Intellectual Property & Copyrights Research Paper Covering Cases: Metro-Goldwyn-Mayer Studios, Inc. vs. Grokster, Ltd. A&M Records, Inc. vs. Napster, Inc.
Christopher Pappas
Business Ethics, Law and Communication Wednesday, October 29, 2008
©
2008
Christopher Pappas
TABLEOFCONTENTS INTRODUCTION ....................................................... ...................................................................................... ............................................................. ............................................................ ................................. ... 2 CASESTUDYI:A&MRECOR CASESTUDYI:A&MRECORDS,INC.VS DS,INC.VS.NAPSTER,I .NAPSTER,INC. NC. ........................................................ ............................................................................... ....................... 5 INTRODUCTION ................................ ................................................ ................................ ................................ ................................ ................................ ................................ ................................ ................................ ..........................5 ..........5 NAPSTER’SOPERATION ............................... ............................................... ................................ ................................ ................................ ............................... ................................ ................................ ............................6 .............6 LEGALISSUES ................................ ................................................. ................................ ................................ ................................ ................................ ................................ ............................... ................................ .............................8 .............8 CONCLUSION................................ ................................................ ................................ ................................ ................................ ................................ ................................ ................................ ................................ ............................ ............ 12 CASESTUDYII:METRO‐GOLDW CASESTUDYII:METRO‐GOLDWYN‐MAYERSTUDIOS, YN‐MAYERSTUDIOS,INC.VS.G INC.VS.GROKSTER,LTD ROKSTER,LTD ................................13 INTRODUCTION ................................ ................................................ ................................ ................................ ................................ ................................ ................................ ................................ ................................ ....................... ....... 13 GROKSTER’SOPERATIONS ................................ ................................................ ................................ ................................ ................................ ................................ ................................ ................................ .................... .... 13 LEGALISSUES ................................ ................................................. ................................ ................................ ................................ ................................ ................................ ............................... ................................ .......................... .......... 14 CONCLUSION................................ ................................................ ................................ ................................ ................................ ................................ ................................ ................................ ................................ ............................ ............ 16 ETHICALISSUES
...................................................... ..................................................................................... ............................................................. ............................................................ ................................ 17
REFERENCES ....................................................... ..................................................................................... ............................................................. ............................................................. ....................................20 ......20 APPENDIXA............................... A.............................................. ................................ ................................ ................................ ................................ ................................ ................................ ............................... ............................... ............... 24 APPENDIXB................................. B................................................. ................................ ................................ ................................ ................................ ............................... ................................ ................................ ............................ ............. 28 APPENDIXC............................................ C............................................................ ................................ ................................ ............................... ................................ ................................ ................................ ................................ ................... 29
Intellectual Property & Copyrights, Research Paper, 2
INTRODUCTION In1883,theimportanceofintelle In1883,theimportanceofintellectualproperty ctualpropertywasrecognized wasrecognizedforfirsttimei forfirsttimeinthe nthe ParisConventionforthePro ParisConventionfortheProtectionofIndustria tectionofIndustrialPropertyfollow lPropertyfollowedbytheBer edbytheBerne ne ConventionfortheProtectionof ConventionfortheProtectionofLiteraryan LiteraryandArtisticWorks dArtisticWorksin1886.Nowadays,t in1886.Nowadays,the he UniversalDeclarationofHum UniversalDeclarationofHumanRights,andto anRights,andtobemorespe bemorespecificArticle27,p cificArticle27,protectsthe rotectsthe intellectualpropertyrightstha intellectualpropertyrightsthatacreatoror tacreatororanownerof anownerofapatento apatentorcopyrighthason rcopyrighthason his/herownworkorinvestme his/herownworkorinvestment(“Whatisi nt(“Whatisintellectualprop ntellectualproperty?”n.d.). erty?”n.d.). Itistruetosaythatcountriesre Itistruetosaythatcountriesrealizedthatin alizedthatintellectualprope tellectualpropertyisapowe rtyisapowerfultool rfultool foreconomicdevelopmentand foreconomicdevelopmentandsocialandcultural socialandculturalwelfare.Furthe welfare.Furthermore,countries rmore,countrieswanted wanted topromotecreativityandinv topromotecreativityandinventionespe entionespeciallywhenthe ciallywhentheinterestsofthe interestsoftheinnovatora innovatorarethe rethe sameasthoseofthepublicin sameasthoseofthepublicinterest.Asar terest.Asaresult,countriescre esult,countriescreatedlawstopr atedlawstoprotect otect intellectualproperty. Moreover,eachofusshouldpromote Moreover,eachofusshouldpromoteintellectualpr intellectualpropertyrightsb opertyrightsbecauseofthe ecauseofthe benefitswejoin.Forexa benefitswejoin.Forexample,withthe mple,withthepatentsystem patentsystemaninventor aninventorofanewa ofanewandhighly ndhighly effectivedrugforcancerwill effectivedrugforcancerwillcontinuehis/he continuehis/herresearchin rresearchinordertoproduce ordertoproduceabetteran abetterand d moreefficientproduct.There moreefficientproduct.Theresultsofthisinven sultsofthisinventionwillbene tionwillbenefitthemembe fitthemembersofthesociety rsofthesociety withseveralways.Patient withseveralways.Patientswillhavemore swillhavemorepossibilitiesof possibilitiesofbeingcured beingcuredandtheinve andtheinventorwill ntorwill berewardedforhiscreativity. Intellectualpropertyrefers Intellectualpropertyreferstotheintangi totheintangibleproperty, bleproperty,suchaspatents, suchaspatents,copyrights, copyrights, trademarks,andtradedress,wh trademarks,andtradedress,whichbelongtoa ichbelongtoapersonora personoracompany.Tobe company.Tobemorespecific, morespecific,it it referstothecreationsofthe referstothecreationsofthemindlike:symbols, mindlike:symbols,inventions,ar inventions,artisticworks,litera tisticworks,literary,and ry,and images(“Introductiontointellect images(“Introductiontointellectualproperty:the ualproperty:theoryandpra oryandpractice”(1997). ctice”(1997).
Intellectual Property & Copyrights, Research Paper, 3 Generalspeaking,intelle Generalspeaking,intellectualproperty ctualpropertyisdividedintotw isdividedintotwocategories: ocategories: 1. Patentorindustrialproperty Patentorindustrialproperty,whichincludestra ,whichincludestrademarks,inve demarks,inventions,industrial ntions,industrial designs,andgeographicindicati designs,andgeographicindicationsofsource;and onsofsource;and 2. Copyright,whichincludesliterarya Copyright,whichincludesliteraryandartisticwork ndartisticworks,suchaspoems,p s,suchaspoems,paintings, aintings, plays,films,musicalworks,novels,dra plays,films,musicalworks,novels,drawings,photograp wings,photographs,architecturalde hs,architecturaldesigns, signs, andsculptures(“Whatisintelle andsculptures(“Whatisintellectualproperty” ctualproperty”n.d.). n.d.). Moreover,apatentforan Moreover,apatentforaninventioni inventionisanexclusive sanexclusiverightgrantedt rightgrantedtotheinventor, otheinventor, issuedbytheUnitedStatesP issuedbytheUnitedStatesPatentandTr atentandTrademarkOffice ademarkOffice.Apatent .Apatentprovidesprotect providesprotectionfor ionfor theinventiontotheowner theinventiontotheownerofthepaten ofthepatentforalimitedp tforalimitedperiod,genera eriod,generally20yearsfro lly20yearsfromthe mthe datetheapplicationforthe datetheapplicationforthepatentwa patentwasfiledintheU sfiledintheUnitedStatesa nitedStatesandthemainte ndthemaintenancefees nancefees werepaid.Moreover,U.S.p werepaid.Moreover,U.S.patentgrants atentgrantsareeffective areeffectiveonlywithint onlywithintheUnitedStat heUnitedStates,U.S. es,U.S. territories,andU.S.possessions.Pa territories,andU.S.possessions.Patentprotection tentprotectionmeansthatt meansthattheinvention heinventioncannotbe cannotbe commerciallymade,used,distributed, commerciallymade,used,distributed,orsoldwithoutthep orsoldwithoutthepatentowner’ atentowner’sconsent. sconsent. Furthermore,apatentowne Furthermore,apatentownercansellthe rcanselltherightofthein rightoftheinventiontosomeon ventiontosomeoneelse,whowi eelse,whowill ll becomethenewownerofth becomethenewownerofthepatent.Wh epatent.Whenapate enapatentexpiresthe ntexpirestheprotectione protectionends,andasa nds,andasa result,theinventionbecomes result,theinventionbecomesavailableto availabletocommercialexp commercialexploitationbyother loitationbyothers(“Whatisa s(“Whatisa patent?”2005).
Also Also,,th ther ere ear are ese seve vera ral lty type pes sof ofp pat aten ents tsb but utt the hem mos ost tco comm mmon ona are ret thr hree ee: : 1. Utilityorfunctionpatents,sucha Utilityorfunctionpatents,suchasaprocess,mach saprocess,machine,articleof ine,articleofmanufacture,or manufacture,or compositionofmatter, 2. Designpatents,suchasane Designpatents,suchasanew,original,an w,original,andornamental dornamentaldesignforana designforanarticleof rticleof manufacture;and 3. Plantpatents,suchasadistin Plantpatents,suchasadistinctandnewva ctandnewvarietyofplan rietyofplant(“Whatisp t(“Whatispatent?n.d). atent?n.d).
Intellectual Property & Copyrights, Research Paper, 4 Furthermore,thepurposeofcopy Furthermore,thepurposeofcopyrightsistoprote rightsistoprotecttheexpressio cttheexpressionofideas.In nofideas.In otherwords,itprotectstherightsof otherwords,itprotectstherightsoftheauthorsand theauthorsandcreatorsinan creatorsinanyfield,suchasli yfield,suchasliterary, terary, dramatic,musical,artistic,andcert dramatic,musical,artistic,andcertainotherinte ainotherintellectualworks,bo llectualworks,bothpublishedand thpublishedand unpublished.AsJenningsM.(2006), unpublished.AsJenningsM.(2006),states:“Acopyr states:“Acopyrightgivesthe ightgivestheholderofthecopyr holderofthecopyright ight theexclusiverighttosell,control,or theexclusiverighttosell,control,orlicensethecop licensethecopyrightedwork.” yrightedwork.”(p.624) (p.624) AccordingtotheSection106ofthe1976 AccordingtotheSection106ofthe1976CopyrightAct,the CopyrightAct,theholderofthecop holderofthecopyright, yright, orinotherwords,therightsholderha orinotherwords,therightsholderhasthetotalcontrol sthetotalcontrolovertheuseof overtheuseofthecopyrighted thecopyrighted work,suchastheexclusiverightt work,suchastheexclusiverighttoreproducethe oreproducethecopyrightedwork copyrightedwork,toprepare ,topreparederivative derivative works,todistributecopiesorphon works,todistributecopiesorphonorecordsofthecopyr orecordsofthecopyrightedwork(“W ightedwork(“Whatiscopyright” hatiscopyright” 2005). Also,rightsrelatedtocopyrightin Also,rightsrelatedtocopyrightincludethoseofper cludethoseofperformingartistsin formingartistsintheir their performances,producersofphonog performances,producersofphonogramsintheir ramsintheirrecordings,andt recordings,andthoseofbroadcaster hoseofbroadcastersin sin theirradioandtelevisionp theirradioandtelevisionprograms.Theseclo rograms.Thesecloselyassociatedfie selyassociatedfieldofrightsrela ldofrightsrelatedto tedto copyrightarecalledrelated copyrightarecalledrelatedrights.Therela rights.Therelatedrightssometime tedrightssometimesaremore saremorelimitedandof limitedandof shorterdurationthanthecopyri shorterdurationthanthecopyrights(“CopyrightsBa ghts(“CopyrightsBasics”2006).Moreove sics”2006).Moreover,afterJanua r,afterJanuary1, ry1, 1978thecreatorholdsthecopyrightfr 1978thecreatorholdsthecopyrightfromthedateit omthedateithasbeencre hasbeencreateduntil70ye ateduntil70yearsafter arsafter hisdeath(AppendixA).Also, hisdeath(AppendixA).Also,theCopyrightOff theCopyrightOfficeoftheLib iceoftheLibraryofCongress raryofCongressregisters registers copyrights(“Whatiscopyright”n.d). Inaddition,thetermfairuse Inaddition,thetermfairuseisrelatedtocop isrelatedtocopyrights.Fairuse yrights.Fairuse,infact,isthe ,infact,istherightto rightto occasionallyandinareasona occasionallyandinareasonablemanne blemannerusethecopyr rusethecopyrightedmateria ightedmaterial(“Fairuse” l(“Fairuse”2006). 2006). Accordingtosections107through118ofthe Accordingtosections107through118oftheCopyrightAct,“ CopyrightAct,“oneofthemost oneofthemostimportant important limitationsisthedoctrineoffai limitationsisthedoctrineoffairuse.”(App ruse.”(AppendixA).The endixA).Thedoctrinewasn doctrinewasnotmentionedin otmentionedin previouscopyrightlawuntilit previouscopyrightlawuntilitwasdevelope wasdevelopedthroughasubstan dthroughasubstantialnumberof tialnumberofcourt court
Intellectual Property & Copyrights, Research Paper, 5 decisionsovertheyearsand decisionsovertheyearsandcodifiedinsection codifiedinsection107ofthecopyrig 107ofthecopyrightlaw(Appe htlaw(AppendixB). ndixB). BasedonSection107,thereare BasedonSection107,therearefourfactorsthatde fourfactorsthatdetermineofw termineofwhetherornota hetherornotanactivityis nactivityis withinfairuse: 1. Thepurposeoftheuse, 2. Thenatureoftheworkbeingused, 3. Theamountoftheworkused,and 4. Theeffectoftheuseonthem Theeffectoftheuseonthemarketfororv arketfororvalueoftheori alueoftheoriginal,copyrighte ginal,copyrighted,work d,work (“Fairuse”2006). Inthetwocasesthatwewill Inthetwocasesthatwewilldiscussinthispap discussinthispaperwewill erwewillexaminethe examinethecourt’sanalysis court’sanalysisof of thesefourfactors. CASESTUDYI:A&MRecords,Inc.v CASESTUDYI:A&MRecords,Inc.vs.Napster,Inc. s.Napster,Inc. Introduction ShawnFanning,a19‐yea ShawnFanning,a19‐year‐oldstudentatN r‐oldstudentatNortheasternUn ortheasternUniversity,Boston,cre iversity,Boston,createda ateda peer‐to‐peermusicfilesh peer‐to‐peermusicfilesharingservice aringservice.Thepurpose .Thepurposeofthisservicew ofthisservicewastoenable astoenablepeople people copyanddistributeMP3musicfi copyanddistributeMP3musicfileswitheachoth leswitheachother.Shawncoope er.Shawncooperatedwithhis ratedwithhisfriends friends andhisuncle.Infact,hisuncle andhisuncle.Infact,hisunclewasacofounder wasacofounderandthechairm andthechairmanofNapste anofNapster.Hisunclewa r.Hisunclewas s alsothelargestshareholder(Spe alsothelargestshareholder(Spencer,2000).They ncer,2000).Theynamedthese namedtheserviceNapste rviceNapsterafter rafter Fanning’snickname.Itis Fanning’snickname.ItistruethatNap truethatNapsterwasap sterwasapioneerservi ioneerservicethatwasre cethatwasreleasedinJun leasedinJune e 1999andoperatedinthisforma 1999andoperatedinthisformatuntilJuly2001.Howev tuntilJuly2001.However,Napster er,Napsterhadtofaceleg hadtofacelegal al challengesrelatedtointellectu challengesrelatedtointellectualproperty alpropertyandcopyrights.Toda andcopyrights.Today,Napsterop y,Napsteroperatesunder eratesundera a newpolicyandphilosophy.Befor newpolicyandphilosophy.Beforewefurther ewefurtheranalyzethisca analyzethiscasestep‐by‐ste sestep‐by‐step,itwouldbe p,itwouldbe usefultodefinethefollowingkey‐terms:
Intellectual Property & Copyrights, Research Paper, 6 •
MP3:Isthenameofthefile MP3:Isthenameofthefileextensionan extensionandalsothename dalsothenameofthetype ofthetypeoffileforMP offileforMPEG, EG, audiolayer3.Layer3isone audiolayer3.Layer3isoneofthethree ofthethreecodingschemesfor codingschemesforthecompressiono thecompressionof f audiosignals.Layer3usespe audiosignals.Layer3usesperceptualaudiocodi rceptualaudiocodingandpsychoacou ngandpsychoacoustic stic compressiontoremoveallsuper compressiontoremoveallsuperfluousinformation,e fluousinformation,especiallythe speciallytheredundantan redundantand d irrelevantpartsofasoundsi irrelevantpartsofasoundsignal.Also,itadds gnal.Also,itaddsaModifiedDiscr aModifiedDiscreteCosineTr eteCosineTransform ansform (MDCT)thatimplementafi (MDCT)thatimplementafilterban,incr lterban,increasingthefr easingthefrequencyresoluti equencyresolution18times on18times higherthanthatoflayer2.W higherthanthatoflayer2.Withsimplywords,it ithsimplywords,itmakesana makesanaudiofilesmaller udiofilesmallerandas andas aresulteasytotransferove aresulteasytotransferovertheInterne rtheInternet(“MP3”,2001). t(“MP3”,2001).
•
Peer‐to‐Peer(P2P)techn Peer‐to‐Peer(P2P)technology:Isthetechnolog ology:Isthetechnologythatindividua ythatindividualscanuseinor lscanuseinorderto derto connectwitheachotherdirectlyw connectwitheachotherdirectlywithoutthenee ithouttheneedofacentral dofacentralpointofmana pointofmanagement. gement. Therearethreedifferen TherearethreedifferenttypesofP2P ttypesofP2P: : 1. PureP2P.Inthefirsttype PureP2P.Inthefirsttypethereisno thereisnocentralserve centralserverorrouteran rorrouterandtheusers dtheusers functionasbothclientsandser functionasbothclientsandserversofthesyste versofthesystem, m, 2. HybridP2P.InthehybridP2P HybridP2P.InthehybridP2Pthereisa thereisacentralserve centralserver,butusershav r,butusershavethe ethe responsibilityforhostinginform responsibilityforhostinginformation,forsharin ation,forsharingfiles,andfor gfiles,andfordownloading, downloading, andfinally, 3. MixedP2P.Thethirdtype MixedP2P.Thethirdtypehassomecommoncha hassomecommoncharacteristicswith racteristicswithboth both systems(Crosseetal.,2003).
NapsterisahybridP2Pnetwork. Napster’sOperation Napsterwasapioneer Napsterwasapioneerserviceand serviceandapowerfultool apowerfultoolforsharinginfor forsharinginformationthatwon mationthatwon anotablesuccessduetoitsnetw anotablesuccessduetoitsnetworkstructurean orkstructureanditscostlessservice ditscostlessservice.Inthefollowing .Inthefollowing
Intellectual Property & Copyrights, Research Paper, 7 paragraphswewillpre paragraphswewillpresenttheopera senttheoperationofNapste tionofNapsterinorderto rinordertorealizehowthe realizehowthenetwork network worked. Fann Fannin ing gcr crea eate ted dhi his sso soft ftwa ware reb bas ased edo on nth the efo foll llow owin ing gth thre ree eob obje ject ctiv ives es: : 1. Asearchenginethatwas Asearchenginethatwasabletofindon abletofindonlyMP3files, lyMP3files, 2. TheMP3searchengineshould TheMP3searchengineshouldhavetheab havetheabilitytotradeM ilitytotradeMP3filesdirectly P3filesdirectly,without ,without theuseofacentralizedserve theuseofacentralizedserverforstorage,a rforstorage,and nd 3. Aneffectivewayofonline Aneffectivewayofonlineinteraction interactionbetweenthe betweentheusersoftheM usersoftheMP3searcheng P3searchengine. ine. Thesethreeobjectiveswe Thesethreeobjectiveswerethebasic rethebasicprinciplesofN principlesofNapstersoftwar apstersoftware.Inorderfor e.InorderforFanning Fanning tocreatethissoftware,hehad tocreatethissoftware,hehadtolearnWin tolearnWindowsprogramming dowsprogrammingandUNIXse andUNIXservercode.The rvercode.The factthatthesoftwarewasallow factthatthesoftwarewasallowingcomputeru ingcomputeruserstoswapfile serstoswapfilesdirectly,reduced sdirectly,reducedserver server problems.Also,onlyNapsterin problems.Also,onlyNapsterindexanddirector dexanddirectorywereuploa ywereuploadedonNapste dedonNapster’sserver,all r’sserver,all theMP3filesweretransfe theMP3filesweretransferredacrossthe rredacrosstheInternetusing InternetusingseveralWin severalWindowsprotocols dowsprotocols directlyfromoneusertotheothe directlyfromoneusertotheother(Giesler&P r(Giesler&Pohlmann,“The ohlmann,“Theanthropologyoffi anthropologyoffilesharing: lesharing: ConsumingNapsterasagift,”2003). TheusersofNapsterhadtoa TheusersofNapsterhadtoappropriately ppropriatelyinstallNapst installNapster’sfreesoftwa er’sfreesoftwareintheir reintheir computer,andthen,theyhadto computer,andthen,theyhadtoconnecttotheIn connecttotheInternetinorde ternetinordertoconnectwi rtoconnectwithNapster’s thNapster’s centralserver.Next,theyha centralserver.Next,theyhadtorequesta dtorequestafilefromNa filefromNapster’ssystem.T pster’ssystem.Then,thesoftware hen,thesoftware wassearchingallcomputerstha wassearchingallcomputersthatwereconne twereconnectedtotheNap ctedtotheNapstersystem,locate stersystem,locatedthe dthe requestedfile,andsentall requestedfile,andsentallfilesfromalldiff filesfromalldifferentcomputer erentcomputersthatmatchedto sthatmatchedtotheuser.Also, theuser.Also, userswereabletoloadfiles userswereabletoloadfilesintotheircomp intotheircomputersand,bycon utersand,byconnectiontotheN nectiontotheNapstersystem, apstersystem, allowanyotheruserinan allowanyotheruserinanyplaceofthe yplaceoftheworldtoretriev worldtoretrievethatfileon ethatfileondemand.Thefa demand.Thefactthat ctthat userswereabletoquitesi userswereabletoquitesimplyuploadan mplyuploadanddownloadsevera ddownloadseveralfileswithre lfileswithrelativelylittle lativelylittle
Intellectual Property & Copyrights, Research Paper, 8 effort,madeNapsterreally effort,madeNapsterreallypopularacross popularacrosstheglobe(Giesle theglobe(Giesler&Pohlmann, r&Pohlmann,“Thesocialform “Thesocialform ofNapster:Cultivatingthepa ofNapster:Cultivatingtheparadoxofconsumer radoxofconsumeremancipati emancipation,”2003). on,”2003). Basedontheabove,itbecome Basedontheabove,itbecomesobviousthatitw sobviousthatitwasfairlyea asfairlyeasytopeersto sytopeerstousethis usethis friendlyusernetworksince friendlyusernetworksincetheyonlynee theyonlyneededtohaveba dedtohavebasiccomputerskill siccomputerskillsandanInte sandanInternet rnet connection.Moreover,thefactt connection.Moreover,thefactthattheservice hattheservicewasfree,m wasfree,madeNapster adeNapsterevenmore evenmore compelling.Napsterclaimed compelling.Napsterclaimedthatoneyea thatoneyearafterther rafterthereleaseofthe eleaseoftheserviceitsun serviceitsuniqueusers’ iqueusers’ accountsweremorethan20milli accountsweremorethan20millions,makingN ons,makingNapsterthela apsterthelargestfileshari rgestfilesharingcommunity ngcommunity (“Napster:20millionusers,”2000).U (“Napster:20millionusers,”2000).Usersweree serswereexcitedaboutthe xcitedaboutthequalityandcr qualityandcredibilityof edibilityof thisservice.Theywereab thisservice.Theywereabletohearan letohearanddownloadthemusi ddownloadthemusictheylikeda ctheylikedatnocost.However, tnocost.However, peopleinvolvedinthemusi peopleinvolvedinthemusicindustrysuchasmu cindustrysuchasmusiccompaniesa siccompaniesandartists,counter ndartists,counter Napsterabigthreatfor Napsterabigthreatfortheirintellectua theirintellectualpropertya lpropertyand,ofcourse,their nd,ofcourse,theirprofits.There profits.Thereare are examplesoffamoussingerstha examplesoffamoussingersthatopposedtoNa topposedtoNapster.Forexa pster.Forexample,thefam mple,thefamousheavymeta ousheavymetal l bandMetallica,suedNapste bandMetallica,suedNapsterin2000sincei rin2000sinceitreleasedthe treleasedtheirsongseven irsongsevenbeforetheoffi beforetheofficial cial releaseoftheirCD(Jones,2000).He releaseoftheirCD(Jones,2000).Hence,itwasob nce,itwasobviousthatmusicin viousthatmusicindustryhadtodeal dustryhadtodealwith with numerousproblemsarisingby numerousproblemsarisingbythisnewrea thisnewreality. lity. LegalIssues In2000,A&MRecordsalongwith18othe In2000,A&MRecordsalongwith18otherrecordcompan rrecordcompaniessuedNap iessuedNapster.Under ster.Under theUSDigitalMillenniumCo theUSDigitalMillenniumCopyrightAct(DM pyrightAct(DMCA),A&Maccuse CA),A&MaccusedNapsterfor dNapsterforcontributory contributory andvicariouscopyrightinfringe andvicariouscopyrightinfringement(Brann ment(Brannen,2008).Beforew en,2008).Beforewefurtheran efurtheranalyzethelega alyzethelegal l issuesofthiscase,wewillbrie issuesofthiscase,wewillbrieflydiscussthebasi flydiscussthebasictopicscoveredb ctopicscoveredbytheDMCA.Ba ytheDMCA.Basedon sedon theU.S.CopyrightOffice,theDM theU.S.CopyrightOffice,theDMCAwassigned CAwassignedin1998andconsists in1998andconsistsoffivemajor offivemajortitles. titles. Thesetitlesare:
Intellectual Property & Copyrights, Research Paper, 9 1. “WIPOCopyrightandPerforma “WIPOCopyrightandPerformancesandPhon ncesandPhonogramsTreati ogramsTreatiesImplemen esImplementationAct tationAct of1998.” 2. “OnlineCopyrightInfringem “OnlineCopyrightInfringementLiability entLiabilityLimitationA LimitationAct.” ct.” 3. “ComputerMaintenanceC “ComputerMaintenanceCompetitionAssura ompetitionAssuranceAct.” nceAct.” 4. Titlefourconsistsofsixmiscellaneou Titlefourconsistsofsixmiscellaneousprovisions.These sprovisions.Theseprovisionsre provisionsregardissues gardissues suchasCopyright’sOfficeoperati suchasCopyright’sOfficeoperationsanddistance onsanddistanceeducation. education. 5. “VesselHullDesignProtectionA “VesselHullDesignProtectionAct.”(“TheDi ct.”(“TheDigitalMillenn gitalMillenniumCopyrightA iumCopyrightActof ctof 1998”,1998). UnderDMCAAct,A&Maccuse UnderDMCAAct,A&MaccusedNapsterfor dNapsterforthreemajor threemajorinfringemen infringements: ts: 1. Itsusersweredirectlyinfringi Itsusersweredirectlyinfringingplaintiff’ ngplaintiff’scopyright scopyright 2. Napsterwasliableforcontr Napsterwasliableforcontributoryinfringe ibutoryinfringementofplai mentofplaintiff’scopyright,a ntiff’scopyright,and nd 3. Napsterwasalsoliablefor Napsterwasalsoliableforvicariousinfrin vicariousinfringementofpla gementofplaintiff’scopyrigh intiff’scopyright(Brannen, t(Brannen, 2008). WithsimplywordsA&MaccusedNa WithsimplywordsA&MaccusedNapsternotofv psternotofviolatingcopyrigh iolatingcopyrightitself,butof titself,butof contributingtoandfacilitating contributingtoandfacilitatingotherpeople otherpeople’sinfringeme ’sinfringement. nt. Ontheotherhand,Napsterde Ontheotherhand,Napsterdefineditselfa fineditselfasasearchen sasearchengineandclai gineandclaimedthatmany medthatmany peersuseditinordertohea peersuseditinordertohearsamplemusi rsamplemusicbeforethey cbeforetheybuytheactual buytheactualCD.Furthermore, CD.Furthermore,the the defenseofNapsterwasba defenseofNapsterwasbasedonthefollowi sedonthefollowingthreema ngthreemajorpoints: jorpoints: 1. TheAudioHomeRecordingActof1992, 2. TheDigitalMillenniumCopy TheDigitalMillenniumCopyrightAct(DMCA rightAct(DMCA)of1998,and )of1998,and 3. Misuseofcopyrightandimpliedlicense. Tobemorespecific,Napste Tobemorespecific,NapsterusedtheAudio rusedtheAudioHomeRecordingA HomeRecordingActthatprotectsuse ctthatprotectsusers rs onthegroundsofnon‐commercial onthegroundsofnon‐commercialuse,andespe use,andespeciallythecase ciallythecaseofSonyvs.Unive ofSonyvs.Universal rsal
Intellectual Property & Copyrights, Research Paper, 10 Studios,whichisbestknownasthe Studios,whichisbestknownastheBetamaxcase Betamaxcase.Napsterstate .Napsterstatedthatitwasa dthatitwasaservicetob servicetobe e usedfor“spaceshifting”ofsoun usedfor“spaceshifting”ofsoundrecordingsand drecordingsandNapsterrefe Napsterreferredtotheca rredtothecaseofSonyvs. seofSonyvs. UniversalStudioswheretelev UniversalStudioswheretelevisionshowswere isionshowswererecordedtobe recordedtobeviewedata viewedatalatertime latertime (“SonyCorp.ofAmericavs.Un (“SonyCorp.ofAmericavs.UniversalCityStu iversalCityStudiosInc.”,1984).Howeve diosInc.”,1984).However,Napsterdi r,Napsterdidnot dnot onlymovecontentintoamore onlymovecontentintoamoreusableformat, usableformat,butalsoheldcopie butalsoheldcopiessothatfilescould ssothatfilescouldbe be sharedamongNapster’susers. More Moreov over er,,ba base sed don ont the heD DMC MCA Ath that atp pro rote tect cts sIn Inte tern rnet etS Ser ervi vice ceP Pro rovi vide ders rs( (IS ISPs Ps) )on ont the he groundsof“safeharbor”prov groundsof“safeharbor”provisions,Napster isions,Napsterstatedthatisw statedthatiswasusedasase asusedasaserviceforusers rviceforusers tosamplemusicbeforetheyp tosamplemusicbeforetheypurchasedane urchasedanentirealbum.A ntirealbum.Although,theDistrict lthough,theDistrictCourtstated Courtstated thatifNapsterwasusedonly thatifNapsterwasusedonlytosamplemusic tosamplemusicfilesitwouldonly filesitwouldonlyneedtorequ needtorequirelimited irelimited usageofsongsandnottheent usageofsongsandnottheentiresongoralb iresongoralbumgivingthe umgivingthecapabilitytouse capabilitytousersdownloadthe rsdownloadthe MP3files(“A&MRecords,Inc.vs. MP3files(“A&MRecords,Inc.vs.Napster,Inc.,” Napster,Inc.,”2001). 2001). Furt Furthe herm rmor ore, e,N Nap apst ster ers sta tate ted dth that ats sin ince cet the hel lau aunc nch hof ofN Nap apst ster er,,mu musi sic csa sale les swe were re increased.Though,theDistrictCourt increased.Though,theDistrictCourtstatedthatNap statedthatNapsterdidnotpr sterdidnotprovideenoughev ovideenoughevidence idence tosupportthatnotionandthatth tosupportthatnotionandthattheplaintiff’s eplaintiff’spresentedan presentedanincrediblea incredibleamountofeviden mountofevidence ce thatNapsteractuallycausedh thatNapsteractuallycausedharmtooverall armtooverallmusicsales(Crew musicsales(Crews,2001). s,2001). However,inJulyof2000,theDistrictC However,inJulyof2000,theDistrictCourtfortheNorthe ourtfortheNorthernDistrictofCa rnDistrictofCalifornia lifornia decidedthatNapsterwasguilty decidedthatNapsterwasguiltyfortheabove fortheabovethreeinfri threeinfringements.Nap ngements.Napsterwasnot sterwasnot satisfiedwiththisoutcome,hence,i satisfiedwiththisoutcome,hence,itappealed tappealedtotheU.S.A.Court totheU.S.A.CourtofAppealsf ofAppealsfortheNinth ortheNinth Circuit,whichonFebruary12,2001,con Circuit,whichonFebruary12,2001,confirmedtheDistri firmedtheDistrict’sCourtdecision ct’sCourtdecision(“A&M (“A&M Records,Inc.vs.Napster,Inc.,”2001). Tobemorespecific,theNin Tobemorespecific,theNinthCircuitCourtofA thCircuitCourtofAppealsconfir ppealsconfirmedthatNap medthatNapsterwas sterwas liableforrepeatedinfri liableforrepeatedinfringementsofcop ngementsofcopyrightlawsince yrightlawsincetheusersuploa theusersuploadedand dedand
Intellectual Property & Copyrights, Research Paper, 11 downloadedcopyrightedmusic.Inother downloadedcopyrightedmusic.Inotherwords,Napster words,Napsterprovidedtousers providedtousersthechanceto thechanceto listenandtransfermusicwithout listenandtransfermusicwithoutpayingan payinganyroyaltiestomu yroyaltiestomusicindustry,whichis sicindustry,whichisillegal illegal andisbeyondthemeansof andisbeyondthemeansoffairuse.Rega fairuse.Regardingthepurp rdingthepurposeofuse,theCour oseofuse,theCourtdecidedthat tdecidedthat theuseofmusicwasnottransform theuseofmusicwasnottransformative.Toillustra ative.Toillustrate,songswere te,songswereintheirorigi intheiroriginalformnot, nalformnot, forinstance,aparody(“A& forinstance,aparody(“A&MRecords,Inc.vs.N MRecords,Inc.vs.NapsterInc.,”2001). apsterInc.,”2001). Moreover,peerswereusin Moreover,peerswereusingNapsterfor gNapsterfortheircommercia theircommercialbenefit.The lbenefit.TheCourt Court justifiedthisdecisionnotbasedon justifiedthisdecisionnotbasedonthefactthat thefactthatpeerswouldsell peerswouldsellthesongs,butba thesongs,butbasedon sedon thefactthatthey“repea thefactthatthey“repeatedandexploi tedandexploitativecopying tativecopying,”andhence, ,”andhence,theysavedmone theysavedmoneyfrom yfrom payingroyaltiestothemusic payingroyaltiestothemusicindustry.Further,re industry.Further,regardingthea gardingtheamountofworkuse mountofworkused,the d,the CourtfoundthatNapsterwaslia CourtfoundthatNapsterwasliablefor“whole blefor“wholesalecopying” salecopying”whichisagai whichisagainstfairuse. nstfairuse. Anotherfactoroffairuse,as Anotherfactoroffairuse,asthesearesp thesearespecifiedinSe ecifiedinSection107oftheCopy ction107oftheCopyrightAct,isthe rightAct,isthe effectonthemarket.Onthis effectonthemarket.OnthisissuetheCourtcon issuetheCourtconcludedthatNap cludedthatNapsternegative sternegativelyaffected lyaffected musicindustrysincemusicindustrylostsa musicindustrysincemusicindustrylostsales(Crews,2001). les(Crews,2001). In2001,theNapstercasewas In2001,theNapstercasewassettled,thus,Napste settled,thus,Napsterhadtopay rhadtopay$26millionto $26millionto creatorsandcopyrightersforusin creatorsandcopyrightersforusingtheirmusicwi gtheirmusicwithoutauthorization thoutauthorizationandanother$10 andanother$10 millionforfuturelicensingroya millionforfuturelicensingroyalties.Inthefollow lties.Inthefollowingyear,Na ingyear,Napsterhadtode psterhadtodealwithsevere alwithsevere financialdifficulties.Inthesp financialdifficulties.Inthespringof2002,Nap ringof2002,Napstertriedtoconv stertriedtoconvertitsfree ertitsfreeservicetoa servicetoa subscriptionservicewhereuse subscriptionservicewhereuserswouldpay$4.95a rswouldpay$4.95amonth.Howeve month.However,Napsterha r,Napsterhad d significanttroubleobtaining significanttroubleobtaininglicensestodistrib licensestodistributemajor‐lab utemajor‐labelmusic.InAp elmusic.InAprilofthesame rilofthesame year,theassetsofNapster year,theassetsofNapsterwereabout$ wereabout$8million,whilei 8million,whileitsliabilitiesw tsliabilitieswereslightlyove ereslightlyover r $100million(“Swansong:Bankrup $100million(“Swansong:BankruptcyforNapster tcyforNapster,”2002).InMay ,”2002).InMay2002,Napster 2002,Napster announcedthatBertelsmann,a announcedthatBertelsmann,aGermanmedi Germanmediafirm,boughtit afirm,boughtitfor$85million.In for$85million.InJuneofthe Juneofthe sameyear,Napsterfiled sameyear,NapsterfiledforChapter11b forChapter11bankruptcyin ankruptcyinordertobep ordertobeprotectedbythe rotectedbythetake take
Intellectual Property & Copyrights, Research Paper, 12 overfromBertelsmann.InSep overfromBertelsmann.InSeptember2002,an tember2002,anAmericanb Americanbankruptcyjudge ankruptcyjudgeblockedthesa blockedthesale le toBertelsmannandforcedNap toBertelsmannandforcedNapstertoliquidate stertoliquidateitsassetsunde itsassetsunderChapter7of rChapter7oftheU.S. theU.S. bankruptcylaws(“Napste bankruptcylaws(“Napster’shighandlow r’shighandlownote”,2000). note”,2000). Conclusion Napsterstillexists,butitoper Napsterstillexists,butitoperatesundera atesunderanewstructurea newstructureandanewp ndanewpolicy.Today olicy.Today Napster’soperationsare Napster’soperationsarebothlegalan bothlegalandethical.AtNa dethical.AtNapster’sofficial pster’sofficialwebpage, webpage,underterms underterms andconditions,membersmustsign andconditions,membersmustsignalegalcontact alegalcontact,whichstatesthe ,whichstatesthestandardsofusing standardsofusingthis this software.Amongthese,oneca software.Amongthese,onecanseetheag nseetheagerequireme erequirements.Also,atthe nts.Also,atthedescriptionofse descriptionofservice rvice itisclearlystated,thattheser itisclearlystated,thattheserviceisonlyfor viceisonlyforpersonal,non‐ personal,non‐commercialan commercialandnon‐ dnon‐ transferableuse.Moreover transferableuse.Moreover,permanent ,permanentdownloadisonlya downloadisonlyavailablewh vailablewhenmembers enmembershave have purchasedthesong(“Napster purchasedthesong(“Napstersubscriptionser subscriptionserviceandmusicstor viceandmusicstoretermsand etermsand conditions,"2008).OnSeptember15,2008,N conditions,"2008).OnSep tember15,2008,NapsterInc.a apsterInc.andBestBuyCo.infor ndBestBuyCo.informedthe medthe publicthattheyagreedtome publicthattheyagreedtomerge(“Bestbuy rge(“BestbuytoacquireN toacquireNapster”,2008). apster”,2008). Toconclude,webelievethatF Toconclude,webelievethatFanning’sidea anning’sideaforcreating forcreatingthissoftwarewa thissoftwarewas s innovativeandhighlycreat innovativeandhighlycreative.However,i ive.However,itlackedthele tlackedthelegalandethica galandethicalbaseitshouldh lbaseitshouldhave ave inordertosuccessfullyprotectinte inordertosuccessfullyprotectintellectualproper llectualpropertyrightsofcrea tyrightsofcreators.Infact,thestr tors.Infact,thestructure ucture ofthesoftwaremadeitinev ofthesoftwaremadeitinevitabletoprote itabletoprotecttheserights,a cttheserights,aspeerswer speerswerefreetodown efreetodownload load andextensivelyusemusicfile andextensivelyusemusicfileswithoutpayin swithoutpayingroyaltiestothe groyaltiestothemusicindustry.Fi musicindustry.Finally,we nally,we considerthatNapster,asitfu considerthatNapster,asitfunctionstoday,noton nctionstoday,notonlyproteststhese lyproteststheserights,butalso rights,butalso promotesmusicitselfandmusicindust promotesmusicitselfandmusicindustrysinceitgiv rysinceitgivesthechance esthechancetouserstolisten touserstolisten numerousmusicsampleswhich,late numerousmusicsampleswhich,later,theycanbu r,theycanbuy.Atthesame y.Atthesametime,theycan time,theycanhaveaccess haveaccess toolderorraresongsthatcann toolderorraresongsthatcannotbeeasily otbeeasilyfound.Butmostimp found.Butmostimportantly,intelle ortantly,intellectual ctual propertyrightsofcreatorsare propertyrightsofcreatorsarerespecteda respectedandprotectedby ndprotectedbyallmeans,a allmeans,astheyshould. stheyshould.
Intellectual Property & Copyrights, Research Paper, 13 CASESTUDYII:Metro‐Goldwyn‐M CASESTUDYII:Metro‐Goldwyn‐MayerStudios,Inc. ayerStudios,Inc.vs.Grokster,Ltd vs.Grokster,Ltd Introduction LedbyMetro‐Goldwyn‐Mayer LedbyMetro‐Goldwyn‐MayerStudios,Inc.(MGM), Studios,Inc.(MGM),28majorenter 28majorentertainment tainment companiessuedGrokster,aP2P companiessuedGrokster,aP2Pfilesharing filesharingserviceformusic serviceformusicandmovies,for andmovies,forintellectual intellectual propertyandcopyrightsinfri propertyandcopyrightsinfringements.Though ngements.ThoughitseemsthatM itseemsthatMetro‐Goldwyn‐M etro‐Goldwyn‐MayerInc. ayerInc. (MGM)vs.Grokster,LTDcaseha (MGM)vs.Grokster,LTDcasehasmanysimilar smanysimilaritieswiththep itieswiththepreviouscase,a reviouscase,aswewill swewill discuss,theyhavesignificantdiffe discuss,theyhavesignificantdifferences.Infa rences.Infact,Grokster’soper ct,Grokster’soperationsarediff ationsaredifferentin erentin structurethanNapster’s,leadi structurethanNapster’s,leadingjusticestoa ngjusticestoadilemmaonwhe dilemmaonwhetherGrokster’sop therGrokster’soperations erations wereillegalornot.Thiscase wereillegalornot.Thiscase,likeA&MRe ,likeA&MRecords,Inc.vs.Napst cords,Inc.vs.Napster,Inc.,wentto er,Inc.,wenttotheCourtof theCourtof Appealsandfinally,tothe Appealsandfinally,totheSupremeCourt SupremeCourtwhichdecidedthat whichdecidedthatGroksterwaslia Groksterwasliablefor blefor copyrightinfringements.Inthe copyrightinfringements.Inthenextsessions, nextsessions,wewilldiscussGrokste wewilldiscussGrokster’soperation r’soperations,the s,the legalissues,andfinallyourconclusions. Grokster’sOperations Grokster’soperations,incontrast Grokster’soperations,incontrastwithNapster withNapster,didnotuseace ,didnotuseacentralizedfile‐ ntralizedfile‐sharing sharing network,infact;Groksterwasm network,infact;Groksterwasmoresophisticated oresophisticatedsoftware.Them software.Themaincharacte aincharacteristicsof risticsof Groksterarethat: 1. Itdoesnothaveaccesstothesource Itdoesnothaveaccesstothesourcecodeforthea codefortheapplication, pplication, 2. ItusesFastTracknetworking ItusesFastTracknetworkingtechnology,whichGrok technology,whichGroksterdoesnotown sterdoesnotown. . 3. Atthestartpageuserssee Atthestartpageusersseeadvertisemen advertisementsthatarere tsthatareretrievedbyGr trievedbyGrokster’sclient okster’sclient software. TobetterillustrateGrokster’sop TobetterillustrateGrokster’soperations,we erations,weshouldexplainthe shouldexplaintheFastTrack FastTrack networkingtechnology.FastTrack networkingtechnology.FastTrackismoredyna ismoredynamicthanP2P.T micthanP2P.Thisnetworkte hisnetworktechnology chnology consistsofnodesandsupernodes.Node consistsofnodesandsupernodes.Nodeis“anen is“anendpointonthe dpointontheinternet,typ internet,typicallyauser’s icallyauser’s
Intellectual Property & Copyrights, Research Paper, 14 computer,”whilesupernode“ computer,”whilesupernode“isanodethat isanodethathasaheighte hasaheightenedfunction,accum nedfunction,accumulating ulating informationfromnumerousother informationfromnumerousothernodes”(Unite nodes”(UnitedStatesDistrictCou dStatesDistrictCourt,2003).The rt,2003).The individualnodeisfreetosele individualnodeisfreetoselectitssupernode ctitssupernodestatus.Forexamp status.Forexample,basedoni le,basedonitsownneeds tsownneeds andthenetwork’savailab andthenetwork’savailability,thenodecou ility,thenodecouldchangefromn ldchangefromnodetosupernode odetosupernode,andvice ,andvice versa.Theone‐nodesare versa.Theone‐nodesaregatheredtogethe gatheredtogetheraroundasu raroundasupernode.The pernode.Theuserhastoconne userhastoconnect ct toarootsupernode,whichthenw toarootsupernode,whichthenwilldirecttheuse illdirecttheusertosupernodes. rtosupernodes.Onceusersare Onceusersare connectedtothesupernode,they connectedtothesupernode,theycansearch,loca cansearch,locate,andfinally te,andfinallydownloadthedesi downloadthedesiredfile, redfile, fromotherusers’computer.AsSa fromotherusers’computer.AsSamsonmentions,“ msonmentions,“Manyofthe Manyofthe"rootsupernodes"a "rootsupernodes"are, re, however,operatedbyKazaa however,operatedbyKazaaBV/Sherman BV/Sherman,whichlicensesi ,whichlicensesitsKazaasoftware tsKazaasoftwaretoGrokster” toGrokster” (Samson,2004). Moreover,userscantransfer Moreover,userscantransferfilesusingGrokste filesusingGrokster,butinfact, r,butinfact,Groksterhasne Groksterhasneither ither ownershipnorcontroloverthese ownershipnorcontroloverthesefiles.Thepr files.Theprocedureoflocating ocedureoflocatingandconnectin andconnectingtoa gtoa supernodeistotallyindepen supernodeistotallyindependentfromGrokster. dentfromGrokster.InAppen InAppendixC,thereisa dixC,thereisagraphical graphical representationofGrokster,a representationofGrokster,andacomparison ndacomparisonwithNapste withNapster. r. LegalIssues InOctober2001,Metro‐Goldwyn‐May InOctober2001,Metro‐Goldwyn‐MayerStudios,Inc.alon erStudios,Inc.alongwithsevera gwithseveralmajor lmajor musicandmoviefirmssuedGrokste musicandmoviefirmssuedGroksterwiththeaccusa rwiththeaccusationofcontributory tionofcontributoryandvicarious andvicarious copyrightinfringement.The copyrightinfringement.Thecompaniescomp companiescomplainedthatGrok lainedthatGroksterwasacting sterwasactingillegallyand illegallyand thatmusicandmovieindustrywe thatmusicandmovieindustrywerelosingsignif relosingsignificantprofitsdue icantprofitsduetoGrokster’sope toGrokster’soperations rations (Samson,2004).Ontheotherhand,def (Samson,2004).Onthe otherhand,defensesupporte ensesupporteditsarguments ditsargumentsusingtheAudioH usingtheAudioHome ome RecordingAct,andtobemoresp RecordingAct,andtobemorespecifictheBeta ecifictheBetamaxcase(Son maxcase(SonyvsUniversa yvsUniversalStudios).Inthe lStudios).Inthe MGMvs.Grokstercase,thecourtre MGMvs.Grokstercase,thecourtrejectedthea jectedtheaccusationofMGM.T ccusationofMGM.Thereasoning hereasoningofthis ofthis
Intellectual Property & Copyrights, Research Paper, 15 decisionwasthat“file‐sharin decisionwasthat“file‐sharingsoftwarecouldb gsoftwarecouldbeusedforlegiti eusedforlegitimatepurpose matepurposes,andassuch s,andassuch wasprotectedunderthe1984Beta wasprotectedunderthe1984Betamaxruling” maxruling”(“TheBetama (“TheBetamaxCase”,n.d.). xCase”,n.d.). Tobemorespecific,inthe Tobemorespecific,intheBetamaxcase Betamaxcasethecourtdecided,in thecourtdecided,in1984,thatVCR 1984,thatVCR manufacturer“wasnotliab manufacturer“wasnotliableforcreating leforcreatingatechnologytha atechnologythatsomecustomersma tsomecustomersmayusefor yusefor copyrightinfringingpurposes, copyrightinfringingpurposes,solongasthete solongasthetechnologyiscapa chnologyiscapableofsubstantia bleofsubstantialnon‐ lnon‐ infringinguses”(McGuire,2005).T infringinguses”(McGuire,2005).Thelogicbehin helogicbehindthisdecisionwas dthisdecisionwassimple:electron simple:electronic ic firmsshouldnotbeaccusediftheir firmsshouldnotbeaccusediftheirproductscouldbeuse productscouldbeusedtocommitpira dtocommitpiracy. cy. Moreover,Groksterwasnotlia Moreover,Groksterwasnotliablesincether blesincetherewasnocen ewasnocentralserver,a tralserver,andtherefore, ndtherefore, ithadneithertherightnor ithadneithertherightnortheabilityto theabilitytocontroloveritsuse controloveritsusers(“MGMv.Grok rs(“MGMv.Grokster,”n.d.).On ster,”n.d.).On theotherhand,entertainme theotherhand,entertainmentindustryprov ntindustryprovedthat90%ofthe edthat90%ofthedailyillegaldow dailyillegaldownloading nloading washappeningthroughGrokste washappeningthroughGrokster.Also,Groksterw r.Also,Groksterwasearning asearningprofitthroughadve profitthroughadvertising rtising becausepeopleusedthissoftwa becausepeopleusedthissoftwaretoillegally retoillegallydownloadmusican downloadmusicandmovies.Grokster dmovies.Groksterwasan wasan “infringementdependen “infringementdependent”business,that t”business,thatitsearnings itsearningsweredepen weredependedoncopyright dedoncopyright infringement.Thoughthebotha infringement.Thoughthebothargumentswer rgumentswerestrongenough, estrongenough,Court’sdecisionwa Court’sdecisionwasin sin favorofGrokster.Itistruethat favorofGrokster.Itistruethatthemusicandmov themusicandmoviefirmswere iefirmswerenotsatisfiedb notsatisfiedbythis ythis decision,andwenttotheNin decision,andwenttotheNinthCircuitCourtofA thCircuitCourtofAppeals.Howev ppeals.However,Groksteralso er,Groksteralsowonthis wonthis caseforthesamereasons. Furthermore,thecasewentto Furthermore,thecasewenttotheSupreme theSupremeCourtin2005.TheSu Courtin2005.TheSupremeCourt premeCourt unanimouslydecidedthatGroksteri unanimouslydecidedthatGroksterisliableforin sliableforinducingcopyrighti ducingcopyrightinfringement. nfringement.Thefinal Thefinal decisionoftheCourtwas,“One decisionoftheCourtwas,“Onewhodistributesa whodistributesadevicewiththe devicewiththeobjectofprom objectofpromotingits otingits usetoinfringecopyright,asshow usetoinfringecopyright,asshownbycleare nbyclearexpressionorothe xpressionorotheraffirmativ raffirmativestepstake estepstakento nto fosterinfringement,goingbe fosterinfringement,goingbeyondmeredistr yondmeredistributionwithkn ibutionwithknowledgeof3rdpa owledgeof3rdpartyaction,is rtyaction,is liablefortheresultingactsof liablefortheresultingactsofinfringemen infringementby3rdpartie tby3rdpartiesusingthedev susingthedevice,regardlessof ice,regardlessof
Intellectual Property & Copyrights, Research Paper, 16 thedevice’slawfuluses.”(“Ca thedevice’slawfuluses.”(“CaseArchives”, seArchives”,n.d.).Afterthisde n.d.).Afterthisdecision,Groksterhad cision,Groksterhadtopay topay $50milliontotherecordingindustry $50milliontotherecordingindustryandwasalsofor andwasalsoforcedtoshutdownits cedtoshutdownitsoperation operation (“MGMv.Grokster,”2003).TheCourt (“MGMv.Grokster,”2003).TheCourtdidnotreexam didnotreexaminetheBeta inetheBetamaxcase,nor maxcase,normadeany madeany decisionsregardingtechnologycomp decisionsregardingtechnologycompaniesandthe aniesandtheirproducts.Howev irproducts.However,itaddedone er,itaddedone doctrine,whichcalled“inducemen doctrine,whichcalled“inducement”andregar t”andregardscopyrightinfri dscopyrightinfringementliab ngementliability(“The ility(“The Betamaxcase”,n.d.). Conclusion Metro‐Goldwyn‐MayerInc.vs.Grok Metro‐Goldwyn‐MayerInc.vs.Grokster,Ltdwasa ster,Ltdwasacomplicatedcase complicatedcase,sincecourts’ ,sincecourts’ decisionswerecontradictory.We decisionswerecontradictory.Webelievethat believethatthemainissue themainissuesinthiscase sinthiscasearetwo.Thef aretwo.Thefirst irst oneiswhetherGroksterwasli oneiswhetherGroksterwasliableforcopyr ableforcopyrightinfringem ightinfringement,andthese ent,andthesecondiswhether condiswhether decisionsliketheabove,hurt decisionsliketheabove,hurtcreativityan creativityandtechnologicalinn dtechnologicalinnovation.Itistrue ovation.Itistruetosaythat tosaythat theoutcomeofBetamaxcase,ga theoutcomeofBetamaxcase,gavethechance vethechancetoothercompan toothercompaniestoproduceCD iestoproduceCDrecorders, recorders, musicplayers,anddigitalvideo musicplayers,anddigitalvideorecorders,withoutth recorders,withoutthefearthat efearthattheypromotecop theypromotecopyright yright infringement.However,Supr infringement.However,Supreme’sCourtdecisi eme’sCourtdecisionmadeele onmadeelectronicindustrytob ctronicindustrytobelievethat elievethat itwillblocktheinnovationof itwillblocktheinnovationofdeviceslikei deviceslikeiPod.Onesolutionto Pod.Onesolutiontothisunpleasan thisunpleasantsituation tsituation wouldbetheintroductionofnew wouldbetheintroductionofnewregulationore regulationoreventhearr venthearrestofindividual estofindividualpirates.We pirates.We supportSupreme’sCourtdecision supportSupreme’sCourtdecisionbutwesuggestt butwesuggestthatfurtherreg hatfurtherregulationregardi ulationregardingthis ngthis issueshouldbeissuedinordertop issueshouldbeissuedinordertoprotecttechnologyi rotecttechnologyinnovationand nnovationandcreativity. creativity.
Intellectual Property & Copyrights, Research Paper, 17 ETHICALISSUES Thepurposeofthispaper Thepurposeofthispaperistoexamine istoexamineintellectualp intellectualpropertyandcop ropertyandcopyrightsby yrightsby studyingtwocases.Sofar,wehav studyingtwocases.Sofar,wehave,indepth,a e,indepth,analyzedtheleg nalyzedthelegalaspectsofb alaspectsofbothcases. othcases. However,ourstudywouldbeincomp However,ourstudywouldbeincompleteifwew leteifwewouldnotexamine ouldnotexaminetheethicala theethicalaspectsof spectsof thisissue,sincewealreadyk thisissue,sincewealreadyknowthatlega nowthatlegalthingsaren lthingsarenotalwaysethica otalwaysethicalandviceve landviceversa. rsa. Theethicalaspectswillbe Theethicalaspectswillbediscussedinthefollow discussedinthefollowingparagra ingparagraphs. phs. Down Downlo load adin ing gmu musi sic can and dmo movi vie efi file les sus usin ing gth the eme meth thod ods sde desc scri ribe bed din int thi his spa pape per ris isn not ot onlyillegal,butalsounethical.I onlyillegal,butalsounethical.Itistruetosay tistruetosaythatcreatorsha thatcreatorshavespentef vespenteffort,time,and fort,time,and moneyinordertocreatesome moneyinordertocreatesomethingvaluable thingvaluabletooursociety.Th tooursociety.Then,theypubli en,theypublishtheirpiece shtheirpiece ofartinordertogetcreditsfor ofartinordertogetcreditsfortheirwork,a theirwork,andofcoursetoea ndofcoursetoearnmoney.Use rnmoney.Users,byillegally rs,byillegally downloading,neithergivecre downloading,neithergivecreditstotheartistsn ditstotheartistsnormoney.Inour ormoney.Inouropinion,illeg opinion,illegal al downloadingequalstheft.Wewou downloadingequalstheft.Wewouldnotexaggera ldnotexaggerateifwefurt teifwefurthercomparei hercompareitwithslavery, twithslavery, meaningthatcreatorswork meaningthatcreatorsworkforus,butwedon forus,butwedonotrewardthem otrewardthem.Itistotallyuna .Itistotallyunacceptablein cceptablein ourcivilizedsocietytotakeadva ourcivilizedsocietytotakeadvantageofother ntageofotherpeople’sef people’seffortandcreati fortandcreativity. vity. More Moreov over er,,it iti is sun unet ethi hica cal lbe beca caus use eil ille lega gal ldo down wnlo load adin ing gdo does esn not oth hur urt ton only lya art rtis ists ts,,bu but t theglobaleconomyaswell.Ma theglobaleconomyaswell.Manypeopledow nypeopledownloadfilesbeca nloadfilesbecausetheybeli usetheybelievethatfam evethatfamous ous artistsarealreadyrichen artistsarealreadyrichenough,hence,they ough,hence,theydonotneedmor donotneedmoremoney.Unfo emoney.Unfortunately,they rtunately,they donotconsideremployeesinthe donotconsideremployeesintheindustrysuchas industrysuchasworkers,technicia workers,technicians,andeconomi ns,andeconomists. sts. Theirsalaryandtheircar Theirsalaryandtheircareeraretota eeraretotallydepending llydependingonsales.Since onsales.Sinceillegaldownloadin illegaldownloading g decreasessales,entertainm decreasessales,entertainment’sindustryp ent’sindustryprofitsdeclinean rofitsdeclineand,hence,peop d,hence,peoplelosetheirj lelosetheirjobs. obs. Inotherwords,peoplelosethei Inotherwords,peoplelosetheirjobsandsocie rjobsandsociety’swelfaresu ty’swelfaresuffers,justbecause ffers,justbecausesome some peopleprefertoenjoy peopleprefertoenjoyotherpeople’ otherpeople’sworkwithoutpa sworkwithoutpayingthecost. yingthecost.
Intellectual Property & Copyrights, Research Paper, 18 Furthermore,somepeopledown Furthermore,somepeopledownloadillegallymusic loadillegallymusicandmoviesin andmoviesinorderto orderto financiallyexploitotherpe financiallyexploitotherpeople’swork.To ople’swork.Toillustrate,somep illustrate,somepeopledownloadth eopledownloadthe e copyrightedfilesandthen,they copyrightedfilesandthen,theysellthemata sellthematalowerthant lowerthanthemarket’sp hemarket’sprice.Thisise rice.Thisiseven ven moreunethicalandimmoralsin moreunethicalandimmoralsincetheyexp cetheyexploitotherpeople loitotherpeople’sworkandcr ’sworkandcreativitywithout eativitywithout compensatingthem.Instead,the compensatingthem.Instead,theyillegallyma yillegallymakemoneyfor kemoneyforthemselves.They themselves.Theynotonlysteal notonlysteal moneyfromtheentertainin moneyfromtheentertainingindustrybutfr gindustrybutfromthegovernme omthegovernmentaswellsin ntaswellsincetheypay cetheypayno no taxes. Toconclude,basedonasurveyb Toconclude,basedonasurveybytheInstitute ytheInstituteforPolicyInnova forPolicyInnovation(IPI)due tion(IPI)dueto to piracycopyrightedmaterial, piracycopyrightedmaterial,economyoftheU economyoftheU.S.losses$58billione .S.losses$58billioneveryyear, veryyear,373,375 373,375 U.S.’sworkerslosetheirjobs,work U.S.’sworkerslosetheirjobs,worker’searnin er’searningisdecrease gisdecreasedby$16.3billione dby$16.3billioneveryyear, veryyear, andgovernmentlosses$2.6billion andgovernmentlosses$2.6billionintaxreve intaxrevenuesannually nuesannually(Fitch,2007). (Fitch,2007). People,andmostlystudents,committhi People,andmostlystudents,committhiscrimefora scrimeforavarietyofre varietyofreasons,forinstance asons,forinstance: : •
Itisfree,
•
Itiseasy,
•
Itisalowriskcrime,
•
Theyareunawareofthe Theyareunawareoftheconsequencesi consequencesinindustryand nindustryandinthesocietya inthesocietyasawhole, sawhole,
•
Theybelievethateveryb Theybelievethateverybodyelsedoesit. odyelsedoesit. Governmentandentertainm Governmentandentertainments’industryrole ents’industryroleistoinformci istoinformcitizensaboutthe tizensaboutthe
consequencesofthiscrime.Rega consequencesofthiscrime.Regardingtheethica rdingtheethicalperspectiv lperspectivethereisa ethereisaguidelinewe guidelinewe shouldfollowinordertobesuretha shouldfollowinorder tobesurethatweactin tweactinanethicalma anethicalmannerandwi nnerandwillguideustomak llguideustomake e therightchoice,evenifwe therightchoice,evenifweareunawa areunawareofregulation reofregulationsandlaws.The sandlaws.Thesequestionsa sequestionsas s Jenningspresentthemare: •
Isitlegal?Isitbalanced? Isitlegal?Isitbalanced?Howdoesthismak Howdoesthismakemefeel? emefeel?(BlanchardandP (BlanchardandPeale) eale)
Intellectual Property & Copyrights, Research Paper, 19 •
Howwouldareporterdescribe Howwouldareporterdescribemyactiononthe myactiononthefrontpage frontpageofanewspa ofanewspaper?(The per?(The Front‐Page‐of–the‐NewspaperTest)
•
HowwouldIviewthissituationif HowwouldIviewthissituationifIstoodontheother Istoodontheotherside?Or,wouldI side?Or,wouldIfeel feel comfortabletodiscusswithmypare comfortabletodiscussw ithmyparentsaboutmyact ntsaboutmyaction?(LauraN ion?(LauraNashand ashand Perspective)
•
Ismyactionincompliancewi Ismyactionincompliancewiththelaw?Wh ththelaw?Whataretheco ataretheconsequences?( nsequences?(TheWall TheWall StreetJournalModel)(p.45‐47). Fromourperspective,theab Fromourperspective,theabovequestionsshould ovequestionsshouldleadourperso leadourpersonaland naland
professionaldecisions.
Intellectual Property & Copyrights, Research Paper, 20
References A&M Record Inc vs Napster Inc. (2001) U.S. Retrieved October 23, 2008, from the Court of Appeals for the Ninth Circuit http://cyber.law.harvard.edu/~wseltzer/napster.html Best buy to acquire Napster. (2008). Retrieved October 20, 2008, from Napster http://investor.napster.com/releasedetail.cfm?ReleaseID=334474 Brannen, T. (2008). Napster Case Study. Retrieved October 20, 2008, from http://www.wiziq.com/educational-tutorials/presentation/7640-Napster-Case-Study Case Archives. (n.d.). North Carolina Carolina State University. Retrieved Retrieved October 22, 2008 from http://www.law.duke.edu/publiclaw/supremecourtonline/certGrants/2004/mgmvgro Crews, K. (2001). Summary of A&M Records, Inc. v. Napster, Inc.: Implications for the digital 20 08, from Indiana University Digital Music music library. Retrieved October 20, 2008, Library http://www.dml.indiana.edu/pdf/AnalysisOf http://www.dml.indiana.edu/pdf/AnalysisOfNapsterDecision.pdf NapsterDecision.pdf Crosse, S., Wilson, E., Walsh, A., Coen, D., & Smith, C., (2003). Napster . Retrieved October 20, 2008, from http://ntrg.cs.tcd.ie/undergrad/4ba2.02-03/p4.html Fitch, E. (2007). “$58 billion in economic damage and 373,000 jobs lost in U.S. due to copyright piracy.” Institute Policy Innovation. Retrieved Retrieved on October 22, 2008, from from http://www.ipi.org/ Giesler, M., & Pohlmann, M. (2003). The anthropology of file sharing: Consuming Napster as a gift . Retrieved October 21, 2008, from
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Intellectual Property & Copyrights, Research Paper, 21 Jennings, M. (2006). Business: its legal, ethical, and g lobal environment. 622-626. McGuire, D. (2005). At a glance: MGM v. Grokster. The Washington Post. Retrieved October 22, 2008, from http://www.washingtonpost.com/wpdyn/content/article/2005/05/03/AR2005050301028.html Jones, C. (2000). Metallica Rips Napster. Retrieved October 15, from http://www.wired.com/politics/law/news/2000/04/35670 MGM v. Grokster. (n.d.). Duke University. Retrieved Retrieved October 22, 2008, from http://www.law.duke.edu/publiclaw/supremecourtonline/certGrants/2004/mgmvgro MGM v. Grokster. (2005). Guardian. Retrieved October 22, 2008 from ghttp://www.guardian.co.uk/technology/2007/aug/06/grokster MP3 (2001). Webopedia. Retrieved October 21, 2008, from http://webopedia.internet.com/TERM/M/MP3.html Napster: 20 million users. (2000). Retrieved October 20, 2008, from CNNMoney http://money.cnn.hu/2000/07/19/technology/napster/index.htm Napster subscription service and music store terms and conditions. (2008). Re trieved October 20, 2008, from Napster http://home.napster.com/info/terms.html Napster’s high and low notes (2000). Retrieved October 21, 2008, from Business Week http://www.businessweek.com/2000/00_33/b3694003.htm Samson, M. (2004). Metro-Goldwyn-Mayer Studios, Inc v. Grokster, Ltd., et.al. Internet Library of Law and Court Decisions. Retrieved October 22, 2008, from
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Intellectual Property & Copyrights, Research Paper, 22 Spencer, A. (2000). Napster’s Shawn Fanning: The teen who woke up web music. Business Week . Retrieved October 20, 2008, from
http://www.businessweek.com/ebiz/0004/em0412.htm Swan song: bankruptcy for Napster. (2002). Retrieved October 20, 2008, from CBS News http://www.cbsnews.com/stories/2002/06/03/tech/main510891.shtml The Betamax case. (n.d.). Retrieved October 22, 2008, from http://w2.eff.org/legal/cases/betamax United States Copyright Office. (2006). Copyright Basics. Retrieved October 27, 2008, from http://www.copyright.gov/circs/circ1.pdf United States Copyright Office. (2006). Fair Use. Retrieved October 27, 2008, from http://www.copyright.gov/fls/fl102.html United States Copyright Office. (1998). The Digital Millennium Copyright Act of 1998. Retrieved October 20, 2008, from http://www.copyright.gov/legislation/dmca.pdf United States District Court. (2003). Metro-Goldwyn-Mayer Studios, Inc v. Grokster, Ltd., et.al. Retrieved October 22, 2008, from http://fl1.findlaw.com/news.findlaw.com/hdocs/docs/mgm/mgmgrokster42503ord.pdf United States Patent and Trademark Office. (2005). What is a copyright ? Retrieved October 26, 2008, from http://www.uspto.gov/go/pac/doc/general/#patent United States Patent and Trademark Office. (2005). What is a patent ? Retrieved October 26, 2008, from http://www.uspto.gov/go/pac/doc/general/#patent World Intellectual Property Organization.(1997). Introduction to intellectual property: theory and practice (1997). Retrieved September 29, 2008, from Google Book
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Intellectual Property & Copyrights, Research Paper, 24
AppendixA
Intellectual Property & Copyrights, Research Paper, 25
Intellectual Property & Copyrights, Research Paper, 26
Intellectual Property & Copyrights, Research Paper, 27
Intellectual Property & Copyrights, Research Paper, 28 AppendixB
Intellectual Property & Copyrights, Research Paper, 29
AppendixC
Intellectual Property & Copyrights, Research Paper, 30
©
2008
Christopher Pappas