chanting tradition of India, which has survived for centuries encoding the wisdo ! contained in the Vedas through an extraordinary effort eff ort of memorization and through elaborately worked out mnemonic methods. The purity and fail-safe technique devised for Vedic chanting in the olden days led to access to one of the ancient literatures of humanity in its entirety today. The Department of Culture, Ministry of Tourism and Culture, took the initiative to put up the candidature of the Vedic chanting to UNESCO. A presentation was prepared by Indira Gandhi National Centre for Arts. The Department has also prepared a five-year action plan to safeguard, protect, pro !ote and disseminate the oral tradition of Vedas in terms of their uniqueness and distinctiveness, encourage scholars and practitioners to preserve, revitalize and pro!ote their own branch of Vedic recitation as the custodians of their own traditions and direct the efforts primarily to making the tradition survive in its own context.
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T
DIIVIISIION OFF T TH FO VED NS O HE F OUR R V DASS he Veda is considered to be infinite [ananto vai ved !h] in the beginning of creation there was only one Veda and the number of revealed texts was far greater than we could imagine, during the course of time due to the diminishing intelligence of mankind as
well as declining in strength health and loss of faith, many texts were lost and the Veda that is known today is a mere fraction of the original Veda. Towards the close of the Dv "para Yuga, it is believed, the Lord manifested as the sage Veda Vyåsa, who in order to save the Veda fro ! extinction, re-edited the Veda dividing it into 4 units. Each unit was assigned to different classes of brahmins so that it would be easier to preserve them. These 4 books are known as the Rik, Yajur, Såma and Atharvana Vedas. Seeing that only the first 3 orders of society had access to the Vedas this excluded over half the population which consisted of women and Sûdras fro ! spiritual knowledge. It is for their benefit that the Holy Sage compiled the Purå±as and the Itihåsas [Råmåya±a and Mahåbhårata which is known as the Fifth Veda]. Had it not been for the work of this great Rishi, humankind with its deteriorating intellectual capacity would have forgotten this massive sacred heritage. Veda Vyåsa had 4 disciples and to each of them he taught one Veda. Paila mastered the Rik veda, Jaimini the Såma Veda, Vaißamp"yana the Yajur Veda and the Atharvana Veda was learnt by Sumantu. Ro !aharßana was entrusted with the duty of transmitting the Purå¿as and Itih "sas. The Vedas transmitted by these sages to their disciple and in turn by the latter to theirs resulted in the Vedas becoming diversified into many branches or schools through the disciplic succession. Each of the Vedas is divided into Saµhita, Bråhma±a, Ara±yaka and Upa±ißad. The Saµhita is the text which comprises of hymns used in the sacrifices. The Bråhma±as are the theological treatises which deal with the sacrificial details and gives the interpretation of the ritual. The Ara±yakas and the Upa±ißads deal with a variety of topics related mainly to cosmology and philosophy. In addition each Vedic school had its own G®hya Sûtra which dealt with the performances of the domestic rites and sacraments and its own Çrauta sûtra which dealt with the public rituals and sacrifices of national import.
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VEDIC CHANT
T
he Vedic Chant is the oldest form of psalmody known. Very strict and complex methods of instruction have made it possible to preserve the ritual chant unchanged, despite thousands of years of wars, conquests and social upheavals.
The Rig Veda is chanted on 3 notes, the Yajur Veda on up to 5 notes and the S āma Veda on 7 notes. The Sāma is the only chant that is considered really musical per se and as such is considered to be inferior to the other two Vedas. Because of it's 'worldly' character it is often forbidden in certain rituals. It is also prescribed that if the S āma Veda is heard while the other two are being recited then the recitation should stop immediately and only continue after the S āma has terminated. According to the Taittiriya Upaṇiṣad — śik ṣā-vaḷḷi there are 6 main factors that need to be taken into consideration:—
1. Varṇaḥ — pronunciation Correct pronunciation of the letters of the alphabet. Differentiation between short and long vowels. Sandhi — Anusvara (ṁ) changes according to the letter that follows it.
When followed by ka kha ga gha ṅa
ṁ changes to ṅ
ca cha ja jha ña
ñ
ṭa ṭha ḍa ḍha ṇa
ṇ
ta tha da dha na
n
pa pha ba bha ma
m
Any vowel sa ṣa śa ha ya ra samyukta ak ṣara (combined letter)
ṁ guṁ gg
Visarga (ḥ) also changes When followed by sa, ṣa, śa, the visarga changes into those letters. When followed by a p it changes into pha
2. Svaraḥ — notes The sāma veda uses 7 musical notes. Chanting of the ṛk, yajur and atharvana veda is done using 3 notes only.
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Udātta — the raised note indicated in the text by a vertical stroke over the letter.
(a !)
Anudātta — the lowered note indicated by a line under the letter.
( a ")
Svarita — the neutral drone which is not indicated in the text Nigādha — a deviant note which is based on the ud ātta and is like a double ud ātta
with the second being slight raised above the first. In the k ṛṣṇa yajur veda it is usually
(a)
#) (a
marked by double perpendicular stokes above the letter. The udātta changes into a nigādha in the following situations:— •
When a mantra ends in a long ud ātta
•
When a mantra ends in a anusvara which carries the ud ātta
•
When the ud ātta is followed by a samyukt āk ṣara (combined letter such as k ṣ, stha, tv,
śr, etc. 3. Mātra — duration ardha — half — when a word ends in a halanta. hrasva — short (the short vowels a, i, u, ṛ & ḥ ) d ī rgha — long (ā, ī , ū, e, ai o & au — sometimes indicated by the digit 2 after the letter in a
text) pluta — extra long — indicated by the digit 3 after the syllable
ÇU! ⁄— " I ÆŸU –¤3ÆÍ ÜU ¥⁄¿I ⁄— " ÆŸ–¤3™Î | 4. Balam — emphasis Alpa prāṇa — soft — these are all the regular vowels and consonants. Mahā prāṇa — hard — these are all the aspirated consonants also ṣa and ha.
5. Sāma — continuity One must ensure a continuity and smooth flow of the chanting.
6. Santānaḥ — punctuation One must pause at the appropriate places - commonly indicated by (|) In addition a slight pause is required:— After chanting OM When a word ends in a vowel and is followed by a vowel. When a visarga ( ḥ) is followed by k ṣa
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T VE AC TH HE E V ED DIIC C A CC CE EN NT T All the Vedic texts as well as in two Br āhmaṇas — Taittiriya [and its Araṇyaka] and the
Śatapatha Brāhmaṇa [including the Bṛhadaraṇyaka Upaṇiṣad] are marked with the accent [svara]. The Vedic chant is based upon these accents or svaras and consists of basically 3 notes; The chief tone is the Ud ātta [raised] the other two being the Svarita [drone] and the Anud ātta [low].
Textual Markings; There are 4 different methods of marking the svaras in the texts. In the Rik, Yajur and Atharva Vedas and the Taittiriya Sa ṃhita & Brāhmana the svarita is not marked at all because it is the middle pitch. The preceding anud ātta is marked by a horizontal stroke below the syllable, and the following ud ātta is marked by a perpendicular stroke above the syllable, two perpendicular strokes together mean that there is an elongated double raised sound - nigādha. In some texts the ud ātta is marked by a crescent above the syllable, when this is done then the elongated double sound is marked by a singular perpendicular line. The place of the principle accent the svarita is governed by grammatical rules. A ud ātta always follows an svarita and is called the 'enclitic ud ātta’. When an svarita is lost due to an euphonic combination [sandhi] of the vowel into the corresponding semi-vowel e.g. kva = kua then the ud ātta is called the 'independent ud ātta.
When an independent ud ātta is placed immediately before an svarita then it is accompanied by the numeral 1 if the vowel is short and by the numeral 3 if the vowel is long; the numeral itself being marked with both the ud ātta and the anud ātta. In the Sāma Veda the figures 1, 2, & 3 are written above the accented syllable to mark the svarita, ud ātta, & anud ātta respectively.
When there are 2 successive svarita then the second is not marked but the following ud āttas has a 2r written above. The independent ud ātta is also marked with a 2r, and the preceding anud ātta is marked with a 3k.
A peculiar feature of the Vedic chant is that the anusvara changes to a GU Ṁ before the following letters; a, ha, sa, sa, & r.
Example;
saṁhita = saguṁhita,
` ⁄“™Ÿ ( –` ⁄“™Ÿ = –íÎ
padaṃ sadā = padaguṁ sadā ( ¥U Æ` –ÆŸI
)
= ¥U ÆíÎ ` –ÆŸI )
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V FO OFF V VE CH VA AR RIIA AN NT T F OR RM MSS O ED DIIC C C HA AN NT T Vedic recitation has assumed two distinct forms that evolved to preserve its immutable character:— Prākṛti and Vikṛti with sub-forms. The pāda pāṭ haḥ forms the basis of a number of special recitations known as 'vikriti' or 'crooked' recitations. The text is recited backwards or forwards or the successive words are chanted in specific combinations. These were originally designed to prevent the student fro ṁ forgetting even one letter of the text, however through the ages these mnemonic techniques became an end in themselves.
Prākṛti 1. Saṃhita pāṭhaḥ — continuous recitation
F ÖU ÀŸ " ŸU —æI ⁄ºU ÆÄ – " @ Ä U æ⁄´é°òU úíI ´æŸU Ä úíI ™Î | 2. Pāda pāṭhaḥ — word for word recitation — 1/2/3/4/5 1
ÖÀŸ | $"%&
2
3
Ÿ—æºÎ | ÑƺΠ|
"
v&"sya !m
"ida'
4
5
6
7
8
– " ºÎ @ | æ™Î | ⁄é°ò | úí´æŸºÎ | úí™Î | sarva "( yat
kiñca
jaga !ty&"(
jaga !t
3. Krama pāṭhaḥ — words recited in pairs — 1 2 / 2 3 / 3 4 / 5 6 / 7 8 /.......
$"%&
1+2 v&"sya !m
2+3 v&"sya !m "ida'
3+4 4+5 "idagu' sarva "( sarva "( yat
5+6 yat kiñca
In the Prāk ṛti form the words do not change their sequence
Vikṛti There are 8 traditional vikriti combinations which are; jaṭā;
1 2 2 1 1 2 / 2 3 3 2 2 3 / 3 4 4 3 3 4 / 4 5 5 4 4 5 / .........
mālā;
1 2 / 2 1 / 1 2 / 2 3 / 3 2 / 2 3 / 3 4 / 4 3 / 3 4 / ........
śikhā;
1 2 2 1 1 2 3 / 2 3 3 2 2 3 4 / 3 4 4 3 3 4 5 / 4 5 5 4 4 5 6 / ..........
rekhā;
12/ 21/ 12/ 234/ 43 2/ 23/ 34 56/ 65 34/ 34/ 45678 /87654 /
4 5 / 5 6 7 8 9 10 / 10 9 8 7 6 5 / 5 6 / ...... dhvaja;
1 2 / 99 100 / 2 3 / 98 99 / 3 4 / 97 98 / 4 5 / 97 98 / 5 6 / 96 97 / ....... 97 98 / 3
4 / 98 99 / 2 3 / 99 100 / 1 2 . daṇḍa;
1 ................
12/21/12/23/321/12/23/34/4321/12/23/34/45/5432
8 . ratha;
/ 7 8
12/56/21/65/12/56/23/67/321/765/12/56/23/67/34 / 4 3 2 1 / 8 7 6 5 /.....
ghana; 1 2 2 1 1 2 3 3 2 1 1 2 3 / 2 3 3 2 2 3 4 4 3 2 2 3 4 / 3 4 4 3 3 4 5 5 4 3 3 4 5 / ........
SST OFF V VE CH TY YL LE ESS O ED DIIC C C HA AN NT TIIN NG G In India today there are 3 distinctive styles of Vedic chant; 1. Maharāṣṭra Brahmins 2. Tamil Brahmins 3. Nambudiri Brahmins of Kerala The northern tradition is characterized by a preponderance of the Sukla Yajur Veda of the Madhyāṃdina recension, The Rik Veda of the Sakala recension and S āma Veda of the Kauthuma Ranayaniya recension and very little Atharva Veda. The Southern tradition is characterized by the K ṛṣṇa Yajur Veda of the Taittiriya recension, along with the Rik and S āma Vedas of the same school. Atharva Veda is non-existent in the south. In the Nambudiri tradition the Rik Veda belongs entirely to the V āskala recension [Kauśitaki]. The Yajur Veda is exclusively Taittiriya but the recitation differs froṁ that of the Tamils. The Sāma Veda belongs entirely to the Jaiminiya school which is not found elsewhere. MUDRAS When teaching the method of chanting there are certain movements of the hands which are designed to help the memory; 1.
2.
udātta
- right hand to shoulder
anudātta
- hand to knee
svarita
- hand moved to 45 degree angle to the body
udātta
- head up
anudātta
- head down
svarita
- head turned slightly to the side
9 3.
4.
udātta
- palm turned up
anudātta
- palm down
svarita
- hand moved horizontaly to the right
udātta
- thumb on index finger
anudātta
- thumb on little finger
svarita
- thumb on ring finger
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C — M ME Chhaannddaass — ET TR RE E.. Rhyme is not used in the Rig-veda. The metres are regulated by the number of syllables — ak ṣaras — in the stanza ( ṛk), which consists generally of 3 or four P ādas, measures, divisions, or quarter verses, with a distinctly marked interval at the end of the second P āda, and so forming two semi-stanzas of varying length. The most common metres consist of 8, 9, 10, 11, 12, syllables ( ak ṣaras) is each p āda these are known as anuṣṭ ubh, b ṛ hati, paṅkti, triṣṭ up, jagati. The anuṣtubh is the prevailing form of metre in the Dharma-sastras, the Mahabharata, the Ramayana, and all the Puranas. The Pādas of a stanza are generally of equal length and of more or less corresponding prosodial quantities: but sometimes two or more kinds of metre are employed in one stanza, and then the P ādas vary in quantity and length.
Summary of the Metres 1. Aṃstup, anuṣṭup or Anuṣṭubh: — 4 Pādas of 8 ak ṣaras each, 2 P ādas forming a line. Jayanti maṅgalā kali, bhadra kal ī kapālin ī | durgā śivā k ṣamā dhātr ī , svāhā svadhā namo’stu te ||
2. Tristup or Tristubh: = 4 P ādas of 11 ak ṣaras each. gurūn ahatvā hi mahānubhāvān
śreyo bhoktuṃ bhaik ṣyam ap ī ha loke | hatvārtha k āmāṃs tu gurūn ihaiva bhuñj ī ya bhogān rudhira-pradigdhān || 5 || 3. Paṅkti: 5 Pādas of 8 ak ṣaras — like Anu ṣṭup with an additional P āda. 4. Gāyatri: the stanza usually consists of 24 ak ṣaras, variously arranged, but generally as a triplet of 3 Pādas of 8 ak ṣaras each, or in one line of 16 ak ṣaras and a second line of 8. oṃ tatpuruṣāya vidmahe | mahādevāya dh ī mahi | tanno rudra pracoday āt ||
11 Brhati: 4 Pādas ( 8 + 8 + 12 + 8) containing 36 ak ṣaras in the stanza. Jagati: 48 ak ṣaras arranged in 4 P ādas of 12 ak ṣaras each, 2 P ādas forming a line or hemistich.
Anuṣṭup Pipilikamadhya : a species of Anu ṣṭup, having the second P āda shorter than the
first and third (8 ak ṣaras+ 4+8+ 8). Anuṣṭub-garbha: a metre of the Usnih class: the first Pāda containing 5 ak ṣaras, and the 3
following Pādas of 8 ak ṣaras each. Nastarupi: a variety of Anuṣṭup. Asti: consisting of 4 P ādas of 16 ak ṣaras each, or 64 ak ṣaras in the stanza. Astrapaikti: consisting of 2 P ādas of 8 ak ṣaras each, followed by two P ādas of 12 ak ṣaras
each. Atidhrti: 4 Pādas of 19 ak ṣaras each = 76 ak ṣaras. Atincrti: consisting of 3 Pādas containing respectively seven, six, and seven ak ṣaras. Atiśakvari: 4 Pādas of 15 ak ṣaras each. Atyasti: 4 Pādas of 17 ak ṣaras each. Brhati: 4 Pādas ( 8 + 8 + 12 + 8) containing 36 ak ṣaras in the stanza. Purastadbrhati: a variety of Brhati with twelve ak ṣaras in the first Pāda. Caturvimsatika Dvipāda: a Dvipāda containing 24 ak ṣaras instead of 20. Dhrti: consisting of seventy-two ak ṣaras in a stanza. Ekapāda Tristup: a Trstup consisting of a single P āda or quarter stanza. Ekapāda Viraj: a Viraj consisting of a single Pāda. Gāyatri: the stanza usually consists of 24 ak ṣaras, variously arranged, but generally as a
triplet of 3 Pādas of eight ak ṣaras each, or in one line of sixteen ak ṣaras and a second line of eight. There are eleven varieties of this metre, and the number of ak ṣaras in the stanza varies accordingly froṁ nineteen to 33. Dvipāda Viraj: a species of G āyatri consisting of two P ādas only (12+8 or 10+10 ak ṣaras);
inadequately represented in the translation by two decasyllabic iambic lines. Vardhamana: a species of Gayatri; 6 + 7 + 8 = 21 ak ṣaras. Jagati: a metre consisting of 48 ak ṣaras arranged in 4 P ādas of twelve ak ṣaras each, two
Pādas forming a line or hemistich which in the translation is represented by a double Alexandrine. Atijagati: 4 Pādas of 13 ak ṣaras each.
12 Kakup or Kakubh: a metre of 3 Pādas consisting of 8, 12, and 8 ak ṣaras respectively. Kakubh Nyakusira; consisting of 3 P ādas of 9+12+4 ak ṣaras. Krti: a metre of 4 Pādas. of 20 ak ṣaras each. Madhyejyotis: a metre in which a Pāda of 8 ak ṣaras stands between two P ādas of 12. Mahibrhati: 4 Pādas of 8 ak ṣaras each, followed by one of 12. Mahapādapa ṅkti: a 2-lined metre of 31 ak ṣaras, the first line consisting of 4 Pādas of five
ak ṣaras each, and the second being a Tristup of the usual eleven ak ṣaras. Mahā-paṅkti: a metre of forty-eight ak ṣaras 8 x 6 or 12 x 4. Nyaṅkusarini: a metre of 4 Pādas of 8 + 12 + 8 + 8 ak ṣaras. Pādanicrt: a variety of Gayatri in which one syllable is wanting in each P āda: 7+3=21
ak ṣaras. Pādapaṅkti: a metre consisting of 5 Pādas of 5 ak ṣaras each. Paṅkti: a metre of 5 Pādas of 8 ak ṣaras — like Anuṣṭup with an additional P āda. Paṅktyuttara: a metre which ends with a Paṅkti of 5 + 5 ak ṣaras. Pipilikamadhya: any metre the middle P āda of which is shorter than the preceding and the
following. Pragatha: a metre in Book VIII, consisting of strophes combining two verses, viz. a Brhati
or Kakup followed by a Satobrhati. Prastarapaṅkti: a metre of forty ak ṣaras: 12+12+8+8 Pratistha: a metre of 4 Pādas of 4 ak ṣaras each; also a variety of the G āyatri consisting of 3
Pādas of eight, seven, and six ak ṣaras respectively. Pura-usnih: a metre of 3 Pādas, containing 12+8+8 ak ṣaras. Sakvari: a metre of 4 P ādas of 14 ak ṣaras each. Satobrhati: a metre whose even P ādas contain eight ak ṣaras each, and the uneven twelve:
12+8+12+8=40. Mahasatobrhati: a lengthened form of Satobrhati. Skandhogriva: consisting of P ādas of 8 + 12 + 8 + 8 ak ṣaras. Tanusira: consisting of 3 P ādas of 11 + 11 + 6 ak ṣaras. Abhisarini: a species of Trstup, in which two Pādas contain twelve instead of eleven ak ṣaras. Uparistadbrhati: consisting of 4 P ādas of 12 + 8 + 8 + 8 ak ṣaras. Uparistajjyotis: a Tristup stanza the last P āda of which contains only eight ak ṣaras. Urdhvabrhati: a variety of Brhati.
13 Urobrhati: a variety of Brhati: 8+12 8 + 8 ak ṣaras. Usniggarbha: Gayatri of 3 Pādas of six, seven, and eleven ak ṣaras respectively. Usnih: consisting of 3 P ādas of 8 + 8 + 12 ak ṣaras. Viraj: a metre of 4 P ādas of ten ak ṣaras each. Viparita: a metre of 4 Pādas resembling Vistarapa ṅkti. Viradrupa: a Tristup metre of 4 Pādas, 11 + 11 + 11 + 7 or 8 ak ṣaras. Viratpurva: a variety of Tristup. Viratsthana: a variety of Tristup. Visamapāda: metre of uneven stanzas. Vistarabrhati: a form of Brhati of 4 Pādas containing 8 + 10 + 10 + 8= 36 ak ṣaras. Vistarapaṅkti: a form of Paṅkti consisting of 4 p ādas of 8+12+12+8-40 ak ṣaras. Yavamadhya: a metre having a longer P āda between two shorter ones.
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C EX CH HA AN NT TIIN NG G E XEER RC CIISSEESS (The traditional method of instruction is for the teacher to pronounce once and the students to repeat twice)
o' | 1 | o' nama !) | o' namo " nama !) | o' namo " nama ! o' | o' namo " nama ! o' o' | o' namo " nama ! o' o' nama !) || m& | 2 | m& a "ham | m& a "ham - a "ham | m& a "ham - a "ham m& | m& a "ham - a "ha' m& m&! | m& a "ham - a "ha' m& m&! - a "ha' | mayi ! | 3 | mayi ! me "dh&m | mayi ! me "dh&' me "dh&m | mayi ! me "dh&' me "dh&' mayi ! | mayi ! me "dh&' me "dh&' mayi " mayi ! | mayi ! me "dh&' me "dh&' mayi " mayi ! me "dh&m || s*rya !) | 4 | s*ryo " bhr& ja !) | s*ryo " bhr& jo " bhr& ja !) | s*ryo " bhr& jo " bhr& ja !s s*rya !) | s*ryo " bhr& jo " bhr& ja !s s*rya "s s*rya !) | s*ryo " bhr& jo " bhr& ja !s s*rya "s s*ryo " bhr& ja !) ||
a "ham | 5 | a "ham - annam # | a "ham - a "nnam - annam # | a "ham - a "nnam – anna !m - a "ham | a "ham - a "nnam – anna !m - a "ham - a "ham | a "ham - a "nnam – anna !m - a "ham - a "ham - annam # ||
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nama !) | 6 | nama !%-% "iv&ya ! | nama !%-% "iv&ya ! % "iv&ya " | nama !%-% "iv&ya ! % "iv&ya " nama !) | nama !%-% "iv&ya ! % "iv&ya " namo " nama !) | nama !%-% "iv&ya ! % "iv&ya " namo " nama !%-% "iv&ya ! || savi "tu) | 7 | savi "tur vare #+yam | sa "v "itur vare #+ya "' vare #+yam | sa "v "itur vare #+ya "' vare #+yagu' savi "tu) | sa "v "itur vare #+ya "' vare #+yagu' savi "tus-savi "tu) | sa "v "itur vare #+ya "' vare #+yagu' savi "tus sa !v "itur vare #+yam ||
a "ham | 8 | a "ha' mana !) | a "ha' mano " mana !) | a "ha' mano " mano ! a "ham | a "ha' mano " mano ! a "ham - a "ham | a "ha' mano " mano ! a "ham - a "ha' mana !) || o,a !dhaya) | 9 | o,a !dhaya "s-sam | o,a !dhaya "s-sagu' sam | o,a !dhaya "s-sagu' sam - o,a !dhaya) | o,a !dhaya "s-sagu' sam - o,a !dhaya " o,a !dhaya) | o,a !dhaya "s-sagu' sam - o,a !dhaya " o,a !dhaya "s sam || bhr& ja !) | 10 | bhr& jo ! dadh&tu | bhr& jo ! dadh&tu dadh&tu | bhr& jo ! dadh&tu dadh&tu bhr& ja !) | bhr& jo ! dadh&tu dadh&tu bhr& jo " bhr& ja !) | bhr& jo ! dadh&tu dadh&tu bhr& jo " bhr& jo ! dadh&tu ||
a "ham |11| a "ha' pr&"+am # | a "ha' pr&"+a' pr&"+am # | a "ha' pr&"+a' pr&"+am - a "ham |
16
a "ha' pr&"+a' pr&"+am - a "ham - a "ham | a "ha' pr&"+a' pr&"+am - a "ham - a "ha' pr&"+am # || mayi " | 12 | mayi " s*rya !) | mayi " s*rya "s-s*rya !) | mayi " s*rya "s-s*ryo ! mayi ! | mayi " s*rya "s-s*ryo ! mayi ! mayi ! | mayi " s*rya "s-s*ryo ! mayi ! mayi " s*rya !) || ca " | 13 | ca " nama !) | ca " namo " nama !) | ca " namo " nama !%ca | ca " namo " nama !%ca ca | ca " namo " nama !%ca ca " nama !) |
a "ham | 14 | a "ha' vi " jñ&nam # | a "ha' vi " jñ&na' vi " jñ&nam # | a "ha' vi " jñ&na' vi " jñ&nam a "ha' | a "ham vi " jñ&na' vi " jñ&nam a "ha' - a "ham | a "ham vi " jñ&na' vi " jñ&nam a "ham - a "ha' vi " jñ&nam # || ka "vim | 15 | ka "vi' ka !v$"n&m | ka "vi' ka !v$"n&' ka !v$"n&m | ka "vi' ka !v$"n&' ka !v$"n&' ka "vim | ka "vi' ka !v$"n&' ka !v$"n&' ka "vi' ka "vim | ka "vi' ka !v$"n&' ka !v$"n&' ka "vi' ka "vi' ka !v$"n&m |
% a "t&yu !) | 16 | % a "t&yu ") (f) puru !,a) | % a "t&yu ") (f) puru !,a) (f) puru !,a) | % a "t&yu ") (f) puru !,a) (f) puru !,a%-% a "t&yu !) | % a "t&yu ") (f) puru !,a) (f) puru !,a%-% a "t&yu !%-% a "t&yu !) | % a "t&yu ") (f) puru !,a) (f) puru !,a%-% a "t&yu !%-% a "t&yu !) (f) puru !,a) || a "ham | 17 | a "ham - &"nandam # |
17
a "ham - &"nandam - &"nandam # | a "ham - &"nandam - &"nandam - a "ham | a "ham - &"nandam - &"nandam - a "ham - a "ham | a "ham - &"nandam - &"nandam - a "ham - a "ham - &"nandam # || de "v& | 18 | de "v& bu !dhyante | de "v& bu !dhyante bu !dhyante | de "v& bu !dhyante bu !dhyante de "v& | de "v& bu !dhyante bu !dhyante de "v& de "v& | de "v& bu !dhyante bu !dhyante de "v& de "v& bu !dhyante || o' namo pr&"+&ya ! pr&"+&ya " nama " o' | 19 | o' namo a "p&"n&ya ! a "p&"n&ya " nama " o' | o' namo vy&"n&ya ! vy&"n&ya " nama " o' | o' namo u "d&"n&ya ! u "d&"n&ya " nama " o' | o' namo sa "m&"n&ya ! sa "m&"n&ya " nama " o' | oggas sv&h&# || o' pr&+a me ! %udhya "nt&"m | 20 | o' &p&na me ! %udhya "nt&"m | o' vy&na me ! %udhya "nt&"m | o' sam&n& me ! %udhya "nt&"m | o' ud&na me ! %udhya "nt&"m | o' sarva pañca me ! %udhya "nt&"m | o' pr&+&p&na vy&nod&na sam&n& me ! %udhya "nt&"m || o' bh*' - bh*myai " nama !) | 21 | o' va' - varu !+&ya " nama !) | o' ram - agnaye " nama !) | o' ya' - v&yave " nama !) | o' ham - &k&!%&ya " nama !) | o' am - &tm&!y a " nama !) || o' mitr&ya " nama !) | 23 | o' ravaye " nama !) | o' s*ry&ya " nama !) | o' bh&nave " nama !) | o' khag&ya " nama !) | o' p*,+ e " nama !) | o' hira+ya-garbh&ya " nama !) |
18
o' mar$caye " nama !) | o' &dity&ya " nama !) | o' savitre " nama !) | o' ark&ya " nama !) | o' bh&skar&ya " nama !) ||
Laghu Ny&sa
a "gnir me ! v&"ci %ri "ta) | v&g-h-da !ye | h-da !y a "' mayi ! | a "ham a "m-te # | a "m-ta "' brahma !+i || 1 || v&"yur me ! pr&"+e %ri "ta) | pr&+o h-da !ye | h-da !y a "' mayi ! | a "ham a "m-te # | a "m-ta "' brahma !+i || 2 || s*ryo ! me " cak,u !,i %ri "ta) | cak,u "r h-da !ye | h-da !y a "' mayi ! | a "ham a "m-te # | a "m-ta "' brahma !+i || 3 || ca "ndram&! me " mana !si %ri "ta) | mano " h-da !ye | h-da !y a "' mayi ! | a "ham a "m-te # | a "m-ta "' brahma !+i || 4 || di%o ! me " %rotre # %ri "t&) | %rotra "gu "' h-da !ye | h-da !y a "' mayi ! | a "ham a "m-te # | a "m-ta "' brahma !+i || 5 || &po ! me " reta !si %ri "t&) | reto " h-da !ye | h-da !y a "' mayi ! | a "ham a "m-te # | a "m-ta "' brahma !+i || 6 || p-"thi "v$ me " %a !r$re %ri "t&) | %a !r$ra "gu "' h-da !ye | h-da !y a "' mayi ! | a "ham a "m-te # | a "m-ta "' brahma !+i || 7 || o ", a "dhi " va "n a "spa "tayo me " lo'a !su %ri "t&) | lo'&!n "i h-da !ye | h-da !y a "' mayi ! | a "ham a "m-te # | a "m-ta "' brahma !+i || 8 || indro ! me " bale ! %ri "t&) | bala "gu "' h-da !ye | h-da !y a "' mayi ! | a "ham a "m-te # | a "m-ta "' brahma !+i || 9 || pa "rjanyo ! me m*"rdhni %ri "ta) | m*"rdho h-da !ye | h-da !y a "' mayi ! | a "ham a "m-te # | a "m-ta "' brahma !+i || 10 ||
19
$%&!no me ma "nyau %ri "tah | ma "nyur h-da !ye | h-da !y a "' mayi ! | a "ham a "m-te # | a "m-ta "' brahma !+i || &"tm& ma ! &"tmani %ri "ta) | &"tm& h-da !ye | h-da !y a "' mayi ! | a "ham a "m-te # | a "m-ta "' brahma !+i || 11 || puna !r ma &"tm& puna "r &yur&g&#t | puna !) pr&"+a) puna "r &k*#tam &g&#t | vai "%v&"n a "ro ra "%mabhi r! -v&-v-dh&"na) | a "ntas-ti,thatv-a "m-ta !sya go "p&) || Vir& ja Homa mantras pr&+&p&+a vy&nod&na sam&na me ! %udhya "nt&"( jyoti !r-a "ha( vi "raj&! vip&"pm& bh*!y&sa "ggas sv&h&# || !" $%&' ()*+$&(, -+" +** -" .&$+* /(012' )21(-2 340&/&256 7 30+" $%+$ 7 -+" )21(-2 /&**25 8&$% $%2 '4302-2 9&:%$ )202/$ (/ +** ()'$041$&,: ;+0-+ +,5 $%2&0 1+4'2< $%2 52'&02' $%+$ 7 %+0)(406
v&.g mana%-cak,u%-%rotra-jihv&-ghr&+a-reto-budhy&-k*tis sa.kalp& me ! %udhya "nt&"( jyoti r! -a "ha( vi "raj&! vip&"pm& bh*!y&sa "ggas sv&h&# || !" $%&' ()*+$&(, -+" -" '3221%= -&,5= '&:%$= $+'$2= '-2**= '225= &,$2**21$= &,$2,$&(, +,5 +&- )21(-2 340&/&256 7 30+" $%+$ 7 -+" )21(-2 /&**25 8&$% $%2 '4302-2 9&:%$ )202/$ (/ +** ()'$041$&,: ;+0-+ +,5 $%2&0 1+4'2< $%2 52'&02' $%+$ 7 %+0)(406
tvak-carma-m&g(sa-rudhira-medo-majj &-sn&yavo-’sth&ni me ! %udhya "nt&"( jyoti r! -a "ha( vi "raj&! vip&"pm& bh*!y&sa "ggas sv&h&# || !" $%&' ()*+$&(, -+" -" '2.2, )(5&*" 1(-3(,2,$' )21(-2 340&/&256 7 30+" $%+$ 7 -+" )21(-2 /&**25 8&$% $%2 '4302-2 9&:%$ )202/$ (/ +** ()'$041$&,: ;+0-+ +,5 $%2&0 1+4'2< $%2 52'&02' $%+$ 7 %+0)(406
%ira)-p&+i-p&da-p&r%va-p-,/hor-udara-ja.gh&-%i%no-pastha-p&yavo me ! %udhya "nt&"( jyoti r! -a "ha( vi "raj&! vip&"pm& bh*!y&sa "ggas sv&h&# || !" $%&' ()*+$&(, -+" *&-)'= %2+5= %+,5'= /22$= '&52'= )+1;= $%&:%'= +)5(-2,= '%+,;'= :2,20+$&.2 (0:+,' +,5 $%2 021$4- +** )21(-2 340&/&256 7 30+" $%+$ 7 -+" )21(-2 /&**25 8&$% $%2 '4302-2 9&:%$ )202/$ (/ +** ()'$041$&,: ;+0-+ +,5 $%2&0 1+4'2< $%2 52'&02' $%+$ 7 %+0)(406
utti,/ha puru,a harita pi.gala lohit&k,i dehi dehi dad&payit& me ! %udhya "nt&"( jyoti r! -a "ha( vi "raj&! vip&"pm& bh*!y&sa "ggas sv&h&# ||
20 > ?&.&,2 @20'(,= 8%( &' 5+0; )*42 +,5 )0(8,= 8&$% 025 2"2'= -+;2 %+'$ $( /+.(40 -26 A0+,$ $%+$ 7 -+" )21(-2 340&/&256 A0+,$ -2 ;,(8*25:2= +,5 340&$" $%0(4:% $%2 -25&4- (/ -" 302123$(06 B+" -" $%(4:%$' )21(-2 340&/&256 7 30+" $%+$ 7 -+" )21(-2 /&**25 8&$% $%2 '4302-2 9&:%$ )202/$ (/ +** ()'$041$&,: ;+0-+ +,5 $%2&0 1+4'2< $%2 52'&02' $%+$ 7 %+0)(406
p-thivyap-tejo-v&yur-&k&%& me ! %udhya "nt&"( jyoti !r-a "ha( vi "raj&! vip&"pm& bh*!y&sa "ggas sv&h&# || !" $%&' ()*+$&(, -+" $%2 /&.2 1(,'$&$42,$ 2*2-2,$' (/ -" )(5" )21(-2 340&/&256 7 30+" $%+$ 7 -+" )21(-2 /&**25 8&$% $%2 '4302-2 9&:%$ )202/$ (/ +** ()'$041$&,: ;+0-+ +,5 $%2&0 1+4'2< $%2 52'&02' $%+$ 7 %+0)(406
"nt&"( #abda spar #a r $ pa rasa gandh" me ! %udhya jyoti !r-a "ha( vi "raj&! vip&"pm& bh*!y&sa "ggas sv&h&# || !" $%&' ()*+$&(, -+" $%2 C4+*&$&2' (/ '(4,5= $(41%= .&'&(,= $+'$2= +,5 '-2** )21(-2 340&/&256 7 30+" $%+$ 7 -+" )21(-2 /&**25 8&$% $%2 '4302-2 9&:%$ )202/$ (/ +** ()'$041$&,: ;+0-+ +,5 $%2&0 1+4'2< $%2 52'&02' $%+$ 7 %+0)(406
"nt&"( mano-v"k-k "ya karm"%i me ! %udhya jyoti !r-a "ha( vi "raj&! vip&"pm& bh*!y&sa "ggas sv&h&# || !" $%&' ()*+$&(, -+" +** $%2 +1$' +11(-3*&'%25 $%0(4:% )(5"= '3221% +,5 -&,5 )21(-2 340&/&256 7 30+" $%+$ 7 -+" )21(-2 /&**25 8&$% $%2 '4302-2 9&:%$ )202/$ (/ +** ()'$041$&,: ;+0-+ +,5 $%2&0 1+4'2< $%2 52'&02' $%+$ 7 %+0)(406
avyakta-bh&vair-a !ha.k&"rai "r jyoti r! -a "ha( vi "raj&! vip&"pm& bh*!y&sa "ggas sv&h&# || B+" 7 ,($ %+.2 +," '43302''25 /22*&,:' (/ 2:(&'-6 7 30+" $%+$ 7 -+" )21(-2 /&**25 8&$% $%2 '4302-2 9&:%$ )202/$ (/ +** ()'$041$&,: ;+0-+ +,5 $%2&0 1+4'2< $%2 52'&02' $%+$ 7 %+0)(406
&tm& me ! %udhya "nt&"( jyoti r! -a "ha( vi "raj&! vip&"pm& bh*!y&sa "ggas sv&h&# || !" $%&' ()*+$&(, -+" -" )(5" )21(-2 340&/&256 7 30+" $%+$ 7 -+" )21(-2 /&**25 8&$% $%2 '4302-2 9&:%$ )202/$ (/ +** ()'$041$&,: ;+0-+ +,5 $%2&0 1+4'2< $%2 52'&02' $%+$ 7 %+0)(406
antar&tm& me ! %udhya "nt&"( jyoti !r-a "ha( vi "raj&! vip&"pm& bh*!y&sa "ggas sv&h&# || !" $%&' ()*+$&(, -+" +** -" &,$20,+* (0:+,' )21(-2 340&/&256 7 30+" $%+$ 7 -+" )21(-2 /&**25 8&$% $%2 '4302-2 9&:%$ )202/$ (/ +** ()'$041$&,: ;+0-+ +,5 $%2&0 1+4'2< $%2 52'&02' $%+$ 7 %+0)(406
21
param&tm& me ! %udhya "nt&"( jyoti r! -a "ha( vi "raj&! vip&"pm& bh*!y&sa "ggas sv&h&# || !" $%&' ()*+$&(, -+" -" &,/&,&$2 D2*/ )21(-2 340&/&256 7 30+" $%+$ 7 -+" )21(-2 /&**25 8&$% $%2 '4302-2 9&:%$ )202/$ (/ +** ()'$041$&,: ;+0-+ +,5 $%2&0 1+4'2< $%2 52'&02' $%+$ 7 %+0)(406
k,u "dhe sv&h&# | k,ut-pi p! &s&ya " sv&h&# | vivi /! /yai " sv&h&# |
-g-vi d! h&n&ya "
sv&h&# | ka ",o !t-k&ya " sv&h&# | oggas sv&h&# || 7 -+;2 $%&' ()*+$&(, $( %4,:20= $( $%2 1(,E(&,25 52&$&2' (/ %4,:20 +,5 $%&0'$= $( $%2 ( ",&302'2,$ D4302-2= $( $%2 (05+&,20 (/ $%2 F&; 1%+,$'= $( $%2 >,2 8%( &' &,.2'$25 &, G&' 30(E21$&(, (/ $%2 4,&.20'2= 7 +- $%2 $04$% 2H302''25 )" $%2 30+ !+.+6
k,u "t-pi "p&"sa-ma !la' jye ",/h&"m alak,m$r n&%a !y&"myaham | abh*!tim asa !m-ddhi "' ca " sarv&n ni r! +uda me p&pm&!naggas sv&"h& || > 9(05 $%0(4:% "(40 :0+12 7 02-(.2 /0( " -2 $%2 +//*&1$&(, (/ %4,:20= $%&0'$= -&'/(0$4,2= +5.20'&$"= 3(.20$" +,5 *+1; (/ 30(:02'' 2$16 I//+12 -" '&,'6
anna-maya pr&+a-maya mano-maya vijñ&na-mayam
&nanda-mayam &tm& me ! %udhya "nt&"( jyoti r! -a "ha( vi "raj&! vip&"pm& bh*!y&sa "ggas sv&h&# || !" $%&' ()*+$&(, -+" -" /&.2J/(*5 '2*/ 1(,'&'$&,: (/ $%2 '%2+$%' (/ ,(40&'%-2,$= 02'3&0+$&(,= -&,5= &,$2**21$= +,5 )*&'' )21(-2 340&/&256 7 30+" $%+$ 7 -+" )21(-2 /&**25 8&$% $%2 '4302-2 9&:%$ )202/$ (/ +** ()'$041$&,: ;+0-+ +,5 $%2&0 1+4'2< $%2 52'&02' $%+$ 7 %+0)(406
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0ivapañc&k,ar$ mantra) 1. sa'hit& p&/ha) — nama !) % "iv&ya ! ca | 2. padap&/ha) — nama !) | % "iv&ya ! | ca " | 3. kramap&/ha) — nama !) 4. ja/&p&/ha)
% "iv&ya ! | % "iv&ya ! ca |
nama !) % "iv&ya ! % "iv&ya ! ca namo " nama !) % "iv&ya ! | % "iv&ya ! ca ca % "iv&ya ! % "iv&ya ! ca % "iv&ya ! ca |
5. ghanap&/ha) nama !) % "iv&ya ! % "iv&ya " namo " nama !) % "iv&ya ! ca ca % "iv&ya " namo " nama !) % "iv&ya ! ca | % "iv&ya ! ca ca % "iv&ya ! % "iv&ya ! ca |
0atam&nam bhavati — &%$rv&dam 1. sa'hit& p&/ha)
% a "tam&!na' bhavatu % a "t&yu ") puru !,a%-% a "tendri y! a " &yu !%ye "vendri ̱ ye prati ! ti,/hati || 2. krama p&/ha)
% a "tam&!na' bhavatu | % a "tam&!n a "m iti ! % a "ta -m&"n a "m | bha "v a "tu " % a "t&yu !) | % a "t&yu ") puru !,a) | % a "t&yu "r iti ! % a "ta -&"yu ") | puru !,a% % a "tendri y ! a) | % a "tendri y! a " &yu !%i | % a "tendri y! a "iti ! % a "ta -i ̱ ndri ̱ y a ") | &yu !%%ye "va | e "va prati ! | prati ! ti,/hati | ti ̱ ,/ha "t$ti ! -ti,/hati ||
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G&yatr$ mantra) o! bh*) bhuva) suva) | tat sa !v "itu) vare #+ya' bhargo ! devasya dh$mahi | dhiyo " yo na !) pracoday&#t ||
1. ghanap&/ha) tat sa !v "itus sa !v "itus tat tat sa !v "itur vare #+ya "' vare #+yagu' sa !v "itus tat tat sa !v "itur vare #+ya' | sa !v "itur vare #+ya "' vare #+yagu' sa !v "itus sa !v "itur vare #+ya' bhargo " bhargo " vare #+yagu' sa !v "itus sa !v "itur vare #+ya "' bharga !) | vare #+ya "' bhargo " bhargo " vare #+ya "' vare #+ya "' bhargo ! de "vasya ! de "vasya " bhargo " vare #+ya "' vare #+ya "' bhargo ! de "vasya ! | bhargo ! de "vasya ! de "vasya " bhargo " bhargo ! de "vasya ! dh$mahi dh$mahi de "vasya " bhargo " bhargo ! de "vasya ! dh$mahi | de "vasya ! dh$mahi dh$mahi de "vasya ! de "vasya ! dh$mahi | dh$"m a "h$ti ! dh$mahi | dhiyo " yo yo dhiyo " dhiyo " yo no ! no " yo dhiyo " dhiyo " yo na !) | yo no ! no " yo yo na !) praco "day&#t praco "day&#n no " yo yo na !) praco "day&#t | na ") pra "co "day&#t pracoday&#n no na) praco "day&"t | pra "co "day&"d iti pra-co "day&#t ||
Karoti R*p&+i 1. sa!hit" p"#ha$
ka "ro "t ̱i r*"p&+i ! juhoti r*"pair e "vain&"gu'" sama !rdhayati ̱ tasy&! upo "tth&ya " kar+ a "m& ja !p e "di1 e " rante'di t! e " sara !svati ̱ priye " preya !s ̱i mahi ̱ vi%ru !tye "t&ni ! te aghniye " n&m&!ni su "k-ta !' m& de "ve,u ! br*t&"d iti ! de "vebhya ! e "vaina "m& ve !daya "tyanve !na' de "v& bu !dhyante | G2 (//20' $( %20 /(0-'K .20&*" %2 4,&$2' 8&$% %20 /(0-'6 F&'&,: 43 %2 0232+$' &,$( %20 2+0< > 75+= F+,$&= L5&$&= D+0+'.+$&= @0&"+= @02"+'&= B+%& M&'%04$&K $%2'2 > 7,.&(*+)*2 (,2 +02 $%" ,+-2'= 30(1*+&- -2 +-(,: $%2 :(5' +' $%2 5(20 (/ :((5 5225'6 M20&*" '%2 30(1*+&-' %&- +-(,: $%2 :(5'= +,5 $%2 :(5' $+;2 ,($2 (/ %&-6 !"#$%%$&$'# )#*+$%# ,-.-/-012
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karoti | r*p&+i | juhoti | r*pai) | eva | en&m | samiti | ardhayati | tasy&) | upotth&ya kar+am | eti | japet | i1e | rante | adite | sarasvati | priye | preyasi | mahi | vi%ruti | et&ni | te | aghniye | n&m&ni | suk-tam | m& | deve,u | brut&t | iti | devebhya) | eva | enam | eti | vedayati | anviti | dev&) | budhyante || 2. krama p"#ha$
ka "ro "t "i r*"p&+i ! |
vi%ru !tye "t&ni ! |
r*"p&+i ! juhoti |
vi%ru "t$ti ̱ vi - %ru "t ̱i |
ju "ho "t "i r*"pai) |
e "t&ni ! te | te " a "ghni ̱ y e " | a "ghniye " n&m&!ni | n&m&!ni su "k-tam # | su "k-ta !' m& | su "k-ta "miti ! su - k-"tam # | m& de "ve,u ! | de "ve,u ! br*t&t | br*t&"d iti ! | iti ! de "vebhya !) | de "vebhya ! e "va | e "vainam # | ena "m& | & ve !dayati | ve "d a "y a "tyanu ! | anve !nam | e "n a "' de "v&) | de "v& bu !dhyante | bu "dhya "nta " iti ! budhyante ||
r*"pair-e "va |
e "vain&#m | e "n&"gu'" sam | sama !rdhayati | a "rdha "y a "t "i tasy&#) | tasy&! upo "tth&ya ! | upo "tth&ya " kar+am # | u "po "tth&yetyu !pa - u "tth&ya ! | kar+ a "m& | & ja !pet | jape "di1 e # | i1 e " rante # | rantedi t! e | adi t! e " sara !svati | sara !svati ̱ priye # | priye " preya !si | preya !s ̱i mahi ! | mahi ̱ vi%ru !ti |
25
3. jata p"#ha$
ka "ro "t "i r*"p&+i ! r*"p&+i ! karoti karoti r*"p&+i ! | r*"p&+i ! juhoti juhoti r*"p&+i ! r*"p&+i ! juhoti | ju "ho "t "i r*"pai-r*"pair-ju !hoti juhoti r*"pai) | r*"pair-e "vaiva r*"pai-r*"pair-e "va |
e "vain&!m-en&m-e "vai-vain&#m | e "n&"gu'" sagu' same !n&m-en&"gu'" sam | sama !rdhayaty-ardhayati ̱ sagu' sama !rdhayati | a "rdha "y a "t ̱i tasy&"s-tasy&! ardhayaty-ardhayati ̱ tasy&#) | tasy&! upo "tth&yo !po "tth&ya " tasy&"s-tasy&! upo "tth&ya ! | u "po "tth&ya " kar+ a "' kar+a !m upo "tth&yo !po "tth&ya " kar+am # | u "po "tth&yety-u !pa - u "tth&ya ! | kar+ a "m& kar+ a "' kar+ a "m& | & ja !pet jape "d & jape #t | jape "d-i1 a " i1e ! japej-jape "d-i1 e # | i1 e " rante " ranta " i1 a " i1 e " rante # | rantedi ̱ te-di t! e " rante " rante-di t! e | adi t! e " sara !svati ̱ sara !sva "ty-adi ̱ te-di t! e " sara !svati | sara !svati ̱ priye " priye " sara !svati ̱ sara !svati ̱ priye # | priye " preya !s ̱i preya !s ̱i priye " priye " preya !si | preya !s ̱i mahi ̱ mahi ̱ preya !s ̱i preya !s ̱i mahi ! | mahi ̱ vi%ru !t ̱i vi%ru !t ̱i mahi ̱ mahi ̱ vi%ru !ti | vi%ru !tye "t&nye "t&ni ̱ vi%ru !t ̱i vi%ru !tye "t&ni ! | vi%ru "t$ti ̱ vi - %ru "t ̱i | e "t&ni ! teta e "t&nye "t&ni ! te | te " a "ghni ̱ y e " a "ghniye " te " te " a "ghniye # | a "ghni "y e " n&m&!n ̱i n&m&#nyaghniye aghniye " n&m&!ni |
26
n&m&!ni su "k-tagu'! su "k-ta "' n&m&!n ̱i n&m&!ni su "k-tam # | su "k-ta !' m& m& su "k-tagu'! su "k-ta !' m& | su "k-ta "miti ! su - k-"tam # # | m&" de "ve,u ! de "ve,u ! m& m& de "ve,u ! | de "ve,u ! br*t&t br*t&t de "ve,u ! de "ve,u ! br*t&t | br*"t&"d it$ti ! br*t&t br*t&"d iti ! | iti ! de "vebhyo ! de "vebhya " it$ti ! de "vebhya !) | de "vebhya ! e "vaiva de "vebhyo ! de "vebhya ! e "va |
e "vaina !m enam e "vai-vainam # | e "n a "m aina !m ena "m& | &ve !dayati vedaya "ty& ve !dayati | ve "d a "y a "ty-anvanu ! vedayati vedaya "ty-anu ! | anve !nam-ena "m-anvan-ve !nam | e "n a "' de "v& de "v& e !nam-ena' de "v&) | de "v& bu !dhyante budhyante de "v& de "v& bu !dhyante | bu "dhya "nta " iti ! budhyante || 4. ghana p"#ha$
ka "ro "t ̱i r*"p&+i ! r*"p&+i ! karoti karoti r*"p&+i ! juhoti juhoti r*"p&+i ! karoti karoti r*"p&+i ! juhoti | r*"p&+i ! juhoti juhoti r*"p&+i ! r*"p&+i ! juhoti r*"pair*"pair ju !hoti r*"p&+i ! r*"p&+i ! juhoti r*"pai) | ju "ho "t ̱i r*"pai-r*"pair ju !hoti juhoti r*"pair e "vaiva r*"pair ju !hoti juhoti r*"pair
e "va | r*"pair e "vaiva r*"pai r*"pair e "vain&!m en&m e "va r*"pai r*"pair e "vain&#m | e "vain&!m en&m e "vai-vain&"gu'" sagu' same !n&m-e "vaivai n&"gu'" sam | e "n&"gu'" sagu' same !n&m en&"gu'" sama !rdhayaty-ardhyati ̱
27
same !n&m en&"gu'" sama !rdhayati | sama !rdhayaty-ardhayati ̱ sagu' sama !rdhayati ̱ tasy&"s-tasy&! ardhayati ̱ sagu' sama !rdhayati ̱ tasy&#) |
a "rdha "y a "t ̱i tasy&"s-tasy&! ardhayaty-ardhayati ̱ tasy&! upo "tth&yo !po "tth&ya " tasy&! ardhayaty-ardhayati ̱ tasy&! upo "tth&ya ! | tasy&! upo "tth&yo !po "tth&ya " tasy&"s-tasy&! upo "tth&ya " kar+ a "' kar+a !mupo "tth&ya " tasya "s-tasy&! upo "tth&ya " kar+am # | u "po "tth&ya " kar+ a "' kar+a !m-upo "tth&yo !po "tth&ya " kar+ a "m & kar+a !m upo "tth&yo !po "tth&ya " kar+ a " m& | u "po "tth&yety-u !pa - u "tth&ya ! | kar+ a "m & kar+ a "' kar+ a "m & ja !pej-jape "d& kar+ a "' kar+ a "m & ja !pet | & ja !pet jape "d & ja !p e "d i1 a "i1e ! jape "d & ja !p e "d i1 e # | ja "p e "d i1 a " i1e ! japej-jape "d i1 e " rante " ranta " i1e ! japej-jape "d i1 e " rante # | i1 e " rante " ranta " i1 a " i1 e " rante di ̱ te di ! te " ranta " i1 a " i1 e " rantedi t! e | rante-di ̱ te-di t! e " rante " rante-di t! e " sara !svati ̱ sara !sva "ty-adi t! e " " rante-di t! e " sara !svati | adi t! e " sara !svati ̱ sara !sva "ty-adi ̱ te-di t! e " sara !svati ̱ priye " priye " sara !sva "ty-adi ̱ tedi t! e " sara !svati ̱ priye # | sara !svati ̱ priye " priye " sara !svati ̱ sara !svati ̱ priye " preya !s "i preya !s ̱i priye " sara !svati ̱ sara !svati ̱ priye " preya !si | priye " preya !s ̱i preya !s ̱i priye " priye " preya !s ̱i mahi ̱ mahi ̱ preya !s ̱i priye " priye " preya !s "i mahi ! | preya !s ̱i mahi ̱ mahi ̱ preya !s ̱i preya !s ̱i mahi ̱ vi%ru !t ̱i vi%ru !t ̱i mahi ̱ preya !s ̱i preya !s ̱i mahi ̱ vi%ru !ti | mahi ̱ vi%ru !t ̱i vi%ru !t ̱i mahi ̱ mahi ̱ vi%ru !ty-e "t&ny-e "t&ni ̱ vi%ru !t ̱i mahi ̱ mahi ̱ vi%ru !ty-e "t&ni ! |
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vi%ru !ty-e "t&ny-e "t&ni ̱ vi%ru !t ̱i vi%ru !ty-e "t&ni ! teta e "t&ni ̱ vi%ru !t ̱i vi%ru !ty-e "t&ni ! te | vi%ru "t$ti ̱ vi - %ru "t ̱i |
e "t&ni ! teta e "t&ny-e "t&ni ! te aghniye aghniye ta e "t&ny-e "t&ni t! e aghniye | te " a "ghni ̱ y e " a "ghniye " te " te " a "ghniye " n&m&!n ̱i n&m&#ny-aghniye te te aghniye " n&m&!ni |
a "ghni "y e " n&m&!n ̱i nam&#nyaghniye aghniye " n&m&!ni su "k-tagu'! su "k-ta "' nam&#nyaghniye aghniye " n&m&!ni su "k-tam # | n&m&!ni su "k-tagu'! su "k-ta "' n&m&!n ̱i n&m&!ni su "k-ta !' m& m& su "k-ta "' n&m&!n ̱i n&m&!ni su "k-ta !' m& | suk "-ta !' m& m& su "k-tagu'! su "k-ta !' m& de "ve,u ! de "ve,u ! m& su "k-tagu'! su "k-ta !' m& de "ve,u ! | su "k-ta "miti ! su - k-"tam # # | m&" de "ve,u ! de "ve,u ! m& m& de "ve,u ! br*t&t br*t&t de "ve,u ! m& m& de "ve,u ! br*t&t | de "ve,u ! br*t&t br*t&t de "ve,u ! de "ve,u ! br*t&"d it$ti ! br*t&t de "ve,u ! de "ve,u ! br*t&"d iti ! | br*"t&"d it$ti ! br*t&t br*t&"d iti ! de "vebhyo ! de "vebhya " iti ! br*t&t br*t&"d iti ! de "vebhya !) | iti ! de "vebhyo ! de "vebhya " it$ti ! de "vebhya ! e "vaiva de "vebhya " it$ti ! de "vebhya ! e "va | de "vebhya ! e "vaiva de "vebhyo ! de "vebhya ! e "vaina !m enam e "va de "vebhyo ! de "vebhya ! e "vainam # | e "vaina !m enam e "vaivaina "m aina !m e "vai vaina "m& | e "n a "m-aina !m-ena "m& ve !dayati vedaya "ty-aina !m-ena "m& ve !dayati | &ve !dayati vedaya "ty& ve !daya "ty-anvanu ! vedaya "ty& ve !daya "ty-anu ! |
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ve "d a "y a "ty-anvanu !vedayati vedaya "ty-anve !nam ena "m-anu ! vedayati vedaya "tyanve !nam | anve !nam-ena " manvan-ve !na' de "v& de "v& e !n a "m-anvan-ve !na' de "v&) |
e "n a "' de "v& de "v& e !nam-ena' de "v& bu !dhyante budhyante de "v& e !nam ena' de "v& bu !dhyante | de "v& bu !dhyante budhyante de "v& de "v& bu !dhyante | bu "dhya "nta " iti ! budhyante || Forgiveness for mispronunciation
yad ak,ara pada bhra,/ha' m&tr& h$na' tu yad bhavet | tat sarva' k,amyat&' deva n&r&ya+a namo’stu te | visarga bindu m&tr&+i pada pad&k,are,u ca | ny*n&tirikta' yat kiñcit & bhirg$rbhir ud$rayet || > 9(05 N+0+"+,+O 8%+$2.20 -&'$+;2' 7 %+.2 -+52 &, 30(,4,1&+$&(,= -&'30(,(4,1&,: '"**+)*2'= ,2:*21$&,: $%2 -2$02 +,5 )2+$= 50(33&,: $%2 .+0&(4' :0+--+$&1+* /(0-'= 2*(,:+$&,: (0 '%(0$2,&,: .(82*' P 3*2+'2 /(0:&.2 -2 /(0 +** (/ $%+$ +,5 +1123$ &$ +' 1(-3*2$26
